God Against Humanity Interview

 1. Can you give us an update on what has been going on with the band since the recording and release of the new album?

David: Hi, thank you for having us. We’re currently on a bit of a break because Ben (guitar) had to undergo surgery. In the meantime, we’re using this time to write new material and look for shows in the fall (by the way, if you’re a booker, don’t hesitate to reach out!). For now, we’re basically preparing the ground for the band’s future.

At the same time, we also have some side projects: Ben plays in Mindgrief, Max recently joined Laucéan on bass, and Simon and I are involved in Majestic Major.

Ben: Absolutely. During my recovery, I can’t lift heavy equipment like amplifiers until May, so performing is technically impossible right now. However, there are already a few opportunities in the works for the coming months.

2. You recently released your first full-length album. Musically, how does it differ from your previous demo?

David: The first demo was basically an experiment I did alone as a one-man band. I wrote and recorded the track by myself. Since then, the band has evolved into its current, stable lineup. Musically, we’ve shifted more toward death metal, and our songs are now tuned down to baritone ranges.

Ben: Personally, I wasn’t part of the band at that time. I joined as a bass player a few months before the first lockdown, then later switched to guitar while our friend Max joined on bass.

Simon: Originally, the style and atmosphere we were aiming for were quite different. We were leaning more toward black metal with a strong use of synthesizers. We were even considering recruiting a keyboard player. It’s interesting to see how everything has matured and evolved since then.

3. This is also your first release since the demo in 2018. Can you tell us more about the eight-year gap?

David: The hardest part was finding a stable lineup and playing shows with it. We wanted to perform live so the album wouldn’t just come out of nowhere. But we promise the next one will come much faster now that we have more experience and a clearer direction.

Ben: For me, the COVID lockdown was a real pain, both personally and professionally. On top of that, several members had personal issues that affected our workflow. We needed that time to build a strong relationship within the band, which is just as important as the music itself to me. We also experimented with additional instruments and musicians before finally settling on the current lineup.

Simon: A lot has changed during that time—personally, musically, and even globally. It allowed us to build the lineup we have today, which feels perfect in terms of chemistry and gives us the confidence to perform live and share our music.

4. What are some of the lyrical themes explored on the album?

David: The lyrics deal with relationships between people, especially those who see themselves as gods and those who suffer because of them. There are also more introspective tracks dealing with the pain and anxieties of modern life and how we interpret them.

5. The album title was inspired by the Judgement card. Do any of the band members have an interest in tarot?

David: Not really, but my partner does! She actually collects tarot cards. The title simply means that you reap what you sow. Most of the songs also explore how mankind destroys civilization through its sins and personal greed.

6. Can you tell us more about the artwork featured on the album cover?

David: I created the artwork myself. It represents the overall theme of the album. The most challenging part was capturing the atmosphere of the record: something with an old-school feel, a death metal edge, and a more dreamlike, black metal vibe.

Ben: Clearly, God Against Humanity is primarily David’s project. He’s the mastermind who builds everything from the ground up. Then we all bring in our own style through our instruments and vision, and we work on it together in great harmony.

7. Out of all the shows you’ve played so far, which one stands out the most?

David: Probably the show we played in Wasquehal right before the album release, with our friends from Last Retaliation. The crowd’s reaction was amazing and everything went really well.

Ben: Honestly, I don’t think there’s a single GAH show I didn’t enjoy. Everything always goes well. The shows at The Black Lab are definitely outstanding thanks to the amazing work they do for musicians, but I also love playing smaller venues with very responsive crowds.

Simon: Yes, the last show at The Black Lab was incredible. We knew it would be the last one before Ben’s surgery and the short break from performing. The venue was fantastic, the audience was amazing, and we delivered!

8. Do you have any touring plans for the new album?

David: Unfortunately not at the moment. At our level and without a label, it’s difficult to organize a tour. But if you’re a booker and you like what we do, feel free to contact us.

Ben: We’re handling everything ourselves, and organizing a tour requires a lot of time and skills. We all have busy lives—some of us have families and demanding jobs, plus other projects. But we’re actively discussing it, and hopefully with some support, it could happen in the near future.

9. The band is currently unsigned. Are you looking for a label or have you received any interest?

David: For now, we’re not actively looking for anything specific. If a label comes with a good offer, why not? But the music industry is becoming more complicated, and labels tend to take fewer risks nowadays.

Ben: Personally, I’ve never been signed, and I don’t plan to with my own project Mindgrief. But with GAH, since the album has just been released, we’re definitely open to hearing offers that could help push the project forward.

10. How has the worldwide reaction been to your music so far?

David: We haven’t received that much feedback yet. We know the album has been appreciated in Russia, Germany, and Scandinavia. The responses we’ve had so far have been very positive, but still limited.

Ben: It’s honestly amazing to see the feedback we’re getting. It feels really rewarding.

11. Where do you see the band heading musically in the future?

David: The band will probably move toward a more melodic death metal direction, with songs that are more suited for the stage while still keeping dark atmospheres. We also want to simplify our sound and focus on what’s essential for a stronger impact.

Ben: Right now, we already have a full setlist that allows us to play for almost 60 minutes. Adding new tracks is exciting because it will open up new directions and choices for us as a band. It’s great to see the project moving forward.

12. What are you currently listening to?

David: We all have our own musical tastes with some overlap. Personally, I listen to a bit of everything in metal, except pure old-school thrash. Right now, I’m really excited about Nevermore coming back, and I’m also looking forward to the new Gaerea album coming out this week.

Ben: One of the biggest debates in the band is “old school vs modern” metal influences, but we all share a strong love for extreme metal—especially death, melodic, and progressive metal. These are our roots. Lately, I’ve been listening to a lot of post-black and blackgaze, especially the two bands I toured with in February: RAÜM and MÜRRMÜRR. I love massive reverb over transcendental blast beats.

Simon: We all have different tastes but a solid common ground. Personally, I’ve been listening to Der Weg Einer Freiheit’s latest release on repeat, and I can’t wait to hear what Benighted comes up with next.

13. Any final words?

David: A big thank you to you for your time. When you’re unsigned and releasing your first record, it’s easy to be overlooked, so we really appreciate your support.

Ben: I feel honored to be part of this band with amazing people like David, Simon, and Max. We’re like brothers, and it’s a great life experience. I’m also very grateful for all the feedback we’ve received over the years. May the Eternal bless you all—this is just the beginning. L’Amour triomphera.

Simon: Thank you for your time, and thanks to everyone who came to see us or listened to our first album. It’s always a pleasure to get feedback. See you very soon!

https://www.facebook.com/godagainsthumanity

Madvice/I 'Ottavo Giorno/Art Gates Records/2026 Full Length Review

 

  Madvice  are  a  band  from  Italy  that  plays  a  melodic  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2026  album  "I  'Ottavo  Giorno"  which  was  released  by  Art  Gates  Records.

  A  very  fast  and  brutal  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  riffs  also  add  in  a  great  amount  of  thrash  metal  elements.

  Death  metal  growls  and  spoken  words  are  also  used  at  times  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Synths  are  also  added  into  certain  sections  of  the  recording  along  with  some  tracks  also  adding  in  a  small  amount  of  clean  playing,  melodies  are  also  added  into  a  lot  of  the  guitar  riffing  as  well  as  the  solos  also  being  done  in  a  very  melodic  style,  one  song  also  adds  in  a  brief  use  of  clear  vocals.

  Madvice  plays  a  musical  style  that  takes  a  melodic  form  of  black  metal  and  mixes  it  with  death  and  thrash  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  inner  struggles,  death  and  sorrow  themes.

  In  my  opinion  Madvice  are  a  very  great  sounding  melodic  mixture  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Legacy  Of  The  Serpent  God"  and  "Not  Dead  Enough  (to  Feel  No  Pain)'.  8  out  of  10.

  https://artgatesrecords.com/artists/madvice        

Highgate/Prophecies Of Eternal Doom/Horror Pain Gore Death Productions/2026 Full Length Review

 

  Highgate  are  a  band  from  Kentucky  that  plays  a  mixture  of  black,  sludge  and  doom  metal  and  this  is  a  review  of  their  2026  album  "Prophecies  Of  Eternal  Doom"  which  will b e  released  on  March  27th  by  Horror  Pain  Gore  Death  Productions.

  Psychedelic  soundscapes  and  acoustic  guitars  start  off  the  album  before  going  into  a  heavier  direction  while  the  slower  sections  of  the  album  also  bring  in  elements  of  sludge  and  doom  metal.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length.

  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast b eats  can  be  heard  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  this  album.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  solos  and  leads  also  bringing  in  more  of  a  classic  metal'rock  style  as  well  as a  couple  of  songs  also  adding  in  a  small  amount  of  spoken  words,  growls  are  also  added  into  certain  sections  of  the  album.

  Highgate  plays  a  musical  style  that  takes  black,  sludge  and  doom  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  global  war  atrocities,  religious  fanaticism  and  class  warfare.

  In  my  opinion  Highgate  are  a  very  great  sounding  mixture  of  black,  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Terraforming  Hell"  and  "The  Writing  Dawn".  8  out  of  10.

  www.highgatedoom.bandcamp.com

www.facebook.com/Highgatedoom  

  

  

Aeonik/The Roamer Of Heaven And Hell/Fetzner Death Records/2026 Full Length Review

 

  Aeonik  are  a  band  from  Luxembourg  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2026  album  "The  Roamer  Of  Heaven  And  Hell"  which  will  be  released  in  April  by  Fetzner  Death  Records.

  A  very  heavy  and  aggressive  sound  starts  off  the  album  while  the  riffs  also  add  in  a  great  amount  of  melody.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  faster  sections  of  the  songs  also  adding  in  a  great  amount  of  tremolo  picking  and  blast  beats  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  death  metal  growls  are  also  utilized  at  times.  A  lot  of  the  music  is  also  very  heavily  influenced  by  the  Swedish  style  along  with  a  few  songs  song  also  adding  in  a  small  amount  of  acoustic  guitars  and  clean  playing,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  a  couple  of  the  tracks  are  also  very  long  and  epic  in  length.  

  Aeonik  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Aeonik  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Beyond"  "Aeonian  Nights"  "Visions"  and  "Eternal  Descent".  8  out  of  10.

  https://www.facebook.com/Aeonikofficial 

    

Archaic Oath/Determined To Death And Beyond/AOP Records/2026 Full Length Review

 

  Archaic  Oath  are  a  duo  from  Belgium  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2026  album  "Determined  To  Death  And  Beyond"  which  will  be  released  in  April  by  AOP  Records.

   Dark  soundscapes  start  off  the  album  before  going  into  a  heavier  direction  while  the  vocals  also  add  in  a  lot  of  high  pitched  black  metal  screams.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  riffs  also  adding  in  a  lot  of  melody.

   Most  of  the  music  is  very  heavily  rooted  in  the  90's  Swedish  era  while  also  mixing  in  elements  of  death  metal,  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  all  of the  musical  instruments  also  have  a  very  powerful  sound  to  them.

   The  solos  and  leads  are  also  done  in  a  very  melodic  style  as  well  as  some  growls  also  being  used  at  times  and  synths  are  also  utilized  in  certain  sections  of  the  recording  along  with  one  song  also  introducing  spoken  words  onto  the  album.  A  couple  of  tracks  also  adds  a  small  amount  of  clean  playing  and  acoustic  guitars  which  are  added  on  a  brief  instrumental  and  clear  singing  can  also  be  heard  briefly  and  the  closing  song  is  an  Emperor  cover.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness,  horror  and  witchcraft  themes.   

  In  my  opinion  Archaic  Oath  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genre,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Above  The  Light"  "Abysmal  Ascent"  and  "Ye  Entrancemperium".  8  out  of  10.   

aoprecords.de

facebook.com/AOPrecords   

God Against Humanity/The Judgement/2026 Full Length Review

 

  God  Against  Humanity  are  a  band  from  France  that  plays  a  very  brutal  and  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2026  album  "The  Judgement".

  Tragic  sounding  keyboards  start  off  the  album  before  going  into  a  heavier  direction  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats.

  Vocals  are  a  mixture  of  death  metal  growls  and  black  emtal  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Throughout  the  album  you  can also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  clean  playing  as  well  as  one  song  also  introducing  clear  vocals  onto  the  recording,  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing.  

  God  Against  Humanity  plays  a  musical  style  that  takes  the  brutal  and  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  modern  world,  societal  tension  and  personal  isolation.  

  In  my  opinion  God  Against  Humanity  are  a  very  great  sounding  brutal  and  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Judgement"  "Blood  Of  The  Soil"  and  "Bury  Me".  8  out  of  10.

  https://www.youtube.com/@godagainsthumanity2841

Nefarious Grime/Death Is Immortal/Hypnotic Dirge Records/2026 EP Review

 

  Nefarious  Grime  are  a  band  from  Florida  that  plays  a  gothic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2026  ep  "Death  Is  Immortal"  which  was  released  by  Hypnotic  Dirge  Records.

  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  the  keyboards  also  add  in  some  gothic  and  symphonic  elements.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  riffs  also  adding  in  a  great  amount  of  melody  as  well  as  the  solos  and  leads  are  also   being  done  in  a  very  melodic  style.

  Most  of  the  music  is  also  very  heavily  rooted  in  the  90's  era  of t he  genre  while  some  tracks  also  add  in  operatic  female  vocals.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  along  with  a  couple  of  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  Nefarious  Grime  plays  a  musical  style  that  goes  back  to  the  90'[s  era  of  gothic  and  symphonic  black  metal.  The  production  sounds  very  old  school  while  the  lyrics  cover  Vampirism,  Occultism ,  Necromancy,  Death  and  Horror  themes.

  In  my  opinion  Nefarious  Grime  are  a  very  great  sounding  symphonic  and  gothic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Evil  Dead"  and  "Mountain  Frost".  8 out  of  10.

  https://hypnoticdirgerecords.bandcamp.com/album/death-is-immortal