Mývalyĭr Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

As a band that formed during the pandemic we wrote all of our material remotely, so we have been working on new material and we're also currently planning our live show setup and making sure our songs translate powerfully on stage. At the same time, we’ve been connecting with press, and writing new ideas that are already hinting at where the next album might go.

2.You have your first full length coming out towards the end of February, can you tell us a little bit more about the musical style that you went for on the recording?

So each member of the band has preferred styles of metal. Overall the album is melodic death metal but we didn't want to confine ourselves to one genre, so if you listen you'll find influences of black metal, metalcore and even folk metal.

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

As the album name suggests we write about 'The Past Tales'. The Past Tales is a concept album using parts of history and folklore to tell a story that melds with past personal experiences.

4.What is the meaning and inspiration behind the name 'Mývalyĭr'?

So we have been asked this question before and we will give the same answer. The name Mývalyĭr (Mee-val-year) does have a meaning, but we are hoping that people will be able to figure it out at some point as well as find the hidden image on our album cover and the hidden feature in our website, as some of us are gamers and we love an easter egg.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

There’s a great deal of symbolism embedded in the art work and it includes elements which relate to each song on the album. We worked closely with the artist Felipe Franco Machado to ensure the cover didn’t just look striking, but actually felt connected to the music.

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

We only actually all met in person for the first time together at the 'Reign' Music Video shoot, as a band that met online with members in different countries we have yet to play our first show, but we are currently working on our live show as we mentioned before.

7.Do you have any touring or show plans once the new album is released?

We do, we are currently organising something and we look forward to sharing it.

8.Currently you are unsigned, are you looking for a label or have received any interest?

We are not looking for a label currently but if one was to show interest then we would be open to the right partnership.

9.On a worldwide level how has the reaction been to your music by fans of melodic and extreme metal?

We did not expect to reach as many countries as we did such as Russia, Chile and USA being a band from the UK who have only just had our first release but we are very happy with the feedback, the comment and the reviews of 'The Past Tales' so far.

10.Are any of the band members currently involved with any other bands or musical projects these days?

Various members are also currently in other bands/projects and the best way to find them out would be via Instagram, TikTok, Facebook and YouTube.

11.Where do you see the band heading into musically during the future?

Our plan is to start working on our next release and further solidify our sound

12.What are some of the bands or musical styles the band members are currently listening to nowadays?

As we mentioned before each of us have our personal preference of metal so the music we are listing to at the moment are Children of Bodom, Devildriver, Dvořák, Mykur, Berlioz, Beethoven, Ne Obliviscaris, Imminence, Lorna Shore and Wolfheart

13.Before we wrap up this interview, do you have any final words or thoughts?

We would like to thank everyone who has supported us so far, old and new. We are amazed at the feed back and we hope to see you at one of our shows in the near future.

Once again apologies for the delay, and look forward to hearing from you again soon

https://www.facebook.com/myvalyir

Speglas Interview

 1. Can you give us an update on what has been going on with the band since the recording and release of the new album?

We've been rehearsing as a band a lot and kept our focus on making sure we are ready to hit the stage.

2. Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

It's more direct and to the point, even though we had some of the same elements on the two earlier EPs–this one feels more evolved and fleshed out.

3. The band has been around since 2015 but so far there has only been three releases, can you tell us a little bit more about the long wait in between recordings?

It basically comes down to me (Isak) being involved in several other projects that took up a lot of time and focus. I basically finished a full record around 2017–2018, but it never felt like the right moment to release it, so parts of it were distilled into the 2022 EP Time, Futility, and Death. Now my focus has shifted entirely to Speglas—creative work, rehearsing, and live aspects.

4. The lyrics on the new album cover the writings of Fredrich Nietzsche, can you tell us a little bit more about your interest in his work?

I'm a hobby reader of philosophy and I even wrote a bachelor's thesis discussing the relationship between music and philosophy. Nietzsche's ideas just resonate strongly with me, and I felt they fit perfectly into this musical format.

5. What are some of the other lyrical topics and subjects the band has explored over the years with your music?

The first EP (Birth, Dreams, and Death, 2015) had a very loose, abstract theme—mostly abstract for the sake of being abstract. The second EP (Time, Futility, and Death, 2022) became a bit more focused. On this new record (Endarkenment, Being, and Death) the lyrics are very much a fleshed-out concept.

6. What is the meaning and inspiration behind the name 'Speglas'?

"Speglas" means "mirrored" in Swedish. There's no deep philosophical story behind it—we were just sitting at a pub in Stockholm (I think it was Gröna Jägaren) in 2014 when the band formed, drinking beer and throwing around ideas. Somehow "Speglas" came up and stuck.

7. Can you tell us a little bit more about the artwork that is presented on the new album cover?

It's a tilted (dead) rose. I had one sitting in a vase at home, took a photo of it, and sent the idea to Tim at Trust No One Recordings, who created the black-and-white artwork based on that. I've always worked fast and intuitively with covers—the first thing that comes to mind usually ends up being it. Here the tilted rose symbolizes transformation: from life to death, light to darkness.

8. Out of all the shows and tours the band has done so far which one stands out the most?

I’d say the show we played in 2017 in Stockholm at Kägelbanan together with Antichrist, Vampire, and Gehennah. Great lineup, great turnout, really nice evening.

9. Do you have any touring or show plans for the new album?

Nothing booked yet, but it's certainly in the planning phase. It will happen.

10. The new album is going to be released on 'Trust No One Recordings', how would you compare working with this label to other labels you have worked with in the past?

It's a Swedish label, so geographically much closer, which makes logistics easier. It's also practical in terms of language and mutual understanding of what we both want.

11. On a worldwide level how has the reaction been to your music by fans of black and death metal?

The album hasn't been released yet (at the time of this interview), but so far we've received good reviews in magazines and other places. I hope fans of extreme metal—and people in general—will find something resonating in it once it's out.

12. Are any of the band members currently involved with any other bands or musical projects these days?

Yes. Me (Isak) and our drummer Jesper are both in Sweven. Our bass player Victor is in Grass Eating Man and a couple of other projects. Our guitarist Alexi is only in Speglas.

13. Where do you see the band heading into musically during the future?

I’ve started writing the next record—about a third is done—and it will be similar to this one but heading in a direction that makes it differ.

14. What are some of the bands or musical styles the band members are currently listening to nowadays?

Personally I've been listening a lot to Susanne Sundfør (Norwegian singer), Judas Priest lately, the Swedish band Kent, Oasis, Father John Misty. I can't speak for everyone, but I'd guess Alexi is listening to something like Concrete Winds or Katharsis.

15. Before we wrap up this interview, do you have any final words or thoughts?

Make sure to pick up the album and merch via the Trust No One Recordings website. Keep an eye out for upcoming show announcements in the coming months (especially in Sweden). Thank you!

https://linktr.ee/speglas 
https://www.facebook.com/SPEGLAS/ 
https://www.instagram.com/speglas /
https://speglas.bandcamp.com 
https://www.tnor.se/ 

Speglas/Endarkenment, Being & Death/Trust No One Recordings/2026 Full Length Review

 

  Speglas  are  a  band  from  Sweden  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2026  album  "Endarkenment,  Being  &  Death"  which  will  be  released  on  February  27th  by  Trust  No  one  Recordings.

  Synths  start  off  the  album  along  with  a  brief  use  of  nature  sounds  and  spoken  whispers  and  clean  playing  is  also  added  on  a  few  tracks.  Melodies  are  also  added  into  a  lot  of  the  heavier  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  blast b eats  are  added  into  the  faster  sections  of  the  songs.

  Vocals  are  mostly  high  pitched  black  metal  screams  while  tremolo  picking  is  also  added  into  some  of  the  faster  riffing.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  as  well  as  a  couple  of  tracks  also  being  very  long  and  epic  in  length.

   Elements  of  death  metal  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  both  the  riffs  and  solos  also  showing  an  influence  of  classic  metal  as  well  as  the  album  also  having  its  atmospheric  moments.  The  production  sounds  very  professional  while  the  lyrics  are  inspired  by  the  writings  of  Nietzsche  and  cover  his  philosophies.

  In  my  opinion  Speglas  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Endarkenment"  "The  Spirit  Postmortem"  and  "Rage  Upon  The  Dying  Fire".  8  out  of  10.

  https://linktr.ee/speglas 

https://www.facebook.com/SPEGLAS/ 
https://www.instagram.com/speglas /

https://speglas.bandcamp.com   

  

Against I/Anti Life/Twisted Flesh Recordings/2026 Full Length Review

 

  Against  I  are  a  band  from  Sweden  that  has  been  featured  before  in  this  zine  and  plays  a  very  melodic  and  blackened  form  of  death  metal  and  this  is  a  review  of  their  2026  album  "Anti  Life"  which  will  be  released  in  march  by  Twisted  Flesh  Recordings.

  A  very  dark,  heavy  and  melodic  sound  starts  off  the  album  while  the  solos  and  leads  also  add  in  a  great  amount  of  melody.  Vocals  are a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  some  synths  also  being  utilized  at  times  and  black  beats  are  also  added  into  the  faster  sections  of  the  songs.

  Spoken  words  can  also  be  heard  at  times  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Dark  soundscapes  are  also  added  in  between  a  few  tracks  along  with  one  song  also  introducing  acoustic  guitars  onto  the  album,  tremolo  picking  can  also  be  heard  in  some  of  the  fast  riffing  as  well  as  the  album  also  mixing  in  some  elements  of  electronic  music  and  samples.

  On  this  recording  Against  I  add  more  electronic  music  elements  in  their  melodic  style  of  blackened  death  metal  to  create  a  very  heavy  yet  modern  sound.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  hateful  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Against  I  and  if  you  are  a  fan  of  melodic  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Built  To  Destroy"  "Tempel  Of  Greed"  "Sacrifice"  and  "All  Hope  Is  Gone".  8  out  of  10.

  https://www.facebook.com/againstIband

https://www.instagram.com/againstiband/
https://www.youtube.com/@againsti

      

Blood Of Angels/Les Angst ov Thanatous/2026 Full length Review

 

  Florida's  Blood  Of  Angels  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic  mixture  of  black,  death,  thrash  and  groove  metal  and  this  is  a  review  of  their  self  released  2026  album  "Les  Angst  ov  Thanatous".

  Cinematic  soundscapes  start  off  the  album  while  also  introducing  keyboards  onto  the  album  before  going  into  more  of  a  heavier  and  melodic  direction.  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard  while  the  vocals  bring  in  more  of  an  aggressive groove  metal  approach  mixed  in  a  few  death  metal  growls.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  riffs  also  mix  in  elements  of  thrash  metal.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Blackened  screams  are  also  utilized  at  times  along  with  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  as  well  as  a  couple  of  songs  also  adding  in  a  small  amount  of  clean  playing  and  clear  singing,  spoken  word  samples  are  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  cover  the  emotional  and  psychological  aftermath  of  death.

  In  my  opinion  this  is  another  great  sounding  recording  from  Blood  Of  Angels  and  if  you  are  a  fan  of  melodic  black,  death,  thrash  and  groove  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Beating  You"  "The  Pain  Inside"  and  "Nevermore".  8  out  of  10.

  Official Website: http://www.bloodofangels.net

Spotify: https://open.spotify.com/artist/0kq6q6hYYdNgk0ZSvgQPzF
Facebook: http://www.facebook.com/bloodofangels1
Instagram: http://www.instagram.com/bloodofangels
YouTube: http://www.youtube.com/bloodofangels
ReverbNation: http://www.reverbnation.com/bloodofangels1
Merch / E-Shop: https://merchbooth.com/pages/blood-of-angels-battle-gear

Apple Music: https://music.apple.com/us/artist/blood-of-angels/1195719891      

Apolaustic/No Plentitude Without Suffering/Transcending Obscurity Records/2026 FUll Length Review

 

  Apolaustic  are  a  band  from  Switzerland  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2026  album  "No  Plentitude  Without  Suffering"  which  will  be  released  in  April  by  Transcending  Obscurity  Records.

  Clean  playing  starts  off  the  album  before  going  into  a  faster  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  are  mostly  high  pitched  black  metal  screams  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  A  lot  of  the  music  is  also  very  heavily  rooted  in  the  classic  Swedish  style  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  music  also  adding  in  a  lot  of  death  metal  elements,  a  couple  of  tracks  are  also  very  long  and  epic  in  length  and  keyboards  are  also  added  towards  the  end.

  Apolaustic  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Darkness  and  Suffering  themes.

  In  my  opinion  Apolaustic  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Devouring  The  Past"  "Shining  Amidst  The  Lights"  and  "Peregrination  Towards  Childhood  Memories".  8  out  of  10.

 Apolaustic Bandcamp

Apolaustic Instagram

    

Mývalyĭr/The Past Tales/2026 Full Length Review

 

  Mývalyĭr  are  a  band  from  the  United  Kingdom  that  plays  a  mixture  of  folk  and  melodic  death  metal  and  this  is  a  review  of  their  self  released  2026  album  "The  Past  Tales"  which  will  be  released  in  February.

  Stringed  instruments  and  orchestration  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Elements  of  folk  music  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  faster  sections  of  the  songs  also  add  in  a  lot  of  blast  beats  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Blast  beats  are  also  added  into  the  faster  sections  of  the  songs  at  times  while  the  vocals  are  mostly  death  metal  growls,  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  screams  also  adding  in  touches  of  black  metal  and  clean  playing  can  also  be  heard  in certain  sections  of  the  album.

  Spoken  words  can  also  be  heard  at  times  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clean  playing  and  acoustic  guitars  are  also  quite  a  bit  throughout  the  album  as  well  as  some  of  the  tracks  also  being  very  long  and  epic  in  length,  female  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  history,  war  and  mythology  themes.

  In  my  opinion  Mývalyĭr  are  a  very  great  sounding  mixture  of  folk  and  melodic  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Recollection"  and  "The  Mighty  Never  Fail".  8  out  of  10.

  https://www.facebook.com/myvalyir

https://youtu.be/bE1xFsfFZqY

Battlesoul/The Wheel/2026 EP Review

 

   Battlesoul  are  a  band  from  Ontario,  Canada  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  pagan  form  of  folk  metal  and  this  is  a  review  of  their  self  released  2025  ep  "The  Wheel".

  Battle  sounds  start  off  the  ep  before  going  into  a  very  fast  and  brutal  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast beats.  Harsh  vocals  are  mostly  black  metal  screams  while  the  music  also  adds  in  the  brutality  of  death  metal   and  the  clear  singing  adds  in  influences  of  pagan  and  power  metal.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Growls  are  also  utilized  at  times  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  folk  instruments  are  also  added  on  a  few  tracks,  acoustic  guitars  can  also  be  heard  briefly  and  spoken  words  are  also  added  on  the  closing  track.

  On  this  recording  Battlesoul  takes  melodic  black,  death,  folk,  pagan  and  power  metal  and  mixes  them  together  to  create  a  very  aggressive  and  diverse  sounding  release.  The  production  sounds  very  professional  while  the  lyrics  cover  pagan  mysticism,  mythology,  history  and  the  eternal  cycle  of  conflict  and  renewal.    

  In  my  opinion  this  is  another  great  sounding  recording  from  Battlesoul  and  if  you  are  a  fan  of  pagan  folk  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "No  Legacy"  and  "The  Wheel".  8  out  of  10.

  https://www.facebook.com/BattlesoulOfficial

https://www.youtube.com/channel/UCGLXfzKsKSOm1xUpWSYWtwQ

https://battlesoul.bandcamp.com/

https://open.spotify.com/artist/4P1Uy9C866snVJngOauZPl

https://music.apple.com/us/artist/battlesoul/659846013

   

Terramorta/The Fading Lumina's Embrace/Magus Pike Records/2025 Full Length Review

 

  Terramorta  are  a  band  from  Portugal  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  album  "The  Fading  Lumina's  Embrace"  which  was  released  by  Magus  Pike  Records.

  A  very  distorted  sound  starts  off  the  album  along  with  some  melodic  guitar  solos  and  leads  a  few  seconds  later  which  also  takes  the  music  into  a  heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.

  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  symphonic  sounds  also  mix  in  with  the  heavier  sections  of  the  album.  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,.

  Spoken  words  and  shouts  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  some  tracks  also  adding  in  a  small  amount  of  clean  playing,  a  couple  of  songs  also  adds  in  a  small  amount  of  clear  singing  which  also  adds  in  an  operatic  touch.  The  production  sounds  very  professional  while  the  lyrics  cover  emotions  and  aspirations  of  man.

  In  my  opinion  this  is  another  great  sounding  album  from  Terramorta  and  if  you  are  a  fan  of  symphonic  black  and  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Baba  Yaga"  "Deliberate  Killing  Of  Oneself"  "March  Of  The  Forsaken"  and  "The  Fading  Lumina's  Embrace".  8  out  of  10.

 hkps://terramortaofficial.bandcamp.com/album/the-fading-luminas-embrace  

 hkps://www.facebook.com/terramorta.official : 

hkps://www.instagram.com/terramorta.official/

Monovoth Interview

 

1.Can you give us an update on what has been going on with the solo project since the recording of the new album?

Much of the work over the last couple of months has focused on putting the finishing touches on the visual aspects of the album, as well as the overall marketing and media strategy. While I’ve already started writing some songs that reflect the evolution of the project, it’s still hard to know which of them will eventually make it onto the next album. What I do know is that I’m constantly writing and trying to express myself through music.

2.In February you have a new album coming out, musically how does it differ from the stuff you have released in the past?

I think people are going to be surprised by To Live in the Breath of Worship, as it’s vastly more dynamic than the previous records. I tried to write songs from a more universal perspective while maintaining the core Doom / Drone / Funeral essence. What were already quite dynamic compositions were elevated even further by Martin Visconti’s drumming contributions. I believe listeners will discover a more eclectic side of Monovoth this time.

3.You have worked with a variety of many different extreme metal styles in your other projects, how would you compare the music of 'Monovoth' to what you have done musically in previous or current groups?

I’ve worked on grindcore and death‑metal‑oriented projects before, but approaching Monovoth allows for a grandeur in scope and composition that I can’t express within those genres. The length of the songs, the layers, the atmospheres and moods all allow Monovoth to be an ‘all‑around’ experience—both as a composer and as a listener.

4.Most of your music so far has been instrumental but you did experiment a little bit with vocals on the new album, are you planning on expanding on that aspect on future releases?

Not really. I generally have one or two guest vocalists in Monovoth, and only on specific songs or sections, for artistic or textural purposes. I see Monovoth mainly as an instrumental project, but vocals can—and will—appear now and then as another instrument or layer, if the song calls for it.

The most I’ve done with vocals was a shared EP with a local singer (Ber Stinco in 'Elogio a la Noche'), leaning more into a Nick Cave‑like, very experimental territory. For now, it remains a one‑time collaboration—but who knows what the next few years will bring? Experimentation and art are central to how I envision the project.

5.Can you tell us a little bit more about the themes you explore on the new album?

The new album is about lonely gods in a universe without faith, part mythological, part philosophical, maybe. But as the album evolved, and considering how reality is unfolding nowadays, I began to see it as a metaphor for many of the negative things happening around the world. In a way, we are all lonely gods begging for attention under the paradigm of the algorithms. And at the same time, how many lonely gods are begging for power and attention while ruling various countries today? The parallels are endless.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

In harmony with the album’s theme, I stumbled upon an artwork by Santiago Caruso purely by chance. He’s an outstanding Argentine artist I’ve been wanting to collaborate with for ages, and I feel his piece represents the concept and the music perfectly

7.With this project you work mostly solo but have worked with musicians in other bands. Do you prefer recording by yourself?

It’s funny, this is a ‘solo project,’ yet at this point I have a group of underground Argentine artists, whom I consider the best of the best, who have been tagging along with small (and not-so-small) contributions since the first Monovoth album. I’ve also worked with Andrew Notsch (Manipulator, Ex-Sunless) on our project Golden Cannibal, with Lindsay O’Connor (Coma Cluster Void) in Blvgth, and on many other things as well.

I love working alone, and having full artistic direction is very comfortable, but it can also get tiresome and overwhelming to handle every aspect myself. So I’ve been trying to lean on other people more and more.

In the creative process, what others can bring to your songs is always a plus. I see it as colors outside my own palette—and the results are outstanding.

8.On the new album you also have a few quests, can you tell us a little bit more about who they are and also their contributions to the recording?

On To Live the Breath of Worship, first and foremost, Martin Visconti plays drums once again, but this time he truly delved into the composition and creation process with me, so his contributions to the album as a whole are incredible. Federico Ramos (Avernal) delivers a solo on Cosmically Orphaned. Ivo Bisceglia (Atadues, Los Últimos Días), a young and mind‑blowing talent, arranged parts for The Fallen. Martin Passaro and Andrew Notsch contributed vocals here and there, and Kevin Hufnagel (Gorguts, Dysrhythmia) was kind enough to play on Crimson Red Wound.

I’m so humbled to have these people perform on something I wrote. Last but not least, Sebastián Barrionuevo (Medivm) mixed and mastered the album and also contributed guitar on Crimson Red Wound.

9.On a worldwide level how has the reaction been to your music by fans of underground metal and drone?

The reaction to the first two records was really unexpected—especially for a one‑man band from Argentina, you know? Trepanation Recordings from the UK released those albums physically, which was incredible for me. I’ll be forever thankful to Dan and all his work. The label closed shop last year, so at the moment I’m not attached to any label

10.What is going on with your other musical projects these days?

Not much, but I do have a couple of things in the works for Monovoth—even ideas that wouldn’t normally fall under what people expect from the project. I’ve decided not to have any more parallel projects for the time being and to channel all my creative output through this one.

11.Where do you see yourself heading into as a musician during the future?

I always find it a bit grandiose to consider myself ‘a musician,’ in a way. But I’d say something like: play better, play more, look forward and never look back. That’s the attitude and the motto behind everything I do.

12.What are some of the bands or musical styles that you are currently listening to nowadays?

Lately I’ve been diving back into Pink Floyd and Cynic in terms of ‘classics.’ But when it’s not that, Primitive Man, Avernal, Imperial Triumphant, and Krallice are usually in my regular rotation.

13.Before we wrap up this interview, do you have any final words or thoughts?

I just hope everyone enjoys the records. Thank you for this space and opportunity. And as a reminder, all proceeds from now until after Bandcamp Friday (Feb 6) will go toward supporting the fight against the wildfires in southern Argentina.”

Regards,

Social Media:

https://linktr.ee/monovoth 

Monovoth/To Live In The Breath Of Worship/2026 Full Length Review

 

  Monovoth  are  a  solo  project  from  Argentina  that  plays  a   mixture  of  post  black,  doom,  death  metal,  crust,  drone  and  dark  ambient  elements  and  this  is  a  review  of  his  self  released  2025  album  "To  Live  In  The  Breath  Of  Worship"  which  will  be  released  in  February.

  Clean  playing  starts  off  the  album  while  the  synths  also  being  in  elements  of  dark  ambient  Before  going  into  a  heavier  direction.  The  slower  sections  of  the  recording  are  also  very  heavily  rooted  in  funeral  doom  metal  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  solos  and  leads  are  done  in  more  of  a  post  metal  style.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  drones  are  also  added  into  certain  sections  of  the  album.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  music  also  capturing  the  brutality  of  death  metal  at  times.   Touches  of  crust  are  also  added  into  the  mid  tempo  sections  of  the  recording  as  well  as  the  vocals  being  done  in  more  of  a  black  metal  style  when  they  are  introduced,  acoustic  guitars  can  also  be  heard  briefly  and  the  closing  song  also  adds  in  some  fast  riffing  and  blast  beats..

  Monovoth  plays  a  musical  style  that  takes  post  black,    funeral  doom,  death  metal,  crust,  drone  and  dark  ambient  and  mixes  them  together  to  create  a  sound  of  his  own  as  well  as  sticking  to  mostly  an  instrumental  direction.  The  production  sounds  very  dark  and  heavy  while  the  song themes  cover  lonely  gods  in  a  faithless  world.

  In  my  opinion  Monovoth  is  a  very  great  sounding  mixture  of  post  black,  funeral  doom,  death  metal,  crust,  drone  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "From  A  Dying  Star"  and  "To  Drown  In  The  Tears  Of  God".  8  out  of  10.

  https://linktr.ee/monovoth 

Moros/Cemetery Hallucinations/Strange Mono/Knife Hit Records/2026 Full Length Review

 

  Moros  are  a  band  from  Pennsylvania  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  for  a  mixture  of  black,  sludge,  doom  and  death  metal  and  this  is  a  review  of  their  2026  album  "Cemetery  Hallucinations"  which  will  be  released  in  March  as  a  joint  effort  between  Strange  Mono  and  Knife  Hit  Records.

  A  very  dark  yet  distorted  sound  starts  off  the  album  along  with  some  spoken  word  samples  and  noises  before  going  into  a  heavier  direction.  Elements  of  sludge  and  doom  metal  are  also  added  into  the  slower  sections  of  the  recording  while  the  vocals  bring  in  mostly  death  metal  growls  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Black  metal  screams  are  also  utilized  at  times  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  solos  and  leads  bringing  in  a  very  dark  style  when  they  are  finally  utilized  and  the  whole  album  also  sticks  to  a  heavier  direction.

  On  this  recording  Moros  takes  black,  sludge,  doom  and  death  metal  and  mixes  them  together  to  create  a  very  heavy  album.  The  production  sounds  very  professional  while  the  lyrics  cover  horror  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Moros  and  if  you  are  a  fan  of  black,  sludge,  doom  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Wasted  Burial"  "Cemetery  Hallucinations"  and  "Cretin".  8  out  of  10.

  https://strangemono.bandcamp.com/album/cemetery-hallucinations

https://knifehitscollective.bandcamp.com/album/cemetery-hallucinations

https://moros-666.bandcamp.com/

  

HVRT Interview

 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Well, basicaly we  are trying to get this thing on the road. We played a release show in one of our three hometowns and we are about to play a second release show on january 23th. After that we try to be busy playing live for the rest of the year but booking shows in small underground venues  has become a bit harder than before covid. But yeah, thats basically  the plan as of now.

2.In December you had released a new album, musically how does it differ from the stuff you have released in the past?

To me it sounds much more melodic, more song oriented and more rock n roll. The first HVRT record was basically  written as a follow up to the last SHITSHIFTER record (the band we once were before changing our name to HVRT). CANCERBLOOM has more influences and we are experimenting a lot more with different sounds and different  influences.

3.This was also your first album in 5 years, can you tell us a little bit more about the long wait in between releases?

The wait was long for sure. Covid was a huge factor in that peroid of time. We haven´t seen each other for almost two years and during this period our Drummer Tobias left the band. So we had to find a new Drummer and basically re-group ourselves as a band.

4.Lyric wise how would you describe your progress as songwriters over the last few albums?

I´m not sure if there is much progress…..At least for my part of the lyric writing. I´ve always wrote about  stuff that resonated with me on an emotional level and I have never changed that approach. But yeah, in the end, there may be  some progress regarding the quality of the lyrics. We write in English  and German and I think we got better in mixing those two languages.

5.Originally the band was called 'Shitshifter', what was the cause of the name change and also the meaning and inspiration behind the name 'HVRT‘?\

Changing our name was something we thought about for a while. In the beginning SHITSHIFTER was a fun band that was all about making a lot of noise at maximum volume. We didn´t think too much about songs or melodies but more about how to maximize our sonic impact. At one point we realized that our music wasn´t the same anymore. We started thinking way more about arrangements, melodies, structures and different sounds. So changing the name to HVRT made a lot of sense. The inspiration was the song by Nine Inch Nails/ Johnny Cash…..we were talking about different names and our drummer had a note sheet of that song on his desk. Since we all love the song and the sound of the word, we went with Hurt. Because there is another band with probably the same idea, we went trve old school and ditched the u for a v ;)

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork es the work of our longtime collaborators Dasha Pliska and Lars Horstmann. Both are friends of ours and we collaborated with them on a lot of different projects. We had a hard time finding the right visuals for this record and we thought about  trying different directions. But in the end, we stayed with working with both Dasha and Lars again since they know exactly what we like and what our music needs.

7.Out of all the shows and tours the band has done so far, which one stands out the most?

Tough question….I remember  a show (still under the shitshifter name) that we played in berlin in a small squatted building. The whole place was hot as hell and the crowd went wild. For me personally, it´s all about the vibe in the room. I don´t care too much about sound, lights or other technical stuff….I like playing small venues with no stages and a good energy in the room. Most of the time, these are the shows where you can get very close with the audience.

8.Do you have any touring os show plans for 2026?

Playing live as much as we can!

9.On a worldwide level how has the reaction been to your newer music by fans of extreme metal?

So far we received  a lot of very lovely feedback from the people that listened to our new record, at least when talking to people. Personally I don´t read any reviews about our music so I don´t know what the press reaction is like….but when I talk to people, the reactions are absolutely  lovely! 

10.Are any of the other band members currently involved with any other bands or musical projects these days?

Yeah, my brother (who is our singer and bass player) plays in another  band named Raptvre. Make sure to check them out!

11.Where do you see the band heading into musically during the future?

Right now, I don´t think too much about new music to be honest. I am happy that we managed to get this record out because it was a lot of work. But of course there is something cooking as we speak….;) In fact, we have probably  enough music written for two more records.

12.What are some of the bands or musical projects the band members are currently listening to nowadays?

Our other guitarplayer Florian listens to a lot of old school black and death metal stuff like Vader, Marduk or Emperor. Both him and my brother are very much into black metal in general. Our drummer Stephan listens to a lot of the classic stuff like Metallica or Pantera but also a lot of americana/ singer songwriter music. I myself love music like Bruce Springsteen, Stephen Wilson Jr., or Warhaus (which my brothers is a fan of as well). On the harder side, I always listen to Converge or a lot of Motörhead recently.

13.Before we wrap up this interview, do you have any final words or thoughts? 

Yeah, go check out or new album CANCERBLOOM, maybe come to a show and say hi and don´t hang out with MAGAs or other right wing scum.

https://youtu.be/QxYXNtiDfSw

HVRT/Cancerbloom/Crawling Chaos/20265 Full Length Review

 

  HVRT  are  a  band  from  Germany  that  plays a   mixture  of  black,  sludge,  death  metal  and  hardcore  and  this  is  a  review  of  their  2025  album  "Cancerbloom"  which  was  released  by  Crawling  Chaos.

  A  very  dark  yet  heavy  sound  starts  off  the  album  along  with  some  harsh  vocals  that  mix  hardcore  style  shouts  with  death  metal  growls.  Elements  of  sludge  metal  are  also  added  into  the  slower  sections  of  the  songs  and  when  the  music  speeds  up  black  metal  style  tremolo  picking  and  blast  beats  can  be  heard.

  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  dark  yet  melodic  style.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  some  tracks  also  adding  in  a  small  amount  of  clean  playing  and  synths  and  some  songs  also  bring  in  a  small  amount  of  clear  singing  as  well  as  song  also  adding  in  a  brief  use  of  whispers

  Hvrt  plays  a  musical  style  that  takes  black,  sludge,  death  metal  and  hardcore  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  German  and  English  and  cover  political,  social  and  digital  themes  and t he  attempt  to  stay  human  inside  of  it.

  In  my  opinion  HVRT  are  a  very  great  sounding  mixture  of  black,  sludge,  death  metal  and  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Wait,  The  Weep,  The  Woe"  "Corporate  Serenade"  "I  Don't  Want  To  Die  In  America"  and  "Cancerbloom".  8  out  of  10.

  https://youtu.be/QxYXNtiDfSw

Evoked Eclipse/The Cries Of Evil/Club Inferno Ent./2026 Full Length Review

 

  Evoked  Eclipse  are  a  band  from  Italy  that  plays  an  atmospheric  and  melodic  mixture  of  black,  gothic  doom  and  death  metal  and  this  is  a  review  of  their  2026  album  "The  Cries  Of  Evil"  which  will  be  released  in  February  by  Club  Inferno  Ent..

  Atmospheric  sounding  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  and  also  adds  in  a  gothic  touch.  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  recording  while  the  riffs  also  add  in  a  lot  of  melody  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  faster  sections  of  the  songs  also  add  in a  great  amount  of  tremolo  picking  and  blast b eats.  A  lot  of  the  music  is  very  heavily  rooted  in  the  90's  Swedish  style  along  with  the  recording  also  adding  in  a  lot  of  influences  from t he  more  melodic  style  of  death  metal.

   Clean  playing  is  also  utilized  at  times  along  with  one  track  also  adding  in  a  brief  use  of  female  vocals.  Spoken  words  can  also  be  heard  briefly  along  with  a  couple  of  tracks  being  instrumentals  and  some  of  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  growls  are  also  introduced.  The  production  sounds  very  professional  while  the  lyrics  cover  Darkness  and  Evil  themes.

  In  my  opinion  Evoked  Eclipse  are  a  very  great  sounding  atmospheric  and  melodic  mixture  of  black,  gothic  doom  and  death  metal  and  if  you  are a   fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Cries  Of  Evil"  and  "Illusions  Of  The  Lie".  8  out  of  10.

  https://www.facebook.com/evokedeclipse     

Ka,aper Interview

 

1.Can you give us an update on what is going on with the band these days?

Evgeny: Hey guys! Thanks for having us here! Timur (the guitarist) and Evgeny (the singer) are here.

Timur: We’re recording our new album, got a tour coming up, it’s a busy time now.

Evgeny: Timur is a very humble guy and doesn’t like to boast, but the truth is: the work on our new album, entitled "When Gods Walked the Earth", is coming to an end, and we’re gonna release it in April or May.

2.In April you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

Timur: In the very beginning we got together to play some Swedish MDM, yet we played something darker, our songs were atmospheric and gloomy. We call it dark metal… because we had to call it somehow he-he

Evgeny: Yeah, it always happens like that. You plan something, then you realise it’s not really what you wanted, and you change your direction. As Timur said, we started from MDM, then added some doom, atmospheric black, some modern stuff. Everything for our music to sound dark yet very fierce.

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

Timur: We are still on our path through the endless desert of myths from ancient Egypt. Those myths have a lot about life, death, despair and eternal powers, a lot to admire, and to sing about.

4.What is the meaning and inspiration behind the name 'Ka'aper'?

Timur: Well, Ka’aper, or Sheikh el-Baled, is a man from ancient Egypt. Not that he is known for something big, but the name sounds cool.

Evgeny: You won't miss his statue if you're in the Cairo Museum, for sure! It's impossible to pass by not being captivated by those eyes. Neither did I one day! Kinda "What the hell is this? It's a fucking piece of wood with real human eyes". And yes, Ka'aper sounds really cool, doesn't it?

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Timur: The cover for "While flows the Nile" is a picture that we generated using some AI tools and Photoshop. The idea behind it is simple - what could tear apart our perception of the world more than the sky that is "broken" and burning the land?

As for "Amenhotep" single cover, this one has much deeper concept. It is a scene of majesty and worship, where ancient gods are witnessed in modern culture. This is the first cover that was done not by us, but by an artist. You can tell that by deeper and more meaningful visuals.

6.The bands member are originally from Russia and Ukraine but now reside in Cyprus, how would you compare living in this country compares to the other countries you are originally from?

Timur: It’s completely different culture. We were lucky to join the very welcoming community, and sometimes absolutely crazy community in a good way.

Evgeny: And it's essential to add - the metal scene here is awesome! I know at least 40-50 active metal bands here, and if this number is not really big, just check the population of Cyprus on Wikipedia, it's a really small island. When I was leaving Russia for Cyprus, we had only 5-7 barely alive bands in my hometown (which has a population of almost one million)

7.Out of all the shows and tours the band has done so far, which one stands out the most?

Timur: There were a few to name. We had a warm welcome and awesome gig in Cairo, wild crowd and great atmosphere in Yerevan, insane shows in Limassol and Larnaca. Every time that the crowd is headbanging with us enjoying the show - it’s a good show, as we feel connected.

8.Do you have any touring or show plans for 2026?

Timur: Yup, we have a tour over Poland and Germany coming up in February. And we’re currently making up our plans for the Summer.

Evgeny: Before that, in January, we have a show in Dubai and a show here, in Cyprus, and yeah, we have lots of plans for spring and summer

9.On a worldwide level how has the reaction been to your music by fans of extreme metal?

Timur: I think it’s too early to tell. But every time that we visit a new country, we are coming back packed with great emotions and new connections overseas.

10.Where do you see the band heading into musically during the future?

Timur: We’re not guessing that to be honest, the music always goes as it goes.

Evgeny: Completely agree with Timur! That doesn't mean we don't try to find new audience, on the contrary, we spend a lot of time planning and organizing new shows, shooting promo videos, participating in interviews, of course, and much more stuff that has to be done if you don't want to get lost among thousands of bands releasing their music in this exact moment

11.What are some of the bands or musical styles the band members are currently listening to nowadays?

Timur: MDM of course, progressive metal, pop music, electronic music - many genres have some true gems.

Evgeny: A year ago Spotify surprised me by showing that my favorite artist of the year was Bob Marley and The Wailers, he-he, also some old jazz, and fucking tons of metal of course.

Timur: Since we mentioned, my top tracks in Youtube Music are by 21 Pilots, Agnes Obel and Neil Young

12.Before we wrap up this interview, do you have any final words or thoughts?

Evgeny: Thank you so much for your interest in our music, we really appreciate it. Stay kind, guys, stay open-minded, listen to good music and always support it. It's not a secret at all that metal music is a kind of music made by musicians for musicians - I guess, at least 90% of the crowd at any metal show are musicians from other local bands, so let's support each other and make as much good music as we can. Take care!

https://www.instagram.com/kaaper_official/#

Deos/Augustus Omnipotens/WormHoleDeath Records/2025 Full Length Review

 

  Deos  are  a  band  from  France  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "Augustus  Omnipotens"  which  was  released  by  WormHoleDeath  Records.

  A  very  epic  sounding  intro  starts  off  the  album  before  going  into  a  heavier  direction  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Spoken  words  can  also  be  heard  on  a  few  tracks  along  with  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Chants  are  also  utilized  at  times  along  with  some some  clear  singing  also  being  added  into  certain  sections  of  the  album,.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  a  couple  of  tracks  also  adds  in  a  small  amount  of  clean  playing  as  well  as  one  track  also  being  very  long  and  epic  in  length.  the  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  Octavian,  later  Augustus,  the  first  emperor  of  Rome.

  In  my  opinion  this  is  another  great  sounding  recording  from  Deos  and  if  you  are  a  fan  of  melodic  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Octavianus"  "Triumvirat"  "Mylae  Invicta"  and  "Pax  Romana".  8  out  of  10.

  www.facebook.com/deos.legio

instagram.com/deos_official
deos-official.bandcamp.com/releases

www.youtube.com/@deos-official9793/