Xavernah Interview

 

1.Can you give us an update on what has been going on with the solo project since the recording and release of the new album?

For Xavernah I’ve been mostly focusing on extending further exposure for ‘Absence’. However, of course I have developing new concepts and working on new material, but besides ‘Absence’ my priorities currently lies with getting albums out for both my bands Epistulum (Keytar-driven melodeath) and Signs of Extinction (Symphonic Deathcore/Tech Death) later this year.

2.In February you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

Personally I tried to do something completely new for myself. Until the point of writing this record I worked/wrote predominantly on Death Metal/Deathcore, so this was an experiment to try something new with a very atmospheric approach to Black/Doom. Whilst a lot of different flavors seeped into the music, Black/Doom was still the foundation. Funnily enough, after release, the album is seemingly taking a life of its own and is regarded more as an atmospheric Blackened Death Metal-record. I'm not complaining, but I do find it funny and interesting how the album has been categorized so far! 

3.A lot of your lyrics are inspired by writers of the 19th and 20th century, which authors had the most influence on your songwriting?

Definitely H.P. Lovecraft and Olaf Stapledon! Lovecraft for the more eerie and dreadful elements and Stapledon for the more sophisticated, thought-provoking "our-place-in-universe" elements. But with a song titled Ozymandias, and the lyrics being derived from the poem, I cannot go without mentioning Percy Bysshe Shelley too! 

4.What is the meaning and inspiration behind the name 'Xavernah'? 

'Xavernah', as far as I know, has no real meaning. I've taken it from the song 'Xavernah Glory' from the Romanian Black Metal band Katharos XIII, one of the many influences for this project. I really resonate with that song and the word itself is unique, sounds cool and happens to also look cool! 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The cover itself is 1/3 of the entire art piece! It is basically a panoramic amalgamation of the entire album’s story within a single piece of artwork, with the center being the climax of the record! Shout out to Nick Wilschut of Skycraft Productions for creating it! He really outdid himself and put down exactly the image I had in mind.

6.With this project you record a lot of the music by yourself but have experience working as a drummer with a full band, do you prefer to work solo?

Both have its pros and cons. Whilst I do relish the full un-compromised creative control when working solo, it does also ask a lot of you and whenever you get stuck or second guess yourself you don’t really have someone else to turn to. But that’s why I have multiple projects. With Xavernah I figure it out myself and at the end of the day have a product which is 100% me, and with my bands it is a different dynamic, leading to different results but just as fulfilling. 

7.On the new album you also have a few guests, can you tell us a little bit more about who they are and also their contributions to the recording? 

I wouldn’t consider guests, but integral session musicians. Without them, there wouldn’t be an album.

Most of the people involved on the record are fellow students back from my class of music college I have graduated from since. 

Martín Jaramillo, who recorded the electric guitars, is one of the many fellow students involved but also a band member within our band Signs of Extinction.

Thijs Ronteltap is one of the two who isn’t directly involved from my class! Frontman of Epistulum, which I drum for, I asked him to be part of the record and he ended up recording most of the vocals, some piano and acoustic guitars.

Siebe Sol Sijpkens, although an alumnus of the same college, far exceeds my year. Recommended last minute by the album’s mixer to record the bass, he is known primarily for playing with Blackbrair.

Whilst not actively “playing” on the record, also huge thanks to Jordy Hoogvliets (Vrøde) for the additional orchestration and Siebe van der Haring (Benchwarmers) for the additional programming on ’Thalassic Dream’.

8.Currently you are unsigned, are you looking for a label or have received any interest?

I’m not actively seeking, if that's what you mean. I did, soon after release, get approached by a label and we discussed the possibility of Xavernah signing a deal but we couldn’t come to an agreement. For the time being I don’t mind being an independent artist, but if the right label comes around… Who knows.

9.On a worldwide level, how has the reaction been to your music by fans of underground metal?

Whilst it has been quite hard to break through the noise that is the current music industry, the people it has reached have generally responded very positively! Applying a niche take on an already niche genre, I was expecting way more of a mixed reception, but that hasn’t really been the case! Even more, critics have been overwhelmingly positive so far! 

10.What is going on with 'Epistulum' these days?

We have been working hard on a new album, and are putting the finishing touches on it! The album should see the light of day somewhere in the second half of this year!

11.Where do you see yourself heading into as a musician during the future?

Oof, that’s a surprisingly deep question all the sudden. Honestly, I am not sure… Day by day the details change. But what remains consistent is that I want to make music that tells a story, moves people and pushes boundaries. Preferably for projects I am directly involved in, but I do think I would also do pretty well as a songwriter, producer or even some kind of (creative) consultant for other bands/artists.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Consciously or subconsciously nearly everything that I enjoy listening and playing has had some influence on the record, in one way or the other. But honing in on the important elements for this record the Black Metal influences came from artists like Mare Cognitum and The Great Old Ones, the Doom elements from artists like Bell Witch and Bismuth. The atmospheric elements come from both metal acts and other artists/media like Hans Zimmer’s Dune soundtrack or ambient artists like Cryo Chamber. 

Whatever I’m listening to is kinda all over the place and changes weekly or even daily! However there is usually still a prominent metal element present. This week I’ve had Vildhjarta’s ‘måsstaden under vatten’ on repeat due to the recent album announcement, another (but very different) atmospheric metal journey!

13.Before we wrap up this interview, do you have any final words or thoughts?

First of all, thank you for having me!

For those still reading, please check out ‘Absence’ if you haven’t already! You can find it on Bandcamp, YouTube, Spotify or your preferred streaming devices. And if you liked what you heard and want to stay in the loop about Xavernah go follow the project on Instagram and Facebook! Thank you!

Now there’s nothing left, merely absence

Bandcamp: https://xavernah.bandcamp.com/album/absence
Spotify: https://open.spotify.com/artist/2pj2ChpqDBXM7QHwmSmrfe
YouTube: https://www.youtube.com/@Xavernah
Instagram: https://www.instagram.com/xavernah_project/
Facebook: https://www.facebook.com/profile.php?id=61569326456220

Xavernah/Absence/2025 Full Length Review

 

  Xavernah  are  a  solo  project  from  the  Netherlands  that  plays  an  atmospheric  and  melodic  mixture  of  black,  doom  and  death  metal  with  elements  of  ambient  and  dark  jazz  and  this  is  a  review  of  his  self  released  2025  album  "Absence".

  Pianos  and  ambient  elements  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Clean  playing  and  acoustic  guitars  are  also  added  in  certain  sections  of  the  recording  while  the  music  also  has  its  atmospheric  moments  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  whispered  vocals  can  also  be  heard  briefly.  The  slower  sections  of  the  album  are  also  very  heavily  rooted  in  doom  metal  along  with  the  harsh  vocals  bringing  in  a mixture  of  black  metal  screams  and  death  metal  growls,  tremolo  picking  and  blast  beats  are  also  added  into  the  faster  sections  of  the  songs.  The  production  sounds  very  professional  while  the  lyrics  cover  desolation,  dread  and  nihilism  with  some  inspiration  from  the  poetry  of  Percy  Bysshe Shelly  and  other  writers  from  the  19th  and  early  20th  century.

  In  my  opinion  Xavernah  is  a  very  great  sounding  atmospheric  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Perpetual  Gloom  Across  The  Basaltic  Horizons"  and  "Celestial  Ruin".  8  out  of  10.

  Bandcamp: https://xavernah.bandcamp.com/album/absence

Spotify: https://open.spotify.com/artist/2pj2ChpqDBXM7QHwmSmrfe
YouTube: https://www.youtube.com/@Xavernah
Instagram: https://www.instagram.com/xavernah_project/
Facebook: https://www.facebook.com/profile.php?id=61569326456220

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Touches  of  dark  jazz  are  also  added  into  the  music  at  times  as  well  as  one  of  the  tracks  also  being  an  instrumental,  spoken  words  and  clear  singing  can  also  be  heard  briefly  and  the  riffs  also  add  in  a  lot  of  melody.    

The Mountain King/Stoma/Void Key Recordings/2024 Full Length Review

 

  The  Mountain  King  are  a  solo  project  from  Germany  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  progressive  mixture  of  post  black,  doom,  death  metal  and  drone  and  this  is  a  review  of  his  2024  album  "Stoma"  which  will  be  released  in  October  by  Void  Key  Recordings.

  Synth  orientated  drones  start  off  the  album  along  with  some  clean  playing  a  few  seconds  alter  before  going  into  a  heavier  direction.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  music  also  gets  very  progressive  sounding  at  times  and  the  vocals  also  add  in  a  lot  of  black  metal  screams.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  while  the  slower  sections  of  the  album  also  bring  in  elements  of  doom  metal.  Clear  singing  is  also  added  into  certain  sections  of  the  recording  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  post  metal  style.

  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  of  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  at  times  the  music  also  brings  in  the  heaviness  of  death  metal  and  some  of  the  album  also  adds  in  touches  of  ambient  and  post  hardcore.  The  production  sounds  very  professional  while  the  lyrics  cover  a  question  of  balance  between  everyday  life  and  the  thoughts  about  the  inevitable  death  of  the  individual  at  the  end  of  it.  

  In  my  opinion  this  is  another  great  sounding  recording  from  The  Mountain  King  and  if  you  are  a  fan  of post  black,  doom,  death,  progressive  metal  and  drone,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Space  Is  Now  Tainted"  "Stoma"  and  "To  The  Caves".  8  out  of  10.

  https://themountainking.bandcamp.com/album/stoma

  

Locusts And Honey Interview

 

For those that have never heard of you before, can you tell us a little bit about the band?

Stephen: We are a doom band from the UK.

Tomás: I’ll go along with that! With some black metal and dark ambient flourishes. 

So far you have released one album, can you tell us a little bit more about the musical style that you went for on the recording?

Stephen: It's a sort of blackened funeral doom with a cinematic bent. There's more of a mix of influences and styles in there than that, but essentially we wanted to write and play slow, heavy, bleak and sorrowful metal.

Tomás: I went for a dense, suffocating, wall of sound production style… not sure I achieved this but it was certainly my intention.

Both of the band members are also involved with other bands and projects, what is it that you bring into the music of 'Locusts And Honey' that you have not been able to do with your other groups?

Stephen: Slow, heavy music has been a go-to for me since I was a kid. My previous bands have been on the sludge side, so it's been great to shift over to doom. It's a different palette to work from and can be very emotionally charged. In the last few years I've had to come to grips with some mental health stuff, so it's a great release for me.

Tomás: I too have been playing loud music since I was young, black metal in particular. I currently have two other working projects, Gergesenes and Penitent Whisper. They are black metal and dark ambient respectively. I wanted to be freer of some of the constraints self imposed within those genres when starting Locusts and Honey I guess. 

Your lyrics are inspired by the bog bodies that were found in Denmark and Ireland, can you tell us a little bit more about your interest in this topic?

Stephen: Tom messaged me and said he was getting inspired by the bog bodies and asked if I wanted to be involved in what he was writing. So I started reading up on the phenomenon a bit. There's still a lot of mystery around the sacrificial practice, but also a lot we can deduce. However, when I heard the music Tom had written, what I heard was dark but very human and relatable, and immediately it made me think of how death sharpens our appetite for living, especially living well.

Tomás: The inspiration came from a reading of Glob’s seminal The Bog People: Iron-Age Man Preserved. If I’m honest it was the grainy photos therein that really affected me. Some rereading of Seamus Heaney’s bog poems, The Grauballe Man was perhaps the starting point. I visited the National Archaeology Museum in Dublin a few years back - viewing the remnants of those bodies on display there whilst suffering from a corruscating hangover left me wanting to create something for some reason! 

What is the meaning and inspiration behind the name 'Locusts And Honey'?

Stephen: It's a Biblical reference that Tom used for a previous project of his, and we both still quite liked how it sounded.

Tomás: Yes, the name was used almost twenty years ago for a rather maudlin slowcore project I had at the time. I mainly resurrected it to avoid the rigamarole of settling on a new name. Somewhat strangely, the two friends I was working with back then are now in this current version of the band. 

Can you tell us a little bit more about the artwork that is presented on the new album cover?

Tomás: The artwork was created for us by Samuel Guillet or Sam Rictus (https://www.instagram.com/samrictus). Sam was given a fairly loose brief to be honest - I’m very happy with how it turned out and strongly recommend others to check out his work. 

Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

Stephen: We’ve recently been recruiting for a full line-up, which is great. When you get the right people it's a real pleasure to come together to create music, and I'm pretty excited to see the impact it will have for us in the near future.

Tomás: Yes, we have nearly solidified a full conventional band lineup. 

The album was released on 'Hypaethral Records', can you tell us a little bit more about this label?

Tomás: I sent the recording to various labels who I felt may be interested in working with us. I had heard some of the bands on Hypaethral before, like QAALM. so I was happy when Chris from Hypaethral said he was interested and it has been a pleasure to collaborate with him ever since! I’ll actually let Chris chime in himself here and let him give you some further information…

Chris: We started up Hypaethral Records back in 2012, with the goal of helping underground bands get their music out in physical and digital formats. We mostly work with doom and blackened metal. Locusts and Honey have been the first international band that we’ve worked with (outside of North America), which was an exciting new step for the label. 

Tomás sent me a cold email with a stream for the full EP and I knew immediately that it was something that we wanted to release. It absolutely blew me away on the first listen!

On a worldwide level how has the reaction been to your music by fans of underground metal?

Stephen: The feedback I've got so far has been pretty positive. I think a lot of people understood what we were going for with the record and the band in general, and that is incredibly gratifying. We’re extremely grateful for all the support and love we’ve received so far.

Where do you see the band heading into musically during the future?

Stephen: I see us just slowly evolving. We have a strong idea of the themes and feelings we want to evoke with our music, so however we progress it will be with these in mind.

Tomás: We have been writing new material with our new members. A totally new approach and one I am personally enjoying very much. I hope the future involves new music and touring too. 

What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Stephen: Our influences are pretty varied, but I suppose the most apparent influences would be the likes of Bell Witch, Cough, Corrupted, The Body, Asunder… I don't ever have a band or record in mind when I'm writing, I just trust the influence of the music I love will come through naturally, filtered by my own thinking and emotions.

As to what I'm currently listening to, I quite often go back and listen to old favourites. At the time of writing this, I’ve just revisited the small but cracking discography of Carol Ann. Of new releases on the heavier side of things that I've been enjoying, there's Thou’s Umbilical, Cowardice’s Atavist, Simian Steel’s Missing Fucking Link… But it's always down to where my mood takes me.

Tomás: I feel I have less of the conventional ‘doom’ influences than perhaps Stephen does. I guess I draw most of my influences from the black metal spectrum… I have been close to the genre since I was a teenager in the mid nineties. Much as I have tried with lots of recent raw black metal it does still feel like my primary influences are those names from the Norway we all know so well. Also, I guess The Caretaker, William Basinski, Deathprod have influenced our more ambient moments.

I don’t listen to huge amounts of new heavy music I must say. That said, I enjoyed watching Sanguine Relic and Black Cilice play in London the other evening… Some other stuff I’ve recently enjoyed listening to of late have been Myriam Gendron, Warren Zevon, Jackie Edwards, Joanna Sternberg, Carme Lopez, Spirogyra, Washington Phillips, Tucker Zimmerman, Peter Bellamy… always a lot of Dylan too & lots of classical music - I’m getting on in years. 

Before we wrap up this interview, do you have any final words or thoughts? 

Tomás: Many thanks for the interview and interest. 

https://instagram.com/_locustsandhoney_

Pthumulha/Tungumal svarthola/Kvlt und Kaos Productions/2024 Full Length Review

 

  Phthumulha  are  a  band  from  Iceland  that  plays  a  mixture  of  black,  sludge,  funeral  doom  metal  and  drone  and  this  is  a  review  of  their  2024  album  "Tungumal  svarthola"  which  was  released  by  Kvlt  und  Kaos  Productions.

  Drum  beats  start  off  the  album  before  adding  in  some  drones  and  powerful  sounding  bass  guitar  leads.  Elements  of  sludge  and  funeral  doom  metal  are  also  added  into  the  slower  sections  of  the  songs  while  the  vocals  also  add  in  a  mixture  of  guttural  death  metal  growls  and  black  metal  screams.

  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  dark  sounding  melodies  can  also  be  heard  in  some  of  the  guitar  riffing.  Blast  beats  and  tremolo  picking  can  also  be  heard  on  a  couple  of  songs  when  the  music  speeds  up  along  with  a  couple  of  the  tracks  also  being  ambient  orientated  instrumentals  which  also  add  in  small  amount  of  synths

  Phthunulha  plays  a  musical  style  that  takes  black,  sludge,  funeral  doom  metal  and  drone  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  are  written  in  Icelandic  and  cover  dark  poetry,  existential  dread,  cosmic  insignificance  and  the  beauty  found  within  the  embrace  of  oblivion.  

  In  my  opinion  Phthumulha  are  a  very  great  sounding  mixture  of  black,  sludge,  funeral  doom  metal  and  drone  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Multhulu"  and  "Phthumulha".  8  out  of  10.

  https://www.instagram.com/pthumulhu/

https://kvltundkaosproductions.bandcamp.com/album/tungum-l-svarthola

https://youtu.be/vJbJh1xrSCU  

        

Locusts And Honey/Teach Me To Live That I Dread The Grave As Little As My Bed/Hypraethral Records/2024 Full Length Review

 

  Locusts  And  Honey  are  a  duo  from  the  United  Kingdom  that  plays  a  mixture  of  black,  sludge,  funeral  doom  metal,  dark  ambient,  drone  and  noise  and  this  is  a  review  of  their  2024  album  "Teach  Me  To  Live  That  I  Dread  The  Grave  As  Little  As  My  Bed"  which  was  released  by  Hypraethral  Records.

  Dark  ambient  style  drones  and  synths  start  off  the  album  along  with  some  clean  playing  a  few  seconds  later  before  going  into  a  heavier  direction.  Elements  of  sludge  and  funeral  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  and  one  of  the  tracks  is  also  very  long  and  epic  in  length.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Vocals  are  mostly  grim  sounding  black  metal  screams  along  with  some  noises  also  being  added  into  certain  sections  of  the  recording  as  well  as  some  of  the  tracks  also  being  instrumentals  and  the  whole  album  also  sticks  to  a  slower  direction.

  Locusts  And  Honey  play  a  musical  style  that  takes  black,  sludge,  funeral  doom  metal,  dark  ambient,  drone  and  noise  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  while  the  lyrics  cover  the  bog  bodies  of  Ireland  and  Denmark  -  people  of  the  Iron  Age  who  where  sacrificially  hanged  and  found  extremely  well  preserved  in  peat.

  In  my  opinion  Locusts  And  Honey  are  a  very  great  sounding  mixture  of  black,  sludge,  funeral  doom  metal,  dark  ambient,  drone  and  noise  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Leathern  Cord"  and  "Traitor  To  love".  8  out  of  10.

  

https://instagram.com/_locustsandhoney_      

Pontifex/From The Pale Mist/2024 Full Length Review

 

  Pontifex  are  a  band  from  Florida  that  plays  a  symphonic  form  of  black  metal  with  elements  of  ambient,  death  and  thrash  metal  and  this  is  a  review  of  their  self  released  2024  album  "From  The  Pale  mist".

  Ambient  style  synths  start  off  the  album  while  also  introducing  symphonic  sounds  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  also  add  in a   mixture  of  black  metal  screams  and  death  metal  growls.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

   Elements  of  thrash  metal  can  also  be  heard  in  some  of  the  guitar  riffing  and  clean  playing  can  also  be  heard  briefly  along  with  one  of  the  tracks  also  being  an  instrumental  as  well a s  the  music  also  mixing  in  both  old  school  and  modern  touches.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  mystery themes.

  In  my  opinion  Pontifex  are  a  very  great  sounding  symphonic  mixture  of  black,  death  and  thrash  metal  with  elements  of  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  REOCMMENDED  TRACKS  INCLUDE  "Festering"  and  "Abyssal".  8  out  of  10.

  https://youtu.be/srVAty5dWkc

https://open.spotify.com/track/6FW3pN2D59Cq6vzzRlKGd

https://pontifex.bandcamp.com/album/from-the-pale-mist

https://www.facebook.com/profile.php?id=61555978000917

https://www.instagram.com/shadowspireband/ 

Defying/Wadera/These Hands Melt/2024 Full Length Review

 

  Defying  are  a  band  from  Poland  that  plays  a  progressive  mixture  of  ambient,  post  black  and  sludge  metal  and  this  is  a  review  of  their  2024  album  "Wadera"  which  will  be  released  on  February  23rd  by  These  Hands  Melt.

  Night  sounds,  whispers  and  spoken  words which  also  returns  on  later  songs  start  off  the  album  before  going  into  more  of  a  heavier  and  melodic  direction.  When  synths  are  utilzied  they  also  bring  in  elements  of  ambient  while  some  tracks  also  add  in  a  small  amount  of  clean  playing  and  the  slower  sections  of  the  songs  are  heavily  rooted  in  sludge  metal.

  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  post  metal  direction.  

  At  times  the  music  also  gets  very  progressive  sounding  along  with  a  few  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  of  the  tracks  also  being  very  long  and  epic  in  length,  clear  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  polish  horror  film  "The  Wolf(1983)"  and  the  short  story  "Wadera(1977)  written  by  Jerzy  Gieraltowski.

  In  my  opinion  Defying  are  a  very  great  sounding  progressive  mixture  of  ambient,  post  black  and  sludge  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Tempus  Infaustum"  "The  Acquittance  Shade"  "Reluctant  To  The  Grave"  and  "Quietus".  8  out  of  10.

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The Mountain King/Apostasyn/2024 Full Length Review

 

  The  Mountain  King  are  a  band  from  Germany  that  plays  a  mixture  of  black,  doom,  death.  post  metal.  drone  and  ambient  and  this  is  a  review  of  their  self  released  2024  album  "Apostasyn"  which  will be   released  in  February.

  Avant  garde  style  percussion  starts  off  the  album  along  with  some  post  metal  style  melodies  and  clean  playing  a  few  seconds  later.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  slower  sections  of  the  songs  also  being  in  elements  of  doom  metal.

  Clear  female  and  male  vocals  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  harsh  vocals  are  mostly  black  metal  screams.  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  touches  of  drone  and  ambient  also  being  utilized  at  times.

 Synths  can  also  be  heard  in  certain  sections  of  the  album  along  with  some death  metal  growls  also  being  utilized briefly.  Spoken  word  samples  are  also  added  on  one  song  and  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard,  half  of  the  album  is  also  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  Anti  Religion  themes,

  In  my  opinion  The  Mountain  King  are  a  very  great  sounding  mixture  of  black,  doom,  death,  post  metal,  ambient  and  drone  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Apostasyn"  and  "Axoloti  Messiah".  8  out  of  10.

  

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Tele.S.Therion/Black Paintings XII - XV/Radical Matters/2020 Full Length Review

 

  This  is  a  review  of  another  recording  from  Italy's  Tele.S.Therion  which  is  also  done  in  a  'acousmatic  black  metal'  style  and  the  album  was  originally  recorded  in  2011  and  released  in  2020  and  called  "Black  Paintings  XII  -  XV"  which  was  released  by  Radical  Matters. 

  Dark  soundscapes  and  drones  start  off  the  album  along  with  some  noises  a  few  seconds  later  while  the  music  also  gets  very  experimental  and  avant  garde  sounding  at  times.  Elements  of  underground  industrial  can  also  be  heard  in  certain  sections  of  the  recording  and  most  of  the  album  sticks  to  an  instrumental  direction. 

  All  of  the  songs  also  sound  very  different  from  each  other  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Most  of  the  music  is  also  improvised  along  with  some  power  electronic  sounds  also  being  added  into  certain  sections  of  the  recording  which  also  takes  the  music  into  a  harsher  direction  and  when  bass  guitars  are introduced  on  the  album  they  also  add  in  the  heaviness  of  black  and  doom  metal  as  well  as  some  touches  of  ambient  also  being  mixed  in  at  times.

  On  this  recording  Tele.S.Therion  focused  more  on  an  experimental  noise  direction  with  some  touches  of  black  and  doom  metal  as  well  as  keeping  everything  instrumental  while  the  production  sounds  very  dark.

  In  my  opinion  this  was  another  great  sounding  recording  from  Tele.S.Therion  and  if  you  are  a  fan  of  experimental,  noise,  black  and  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "XIII"  and  "XV".  8  out  of  10.

  https://telestherion.bandcamp.com/album/black-paintings-xii-xv    

Espi Kvlt/Vampyre Trap/Syrup Moose Records/2023 Full Length Review

 

   Espi  Kvlt  are  a  solo  project  from  the  United  States  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  for  more  of  a  blackened  style  of  tap  metal  and  this  is  a  review  of  his  2023  album  "Vampyre  Trap"  which  will  be  released  on  December  29th  by  Syrup  Moose  Records.

  Ambient  style  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times. Some  of  the  programmed  beats  also  added  into  elements  of  industrial  and  trap  while  the  vocals  are  done  mostly  in  a  grim  black  metal  style  and  some  of  the  beats  also  add  in  touches  of  hip  hop.

  Whispers  are  also  added  on  some  of  the  tracks  while  one  song  also  adds  in  a  brief  use  of  Asian  style  instruments  and  female  vocals  which  also  return  on  a  later  track  which  also  give  the  recording  more  of  an  ethnic  touch.  Electric  guitars  can  also  be  heard  on  a  few  songs  as  well  as  adding  in  a  small  amount  of  melody  along  with  one  song  also  introducing  clean  playing  onto  the  recording  and  most  of  the  music  sticks  to  a  mid  tempo  direction.

  On  this  recording  Espi  Kvlt  takes  black  metal  and  trap  music  and  mixes  them  together  to  create  something  very  different  sounding.  The  production  sounds  very  dark  while  the  lyrics  cover  vampirism,  sadism  and  darkness  themes.    

  In  my  opinion  this  is  another  great  sounding  recording  from  Espi  Kvlt  and  if  you  are  a  fan  of  black  metal  and  trap  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUD E "Gentle  Pornography"  "Vampyre  Trap"  "If  It  Bleeds"  and  "Villian".  8  out  of  10.

  https://espikvlt.bandcamp.com/

Bolt Gun/The Tower/Avantgarde Music/2023 Full Length Review

 

  Bolt  Gun  are  a  band  from  Australia  that  plays  an  experimental  and  avant  garde  form  of  post  black  metal  with  elements  of  noise,  drone  and  dark  ambient  and  this  is  a  review  of  their  2023  album  "The  Tower"  which  was  released  by  Avantgarde  Music.

  Dark  ambient  style  synths  start  off  the  album  while  atmospheric  sounding  drones  can  also  be  heard  at  times.  All  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  saxophones  also  give  the  music  more  of  an  avant  garde  feeling  when t hey  are  utilized  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  mostly  tortured  sounding  black  metal  screams.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  along  with  the  faster  sections  of  the  songs  also  adding  in  a  small  amount  of  tremolo  picking  and blast  beats.

  At  times  the  music  also  gets  very  experimental  sounding  along  with  some  growls  also  being  added  into  certain  sections  of  the  recording.  Noises  are  also  added  on  some  of  the  tracks  as  well  as  some  of  the  songs  also  bringing  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  the  album  also  closes  with  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  are  inspired  by  the  writings  of  Brian  Evenson,,  Frank  Kafka,  Shirley  Jackson  and  cover  isolation,  extinction,  absurdity  and  nihilism  themes.

  In  my  opinion  Bolt  Gun  are  a  very  great  sounding  avant  garde  and  experimental  mixture  of  post  black  metal,  noise,  drone  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Tower"  and  "The  Scapegoat".  8 out  of  10.

  https://www.facebook.com/BoltGun

https://www.instagram.com/bolt_fun

https://boltgun.bandcamp.com    

  

Cunabula Interview

 

Can you give us an update on what has been going on with the band since the recording and release of the new album?

Goda: In some non-artistic and rather technical terms, we’re having small tasks for the album PR and also for the upcoming album release show that needs to be organized. Mentally, we’re trying to look forward and not take the album release fact as some result after which we can finally rest. And it’s not an easy task.

Recently you have released a new album, musically how does it differ from your previous ep?

Jurgis: I would say that the recent release has a more consistent and defined sound than the previous EP. Also, musically the new album has some recurring rhythmic composition techniques that in my opinion plays a strong role in overall musicality of this album.  Whereas the first EP was more experimental and dedicated for bands musical research. 

Tadas: The album production is less polished and more raw/live. Musically every song on the album is like a journey, everything is more coherent. And the vocals are much more important now.

This is also your first release since 2017, can you tell us a little bit more about what has been going on during that time frame?

Goda: After the EP release we were into live performances more, rehearsing, bringing our audience together, and when we started developing our recent album, we actually faced lots and lots of waiting in every single phase of it. Not mentioning the pandemics that wasn‘t very grateful for the band.

Tadas: On the other hand, we had an opportunity to try the songs live before the recordings. Only two tracks in this album were never performed live.

What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?

Tadas: Our lyrics are very abstract, it’s the atmosphere that matters, not the story. As the sole songwriter (so far), I wish other band members would get themselves involved in the songwriting more, it would be nice to explore collaborative songwriting. 

What is the meaning and inspiration behind the name 'Cunabula'?

Goda: The name came from Kurt Vonnegut's „Cat‘s Cradle“ and the word cradle had a special meaning for us at the time the band formed. Cunabula is Latin for cradle.

Tadas: I don’t know why, but this book is very highly regarded in Lithuania. Maybe it’s the same in other countries too.

Can you tell us a little bit more about the artwork that is presented on the new album cover?

Goda: Nojus Petrauskas, the author of the painting in the artwork, is a Lithuanian painter, an amazing surrealist, which was noticed by us accidentally after we spent hours searching for what could be an organic fit for our album visually. We just saw the painting named ‘Heart’ and we knew.

What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Goda: We vividly remember the gig when we were given a chance to support Conan band – the evening was insane. Also, it is Something Else to play at an open-air festival. And what’s regarding the listeners – we always receive some unexpected feedback about how gigs make people feel. For me, those words are exactly how I’d wish to feel as a listener in some heavy gig myself: partly hypnotized, partly scared, and energetically crushed to the ground. That kind of feedback is definitely inspiring.

Do you have any touring or show plans once the new album is released?

Goda: Not sure about the touring, but we definitely want to have an album release show in Lithuania.

On a worldwide level how has the reaction been to your music by fans of black, sludge and post metal?

Goda: We are happy to have some worldwide fans reaching out to us personally to express their gratitude for what we do. In general, the feedback is greatly motivating to keep doing what we do.

Tadas: Yes, the feedback was mainly positive so far. Our style is a tough cookie to crack, so it’s hard to fit it into one simple description. The music like this probably will never be popular, but if someone likes it, we are happy.  

Where do you see the band heading into musically during the future?

Jurgis: I think Cunabula has potential for the unexpected, I would not be surprised that we would take more experimental turns in the band's musical future. However, at this moment it is fair to say that some essential elements of our music would still be transferred to our future works, especially harmonic, and textural qualities of our sound. Which in my opinion has a big role in defining Cunabula as a band and are hugely responsible for the emotional weight of our music.  

What are some of the bands or musical styles the band members are currently listening to nowadays?

Jurgis: I think the overall musical spectrum of what we listen to is very wide, but regarding Cunabula style I strangely find much resemblance from 20th century’s academic minimalists or even some of the composers from New Simplicity wave. For example, works of Steve Reich, David Lang or Arvo Part. Though the similarity with such music is more of primal musical ideas level.  As for stylistically similar artists I think bands like: Cult of Luna, Russian Circles, Meshuggah plays a big role in our development. Also, i’d like to mention Polish post metal band Entropia, especially their album “Vacuum” which was a very fortunate discovery for me personally a few years ago.

Tadas: Old Norwegian black metal, new French black metal, classic sludge metal bands, some old prog rock, some random classical music.

Before we wrap up this interview, do you have any final words or thoughts? 

Goda: We enjoyed reading such personal and deep questions, thank you for that.

https://youtu.be/vw77kywj4dk

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Martikor/Soliloquy/2023 Full Length Review

 

  Martikor  are  a  solo  project  form  San  Francisco,  California  that  plays  an  atmospheric  mixture  of  black,  sludge  and  post  metal  with  elements  of  ambient  and  this  is  a  revie w of  his  self  released  2023  album  "Soliloquy".

  ambient  style  soundscapes  start  off  the  album  along  with  some  drum  beats  and  post  rock  style  clean  playing  a  few  seconds  later.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  sludge  metal.

  When  guitar  solos  and  leads  are utilized  they  are  also  done  in  a  very  melodic  post  metal  style  while  the  music  also  has  its  atmospheric  moments.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  synths  also  being  added  into  certain  sections  of  the  recording  and  the  vocals  are  mostly  high  pitched  black  metal  screams.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  clear  vocals.  as  well  as  some  of  the  guitar  leads  also  adding  in  touches  of  blackgaze,  when  the  music  finally  speeds  up  a  small  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard,  acoustic  guitars  and  stringed  instruments  are  also  utilized  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  themes.

  In  my  opinion  Martikor  is  a  very  great  sounding  atmospheric  mixture  of  black,  sludge  and  post  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE "Aimless  Dance  In  The  Hallow"  an d "Somber  pace".  8  out  of  10.

  https://open.spotify.com/album/7CEsOb1Gy7MmJ3JWf6GQFl

https://music.apple.com/us/album/soliloquy/1704619144

https://martikor.bandcamp.com/album/soliloquy

https://www.youtube.com/@Martikor_Music/featured

https://www.instagram.com/martikor_music/

https://soundcloud.com/martikor

https://www.facebook.com/profile.php?id=61550720735395     

Cunabula/The Weight Of Sleep/Sleaszy Rider Records/2023 Full Length Review

 

  Cunabula  are  a  band  from  Lithuania  that  plays  a  progressive  mixture  of  post  black  and  sludge  metal  and  this  is  a review  of  their  2023  album  "The  Weight  of  Sleep"  which  will  be  released  in  October  by  Sleaszy  Rider  Records.

  Radio  static  sounds  start  off  the  album  along  with  some  heavy  and  melodic  riffing  a  few  seconds  later.  Elements  of  sludge  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length  and  the  vocals  ar e mostly  high  pitched  blackened metal  screams.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  growls  can  also  be  heard  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  and  the  songs  also  add  in a   good  mixture  of  slow,  mid  paced  and  fast  parts.

  At  times  the  music  also  gets  very  progressive  sounding  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  clean  playing.   Clear  vocals  and  spoken  word  parts  can  also  be  heard  on  a  few  songs  as  well  as  the  keyboards  also  adding  in  touches  of  ambient  when  they  are  utilized,  when  guitar  solos  and  leads  are  added  into  the  music  they  are  done  in  a  very  melodic  post  metal  style  and  one  song  is  also  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  sadness  and  solitude  themes.

  In  my  opinion  Cunabala  are  a  very  great  sounding  progressive  mixture  of  post  black  and  sludge  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Bruxa"  and  "silent  Somber  Suns".  8  out  of  10.

https://youtu.be/vw77kywj4dk

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