Vanaheim Interview

Mike Seidel: First of all we want to thank you for giving us the chance to present our new concept album “Roede voor de Borst” in your magazine. We truly appreciate that! 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album? 

Mike Seidel: Our new concept album “Roede voor de Borst” was released on the 4th of September 2026. We are simply overwhelmed by the sheer amount of positive feedback we have received so far from genre veterans, metal critics and our fans. We had a different approach for this album, also because the whole team behind the band had grown since the release of our previous album “Een Verloren Verhaal”, which was our self-released debut album. We signed a record deal with Fireflash Records, joined the artist roster of Rock The Nation, who took over the bookings and, additionally, we now work closely together with Mastermold Music as our management team. Soon we will go on our first ever European tour, together with TYR, Twilight Force and Dragonland. The tour carries the name “Valhalla Calling Europe”. It will bring us to many countries we have never performed in before, with a total number of 25 shows in 15 countries. Exciting times ahead! 

2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

 Mike Seidel: “Roede voor de Borst” is a concept album. It tells a completely different story than our previous album, “Een Verloren Verhaal”. While the story for our debut album was grand, epic and fantastical, the story of “Roede voor de Borst” is more down to earth, more emotional and relatable. The sound of the album reflects this aspect as well. While we are using the orchestrations in the album more focused, we shifted the epicness factor towards the use of different elements this time. For example, we recorded a real choir of thirty people in the studio. This is pretty unique nowadays, because it is common to use simple plug-ins and VTS or samples for your music and everything seems to be becoming more and more digital. Especially in the time of artificial intelligence, where everything becomes so easy and generic, it is even more important to bring back real instruments into music. All the songs on the new album are connected through the story, but still every song works on its own. Every song has its own flavor and that makes the album interesting and raises the replay ability a lot! We widened the dynamics between hard pounding metal riffs and soft melodic parts cohesive to the story of the album to deepen the feeling of the story.

3.The lyrics on the new release is a concept album, can you tell us a little bit more about the story you covered with this recording?

 Mike Seidel: The story takes place in a fictional Dutch village from the 19th century, surrounded by wetlands. Our main protagonist is the miller of the village. An old man who has seen ghostly figures around the wetlands and who thinks they are a potential threat to the village and its inhabitants. Nobody believes him when he tries to warn the villagers every night. They think that he is just a bitter and crazy old man. One night, he goes on an unexpected journey which makes him reflect on his life choices. I don't want to spoil it too much, but it is a thrilling story full of emotions, regret and hope. It supports the music really well and if you read the lyrics while listening to the album, it deepens and enhances the whole experience. We are aware that not everyone in this world understands Dutch. That is why we offer translations in three other languages (English, German and French) on our website for the lyrics. We are still working on it but the translations will be finished soon. Just go to vanaheim.nl and follow us to the lyrics section. 

4.Your earlier lyrics covered Folklore and Mythology themes, can you tell us a little bit more about your interest in those topics?

 Mike Seidel: As a folk metal band we bring stories around the world. Stories of our heritage but also stories of our own. We love to write our own stories. That is the reason why we write a complete concept for an album, before we even start writing the music. The concept is a guideline for the music, the lyrics and the visuals that accompany the album. Folklore and mythology are a part of almost every band in this genre. With us the difference is that we like to create our own stories, which are inspired by different aspects but also by local stories, myths and urban legends. Historic happenings, culture and ethics are a big influence as well. 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 Mike Seidel: The album artwork is made by Julian Bauer. We had already worked with him on our debut album ”Een Verloren Verhaal” and we were so blown away by his work, that we had to work with him again. His style fits perfectly with our music. It represents epicness, displays the thrilling aspects of our music and the liveliness of his paintings tells a story. Julian can transform our music into a painting. What you see displayed in the artwork is a scene from the story of “Roede voor de Borst”. It shows a specific and tragic moment of the story and if you watch closely, you can already understand a part of the album’s story, only by watching and understanding the artwork. There is even a secret message hidden in the artwork. We are curious if you can find it. 

6.The band members live in different parts of Europe, what impact does this have on the musical style that you play?

 Mike Seidel: I wouldn't say that our location has a direct influence on the Vanaheim sound or style. We do have a very wide range of influences on our music, but even though we are split over three countries, our ethical and cultural backgrounds are very similar. Most members live in the Netherlands, our guitar player in Belgium and I live in Germany. The cultural difference is actually not that big. The fact that we live that far apart, doesn't make it easier to write music. Most of the songwriting happens online, where we exchange ideas in meetings. Towards the end of the writing phase, we meet up in person to finalize song structures, melodies or lyrics. Being in the same room while writing, makes the whole process much faster in our experience.

 7.Out of all the shows and tours the band has done so far, which one stands out the most?

 Mike Seidel: I guess every band member would give you a different answer to this question. For me personally, the Seafarer's Dream Tour with Ensiferum was one of the big highlights. Being able to be the support act for one of your childhood heroes is a moment that I will never forget. Back in the day, when one of my best friends gave me a USB stick with music on it, I discovered folk metal with Ensiferum. About 15 years later, I am sharing the stage with Ensiferum while supporting them with my own band. This is a dream coming true. When I discovered their music, I didn't even dare to think about this happening in a couple of years. Unbelievable! 

8.What are the touring plans for the new album?

 Mike Seidel: Soon we will embark on the “Valhalla Calling Europe” tour across 15 countries, with 25 shows, together with TYR, Twilight Force and Dragonland! Then we do have some ideas for possible tours in 2027, but nothing we can talk about yet. There are some big festivals in the pipeline, and we are looking forward to conquering the stage in countries we have never performed in before. We want to play as much as possible to bring “Roede voor de Borst” to as many countries as possible! It is so exciting to have a new album under the belt, which we can finally perform live with an energetic performance and a lot of crowd engagement.

 9.The new album was released on 'Fireflash Records', how did you get in contact with this label?

 Mike Seidel: We got in contact with Markus of Fireflash Records through someone we met after our performance at Wacken Open Air 2024. It was a total coincidence that we got in touch that day. We got offers from other labels for “Roede voor de Borst” as well, but none of them felt like a good fit for us. We almost decided that we wanted to release this album independently, like our debut album “Een Verloren Verhaal”. When we started talking with Markus, we were sure that he was the right guy to bring us forward. The collaboration with Fireflash Records has been nothing but great so far. They truly understand the vision of our band, our music and our intentions. It was a match we were missing with other labels, and we are happy that we found our way to Fireflash Records now

10.On a worldwide level how has the reaction been to your music by fans of folk metal? 

Mike Seidel: The reactions to “Roede voor de Borst” are overwhelming to be honest. It is great to see that we have created a worthy follow-up to our debut album, “Een Verloren Verhaal”. The album has received many great reviews and high album ratings so far and our fans are very happy with our new music. Some even say that we are the ones who can bring back “the golden era of folk metal”. It is not my task to judge if that is true or not, but we take these words as a big compliment! You must know that we do not simply write music for a new album and then we release it. We are making a whole story around the album with fitting lyrics, visuals, themes and so on. Everything has to be right. We want to create an immersive story or world for us and our fans. A story that they can live through while listening to the album or watching the music videos. It has to be authentic. 

11.Where do you see the band heading into musically during the future?

 Mike Seidel: Since our debut album we have found our own style. We want to keep it this way but still fresh it up from time to time. Here and there we implement some new elements or influences. That keeps it interesting. We don't want to create the same album repeatedly.

 12.What are some of the bands or musical styles that the band members are currently listening to nowadays?

 Mike Seidel: We do listen to a lot of different styles and music with some parallels. Three of us are big folk metal lovers. It is the music that we grew up with. Nightwish also always plays a big role in our playlists. Some others are more oriented towards folk or traditional music, while I also listen to a lot of heavy rock or black metal. It is the mixture of all these influences that creates the Vanaheim sound. 

13.Before we wrap up this interview, do you have any final words or thoughts? 

Mike Seidel: We want to thank you for this great interview and all readers of the ADifferentShadeOfBlackMetalZine. If you want to support us, buy our album in a physical format or come to our shows all around Europe. The Valhalla Calling tour is starting soon and we are so much looking forward to present our brand new concept album “Roede voor de Borst” together with an energetic performance and many crowd engaging elements. You are in for a real treat on this tour. We hope to see you on the road!

 -:𝐕𝐚𝐥𝐡𝐚𝐥𝐥𝐚 𝐂𝐚𝐥𝐥𝐢𝐧𝐠 𝐄𝐮𝐫𝐨𝐩𝐞𝐚𝐧 𝐓𝐨𝐮𝐫:

- 24.11 | SE | Malmö | Babel 

25.11 | DK | Aarhus | Voxhall 

26.11 | DE | Bochum | Matrix 

27.11 | DE | Regensburg | Eventhall Airport 

28.11 | CZ | Zlin | Masters Of Rock Café 

29.11 | DE | Leipzig | Hellraiser 

01.12 | DE | Saarbrücken | Garage

 02.12 | AT | Wörgl | Komma 

03.12 | DE | Berlin | Musik Brauerei 

04.12 | NL | Drachten | Iduna

 05.12 | BE | Brugge | Het Entrepot 

06.12 | NL | Uden | De Pul

 07.12 | DE | Stuttgart | Im Wizema

09.12 | AT | Vienna | Viper Room

 10.12 | DE | Weinheim | Cafe Central 

11.12 | DE | Geiselwind | Strohofer 

12.12 | CH | Pratteln | Z7 

13.12 | IT | Milan | Legend Club 

14.12 | HR | Zagreb | Boogaloo

 15.12 | HU | Budapest | Barba Negra

 16.12 | PL | Krakow | Hype Park 

17.12 | PL | Warsaw | Proxima 

18.12 | LV | Riga | Melna Piektdiena 

19.12 | EE | Tallinn | Helitehas 

20.12 | FI | Helsinki | Ääniwalli 

-:𝐔𝐍𝐈𝐓𝐘:-:𝐌𝐀𝐊𝐄𝐒:-:𝐔𝐒:-:𝐒𝐓𝐑𝐎𝐍𝐆:-

https://vanaheim.nl/

https://www.facebook.com/VanaheimBand/

http://instagram.com/vanaheimofficial/

https://www.tiktok.com/@vanaheimband

https://vanaheim-official-merch.myshopify.com/

Jotungrav/Elegi/Inverse Records/2026 Full length Review

  Jotungrav  are  a  band  from  Finland  that  plays  a  progressive  mixture  of  black  and  folk  metal  and  this  is  a  review  of t heir  2026  album  "Elegi"  which  was  released  by  inverse  Records.

  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  synths  also  take  the  music  into  more  of  a  progressive  direction.  Harsh  vocals  are  mostly  black  metal  screams  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  all  of  the  tracks  are  also  very  long  and  epic  in  length.

  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  faster  sections  of  the  album  also  adds  in  a  decent  amount  of  blast  beats.  Folk  instruments  and  acoustic  guitars  are  also  used  quite  a  bit  throughout  the  recording  along  with  some  clear  singing  also  being  utilized  at  times,  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  Jotungrav  plays  a  musical  style  that  takes  black,  folk  and  progressive  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Finnish  and  cover  Nordic  Mythology. 

  In  my  opinion  Jotungrav  are  a  very  great  sounding  progressive  mixture  of  black  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Vansinnesvisdom"  and  "Elegi".  8  out  of  10.

  https://www.facebook.com/jotungrav

https://www.instagram.com/jotungravofficial

https://jotungrav.bandcamp.com

    

Vanaheim/Roede voor de Borst/Fireflash Records/2026 Full Length Review

  Vanaheim  are  a  band f rom t he  Netherlands  that  plays  an  epic  form  of  folk  metal  and  this  is  a  review  of t heir  2026  album  "Roede  voor  de  Borst"  which  will  be  released in  September b y  Fireflash  Records.

  Folk  instruments  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Harsh  vocals  bring  in  a  style  similar  to  black  metal  while  the  riffs  also  add  in a   lot  of  melody  along  with  the  recording  also  adding  in  a  lot  of  symphonic  style  orchestration  and  the  riffs  also  add  in a   lot  of  melody.

  Elements  of  death  metal are  also  utilized  at  times  while  a  great  portion  of  the  tracks  are  also  long  and  epic  in  length.  When  guitar  solos  and  leads  are  added  into  the  music  they  are  done  in  a  very  melodic  style  along  with  the  faster  sections  of  the  album  also  adding  in  a  decent  amount  of  blast  beats.

  Choir  vocals  are  also  added  into  certain  sections  of  the  recording  along  with  some  spoken  words  also  being  used  briefly.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  clear  singing  can  also  be  heard  briefly  and  acoustic  guitars  are  also  introduced  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Dutch  and  is  a  concept  album  based  on  untold  legends  from t he  19th  century.  

  In  my  opinion  Vanaheim  are  a  very  great  sounding  epic  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Geestenmist"  and  "Roede  voor  de  Borst".  8  out  of  10.

  https://vanaheim.nl/

https://www.facebook.com/VanaheimBand/

http://instagram.com/vanaheimofficial/

https://www.tiktok.com/@vanaheimband

https://vanaheim-official-merch.myshopify.com/

Hrafnablót/Guðlaugar Saga/2026 Full Length Review

 

  Hrafnablót  are  a  band  from  Iceland  that  plays  folk  metal  and  this  is  a  review  of t heir  self  released  2026  album  "Guðlaugar  Saga"  which  will  be  released  in  September.

  Nature  sounds  and  whispers  start  off  the  album  while  spoken  words  can  also  be  heard  briefly  before  going  into a   heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  clear  female  vocals  are  also  utilized  at  times.

  Folk  instruments  are  also  mixed  in  with  the  heavier  sections  of  the  album  while  some  of  the  tracks  also  add  in  clear  male  vocals.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  a  couple  of  songs  also  being  very  long  and  epic  in  length,  when  harsh  vocals  are  utilized  they  also  add  in a   mixture  of  black  metal  screams  and  death  metal  growls.

 One  song  also introduces  acoustic  guitars  and  keyboards  into  the  music  and  most  of  the  recording  sticks  to  a  mid  tempo  direction  with  some  symphonic  touches  along  with t he  closing  track  also  being  very  long  and  epic  in  length. The  production  sounds  very  professional  while  the  lyrics  are  written  in  Icelandic  and  is  a  concept  album  based  upon  the  Sagas,  Magick  and  Folklore  of  their  homeland.  

  In  my  opinion  Hrafnablót  are  a  very  great  sounding  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  'Dísablót "  "Nornarheimt"  and  "Örlagavegur".  8  out  of  10.

  https://hrafnablot.is/​

​https://www.facebook.com/hrafnablot/  

      

Northern Oak/Reforged/2026 Full Length Review

  Northern  Oak  are  a  band  from  the  United  Kingdom  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  progressive  mixture  of  folk  and  black  metal  and  this  is  a  review  of  their  self  released  2026  album  "Reforged".

  Folk  instruments  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  recording  at  times.  Female  vocals  can  also  be  heard  briefly  along  with  some  tracks  also  adding  in  a  small  amount  of  acoustic  guitars  as  well  as  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length.

  Harsh  vocals  are  mostly  black  metal  screams  while  keyboards  are  also  used  quite  a  bit  throughout  the  album.  At  times  the  music  also  gets  very  progressive  sounding  along  with  the  faster  sections  of  the  recording  also  adding  in  a  small  amount  of  blast beats  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody.  Some  of  the  tracks  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  tracks  also  adding  in  a  small  amount  of  growls,  one  song  also  adds  in a   brief  use  of  clear  male  vocals  and  spoken  words.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  philosophy,  struggle  and  introspection  themes.   

  In  my  opinion  this  is  another  great  sounding  recording  from  Northern  Oak  and  if  you  are  a  fan  of  progressive  folk  and  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Dark  Of  Midsummer"  "Gawain"  and  "In  These  Hills".  8  out  of  10.

  Official website: http://music.northernoak.co.uk

Facebook: http://www.facebook.com/Northern.Oak

Rakinua/Esi Um Ninu/Dusktone/2026 Full Length Review

  Rakinua  are  a  band  from  Italy  that  plays  a  very  dark  and  progressive  form  of  folk  metal  and  this  is  a review  of t heir  2026  album  "Esi  Um  Ninu"  which  was  released  by  Dusktone.

Acoustic  guitars  start  off  the  album  which  also  adds  in  elements  of  folk  music  before  going  into  a  heavier  direction.  Clear  singing  is  also  utilized  at  times  while  the  recording  also  adds  in  a  lot  of  progressive  touches  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound to  them.

  When  spoken  words  are  utilized  they  also  take  the  music  into  more  of  a  ritualistic  direction  while  some  of  the  tracks  are  also  very  long  and  epic  in  length.  Keyboards  can  also  be  heard  briefly  along  with t he  solos  and  leads  also  being  done  in  a  very  melodic  style  when t hey  are  utilized,  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  can  be  heard.

  When  harsh  vocals  are  introduced  they  are  also  done  in  more  of  black  metal  style  along  with  some  tracks  also  adding  in  a  small  amount  of  harps  and  percussion  and  most  of  the  album  sticks  to  a  slower  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  Raectic  Paganism.

  In  my  opinion  Rakinua  are  a  very  great  sounding  dark  and  progressive  folk  metal  band  and  if  you  are  a  fan  of  this musical  genre,  you  should  check  out t his  album.  RECOMMENDED  TRACKS  INCLUDE  'Sacrilege'  "Warrior  Of  Light"  "Spirits  Of  Water"  and  "The  old  paths  -  Sangue".  8  out  of  10.

  https://www.instagram.com/rakinua.music

https://www.facebook.com/rakinua

     

Kosmogonia/Aella/Rockshot Records/2025 Full Length Review

 

  Kosmogonia  are  a  band  from  Greece  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  folk,  pagan  and  melodic  death  metal  and  this  is  a  review  of  their  2025  album  "Aella"  which  was  released  by  Rockshot  Records.

  Keyboards  and  spoken  words  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Female  vocals  can  also  be  heard  at  times  while  the  harsh  vocals  are  mostly  death  metal  growls  along  with  some  folk  instruments  also  being  added  into  certain  sections  of  the  recording.

  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  a  couple  of  tracks  are  also  long  and  epic  in  length  as  well  as  some clear  male  vocals   and  spoken  word  also  being  used  on  a  few  tracks.

  On  this  recording  Kosmogonia  remain  true  to t her  mixture  of  folk,  pagan  and  melodic  death  metal  that  they  introduced  on  their  previous  release.  The  production  sounds  very  professional  while  the  lyrics  cover  the  encounter  between t he  Scythian  princess  and  the  Greek mercenary  Lykkon.

  In  my  opinion  this  is  another  great  sounding  recording  from  Kosmogonia  and  if  you  are  a  fan  of  folk,  pagan  and  melodic  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Rise"  "Scheme  And  Rebirth"  "Elixer"  and  "Oblivion".  8  out  of  10.

  Instagram: https://www.instagram.com/kosmogonia_official/​

​Facebook: https://www.facebook.com/Kosmogoniafolk  

Wooden Shadow/Age of Tree/Inverse Records/2026 EP Review

 
  Wooden  Shadow  are  a  solo  project  from  Finland  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  melodic  mixture  of  folk  and  death  metal  and  this  is  a  review  of  his  2026  ep  "Age  Of  Tree"  which  will  be  released  on  April  29th  by  Inverse  Records.

  Spoken  words  and  acoustic  guitars  start  off  the  ep  which  also  adds  in  elements  of  folk  music  before  going  into  more  of  a  heavier  and  melodic  direction.  Harsh  vocals  are  mostly  black  metal  screams  mixed  in  with  some  dark  metal  growls and  melodies  are  also  added  into  a  great  amount  of  the  guitar  riffing.

  Clear  vocals  are  also  utilized  at  times  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Synths  can  also  be  heard  briefly  along  with  the  faster  sections  of  the  songs  also  adding  in  tremolo  picking  and  blast  beats  as  well  as  the  music  also  having  its  symphonic  moments  and  most  of  the  songs  stick  to  a  mid  tempo  direction.

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  On  this  recording  Wooden  Shadow  takes  the  melodic  and  symphonic  forms  of  death  and  black  metal  and  mixes  it  with  folk  metal  to  create  something  different.  The  production  sounds  very  professional  while  the  lyrics  cover  different  emotional  levels.

  In  my  opinion  this  is  another  great  sounding  recording  from  Wooden  Shadow  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  death  and  folk  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "We  Are  The  North"  and  "The  Great  Feast".  8  out  of  10.

   https://push.fm/fl/wooden-shadow-age-of-tree

https://www.facebook.com/Tormentius
https://www.instagram.com/woodenshadowofficial
https://woodenshadow.bandcamp.com

Orathania/Echo Of Freedom/Archivist Records/2026 Full Length Review

 

  Orathania  are  a  band  from  Ukraine  that  plays  folk  metal  and  this  is  a  review  of  their  2026  album  "Echo  of  Freedom"  which  will  be  released  in  April  by  Archivist  Records.

  Acoustic  guitars  start  off  the  album  before  going  into  a  faster  direction  which  also  utilizes  black  metal  style  tremolo  picking  and  blast  beats.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  are  clear  pagan  metal  vocals  and  folk  instruments  also  mix  in  with  the  heavier  sections  of  the  music.

  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Some  of  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  as  well  as  some  tracks  also  adding  in  a  small  amount  of  acoustic  guitars.

  Orathania  plays  a  style  of  folk  metal  that  is  very  melodic  and  captures  the  aggression  of  black  metal  without  the  use  of  any  harsh  vocals.  The  production  sounds  very  professional  while  the  lyrics  cover  the  ancient  and  mystical  roots  of  Ukraine.

  In  my  opinion  Orathania  are  a  very  great  sounding  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Do  You  Gear,  My  Brother"  "Bring  my  Body"  "Erun"  and  "Those  Spoke  Zarathustra".  8  out  of  10.

  https://youtu.be/QHiySagJiOE

https://www.youtube.com/watch?v=biPvUm4Vjn8

https://www.facebook.com/profile.php?id=61587563716327

https://orathania.bandcamp.com      

  

Atavistia/Old Gods Awaken/Blood Blast Distribution/2026 Full Length Review

 

  Vancouver  B.C,  Canada's  Atavistia  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  and  melodic  mixture  of  black,  death  and  folk  metal  and  this  is  a  review  of  their  2026  album  "old  Gods  Awaken"  which  will b e  released  in  May  by  Blood  Blast  Distribution.

  Folk  instruments  and  symphonic  orchestration  starts  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs.  When  the  music  speeds  up  black  metal  style  tremolo  picking  and  blast  beats  can  be  heard  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.

  Vocals  are  mostly  high  pitched  black  metal  screams  mixed  in  with  some  clear  singing  while  the  riffs  also  add  in  a  lot  of  melody.  Death  metal  growls  are  also  utilized  at  times  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  spoken  words  can  also  be  heard  at  times.

  Acoustic  guitars  are  also  added  on  a  few  tracks  along  with  some  back  up  shouts  also  being  added  into  certain  sections  of  the  recording  as  well  as  the  album  also  having  its  progressive  moments.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English,  Swedish  and  Finnish  and  cover  taverns,  forests,  storms  and  gods.

  In  my  opinion  this  is  another  great  sounding  album  from  Atavistia  and  if  you  are  a  fan  of  symphonic  and  melodic  black,  death  and  folk  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Mystic  Tavern"  "Goddess  Of  My  Dreams"  and  "Old  Gods  Awaken".  8  out  of  10.

  

• Bandcamp: https://atavistia.bandcamp.com/music
• Facebook: https://www.facebook.com/OfficialAtavistia/
• Instagram: https://www.instagram.com/atavistia/?hl=en
• Twitter / X: https://x.com/atavistia?lang=en
• YouTube: https://www.youtube.com/channel/UCwQWMCiFZL1duPSdbdjGyCg
• TikTok: https://www.tiktok.com/@atavistia
• Discord: https://discord.gg/Fj99DHRyc3
• Spotify: https://open.spotify.com/artist/1QoL6PD6QyjdsxvTBacepq
• Apple Music: https://music.apple.com/ca/artist/atavistia/1287070679

  

      

Mývalyĭr Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

As a band that formed during the pandemic we wrote all of our material remotely, so we have been working on new material and we're also currently planning our live show setup and making sure our songs translate powerfully on stage. At the same time, we’ve been connecting with press, and writing new ideas that are already hinting at where the next album might go.

2.You have your first full length coming out towards the end of February, can you tell us a little bit more about the musical style that you went for on the recording?

So each member of the band has preferred styles of metal. Overall the album is melodic death metal but we didn't want to confine ourselves to one genre, so if you listen you'll find influences of black metal, metalcore and even folk metal.

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

As the album name suggests we write about 'The Past Tales'. The Past Tales is a concept album using parts of history and folklore to tell a story that melds with past personal experiences.

4.What is the meaning and inspiration behind the name 'Mývalyĭr'?

So we have been asked this question before and we will give the same answer. The name Mývalyĭr (Mee-val-year) does have a meaning, but we are hoping that people will be able to figure it out at some point as well as find the hidden image on our album cover and the hidden feature in our website, as some of us are gamers and we love an easter egg.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

There’s a great deal of symbolism embedded in the art work and it includes elements which relate to each song on the album. We worked closely with the artist Felipe Franco Machado to ensure the cover didn’t just look striking, but actually felt connected to the music.

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

We only actually all met in person for the first time together at the 'Reign' Music Video shoot, as a band that met online with members in different countries we have yet to play our first show, but we are currently working on our live show as we mentioned before.

7.Do you have any touring or show plans once the new album is released?

We do, we are currently organising something and we look forward to sharing it.

8.Currently you are unsigned, are you looking for a label or have received any interest?

We are not looking for a label currently but if one was to show interest then we would be open to the right partnership.

9.On a worldwide level how has the reaction been to your music by fans of melodic and extreme metal?

We did not expect to reach as many countries as we did such as Russia, Chile and USA being a band from the UK who have only just had our first release but we are very happy with the feedback, the comment and the reviews of 'The Past Tales' so far.

10.Are any of the band members currently involved with any other bands or musical projects these days?

Various members are also currently in other bands/projects and the best way to find them out would be via Instagram, TikTok, Facebook and YouTube.

11.Where do you see the band heading into musically during the future?

Our plan is to start working on our next release and further solidify our sound

12.What are some of the bands or musical styles the band members are currently listening to nowadays?

As we mentioned before each of us have our personal preference of metal so the music we are listing to at the moment are Children of Bodom, Devildriver, Dvořák, Mykur, Berlioz, Beethoven, Ne Obliviscaris, Imminence, Lorna Shore and Wolfheart

13.Before we wrap up this interview, do you have any final words or thoughts?

We would like to thank everyone who has supported us so far, old and new. We are amazed at the feed back and we hope to see you at one of our shows in the near future.

Once again apologies for the delay, and look forward to hearing from you again soon

https://www.facebook.com/myvalyir

One Leg One Eye/...And Take The Black Worm With Me/Cold Spring/2026 Full Length Review

  One  Leg  One  Eye  are  a  solo  project  from  Ireland  that h as  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  black  metal,  drone  and  folk  and  this  is  a  review  of  his  2025  album  "...And  Take  The  Black  Worm"  which  will  be  released  in  march  by  Cold  Spring.

  Water  and  nature  sounds  start  off  the  album  along  with  some  atmospheric  drones  a  few  seconds  later  and  the  music  also  captures  a  lo-fi  atmosphere  at  times.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  harsh  vocals  are  done  in  more  of  a  black  metal  as  well  as  some  synths  also  being  added  into  certain  sections  of  the  recording.

  Spoken  words  can  also  be  heard  briefly  while  all  of  the  songs  also  sound  very  different  from  each  other.  A  lot  of  the  music  also  captures  an  improvised  atmosphere  along  with  the  clear  vocals  being  done  in  more  of  an  Irish  folk  music  style  as  well  as  the  album  also  having  its  experimental  moments  and  some  tracks  also  add  in  folk  instruments,  guitars  and  church  organs.

  On  this  recording  One  Leg  One  Eye  takes  black  metal,  drone,  experimental  and  folk  and  mixes  them  together  to  create  something  very  original  sounding.  The  production  sounds  very  dark  and  lo-fi  while  the  lyrics  cover  sadness  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  One  Leg  One  Eye  and  if  you  are  a  fan  of  black  metal,  drone,  experimental  and  folk,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Glistening  She  Emerges"  and  "Only  The  Diceys".  8  out  of  10.

  instagram | bandcamp

Mývalyĭr/The Past Tales/2026 Full Length Review

 

  Mývalyĭr  are  a  band  from  the  United  Kingdom  that  plays  a  mixture  of  folk  and  melodic  death  metal  and  this  is  a  review  of  their  self  released  2026  album  "The  Past  Tales"  which  will  be  released  in  February.

  Stringed  instruments  and  orchestration  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Elements  of  folk  music  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  faster  sections  of  the  songs  also  add  in  a  lot  of  blast  beats  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Blast  beats  are  also  added  into  the  faster  sections  of  the  songs  at  times  while  the  vocals  are  mostly  death  metal  growls,  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  screams  also  adding  in  touches  of  black  metal  and  clean  playing  can  also  be  heard  in certain  sections  of  the  album.

  Spoken  words  can  also  be  heard  at  times  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clean  playing  and  acoustic  guitars  are  also  quite  a  bit  throughout  the  album  as  well  as  some  of  the  tracks  also  being  very  long  and  epic  in  length,  female  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  history,  war  and  mythology  themes.

  In  my  opinion  Mývalyĭr  are  a  very  great  sounding  mixture  of  folk  and  melodic  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Recollection"  and  "The  Mighty  Never  Fail".  8  out  of  10.

  https://www.facebook.com/myvalyir

https://youtu.be/bE1xFsfFZqY

Battlesoul/The Wheel/2026 EP Review

 

   Battlesoul  are  a  band  from  Ontario,  Canada  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  pagan  form  of  folk  metal  and  this  is  a  review  of  their  self  released  2025  ep  "The  Wheel".

  Battle  sounds  start  off  the  ep  before  going  into  a  very  fast  and  brutal  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast beats.  Harsh  vocals  are  mostly  black  metal  screams  while  the  music  also  adds  in  the  brutality  of  death  metal   and  the  clear  singing  adds  in  influences  of  pagan  and  power  metal.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Growls  are  also  utilized  at  times  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  folk  instruments  are  also  added  on  a  few  tracks,  acoustic  guitars  can  also  be  heard  briefly  and  spoken  words  are  also  added  on  the  closing  track.

  On  this  recording  Battlesoul  takes  melodic  black,  death,  folk,  pagan  and  power  metal  and  mixes  them  together  to  create  a  very  aggressive  and  diverse  sounding  release.  The  production  sounds  very  professional  while  the  lyrics  cover  pagan  mysticism,  mythology,  history  and  the  eternal  cycle  of  conflict  and  renewal.    

  In  my  opinion  this  is  another  great  sounding  recording  from  Battlesoul  and  if  you  are  a  fan  of  pagan  folk  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "No  Legacy"  and  "The  Wheel".  8  out  of  10.

  https://www.facebook.com/BattlesoulOfficial

https://www.youtube.com/channel/UCGLXfzKsKSOm1xUpWSYWtwQ

https://battlesoul.bandcamp.com/

https://open.spotify.com/artist/4P1Uy9C866snVJngOauZPl

https://music.apple.com/us/artist/battlesoul/659846013

   

Chronicler Of Ardul Interview

 

1.Can you give us an update on what is going on with the musical project that you play?

I just updated Myrewood and by the time this comes out, Sword of Virné should also be done too. Just some remixing and rebalancing of the music. Currently working on some new music before I really get into the meat of what this project is heading toward.

2.In April you have a new album coming out, musically how does it differ from the stuff you have released in he past?

This is much more inline with what you would hear from a soundtrack. There’s bard music, a village track, and a lot of atmospheric tracks that make you feel like you’re in a forest, underground, in a tense moment before things erupt, and some battle songs. So quite different from my previous releases, but rounding out what this project is.

3.On previous recordings you had more of a symphonic and extreme style of metal and on the new album go for more of a folk style, what was the decision behind going into this musical direction?

That’s been the plan for a long time. There are three pillars to the project: metal, stories, and orchestral soundtrack music. Sounds of Ardul is that third pillar to follow the other things I’ve done.

I sort of envision myself like a director without the movie. There’s story and world and characters and epic thematic music and melodic motifs, all that’s missing is the set and actors.

4.All of your lyrics cover fantasy themes, can you tell us a little bit more about how your interest in this topic has evolved over the years?

I fell in love with fantasy a long time ago in middle school. My brother recommended that I read the Dark Elf Trilogy by R.A. Salvatore. From there it was stuff like the Legend of Zelda and Final Fantasy, Lord of the Rings, and other stuff. I’m much more of a fantasy nerd than sci-fi or anything else. 

And then along the way I wanted to combine my passions for metal music, fantasy, and music from my favorite video games. All that brought together is the essence of what I do.

5.On the website you also have a couple of novel's written and published, how do these novels fit in with music you create?

The music and story of Myrewood work hand-in-hand. The music gives you the epic cinematic feeling with raw visceral emotion, while the story takes you in deeper into the world and let’s you explore more and learn.

6.You also created your own fantasy universe, can you tell us a lite bit more about this world you create with your writing and also what are you inspirations as a writer?

It all started with the trilogy I’m working toward, and I thought it would be a much better idea to start to build that world before jumping into a monumental project. Myrewood was that first step.

It’s dark fantasy and a bit more old school with only four races: humans, elves, dwarves, and orcs. There’s magic and complications and gods and dangers all around. There was big cataclysmic event that split the world into the continents. And the magic is chaotic, as we saw in Sword of Virné. It’s not safe and can’t be controlled.

Right now I’m just exploring the world and seeing what stories can be told and really making it come alive.

Some of my influences are the Dragon Age games, Dungeons and Dragons, Lord of the Rings, and The Witcher. 

7.With this project you record most of the material by yourself, do you prefer to work solo?

To a certain degree, yes. Like I said before, this is a huge passion project and I like doing much of this myself. However, I can’t do vocals, at least for right now. So I’ve gotten help from great people like Thomas Blanc, Sofia Frasz, and Aaron Johnson III, who I am in a band with called Left After Death. I also worked with Maxwell Aston to do art for me and he did an incredible job.

8.Can you tell us a little bit more about the artwork that is presented on the new album cover?

There’s a really cool nature preserve close to where I live. It’s hard to find trees where I am, but this place has some great spots, and I found this cool area with that tunnel sort of bit and thought it would be a great representation of where this next project is going, sort of transporting you to another realm. And I love trees.

9.On the new album you also have a few quests, can you tell us a little bit more about who they are and also their contributions to the recording?

Sofia Frasz from Exiled Hope is a kindred spirit. We both tell stories through our music and incorporate orchestral elements. We had a talk at one point and wanted to collaborate and the time finally came. She did an amazing job.

The other is my vocalist and bass player in Left After Death, Aaron Johnson III. He’s a great guy and super creative, doing other style like goth rock and EDM and his own symphonic metal stuff, so it was pretty obvious to have him do some stuff on my music as well.

10.On a worldwide level how has the reaction been to your music by fans of metal and fantasy?

Reactions have been good! They love it, compared it to other bands like Dimmu Borgir or One Winged Angel from Final Fantasy VII. I recently had one interaction recently where someone said they haven’t heard of blackened death metal and fantasy, so I had to chime in and say, “Hey, I do that! And there’s orchestra stuff too!” I’m glad people are enjoying it and not saying I should give up. haha

11.Where do you see yourself heading into as a musician during the future?

Just doing more. More music, get that trilogy out, other orchestral stuff, maybe work with other artists and helping them with their music, and doing more collaborations. I got a lot of music friends I want to work with. I always try to improve on what I’ve done before, so that’s the goal as an artist.

12.What are some of the bands or musical styles you are currently listening to nowadays?

I’ve been listening to a little more Mental Cruelty, particularly their A Hill to Die Upon Album, as well as some Wormwitch. Just to channel those styles of riffs and be influenced by what they are doing. Then there’s always Shadow of Intent, and I’ve been playing Octopath Traveler 0, and that has great music as well.

13.Before we wrap up this interview, do you have any final words or thoughts?   

Thanks for the wonderful questions! I’ve been super busy writing all sorts of stuff and coming up with ideas, so I’ll be working on stuff for a long, long time. 

Official Website: chroniclerofardul.com
Bandcamp: https://chroniclerofardul.bandcamp.com/
Facebook: https://www.facebook.com/p/Chronicler-of-Ardul-100063489851273
Instagram: https://www.instagram.com/chronicler_of_ardul
YouTube: https://youtube.com/@ChroniclerOfArdul
Spotify: https://open.spotify.com/artist/5h3LfVFyzZA7Tl0eBhQxKg
Apple Music: https://music.apple.com/us/artist/chronicler-of-ardul/1678862672
TikTok: https://www.tiktok.com/@chronicler_of_ardul