Versatile Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

Famine : We have focused all our energy on promoting our new album after having the opportunity to sign a new partnership with the French label "Les Acteurs de l'Ombre." While waiting for the release scheduled for April 11, 2025, several new updates will continue to appear on our social media. In parallel, we have also participated in several concerts and festivals, including the Apocalypse Metal Fest 2024 in France alongside Seth, Ten56 and Crisix, and “Traumatica - Festival of Fear” held in the heart of Europa Park in Germany, which welcomes thousands of people every day. 

2.In April you have a new album coming out, musically how does it differ from your previous ep ?

Famine : We wanted to explore our universe further and the characters of our fictional world called "l'Envers" in French. In the beginning, the EP has been our first business card to share within our networks. The idea was to showcase several directions in each track that we were already ready to embrace and explore further in the future. Today, with the album, our roots still being black metal and electronic music, we’ve expanded into several new sounds, highlighting genres like symphonic music, deathcore, death metal, and more. We also decided to increase the BPM to play more intense tracks during our shows, without wanting to make mid-tempo exclusively part of our approach. Everyone in the band felt the need to create more powerful compositions. Each track can be considered a single, as it also brings its own theme and unique sounds between cathedral bells, gas mask breaths, harpsichord & more.

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

Hatred: The main idea is to tell stories and transport the listener into a fictional universe of our own creation. Despite the fantastical aspect, there are underlying themes that address topics such as alterity, monstrosity and alienation, identity and individuality, exaggeration, vices, social classes, and the endless cycle of destruction and creation.

4.What is the meaning and inspiration behind the name 'Versatile'?

Hatred: The name Versatile is directly taken from our eponymous track. It refers to a shapeshifting creature capable of taking on the features of other individuals. As it transforms over and over, it forgets its original identity and drowns in solitude when no one is there to look at it.

Once again, the fantastical creature serves as an allegory, representing manipulative individuals who can adapt their image to suit their victims.

5.Can you tell us a little bit more about the artwork that is presented on the album cover?

Hatred: The album begins with the end of one world, giving way to the emergence of the universe in which our characters evolve.

The artwork depicts this cataclysm, the final moment before the fall. The cathedral we see is on the verge of annihilation, and with it, every memory of its dogma and the old world

6.Can you tell us a little bit more about the masks the band members wear in the promo pictures?

Famine : In a few words, Famine is a wild, cannibalistic beast with an insatiable hunger. His fate leads him to devour all forms of life, leaving nothing behind. Starting from these origins, I wanted to create a filthy and bloodthirsty character, barefoot, wearing only vague black cloths wrapping his form. Today, I draw more inspiration from Aztec culture, particularly from the god "Mictlantecuhtli". He is often depicted with a feathered adornment, symbols of his high status, and tribal pendants made of human remains or bones. I would like to deepen my inspiration in this culture, which is rarely represented in the metal world. On a personal level, I’m beginning to believe that I’ve come to represent all my repressed anger and disgust in the creation of my character. I’m a zen guy, I’ve gotten into the habit of repressing my primitive impulses a lot. 

Cinis : The costume we wear are integral to our identity as a band and to the character I portray, Cinis, the Priestess of Ashes. My headpiece is designed with cathedral-inspired elements, which evoke a sense of the sacred and the mysterious, reflecting the religious undertones of our music and themes. The mask itself, crafted by the same designer, adds an additional layer of intrigue. It’s a symbol of the enigma surrounding our music and characters. The mystery of the mask invites our audience to interpret the persona we present, allowing them to engage with our art on a deeper level. In addition to the mask, my outfit includes a long black cape adorned with skull shoulder pads, emphasizing a gothic aesthetic that complements the darker themes of our music. This entire look combining elements of the sacred and the macabre embodies the essence of Versatile and helps to create a captivating atmosphere during our performances.

7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Famine : Personally, “La Fête de la Musique 2024” in Geneva was a very positive and surprising experience—I had an absolute blast. Even before the concert began, it was the first time the audience was shouting our name during our line check on stage before we even started playing. The tension was palpable, and the atmosphere was very electric. It only took a few minutes to put everyone into a trance state , and those moments will always be very precious to me when such beautiful synergy is created between the artist and the audience.

Just like our compositions, we are committed to enhancing the immersion of our universe both musically and visually during our stage performance. Each of us portrays our own character, moving and communicating with the audience in this way. For example, you'll always see me hitting my chest and head with my fist, while stomping brutally on the floor with my foot. We are also supported by several visual elements, including lighting effects, smoke, and pyrotechnic effects

8.Do you have any touring or show plans once the new album is released?

Famine : At this moment, we have planned a big event for the release of our upcoming album on April 26th in our hometown of Geneva, alongside "Morgarten" (Epic Black Metal) and "De l'Abîme Naît l'Aube" (Ritualistic Post Metal). This evening is exclusive because we will play the full tracklist, keeping some new visual surprises under wraps. Since we recently signed with our new French label, "Les Acteurs de l'Ombre," we are collaborating with them to promote the album. We will also participate  on May 2  in the "Rituel Noir" festival in France with major bands such as Wiegedood, BORGNE, and more.

9.On a worldwide level how has the reaction been to your music by fans of black metal and industrial?

Hatred: It is still difficult for us to grasp our notoriety beyond Europe. We know that some people follow us from farther away, and we are happy to share our music as much as possible.

10.Where do you see the band heading into musically during the future?

Hatred: I think we will stay true to our original intent while pushing the limits of madness and violence even further.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays ?

There are two of us composing, so we each have our own perspective and sensitivity. As for me, I will probably sound presumptuous, but I can't really associate the influences of the bands I listen to with my composing work. Or at least, maybe I do it in a completely unconscious way. I work much more with my emotions and the inspiration of the moment rather than trying to find a specific style. When Hatred and I open ourselves up to composition, it's quite an emotional challenge sometimes. The idea has never been to put ourselves into an exclusive category, but rather to let our inspirations explode depending on the chosen theme. The main challenge is then putting together the different pieces of the puzzle to make them fit. That's why we really did in-depth work, keeping or discarding the parts that interested us the most. That's why the album takes a different direction, as it brings more maturity by presenting both novelty and more assertive Death Metal & Deathcore parts than in the EP. We are sincerely satisfied with the result.

What I'm listening to right now brings a contrast that always makes me laugh. At the moment, I'm revisiting albums from Regarde les Hommes Tomber (Post Black Metal) while also listening to The Green Kingdom (Electronic Ambient) or atmospheres with Tibetan gongs.

Hatred: I particularly appreciate bands that blend different subgenres of metal and strive to create something unique and powerful.

Among our initial influences, there’s Psyclon Nine for the electronic elements, Wormfood for the atmosphere and lyrics, and Dimmu Borgir for their orchestral power.

Some other bands I deeply enjoy: Carach Angren, Septicflesh, Dark Tranquillity, and Shade Empire.

12.Before we wrap up this interview, do you have any final words or thoughts?

Famine : We sincerely thank you for your interest in our music and our universe !  We are truly excited to present our first album and, in the future, to come to the USA to spread our darkness ! 

https://www.youtube.com/watch?v=4QTIYezdtDg

Aexylium/Myth Of Mankind/Rockshot Records/2025 Full Length Review

 

  Aexylium  are  a  band  from  Italy  that  has  been  featured  before  in  this  zine  and  plays  a  symphonic  form  of  folk  metal  and  this  is  a  review  of  their  2025  album  "Myth  of  mankind"  which  will  be  released  in  May  by  Rockshot  Records.

  A  very  epic  sounding  intro  starts  off  the  album  while  also  introducing  keyboards  onto  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Symphonic  orchestration  and choirs  can  also  be  heard  at  times  and  folk  instruments  are  also  added  on  a  lot  of  the  tracks.

  A  lot  of  the  harsh  vocals  also  bring  in black  metal  screams,  death  metal  growls  and  angry  shouts  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Some  of  the  songs  also  add  in  a  small  amount  of  acoustic  guitars  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized.

  Clear  female  and  male  vocals  can  also  be  heard  on  a  few  tracks  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.  When  the  music  finally  speeds  up  a  decent  amount  of  blast  beats  are  also  utilized  and  a  couple  of  songs  also  add  in a   good  mixture  of  slow,  mid  paced  and  fast  parts,  spoken  words  are  also  introduced  on  a  later  song.  The  production  sounds  very  professional  while  the  lyrics  cover  Celtic/Norse  Mythology,  Folk  Tales  and  legends.

  In  my  opinion  this  is  another  great  sounding  recording  from  Aexylium  and  if  you  are  a  fan  of  symphonic  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Queen"  "In  Sorrow"  "Wild  Hunt"  and  "Eternity".  8 out  of  10.

  https://www.instagram.com/aexylium_official​

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Versatile/Les Litanies Du Vide/Les Acteurs de L'Ombre Productions/2025 Full Length Review

 

  Versatile  are  a  band  from  Switzerland  that  plays  an  industrial  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Les  Litanies  Du  Vide"  which  will  be  released  in April  by  Les  Acteurs  de  L'Ombre  Productions.

  A  very  dark  sounding  intro  starts  off  the  album  while  also  adding  in  choirs  and  synths  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Industrial  style  beats  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  vocals  are  mostly  angry  sounding  black  metal  screams.

  Some  of  the  music  also  adds  in  some  symphonic  touches  while  the  album  also  has  its  dissonant  moments.  During  the  faster  sections  of  the  recording  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  some  songs  also  adding  in  clear  vocals  and  melodies  can  are  also  utilized  at  times.

  Clean  playing  is  also  added  into  certain  sections  of  the  recording  along  with  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Growls  are  also  utilized  in  some  parts  of  the  album  and  spoken  words  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  their  native  tongue  and  cover  dark  and  philosophical  themes.

  In  my  opinion  Versatile  are  a  very  great  sounding  industrial  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Enfant  zero"  "Cave  Canem"  "Monstre"  and  "Le  mal  necessaire".  8  out  of  10.

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Cradle Of Filth/The Screaming Of the Valkyries/Napalm Records/2025 Full Length Review

 

  United  Kingdom's  Cradle  Of  Filth  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  gothic  and  symphonic  style  of  black  metal  and  this  is  a  review  of  their  2024  album  "The  Screaming  Of  The  Valkyries"  which  will  be  released  on  March  21st  by  Napalm  Records.

  A  very  dark  sound  starts  off  the  album  along  with  some  choirs  and  symphonic  elements  a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Vocals  are  mostly  grim  sounding  black  metal  screams  mixed  in  with  a  few  death  metal  growls  while  the  riffs  also  add  in  a  decent  amount  of  melody.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Melodies  are  also  into  some  of  the  guitar  riffing  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats.

  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  capturing  a  very  gothic  orientated  atmosphere  at  times.  Some  of  the  tracks  are  also  very  long  and  epic  in  length.  Spoken  words  are  also  added  into  certain  sections  of  the  album  and  some  songs  also  add  in  a  small  amount  of  female  vocals,  tremolo  picking  is  also  added  into  some  of  the  faster  riffing  and  influences  of  thrash  and  traditional  metal  are  also  mixed  into  the  riffs  and  leads.  The  production  sounds  very  professional  while  the  lyrics  cover  horror  and  occultism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Cradle  Of  Filth  and  if  you  are  a  fan  of  this band,  you  should  enjoy t his  album.  RECOMMENDED  TRACKS  INCLUDE  "To  Live  Deliciously"  "Non Omnis  Moriar"  "Malignant  Perfection"  and  "When  Misery  Was  A  Stranger".  8  out  of  10.

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Belnejoum/Dark Tales Of Zarathustra/Antiq/2025 Full Length Review

 

   Belnejoum  are  a  band  from  the  United  States  that  plays  a  very  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Dark  Tales  Of  Zarathustra"  which  will  be  released  in  April  by  Antiq.

  

   Night  sounds  start  off  the  album  along  with  some  symphonic  elements  a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.

  

  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  riffs  also  add  in  a  lot  of  melody.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  being  mostly  grim  sounding  black  metal  screams,  choirs  and   operatic  female  vocals  can  also  be  heard  at times.

   When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  adding  in  elements  of  classical  and  orchestral  music.  Oriental  and  strings  instruments  are  also  used  quite  a  bit  throughout  the  recording,  death  metal  growls  are  also  added  on  some  of  the  tracks  and  they  also  add  in  a  few  instrumentals  as  well  as  a  couple  of  songs  also  adding  in  a  small  amount  of  spoken  words.  The  production  sounds  very professional  while  the  lyrics  cover  the  story  of  Zarathustra's  corruption  and  insanity.

  In  my  opinion  Belnejoum  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Prophet  Of  Desolation"  "On  Aeshma's  Wings"  and  "Upon  the  Mortal  Blight".  8/5  out  of  10.

  www.facebook.com/belnejoum 

  

  

    

Nachtblut/Todschick/Napalm Records/2025 Full Length Review

 

  Nachtblut  are  a  band  from  Germany  that  has  been  featured  before  in  this  zine  and  plays  a  very  symphonic  and  melodic  mixture  of  black,  dark  and  gothic  metal  and  this  is  a  review  of  their  2025  album  "Todschick"  which  will  be  released  on  February  21st  by  Napalm  Records.

  A  very  symphonic  and  orchestral  orientated  sound  starts  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  vocals  are  mostly  grim  black  metal  screams  and  rough  gothic  metal  singing  can  also  be  heard  at  times.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  some  of  the  tracks  also  add  in a   small  amount  of  80's  style  synths.  Growls  are  also  added  into  certain  sections  of  the  album  along  with  some  songs  also  adding  in  a  small  amount  of  spoken  words  and  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard  as  well elements  of  folk  metal  also  being  added  towards  the  end  of  the  album  and  the  closing  track  also  adds  in  a  brief  use  of  acoustic  guitars.

  On  this  recording  Nachtblut  brings  out  more  of  a  symphonic  and  mid  tempo  mixture  of  black,  dark  and  gothic  metal.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  German  and  cover  contemporary  societal  issues.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Nachtblut  and  if  you  are  a  fan  of  symphonic  black,  dark  and  gothic  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Von  Hass  Getrieben"  "Das  Leben  Der  Anderen"  "Gotterstille"  and  "Schneller  als  Der  Tod".  8  out  of  10.

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Exiled Hope Interview

 

1.Can you give us an update on what is going on with the musical project these days?

 I have the 4th album pretty much done, the 5th album is in progress, and I have a bunch of covers that might make their way onto a separate album or EP. I also just released some new merch designs (which you can find in my online merch store here: https://www.bonfire.com/store/exiled-hope-virtual-merch-booth/). There's always a lot going on behind the scenes.

2.You have a new full length coming out early in 2025, musically how does it differ from the stuff you have released in the past?

It's at a much higher quality than my previous releases in terms of production and performances. Before finishing the album, I took several months off of working on original music to take lessons and work on covers in order to develop my skills, because I felt like I had plateaued and wasn't able to make the music I wanted to make. I'm a much better musician than I was on the first 2 albums and EP, and I had a professional mix engineer work on Apocrypha as well. Stylistically, this album strays a bit from the folk and progressive influences that were on the first Exiled Hope albums and plays up the black metal and power metal influences; it feels more like Kamelot and Cradle Of Filth than Eluveitie and Ensiferum.

3.A lot of your lyrics cover dark fantasy themes, can you tell us a little bit about your interest in this genre?

I love this genre because it uses escapism as a vehicle for working through real, personal emotions. When you take a feeling and turn it into something concrete in the form of music and/or lyrics, it's easier to process, understand, and work through that feeling. It becomes something you can choose to perceive instead of something that's vaguely perceptible and always there. As a result, my fantasy-inspired lyrics serve a purpose similar to that of fables or fairytales: they impart life lessons through storytelling.

4.You have also done soundtracks for films, what type of films have you contributed music to so far?

. I've done a vast array of short films for YouTuber John H. Shelton, generally in the urban fantasy or thriller genre. Most recently, I released a soundtrack album for the indie horror film What Happens After Midnight. I also recorded a folk-inspired soundtrack for Hallowed Paths (still in development), which is a loose retelling of a Finnish folktale. I would love to continue doing soundtrack work!

5.What is the meaning and inspiration behind the name 'Exiled Hope'.?

On a surface level, Hope is the name of the main protagonist of the first album, and she is exiled from her city after she learns dark secrets that the city's corrupt leaders would rather keep hidden. On a deeper level, the name Exiled Hope represents the hope for a better world that the fantasy genre instills in us, and reminds listeners that too often, we "exile" this hope from our spirits when we grow up and are forced to abandon things that inspired us as kids. The name is a reminder to keep pursuing the hope that society exiles from us, and to hold onto our passions.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 The cover artwork is The Deluge by John Martin (1834). I chose this piece to represent the turmoil that defines the protagonist's journey on this album, as he strives to find his own path in a world where he feels forced to choose sides and abandon different parts of himself.

7.You have worked both solo and with other musicians, do you prefer to work by yourself?

Generally, working by myself is easier because I'm fully in control of the project and can get the work done more efficiently. Working with other musicians requires compromise, discussion, scheduling, and waiting on everyone to send their parts over. I love working with other musicians, but I need my own personal outlet where I can work at my own pace and control the direction of the project. I also enjoy challenging myself to learn different parts, different skills, and different instruments, as I do in Exiled Hope; even though finishing a project is rewarding, the journey of creating the music is the fun part.

8.You have also collaborated on a few recordings with 'Steel Forge', musically how do you feel their style differs from yours?

Their style leans much harder in the melodeath direction than Exiled Hope has so far. It's a style that I've wanted to explore for a while, but that never really found its place in Exiled Hope. Working with Steel Forge and catering more to their members' skillsets and interests has given me the opportunity to tap into that creative energy. I wasn't just composing for myself, I was composing with other musicians and another vocalist in mind, and I think the challenge of building that seamless synergy between us resulted in some of my best work yet.

9.Currently you are unsigned, are you looking for a label or have received any interest?

I am not looking to sign with a label. I am happy to create at my own pace, and I've built up a solid team and support system that cannot be easily replaced. There are many more paths to success in the music industry than there once were, and I think the metal scene in particular leans too hard on legacy thinking instead of taking advantage of the new opportunities that are available to musicians in the 21st century.

10.On a worldwide level how has the reaction been to your music by fans of extreme metal?

Extreme metal fans seem intrigued for the most part. Some people don't really understand the intent behind my genre blend, but that's ok; I'm not trying to appeal to a broad, general audience. My music is more for nerds (I say this lovingly, as a fellow music nerd) who like hearing unexpected twists and puzzle pieces in their music; I try to make it interesting to listen to. The people who get it, really do seem to get it. I've read multiple positive reviews that appear to perfectly understand my vision and ideas. I love seeing various interpretations of my music that, while all different, are often all correct at the same time. The emotional core of my music and the joy of creating something multifaceted and ambitious seem to resonate with people, and that's what matters to me.

11.What is going on with 'Forgotten Shrine' these days?

We're working on some new music, but we're still a bit unsure whether it will lead to an EP or a full album this year. We've both contributed songs to the project, and we're very excited to show them all off in one format or another.

12.Where do you see herself heading into as a musician during the future?

I see myself: 1) making a decent side income from my royalties, album sales, and merch sales; and 2) licensing my music to and recording original soundtracks for TV, film, and game producers. I'd say those are my main goals at the moment.

13.What are some of bands or musical styles that you are currently listening to nowadays?

I've been listening to a lot of early-2000s post-grunge and alt-metal (such as Three Days Grace, Breaking Benjamin, and Daughtry), and some more recent power metal (such as Arion, Frozen Crown, Kalidia, and Visions Of Atlantis)

14.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for your thoughtful questions and your positive reviews! I appreciate you taking the time to check out my music and put this interview together.

  https://music.apple.com/us/artist/exiled-hope/1563587153

https://exiledhope.bandcamp.com/

https://www.facebook.com/ExiledHope

https://www.instagram.com/legally_metal/

https://open.spotify.com/artist/024Bd5ViU3F8gRFe9lnCth?si=cbd9c556aa4d441d&nd=1&dlsi=221e6a99ea844729

https://www.tiktok.com/@exiled.hope

https://x.com/exiledhope99

https://www.youtube.com/@exiledhope

Selvans/Saturnalia/Avantgarde Music/2025 Full Length Review

 

  Selvans  are  a  band  from  Italy  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  progressive  and  folk  influenced  mixture  of  black  and  heavy  metal  and  this  is  a  review  of  his  2024  album  "Saturnalia"  which  will  be  released  on  January  31st  by  Avantgarde  Music.

  Keyboards  and  orchestration  start  off  the  album  adding  in  some  symphonic  touches  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Choirs  can  also  be  heard  briefly  along  with  the  solos  and  leads  also  bringing  in  more  of  a  melodic  traditional  metal  style  and  a  lot  of  the  vocals  bring  in  more  of  an  80's  metal  style.

  Black  metal  screams  can  also  be  heard  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody.  At  times  the  music  also  gets  very  progressive  sounding  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  blast  beats  are  also  added  into  the  faster  sections  of  the  album.

  

  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Some  of  the  tracks  are  also  very  long  and  epic  in  length  as  well  as  some  of  the  album  also  adding  in  elements  of  folk  music,  spoken  words  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Italian  and  cover  folk  and  horror  tales  from  their  home  country.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Selvans  and  if  you  are  a  fan  of  progressive  and  folk  influenced  black  and  heavy  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Il  mio  maleficio  v'incalzera!"  and  "Fonte  dei  diavoli".  8  out  of  10.

  https://www.selvans-official.com

https://www.instagram.com/selvanstherealone

https://www.facebook.com/selvansofficial

https://www.youtube.com/user/templeofselvans        

The Lightbringer/Quintessence Of Dawn/2010 Full Length Review

 

  This  is  a  review  of  an  earlier  album  from  Quebec,  Canada's  The  Lightbringer  which  went  for  a  melodic  mixture  of  black  and  power  metal  and  the  album  was  self  released  in  2010  and  called  "Quintessence  Of  Dawn".

  A  very  dark ,  heavy  and  melodic  sound  starts  off  the  album  while  the  solos  and  leads  also  add  in  a  great  amount  of  melody.  All  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  clean  playing  is  also  added  on  a  lot  of  songs.

  Vocals  are  a  mixture  of  black  metal  screams  and  power  metal  style  singing  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats.  Keyboards  are  also  utilized  at  times  along  with  the  tracks  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  tremolo  picking  is  also  added  into  some  of  the  faster  riffing. 

Spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  album  along  with  some  female  vocals  and  flutes  also  being  utilized  on  a  couple  of  tracks  as  well  as  the  music  also  having  its  symphonic  moments,  death  metal  growls  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  Mythology,  Fantasy,  Darkness  and  Light  themes.

  In  my  opinion  this  was  another  great  sounding  recording  from  The  Lightbringer  and  if  you  are  a  fan  of  melodic  black  and  power  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Garden  Of  Forsaken  Souls"  and  "Constellation  Of  The  Gate  Of  Gods".  8  out  of  10.     

  https://www.thelightbringerofficial.com/

https://thelightbringermetal.bandcamp.com
https://www.youtube.com/@thelightbringermetal
https://www.facebook.com/thelightbringerofficial/
https://www.instagram.com/thelightbringerband/
https://open.spotify.com/artist/42vunlIXOg69YegQhmFG05

https://www.tiktok.com/@thelightbtingerofficial    

Exiled Hope/Apocrypha/2025 Full Length Review

 

  This  is  a  review  of  an  album  from  Maryland's  solo  project  Exiled  Hope  which  shows  the  music  going  for  a  melodic  and  symphonic  mixture  of  black,  death,  gothic  and  power  metal  and  this  is  a  review  of  her  self  released  album  "Apocrypha"  which  will  be  released  in  2025.

  Tragic  sounding  keyboards  start  off  the  album  while  also  bringing  in  symphonic  elements  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  clear  vocals  are  utilized  they  add  in  touches  of  gothic  and  power  metal  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Black  metal  screams  and  death  metal  growls  are  also  utilized  quite  a  bit  throughout  the  recording  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard along  with  one  song  also  being  very  long  and  epic  in  length  and  most  of  the  album  sticks  to  either  a  slow  or  mid  tempo  direction,  one  song  is  also  an  instrumental.

  On  this  recording  Exiled  Hope  takes  a  very  melodic  and  symphonic  form  of  black  metal  and  mixes  it  with  death,  gothic  and  power  metal  to  create  something  very  original.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantasy  themes.    

  In  my  opinion  this  is  another  great  sounding  recording  from  Exiled  Hope  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  death,  gothic  and  power  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Day  Will  Come"  "Altar  Of  Moloch"  "Deathslayer"  and  "Forbidden  majesties".  8  out  of  10.

  https://music.apple.com/us/artist/exiled-hope/1563587153

https://exiledhope.bandcamp.com/

https://www.facebook.com/ExiledHope

https://www.instagram.com/legally_metal/

https://open.spotify.com/artist/024Bd5ViU3F8gRFe9lnCth?si=cbd9c556aa4d441d&nd=1&dlsi=221e6a99ea844729

https://www.tiktok.com/@exiled.hope

https://x.com/exiledhope99

https://www.youtube.com/@exiledhope

Exiled Hope/Steel Forge/Realm Of the Exiled/2025 Collaboration EP Review

 

  This  is  a  review  of  a  collaboration  ep  between  U.S.A's  Exiled  Hope  and  United  Kingdom's  Steel  Forge  who  team  up  together  and  bring  out  a  melodic  and  symphonic  mixture  of  black,  doom,  death,  power  and  folk  metal  and  this  is  a  review  of  their  self  released  ep  "Realm  of  the  Exiled"  which  will  be  released  in  2025.

  A  very  heavy,  melodic  and  symphonic  sound  starts  off  the  ep  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Harsh  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  the  slower  sections  of  the  songs  also  bringing  in  elements  of  doom  metal.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  clean  sections  are  very  heavily  rooted  in  folk  music.  One  of  the  songs  also  introduce  clear  vocals  onto  the  recording  that  are  more  rooted  in  power  and  gothic  metal  as  well  as  one  track  also  being  very  long  and  epic  in  length, the  whole  ep  sticks  to  either  a  slow  or  mid  tempo  direction.

  Exiled  Hope  and  Steel  Forge  mix  their  two  different  styles  to  create  something  very  heavy,  melodic,  symphonic  and  epic  sounding.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantasy  themes.

  In  my  opinion  this  is  a  very  great  sounding  collaboration  between  Exiled  Hope  and  Steel  Forge  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  doom,  death,  gothic,  power  and  folk  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "A  Light  In  the  Darkness"  and  "Beyond  The  Veil".  8  out  of  10.

  Instagram: https://www.instagram.com/legally_metal/ 

YouTube: https://www.youtube.com/channel/UCdZNNjK9ieVITFmcplPs1hA 

Bandcamp: https://exiledhope.bandcamp.com/ 

Spotify: https://open.spotify.com/artist/024Bd5ViU3F8gRFe9lnCth 

Merch: https://www.bonfire.com/store/exiled-hope-virtual-merch-booth/

Bandcamp: https://steelforge1.bandcamp.com/

Facebook:  https://www.facebook.com/steelforgeband/

Instagram: https://www.instagram.com/steelforge_band/

Twitter/X: https://x.com/steelforgeband?lang=en-GB

YouTube: https://www.youtube.com/@steelforge8934

Spotify: https://open.spotify.com/artist/3CNLoVLW2SVhYxd6aZsGyR

      

Master Dy/FRUCTUS : The Master's Zodiac/DMG /2024 Full Length Review

 

  Master  Dy  are  a  band  from  Portugal  that  plays  a  very  dark,  melodic  and  symphonic  mixture  of  black,  death,  gothic,  pop  and  power  metal  and  this  is  a  review  of  their  2024  album  "FRUCTUS  :  The  Master's  Zodiac"  which  was  released  by  DMG.

  A  very  heavy  and  symphonic  sound  starts  off  the  album  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in a   very  melodic  style  and  clean  playing  is  also  added  on  some  of  the  tracks.

  When  clear  vocals  are  utilized  they  also  bring  in  elements  of  power  and  gothic  metal  while  the  album  also  has  its  progressive  moments.  A  lot  of  the  music  also  captures  more  of  a  mainstream  style  along  with  the  harsh  vocals  adding  in  touches  of   black  and  death  metal  when  they  are  introduced  on  the  recording  as  well  as  one  track  also  adding  in  a  brief  use  of  clear  male  vocals,  blast  beats  and  fast  playing  can  also  be  heard  briefly.

  Master  Dy  plays  a  musical  style  that  is  more  rooted  in  the  melodic  symphonic  and  gothic/power  metal  style  as  well  as  mixing  in  the  heaviness  of  black  and  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  resilience,  self-reliance  and  the  human  spirit's  will  to  overcome.

  In  my  opinion  Master  Dy  are  a  very  great  sounding  melodic  and  symphonic  mixture  of  black,  death,  gothic,  pop  and  power  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Bad  Omens  Of  January"  "Ephermal  Void"  "Regel  Eclipse"  and  "Nocturnal  Veil".  8  out  of  10.

https://www.youtube.com/@MasterDyBand
https://sptfy.com/MasterDy
https://master-dy.bandcamp.com
https://www.instagram.com/masterdy_band/
https://www.tiktok.com/@Master.Dy
https://www.facebook.com/masterdy.band/
https://www.masterdy.com

      

Eternal Crypt/Stages Of Grief/2024 Full length Review

 

  Eternal  Crypt  are  a  band  from  new  York  that  plays  a  melodic  and  progressive  mixture  of  black,  folk  and  power  metal  and  this  is  a  review  of  their  self  released  2024  album  "Stages  Of  Grief".

  Epic  sounding  keyboards  and  orchestration  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  blast  beats  are  also  added  into  the  faster  sections  of  the  tracks  and  the  harsh  vocals  are  mostly  black  metal  screams.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Spoken  words  can  also  be  heard  at  times  along  with  the  some  of  the  melodies  also  adding  in  a  good  amount  of  medieval  folk  music   touches.

   Power  metal  style  singing  is  also  a  very  huge  part  of  the  recording  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style.  At  times  the  music  also  gets  very  progressive  and  symphonic  sounding ,  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing. Some  tracks  also  add  in  a  small  amount  of  death  metal  growls  and  as  the  album  progresses  pianos,  clean  playing  and  acoustic  guitars  are  also  introduced  as  well  as  one  song  also  being  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  mysticism,  nature  and  isolation  themes. 

  In  my  opinion  Eternal  Crypt  are  a  very  great  sounding  melodic  and  progressive  mixture  of  black,  folk  and  power  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Death  Notice"  "Stone  In  My  Heart"  and  "Death  Bed".  8/5  out  of  10.

  https://www.facebook.com/eternalcrypt    

Terramorta Interview

 

1.Can you give us an update on what is going on with the band these days?

 

Hello, at the moment we are in the recording phase of our second album, which we can say is already recorded. We are now in the process of trying to make our work known and to reach beyond Portugal, aiming to share it with as many people as possible.

 

2.Earlier this year you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

 

We know that humans tend to categorize and label everything, but we’ve never even thought about a specific musical style for the band. For us, it's just metal. Of course, we can say that our music relates to the symphonic black/death metal sub-genre.

 

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

 

            Seer - The concept itself arose from a disorder that has always tormented me, chronophobia precisely, that is, the fear of time and its passing through our miserably ephemeral and empty lives. I suffer from F.O.M.O., getting older kills me inside, I have a lot of difficulty facing, understanding and accepting the passing of time, not only in myself, but also in my loved ones, family and friends, and I honestly think that with each passing day we are becoming less happy, more vulnerable to isolation, depression, lack of motivation to continue, to blackness that accelerates this path until the inevitable and certain end. At the time we were looking for coherent themes for the album, something that we could unfold and continue, trying to avoid clichés, and behold, adapting this disorder made perfect sense. We've all been through bad times, we've lived a lot, enough to put a lot of ourselves into the album, which is why we think it's very coherent and sincere, because it literally shows our fears and problems.

 

 

4.What is the meaning and inspiration behind the name 'Terramorta'?

 

            First of all, Terramorta means Deadland. And it’s a place that we created and invite the listeners to visit. A place where bad things happen, a place of sorrow, deception and grief like everything that we as humans must endure in our day-to-day life. But also, a place where in the end you can find hope and strength to continue the journey.

 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 

To be honest, the artwork was changed numerous times until the image director, Oliver Jackson, presented us with the version that's now released. The decision was unanimous, as the image perfectly illustrated the concept of the album chronophobia. Regarding the new album, we are not in that phase yet.

 

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

 

            For us, every show has been special, from the launch show to the one with Benighted. Some of us have over 20 years of experience. Seer and Helvigario used to play in a band together, and Nero has been part of numerous projects, having recorded bands like Enthroned. We can say we’ve felt comfortable on stage, but you can check out some of our performances on our YouTube channel.

 

7.Do you have any touring or show plans for 2025?

 

            Yes, announced shows are already in our website www.terramorta.com and we are working to make possible a European tour during 2025. We also announce future shows in our social media pages.

 

8.The last album was released on 'Magnus Pike Records', can you tell us a little bit more about this label?

 

            The label was created by Nero, because after facing so many "NOs," we decided to launch the project on our own, at our own risk. We can say that no one, outside of our close circle, believed in TERRAMORTA.

 

9.On a worldwide level how has the reaction been to your music by fans of symphonic black and death metal?

 

            It's hard to say, as we are a small band, but we can share some of the statistics from our album sales, which, surprisingly, sold out quickly. We sent them to almost all of Europe, the United States, Canada, Japan, etc. On social media, fans from all corners of the world are starting to appear, and we are very grateful for the acceptance.

 

10.Are any of the band members currently involved with any other bands or musical projects these days?

            Some of them yes, but at the moment nothing is really going on regarding other musical projects. We are all fully committed to TERRAMORTA.

 

11.The next album is going to be released sometime in 2025, what can we expect musically once it is released?

           

            You can expect the same musical language as the previous album, but due to personal events and life's circumstances, the album has become more frantic and chaotic. We want to take a bold approach with the production. We know the market's rules, but don't expect a modern sound or something that follows current trends.

 

12.What are some of the bands or musical styles the band members are currently listening to nowadays?

 

            It depends from the band member, but what we hear is a mix of Alice in Chains, Soundgarden, Stone Temple Pilots, KXM, Korn, Pantera, Carcass, Rammstein, Arcturus, Symphony X, Dimmu Borgir, Behemoth, Death, Dissection, etc.

 

13.Before we wrap up this interview, do you have any final words or thoughts?

 

            We hope you enjoy our work, and we’re looking forward to sharing it with the world.

So you can check our social media pages, streaming platforms. And on YouTube you will find videoclips, the full album and live videos. And guess what, it’s for free, so what are you waiting for?

Cheers and see you on the road. \m/

https://terramorta.com/

https://www.facebook.com/terramorta.official/

https://www.instagram.com/terramorta.official/

https://www.youtube.com/@TERRAMORTAmusic

https://open.spotify.com/intl-pt/artist/45tDH8c6Lgm2hnsOqRV1O9

https://music.apple.com/pt/artist/terramorta/1728551178

https://www.deezer.com/en/artist/253888602