Showing posts with label symphonic black metal. Show all posts
Showing posts with label symphonic black metal. Show all posts

Sunday, January 25, 2026

Terramorta/The Fading Lumina's Embrace/Magus Pike Records/2025 Full Length Review

 

  Terramorta  are  a  band  from  Portugal  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  album  "The  Fading  Lumina's  Embrace"  which  was  released  by  Magus  Pike  Records.


  A  very  distorted  sound  starts  off  the  album  along  with  some  melodic  guitar  solos  and  leads  a  few  seconds  later  which  also  takes  the  music  into  a  heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  symphonic  sounds  also  mix  in  with  the  heavier  sections  of  the  album.  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,.


  Spoken  words  and  shouts  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  some  tracks  also  adding  in  a  small  amount  of  clean  playing,  a  couple  of  songs  also  adds  in  a  small  amount  of  clear  singing  which  also  adds  in  an  operatic  touch.  The  production  sounds  very  professional  while  the  lyrics  cover  emotions  and  aspirations  of  man.


  In  my  opinion  this  is  another  great  sounding  album  from  Terramorta  and  if  you  are  a  fan  of  symphonic  black  and  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Baba  Yaga"  "Deliberate  Killing  Of  Oneself"  "March  Of  The  Forsaken"  and  "The  Fading  Lumina's  Embrace".  8  out  of  10.


 hkps://terramortaofficial.bandcamp.com/album/the-fading-luminas-embrace  

 hkps://www.facebook.com/terramorta.official : 

hkps://www.instagram.com/terramorta.official/

Velzevul/Pandemonium/Satanath Records/More Hate Productions/2025 Full Length Review

 


  Velzevul  are  a  band  from  Russia  that  plays  a  very  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Pandemonium"  which  was  released  as  a  joint  effort  between  Satanath  Records  and  More  Hate  Productions.


  A  very  apocalyptic  sound  starts  off  the  album  along  with  some  symphonic  sounding  keyboards  and  choirs  a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  high  pitched  black  metal  screams  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Growls  are  also  utilized  at  times  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized,  melodies  are  also  added  into  some  of  the  guitar  riffing.


  Velzevul  plays  a  style  of  black  metal  that  is  very  symphonic  in  the  mid  90's  tradition.  The  production  sounds  very  professional  while  the  lyrics  cover  Demonology,  Luciferian,  Anti  Christian  and  Darkness  themes.


  In  my  opinion  Vezevul  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Nuclear  Snow"  "The  Insignificance  Of  The  Universe"  and  "The  Valley  of  Shadows".  8 out  of  10.


 https://satanath.bandcamp.com/album/sat402-velzevul-pandemonium-2025

Chronicler Of Ardul Interview

 

1.Can you give us an update on what is going on with the musical project that you play?


I just updated Myrewood and by the time this comes out, Sword of Virné should also be done too. Just some remixing and rebalancing of the music. Currently working on some new music before I really get into the meat of what this project is heading toward.


2.In April you have a new album coming out, musically how does it differ from the stuff you have released in he past?


This is much more inline with what you would hear from a soundtrack. There’s bard music, a village track, and a lot of atmospheric tracks that make you feel like you’re in a forest, underground, in a tense moment before things erupt, and some battle songs. So quite different from my previous releases, but rounding out what this project is.


3.On previous recordings you had more of a symphonic and extreme style of metal and on the new album go for more of a folk style, what was the decision behind going into this musical direction?


That’s been the plan for a long time. There are three pillars to the project: metal, stories, and orchestral soundtrack music. Sounds of Ardul is that third pillar to follow the other things I’ve done.


I sort of envision myself like a director without the movie. There’s story and world and characters and epic thematic music and melodic motifs, all that’s missing is the set and actors.


4.All of your lyrics cover fantasy themes, can you tell us a little bit more about how your interest in this topic has evolved over the years?


I fell in love with fantasy a long time ago in middle school. My brother recommended that I read the Dark Elf Trilogy by R.A. Salvatore. From there it was stuff like the Legend of Zelda and Final Fantasy, Lord of the Rings, and other stuff. I’m much more of a fantasy nerd than sci-fi or anything else. 


And then along the way I wanted to combine my passions for metal music, fantasy, and music from my favorite video games. All that brought together is the essence of what I do.


5.On the website you also have a couple of novel's written and published, how do these novels fit in with music you create?


The music and story of Myrewood work hand-in-hand. The music gives you the epic cinematic feeling with raw visceral emotion, while the story takes you in deeper into the world and let’s you explore more and learn.


6.You also created your own fantasy universe, can you tell us a lite bit more about this world you create with your writing and also what are you inspirations as a writer?


It all started with the trilogy I’m working toward, and I thought it would be a much better idea to start to build that world before jumping into a monumental project. Myrewood was that first step.


It’s dark fantasy and a bit more old school with only four races: humans, elves, dwarves, and orcs. There’s magic and complications and gods and dangers all around. There was big cataclysmic event that split the world into the continents. And the magic is chaotic, as we saw in Sword of Virné. It’s not safe and can’t be controlled.


Right now I’m just exploring the world and seeing what stories can be told and really making it come alive.


Some of my influences are the Dragon Age games, Dungeons and Dragons, Lord of the Rings, and The Witcher. 


7.With this project you record most of the material by yourself, do you prefer to work solo?


To a certain degree, yes. Like I said before, this is a huge passion project and I like doing much of this myself. However, I can’t do vocals, at least for right now. So I’ve gotten help from great people like Thomas Blanc, Sofia Frasz, and Aaron Johnson III, who I am in a band with called Left After Death. I also worked with Maxwell Aston to do art for me and he did an incredible job.


8.Can you tell us a little bit more about the artwork that is presented on the new album cover?


There’s a really cool nature preserve close to where I live. It’s hard to find trees where I am, but this place has some great spots, and I found this cool area with that tunnel sort of bit and thought it would be a great representation of where this next project is going, sort of transporting you to another realm. And I love trees.


9.On the new album you also have a few quests, can you tell us a little bit more about who they are and also their contributions to the recording?


Sofia Frasz from Exiled Hope is a kindred spirit. We both tell stories through our music and incorporate orchestral elements. We had a talk at one point and wanted to collaborate and the time finally came. She did an amazing job.


The other is my vocalist and bass player in Left After Death, Aaron Johnson III. He’s a great guy and super creative, doing other style like goth rock and EDM and his own symphonic metal stuff, so it was pretty obvious to have him do some stuff on my music as well.


10.On a worldwide level how has the reaction been to your music by fans of metal and fantasy?


Reactions have been good! They love it, compared it to other bands like Dimmu Borgir or One Winged Angel from Final Fantasy VII. I recently had one interaction recently where someone said they haven’t heard of blackened death metal and fantasy, so I had to chime in and say, “Hey, I do that! And there’s orchestra stuff too!” I’m glad people are enjoying it and not saying I should give up. haha


11.Where do you see yourself heading into as a musician during the future?


Just doing more. More music, get that trilogy out, other orchestral stuff, maybe work with other artists and helping them with their music, and doing more collaborations. I got a lot of music friends I want to work with. I always try to improve on what I’ve done before, so that’s the goal as an artist.


12.What are some of the bands or musical styles you are currently listening to nowadays?


I’ve been listening to a little more Mental Cruelty, particularly their A Hill to Die Upon Album, as well as some Wormwitch. Just to channel those styles of riffs and be influenced by what they are doing. Then there’s always Shadow of Intent, and I’ve been playing Octopath Traveler 0, and that has great music as well.


13.Before we wrap up this interview, do you have any final words or thoughts?   


Thanks for the wonderful questions! I’ve been super busy writing all sorts of stuff and coming up with ideas, so I’ll be working on stuff for a long, long time. 

Official Website: chroniclerofardul.com
Bandcamp: https://chroniclerofardul.bandcamp.com/
Facebook: https://www.facebook.com/p/Chronicler-of-Ardul-100063489851273
Instagram: https://www.instagram.com/chronicler_of_ardul
YouTube: https://youtube.com/@ChroniclerOfArdul
Spotify: https://open.spotify.com/artist/5h3LfVFyzZA7Tl0eBhQxKg
Apple Music: https://music.apple.com/us/artist/chronicler-of-ardul/1678862672
TikTok: https://www.tiktok.com/@chronicler_of_ardul

Monday, January 5, 2026

Chronicler Of Ardul/Sounds Of Ardul/2025 Full Length Review

 


  Chronicler  Of  Ardul  are  a  solo  project  from  Richland,  Washington  that  started  out  playing    a  fantasy  themed  symphonic  mixture  of  black  and  death  metal  and  on t his  album  keeps  the f antasy  themes  and  goes  into  more  of  an  acoustic  folk  direction  and  this  is  a  review  of  his  self  released  2026  album  "Sounds  of  Ardul"  which  will  be  released  in  April.


  Acoustic  guitars,  percussion  and  folk  instruments  start  off  the  album   along  with  some  clear  singing  a  few  seconds  later.  Some  of  the  songs  also  stick  to  an  instrumental  direction  while  one  track  also  introduces  keyboards  onto  the  album  and  all  of  the  tracks  also  sounds  very  different  from  each  other.


  At  times  the  music  also  goes  into  more  of  a  cinematic  and  atmospheric  direction  while  most  of  the  songs  are  also  very  short  in  length.  Stringed  instruments  are  also  a  very  huge  part  of  the  album  along  with  a  lot  of  the  recording  also  capturing t he  atmosphere  of  a  fantasy  movie  soundtrack,  elements  of  dark  ambient  and  dungeon  synth  are  also  added  on  a  lot  of  tracks.


  On  this  recording  Chronicler  Of  Ardul  goes  for  a  very  cinematic  and  symphonic  style  of  folk  music.  The  production  sounds  very  professional  while  the  lyrics  the  mythic  world  of  Ardul


  In  my  opinion  Chronicler  Of  Ardul  are a   very  great  sounding  symphonic  and  cinematic  folk  music  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Watch  Over  Me"  "Woodlands"  "Unwelcome  Quests"  and  "Zarek  The  Bloody".  8 out  of  10.


  Official Website: chroniclerofardul.com

Bandcamp: https://chroniclerofardul.bandcamp.com/
Facebook: https://www.facebook.com/p/Chronicler-of-Ardul-100063489851273
Instagram: https://www.instagram.com/chronicler_of_ardul
YouTube: https://youtube.com/@ChroniclerOfArdul
Spotify: https://open.spotify.com/artist/5h3LfVFyzZA7Tl0eBhQxKg
Apple Music: https://music.apple.com/us/artist/chronicler-of-ardul/1678862672

TikTok: https://www.tiktok.com/@chronicler_of_ardul   

Saturday, December 20, 2025

W.E.B/Darkness Alive/Metal Blade Records/2026 Live Album Review

 


  Greece's  W.E.B  have  returned  with  a  new  recording  which  they  take  their  symphonic  mixture  of  black  and  gothic  metal  to  the  live  stage  and  this  is  a  review  of  their  album  "Darkness  Alive"  which  will  be  released  in  2026  by  Metal  Blade  Records.


  Live  audience  reaction  start  off  the  album  along  with  some  folk  instruments  a  few  seconds  later  while  also  introducing  symphonic  and  orchestral  elements  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  angry  sounding  black  metal  screams  while  operatic  vocals  are  also  utilized  at  times.


  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Touches  of  gothic  metal  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats.


   Melodies  are  also  added  into  some  of  the  guitar  riffing  as  well  as  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  couple  of  the  tracks  also  being  long  and  epic  in  length.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Darkness  and  Armageddon  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  W.E.B  and  if  you  are  a  fan  of  symphonic  black  and  gothic  metal,  you  should  check  out  this  live  album.  RECOMMENDED  TRACKS  INCLUDE  "Crimson  Dawn"  "Into  Hell  Fire  We  Burn"  "Necrology"  and  "Eigios".  8  out  of  10.


  https://webmetalband.com

https://www.facebook.com/webdarkness

https://www.instagram.com/webdarkmetal

https://www.youtube.com/@WEBbandOfficial

https://x.com/webdarkmetal  


  

Thursday, December 18, 2025

Daidalos/Dante/Rockshot Records/2026 Full Length Review

 


  Daidalos  are  a  solo  project  from  Germany  that h as  been  featured  before  in  this  zine  and  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  album  "Dante"  which  will  be  released  in  2026  by  Rockshots  Records.


  Nature  soundscapes  start  off  the  album  before  introducing  grim  black  metal  vocals  and  symphonic  elements  which  also  takes  the  music  into  a  heavier  direction.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.


  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Growls  are  also  utilized  at  times  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  the  album  also  having  its  atmospheric  moments  and a  couple  of  tracks  also  adds  in  a  small  amount  of  operatic  vocals  and  clear  singing.


  On  this  recording  Daidalos  remains  true  to  the  symphonic  style  of  black  metal  which  he  introduced  on  his  previous  release.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  writings  of  Dante  Alighieri.


  In  my  opinion  this  is  another  great  sounding  recording  from  Daidalos  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Inferno"  "King"  "Dis"  and  "Ultimatum".  8  out  of  10.


   Instagram.com/daidalosmusic |

 Facebook.com/daidalosband


  .  


  

Monday, December 15, 2025

Starscourge Interview

 

1.Can you give us an update on what is going on with the musical project these days? 

Zul: Currently, we are awaiting for the reception that the album will receive upon release. I have already commenced with some songwriting concepts for new tracks. Mithun: As Zul mentioned, we are curious as to how the record will be perceived. Some lyrical ideas already exists for the upcoming songs. 


2.Recently you have released your first full length, can you tell us a little bit more about the musical style that you went for on the recording? 

Zul: Regarding musical direction we decided on an epic Blackened Death concept, with emphasizing melody and a cinematic scope. We also wanted to encapsulate a classic Metal vibe. I began writing the tracks that were not bound to specific genre rules and limitations, and went along the path of the various riffs and melodies, concluding in each song’s completion. Mithun: I aimed to do justice to the fantastic riffs and melodies that Zul had concocted, and opted for a theatrical and diversified vocal approach. Each track had to feel different and adhere to the various lyrical themes.


 3.Both of the members are also in other bands, what is it that you bring into the music of 'Starscourge', that you have not been able to do with your other groups? 

Mithun: When Zul and I started discussing this venture, I was playing in the punk band, Nedtur. I hadn’t involved in anything within Metal since 2020, and naturally I was drawn back to my roots. We both wanted to do something different from what we had previously played in our various projects. 


4.Your lyrics cover the Elden Ring, dark fantasy and mythology themes, can you tell us a little bit more about your interest in these topics? 

Mithun: Well, before Silent Images disbanded, we were in the process of a Bloodbornethemed concept album. I have always sought to lyrically compose something based off FromSoftware’s titles, and Elden Ring released at the perfect opportune moment.

 5.What is the meaning and inspiration behind the name 'Starscourge'? 

Zul: Mithun and I started talking about starting the band and after planning out the musical and conceptual aspect we started brainstorming potential names. Eventually we decided on Starscourge. Mithun: Starscourge is the title of one of Elden Ring’s prominent characters, General Radahn also known as Starscourge Radahn during his boss fight. 


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 Zul: Seven Kings Productions handled the artwork for all the singles as well as the album cover, and we attained permission from Maciej Wituski to utilize his excellent rendition


7.The band members live in Sweden and Singapore, what impact does the long distance in between members have on the musical style that you play? 

Zul: It would have been great if we could jam and rehearse together. Thankfully, the internet has provided a excellent medium for communication. Mithun: Indeed, Whatsapp has been a great friend. I think I correspond with Zul more than I do with my own family. Haha!


 8.On the album you also did a 'Slayer' cover, what was the decision behind doing your own version of one of their songs?

 Mithun: I’ve never been too much of a Slayer or Thrash fan to be honest. I do enjoy Reign in Blood, Seasons of the Abyss and Hell Awaits. When Zul sent over this rearranged version I thoroughly enjoyed the new atmosphere and increased melodies, and went about throwing in more Thrashy vocals. We gave it the Starscourge treatment! 


9.Currently you are unsigned, are you looking for a label or have received any interest?

 Zul: We are keeping our options open. It would be great to license out these tracks for physical releases. Mithun: It all depends on the deal and the possibilities at the day’s end. 


10.On a worldwide level how has the reaction been to your music by fans of black and death metal?

 Zul: It is still too early to gauge since the album has yet to launch, but we have had a decent amount of support from the singles. 


11.What is going on with some of the other bands or musical projects these days that both of the band members are a part of?

 Zul: We both play in Chaos Imperium, a Black Metal project that I started a few years ago before I roped in Mithun this year. I am still part of Death Metal act Oshiego, and I have a few other projects underway. Mithun: Apart from Chaos Imperium, I sing with Avantgarde/Experimental Black Metal act Andharu, who’re also recording our debut as we speak. 


12.Where do you see the band heading into musically during the future?

 Zul: Depending on the album’s response, we would be honoured to play live. Regardless, I’m already brewing up some new material for the next record. Mithun: The live stage would be fantastic, but we are very eager to continue making more music. 


13.What are some of the bands or musical styles the band members are currently listening to nowadays?

 Mithun: Classic Metal will always be there, though I’ve listened to lots of epic scores as well. This year’s favourites are quite the strange bag - Afsky, Team Anarchy, Rudra, KLPS, Metaphor: Refantazio’s soundtrack, Sleep Theory, Alice Cooper, Bloody Valkyria, Nemophilia, Katla 


14.Before we wrap up this interview, do you have any final words or thoughts? 

Mithun: Thank you for this interview, and for the lovely review as well. We should keep in touch! 


https://www.facebook.com/Official.Starscourge/
https://www.instagram.com/starscourge.official/

Tuesday, December 9, 2025

Abscence Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the band?

Abscence is a symphonic black/gothic metal band born in the shadows of Yorkshire. At our core, we’re storytellers we take the grand emotional palette of gothic romanticism and fuse it with the frostbitten atmosphere of black metal. The band consists of Gawain, who shapes the orchestral and compositional backbone; Morrigan, whose bass work and dual vocal style (haunting cleans and fierce growls) define our emotional range; Aethra on guitars, bringing both aggression and melody; and Glen Veldman, whose drumming provides precision, brutality, and ritualistic pulse.

Our music is drenched in atmosphere. We treat every album, every song, as a world. With Enigma, our debut, we introduced listeners to our cinematic approach dark, raw, symphonic and we’ve been expanding that universe ever since under Wormholedeath Records.


2. You recently released a new album—what musical direction did you aim for with Enigma?

Enigma was our declaration of identity. We didn’t want a hyper-polished modern metal record. Instead, we wanted something that felt alive fragile in the right places, feral in others.

The musical style lies at the crossroads of symphonic black metal, gothic metal, and classical influences. Gawain’s orchestral arrangements shaped the atmospheric backbone; the keyboards behave like another narrative voice. Morrigan’s vocals became the emotional flashpoint her clean passages carry sorrow, while her brutal vocals tear through the more intense climaxes.

Aethra’s guitars are sharp, melancholic, and dynamic, and Glan’s drumming pushed the album into harsher territory: relentless blasts, cinematic swells, and ritualistic rhythms.

We aimed for drama, emotion, and honesty and we didn’t shy away from keeping small imperfections that preserved the human touch of the record.


3. The lyrics form a concept album—what story does Enigma tell?

Enigma is a romantic tragedy wrapped in vampiric myth. It follows two immortal women, bound by a love that transcends centuries yet is constantly threatened by time, betrayal, and darkness. Their devotion is both salvation and curse.

The album follows their journey:

– their first meeting in secrecy

– their transformation

– their vows under moonlit skies

– their descent into obsession

– the sacrifices they make to remain together

– and the haunting stillness of eternity that follows them

It’s a story about how love can become monstrous, beautiful, and eternal all at once. Every track is a piece of their emotional landscape.


4. What inspired the name Abscence?

The name represents the emotional void inside every human being—the hollow ache left by lost love, grief, or longing. We selected the altered spelling deliberately. Abscence feels slightly “wrong” to the eye, like a forgotten term from worn-out folklore or an inscription found in a ruined chapel.

It symbolizes our musical philosophy: beautiful imperfection, emotional honesty, and the spaces between light and shadow.


5. Tell us about the artwork for Enigma.

The artwork embodies the core theme of the album: eternal love forged in darkness.

The imagery of spectral figures, crimson hues, and symbolic patterns encapsulates the delicate balance between beauty and torment. The artwork isn’t just aesthetic it’s part of the narrative. The cover looks like a moment frozen in time from the vampires’ story, capturing their tragic devotion.

We wanted something that could stand both as folklore and as a cinematic still.


6. Your stage names are inspired by Arthurian legends and Celtic Mythology. Can you explain your connection to these themes?

We’ve always gravitated toward mythologies steeped in tragedy, prophecy, and mysticism. Arthurian legends and Celtic lore contain all the elements we channel into our music: doomed heroes, witches, forbidden love, sacrifice, and magic.

Our chosen names Gawain, Morrigan, and Aethra reflect archetypes we align with artistically. They’re not costumes; they’re spiritual representations of the energies we bring into Abscence. We don’t just write songs we inhabit the mythic world we’re creating.


7. What have been your most memorable shows so far, and how would you describe your performance style?

Some of our most unforgettable shows have been intimate ones where every element lights, fog, volume, silence came together perfectly. We don’t simply play songs; we immerse the audience in the world of Enigma.

Onstage we are theatrical, emotional, and intense.

– Morrigan balances ethereal serenity with monstrous ferocity.

– Aethra delivers a combination of elegance and aggression.

– Gawain’s presence behind the keys adds ceremonial depth.

– Glan’s drumming drives everything forward with technical precision.

A live Abscence performance is meant to feel like watching a dark romantic tragedy unfold.


8. Do you have touring or show plans for the new releases?

Yes. We are planning selective UK and European shows to support Enigma and our upcoming releases. As we approach the next album cycle, we will expand into festivals and atmospheric venues that fit the storytelling nature of our performances. We prefer quality over quantity shows that feel like rituals.


9. How has the global reaction been among fans of symphonic black and gothic metal?

The response has been phenomenal. Listeners from around the world have connected deeply with the emotional and narrative approach of our music. Many have said it reminds them of the classic era when gothic and black metal were both raw and romantic, yet feels undeniably modern in spirit. This mixture of nostalgia and freshness seems to resonate strongly.


10. Where do you see the band heading musically in the future?

We’re entering a new creative era.

Before the next full album drops, we are releasing an EP titled:

“Each Fervent Kiss”

This EP acts as a bridge between Enigma and our upcoming album Where We Carved Our Stone.

It expands the vampire lovers’ saga with additional chapters more intimate, more violent, and more emotionally vulnerable.

Musically, it leans deeper into atmosphere, romantic sorrow, and haunting vocal interplay between Morrigan and Aethra.

Then comes the next full album:

“Where We Carved Our Stone”

This album will be grander, heavier, more symphonic, and more intense than anything we’ve done.

Expect:

– larger orchestral arrangements

– darker guitar landscapes

– more of Morrigan’s romantic cleans

– deeper storytelling

– guest vocalists

– a more cinematic experience from beginning to end

It is the next chapter of our mythology, carved literally and metaphorically.


11. What bands and styles have influenced you, and what are you listening to today?

We take inspiration from Emperor, Theatre of Tragedy, old Cradle of Filth, Paradise Lost, Limbonic Art,and classical composers like Vivaldi,Handel. But we also draw from dark folk, ambient soundtracks, Celtic traditions, and film score composers even vocal trance from Netherlands.

Recently we’ve been listening to everything from atmospheric black metal to contemporary classical pianists like Hélène Grimaud. We try not to limit our influences emotion guides the sound more than genre.


12. Do you have any final thoughts you would like to share?

We want to thank everyone who entered the world of Enigma and embraced our dark romantic vision. With the upcoming EP Each Fervent Kiss and the album Where We Carved Our Stone, we will dive even deeper into sorrow, passion, and myth.

This is just the beginning of our story.

Walk with us into the shadows there is much more to come.


 www.instagram.com/abscenceband

youtube.com/@abscenceband



Monday, December 8, 2025

Atavistia/The Winter Way(Reforged)/Blood Blast Distribution/2025 Full Length Review

 


  Vancouver  B.C,  Canada's  Atavistia  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  and  melodic  mixture  of  black, death  and  folk  metal  and  this  is  a  review  of  their  2025  album  "The  Winter  Way  (Reforged)"  which  will be  released  on  December  12th  by  Blood  Blast  Distribution  and  is  also  a re-recorded  version  of  their  2020  album.


  Nature  sounds  and  symphonic  orchestration  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  also  add  in  a  mixture  of  black  metal  screams  and  death metal  growls  while  the  riffs  also  add  in  a  lot  of  melody.


  Spoken  words  can  also  be  heard  on  a  few  tracks  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Back  up  shouts  are  also  utilized  at  times  along  with  some  clear  singing  also  being  added  into  certain  sections  of  the  album  as  well  as  the  songs  also  mixing  in  elements  of  folk  music.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  one  track  also  bringing  in  a  brief  use  of  clean  playing.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  winter  and  Scandinavian  Mythology. 


  In  my  opinion  this  is  another4  great  sounding  recording  from  Atavistia  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  death  and  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "From  The  Ancient  Stones"  "Eternal  Oceans"  and  "The  Winter  Way".  8  out  of  10.

 

     

Starscourge/Conqueror Of The Stars, Betwixt Sundered Seraphim, The Lands Between Bleed/2025 Full Length Review

 

  Starscourge  are  an  international  duo  with  embers  from  Sweden  and  Singapore  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  2025  album  "Conqueror  Of  the  Stars,  Betwixt  Sundered  Seraphim,  The  Lands  Between  Bleed"  which  will  be  released  on  December  19th.


  Spoken  words  and  keyboards  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams  and  when  the  music  speeds  up  a  lot  of  blast   beats  can  be  heard.


  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  clear  vocals  also  adding  in  a  touch  of  power  metal  when  they  are  utilized.


  At  times  the  music  also  adds  in  some  symphonic  touches  and  a  couple  of  songs  also  adds  in  a  small  amount  of  clean  playing  as  well  as  the  closing  tracks  also  being  a  Slayer  cover.   The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantast,  mythology  and  the  epic  grandeur  of  the  Elden  Ring.


  In  my  opinion  Starscourge  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Blessings  Upon  the  Golden  Throne"  "Destiny's  Dastardly  Dynasty"  "Together,  My  Serpentine's  Valentine"  and  "Spirit  in  Black".  8  out  of  10.


  https://www.facebook.com/Official.Starscourge/

https://www.instagram.com/starscourge.official/  

Sunday, December 7, 2025

Hexagraf/Walsen van hoop/Void Wanderer Productions/2025 Full Length Review

 


  Hexagraf  are  a  duo  from  the  Netherlands  that  plays  an  atmospheric,  progressive  and  symphonic  mixture  of  black  and  doom  metal  and  this  is  a  review  of  their  2025  album  "Walsen  van  hoop"  which  will b e  released  on  December  18th  by  Void  Wanderer  Productions.


  Coughs  start  off  the  album  before  going  into  more  of  a  darker  and  heavier  direction  while  elements  of  doom  metal  are  also  added  into  the  slower  parts  of  the  recording.    Symphonic  keyboards  are  also  mixed  in  with  the  heavier  sections  of  the  songs  and  the  vocals  bring  in a   mixture  of  death  metal  growls  and  black  metal  screams.


  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  riffs  also  add  in  a  decent  amount  of  melody.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  clean  playing  can  also  be  heard  on  a  couple  of  songs.


  Whispered  vocals  and  spoken  words  are  also  utilized  briefly  along  with  some  of  the  songs  also  being  very  long  and  epic  in  length.  The  album  also  has  its  progressive  moments  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style,  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  clear  singing  is  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Dutch  and  cover  the  dark  underbelly  of  industry.


  In  my  opinion  Hexagraf  are  a  very  great  sounding  atmospheric,  progressive  and  symphonic  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Stoflongen"  and  "Bitjend  in  de  geestvan  productie".  8  out  of  10.


 https://voidwanderer.com/product/hexagraf-walsen-van-hoop-cd-preorder/

Saturday, December 6, 2025

Sardonic Allegiance Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?




Yes, so Sardonic Allegiance was formed in 2009 as a duo black metal project. It was basically an idea of me and drummer Griendhakker to get together and write black metal songs. It all went pretty quick. We wrote 5 songs in a rehearsal room together and then recorded them and released the EP ‘Germania Inferior’ in 2010, the title being a reference to the history of our native country, The Netherlands.




After we released the first EP, I had written several new riffs and song ideas. However, the project went on hold around 2011 as Griendhakker was too busy with other projects. So I put the new music away. Years later I went through the material again and realized: ‘This is too good not to release’. So I started to compose a proper full-length album based on that material plus new parts. That material became Coast I, released April 2025, and Coast II, to be released in January 2026.


  


2.In 2026 you have a new ep coming out, musically how does it differ from the stuff you have released in the past?




I think you can still hear it’s the same band, but the ‘Coast’ material is more mature. Although still very aggressive, the compositions are more sophisticated, more melodic and the arrangements more layered, with added keyboards for example. I also play more leads and guitar solos on the new albums. Also, on ‘Germania Inferior’ Griendhakker took on vocal duties. He did a fine job, but he is not a real singer. On ‘Coast I’ I hired a proper vocalist, Dictator, who did a superb job. Lastly, the overall production is of a higher quality. I have my own personal studio now where I track all the music, and much of the engineering was done with help from professional producer Sebastiaan de Rooy (Signs of Life Audio) who also mixed and mastered the album. You can really hear the time and effort that Sebastiaan put into it because this is not easy music to produce, given all the layers and arrangements, but he did a fantastic job. 




3.From 2010 to 2025 there was no new music being released, can you tell us a little bit more about the 15 year break?




Well, first of all, as I mentioned, Griendhakker did not have time anymore to continue his participation in the project. At the same time, my own private life got busier with work so I also did not pursue new music for a number of years. Also, you have to understand that Griendhakker is a good friend of mine, so when he kind of quit, I wasn’t very motivated to continue the project at first. Then it took even longer because when I finally did pick up the production for ‘Coast’ I suffered a nasty injury in the middle of the pre-production stage - I had to put the project on hold once again for another couple of years because of that.





4.What are some of the lyrical topics and subjects the project has explored so far with the music?




My lyrics are a mix of personal subjects and social critique. They deal with topics such as not finding your way in life and mental resilience. There are also many political topics that I address though in a lyrically poetic and obscured way. 




5.What is the meaning and inspiration behind the name 'Sardonic Allegiance’?




I think cynicism (= ‘sardonic’) is a part of life and definitely a part of black metal as a state of mind and subculture. The name reflects that and it also shines through my lyrics which are a mix of personal issues and social critique, not the typical ‘dungeons and dragons’ stuff you hear a lot or satanic subjects.




6.Can you tell us a little bit more about the artwork that is presented on the new ep cover?




The cover art was done by Gustavo Sazes who did an amazing job. If I remember correctly, it kind of represents the meaning of the third song on Coast I, ‘Delusions Cataclysmic’ where higher forces pour their poisonous and delusional ideas into the heads of the common folk.   




7.The last 2 releases were self released while you have worked with a label in the past, are you open to working with another label again in the future?




Well, never say never, but at this point I don’t see the added value of a deal with a record label to be honest. I am open to everything but a record deal comes with obligations and you give away the rights to your music. Besides, I doubt any record label would have interest in a band that doesn’t have a structural fan base and doesn’t play live. 




8.On a worldwide level how has the reaction been to your music by fans of melodic and symphonic black metal?




Very favorable actually. In black metal, there will always be negativity but reactions I get personally or on the internet are mainly positive. People dig the mix I present between aggression and melody. I think many bands now have specialized in one or the other but I am very much inspired by the scandinavian black metal scene that emerged in  the 1990s. A lot of those bands had that perfect mix of evil atmosphere, aggression and melody. This is also something I strive for with Sardonic Allegiance added with some cinematic ingredients.


 


9.When can we expect a full length and also where do you see the band heading into musically during the future?




For now, I am happy with releasing EP’s. I do everything myself and producing this kind of music is not easy and takes a lot of time and effort. I do have a lot of new material which I will be working on next year. But you never know, maybe there will be a full-length in the future. 




10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?




Like I said, I am very much inspired by the 90s black metal scene. But that is not sto ay I simply copy that style. Sardonic Allegiance also had more modern influences, though maybe those are not coming from black metal music as such. The layered sound and cinematic feel I create also comes from an inspiration of classical music. I must say I still listen mainly to bands that emerged in the 90s- and not just black metal. 




11.Before we wrap up this interview, do you have any final words or thoughts?




Many thanks for your interest in Sardonic Allegiance and I hope your readership will enjoy both Coast I and II. Hails!!


Spotify - Bandcamp - Deezer - Apple Music

Tuesday, December 2, 2025

Sardonic Allegiance/Coast II/2025 EP Review

 




  Sardonic  Allegiance  are  a  duo  from  the  Netherlands  that  plays  a  very  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  ep  "Coast  II"  which  will  be  released  in  2026.


  Symphonic  sounds  start  off  the  ep  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  lot  of  melody.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams.


  Most  of  the  music  is  very  heavily  rooted  in  the  90's  era  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  vocals  also  going  into  more  of  a  deeper  and  angrier  direction  at  times.,  one  song  also  adds  in a   brief  use  of  spoken  word  samples  and  the  closing  track  is  also  very  long  and  epic  in  length.


   Sardonic  Allegiance  plays  a  style  of  black  metal  that  is  very  melodic  and  symphonic  in  the  mid  90's  tradition.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  themes. 


  In  my  opinion  Sardonic  Allegiance  are  a  very  great  sounding  melodic  and  symphonic  black  metal  duo  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Your  God  Now"  and  "Prodigious  Night  (The  Sorceress)".  8  out  of  10.


  Spotify - Bandcamp - Deezer - Apple Music 


  


          

Friday, November 28, 2025

Suffering Souls/Twilight Ripping Souls Apart/Solistitium Records/2025 Re-Recorded Album Review

 


  Germany's  Suffering  Souls  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Twilight  Ripping  Souls"  which  is  a  re-recorded  version  of  the  album  released  in  2000  with t he  same  name  along  with  a  re-recorded  version  of  their  1999  ep  "Cries  Of  Silence"  and  2  live  tracks  which  will b e  released  in  December  by  Solistitium  Records.


  Symphonic  sounding  keyboards  and  orchestration  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  riffs  also  add  in  a  great  amount  of  melody  and  the  vocals  are  mostly  high  pitched  black  metal  screams.


  Spoken  words  are  also  utilized  at  times  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  clear  singing  is  also  added  on  a  few  songs  as  well  as  the  album  also  adding  in  a  couple  of  instrumentals.


  On  this  recording  Suffering  Souls  takes  their  material  from  1999  and  2000  and  re-records  them  for  the  modern  as  well  as  remaking  to  true  to  the  old  school  style  of  symphonic  black  metal  which  was  a  huge  part  of  the  earlier  recordings.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Anti  Christianity,  Death  and  Misanthropy  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Suffering  Souls  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  re-recorded  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Throne  Unite  Dimensions"  "Summon  The  Infernal  King"  "The  Source  Of  Blasphemy"  and  "I'm  The  Essence  of  Sin".  8  out  of  10.


  https://youtu.be/LPn_JiOWPVg  

Thursday, November 27, 2025

Abscence/Enigma/WormHoleDeath Records/2025 Full Length Review

 


  Abscence  are  a  band  from  the  united  kingdom  that  plays  a  symphonic  mixture  of  black  and  gothic  metal  and  this  is  a  review  of  their  2025  album  "Enigma"  which  was  released  by  WormHoleDeath  Records.


  Keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  black  metal  screams  along  with  the  music  also  having  its  symphonic  moments  and  blast beats  are  added  into  the  faster  sections  of  the  songs  at  times.


  Growls  are  also  utilized  at  times  while  the  music  is  also  very  heavily  rooted  in  the  90's  era  and  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  clear  singing  is  utilized  they  also  add  in  elements  of  gothic  metal  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  clean  playing  is  also  utilized  at  times  and  some  of  the  tracks  are  also  long  and  epic  in  length  as  well  as  one  song  also  adding  in  a  brief  use  of  spoken  words


  Absence  plays  a  musical  style  that takes  a  symphonic  form  of  black  metal  and  mixes  it  with  gothic  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  tragic  an  immortal  love  of  two  vampire  women.


  In  my  opinion  Abscence  are  a  very  great  sounding  symphonic  mixture  of  black  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "We  Abandon  World  Pearls"  "Secrets  Confide"  "Cloak  Of  Mind"  and  "Our  Live  ignites".  8 out  of  10.


  www.instagram.com/abscenceband

youtube.com/@abscenceband