Starscourge Interview

 

1.Can you give us an update on what is going on with the musical project these days? 

Zul: Currently, we are awaiting for the reception that the album will receive upon release. I have already commenced with some songwriting concepts for new tracks. Mithun: As Zul mentioned, we are curious as to how the record will be perceived. Some lyrical ideas already exists for the upcoming songs. 

2.Recently you have released your first full length, can you tell us a little bit more about the musical style that you went for on the recording? 

Zul: Regarding musical direction we decided on an epic Blackened Death concept, with emphasizing melody and a cinematic scope. We also wanted to encapsulate a classic Metal vibe. I began writing the tracks that were not bound to specific genre rules and limitations, and went along the path of the various riffs and melodies, concluding in each song’s completion. Mithun: I aimed to do justice to the fantastic riffs and melodies that Zul had concocted, and opted for a theatrical and diversified vocal approach. Each track had to feel different and adhere to the various lyrical themes.

 3.Both of the members are also in other bands, what is it that you bring into the music of 'Starscourge', that you have not been able to do with your other groups? 

Mithun: When Zul and I started discussing this venture, I was playing in the punk band, Nedtur. I hadn’t involved in anything within Metal since 2020, and naturally I was drawn back to my roots. We both wanted to do something different from what we had previously played in our various projects. 

4.Your lyrics cover the Elden Ring, dark fantasy and mythology themes, can you tell us a little bit more about your interest in these topics? 

Mithun: Well, before Silent Images disbanded, we were in the process of a Bloodbornethemed concept album. I have always sought to lyrically compose something based off FromSoftware’s titles, and Elden Ring released at the perfect opportune moment.

 5.What is the meaning and inspiration behind the name 'Starscourge'? 

Zul: Mithun and I started talking about starting the band and after planning out the musical and conceptual aspect we started brainstorming potential names. Eventually we decided on Starscourge. Mithun: Starscourge is the title of one of Elden Ring’s prominent characters, General Radahn also known as Starscourge Radahn during his boss fight. 

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 Zul: Seven Kings Productions handled the artwork for all the singles as well as the album cover, and we attained permission from Maciej Wituski to utilize his excellent rendition

7.The band members live in Sweden and Singapore, what impact does the long distance in between members have on the musical style that you play? 

Zul: It would have been great if we could jam and rehearse together. Thankfully, the internet has provided a excellent medium for communication. Mithun: Indeed, Whatsapp has been a great friend. I think I correspond with Zul more than I do with my own family. Haha!

 8.On the album you also did a 'Slayer' cover, what was the decision behind doing your own version of one of their songs?

 Mithun: I’ve never been too much of a Slayer or Thrash fan to be honest. I do enjoy Reign in Blood, Seasons of the Abyss and Hell Awaits. When Zul sent over this rearranged version I thoroughly enjoyed the new atmosphere and increased melodies, and went about throwing in more Thrashy vocals. We gave it the Starscourge treatment! 

9.Currently you are unsigned, are you looking for a label or have received any interest?

 Zul: We are keeping our options open. It would be great to license out these tracks for physical releases. Mithun: It all depends on the deal and the possibilities at the day’s end. 

10.On a worldwide level how has the reaction been to your music by fans of black and death metal?

 Zul: It is still too early to gauge since the album has yet to launch, but we have had a decent amount of support from the singles. 

11.What is going on with some of the other bands or musical projects these days that both of the band members are a part of?

 Zul: We both play in Chaos Imperium, a Black Metal project that I started a few years ago before I roped in Mithun this year. I am still part of Death Metal act Oshiego, and I have a few other projects underway. Mithun: Apart from Chaos Imperium, I sing with Avantgarde/Experimental Black Metal act Andharu, who’re also recording our debut as we speak. 

12.Where do you see the band heading into musically during the future?

 Zul: Depending on the album’s response, we would be honoured to play live. Regardless, I’m already brewing up some new material for the next record. Mithun: The live stage would be fantastic, but we are very eager to continue making more music. 

13.What are some of the bands or musical styles the band members are currently listening to nowadays?

 Mithun: Classic Metal will always be there, though I’ve listened to lots of epic scores as well. This year’s favourites are quite the strange bag - Afsky, Team Anarchy, Rudra, KLPS, Metaphor: Refantazio’s soundtrack, Sleep Theory, Alice Cooper, Bloody Valkyria, Nemophilia, Katla 

14.Before we wrap up this interview, do you have any final words or thoughts? 

Mithun: Thank you for this interview, and for the lovely review as well. We should keep in touch! 

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Abscence Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the band?

Abscence is a symphonic black/gothic metal band born in the shadows of Yorkshire. At our core, we’re storytellers we take the grand emotional palette of gothic romanticism and fuse it with the frostbitten atmosphere of black metal. The band consists of Gawain, who shapes the orchestral and compositional backbone; Morrigan, whose bass work and dual vocal style (haunting cleans and fierce growls) define our emotional range; Aethra on guitars, bringing both aggression and melody; and Glen Veldman, whose drumming provides precision, brutality, and ritualistic pulse.

Our music is drenched in atmosphere. We treat every album, every song, as a world. With Enigma, our debut, we introduced listeners to our cinematic approach dark, raw, symphonic and we’ve been expanding that universe ever since under Wormholedeath Records.

2. You recently released a new album—what musical direction did you aim for with Enigma?

Enigma was our declaration of identity. We didn’t want a hyper-polished modern metal record. Instead, we wanted something that felt alive fragile in the right places, feral in others.

The musical style lies at the crossroads of symphonic black metal, gothic metal, and classical influences. Gawain’s orchestral arrangements shaped the atmospheric backbone; the keyboards behave like another narrative voice. Morrigan’s vocals became the emotional flashpoint her clean passages carry sorrow, while her brutal vocals tear through the more intense climaxes.

Aethra’s guitars are sharp, melancholic, and dynamic, and Glan’s drumming pushed the album into harsher territory: relentless blasts, cinematic swells, and ritualistic rhythms.

We aimed for drama, emotion, and honesty and we didn’t shy away from keeping small imperfections that preserved the human touch of the record.

3. The lyrics form a concept album—what story does Enigma tell?

Enigma is a romantic tragedy wrapped in vampiric myth. It follows two immortal women, bound by a love that transcends centuries yet is constantly threatened by time, betrayal, and darkness. Their devotion is both salvation and curse.

The album follows their journey:

– their first meeting in secrecy

– their transformation

– their vows under moonlit skies

– their descent into obsession

– the sacrifices they make to remain together

– and the haunting stillness of eternity that follows them

It’s a story about how love can become monstrous, beautiful, and eternal all at once. Every track is a piece of their emotional landscape.

4. What inspired the name Abscence?

The name represents the emotional void inside every human being—the hollow ache left by lost love, grief, or longing. We selected the altered spelling deliberately. Abscence feels slightly “wrong” to the eye, like a forgotten term from worn-out folklore or an inscription found in a ruined chapel.

It symbolizes our musical philosophy: beautiful imperfection, emotional honesty, and the spaces between light and shadow.

5. Tell us about the artwork for Enigma.

The artwork embodies the core theme of the album: eternal love forged in darkness.

The imagery of spectral figures, crimson hues, and symbolic patterns encapsulates the delicate balance between beauty and torment. The artwork isn’t just aesthetic it’s part of the narrative. The cover looks like a moment frozen in time from the vampires’ story, capturing their tragic devotion.

We wanted something that could stand both as folklore and as a cinematic still.

6. Your stage names are inspired by Arthurian legends and Celtic Mythology. Can you explain your connection to these themes?

We’ve always gravitated toward mythologies steeped in tragedy, prophecy, and mysticism. Arthurian legends and Celtic lore contain all the elements we channel into our music: doomed heroes, witches, forbidden love, sacrifice, and magic.

Our chosen names Gawain, Morrigan, and Aethra reflect archetypes we align with artistically. They’re not costumes; they’re spiritual representations of the energies we bring into Abscence. We don’t just write songs we inhabit the mythic world we’re creating.

7. What have been your most memorable shows so far, and how would you describe your performance style?

Some of our most unforgettable shows have been intimate ones where every element lights, fog, volume, silence came together perfectly. We don’t simply play songs; we immerse the audience in the world of Enigma.

Onstage we are theatrical, emotional, and intense.

– Morrigan balances ethereal serenity with monstrous ferocity.

– Aethra delivers a combination of elegance and aggression.

– Gawain’s presence behind the keys adds ceremonial depth.

– Glan’s drumming drives everything forward with technical precision.

A live Abscence performance is meant to feel like watching a dark romantic tragedy unfold.

8. Do you have touring or show plans for the new releases?

Yes. We are planning selective UK and European shows to support Enigma and our upcoming releases. As we approach the next album cycle, we will expand into festivals and atmospheric venues that fit the storytelling nature of our performances. We prefer quality over quantity shows that feel like rituals.

9. How has the global reaction been among fans of symphonic black and gothic metal?

The response has been phenomenal. Listeners from around the world have connected deeply with the emotional and narrative approach of our music. Many have said it reminds them of the classic era when gothic and black metal were both raw and romantic, yet feels undeniably modern in spirit. This mixture of nostalgia and freshness seems to resonate strongly.

10. Where do you see the band heading musically in the future?

We’re entering a new creative era.

Before the next full album drops, we are releasing an EP titled:

“Each Fervent Kiss”

This EP acts as a bridge between Enigma and our upcoming album Where We Carved Our Stone.

It expands the vampire lovers’ saga with additional chapters more intimate, more violent, and more emotionally vulnerable.

Musically, it leans deeper into atmosphere, romantic sorrow, and haunting vocal interplay between Morrigan and Aethra.

Then comes the next full album:

“Where We Carved Our Stone”

This album will be grander, heavier, more symphonic, and more intense than anything we’ve done.

Expect:

– larger orchestral arrangements

– darker guitar landscapes

– more of Morrigan’s romantic cleans

– deeper storytelling

– guest vocalists

– a more cinematic experience from beginning to end

It is the next chapter of our mythology, carved literally and metaphorically.

11. What bands and styles have influenced you, and what are you listening to today?

We take inspiration from Emperor, Theatre of Tragedy, old Cradle of Filth, Paradise Lost, Limbonic Art,and classical composers like Vivaldi,Handel. But we also draw from dark folk, ambient soundtracks, Celtic traditions, and film score composers even vocal trance from Netherlands.

Recently we’ve been listening to everything from atmospheric black metal to contemporary classical pianists like Hélène Grimaud. We try not to limit our influences emotion guides the sound more than genre.

12. Do you have any final thoughts you would like to share?

We want to thank everyone who entered the world of Enigma and embraced our dark romantic vision. With the upcoming EP Each Fervent Kiss and the album Where We Carved Our Stone, we will dive even deeper into sorrow, passion, and myth.

This is just the beginning of our story.

Walk with us into the shadows there is much more to come.

 www.instagram.com/abscenceband

youtube.com/@abscenceband

Atavistia/The Winter Way(Reforged)/Blood Blast Distribution/2025 Full Length Review

 

  Vancouver  B.C,  Canada's  Atavistia  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  and  melodic  mixture  of  black, death  and  folk  metal  and  this  is  a  review  of  their  2025  album  "The  Winter  Way  (Reforged)"  which  will be  released  on  December  12th  by  Blood  Blast  Distribution  and  is  also  a re-recorded  version  of  their  2020  album.

  Nature  sounds  and  symphonic  orchestration  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  also  add  in  a  mixture  of  black  metal  screams  and  death metal  growls  while  the  riffs  also  add  in  a  lot  of  melody.

  Spoken  words  can  also  be  heard  on  a  few  tracks  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Back  up  shouts  are  also  utilized  at  times  along  with  some  clear  singing  also  being  added  into  certain  sections  of  the  album  as  well  as  the  songs  also  mixing  in  elements  of  folk  music.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  one  track  also  bringing  in  a  brief  use  of  clean  playing.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  winter  and  Scandinavian  Mythology. 

  In  my  opinion  this  is  another4  great  sounding  recording  from  Atavistia  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  death  and  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "From  The  Ancient  Stones"  "Eternal  Oceans"  and  "The  Winter  Way".  8  out  of  10.

 

1. linktr.ee

     

Starscourge/Conqueror Of The Stars, Betwixt Sundered Seraphim, The Lands Between Bleed/2025 Full Length Review

 

  Starscourge  are  an  international  duo  with  embers  from  Sweden  and  Singapore  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  2025  album  "Conqueror  Of  the  Stars,  Betwixt  Sundered  Seraphim,  The  Lands  Between  Bleed"  which  will  be  released  on  December  19th.

  Spoken  words  and  keyboards  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams  and  when  the  music  speeds  up  a  lot  of  blast   beats  can  be  heard.

  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  clear  vocals  also  adding  in  a  touch  of  power  metal  when  they  are  utilized.

  At  times  the  music  also  adds  in  some  symphonic  touches  and  a  couple  of  songs  also  adds  in  a  small  amount  of  clean  playing  as  well  as  the  closing  tracks  also  being  a  Slayer  cover.   The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantast,  mythology  and  the  epic  grandeur  of  the  Elden  Ring.

  In  my  opinion  Starscourge  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Blessings  Upon  the  Golden  Throne"  "Destiny's  Dastardly  Dynasty"  "Together,  My  Serpentine's  Valentine"  and  "Spirit  in  Black".  8  out  of  10.

  https://www.facebook.com/Official.Starscourge/

https://www.instagram.com/starscourge.official/  

Hexagraf/Walsen van hoop/Void Wanderer Productions/2025 Full Length Review

 

  Hexagraf  are  a  duo  from  the  Netherlands  that  plays  an  atmospheric,  progressive  and  symphonic  mixture  of  black  and  doom  metal  and  this  is  a  review  of  their  2025  album  "Walsen  van  hoop"  which  will b e  released  on  December  18th  by  Void  Wanderer  Productions.

  Coughs  start  off  the  album  before  going  into  more  of  a  darker  and  heavier  direction  while  elements  of  doom  metal  are  also  added  into  the  slower  parts  of  the  recording.    Symphonic  keyboards  are  also  mixed  in  with  the  heavier  sections  of  the  songs  and  the  vocals  bring  in a   mixture  of  death  metal  growls  and  black  metal  screams.

  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  riffs  also  add  in  a  decent  amount  of  melody.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  clean  playing  can  also  be  heard  on  a  couple  of  songs.

  Whispered  vocals  and  spoken  words  are  also  utilized  briefly  along  with  some  of  the  songs  also  being  very  long  and  epic  in  length.  The  album  also  has  its  progressive  moments  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style,  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  clear  singing  is  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Dutch  and  cover  the  dark  underbelly  of  industry.

  In  my  opinion  Hexagraf  are  a  very  great  sounding  atmospheric,  progressive  and  symphonic  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Stoflongen"  and  "Bitjend  in  de  geestvan  productie".  8  out  of  10.

 https://voidwanderer.com/product/hexagraf-walsen-van-hoop-cd-preorder/

Sardonic Allegiance Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Yes, so Sardonic Allegiance was formed in 2009 as a duo black metal project. It was basically an idea of me and drummer Griendhakker to get together and write black metal songs. It all went pretty quick. We wrote 5 songs in a rehearsal room together and then recorded them and released the EP ‘Germania Inferior’ in 2010, the title being a reference to the history of our native country, The Netherlands.

After we released the first EP, I had written several new riffs and song ideas. However, the project went on hold around 2011 as Griendhakker was too busy with other projects. So I put the new music away. Years later I went through the material again and realized: ‘This is too good not to release’. So I started to compose a proper full-length album based on that material plus new parts. That material became Coast I, released April 2025, and Coast II, to be released in January 2026.

  

2.In 2026 you have a new ep coming out, musically how does it differ from the stuff you have released in the past?

I think you can still hear it’s the same band, but the ‘Coast’ material is more mature. Although still very aggressive, the compositions are more sophisticated, more melodic and the arrangements more layered, with added keyboards for example. I also play more leads and guitar solos on the new albums. Also, on ‘Germania Inferior’ Griendhakker took on vocal duties. He did a fine job, but he is not a real singer. On ‘Coast I’ I hired a proper vocalist, Dictator, who did a superb job. Lastly, the overall production is of a higher quality. I have my own personal studio now where I track all the music, and much of the engineering was done with help from professional producer Sebastiaan de Rooy (Signs of Life Audio) who also mixed and mastered the album. You can really hear the time and effort that Sebastiaan put into it because this is not easy music to produce, given all the layers and arrangements, but he did a fantastic job. 

3.From 2010 to 2025 there was no new music being released, can you tell us a little bit more about the 15 year break?

Well, first of all, as I mentioned, Griendhakker did not have time anymore to continue his participation in the project. At the same time, my own private life got busier with work so I also did not pursue new music for a number of years. Also, you have to understand that Griendhakker is a good friend of mine, so when he kind of quit, I wasn’t very motivated to continue the project at first. Then it took even longer because when I finally did pick up the production for ‘Coast’ I suffered a nasty injury in the middle of the pre-production stage - I had to put the project on hold once again for another couple of years because of that.

4.What are some of the lyrical topics and subjects the project has explored so far with the music?

My lyrics are a mix of personal subjects and social critique. They deal with topics such as not finding your way in life and mental resilience. There are also many political topics that I address though in a lyrically poetic and obscured way. 

5.What is the meaning and inspiration behind the name 'Sardonic Allegiance’?

I think cynicism (= ‘sardonic’) is a part of life and definitely a part of black metal as a state of mind and subculture. The name reflects that and it also shines through my lyrics which are a mix of personal issues and social critique, not the typical ‘dungeons and dragons’ stuff you hear a lot or satanic subjects.

6.Can you tell us a little bit more about the artwork that is presented on the new ep cover?

The cover art was done by Gustavo Sazes who did an amazing job. If I remember correctly, it kind of represents the meaning of the third song on Coast I, ‘Delusions Cataclysmic’ where higher forces pour their poisonous and delusional ideas into the heads of the common folk.   

7.The last 2 releases were self released while you have worked with a label in the past, are you open to working with another label again in the future?

Well, never say never, but at this point I don’t see the added value of a deal with a record label to be honest. I am open to everything but a record deal comes with obligations and you give away the rights to your music. Besides, I doubt any record label would have interest in a band that doesn’t have a structural fan base and doesn’t play live. 

8.On a worldwide level how has the reaction been to your music by fans of melodic and symphonic black metal?

Very favorable actually. In black metal, there will always be negativity but reactions I get personally or on the internet are mainly positive. People dig the mix I present between aggression and melody. I think many bands now have specialized in one or the other but I am very much inspired by the scandinavian black metal scene that emerged in  the 1990s. A lot of those bands had that perfect mix of evil atmosphere, aggression and melody. This is also something I strive for with Sardonic Allegiance added with some cinematic ingredients.

 

9.When can we expect a full length and also where do you see the band heading into musically during the future?

For now, I am happy with releasing EP’s. I do everything myself and producing this kind of music is not easy and takes a lot of time and effort. I do have a lot of new material which I will be working on next year. But you never know, maybe there will be a full-length in the future. 

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Like I said, I am very much inspired by the 90s black metal scene. But that is not sto ay I simply copy that style. Sardonic Allegiance also had more modern influences, though maybe those are not coming from black metal music as such. The layered sound and cinematic feel I create also comes from an inspiration of classical music. I must say I still listen mainly to bands that emerged in the 90s- and not just black metal. 

11.Before we wrap up this interview, do you have any final words or thoughts?

Many thanks for your interest in Sardonic Allegiance and I hope your readership will enjoy both Coast I and II. Hails!!

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Sardonic Allegiance/Coast II/2025 EP Review

 

  Sardonic  Allegiance  are  a  duo  from  the  Netherlands  that  plays  a  very  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  ep  "Coast  II"  which  will  be  released  in  2026.

  Symphonic  sounds  start  off  the  ep  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  lot  of  melody.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams.

  Most  of  the  music  is  very  heavily  rooted  in  the  90's  era  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  vocals  also  going  into  more  of  a  deeper  and  angrier  direction  at  times.,  one  song  also  adds  in a   brief  use  of  spoken  word  samples  and  the  closing  track  is  also  very  long  and  epic  in  length.

   Sardonic  Allegiance  plays  a  style  of  black  metal  that  is  very  melodic  and  symphonic  in  the  mid  90's  tradition.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  themes. 

  In  my  opinion  Sardonic  Allegiance  are  a  very  great  sounding  melodic  and  symphonic  black  metal  duo  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Your  God  Now"  and  "Prodigious  Night  (The  Sorceress)".  8  out  of  10.

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Suffering Souls/Twilight Ripping Souls Apart/Solistitum Records/2025 Re-Recorded Album Review

 

  Germany's  Suffering  Souls  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Twilight  Ripping  Souls"  which  is  a  re-recorded  version  of  the  album  released  in  2000  with t he  same  name  along  with  a  re-recorded  version  of  their  1999  ep  "Cries  Of  Silence"  and  2  live  tracks  which  will b e  released  in  December  by  Solistitum  Records.

  Symphonic  sounding  keyboards  and  orchestration  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  riffs  also  add  in  a  great  amount  of  melody  and  the  vocals  are  mostly  high  pitched  black  metal  screams.

  Spoken  words  are  also  utilized  at  times  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  clear  singing  is  also  added  on  a  few  songs  as  well  as  the  album  also  adding  in  a  couple  of  instrumentals.

  On  this  recording  Suffering  Souls  takes  their  material  from  1999  and  2000  and  re-records  them  for  the  modern  as  well  as  remaking  to  true  to  the  old  school  style  of  symphonic  black  metal  which  was  a  huge  part  of  the  earlier  recordings.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Anti  Christianity,  Death  and  Misanthropy  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Suffering  Souls  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  re-recorded  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Throne  Unite  Dimensions"  "Summon  The  Infernal  King"  "The  Source  Of  Blasphemy"  and  "I'm  The  Essence  of  Sin".  8  out  of  10.

  https://youtu.be/LPn_JiOWPVg  

Abscence/Enigma/WormHoleDeath Records/2025 Full Length Review

 

  Abscence  are  a  band  from  the  united  kingdom  that  plays  a  symphonic  mixture  of  black  and  gothic  metal  and  this  is  a  review  of  their  2025  album  "Enigma"  which  was  released  by  WormHoleDeath  Records.

  Keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  black  metal  screams  along  with  the  music  also  having  its  symphonic  moments  and  blast beats  are  added  into  the  faster  sections  of  the  songs  at  times.

  Growls  are  also  utilized  at  times  while  the  music  is  also  very  heavily  rooted  in  the  90's  era  and  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  clear  singing  is  utilized  they  also  add  in  elements  of  gothic  metal  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  clean  playing  is  also  utilized  at  times  and  some  of  the  tracks  are  also  long  and  epic  in  length  as  well  as  one  song  also  adding  in  a  brief  use  of  spoken  words

  Absence  plays  a  musical  style  that takes  a  symphonic  form  of  black  metal  and  mixes  it  with  gothic  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  tragic  an  immortal  love  of  two  vampire  women.

  In  my  opinion  Abscence  are  a  very  great  sounding  symphonic  mixture  of  black  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "We  Abandon  World  Pearls"  "Secrets  Confide"  "Cloak  Of  Mind"  and  "Our  Live  ignites".  8 out  of  10.

  www.instagram.com/abscenceband

youtube.com/@abscenceband  

End of Dawn Interview

 

1. Can you give us an update on what is going on with the band these days?

At the moment we are continuing the momentum from our debut album Primordial Darkness. Since signing with WormHoleDeath Records and releasing the album in late 2024, we have been playing shows around Greece and working on new material. Our recent performance at the GR Festival in Volos was a highlight, and we are steadily preparing the next steps for both live activity and songwriting.

2. A year ago the band released its first full-length. Can you tell us a bit more about the musical style you aimed for?

With Primordial Darkness, we wanted a balance of symphonic and gothic black metal, combining aggressive elements such as riffs and harsh vocals with clean vocals, orchestral arrangements, and darker atmospheric layers. The music explores contrasts like melancholy and intensity, and the themes draw from mythology, biblical imagery, and existential ideas, which naturally shaped the album’s cinematic and somber tone.

3. The band has been active since 2019 but waited until 2024 to release a debut. What were those first years like?

Those early years were focused on developing the sound and identity of End of Dawn. The project started small and gradually came together as a full band, with each member bringing personal influences into the writing process. We spent a lot of time composing, experimenting, and shaping the atmosphere that eventually defined Primordial Darkness. We also played a few shows to try out new material, and in 2024 the partnership with WormHoleDeath made it possible to release the album properly.

4. Many of your lyrics touch on occult themes. What draws you to this subject?

For us, the occult is less about dogma and more about symbolism. It offers imagery that represents internal struggles, transformation, and the more hidden aspects of human experience. Using these themes helps us frame emotional and psychological ideas in a way that fits the tone of our music, without leaning on any strict doctrine or established belief system.

5. What other lyrical topics appear in the newer material?

Besides occult symbolism, we also explore ideas related to death, mythology, biblical references, dark fantasy, and existential conflict. On the debut album, each track follows a kind of descent and eventual rise on a spiritual or psychological level. The new material draws more from dark fantasy influences such as literature, cinema, games, and the Dungeons and Dragons universe, which gives us room to approach our themes from another angle.

6. Can you tell us more about the album artwork?

The artwork represents the core essence of Primordial Darkness: the dawn of a post-apocalyptic era freed from the burning light of human civilization and welcoming a purifying darkness. The eclipse, which people seem to greet with awe, symbolizes that transformation. Both the confrontation with the unknown and a gateway to spiritual awakening, echoing the album’s lyrical themes. We wanted the visual aesthetic to mirror the music’s atmosphere: mystical, oppressive, and transformative.

7. Out of all the shows you have played so far, which one stands out the most?

Our performance at the GR Festival in Volos this August stands out. Sharing the stage with local bands and, one of our inspirations, Old Man’s Child was meaningful for us, and the atmosphere of the event left a strong impression. As we started performing, clouds gathered and darkened the sky, and combined with the crowd’s energy it felt like a true dark rite.

8. Do you have any touring or show plans for 2026?

We are currently planning the next steps. While nothing is confirmed yet, we aim to be more active live in 2026, both within Greece and potentially abroad. We are considering festivals, a national tour, and international appearances depending on how things develop.

9. Will the next album also be released through WormHoleDeath Records?

WormHoleDeath has been a supportive partner for our debut, and the collaboration remains positive. We will decide how to proceed once the new material reaches a more complete stage.

10. How has the worldwide reaction been to your music from fans of symphonic and gothic black metal?

The feedback has been encouraging. Listeners have responded well to the combination of heavier elements with orchestral and atmospheric parts. We are still building our audience, but so far the reception has been helpful and motivating.

11. What is going on with some of the other bands or projects your members are involved in?

Several members remain active in other projects, which brings new ideas back into End of Dawn. This year, Gravekeeper released a full length with his hardcore band Soulhound, as well as a single with his blackened deathcore band Chants ov Obscurity. Akhenaten released a split with Darkest Oath. Absence and I are working on a black metal project that is still taking shape. Other members occasionally join different projects or tribute bands, although our primary focus is on the next End of Dawn release.

12. Where do you see the band heading musically in the future?

We want to continue developing the symphonic and gothic aspects of our sound while keeping the raw black. metal foundation present. Our goal is to expand the arrangements, use a wider dynamic range, and put more attention on the visual and atmospheric elements of the music. We also feel more comfortable on stage now, which motivates us to improve the live experience further.

13. What bands or musical styles are the members currently listening to?

We listen to a broad mix of metal styles, as well as related genres such as gothic rock, psychedelic rock, dungeon synth, dark synthwave, Scandinavian folk, classical music, and film soundtracks. Each member has personal preferences, but our influences often blend into the writing process. We all share an interest in symphonic black metal, particularly bands like Dimmu Borgir, Cradle of Filth, and Old Man’s Child.

14. Any final words or thoughts?

We would like to thank our siblings of the night who have embraced Primordial Darkness and shown interest in the band. We are already working on new material and we hope to continue growing and creating music with sincerity and focus. Stay with us. The dawn may end, but the darkness continues to evolve.

https://linktr.ee/endofdawn

Eshtadur/Symphonic Crows - Live At The Santiago Londonos Theater/2025 Live Album Review

 

  Columbia's  Eshtadur  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic,  symphonic  and  blackened  form  of  death  metal  and  this  is  a  review  of  their  self  released  2025  live  album  "Symphonic  Crows  -  Live  At  The  Santiago  Londonos  Theater"  which  will   be  released  in  December.

  A  very  hard  and  heavy  sound  starts  off  the  album  while  also  mixing  in  with  the  symphonic  and orchestral  sounds.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  the  vocals  being  mostly  death  metal  growls  as  well  ad  the  faster  sections  of  the  recording  also  adding  in  a  decent  amount  of  blast  beats.

  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Live  audience  reaction  can  also  be  heard  in  between  tracks  along  with  the  music  also  incorporating  elements  of  black  metal  as  well  as  a  couple  of  songs  also  being  very  long  and  epic  in  length  as  well  as  a  later  track  also  adding  in  a  brief  use  of  clean  playing,  throat  singing  can  also  be  heard  at  times.

  On  this  recording  Eshtadur  introduces  symphonic  and  classical  music  orchestration  to  their  melodic  and  blackened  style  of  death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  despair  through  the  decay  of  humanity.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Eshtadur  and  if  you  are  a  fan  of  melodic,  symphonic  and  blackened  death  metal,  you  should  check  out  this  live  album.  RECOMMENDED  TRACKS  INCLUDE  "Lowborn  Bastard"  "The  Red  Door"  and  "The  Fall".  8  out  of  10.

  

• Official Website: https://www.eshtadur.com
• Bandcamp: https://bandcamp.com/eshtadurmusic
• Facebook: https://web.facebook.com/EshtadurOfficial
• Instagram: https://www.instagram.com/eshtadur/
• Twitter/X: https://x.com/eshtadur
• YouTube: https://youtube.com/playlist?list=PLUCNspfTmYc11cx-DlpFCfFSIbZ-nJ98i&si=nkVZ97ee4akIbeB0
• Spotify: https://open.spotify.com/intl-es/artist/0IdWx63RAlOm5W5iOKPesn?si=uDyPtTm9TOO0E_IiGkBM7A
• Apple Music: https://music.apple.com/ve/artist/eshtadur/1116355501
• TikTok: https://www.tiktok.com/@eshtadur

Withering Soul/Passage Of The Arcane/Liminal Dread Productions/2025 Full Length Review

 

  Chicago,  Illinois's  Withering  Soul  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  very  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "Passage  Of  The  Arcane"  which  was  released  by  Liminal  Dread  Productions.

  Wind  soundscapes  and  synths  start  off  the  album  before  going  into  a  very  fast  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  great  amount  of  melody  and  the  music  also  adds  in  a  lot  of  death  metal  elements.

  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  When  synths  are  utilized  they  also  add  in  some  symphonic  touches  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length,  growls  are  also  utilized  at  times  and  one  song  also  adds  in  a b rief  use  of  clean  playing.

  On  this  recording  Withering  Soul  brings  in  a  symphonic  touch  to  their  melodic  style  of  blackened  death  metal,  The  production  sounds  very  professional  while  the  lyrics  cover  ghosts,  horror, paranormal  and  death  themes.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Withering  Soul  and  if  you  are  a  fan  of  melodic  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Attrition  Horizon"  "Gallery  Of  The  End"  and  "Burden  Of  The  Variant".  8  out  of  10.

  https://witheringsoul. bandcamp.com/album/passage-of- the-arcane  

    

Xaemora/Carnivores In Heaven: Chapter 1: Of Serpents And Vultures/2025 EP Review

 

  St.  Louis,  Missouri's   Xaemora  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2025  ep  "Carnivores  In  Heaven:  Chapter  1:  Of  Serpents  And  Vultures".

  Clean  playing  starts  off  the  ep  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  and  the  vocals  are  mostly  black  metal  screams.

  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  keyboards  also  taking  the  music  into  more  of  a  symphonic  direction,  clear  singing  can  also  be  heard  briefly.

  On  this  recording  Xaemora  plays  a  style  of  black  metal  that  is  very  melodic  and  symphonic  sounding.  The  production  sounds  very  professional  while  the  lyrics  cover  misanthropy,  chaos  and  death  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Xaemora  and  if  you  are  a  fan  of  melodic  and  symphonic  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "From  A  Western  Sky".  8  out  of  10.

  Spotify – https://open.spotify.com/album/0uHqGtyythgs7SALa4D3AT

https://youtu.be/TKYnyYaGR1E

https://xaemora.bandcamp.com/

https://www.instagram.com/xaemora/

https://www.facebook.com/Xaemora/ 

Pedestal For Leviathan/Enter: Vampyric Manifestation/Personal Records/2025 Full Length Review

 

  Pedestal  For  Leviathan  are  a  band  from  Denver,  Colorado  that  plays  a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  album  "Enter:  Vampyric  Manifestation"  which  will  be  released  in  December  by  Personal  Records.

  Symphonic  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  guttural  death  metal  growls  while  a  group  amount  of  brutal  beats  are  utilized  when  the  music  speeds  up  and  the  recording  also  incorporates  a  great  amount  of  black  metal  elements.

  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Black  metal  screams  are  also  utilized  at  times  along  with  some  tracks  also  adding  in  a  small  amount  of  clean  playing  as  well  as  some  of  the  mid  tempo  sections  also  adding  in  touches  of  slam  and  deathcore.

  Tremolo  picking  can  also  be  heard  in  some  of  the  fast  riffs  and  when  guitar  solos  and  leads  are  finally  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  the  music  also being  very  heavily  rooted  in  the  modern  era  of  the  genre.  The  production  sounds  very  professional  while  the  lyrics  cover  occultism,  Darkness  and  Horror  themes.

  In  my  opinion  Pedestal  For  leviathan  are  a  very  great  sounding  symphonic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Summoning  Sickness"  "Purgatory  Displacement"  "Warlock  Blacksmith"  and  "Nightshade  Familiar".  8  out  of  10.

  http://personal-records.bandcamp.com/album/enter-vampyric-manifestation-bonus-track-edition

linktr.ee/pedestalforleviathan     

Onsetcold Interview

 

1. Can you give us an update on what has been going on with the band since the recording of the new album?

Once we recorded the album, I did a mix and master and nearly sent it to the label, but I was just not getting the right sound. I asked around and Dan Mullins (My Dying Bride) was up for it, so with all my raw stems I sent them over to him. The new mix and master was returned to us, and he’s done a brilliant job. We’re also making a video for the track Sleep Tonight on the WormHoleDeath YouTube and getting ready for the album release.

2. You have a new album coming out towards the end of November. Musically, how does it differ from the stuff you have released in the past?

Hopefully this new album is closer to what I wanted to achieve with my earlier creations, some of the 2008 and mostly 2011 tracks (Sodom and Gomorrah / Goat of Mendes / Horus You can find them on the Onsetcold YouTube Channel )which were more in keeping with the tempo and sounds I wanted to create.

3. From 2008 to 2020 there was no music being released. Can you tell us a little bit more about this 12‑year gap?

We returned to the stage with a 2011 lineup/demos and played the Terrorizer Shows that were happening at the time, with some great support from larger bands on the scene. After that I ended up going outback and then doing a degree in Fine Art and a Postgraduate Degree in Fine Art with a lot of assistance, I must add. We then released Gloomy Sunday (single) mixed and mastered myself in 2018, as for some odd reason I wanted to release every track as a single. Then came the whole album Arte Destroyer (mastered by Mick Kenney, Anaal Nathrakh), after that Death Blast EP, then Noam Chomsky leading into this release.

4. A lot of your lyrics cover apocalyptic themes. Can you tell us a little bit more about your interest in this topic?

Similar to storytelling in an audio format. I was thinking of calling the album Edward Bernays, but I think Apocalyptic Sleep suited today’s climate.

5. What is the meaning and inspiration behind the name ‘Onsetcold’?

Onset - Cold. The beginning of the end, the end of the beginning. Maybe a post‑industrial look at the world.

6. Can you tell us a little bit more about the artwork that is presented on the new album cover?

Seiza Friedrich, also vocals, painted the album art cover titled A Morning Filled with 400 Billion Suns (homage to J.M.W. Turner). Oil on canvas, 110.5 x 139.7 cm.

7. Currently there are only 2 members in the band, but the band has had a full line‑up in the past. Are you open to adding new members again or do you prefer to remain a duo?

For sure it would be great to go live, I would be stoked. But with what I will say about my blood pressure in another question (9) and the stress of getting musicians together myself, I don’t think it would be possible at the moment. It would if they came to me, but we know that is a long stretch. Being neurodivergent, both of us, complicates things. At this moment I would like to thank previous members for supporting the creation that became Onsetcold.

8. With the live line‑up, what are some of the best shows that the band has played so far, and how would you describe your stage performance?

I have played so many shows over the years it is quite hard to remember, playing with so many bands from around the world, some that are now much further on than myself. Onsetcold touring with Hecate Enthroned, and the Terrorizer Shows. I enjoy playing live more than I can say.

9. Do you have any touring or show plans once the new album is released?

Not at the moment. I have some heavy health issues to deal with day to day. I have had several malignant hypertensions since 2018, thus I struggle to control my blood pressure if at all.

10. On a worldwide level, how has the reaction been to your music by fans of underground metal?

In the earlier days it was very alive. I recall someone creating a Mexican/Latin website for Onsetcold news. 2011 demos were something I always wanted to do, but never an official release. I think my head was so far into fine art that the Arte Destroyer album may have leaned too far that way. I hope with Apocalyptic Sleep there is more balance between me before the art stuff and with the art stuff.

11. Where do you see the band heading musically in the future?

Seeing as I am living on borrowed time, I am just very happy to release this album. I would love to start a new album after a short break from recording music nonstop for the past 7 years. It took 2 years to get this one done. I may start something else because I really enjoyed creating this last album.

12. What are some of the bands or musical styles that have had an influence on your music, and what are you listening to nowadays?

I’m listening to many bands, but to list a few: Igorrr, Labyrinthus Sellarum, Zeal & Ardor, Kordhell (and related), The Moody Blues, Cattle Decapitation, Kavinsky, and many more. Influences on my music span many years, including some of those mentioned in my current listens.

13. Before we wrap up this interview, do you have any final words or thoughts?

All good.

Shaq

www.youtube.com/onsetcold
www.instagram.com/onsetcold
www.facebook.com/onsetcold

Lycantrophilia/The Tyranny Of Decay/2025 Full Length Review

 

  Lycantrophilia  are  an  international  duo  with  members  from  Germany  and  France  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  for  a  symphonic  and  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2025  album  "The  Tyranny  Of  Decay".

  Spoken  words  start  off  the  album  before  going  into  a  very  fast  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  a  mixture  of  high  pitched  black  metal  screams  and  death  metal  while  symphonic  elements  also  mix  in  with  the  heavier  sections  of  the  songs.

  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  angry  shouts  are  also  utilized  at  times  as  well  as  one  track  also  adding  in  a  brief  use  of  clean  playing  and  clear  singing.

  On  this  recording  Lycantrophilia  goes  for  a  very  aggressive,  modern,  melodic  and  symphonic  mixture  of  black  and  death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  nature  themes.   

  In  my  opinion  this  is  another  great  sounding  recording  from  Lycantrophilia  and  if  you  are  a  fan  of  melodic  and  symphonic  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Carnivorous  Forest"  "Sung  Through  The  Maw  Of  Nothingness"  and  "Sanctum  of  Silence".  8  out  of  10.   

 https://lycantrophilia.bandcamp.com