Xavernah Interview

 

1.Can you give us an update on what has been going on with the solo project since the recording and release of the new album?

For Xavernah I’ve been mostly focusing on extending further exposure for ‘Absence’. However, of course I have developing new concepts and working on new material, but besides ‘Absence’ my priorities currently lies with getting albums out for both my bands Epistulum (Keytar-driven melodeath) and Signs of Extinction (Symphonic Deathcore/Tech Death) later this year.

2.In February you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

Personally I tried to do something completely new for myself. Until the point of writing this record I worked/wrote predominantly on Death Metal/Deathcore, so this was an experiment to try something new with a very atmospheric approach to Black/Doom. Whilst a lot of different flavors seeped into the music, Black/Doom was still the foundation. Funnily enough, after release, the album is seemingly taking a life of its own and is regarded more as an atmospheric Blackened Death Metal-record. I'm not complaining, but I do find it funny and interesting how the album has been categorized so far! 

3.A lot of your lyrics are inspired by writers of the 19th and 20th century, which authors had the most influence on your songwriting?

Definitely H.P. Lovecraft and Olaf Stapledon! Lovecraft for the more eerie and dreadful elements and Stapledon for the more sophisticated, thought-provoking "our-place-in-universe" elements. But with a song titled Ozymandias, and the lyrics being derived from the poem, I cannot go without mentioning Percy Bysshe Shelley too! 

4.What is the meaning and inspiration behind the name 'Xavernah'? 

'Xavernah', as far as I know, has no real meaning. I've taken it from the song 'Xavernah Glory' from the Romanian Black Metal band Katharos XIII, one of the many influences for this project. I really resonate with that song and the word itself is unique, sounds cool and happens to also look cool! 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The cover itself is 1/3 of the entire art piece! It is basically a panoramic amalgamation of the entire album’s story within a single piece of artwork, with the center being the climax of the record! Shout out to Nick Wilschut of Skycraft Productions for creating it! He really outdid himself and put down exactly the image I had in mind.

6.With this project you record a lot of the music by yourself but have experience working as a drummer with a full band, do you prefer to work solo?

Both have its pros and cons. Whilst I do relish the full un-compromised creative control when working solo, it does also ask a lot of you and whenever you get stuck or second guess yourself you don’t really have someone else to turn to. But that’s why I have multiple projects. With Xavernah I figure it out myself and at the end of the day have a product which is 100% me, and with my bands it is a different dynamic, leading to different results but just as fulfilling. 

7.On the new album you also have a few guests, can you tell us a little bit more about who they are and also their contributions to the recording? 

I wouldn’t consider guests, but integral session musicians. Without them, there wouldn’t be an album.

Most of the people involved on the record are fellow students back from my class of music college I have graduated from since. 

Martín Jaramillo, who recorded the electric guitars, is one of the many fellow students involved but also a band member within our band Signs of Extinction.

Thijs Ronteltap is one of the two who isn’t directly involved from my class! Frontman of Epistulum, which I drum for, I asked him to be part of the record and he ended up recording most of the vocals, some piano and acoustic guitars.

Siebe Sol Sijpkens, although an alumnus of the same college, far exceeds my year. Recommended last minute by the album’s mixer to record the bass, he is known primarily for playing with Blackbrair.

Whilst not actively “playing” on the record, also huge thanks to Jordy Hoogvliets (Vrøde) for the additional orchestration and Siebe van der Haring (Benchwarmers) for the additional programming on ’Thalassic Dream’.

8.Currently you are unsigned, are you looking for a label or have received any interest?

I’m not actively seeking, if that's what you mean. I did, soon after release, get approached by a label and we discussed the possibility of Xavernah signing a deal but we couldn’t come to an agreement. For the time being I don’t mind being an independent artist, but if the right label comes around… Who knows.

9.On a worldwide level, how has the reaction been to your music by fans of underground metal?

Whilst it has been quite hard to break through the noise that is the current music industry, the people it has reached have generally responded very positively! Applying a niche take on an already niche genre, I was expecting way more of a mixed reception, but that hasn’t really been the case! Even more, critics have been overwhelmingly positive so far! 

10.What is going on with 'Epistulum' these days?

We have been working hard on a new album, and are putting the finishing touches on it! The album should see the light of day somewhere in the second half of this year!

11.Where do you see yourself heading into as a musician during the future?

Oof, that’s a surprisingly deep question all the sudden. Honestly, I am not sure… Day by day the details change. But what remains consistent is that I want to make music that tells a story, moves people and pushes boundaries. Preferably for projects I am directly involved in, but I do think I would also do pretty well as a songwriter, producer or even some kind of (creative) consultant for other bands/artists.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Consciously or subconsciously nearly everything that I enjoy listening and playing has had some influence on the record, in one way or the other. But honing in on the important elements for this record the Black Metal influences came from artists like Mare Cognitum and The Great Old Ones, the Doom elements from artists like Bell Witch and Bismuth. The atmospheric elements come from both metal acts and other artists/media like Hans Zimmer’s Dune soundtrack or ambient artists like Cryo Chamber. 

Whatever I’m listening to is kinda all over the place and changes weekly or even daily! However there is usually still a prominent metal element present. This week I’ve had Vildhjarta’s ‘måsstaden under vatten’ on repeat due to the recent album announcement, another (but very different) atmospheric metal journey!

13.Before we wrap up this interview, do you have any final words or thoughts?

First of all, thank you for having me!

For those still reading, please check out ‘Absence’ if you haven’t already! You can find it on Bandcamp, YouTube, Spotify or your preferred streaming devices. And if you liked what you heard and want to stay in the loop about Xavernah go follow the project on Instagram and Facebook! Thank you!

Now there’s nothing left, merely absence

Bandcamp: https://xavernah.bandcamp.com/album/absence
Spotify: https://open.spotify.com/artist/2pj2ChpqDBXM7QHwmSmrfe
YouTube: https://www.youtube.com/@Xavernah
Instagram: https://www.instagram.com/xavernah_project/
Facebook: https://www.facebook.com/profile.php?id=61569326456220

Incineration In The Infinite/Serpent's Tongue/WormHoleDeath Records/2025 EP Review

 

  Incineration  In  the  Infinite  are  a  solo  project  from  New  York  that  plays  a  mixture  of  black,  doom  and  stoner  metal  with  elements  of  punk  rock  and  this  is  a  review  of  his  2025  ep  "Serpent's  Tongue"  which  was  released  by  WornHoleDeath  Records.

  Synths  start  off  the  ep  before  going  into  a  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  and  stoner  metal.  Vocals  are  mostly  high  pitched  black  metal  screams  mixed  in  with  a  few  growls  along  with  some  melodies  also  being  added  into  the  guitar  riffing  at  times  

  At  times  the  music  also  captures  the  raw  energy  of  punk  rock  while  one  song  also  adds  in  a  brief  use  of  clean  playing.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  whole  recording  also  sticks  to  a  slower  direction  and  melodic  guitar  leads  are  also  added  on  the  closing  track.

  Incineration  In  The  Infinite  plays  a  musical  style  that  takes  black,  doom  and  stoner  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism, Occultism  and  Darkness  themes.

  In  my  opinion  Incineration  In  The  Infinite  is  a  very  great  sounding  mixture  of  black,  doom  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACK  "Satanic  Ritual  In  the  Fog  Of  Night".  8  out  of  10.

  incinerationintheinfinite.bandcamp.com

www.youtube.com/@IncinerationintheInfinite
www.instagram.com/incineration_in_the_infinite

Xavernah/Absence/2025 Full Length Review

 

  Xavernah  are  a  solo  project  from  the  Netherlands  that  plays  an  atmospheric  and  melodic  mixture  of  black,  doom  and  death  metal  with  elements  of  ambient  and  dark  jazz  and  this  is  a  review  of  his  self  released  2025  album  "Absence".

  Pianos  and  ambient  elements  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Clean  playing  and  acoustic  guitars  are  also  added  in  certain  sections  of  the  recording  while  the  music  also  has  its  atmospheric  moments  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  whispered  vocals  can  also  be  heard  briefly.  The  slower  sections  of  the  album  are  also  very  heavily  rooted  in  doom  metal  along  with  the  harsh  vocals  bringing  in  a mixture  of  black  metal  screams  and  death  metal  growls,  tremolo  picking  and  blast  beats  are  also  added  into  the  faster  sections  of  the  songs.  The  production  sounds  very  professional  while  the  lyrics  cover  desolation,  dread  and  nihilism  with  some  inspiration  from  the  poetry  of  Percy  Bysshe Shelly  and  other  writers  from  the  19th  and  early  20th  century.

  In  my  opinion  Xavernah  is  a  very  great  sounding  atmospheric  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Perpetual  Gloom  Across  The  Basaltic  Horizons"  and  "Celestial  Ruin".  8  out  of  10.

  Bandcamp: https://xavernah.bandcamp.com/album/absence

Spotify: https://open.spotify.com/artist/2pj2ChpqDBXM7QHwmSmrfe
YouTube: https://www.youtube.com/@Xavernah
Instagram: https://www.instagram.com/xavernah_project/
Facebook: https://www.facebook.com/profile.php?id=61569326456220

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Touches  of  dark  jazz  are  also  added  into  the  music  at  times  as  well  as  one  of  the  tracks  also  being  an  instrumental,  spoken  words  and  clear  singing  can  also  be  heard  briefly  and  the  riffs  also  add  in  a  lot  of  melody.    

Midryasi's Kult/Mountain Devil/Caligari Records/2025 EP Review

 

  Midryasil's  Kult  are  a  band  from  Italy  that  plays  a  psychedelic  mixture  of  black,  doom  metal  and  punk  and  this  is  a  review  of  their  2025  ep  "Mountain  Devil"  which  will  be  released  in  March  by  Caligari  Records.

  A  punk  rock  orientated  sound  starts  off  the  ep  along  with  some  clear  vocals  a  few  seconds  later  which  are  done  in  more  of  an  early  80's  doom  metal.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  synths  also  add  in  psychedelic  touches  when  they  are  utilized  and  the  solos  and  leads  bring  in  more  of  an  old  school  metal/rock  style.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  black metal  elements  can  also  be  heard.  All  of  the  musical  instrument  also  have  a  very  powerful  sound  to  them  along  with  the  songs  also  adding  in  some  influences  from  the  70's  and  mixing  them  in  with  the  modern  era  and  most  of  the  recording  sticks  to  either  a  slow  or  mid  tempo  direction.

  Midryasil's  Kult  plays  a  musical  style  that  takes  first  wave  black  and  traditional  doom  metal  and  mixes  them  with  punk  and  psychedelic  rock  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  occultism  themes

  In  my  opinion  Midryasil's  Kult  are  a  very  great  sounding  psychedelic  mixture  of  black,  doom  metal  and  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Mountain  Devil".  8  out  of  10.

  http://caligarirecords.bandcamp.com/album/mountain-devil  

  

Act Of Impalement/Profane Altar/Caligari Records/2025 Full Length Review

 

  Nashville,  Tennessee's  Act  Of  Impalement  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  blackened  mixture  of  sludge,  doom  and  death  metal  and  this  is  a  review  of  their  2025  album  "Profane  Altar"  which  will  be  released  on  February  28th  by  Caligari  Records.

  A  very  dark  yet  heavy  sound  starts  off  the  album  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  sludge  and  doom  metal.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  also  adding  in  a  decent  amount  of  death  metal  growls.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  while  black  metal  screams  can  also b e  heard  at  times.  When  guitar  solos  and  leads  are  utilzied  they  also  bring  in  more  of  a  90's  death  metal  style  along  with  some  tremolo  picking  also  being  added  into  some  of  the  faster  riffing.

  Dark  sounding  melodies  are  also added  into  some  of  the  guitar  riffs  along  with  the  mid  tempo  sections  of  the  songs  also  adding  in  touches  of  crust  and  d  beat  and  throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  the  whole  album  also  sticks  to  a  heavier  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism  and  History  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Act  Of  Impalement  and  if  you  are  a  fan  of  black,  sludge,  doom  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Apparition"  "Deities  Of  The  Weak"  and  "Profane  Altar".  8  out  of  10.

  https://caligarirecords.bandcamp.com/album/profane-altar

www.facebook.com/actoofimpalement         

Ter Ziele/Embodiment Of Death/Tararus Records/2025 Full Length Review

 

  Ter  Ziele  are  a  band  from  the  Netherlands  that  plays  a  mixture  of  post  black,  sludge  and  doom  metal  and  this  is  a  review  of  their  2025  album  "Embodiment  Of  Death"  which  will  be  released  in  February  by  Tartarus  Records.

  A  synth  orientated  intro  starts  off  the  album  before  going  into  a  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  sludge  and  doom  metal.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  vocals  being a   mixture  of  blackened  metal  screams  and  growls.

  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  some  of  the  songs  also  add  in  a  small  amount  of  clean  playing.  When  guitar  leads  are  utilized  they  also  bring  in  more  of  a  post  metal  style   along  with  the  music  also  having  its  atmospheric  moments  and  when  the  music  finally  speeds  up  a  small  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard.

  

  Ter  Ziele  plays  a  musical  style  that  takes  post  black,  sludge  and  doom  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  haunting  side  of  the  human  condition.  

  In  my  opinion  Ter  Ziele  are  a  very  great  sounding  mixture  of  post  black,  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Separation    Of  Body  And  Soul"  and  "This  Mortal  Coil".  8  out  of  10.

  Bandcamp: https://terzieledoom.bandcamp.com

Facebook: https://www.facebook.com/TERZIELEDOOM

Instagram: https://instagram.com/ter_ziele  

Shrykull/Beyond Subconscious Realms/Road To Masochist/Eggy Tapes/2024 Full Length Review

 

   Shrykull  are  a  duo  from  the  United  Kingdom  that  has  had  music  reviewed  before  in  this  zine  plays  a  mixture  of  black,  death  metal  and  grindcore  with  elements  of  sludge  and  doom  metal  and  this  is  a  review  of  their  2024  album  "Beyond  Subconscious  Realms"  which  was  released  as  a  joint  effort  between  Road  To  Masochist  and  Eggy  Tapes.

  A  very  dark  yet  heavy  sound  starts  off  the  album  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking,  blast  beats  and  grindcore  elements  can  be  heard  and  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.

  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Shouts  can  also  be  heard  at  times  along  with  the  album  also  having  its  brutal  moments,  when  guitar  solos  and  leads  are finally  utilized  they  are  also  done  in  a  very  chaotic  style as  well as  the  slower  sections  of  the  recording  mixing  in  touches  of  sludge  and  doom  metal, synths  and  harsh  noises  can  also  be  heard  briefly.

  On  this  recording  Shrykull  takes  black,  sludge,  doom,  death  metal  and  grindcore  and  mixes  them  together  to  a  very  heavy  album.  The  production  sounds  very  professional  while  the  lyrics  cover  horror  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Shrykull  and  if  you  are  a  fan  of  black,  sludge,  doom,  death  metal  and  grindcore,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Blocking  The  Kingdom  Of  Infinite  State"  "Gateway  Of  Nightmares"  "Chaotic  Disforms  Of  Cosmic  Misalignment"  and  "Collective  Fugue  State".  8  out  of  10.

  

https://www.facebook.com/shrykull

https://youtu.be/BI12FJVn6oU

Shores Of Null/The Loss Of Beauty/Spikerot Records/2023 Full Length Review

 

  Shores  Of  Null  are  a  band  from  Italy  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  melodic  mixture  of  black,  doom,  death  and  gothic  metal  and  this  is  a  review  of  their  2023  album  "The  Loss  Of  Beauty"  which  was  released  by  Spikerot  Records.

  A  very  dark  yet  heavy  sound  starts  off  the  album  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  the  clean  vocals  also  add  in  more  of  a  gothic  metal  style.

  Death  metal  growls  are  also  a  very  huge  part  of  the  recording  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Black  metal  screams  can  also  be  heard  at  times  along  with  some  blast  beats  also  being  utilized  when  the  music  finally  speeds  up  on  a  couple  of  tracks  along  with  one  song  also  adding  in  a  brief  use  of  keyboards,  spoken  words  are  also  introduced  briefly  and  most  of  the  album  sticks  to  either  a  slow  or  mid  tempo  direction.

  On  this  recording  Shores  Of  Null  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  with  doom  and  gothic  metal  to  create  a  very  diverse  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness,  life,  death  and  sorrow  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Shores  Of  Null  and  if  you  are  a  fan  of  melodic  black,  death,  doom  and  gothic  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Destination  Woe"  "Nothing  Left  To  Burn"  "My  Darkest  Years"  and  "Underwater  Oddity".  8  out  of  10.

  YouTube - https://youtu.be/vWOcwJYjhq8​

Spotify - https://spoti.fi/3ZckbMW​

Album order (Digital, CD, Vinyl) - https://linktr.ee/thelossofbeauty 

Ghost Hollow/Examinations Of The Heart/2025 Full length Review

 

  Ghost  Hollow  are  a  band  from  Arkansas  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  black,  sludge,  doom,  death  metal  and  hardcore  and  this  is  a  review  of  their  self  released  2025  album  "Examinations  Of  The  Heart"  which  will  be  released  in  February.

  A  very  distorted  sound  starts  off  the  album  before  going  into  a  very  fast  and  heavy  direction  which  also  utilizes  a  great  amount  of  blast  beats  and  tremolo  picking.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  and  sludge  metal.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clean  playing  can  also  be  heard  in  certain  parts  of  the  album  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody,  at  times  the  music  also  gets  very  atmospheric  sounding  as  well  as  the  mid  tempo  sections  also  adding  in  touches  of  hardcore.

  On  this  recording  Ghost  Hallow  takes  black,  sludge,  doom,  death  metal  and  hardcore  and  mixes  them  together  to  create  a  very  diverse  album.  The  production  sounds  very  professional  while  the  lyrics  cover  anguish,  introspection  and  catharsis.  

  In  my  opinion  this  is  another  great  sounding  album  from  Ghost  Hollow  and  if  you  are  a  fan  of  black,  sludge,  doom,  death  metal  and  hardcore,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Formless  Apparitions"  "Lay  Down  The  Sword"  and  "Examinations  Of  The  Heart".  8  out  of  10.

  https://www.facebook.com/GhostHollowAR

https://www.instagram.com/ghosthollowar/

https://ghosthollow.bandcamp.com/

https://linktr.ee/ghosthollowar

    

Possessive/Res Ipsa Loquitur/Brucia Records/2024 Full Length Review

 

  Possessive  are  a  band  from  Boise,  Idaho  that  plays  a  mixture  of  black,  doom  and  death  metal  with  elements  of  d  beat  and  power  violence  and  this  is  a  review  of  their  2024  album  "Res  Ipsa  Loquitur"  which  was  released  by  Brucia  Records.

  Dark  and  atmospheric  soundscapes  start  off  the  album  before  going  into  a  heavier  doom  metal  direction  while  the  vocals  are  mostly  black  metal  screams.  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  death  metal  growls  also  being  utilized  at  times  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Elements  of  d  beat  and  power  violence  are  also  added  in  the  mid  tempo  sections  of  the  album  while  blast  beats  and  tremolo  picking  are  also  utilized  when  the  music  speeds  up.  Some  of  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  one  song  is  also  a  drone  orientated  instrumental.

  Possessive  plays  a  musical  style  that  takes  black,  doom,  death  metal,  d  beat  and  power  violence  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Possessive  are  a  very  great  sounding  mixture  of  black,  doom,  death  metal,  d  beat  and  power  violence  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sun  And  Moon"  and  "Sure  Sign  of  The  Nail".  8  out  of  10.

  https://www.facebook.com/possessiveband      

Norilisk/Antipole/Hypnotic Dirge Records/2025 Full Length Review

 

  Quebec,  Canada's  Norilisk  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  black,  sludge,  doom  and  death  metal  and  this  is  a  review  of  their  2025  album  "Antipole"  which  will  be  released  in  February  by  Hypnotic  Dirge  Records.

  A  very  slow,  dark  and  heavy  sound  starts  off  the  album  which  also  brings  in  elements  of  sludge  and  doom  metal.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Vocals  are  a  mixture  of  death  metal  growls  and  blackened  metal  screams  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Spoken  words  and  whispers  can  also  be  heard  in  certain  sections  of  the  album  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  clean  playing,  some  of  the  songs  are  also  very  long  and  epic  in  length  and  the  whole  album  sticks  to  either  a  slow  or  mid  tempo  direction,  clear  vocals  can  also  be  heard  briefly.

  On  this  recording  Norilisk  remain  true  to  the  mixture  of  black,  sludge,  doom  and  post  metal  that  they  have  established  on  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  French  and  cover  the  concept  of  duality.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Norilisk  and  if  you  are  a  fan  of  black,  sludge,  doom  and  post  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Antipole"  "Nunataks"  and  "Un  chant  pour  les  morts".  8  out  of  10.

   https://hypnoticdirgerecords.bandcamp.com/album/antipole

  

Cephyre Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?

I would love to: The band was formed in Hesse, Germany in early 2021 although we have known each other for decades and shared school desks, rehearsal rooms and stages in various constitutions in the past. Therefore it just felt right when it all came together. Unfortunately it was quite a challenging time to start a band as the pandemic kind of peaked exactly when we all waited in the wings. That is one reason why it took us a while to really get our shit together, but here we are at last.

2.So far you have released an ep, can you tell us a little bit more about the musical style that you went for on the recording?

We came up with the term „Dark Extreme Melodic Metal“ because the common genre-descriptions did not seem to fully meet our demands. Given the fact that we have our roots in different subgenres our music turns out to be a mixture of quite a lot extreme Metal influences reaching from Death to Black and Melodic Doom with a pinch of Gothic Metal in the polyphonic vocal parts, but if I had to put it into only one well-known box I would probably say, that the influence we all have in common is good old Swedish Melodic Death. 

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

The lyrics of the EP approach several aspects of Platos Allegory of the cave. Of course we do not offer a highly sophisticated deep-dive into ancient greek philosophy, but looking at the topic from different perspectives can still create really exciting views into the concepts of individual freedom and self-awareness. It also makes you question, how far we have really evolved as mankind. Isn‘t it almost hilarious to think of an old bearded greek dude wrapped in white sheets and brooding over exactly the same issues we still struggle with today?

4.What is the meaning and inspiration behind the name 'Cephyre'?

CEPHYRE is a „Frankenword“ assembled from „Zephyr“, which resembles natural creation and procreation on one side and „Fire“, resembling the oppositional forces of destruction but also symbolizing progress and knowledge. The name therefore verbalizes the principles of duality, the merging of polar opposites into something new and distinct.

5.Can you tell us a little bit more about the artwork that is presented on the ep cover?

We tried to capture the lyrical concept of the allegory of the cave in different scalings throughout the artwork of the digipak. The cover artwork shows one of the key scenes in the narrative: A prisoner escapes the darkness of the cave and steps into the light, facing new challenges.

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

In late 2023 year we organized a little festival called „Roots of Metal“ with our resident friends „Oracle of Worms“ and „Concrete Cold“. We also invited our friends „War Engine“ from Novi Sad, Serbia. I have absolutely no idea, if that was our best show. But it was probably our most fun weekend so far. The last gig we played was at a Halloween-Party, so it would have been almost rude, not to put on a little corpsepaint. We normally don‘t do that, but it turned out to be a lot of fun. Generally spoken our stage presence depends a lot on the on-site conditions. Our bassplayer Chris for example tends to do a lot of meters on stage, but at one show he was forced to stand in the doorframe to the restroom due to lack of space. So you always have to adjust a little to the circumstances and try to get the best out of each situation. By the way: Chris handled his situation a lot better than I did when I found myself next to something that highly resembled a stripper pole on stage.

7.Do you have any touring or show plans for the future?

We have some shows scheduled for early 2025. our original plan was to make „Roots of Metal“ an annual event. This plan unfortunately only lasted a little less than one year, because the venue let us down badly. The billing however was already booked and we still want to play with all the bands, that were involved, so there are some more shows to be announced before long. And then there is still a visit to pay back, so we really hope to make it to Serbia this year and maybe add some gigs on the way. 

8.Currently you are unsigned, are you looking for a label or have received any interest?

Up to now we tried to do almost everything by ourselves which gave us a lot of freedom in approaching different processes, but of course there are also downsides to that mode of operation. For example: We recorded almost all the tracks for „Gleam“ in our rehearsal room, our living rooms, bedrooms and even kitchens. When it came to mixing we had the hybris of even doing that completely by ourselves. This took quite some time just to realize, that we were not completely happy with the results. So we finally scrapped our own mixes and gave the recorded tracks to our friend Sascha Stange, who completely nailed our desired sound in about the time it took ourselves to figure out the right reverb-settings for background vocals. What I am trying to say is, that some things just should be done by people who teally know how to do them in order to prevent yourselves from getting stuck in a rut. So a label would absolutely make things much easier for us and we hope to get in touch with people to support our next releases.

9.On a worldwide level how has the reaction been to your music by fans of extreme metal?

So far we have only played shows in Germany, which makes it a little difficult to talk about worldwide reactions. There have been quite a few positive reactions as yet and of course there is social media and all that comes with it. But a thumb on facebook or a heart on Instagram does not really get you into conversations. But who knows ... Maybe this interview might also help to connect with some more people out there. We would love that.

10.Are any of the band members currently involved with any other bands or musical projects these days?

Our bassplayer Chris is vocalist in his Hardcore-bands „Business as Usual“ and „Blind Youth“. Our drummer Manu also plays in the Thrash-Metal-band „Centrate“.

11.When can we expect another full length and also where do you see the band heading into musically during the future?

We had actively decided to put the first songs we wrote on the EP, so there will almost naturally be an audible development. Actually we have already written approximately 80% of the material for our full-length-album alongside two a little more experimental projects, which will most likely end up on additional EPs in the future. At the moment we are still figuring out the exact schedule, but the tendency is to start recordings for the full-length within the next few months as we are really excited to see the pieces come together and add the final touch.

12.What are some of the bands or musical styles that has had an influence on your music and also what are you listening to nowadays?

As I mentioned before we have a lot of various influences, but most of them are to be found in different types of 90s extreme metal, which is why we wanted our sound to partially be kind of a reminiscence to that era. Our mixing engineer Sascha did a great job in helping us create this atmosphere and adding just the right amount of a modern touch. Nowadays I am personally most excited about listening to bands that somehow push their boundaries. The latest album that really got under my skin is the new Gaerea.

13.Before we wrap up this interview, do you have any final words or thoughts?

I guess, that I already got a little carried away at some points, so I will cut this one short and just go with „Thank you for having us, it was a pleasure“.

www.cephyre.band

www.cephyre.bandcamp.com
www.facebook.com/cephyre.band
www.instagram.com/cephyre.band

Exiled Hope/Steel Forge/Realm Of the Exiled/2025 Collaboration EP Review

 

  This  is  a  review  of  a  collaboration  ep  between  U.S.A's  Exiled  Hope  and  United  Kingdom's  Steel  Forge  who  team  up  together  and  bring  out  a  melodic  and  symphonic  mixture  of  black,  doom,  death,  power  and  folk  metal  and  this  is  a  review  of  their  self  released  ep  "Realm  of  the  Exiled"  which  will  be  released  in  2025.

  A  very  heavy,  melodic  and  symphonic  sound  starts  off  the  ep  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Harsh  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  the  slower  sections  of  the  songs  also  bringing  in  elements  of  doom  metal.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  clean  sections  are  very  heavily  rooted  in  folk  music.  One  of  the  songs  also  introduce  clear  vocals  onto  the  recording  that  are  more  rooted  in  power  and  gothic  metal  as  well  as  one  track  also  being  very  long  and  epic  in  length, the  whole  ep  sticks  to  either  a  slow  or  mid  tempo  direction.

  Exiled  Hope  and  Steel  Forge  mix  their  two  different  styles  to  create  something  very  heavy,  melodic,  symphonic  and  epic  sounding.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantasy  themes.

  In  my  opinion  this  is  a  very  great  sounding  collaboration  between  Exiled  Hope  and  Steel  Forge  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  doom,  death,  gothic,  power  and  folk  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "A  Light  In  the  Darkness"  and  "Beyond  The  Veil".  8  out  of  10.

  Instagram: https://www.instagram.com/legally_metal/ 

YouTube: https://www.youtube.com/channel/UCdZNNjK9ieVITFmcplPs1hA 

Bandcamp: https://exiledhope.bandcamp.com/ 

Spotify: https://open.spotify.com/artist/024Bd5ViU3F8gRFe9lnCth 

Merch: https://www.bonfire.com/store/exiled-hope-virtual-merch-booth/

Bandcamp: https://steelforge1.bandcamp.com/

Facebook:  https://www.facebook.com/steelforgeband/

Instagram: https://www.instagram.com/steelforge_band/

Twitter/X: https://x.com/steelforgeband?lang=en-GB

YouTube: https://www.youtube.com/@steelforge8934

Spotify: https://open.spotify.com/artist/3CNLoVLW2SVhYxd6aZsGyR

      

Greh Interview

 

1. Can you give us an update on what has been going on with the band since the recording of the new album?

Gjero: Since recording "Dysphoric Devotion," we've been busy rehearsing, refining our live show, and preparing for the album release in January. We're incredibly excited to finally share this music with the world and can't wait to see the reaction.

 

2. You have your first full-length coming out in 2025. Musically, how does it differ from your previous EPs?

"Dysphoric Devotion" builds on the foundation laid down by our debut EP "Reversion of the Repressed." While the EP showcased our blend of black and death metal with doom elements, the new album delves deeper into this sonic territory. We've incorporated more atmospheric passages to create a more immersive listening experience, while still retaining the raw aggression and intensity that defines our sound.

 

3. What are some of the lyrical themes and subjects the band explores with the newer music?

The lyrics on "Dysphoric Devotion" explore themes of despair, alienation, and the struggle to find meaning in a world filled with darkness. We delve into the human condition, confronting the abysses within ourselves and the external forces that threaten to consume us. There's also an undercurrent of hope and resilience that shines through the bleakness.

 

4. What is the meaning and inspiration behind the name 'GREH'?

The name GREH is a play on the word "greh," which carries connotations of grief, sorrow, and despair in some Slavic languages. We felt this name encapsulated the emotional weight of our music and the themes we explore.

 

5. Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork for "Dysphoric Devotion" is a visual representation of the album's themes. It's a dark and evocative piece that reflects the emotional turmoil and existential struggle explored in the music. We don't want to reveal too much, but we hope it will resonate with listeners and draw them deeper into the world of the album.

 

6. Originally the band started out as a solo project, what was the decision behind expanding into a full band?

GREH began as a solo project to explore my musical vision. However, after recording the "Reversion of the Repressed" EP, I felt the potential for the project could be fully realized with a full band. Bringing Maurice and Martin on board allowed us to develop a more dynamic and powerful sound in our live performances and on this new album. 

Martin, our vocalist. He has a rich musical history and has played in various bands before joining GREH. His vocal abilities are second to none and he brings a depth and complexity to our music that makes it truly unique.

Mauirice, our drummer. He is the heart of our band and keeps us all in time. His energy and commitment is infectious and he always puts 100% into every rehearsal and every gig.

And I am the lead guitarist of the band. I have a deep passion for metal and have always dreamed of playing in a band that plays this type of music.

We all came to GREH through our shared love of music and our desire to create something unique and meaningful. It was a natural progression and we are proud of what we have achieved so far and look forward to what the future holds.

7. What are some of the best shows that the band has played so far and also how would you describe your stage presence?

We've had some great shows so far, but a few that stand out include our performance with Hexis, and our set headlining alongside Coldspine, Dornen, Tristis, and Tourin Horse. Our stage presence is intense and energetic. We strive to create a consuming atmosphere that reflects the aggression and despair of our music.

 

8. Do you have any touring or show plans once the new album is released?

Absolutely! We're currently booking shows for 2025 in support of "Dysphoric Devotion." We're eager to unleash the new album live and connect with fans on the road. We'll announce the tour dates as soon as they're finalized, so stay tuned!

 

9. On a worldwide level, how has the reaction been to your music by fans of underground metal?

The response to our music has been overwhelmingly positive. We've been fortunate to connect with fans of underground metal from all over the world. It's been incredibly rewarding to see our music resonate with listeners on a global scale.

 

10. Are any of the band members currently involved with any other bands or musical projects these days?

We're all entirely focused on GREH at the moment. This band is our primary creative outlet, and we're pouring all of our energy into making it a success.  Maurice Müller is still active as drummer in HARD STRIKE and MILAN, and Martin Kocula is active as singer and guitarist in GRAU.

 

11. Where do you see the band heading musically in the future?

We're constantly looking to evolve and push our sound forward. While "Dysphoric Devotion" represents a significant step in our musical development, we see it as just the beginning. We're excited to experiment and explore new sonic territories in future releases.

 

12. What are some of the bands or musical styles the band members are currently listening to nowadays?

Our musical influences are wide-ranging. We draw inspiration from classic black metal bands like Bathory and Darkthrone, as well as death metal innovators. But our inspiration goes beyond the genre. We are also influenced by bands outside of metal that have shown us how to bring emotional depth and musical complexity to our songs. Ultimately, our music is the result of all these influences and our own unique vision. We are proud to follow in the footsteps of these great bands while forging our own path.

https://linktr.ee/greh

Greh/Dysphoric Devotion/Fetzner Death Records/2025 Full Length Review

 

  Greh  are  a  band  from  Germany  that  plays  a  mixture  of  black,  sludge,  doom  and  death  metal  and  this  is  a  review  of  their  album  "Dysphoric  Devotion"  which  will  be  released  in  2025  by  Fetzner  Death  Records.

  Dark  soundscapes  start  off  the  album  going  into  a  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  sludge  and  doom  metal.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  the  album  also  has  its  atmospheric  and  dissonant  moments.  Grooves  are  also  added  into  a  lot  of  the  mid  tempo  guitar  riffing  along  with  a  couple  of  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  synths  are  also  added  towards  the  end

  Greh  plays  a  musical  style  that  takes  black,  sludge,  doom  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  suffering  of  human  existence.

  In  my  opinion  Greh  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Chained  Thoughts"  "All  Flesh  Decays"  and  "Enter  my  Oblivion".  8  out  of  10.

   https://grehmetal.bandcamp.com/album/dysphoric-devotion

 https://linktr.ee/greh