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Showing posts with label Baron SAMEDI. Show all posts
Showing posts with label Baron SAMEDI. Show all posts

Sunday, March 29, 2020

Baron SAMEDI/The Priest Devar/Nailed Nazarene Industries/2020 Full Length Review


  Russia's  solo  project  Baron  SAMEDI  has  returned  with  a  new  recording  which  shows  the  music  going  into  more  of  an  experimental  mixture  of  black  and  dark  metal  and  this  is  a  review  of  his  2020  album  "The  Priest  Devar"  which  will  be  released  in  April  by  Nailed  Nazarene  Industries.

  Programmed  beats  start  off  the  album  along  with  some  industrial  elements  and  demonic  growls  a  few  seconds  later.  The  riffs  also  add  in  a  decent  amount  of  dark  sounding  melodies  while  the  keyboards  also  give  the  songs  more  of  a  gothic  touch  as  well  as  some  melodic  singing  also  being  used  at  times.

  Elements  of  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  along  with  some  blackened  screams  also  being  utilized  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  and  melodic  style  while  the  music  also  adds  in  a  decent  amount  of  90's  influences.

  One  track  also  introduces  Gregorian  chants  onto  the  recording  along  with  the  music  also  getting  very  experimental  at  times.  All  of  the  tracks  also  sound  very  different  from  each  other  and  all  of  the  music  sticks  mostly  a  slow  or  mid  tempo  direction  and  as  the  album  progresses  a  brief  use  of  fast  playing  and  blast  beats  can  also  be  heard.  The  production  sounds  very  dark  and  old  school  while  the  lyrics  cover  darkness,  death  and  occultism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Baron  SAMEDI  and  if  you  are  a  fan  of  experimental  black,  doom  and  dark  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Aryan  Golem"  "Rage"  "Kammala"  and  "Mass  Graves".  8  out  of  10.

https://nailednazareneindustries.bandcamp.com/album/the-priest-devar  

Monday, February 17, 2020

Baron SAMEDI/11/Maaninen Henki Records/2019 EP Review


  Baron  SAMEDI  are  a  solo  project  from  Russia  that  has  recently  been  featured  in  this  zine  and  on  this  recording  goes  for  more  of  a  mixture  of  ambient,  experimental,  drone  and  noise  and  this  is  a  review  of  his  2019  ep  "11"  which  was  released  by  Maaninen  Henki  Records.

  Dark  soundscapes  and  field  recordings  start  off  the  ep  while  both  of  the  tracks  are  also  very  long  and  epic  in  length.  Voices  can  also  be  heard  in  the  background  briefly  while  the  music  also  mixes  in  a  great  amount  of  noise  elements  and  ambient  sounds  are  also  utilized  at  times.

  The  music  also  gets  very  experimental  at  times  along  with  the  music  also  capturing  a  very  ritualistic  and  demonic  atmosphere.  Both  of  the  tracks  also  sound  very  different  from  each  other  while  the  second  song  goes  into  more  of  an  atmospheric  drone  style  as  well  as  having  some  diversity

  On  this  recording  Baron  SAMEDI  takes  noise,  experimental,  ambient  and  drone  and  mixes  them  together  to  create  something  that  is  very  different  from  the  previous  album  reviewed  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  Baron  SAMEDI  and  if  you  are  a  fan  of  ambient,  drone,  experimental  and  noise,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Dead  Calm  Kab".  8  out  of  10.

https://mhrecords.bandcamp.com/album/11

Saturday, February 15, 2020

Baron SAMEDI Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Hi, I'm from Novokuznetsk, Kuzbass region. In 1997. Me and my friend are influenced by: Sepultura,Sodom, Korrozia Metalla, Diecide and other extreme bands. They started rattling at my house.

 Since we did not have money for normal musical instruments (in the 90-ies in Russia we lived poorly, even for clothes we did not have enough money). We stole from the school music class: a bass in the shape of A Paul McCartney violin, two snares, and cymbals. They rattled, but since the game we could not, it turned out noisecore act.
 In 2000, I bought a Cassio synthesizer and started playing music alone. The project was then nameless. I made recordings on Sharpe's tape recorder.
 In 2005, I made a self-release of cassettes with my songs, called "Project Golem". Now these recordings can be heard on the albums "Я - Пустота" and bonuses on "Ralph Werner-Project Golem". In 2007, I renamed the project Baron Samedi.

Later I because of this name, my social networks consisted of 50% of fans of rap and hip hop)). Metalheads were repelled by this name))

 2.Your recent full length came out in September, musically how does it differ from the stuff you have released in the past?

It is completely spontaneous and dirty recorded. I worked on tracks at different times without imagining how they would sound. The oldest song on it, "Black'n'roll Necronomicon", was recorded in 2001.

 3.You have also work with a variety of many different musical genres on your recordings, can you tell us a little bit more about the musical styles you have brought into your music?

Any dark, aggressive, pompous genre can appear on my recordings. Dark rock, dark folk, industrial, noise, ambient, free jazz, power electronics, death industrial, glitch, gorenoise, death metal, dark metal, black metal, terrorcore. I used all these genres in my music еxcept rap and hip hop.

 4.You have also covered some occult topics with your lyrics, can you tell us a little bit more about your interest in occultism?

I have always had an irrational, mystical perception of the world. But in theoretical occultism, I am not well versed, if you compare me with some Alister Crowley. From occult books I read two books by Elena Blavatsky, a few Apocrypha, Everything related to the Necronomicon, Russian black witchcraft.

 I sometimes dedicate my music to the essence of Graov, which is worshiped and invoked by homeless vagabonds, inhaling the smell of burned beetles-mediums. The essence of Graov is similar to the evil shown in the movie "the Fifth element".

 I use glossolalia when singing. Sometimes I use decoctions of herbs to fall into a trance, then the essence speaks through me. I record it and use it as vocals., this can be heard in the track Graov and Жнец

I also sell for graves.


 5.What are some of the other lyrical topics and subjects you have explored with your music?

Sad stories about a witch's house or a forest fire. Social: bad neighbors, corrupt cops, spitting in modern art. Abstract texts about death, mystical journeys.

 6.I know that the musical project was named after from Haitian Voodoo, can you tell us a little bit more how you got interested in this deity?

 In the nineties, there were many books with witchcraft spells, they were sold in every kiosk. .
 It was scary to live (crime,devastation, poverty, drug addiction), people conjured. My grandmothers had spell books. These books contained spells from all religions, and I learned about Baron Samedi from them. For Siberia, this name sounded original.
I don't practice voodoo myself. I plan to rename the project to "Пан Zимородоk".

 7.With this musical project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

Yes, I record everything alone.I am open to working with other musicians, but my knowledge of musical instruments is poor and I can't read music.So I'm not good for serious musicians. I can work with noise industrial musicians.


 8.Are you also involved with any other musical projects/

In 2007-2008, I was the bassist of the band "Kolobus". Played brutal death metal. Then I went into business (construction) and there was no time to play.

 9.On a worldwide level how has the reaction been to your music by fans of metal, experimental and industrial?

Metal fans are throwing shit, they need well-recorded music. Fans of experimental and industrial music reacted positively.

 10.Where do you see yourself heading into as a musician during the future?

I will also try to make dark music. I don't plan to perform. I played concerts with Colobus in 2007 and I didn't like it.

 11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Inspired to make music: Sepultura, Korrozia Metalla, Sodom. Later Samael, Agonoize, Suicide commando. But you won't find much musical borrowing from them. I didn't grow up to them as a musician.Technically, I can't borrow from them.  Now I listen to everything, but mostly it's power electronics, ambient, raw noise black metal. I order interesting releases on cassettes.

 12.Before we wrap up this interview, do you have any final words or thoughts?

The problem of rock fans and generally conditionally "Good music" is that they think that everyone is seriously listening to music. While simple and often not stupid people just need a background and not a loaded product . Due to the fact that their ability to enjoy listening to music and composing quirks, is much lower than music lovers. They don't fucking need it.

Study well, listen to your mom and dad and don't tell them you want to play hell's throat. Don't upset your loved ones.

Sunday, February 9, 2020

Baron SAMEDI/Nidarozd salmundshichti/Nailed Nazarene Industries/2019 EP Re-Issue Review


  Baron  SAMEDI  is  a  solo  project  from  Russia  that  plays  a  mixture  of  black  metal,  industrial,  harsh  noise,  power  electronics  and  ritual  music  and  this  is  a  review  of  his  2019  ep  "Nidarozd  salmundshichti"  which  was  re-issued  by  Nailed  Nazarene  Industries.

  Demonic  voices  and  ritualistic  soundscapes  start  off  the  ep  before  going  into  a  heavier  musical  direction.  Grim  black  metal  vocals  are  also  utilized  at  times  while  the  bass  guitar  sounds  very  powerful  as  well  as  some  spoken  word  parts  also  being  utilized  in  some  parts  of  the  recording.

  All  of  the  drum  beats  are  also  programmed  while  a  couple  of  the  tracks  are  also  long  and  epic  in  length.  Elements  of  industrial  can  also  be  heard  quite  a  bit  throughout  the  recording  along  with  some  tracks  also  adding  in  some  harsh  noises  and  power  electronics  as  well  as  the  music  also  having  its  experimental  moments,  keyboards  can  also  be  heard  briefly,  as  the  ep  progresses  samples  can  also  be  heard  briefly  and  all  of  the  tracks  also  sound  very  different  from  each  other.

  Baron  SAMEDI  plays  a  musical  style  that  takes  black  metal,  industrial,  ritual,  harsh  noise  and  power  electronics  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  and  lo-fi  while  the  lyrics  are  written  in  Russian  and  cover  dark,  poetic  and  occult  themes.

  In  my  opinion  Baron  SAMEDI  is  a  very  great  sounding  mixture  of  black  metal,  industrial,  ritual,  harsh  noise  and  power  electronics  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "POems"  and  "Hilka-hilka,  demon  demon  !!!">  8  out  of  10.

https://nailednazareneindustries.bandcamp.com/album/reissue