Hi, I'm from Novokuznetsk, Kuzbass region. In 1997. Me and my friend are influenced by: Sepultura,Sodom, Korrozia Metalla, Diecide and other extreme bands. They started rattling at my house.
Since we did not have money for normal musical instruments (in the 90-ies in Russia we lived poorly, even for clothes we did not have enough money). We stole from the school music class: a bass in the shape of A Paul McCartney violin, two snares, and cymbals. They rattled, but since the game we could not, it turned out noisecore act.
In 2000, I bought a Cassio synthesizer and started playing music alone. The project was then nameless. I made recordings on Sharpe's tape recorder.
In 2005, I made a self-release of cassettes with my songs, called "Project Golem". Now these recordings can be heard on the albums "Я - Пустота" and bonuses on "Ralph Werner-Project Golem". In 2007, I renamed the project Baron Samedi.
Later I because of this name, my social networks consisted of 50% of fans of rap and hip hop)). Metalheads were repelled by this name))
2.Your recent full length came out in September, musically how does it differ from the stuff you have released in the past?
It is completely spontaneous and dirty recorded. I worked on tracks at different times without imagining how they would sound. The oldest song on it, "Black'n'roll Necronomicon", was recorded in 2001.
3.You have also work with a variety of many different musical genres on your recordings, can you tell us a little bit more about the musical styles you have brought into your music?
Any dark, aggressive, pompous genre can appear on my recordings. Dark rock, dark folk, industrial, noise, ambient, free jazz, power electronics, death industrial, glitch, gorenoise, death metal, dark metal, black metal, terrorcore. I used all these genres in my music еxcept rap and hip hop.
4.You have also covered some occult topics with your lyrics, can you tell us a little bit more about your interest in occultism?
I have always had an irrational, mystical perception of the world. But in theoretical occultism, I am not well versed, if you compare me with some Alister Crowley. From occult books I read two books by Elena Blavatsky, a few Apocrypha, Everything related to the Necronomicon, Russian black witchcraft.
I sometimes dedicate my music to the essence of Graov, which is worshiped and invoked by homeless vagabonds, inhaling the smell of burned beetles-mediums. The essence of Graov is similar to the evil shown in the movie "the Fifth element".
I use glossolalia when singing. Sometimes I use decoctions of herbs to fall into a trance, then the essence speaks through me. I record it and use it as vocals., this can be heard in the track Graov and Жнец
I also sell for graves.
5.What are some of the other lyrical topics and subjects you have explored with your music?
Sad stories about a witch's house or a forest fire. Social: bad neighbors, corrupt cops, spitting in modern art. Abstract texts about death, mystical journeys.
6.I know that the musical project was named after from Haitian Voodoo, can you tell us a little bit more how you got interested in this deity?
In the nineties, there were many books with witchcraft spells, they were sold in every kiosk. .
It was scary to live (crime,devastation, poverty, drug addiction), people conjured. My grandmothers had spell books. These books contained spells from all religions, and I learned about Baron Samedi from them. For Siberia, this name sounded original.
I don't practice voodoo myself. I plan to rename the project to "Пан Zимородоk".
7.With this musical project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?
Yes, I record everything alone.I am open to working with other musicians, but my knowledge of musical instruments is poor and I can't read music.So I'm not good for serious musicians. I can work with noise industrial musicians.
8.Are you also involved with any other musical projects/
In 2007-2008, I was the bassist of the band "Kolobus". Played brutal death metal. Then I went into business (construction) and there was no time to play.
9.On a worldwide level how has the reaction been to your music by fans of metal, experimental and industrial?
Metal fans are throwing shit, they need well-recorded music. Fans of experimental and industrial music reacted positively.
10.Where do you see yourself heading into as a musician during the future?
I will also try to make dark music. I don't plan to perform. I played concerts with Colobus in 2007 and I didn't like it.
11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Inspired to make music: Sepultura, Korrozia Metalla, Sodom. Later Samael, Agonoize, Suicide commando. But you won't find much musical borrowing from them. I didn't grow up to them as a musician.Technically, I can't borrow from them. Now I listen to everything, but mostly it's power electronics, ambient, raw noise black metal. I order interesting releases on cassettes.
12.Before we wrap up this interview, do you have any final words or thoughts?
The problem of rock fans and generally conditionally "Good music" is that they think that everyone is seriously listening to music. While simple and often not stupid people just need a background and not a loaded product . Due to the fact that their ability to enjoy listening to music and composing quirks, is much lower than music lovers. They don't fucking need it.
Study well, listen to your mom and dad and don't tell them you want to play hell's throat. Don't upset your loved ones.
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