Hypocras/Implosive/2016 EP Review

  Hypocras  are  a  band  from Switzerland  that  plays  a  mixture  of  melodic  death,  viking  and  folk  metal  and  this  is  a  review  of  their  self  released  2016  ep  "Implosive".

  A  very  heavy  and  melodic  sound  starts  off  the  ep  along  with  some  blast  beats  and  high  pitched  screams  which  also  have  a  touch  of  black  metal  to  them  and  folk  instruments  are  also  used  quite  a  bit  throughout  the  recording  and  the  music  also  mixes  in  some  modern  metal  elements  and  deep  growls  are  also  used  at  times.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  back  up  shouts  are  also  used  at  times  and  when  guitar  solos  and  leads  are  utilized  they  stick  to  a  very  melodic  yet  extreme  musical  style  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  they  also  bring  in  a  cover  of  Djizoes  "A  Song  For  Them"  and  there  is  also  a  brief  use  of  grim  spoken  word  parts  and  they  also  bring  in  an  electronic  re-mix  song  as  the  last  track.

  Hypocras  plays  a  musical  style  that  is  mostly  rooted  in  melodic  death  metal  while  also  adding  in  touches  of  black,  viking  and  folk  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Hypocras  are  a  very  great  sounding  mixture  of  melodic  death,  black,  viking  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Implosive  Absolution"  and  "At  the  Edge".  8  out  of  10.

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Deadwound/Indentity Shapes/Black Bow Records/2017 EP Review

  Deadwound  are  a  band  from  The  United  Kingdom  that  plays  a  mixture  of  black  metal,  doom,  sludge, d  beat, and  hardcore  and  this  is  a  review  of  their  2016  ep  "Identity  Shapes"  which  was  released  by  Black  Bow  Records.

  Dark  effects  and  spoken  word  parts  start  off  the  ep  before  going  into  a  more  heavy  and  melodic  sludge metal  direction while  the  vocals  also  take  sludge  and  mix  it  in  with  black  metal  screams  while  crust  style  growls  can  also  be  heard  at  times  and  the  slow  riffing  is  also  heavily  influenced  by  doom  metal.

  A  great  amount  of  hardcore  elements  can  be  heard  quite  a  bit  throughout  the  recording and  when  the  music  speeds  up  a  great  amount  of  d  beats  can  be  heard and  the  guitar  solos  and  leads  are  also  done  in  a  very  melodic  style  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Deadwound  plays  a  musical  style  that  takes  black  metal,  doom,  sludge,  d  beat  and  hardcore  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  occultism  an  other  dark  themes.

  In  my  opinion  Deadwound  are  a  very  great  sounding  mixture  of  black  metal,  doom,  sludge,  d  beat  and  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Kult  Warrior"  and  "Babylon".  8  out  of  10.

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Ashenspire Interview

1.       For those that have never heard of before, can you tell us a little bit about the band?

Four oddities who like jazz and social justice, making peculiar music. We also have a variety of wonderful outside musicians who bless us with their talent on occasion.

2.       You have a new album coming out in January, how would you describe the musical sound that is presented on the recording?

We do indeed – It’s called Speak Not of the Laudanum Quandary. Musically, it’s a mixture of bleak metal textures with a bit of jazz fusion, a bit of prog rock and a healthy dose of the eccentric and theatrical. The vocal delivery is unlike conventional black metal, or clean vocals; it is called Sprechgesang, and was highly inspired by the mad ravings of the legendary Mr Doctor of Devil Doll.

3.       What are some of the lyrical topics and subjects the band explores with the music?

This is actually one of the key components of Speak Not…, because it explores territory rarely approached in metal. The album is made up of 7 “veils”, or observations; each is concerned with a particular issue to do with British imperialism, and how that issue propagates into modern life. For instance, the first track looks at the displacement of indigenous peoples – this has particular relevance in Scotland due to a prolonged ousting of crofting families called the Highland Clearances, but of course is widely recognizable in the actions of imperial Britain throughout the world. Furthermore, it doesn’t take a historian to recognize parallels with modern day attitudes to refugees. It’s very much important to remember the responsibility we bear for many of the less privileged peoples today, considering how our comfort can often be traced back to others suffering.

4.       What is the meaning and inspiration behind the name 'Ashenspire'?

The name refers primarily to smokestacks – vast arrays of chimneys that dominated the skyline here in Glasgow for decades, and similarly so in industrial cities all over the UK. Similarly, most of the older architecture in our city is stained near-black with soot. It also makes reference to the towering blocks of flats all over modern Britain in the fine brutalist architectural tradition.

5.       What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Well, as of yet we have only performed a couple of times; we don’t like to play throwaway shows, every performance has value. But each time has been utterly exhilarating. Doffs of the cap to our friends at Cog Promotions and the North of the Wall team. The performance itself relies on playing tightly, but with feeling, and a pervasive atmosphere tending towards lunacy. Needless to say, it’s remarkable fun for us.

6.       Do you have any touring or show plans for the new album?

We’re going to be supporting the wonderful gents in Ash Borer this April in Glasgow, and details of a big album release shindig (with some extremely talented friends of ours) should be public soon enough. We’d absolutely love to go a-touring for the album, we’ll have to see what opportunities arise with regards to that.

7.       The new album is coming out on 'Code666', are you happy with the support that they have given you so far?

I think delighted would be the word. The folks at Code666 have been very good to us. We’re extremely blessed to be part of such a sterling label.



8.       On a worldwide level how has the feedback been to your music by fans of black and avant-garde metal?

So far so good, I think is the general consensus. Some very kind words have come in from all over the globe. Folks who are looking for more music along the lines of Dødheimsgard, Vulture Industries or our good friends in A Forest of Stars seem to find something to enjoy. It doesn’t seem to be music that people who like orthodox black metal particularly connect to, but we had that coming, really. Honestly, one of the more surprising things has been the feedback from people who don’t listen to any metal at all – very positive.



9.       Where do you see the band heading into musically during the future?

Saxophones. Lots of saxophones.

10.   What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Devil Doll are a big one of course, as are our aforementioned contemporaries; aside from them, Snarky Puppy, Miles Davis, Sun Ra, Deep Purple and Ulver have all had a significant impact, among a huge number of others. I personally haven’t been able to stop listening to the new record by Edward Scissortongue and Lamplighter, Tell Them It’s Winter, ever since it came out. Brooding and melancholy in extremis, but insightful and addictive hip-hop for the discerning listener. Safe to say some of that sound will have leeched into our own writing come album two…

11.   What are some of your non-musical interests?

Outside of music we all tend to stay creative as best we can, in various different ways. We have an actor/comedian, an educational psychologist, a physicist and a chemist, so that fairly plays into it all. Consistently, though, we all like absurd humour, politics, posh beer, and dogs.

12.   Before we wrap up this interview, do you have any final words or thoughts?

We hope that all of those who read this enjoy the new album, and we hope to hear discussion and viewpoints on its subject matter; that’s what it’s there for. So long as it makes people think, it has been successful. Many thanks for your time, be safe.

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A Cunning Man Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?


A Cunning Man is one man metal project combining different styles of extreme music. Expect blast beats and tremolo picked guitar lines, but also piano, strings and clean vocals sung with a Scottish accent.



2.In January you had released on ep, how would you describe the musical sound that is presented on the recording?


I wanted to fuse all my favourite things about music. The sounds range from Black and Melodeath Metal to Modern Classical and Post Rock.

Everything is shaped by my own experience living in Scotland.



3.Your lyrics cover some Occult topics, can you tell us a little bit more about your interest in Occultism?


Each song title is named after a Renaissance period Grimoire.

As the EP title: Practical Applications of Theurgy hints, the content is concerned with different Occult and spiritual topics. These range from The Shared Unconsciousness to Folk Hymns.



4.What is the meaning and inspiration behind the name 'A Cunning Man'?


Cunning folk were the esoteric advisors of the common people throughout Medieval and Renaissance Europe.

I wanted a name which reflected my interest in this history. I also wanted it to reflect that the project was the work of a single person.



5.On the ep you had recorded almost everything by yourself, are you open to working with a full band or do you prefer to remain solo?


At the moment I’d like to continue doing the majority of the work myself, especially the composition. For the next EP though, I think I’ll be bringing on board a guitarist.


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6.Currently you are unsigned, are you looking for a label or have received any interest?


At current I’ve only been sending the EP out to press. I’m comfortable handling the distribution and PR myself at current.

I’m very interested in working with a label for future releases though.



7.On a worldwide level how has the feedback been to your music by fans of melodic and extreme metal?


Broadly positive at current, which is very exciting. I’m really enjoying receiving feedback on my work and connecting with fellow metal fans.



8.Are you also involved with any other bands or musical projects these days?


I’m currently studying music so most of my time goes towards that. A Cunning Man is my only project at the moment.



9.When can we expect a full length and also where do you see yourself heading into as a musician in the future?


The next release will be another EP. After that I'll consider a full length. Pending possible label support.

I’m always looking to improve my compositional and song writing skills, so expect increasingly complex music going forward.



10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Iron Maiden’s Brave New World is what really inspired my initial love for music.

My influences include Katatonia, Evergrey, Shade Empire and Eternal Tears Of Sorrow. I love my metal as melodic as possible with lots of different instrumentation.

At the moment I’ve been enjoying the new releases from Harakiri for the Sky, Insomnium and Dark Tranquillity.



11.What are some of your non musical interests?


I love gaming when I have the time and play a lot of RPGs. I’m also big into table top gaming with friends.



12.Before we wrap up this interview, do you have any final words or thoughts?


Thanks very much for the interview and for reviewing the EP on the site.

You can expect a new EP in the early months of Summer.

https://www.facebook.com/acunningmanmetal/

Aether/Tale Of Fire/Art Of The Night Productions/2016 EP Review

 Aether  are  a  band  from  Poland  that  plays  a  melodic  mixture  of  folk,  viking,  and death  metal  and  this  is  a  review  of  their   2016  ep  "Tale  Of  Fire"  which  was  released  by  Art  Of  the  Night  Productions.

   Folk  music  style  sounds  start  off  the  ep  and  the  music  also  brings  in  a  decent  amount  of  symphonic  elements  and  they  also  mix  in  with  the  heavier  sound  which  also  introduces  melodic  guitar  leads  onto  the  recording  and  the  riffs  also  use  a  great  amount  of  melody  and  after  awhile  high  pitched  screams  make  their  presence  known  and  they  add  a  touch  of  black  metal.

  Vocals  also  mix  in  a  great  amount  of  death  metal  growls  and  the  music  also  brings  back  some  of  the  90's  viking  and  melodic  death  metal  styles  and  some  of  the  drum  beats  also  gives  the  music  more  of  a  tribal  feeling  and  clean  singing  pagan  vocals  along  with  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  there  is  also  a  brief  use  of  female  vocals.

  Aether  plays  a  musical  style  that  takes  the  more  melodic  forms  of  black  and  death  metal  and  mixes  it  with  viking,  symphonic  and  folk  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  fantasy  themes.

  In  my  opinion  Aether  are  a  very  great  sounding  melodic  death  metal  band  with  touches  of  black,  viking,  symphonic  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Tale  of  Fire".  8  out  of  10.

https://aether-band.bandcamp.com/album/tale-of-fire

A Cunning Man/Practical Applications Of Theurgy/2017 EP Review

  A  Cunning  Man  are  a  solo  project  from  Scotland  that  plays  a  mixture  of  black,  melodic  death,  power  and  progressive  metal  and  this  is  a  review  of  his  self  released  2017  ep  "Practical  Applications  Of  Theurgy".

  Tremolo  picking  which  gives  the  music  a  black  metal  feeling  starts  off  the  ep  along  with  some  clean  singing  that  adds  in  a  touch  of  pagan  and  power  metal  and  when  the  music  speeds  up  a   great  amount  of  blast  beats  can  be  heard  and  keyboards  are  also  added  into  some  parts  of  the  songs  while  also  adding  in  a  touch  of  prog.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts and  stringed  instruments  are  also  used  at  times  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  all  of  the  drum  beats  are  programmed  and  the  music  also  mixes  metal  influences  from  the  80's  up  to  modern  times  and  spoken  word  parts  are  added  onto  the  last  track.

  A  Cunning  Man  plays  a  musical  style  that  takes  the  aggression  of  black  and  melodic  death  metal  and  mixes  it  with  the  melody  of  power  and  progressive  metal  to  create  something  very  original, the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  Occultism  themes.

  In  my  opinion  A  Cunning  Man  are  a  very  great  sounding  mixture  of  black,  melodic  death,  power  and  progressive  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACK  "Honorious  &  The  Choral  Forecast".  8  out  of  10.

https://acunningman.bandcamp.com/

Fleurety/Fragmenta Cuinsvis Aetatis Contemporanae/Aesthetic Death/2017 EP Review

  Fleurety  are  a  band  from  Norway  that  has  been  around  for  more  than  20  years  and  plays  an  avant  garde  form  of  black  metal  with  a  touch  of  noise  on  this  recording  and  this  is  a  review  of  their  2017  ep  "Fragmenta  Cuinsvis  Aetatis  Contemporanae"  which  was  released  by  Aesthetic  Death.

  Spoken  word  parts  start  off  the  ep  along  with  some  electronic  sounds  and  black  metal  riffing  while  they  also  mix  in  clean  guitars  to  give  the  music  more  of  an  experimental  and  avant  garde  feeling  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  therecording  and  elements  of  harsh  noise  can  also  be  heard  at  times.

  Some  of  the  slower  riffing  brings  in  a  decent  amount  of  melody  and  pianos  are  also  added  into  certain  sections  of  the  recording  and  both  of  the  tracks  are  long  and  epic  in  length  and  are  done  in  mostly  an  instrumental  direction  and  saxophones  along  with  psychedelic elements  are  added  onto  the  second  track  and  there  is  also  a  brief  use  of  tribal  style  beats.

  On  this  recording  Fleuety  takes  black  metal,  noise,  experimental  and  avant  garde  and  mixes  them  together  and  does not  include  any  vocals  like  their  earlier  releases  and  the  production  also  sounds  very  professional.

  In  my  opinion  this  is  another  great  sounding  recording  from  Fleurety  and  if  you  are  a  fan  of  avant  garde  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Consensus".  8  out  of  10.

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