Tuesday, August 27, 2024

Invictus Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the band?

 Kurt: We all grew up loving underground music in general. All of us were stretched between different scenes and genres. We loved punk, hardcore, grind, death, black… And I think we incorporate a little of that in our music. In my head we are a melodic blackened death band. But you can hear quite some crossover in our music if you listen closely. I see the music as an ode to all the records that shaped us growing up. When people hear the record they mostly refer to bands like Dissection, Death, Unleashed, At The Gates, The Haunted, Bolt Thrower, old Amon Amarth… I feel like that is a good reference for what we are doing. 


2.Recently you have released your first full length, musically how does it differ from your previous ep and  split? 

Kurt: I think we’ve grown a lot more as a band. The songs are much more mature. We put a lot more influences in it and went deeper. I feel we left behind our hardcore roots on this record and evolved to being a “real” metal band, whatever that may mean. There is much more black metal in it, being heavily inspired by bands such as Dissection, but also a lot of death metal. 


3.You refer to your music as being 'edgmetal', can you tell us a little bit more about this term? 

Kurt: “edgemetal” was a term donned by Congress in the early 90’s. In the H8000 scene a lot of bands emerged that were on the border between death, thrash, black, hardcore, … Those bands (Liar, Congress, Deformity, …) had a huge impact on us growing up. They called themselves edge metal over the term metalcore. Back then everybody was straight edge in that scene, hence the word “edge” and they thought of their music more as metal, as opposed to hardcore (like youth of today)... There is a lot of similarity between those bands and Invictus, so we felt like the term fit us very well. It’s also a lot shorter to write as “melodic blackened death metal”. 


4.What are some of the lyrical topics and subjects the band has explored so far with the music? 

Jo: This world is very rotten and often I hope we humans just stop existing. Cause we really don’t earn this. Next to this I also want a society that treats each other better. For every horrible act someone creates, there are a lot of humans who do their utter best to make it a better world. So although most of my lyrics are cynical, dark and straight on misanthropic, some of them end towards a positive way (with a little reading between the lines). They explore the topics of despair, unnecessary hatred, inhumanity, abuse, suicides, conspiracies, the rise of hategroups and social media’s (un)“reality”. 


5.What is the meaning and inspiration behind the name 'Invictus'?

 Kurt: The inspiration is a bit double. Firstly it came from one of my favorite records growing up by a local band called Liar. Secondly it’s a from a poem written by William Ernest Henley: Out of the night that covers me, Black as the pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds and shall find me unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate, I am the captain of my soul. The poem revolves around resilience, inner strength and overcoming adversity. Something that we all have to deal with in life. 


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 Kurt: We believe that humanity is ruining our planet and killing itself. The artwork is meant to represent that: A desolate toxic mountain with no life on it. It’s also a bit of an ode to the artwork of “The Sound Of Perseverance” by “Death”, one of the bands that shaped us when we were young. 



7.What are some of the best shows that the band has played so far and also how would you describe your stage performance? 

Kurt: I would describe our shows as very pure and real. We are not playing dress up or playing theater. Nothing against bands who do… I feel it’s just not something that would fit us. We’re all a bit punk, so we believe in “what you see is what you get”. 


8.Do you have any touring or show plans for the future?

 Kurt: We are lucky to get quite some shows on a lot of varied bills. So this year is starting to fill up nicely. A personal ambition is to do some weekend tours in Germany and Eastern Europe. I’m hoping we can play some fests next summer, especially Ieperfest would be great as I’ve been going there for 24 years. Rockstad in Romania is also a dream I’d really like to achieve.


 9.The physical version of the album is going to be released through many labels, can you tell us a little bit more about the labels you are working with on the new release? 

Kurt: Working with so many labels helps us get some more coverage and distribution. We chose Genet Records because it’s a legendary name from the 90’s, and in Belgium they provide a home base for bands that are crossing over and merging multiple genres. Bands like Last, Förbittring, Work of The Flesh, Verslinder, Dudsekop all share a similar background and vision as we do in a way. Tim from Bound By Modern Age actually contacted us after the split we did with Risale. He liked the songs and wanted to work with us. We talked to him and we shared very similar opinions and world views, so it was a no brainer to get him on board. He’s an all around great guy and him being situated in Germany is a great advantage for us as a band. 24 edge wear is a new clothing brand/label that was started by our good friend Nico. We will be the first release for him. I really wanted to get him aboard as I consider him a good friend. In My Heart Empire was recommended by us through our old label (Ugly and Proud Records). He has an amazing distro filled with punk,crust, grind, hardcore, death, thrash, back…. 


10.In 2023 you were a part of a split with 'Risale', what are your thoughts on the other band that had participated on the recording? 

Kurt: I really liked them. They incorporate that 90’s hardcore sound but put it in a modern package. Ozan was great to work with. Even though they were musically different from us, and they were way younger, we got along really well. It’s too bad they stopped right after the release of the split. So they couldn’t really promote it that well. I think they would’ve had a great future as a band. 


11.On a worldwide level how has the reaction been to your music by fans of melodic black and death metal?

 Kurt: The record will be officially released on october 4th, so you’re one of the first who heard it. Overall most people who heard it are really positive about it. It’s generally seen as a big step up from our split, both musically as production wise. I think this is some of my best writing so far, and most of our friends seem to agree to that. The singles we released in anticipation of the full album did get very good feedback, so that builds good confidence for the record. 


12.Where do you see the band heading into musically during the future? 

Kurt: I think we’ve set the foundation for our sound with this record. We will continue to build on this in the future. The current songs we are writing are a bit less mid tempo. So more fast but also real slow parts in there. Maybe also include a bit more of the old Swedish bands in our music like Grave, Dismember, Entombed… We’ll see. I like that our music allows for a multitude of influences and styles to be mixed into it. 


13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays? 

Kurt: When writing I get a lot of inspiration from my all time favorite records. I often think “What would Slayer do” when I’m stuck with a song. Big inspirations for me are black metal bands like Dissection, Watain and Darkthrone. Those records get a weekly spin at home. But a lot of classical death metal records also find their way into our music. Bolt Thrower’s “The fourth crusade”, At The Gates’ “Terminal spirit disease”, the later Death albums… A lot of “smaller” bands I look up to also find their way into our music. I’m really into bands like Ringworm and Der Weg Einer Freiheit, and our friends in The Infernal Sea from the UK have always been a band I’ve looked up to. 


14.Before we wrap up this interview, do you have any final words or thoughts? 

Kurt: First of all: Thank you very much for this interview and the support you’re giving our band. It really means the world to us when people express an interest towards our music. Also the people who read this: Thank you for checking us out! I’d encourage everyone who reads this to get involved in underground music. Start a band, do a zine, go to shows and maybe put on a gig yourself. It’s not the big fests and rockstar bands that keep metal alive, but people like you and me who are passionate about it




https://www.facebook.com/invictusxxx/

Deimhal/The Diabolical Liberation/2024 EP Review

 


  Deimhal  are  a  band  from  Finland  that  has  been  featured  before  in  this  zine  and  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2024  ep  "The  Diabolical  liberation".


  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  also  introducing  symphonic  elements  onto  the  recording.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  the  vocals  are  mostly  grim  sounding  black  metal  screams.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  operatic  female  vocals  can  also  be  heard  briefly.  Growls  can  also  be  heard  at  times  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  the  solos  and  leads  also  being  done  in  a  very  aggressive  yet  melodic  style  when  they  are  utilized.  clear  male  vocals  can  also  be  heard  briefly  and  one  song  also  adds  in  a  small  amount  of  classical  gutiars.


  On  this  recording  Deimhal  remain  true  to  the  symphonic  style  of  black  metal  that  they h ad  established  on  their  previous  release,  The  production  sounds  very  professional  while  the  lyrics  cover  darkness,  sin  and  diabolical  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Deimhal  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "The  Flesh  Words  Of  Sin".  8  out  of  10.


  Instagram: https://www.instagram.com/deimhalofficial/

Facebook: https://www.facebook.com/deimhalofficial

YouTube: https://www.youtube.com/@deimhalofficial

Spotify: https://open.spotify.com/artist/2YluMkoNrxPDj6YM3FvkvW

bandcamp: https://deimhal.bandcamp.com    

Sunday, August 25, 2024

Black Aeons/Entering The Shadows/Silent Watcher Records/2024 Full Length Review

 


  Black  Aeons  are  a  solo  project  from  Germany  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  his  2024  album  "Entering  The  Shadows"  which  will  be  released  in  November  by  Silent  Watcher  Records.

  
  Tragic  sounding  keyboards  start  off  the  album  before  going  into  a  very  fast  and  melodic  direction  which  also  adds  in  a  great  amount  of  blast  beats.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  riffing  also  adds  in  a  lot  of  death  metal  elements  and  the  music  is  heavily  rooted  in  the  mid  90's  Swedish  style.

  
  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  one  song  also  adding  in  a  brief  use  of  spoken  word  parts.

  and  synths  can  also  be  heard  briefly  along  with a  couple  of  tracks  also  adds  in  a  small  amount  of  acoustic  guitars  and  clean  playing  as  well  as  one  song  also  being  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  Death,  War,  Greek  Mythology  and  Nordic  History.

  
  In  my  opinion  Black  Aeons  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Dawn  Of  A  New  Time"  "Relentless  Fire"  "Shadows  of  A  Dying  Light"  and  "We  Are  The  Dead".  8  out  of  10.


Saturday, August 24, 2024

Invictus/Despair/Genet Records/Bound By Modern Age/In My Heart Empire/x24x Edgewear/2024 Full Length Review

 


  Invictus  are  a  band  from  Belgium  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2024  album  "Despair"  which  will  be  released  in  October  as a  joint  effort  between  Genet  Records.  Bound  By  Modern  Age,  In  my  Heart  Empire  and  x24x  Edgewear.


  A  very  fast  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  riffs  also  add  in  a  lot  of  melody  as  well  as  the  music  also  adding  in  a  lot  of  Gothenburg  influences  without  sounding  like  a  copy  of  that  area.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style  when  they  are  utilized  on  a  couple  of  tracks  and  one  song  also  adds  in  a  brief  use  of  acoustic  guitars,  some  of  the  mid  tempo  sections  of  the  tracks  also  show  an  influence  of  hardcore.


  Invictus  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  hypocrisy,  social  indifference  and  inhumanity  of  mankind. 


  In  my  opinion  Invictus  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Inhumane  Shells"  "Wolves"  "Despair"  and  "Screams  of  An  Enslaved  Choir".  8  out  of  10.


https://www.youtube.com/watch?v=u62FivZ_hfE

Forsaken Rite/The Forgotten West/2024 EP Review

 


  Forsaken  Rite  are  a  band  from  Edmonton,  Alberta,  Canada  that  plays  a  very  symphonic  form  of  folk  metal  and  this  is  a  review  of  their  self  released  2024  ep  "The  Forgotten  West"  which  will  be  released  in  September.


  Folk  instruments  and  symphonic  elements  start  off  the  ep  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  while  a  lot  of  the  vocals  are  done  in  more  of  a  clear  style  along  with  some  black  metal  screams  and  death  metal  growls  also  being  added  into  certain  sections  of  the  recording.


  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Rain  and  thunder  sounds  can  also  be  heard  briefly  along  with  the  music  also  capturing  a  very  medieval  atmosphere  at  times  and  most  of  the  recording  sticks  to  a  slow  or  mid  tempo  direction.


  Forsaken  Rite  plays  a  musical  style  that  takes  folk  and  symphonic  metal  and  mixes  it  with  the  heaviness  of  black  and  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  ancient  lore  and  heroic  feats.


  In  my  opinion  Forsaken  Rite  are  a  very  great  sounding  symphonic  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "The  Forgotten  West"  and  "Call  To  War".  8  out  of  10.


   Facebook.com/ForsakenRite | Instagram.com/forsaken_rite

yric Video - https://youtu.be/o8qp-l83nAI

Spotify - https://spoti.fi/4a3a8zS  

Misanthropia/Envy The Dead/WormHoleDeath Records/2024 Full Length Review

 


  Netherlands's  Misanthropia  have  returned  with  a  new  recording  which  moves  away  from  the  symphonic  elements  of  previous  releases  and  goes  for  more  of  a  melodic  and  progressive  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2024  album  "Envy  The  Dead"  which  will  be  released  in  September  by  WormHoleDeath  Records.


  A  very  horror  orientated  soundtrack  intro  starts  off  the  album  while  also  introducing  clean  playing  and  keyboards  onto  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  and  the  faster  parts  of  the  tracks  also  add  in  a  great  amount  of  blast  beats.


  Vocals  are  mostly  grim  yet  high  pitched  sounding  black  metal  screams  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  The  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  couple  of  the  tracks  also  being  long  and  epic  in  length.


  Elements  of  death  and  thrash  metal  can  also  be  heard  in  some  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style.  Tremolo  picking  can  also  be  heard  in  some  of  the  fast  riffs  as  well  as  the  album  also  having  its  progressive  moments.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  covering  horror,  necromancy  and  Jack  The  Ripper  and  other  historical stories.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Misanthropia  and  if  you  are  a  fan  of  melodic  and  progressive  black,  death  and  thrash  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Malediction  And  Laughter"  "Maze  Of  Madness"  and  "A  Deadly  Embrace,  A  Sinister  Grace".  8  out  of  10.


  misanthropia-official.nl/web

www.facebook.com/666misanthropia
www.instagram.com/misanthropiaholland
www.youtube.com/@misanthropiaofficial4167

Spotify: MisanthropiaSpotify   

Saturday, August 17, 2024

Slaughter The Giant Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?


Benny :Since the recording we took most of our time rehearsing the new songs so we can play them flawless when we release “abomination”, we did a few shows in between. In juli they asked us to did a support for the mighty “napalm death”, wich leaded to a very great show and the response was magnificent. We also played the “asgaard metal festival”, we’re we did a co-headline show with coffin feeder. September we are back in business with playing gigs and Nov 9 we will present our new album at our releaseshow!






2.You have a new album coming out in November, musically how does it differ from the stuff you have released in the past?


Benny: I think it’s even more darker, melodic, faster and catchier than “depravity”, I think it sounds more mature as well.




3.Some of the lyrics on the new album cover 'Alien Abductions', can you tell us a little bit more about your interest in this topic?


Benny: I always had a very big passion for horror and sci-fi movies. In depravity I did a song about zombies in “the undead”. And with “alien abduction”,… why would we be the only lifeform in the universe? Somewhere out there there is also something I think, but I’ll guess we’ll never know, who knows.




4.What ate some of the other lyrical topics and subjects the band has explored over the years with your music?


Benny: with our first EP “assylum of the damned”, most of the lyrics I wrote where about my inner demons, everyone has them and I wrote them down. With “depravity”, the lyrics are about how depraved the world is, my view on catholism, how I despise religion. Also how the world is crumbling, breaking apart, how selfish society is….


And with “abomination”, it’s more about killers, the supernatural, universe…




5.What is the meaning and inspiration behind the name 'Slaughter The Giant'?


Well, you can fill that in in many ways. The Giant is synonym with many things. It can be something you are handling in life, demons, drug abuse, alcohol abuse, inner self..


Everyone can fill in that part for themselves.




6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


Benny: we were looking for an artist and Jeroen found Timon Kokott. An artist who first paints the artwork on a canvas. We gave him the lyrics and the music, the result was amazing, we liked it from the very first moment, Jeroen also has the canvas at his home. 




7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?


Benny: Well, our best show was last year on the Alcatraz festival in Belgium, we played for 2-3000 people, a no barrier show. So from the moment we started playing people were coming on the stage to headbang with us, stagedive… we took a shitload of inflatables with us, crocodiles and stuff, people were surfing on it. The best part was when we saw a kid in a wheelchair crowdsurfing, he managed to get on stage and from that moment we became friends. For every show he has free entrance, and we see him often, but that was one of the coolest shows ever. 


Our stage performance is pretty intense, I always try to interact with the crowd, go in the crowd, because without them, there is nothing. 




8.Do you have any touring or show plans for the new album once it is released?


 Benny: A few minitours are being planned, also the bigger venues are booking us, so it’s all about promoting “abomination” and playing as much as we can. We hope to do some festivals in the summer of 2025.




9.The new album is going to be released on 'At Dawn Records', how would you compare working with this label to your previous label 'Hammerheart Records'?


Benny: Hammerheart helped us gaining more fans, they are a big label and we are grateful for that. When I had my first contact with Henric (at dawn records), I had a good feeling and he has the same mindset like us! So we can say that at dawn records is a very fine label who is really there for the band, and that’s important!




10.On a worldwide level how has the reaction been to your music by fans of black and death metal?


Benny: very positive actually, the comments are very good, we see the number of fans growing every day, and that gives a good feeling.




11.Where do you see the band heading into musically during the future?


Benny: you can say that we will continue making our sound as it is now, like every band we want


To grow with every record. 


And playing the bigger stages is also a thing were we are working towards to.




12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Benny: I think the biggest influences are the black dahlia murder, dimmu borgir and necrophobic. Lately I’m listening to the new storm upon the masses and nether (they will also attend on our release show), but also listening to old rock n roll like chuck berry, Jerry Lee Lewis..




13.Before we wrap up this interview, do you have any final words or thoughts?


Yeah, to everyone who’s reading this, don’t stop


Supporting local bands and venues 🫶🏻


https://open.spotify.com/intl-pt/album/6BfAP6ZjdxRWAxQrJYSxdt?si=wkYmaZ8oTGCsOoTVgW4L1A
https://www.facebook.com/slaughterthegiant
https://www.instagram.com/slaughterthegiant