Friday, July 16, 2021

Oscenrad Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the solo project?


Oscenrad was founded as a solo project in the winter of 2017 falling under the spectrum of what most would classify as being Epic/Viking/Pagan Metal. Personally, I prefer to place Oscenrad into its own category of Anglo-Saxon Heathen Metal - I think it’s a lot more fitting for Oscenrad as a whole.


2. Recently you have released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?


I never really went for one style in particular - I was focussed more on crafting my own, original sound off the back of my musical influences and inspirations. When approaching the music for Beyond the Fells, I wanted to create a huge, immersive and awe-inspiring sound. I wanted the album to flow as one cohesive piece, to carry the listener from beginning to end whilst leaving a lasting impression. I wanted it to inspire the same feelings I once felt when I first listened to Bathory or Moonsorrow. 


Production wise, I had a very specific goal in mind for the mix once I had all the songs written and ready to be tracked and I’m quite pleased with how the album turned out overall! It doesn’t sound too polished or over-produced; it’s got character and grit - a rawness to it that a lot of metal is sadly lacking these days.


3. You worked on the new album for 4 years, can you tell us a little bit more about the process you went through to achieve the sound that was presented on the recording?


The process was a long one and back when I first started writing music, I always said to myself that I’d only ever release anything I felt to be truly original and authentic, otherwise, what’s the point? I had to develop my own sound and character as a musician before I was willing to go forward and release anything. This was something that took years to build and now, I feel I can finally push forward and unleash my vision!


In terms of the actual song writing process for Beyond the Fells, it was really a mix of things. Sometimes, it would be a case of piecing together different parts or ideas I had written previously in order to come up with one, solid track, as was the case for the title track Beyond the Fells or Runes Ye Shall Find. Other times it was a case of having one or two riffs or melodies that would naturally expand and grow into its own thing, like for Seeress or Across the Waves and then, like with Of Wolf and Blood, it was purely a case of “chasing” a particular atmosphere or concept and building upon that to ultimately create a fully fleshed out piece of music. 


All in all, though, I tried to create an interesting, layered soundscape with lots of dynamics and moving parts. Every riff, melody, beat and vocal line has its place. During the writing process, I would scrutinise every individual component to make sure that they all met the high standards I had set for myself and for Beyond the Fells. I firmly believe that if you’re going to unleash your music upon the world, especially for the first time, you’d better make sure that you put your very heart and soul into it!


4. A lot of your lyrics cover Norse and Anglo Saxon Paganism, can you tell us a little bit more about your interest in this path?


This is something I’ve always been interested in and is a topic very close to my heart. Ever since I saw the famous Sutton Hoo Helmet as a child and all the various artefacts found amongst the ship burial at Sutton Hoo, I’ve been deeply interested in the world of the Anglo-Saxons and everything to do with them. There are so many fascinating parts to the Anglo-Saxon world; the folklore and mythology, the language and poetry, the artwork and aesthetics, the epic poem Beowulf, the Old Gods such as Woden and Thunor as well as the runes and so much more.


When it comes to Norse Paganism and mythology in particular, I see it as more of a portal or a tool in helping to understand more about the Anglo-Saxon worldview, seeing as the Anglo-Saxons and the Norse both shared a common origin and heritage.


Anglo-Saxon and Norse history/mythology share a commonality and cross over with each other in several areas, so its quite natural to be interested in these subjects, both from a historical and spiritual point of view. 


5. On one of your songs you also made a reference to Druids, do you also have an interest in Druidism?


If you’re referring to the line “Of dragons and druids” from “Across the Waves” then I think that ties in nicely with the above question. Druids were obviously highly important figures in ancient Britain and are still, thousands of years later, a source of mystery and wonder. For me, the Druids were just one of the many aspects of Paganism in ancient Britain, so yes, naturally, I’m interested in them. 


6. Some of your other lyrics cover history, poetry and philosophy, can you tell us a little bit more about your interest in these topics?


From a young age I’ve always been interested history. Visiting different castles and ruins across Britain, seeing all the various ancient landmarks and going to museums and exhibitions all struck a chord with me from a young age, so history has always been a keen interest of mine. Living in England, with such a rich and complex history, how could you not be interested?!


When it comes to poetry, my interest lies mostly in Old English and Norse poetry, as well as the Sagas, which all serve as huge sources of inspiration for me - look at Beowulf, the Hávamál or some of the lesser known Old English poems such as The Ruin or The Wanderer, to name a few, and tell me you’re not inspired? Poetry was a big part of Anglo-Saxon and Norse culture, so I’ve always been interested in it as it serves as means of understanding how our ancestors saw the world.


I’ve had an interest in philosophy since I was a teenager. I read through some of the various writings by the usual suspects (Nietzsche in particular, which has become a bit of a cliche at this point in the metal world, haha!) and found some insightful viewpoints which helped me to develop my own worldview. Lately, I’ve been looking into Stoicism (mostly Epictetus and Aurelius) and its basic principals. There’s some really enduring wisdom that can be found in their works which can still be applied to many different aspects of life today in the modern age, even though their writings are two thousand years old! 


7. What is the meaning and inspiration behind the name 'Oscenrad'?


Oscenrad is the combination of three of the Anglo-Saxon runes, known as the Futhorc.


Os - God(s)/Woden/mouth


Cen - Torch/fire


Rad - Ride/journey


I wanted something that would convey the message behind Oscenrad, with the “cen” being the torch that’s carried through the darkness, the “rad” being the journey through that darkness and the “os” being the Gods and heritage to which that journey is directed towards. 


8. On the album cover you also used some artwork from 'Sidney Richard Percy', can you tell us a little bit more about your interest in his paintings?


When I came up with name for the album, Beyond the Fells, the idea for the album cover came naturally - I needed mountains! British mountains! I combed through various pieces by British artists from the Victorian era and came across the one that ended up being used for the album cover. I would definitely recommend checking out Sidney Richard Percy’s work for anyone who’s into Victorian/19th century British landscape painters!


9. With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?


That depends! Half the point of Oscenrad is that it’s a solo project - it’s my vision, my expression but that doesn’t mean that I’m opposed to collaborating with or featuring other musicians in the future. Only time will tell!


10. On a worldwide level how has the reaction been to your music by fans of folk, viking, pagan, black and death metal?


So far the reaction has been outstanding! Far better than I had anticipated! I never expected to have gotten such a positive reception this early on, so I’m really grateful to everyone who’s shown their support!


11. Where do you see yourself heading into as a musician during the future?


As I mentioned earlier, now that I feel I have found my own sound and character as a musician, I’m ready to march on and unleash more music! There’s plenty cooking already in the Oscenrad Oven™! At the moment, I have most of the music and lyrics written for an EP which will be released in the near future (this is going to be more of a concept release - more on that later!).


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Without a doubt, the two major bands that influenced me are Bathory and Moonsorrow. The fire inside that was set when I first listened to those two bands is still burning and has acted as a major creative force for me throughout. 


As far as what I’ve been listening to lately, I’ve been getting back into Mercyful Fate! Melissa and Don’t Break the Oath are fantastic albums! I’m currently listening to The Shadowthrone by Satyricon as I’m writing this (alongside Dark Medieval Times, these two albums have been major influences on my music). I’ve also been listening to Primordial, Taake, Iron Maiden, Marduk and Dissection over the last couple of weeks. Oh, and Darkthrone’s latest album has quickly become one of my favourites! I love that raw sound they’ managed to achieve!


(Shoutout incoming!) I’ve also been listening to an up-and-coming band hailing, too, from Suffolk, called Heathen Kings! If you’re a fan of NWOBHM/Epic Metal then give them a listen! Top lads and stellar musicians! In the Hall of the Kings is a particular favourite of mine!


13.Before we wrap up this interview, do you have any final words or thoughts?


I’d like to say a massive thank you to everyone who’s supported Oscenrad so far! I am deeply grateful and humbled by all of the support! I’d also like to say thank you for providing me with the opportunity to take part in this interview!


Check out Oscenrad on bandcamp and all the socials! Let’s spread Beyond the Fells far and wide!


Keep the ancient fire burning!


Hails!


Hæðenwulf

Website: oscenrad.com
Bandcamp: https://oscenrad.bandcamp.com/
Facebook: https://www.facebook.com/ oscenrad
Youtube: https://www.youtube.com/ channel/ UCyagK0s53BG7cG84CdDc6Jg
Spotify: https://open.spotify.com/ artist/001G1BJcqW125huqZJVK6H? si=6h2AbqbeTFysnqzDozcPOA&dl_ branch=1
Instagram: https://www.instagram.com/ oscenrad/
Twitter: https://twitter.com/oscenrad
VK: https://vk.com/oscenrad

Wednesday, July 14, 2021

Journey Into Darkness/Infinite Universe, Infinite Death/Spirit Coffin Publishing/2021 Full Length Review

 


  Journey  Into  Darkness  are  a  solo  project  from  Florida  that  has  been  featured  before  in  this  zine  and  plays  a  symphonic  mixture  of  black,  doom  and  death  metal  and  this  is  a  review  of  his  2021  album  "Infinite  Universe,  Infinite  Death"  which  will  be  released  in  September  by  Spirit  Coffin  Publishing.


  A  very  fast  and  aggressive  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Symphonic  elements  are  also  mixes  in  with  the  heavier  sections  of  the  songs  while  the  vocals  are  mostly  high  pitched  black  metal  screams  as  well  as  some  death  metal  growls  also  being  utilized  at  times.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  the  slower  sections  of  the  songs  also  show  an  influence  of  doom  metal  and  there  are  also  a  couple  of  ambient  orientated  instrumentals.


  On  this  recording  Journey  Into  Darkness  remains  true  to  the  symphonic  mixture  of  black,  doom  and  death  metal  that  he  had  established  on  his  previous  release.  The  production  sounds  very  professional  while  the  lyrics  cover  scientific  and  space  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Journey  Into  Darkness  and  if  you  are  a  fan  of  symphonic  black,  doom  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Leave  This  Place"  "Cosmic  Knot"  and  "Entanglement".  8  out  of  10.


http://journeyintodarkness.bandcamp.com/album/infinite-universe-infinite-death

https://jidarkness.com
https://journeyintodarkness.bandcamp.com

https://www.facebook.com/JourneyIntoDarkness      

Withering Soul/Last Contact/Mortal Music/2021 Full Length Review

 


  Chicago,  Illinois's  Withering  Soul  has  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  a  melodic  style  of  blackened  death  metal  and  this  is  a  review  of  their  2021  album  "Last  Contact"  which  will  be  released  in September  by  Mortal  Music.


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  the  riffs  also  add  in  a  great  amount  of  melody.  When  the  music  speeds  up  a  lot  of  blast  beats  can  also  be  heard  along  with  the  vocals  also  adding  in  a  mixture  of  death  metal  growls  and  black  metal  screams  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  along  with  some  keyboards  also  being  added  into  some  parts  of  the  album.


  One  of  the  tracks  is  also  very  long  and  epic  in  length  along  with  the  music  also  moving  away  from  the  gothic  elements  that  where  more  present  on  their  previous  releases  as  well  as  one  track  also  introducing  clean  playing  onto  the  recording,  as  the  album  progresses  a  brief  use  of  melodic  vocals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  communications  between  the  living  and  the  deceased.


  In  my  opinion  this  is  another  great  sounding  album  from  Withering  Soul  and  if  you  are  a  fan  of  melodic  and  blackened  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Allergy  Of  The  Void"  "Ascent  To  Madness"  and  "Uncharted  Course".  8  out  of  10.



https://witheringsoul.bandcamp.com/ 

https://www.facebook.com/witheringsoulband 


https://youtu.be/q9HanvXiWlw


  


Hexenklad/Heathenheart/CDN Records/2021 CD Review

 


    Hexenklad  are  a  band  from  Ontario,  Canada  that  has  been  featured  before  in  this  zine  and  plays  a  melodic  mixture  of  black  and  folk  metal  and  this  is  a  review  of  their  2021  album  "Heathenheart"  which  will  be  released  on  July  23rd  by  CDN  Records.


  Melodic  riffing  starts  off  the  album  while  clear  chants  can  also  be  heard  at  times  along  with  the  vocals  also  adding  in  a  great  amount  of  black  metal  screams,.  When  the  music  speeds  up  a  lot  of  tremolo  picking  and  blast  beats  can  also  be  heard  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  When  keyboards  and  orchestrations  are  utilized  they  also  give  the  music  more  of  a  symphonic  feeling.  The  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  clean  pagan  vocals  also  being  added  into  some  parts  of  the  recording  and  acoustic  guitars  are  also  added  on  some  of  the  tracks.


  Elements  of  folk  music  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  of  the  songs  also  adding  in  a  small  amount  of  spoken  word  parts  as  well  as  some  tribal  style  percussion  also  being  used  briefly,  one  of  the  later  tracks is  also  an instrumental  and  towards  the  end  clarinets  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  Norse  Paganism  and  heathenism  themes.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Hexenklad  and  if  you  are  a  fan  of  melodic  black  and  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Heathenheart"  "Dark  Moon  In  Capricorn"  "A  Thousand  Paths  To  Wisdom"  and  "Upon  The  Wings  of  Valkyries".  8  out  of  10.


Facebook.com/hexenklad 
Instagram.com/hexenklad
Hexenklad.bandcamp.com
Spotify

Tuesday, July 13, 2021

Psychomancy Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?


 


Psychomancy is a musical project that emerged in Medellín Colombia in 2020. It is a function of different trends such as Black Metal, Death Metal, Industrial and Symphonic Metal. The lyrics speaks mystical and ancestral themes in conjunction with lost memories of ancient cultures.


 


2.You have a new album coming out in July, can you tell us a little bit more about the musical style that you went for on the recording?


 


We started production of a second full-length, currently we are in the pre-production stage. We hope to release it at the end of this year. It is a continuation of our first album Divine Archetype in which we will deal with themes associated with the shamanic spiritual world and darkness from ritual magic.


 


3.The lyrics on the recording are a concept album, can you tell us a little bit more about the story that you have covered with your lyrics?


 


The general concept of the album is the mysticism of ancient cultures and the archetypes about the origin of the human being. In Our Divine Archetype album, themes related to the archetype of God and Gods from other cultures, visitors from other worlds, the power of faith over man and the origin of darkness are addressed.


 


4.You also made some reference to 'Vimina's and Eliphas Levi, do you have some interests in Vedic Mythology and Western occultism?


 


We do not deal directly with themes related to the occultism but some of our lyrics were inspired by a book of traditional fables by the famous occultist Eliphas Levi, for example the song Exiled from our album and the song Dead Tree. Regarding Vedic mythology, it is a culture that awakens our interest, especially because of the ritual magic that surrounds its knowledge. Although we have not delved much into their beliefs, we do deal with some issues related to visitors from other worlds and the idea of superior beings that have populated the earth in other times.


 


5.What is the meaning and inspiration behind the name 'Psychomancy'?


 


Psychomancy is an ancient ritual magic practice where matter is controlled through thought and mental power. Very strongly practiced by shamans in different cultures. We gave this name to the project because it translates very well the atmosphere we want to give to the music.


 


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


 


The album cover was thought before the lyrical construction of the album, each element refers to the different songs, for example the shaman has a fusion of cultures in his composition from the eastern to the western in the posture and accessories. The elements where the shaman is sitting speak of the archetype of time and the stars of our solar system, the ruins are typical of the Hindu religion creating a little that mystical environment that we want to represent.


 


 


7.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?


 


We are thinking of increasing our line-up for this next album in order to deliver a better quality product, we have been working to find the right musicians for the project that allow us to continue with the sonic essence created.


 


8.Currently you are unsigned, are you looking for a label or have received any interest?


 


At the moment it is not a priority for us, but of course we are looking for a label that can help us grow and reach more audience.


 


9.On a worldwide level how has the reaction been to your music by fans of melodic progressive and symphonic black and death metal?


 


Our music is a combination of many genres, among these those previously mentioned, we try to give a broader perspective to what we do and from our perception regarding what the audience can contribute, we consider that it has been well accepted by listeners of different genres. we would dare to say that the listeners of the symphonic and melodic metal are the ones who had the best reaction to our music


 


10.What is going on with 'Gaias Pendulum' these days, a band that also shares a couple of the same members?


 


 


Gaias Pendulum is a currently active band, with more than 20 years of experience and that released their last album called "Arhat" last November 2020 and is a very important reference of gothic metal in South and Central America. Psychomancy was born from two of the members of this band in order to project and create new musical proposals and project a more mature and versatile sound than Gaias Pendulum is.


 


11.Where do you see the band heading into musically during the future?


 


Our projection into the future is to be able to position our music worldwide and show that in countries like ours there are also musical proposals that can compete with the European and Asian markets.


 


 


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


 


Our main musical influences are bands like Samael, Rotting Christ, Septicflesh, Moonspell among others and recently we have discovered very good bands according to our musical tastes such as Ex Deo, In Vain, October Tide, My Dying Bride. 


 


 


13.Before we wrap up this interview, do you have any final words or thoughts?


 


Psychomnancy is a new project that currently consists of only two members, which was born under a world in a pandemic. For which it has not been possible to reach any scenario yet and it is not our objective either. We would rather see this project as a projection of new ideas and sounds designed mainly to reach and beheard by people all over the world.

Website: https://psychomancy.info
Bandcamp: https://psychomancy.bandcamp. com/
Facebook: https://www.facebook.com/ Psychomancy.band
Youtube: https://www.youtube.com/ psychomancy
Spotify: https://open.spotify.com/ artist/14rDuMIdUdtjWTqmVXXyxz? si=DfFHUoR_TVeK-NMv6zscFw
Instagram: https://www.instagram.com/ psychomancy.band/

Saturday, July 10, 2021

Ænigmatum/Deconsecrate/20 Buck Spin/2021 Full Length Review

 


  Ænigmatum  are  a  band  from  Portland,  Oregon  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2021  album  "Deconsecrate"  which  will  be  released  in  August  by  20  Buck  Spin.


  Drums  start  off  the  album  before  going  into  a  very  fast  and  brutal  direction  which  also  adds  in  a  great  amount  of  blast  beats.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  The  songs  also  bring  in  a  good  mixture  of  both  modern  and  old  school  influences  along  with  the  faster  riffing  also  adding  in  some  tremolo  picking.


  One  track  also  introduces  clean  playing  onto  the  recording  as  well  as  some  of  the  tracks  also  being  long  and  epic  in  length  along  with  one  song  also  being  an  instrumental  which  also  adds  in  a  brief  use  of  synths  and symphonic  sounds  before  returning  back  to  a  heavier  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  esoteric  themes.  


  In  my  opinion  Ænigmatum  are  a  very  great  sounding  melodic  mixture  of  black  and  deat h metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Forged  From  Bedlam"  "Fracturing  Proclivity"  and  "Animus  Reflection".  8  out  of  10.


  https://aenigmatum.bandcamp.com

https://www.instagram.com/aenigmatum_pdx

https://www.facebook.com/profile.php?id=100063560651573  

8 Hour Animal/Resigner/Sentient Ruin Laboratories/2021 Full Length Review

 


  8  Hour  Animal  are  a  solo  project  from  the  United  States  that  plays  a  mixture  of  black  metal,  punk,  harsh  noise,  power  electronics,  industrial,  drone  and  dark  ambient  and  this  is  a  review  of  his  2021  album  "Resigner"  which  will  be  released  in  August  by  Sentient  Ruin  Laboratories.


  Spoken  word  parts  start  off  the  album  before  adding  in  a  very  powerful  sounding  bass  guitar  a  few  seconds  later.  Industrial  style  beats  are  also  utilized  quite  a  bit  throughout  the  recording    while  the  vocals  are  mostly  black  metal  screams  along  with  a  great  portion  of  the  tracks  also being  very  long  and  epic  in  length.


  Samples  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  songs  also   mix  in  a  great  amount  of  power  electronics  and  harsh  noises.  Clean  vocals  can  also  be  heard  briefly  along  with  all  of  the  drum  beats  also  being  programmed  as  well  as  some  tracks  also  adding  in  elements  of  dark  ambient  and  drone,  at  times  the  tracks  also  mix  in  the  raw  energy  of  punk  rock.


  8  Hour  Animal  plays  a  musical  style  that  takes  black  metal,  punk,  harsh  noise,  power  electronics,  industrial,  drone  and  dark  ambient  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  while  the  lyrics  cover  dark  and  disturbing  themes.


  In  my  opinion  8  Hour  Animal  are  a  very  great  sounding  mixture  of  black  metal,  punk,  harsh  noise,  power  electronics,  industrial,  drone  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Almost  Free"  and  "Wake".  8  out  of  10.


BANDCAMP RELEASE