Thursday, June 4, 2020

Varus/A New Dawn/2020 Full Length Review


  This  is  a  review  of  another  recording  from  Germany's  Varus  which  continues  the  symphonic  and  melodic  mixture  of  folk,  melodic  black  and  death  metal  and  the  album  will  be  self  released  on  June  27th,  2020.

  Stringed  instruments  along  with  some  symphonic  sounds  start  off  the  album  along  with  a  brief  use  of  operatic  female  vocals  which  also  appear  on  later  tracks  before  going  into  a  heavier  direction  but  keeping  the  symphonic  elements.  Vocals  are  mostly  black  metal  screams  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Folk  instruments  can  also  be  heard  in  some  parts  of  the  recording  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds up  a  great  amount  of  blast  beats  can  be  heard  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.

  A  couple  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.  The  songs  also  add  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  death  metal  growls  also  being  added  into  some  parts  of  the  recording  and  some  tracks  also  add  in  some  clean  pagan  vocals  and  as  the  album  progresses  a  brief  use  of  acoustic  guitars  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  German  and  cover  local  myths/legends,  the  art  of  drinking,  Romanticism,  War  and  Historical  themes.

  In  my  opinion  this  is  another  great sounding  recording  from  Varus  and  if  you  are  a  fan  of  symphonic  and  melodic  folk,  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Awakening"  "Ein  Lebewohl"  and  "The  Minstrels  Chant".  8  out  of  10.

 https://youtu.be/fjVK1I4nFVk

Varus/Till The Sun Rises/2020 CD Review


  Varus  are  a  band  from  Germany  that  plays  a  symphonic  form  of  folk  metal  along  with  some  elements  of  melodic  black  and  death  metal  and  this  is  a  review  of  their  self  released  2014  album  "Till The  Sun  Rises".

  A  very  symphonic  and  epic  sound  starts  off  the  album  while  also  adding  in  some  touches  of  classical  music  while  also  capturing  the  atmosphere  of  a  fantasy  movie  soundtrack  and  the  symphonic  elements  also  mixes  in  with  the  heavier  sections  of  the  music  and  the  riffs  also  add  in  a  great  amount  of  melody.

  Black  metal  screams  are  also  utilized  quite  a  bit  throughout  the  recording  while  clean  pagan  vocals  are  also  utilized  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  some  death  metal  growls  also  being  added  into  certain  sections  of  the  music.

  Folk  metal  elements  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  blast  beats  also  being  added  into  the  faster  sections  of  the  music.  The  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  a  brief  use  of   folk  instruments  and  whispered  vocals  can  also  be  heard,  acoustic  guitars  can  also  be  heard  briefly  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  are  written  in a  mixture  of  English  and  German  and  cover  local  myths/legends,  the  art  of  drinking,  Romanticism,  War  and  Historical  themes.

  In  my  opinion  Varus  are  a  very  great  sounding  symphonic  and  melodic  mixture  of  folk,  black  and  death  metal and  if  you  are  a  fan  of  those  musical  genres, you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "One  Day"  "Nachtgiger"  "Des  Winters  Tod"  and  "Till  The  Sun  Rises".  8  out  of  10.

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Tuesday, June 2, 2020

Ba'alzamon Interview

1.Can you give us an update on what is going on with the band these days?

Marc: We all lead separate lives for the most part. This is mostly due to living so far from each other. While this hinders any hopes of live performances at the moment, we still have fun trading riffs and continuing to create music together. The internet and digital workstations have been great to us in that regard.

Rob: We are starting to track some demos for the follow up album. As a band that likely won’t be doing any touring, we want to keep the ball rolling somehow. We talked about it and I will be 50 in eight years, we’d like to have four albums out by then. So, one every 2 ½ to 3 years for the next decade.

2.In September you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

Rob: Well, what we released in September was more a demo than anything, the fully mixed and mastered album officially released in May 2020. We weren’t shooting for any particular style; we just write what we think sounds good and build upon that. 

Marc: I think we initially were trying to just redo most of the older songs as a fun project that helped keep us connected as friends. We had older demo recordings from around 1999 and wanted to update them to reflect what we have learned as musicians over the last couple decades. Once those were completed, we continued to write in the same vein musically because that just seems to be how things fall into place for the three of us. In a nutshell, I don't think we're ever going for a particular sound exactly. I think we just play what comes to us and it sounds how it does.

3.The band formed in 1998 and broke up in 2001, what was the cause of the split and also the decision to reform?

Marc: Towards to end of our initial run there was some turmoil brewing within the group. We had other guys playing with us at the time and things just didn't seem to work out overall. During the past couple decades, we were all involved in music somehow and I think it was just decided that we should try to get those original songs recorded for our own personal enjoyment. Once we started that process it just kind of took off for us again.

Curtis: Well the disbanding was brought on by many things. A big portion was due to not having support in the local scene (which was thriving at the time). There was national publicity in the Little Rock sludge scene which I was a part of, but somehow Ba'alzamon was not. On any given weekend, you would see some amazing extreme band come through with 2 or 3 stoner bands made up of the same handful of guys, and that was beyond frustrating. All that, along with previous members causing turmoil within the band, just killed it for all of us for a while.

4.What are some of the lyrical topics and subjects the band has explored so far with the music?

Marc: The original songs from the 1998-2001 era were kind of all over the place. There was no one solid topic that we used. We had a protest song (There Was No Blood), a song about cults (Heathens of the Blackest Fold), and even a song about celestial rebirth (A Vow of Celestial Fealty). We were younger then and were exploring many topics based on the state of the world then and also our influences at the time.

Curtis: Subjects tend to gravitate toward Cults and cult type activity, astral projection, breaking out of dark places in life and destroying what oppresses you. One song is a dedication for my love of nature and the beauty of the Ozarks.

5.I know that the band’s name comes from Robert Jordan's "Wheel of Time” series, can you tell us a little bit more about your interest in these writings and also are there any other fantasy authors that have had an influence on the music?

Marc: Unfortunately, I'm not much of a fantasy reader. That would be Rob who read those books and suggested the name. I'm personally more of a Sword and Sandals guy, while The Wheel of Time is Sword and Sorcery type stuff.

Curtis: Knights of Soth is about a character in the Dragonlance / Ravenloft series.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Marc: We wanted to capture some of the area where Ba'alzamon first got together as a band and started writing while also keeping things a little spooky.

Curtis: I took that while at sunset on a swampy part of Lake Conway.

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Rob: Probably a show we did at a place called Vino's. It is a staple club in the scene (has been for decades), and it was kind of a rite of passage to play there. Plus, I can still remember the after-party pretty well, and that was, I think, where we were peaking with that particular line-up.

Marc: We were a wild bunch for sure. Lots of DIY theatrics. We would use fake blood, homemade stage lighting and whatever else we could think of to try to give the crowd the best show possible. My personal favorite show that we ever played was at Vino's in Little Rock. We had all seen many bands that we loved there so sharing that same stage finally was a great experience. Other shows that are memorable were at The Parlor Tattoos in Little Rock and The Electric Moo in Russellville.

8.Currently you are unsigned, are you looking for a label or have received any interest?

Marc: I don't believe we've received any interest at this point. It may be a bit soon for that considering the album just got released. I think if the right offer were to come around, we may be interested.

9.On a worldwide level how has the reaction been to your music by fans of black and death metal?

Marc: People into metal seem to like it so far and we've received some good reviews. I'm not sure how many international listeners have heard us at this point, however.

10.Where do you see the band heading into musically during the future?

Marc: I think we'll keep writing music and working on the next release. With modern technology and faster ways of trading ideas, we could probably do this for a long time to come.

Rob: When we last spoke on it, we talked about doing 3 more albums before evaluating if it was worth continuing. For now, we are starting to lay some tracks for the next album.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Rob: A lot of early second wave black metal and early symphonic black metal. Those first few Emperor, Cradle of Filth and Dimmu Borgir albums, anything produced by Peter Tägtgren, some early melodic death metal. That is what influences me. I listen to a wide variety of things but lately have enjoyed the newest mgła album, Deathspell Omega, Dark Funeral’s Angelus Exuro pro Eternus.

Marc: I think we had a lot of black metal influence early on. I've personally never been much of a true death metal fan and was always the guy trying to get Luca Turilli into the CD rotation at parties. Cradle of Filth was a favorite especially during the Dusk and Her Embrace/Cruelty and the Beast era. Dimmu Borgir's Spiritual Black Dimensions was another one I think we all listened to often. There was also Borknagar, Manowar, Acid Bath, Rwake, Emperor, etc. Nowadays I'm listening to mostly bands like Nargaroth, Rotting Christ, Lustre, None, and Insomnium.

Curtis: UADA, Dopethrone, Graves at Sea, Origin, Cattle Decapitation


12.What are some of your non-musical interests?

Marc: I'm actually an avid trading card collector. I mainly stick with baseball, football and Star Wars cards. I have a good time buying, selling and trading with others like me who just enjoy the hobby.

Curtis: Camping, kayaking, youth football really all the youth sports we are involved in.

Rob: I am currently working on a PhD in Communication and Information Studies. I am in the dissertation phase, with two kids aged seven and one, as well as teaching undergraduate courses, so all that eats up most of my time. Any free time I usually dedicate to music.

13.Before we wrap up this interview, do you have any final words or thoughts?

Marc: Just that we appreciate every single person who has given us a listen and hope to continue making music. Thank you to everyone who has listened and reviewed us as well.
involved in,

Sunday, May 31, 2020

Throwing Bricks/What Will Be Lost/Tartarus Records/2020 Full Length Review


  Throwing  Bricks  are  a  band  from  the  Netherlands  that  plays  a  mixture  of  black, sludge  metal,  hardcore  punk  and  screamo  and  this  is  a  review  of  their  2020  album  "What  Will  Be  Lost"  which  was  released  by  Tartarus  Records.

  Clean  playing  starts  off  the  album  before  going  into  a  heavier  direction  while  the  riffs  also  add  in  a  decent  amount  of  dark  sounding  melodies.  The  slow  riffs  also  add  in  the  heaviness  of  sludge  metal  along  with  the  vocals  being  a  mixture  of  black  metal  screams  and  growls  along  with  the  solos  and  leads  being  done  in  a very  melodic  style.

  When  the  music  speeds  up  a decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  while  the  music  also  brings  in  elements  of  screamo  and  hardcore  punk.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  a  couple  of  the  tracks  also  being  long  and  epic  in  length.

  The  songs  also  bring  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  clean  playing  also  making  a  return  on  some  of  the  later  tracks  and  as  the  album  progresses  atmospheric  sounding  drones  can  also  be  heard  in  certain  sections  of  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  emotional  themes.

  In  my  opinion  Throwing  Bricks  are  a  very  great sounding  mixture  of  black,  sludge  metal, hardcore  and  screamo  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Day  He  Died"  and  "Galling".  8  out  of  10.


https://www.facebook.com/throwingbricksband/

https://throwingbricksband.bandcamp.com/  

Mary & The Highwalkers/Hounds/2019 CD Review


  Mary  &  The  Highwalkers  are  a  band  from  Poland  that  plays  a  mixture  of  black,  sludge,  doom  and  stoner  metal  and  this  is  a  review  of  their  self  released  2019  album  "Hounds".

  A  very  distorted  sound  starts  off  the  album  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.  Elements  of  sludge  and  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  along  with  some  clean  playing  also  being  utilized  on  a  few  tracks  and  when  the  music  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard.

  Vocals  are  mostly  high  pitched  sounding  black  metal  screams  while  the  riffs  also  add  in  a  decent  amount  of  stoner  style  melodies.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  clean  vocals  also  being  utilized  on  some  of  the  tracks.

  Some  of  the  songs  are  also  very  long  and  epic  in  length  along  with  some  tremolo  picking  being  added  into  some  of  the  faster  riffing  as  well  as  the  solos  and  leads  also  adding  in  some  touches  of  70's  rock/metal  but  mixing  it  with  a  more  modern  day  heaviness.  The  production  sounds  very  professional  while  the  lyrics  cover  evil  and  sorrow  themes.

  In  my  opinion  Mary  &  The  Highwalkers  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Hounds"  "..What  Sinners  Pay  For"  and  "Feast".  8  out  of  10.

https://www.facebook.com/maryandthehighwalkers/
https://www.youtube.com/channel/UChNSLdAd0PObme2E7jjBLAQ
https://maryandthehighwalkers.bandcamp.com/
https://www.instagram.com/maryandthehighwalkers/

  

Dawn Of Ashes/The Antinominion/Artofact Records/2020 CD Review


  Dawn  Of  Ashes  are  a  band  from  Los  Angeles,  California  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  industrial,  ebm  and  black  metal  and  this  is  a  review  of  their  2020  album  "The  Antinominion"  which  will  be  released  in  July  by  Artofact  Records.

  An  ebm  style  sound  starts  off  the  album  along  with  a  great  amount  of  programmed  beats  along  with  the  vocals  being  mostly  distorted  black  metal  screams.  The  music  also  mixes  in  a  lot  of  industrial  elements  along  with  the  music  also  capture  a  very  ritualistic  atmosphere  in  some  parts  of  the  recording.

  Spoken  word  parts  are  also  added  into  some  parts  of  the  tracks  while  the  music  also  incorporates  a  great  amount  of  samples.  Heavy  guitar  riffs  are  also  mixed  in  with  the  more  dark  electro  style  of  the album  giving  the  music  more  of  an  extreme  metal  heaviness  along  with  some  electronic  drums,  a  couple  of  the  tracks  are  also  long  and  epic  in  length  as  well  as  one  song  also  introducing  growls  onto  the  album    and  all of  the  music  sticks  to  either  a  slow  or  mid  tempo  style.

  On  this  recording  Dawn  Of  Ashes  goes  into  more  of  an  ebm  and  industrial  rock/metal  direction  as  well  as  keeping  the  black  metal  style  vocals.  The  production  sounds  very  professional  while  the  lyrics  explore  humanities  downfall  as  it  blindly  follows  it's  leaders.

  In  my  opinion  this  is  another  great  sounding  album  from  Dawn  Of  Ashes  and  f  you  are  a  fan  of  ebm,  industrial  and  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Pawns  Of  The  Wretched"  "Blood  Of  The  Titans"  "Follow  The  Pain"  and  "The  War  Within".  8  out  of  10.

https://www.facebook.com/Dawnofashes/ 
https://www.instagram.com/dawnofashesofficial/ 
https://twitter.com/dawnofashes666 
https://open.spotify.com/artist/35Uzsa9o0tZkdC4ZBtXuNV?si=R2uEir08SAST4J8MlrOK-w 

https://youtu.be/w6DQR-gBBOk

 

  

Saturday, May 30, 2020

Wedrowcy-Tulacze-Zbiegi/Berliner Vulkan/Devoted Art Propaganda/2020 Full Length Review


    Wedrowcy-Tulacze-Zbiegi  are  a  band  from  Poland  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording moves  away  from  their  metal  roots  and  goes  into  more  of  an  80's  era  new  wave  and  post  punk  direction and  this  is  a  review  of  their  2020  album  "Berliner  Vulkan"  which  will  be  released  in  June  by  Devoted  Art  Propaganda.

  Electronic  music  sounds  and  synths  start  off  the  album  while  all  of  the  drum  beats  are  also  programmed.  Goth  style  clean  vocals  are  also  a  very  huge  part  of  the  recording  while  spoken  word  parts  can  also  be  heard  at  times  along  with  the  music  also  adding  in  some  elements  of  80's  era  synth  pop.

  The  music  also  avoids  the  use  of  electric  guitars,  black  metal  elements  and  heavier  riffs  that  where  a  part  of  their  earlier  recordings.  Clean  playing  can  also  be  heard  briefly  along  with  the  music  also  adding  in  a  great  amount  of  post  punk  influences  as  well  as  some  touches  of  industrial  also  being  utilized  at  times.

  On  this  Wedrowcy-Tulacze-Zbiegi   moves  away  from  the  metal  influences  of  pat  albums  and  goes  into  more  of  a  mixture  of  new  wave,  post  rock  and  electronic  music.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Polish  and  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from Wedrowcy-Tulacze-Zbiegi and  if  you  are  a  fan  of  post  punk,  new  wave  and  electronic  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "I"  and  "IV".  8  out  of  10.

Bandcamp