Wednesday, August 13, 2014

Northern Oak/Of Roots And Flesh/2014 CD Review


  Northern  Oak  are  a  band  from  the  United  Kingdom  that  plays  a  mixture  of  folk  music  and  black  metal  and  this  is  a  review  of  their  self  released  2014  album  "Of  Roots  And  Flesh"  which  will  be  released  in  October.

  Nature  sounds  start  off  the  album  before  adding  in  bass  guitars  and  flutes  before  going  into  a  heavier  direction  and  a  few  seconds  later  growls  are  added  onto  the  recording  along  with  some  black  metal  screams  and  blast  beats  shortly  after  that  and  you  can  also  hear  a  great  amount  of  melody  in  the  bands  musical  style.

  Acoustic  guitars  when  they  are  added  into  the  music  enhance  the  folk  elements  that  are  present  on  this  recording  as  well  as  giving  the  recording  a  more  progressive  sounding  edge  and  there  is  also  a  decent  amount  of  melodic  chanting  present  on  some  of  the  tracks  as  well  as  a  great  amount  of  melodic  guitar  solos  and  leads.

  Most  of  the  music  sticks  to  more  of  a  slow  or  mid  paced  direction  while  the  music  also  has  its  fast  moments  at  times  and  some  of  the  alter  songs  also  sees  the  band  adding  in  clean  singing  along  with  some  spoken  word  parts  and  the  faster  sections  of  their  music  really  show  off  the  black  metal  side  of  their  musical  sound  and  after  awhile  more  violins  and  melodean's  are  added  onto  the  recording  along  with  a  couple of  instrumentals  and  a  few  long  and  epic  in  length  tracks  

  Northern  Oak  creates  a  very  progressive  style  of  folk  metal  that  also  has  a  heavy  black  metal  influence  to  it  along  with  a  great  amount  of  melody  and  some  death  metal  elements  to  create  a  very  original  sound,  the  production  sound s very  professional  for  being  a  self  release d recording  while  the  lyrics  cover  nature  and  philosophical  themes.

  In  my  opinion  Northern  Oak  are  a  very  great  sounding  mixture  of  folk  music  and  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Dark  Of  Midsummer"  "Nerthus"  "The  Gallows  Tree"  and  "Only  Our  Names  Will  Remain".  8/5  out  of  10.  

www.northernoak.co.uk
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Friday, August 8, 2014

Cenotaph/Riding Our Black Oceans/Chaos Records/2014 CD Re-Issue Review


  Cenotaph  where  a  band  from  Mexico  that  played  a  melodic  form  of  black/death  metal  and  this  is  a  review  of  their  1994  album  "Riding  Our  Black  Oceans"  which  was  re-released  by  Chaos  Records  in  the  year  of  2014.

  Spoken  word  parts  which  also  return  on  some  of  the  later  tracks  as  well  start  off  the  album  along  with  some  acoustic  guitars  a  few  seconds  later  which  leads  up  to  a  more  heavy  and  melodic  blackened  death  metal  direction  along  with  a  mixture  of  growls  and  blast  beats  which  also  leads  up  to  blast  beats  and  melodic  guitar  leads  being  added  into  the  music  as  well  as  some  powerful  sounding  bass  guitars.

  The  bands  musical  style  sounded  for  technical  and  progressive  for  the  time  this  album  was  recorded  and  they  also  bring  in  a  couple  of  tracks  that  are  very  long  and  epic  in  length  along  with  a  small  amount  of  clean  singing  being  used  in  certain  sections  of  the  recording  and  the  band  also  brings  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.

  All  of  the  tracks  have  a  very  dark  atmosphere  to  them  while  also  remaining  heavy  at  the  same  time  and  you  can  also  hear  a  great  amount  of  talent  and  skill  in  the  instruments  and  as  the  album  progresses  small  amounts  of  clean  playing  can  be  heard  at  times  along  with  a  brief  acoustic  instrumental  before  making  a  return  back  to  a  heavier  musical  direction.

  Cenotaph  had  a  very  different  sound  for  their  time  playing  a  melodic  and  technical  from  of  black/death  metal  and  this  is  an  early  example  of  that  musical  genre  and  they  had  the  perfect  balance  between  melody,  heaviness  and  darkness,  the  production  has  a  very  dark,  raw  and  heavy  sound  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Cenotaph  where  a  very  great  sounding  melodic  black/death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Soulless"  "Macabre  Locust  Celesta"  and  "Soul  Profundis".  8  out  of  10.

http://chaos-records.bandcamp.com/album/riding-our-black-oceans

Friday, August 1, 2014

The Wolves Of Avalon Interview



1.Can you give us an update on what has been going on with the band since
the recording and release of the new album?

We are trying to get together a video track for You Tube, and we also have
a Venom cover ‘Die Hard’ that we have as an extra track on a vinyl edition
if all works out well. There will also be a new Meads of Asphodel to write
in the next 6-8 months.

2. Recently you have released a new album, how would you describe the
musical sound that is presented on the new recording and also how does it
differ from your previous album and split?

The music is relatively the same. Mid-tempo pagan folk metal with violin,
mandolin and flutes. The new album is more polished, more subtle and less
abrasive that the first. You can tell it’s the same band, but with all
progressions, you can notice the difference of production and song
structuring.

2.The lyrics on the new recording are a concept album, can you tell us a
little bit more about it?

The album is about the great ancient British war leader, Boudicca. She was
a tribal queen of the Iceni, and lived approximately 2000 years ago. The
land was under the oppressive yoke of Rome

It was an age where the great Druid centre of Anglesey was totally
destroyed and most of the Druid culture wiped from the face of the Erath.
Boudicca rebelled and fought against this invader and although inflicting
terrible casualties ultimately lost her life and hopes in one final
battle.

3.I know that the band name comes from Celtic Paganism, can you tell us a
little bit more about your views on this topic?

I am more inclined to look upon the ancient pagan belief system than the
corrupt and rotten dogma of Christianity. The nature Gods of the ancients
have meaning for the lives that existed at the time, winter and summer,
water and crops, each providing the cycle of seasons that create the
essence of life for the farming tribes. I despise the concept of
worshiping a redeeming deity whose father had a preordained scheme of
original sin followed by penance on a cross, followed by complete
doctrinal nonsense. What’s that shit all about???

5.What are some of the best shows that the band has played so far and also
how would you describe your stage performance?

We have never played live so this question is hard to answer.

6.Do you have any touring or show plans for the new album?

No, this band has no plans to do any shows.

7.On the new album you have some well known musicians doing some guest
vocals, how did you get in contact with these musicians and also where you
satisfied with what they brought onto the album?

I have been in contact with Thurios and Varggoth for many years through
distro trades or general band respect. I am very honoured to have members
from Drudkh and Nokturnal Mortum doing guest vocals and as we all share a
deep belief in our lands lost identities and ancient ways. It has nothing
to do with politics or racist views as some idiots will no doubt groan
about. We are a band who speak of past events that have shaped out times.

8, You also did a cover of Enslaved's "Essence" what was the decision
behind doing  your own version of this song?

We actually did this track for an Enslaved tribute album that did not sell
very well as far as I can tell.  It felt right to put this track at the
end of this album as the atmosphere and overall feeling to the song is
well balanced.

9.On a worldwide level how has the feedback been to the new album by fans
of pagan and folk metal?

It is too early to say, but so far it has been very positive. Only time
will tell.

10.What is going on with some of the other musical projects these days
that some of the band members are a part off?

For me it is, The Meads of Asphodel. We are working on the next album now
and this should appear in mid-2015.

James Marinos is in other bands outside the metal realms but none to be
named.

11.Where do you see the band heading into musically during the future?

I would like to think we will progress along the same path of folk pagan
metal. Maybe get some other guests that we respect in the music world, and
try out more elusive old style instruments and vocal patterns.

12.What are some of the bands or musical styles that have had an influence
on your music and also what are you listening to nowadays?

I am listening to a great Polish band, Wedrujacy Wiatr, They are like the
great Russian bands, Walknut, or, Forest. Really good dense atmospheric
black metal.  Many bands have influences us as metal fans, From Hawkwind
to Bathory, Drudkh, Venom, Enslaved, too many to mention, but musically it
is  our style and I would hope you will not be able to compare the Wolves
of Avalon with any other band out there.

13.What are some of your non musical interests?

I read and absorb as much as I can about ancient history, theology and the
shit that goes on and has gone on in this world we wake up to every day.
James likewise, absorbs his own paganism and British landscapes. James
spends much time visiting our ancient landmarks and walking across the
northern hills.


14.Before we wrap up this interview, do you have any final words or thoughts?


Just to thank you for your time in asking these questions and that we all
in the Wolves of Avalon hope people will enjoy the music as much as we
enjoyed creating it.

I bid you well

Metatron


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Thursday, July 31, 2014

Lagrima Interview


1. Can you give us an update on what has been going on with the band these days?

Tarek Yazbek: Currently we are preparing to record our second full album, which also going to be a concept album based on ancient Middle Eastern mythology.

We are also recruiting new members to the band so we can have a complete line up for live shows.

2. For those who have not heard the music can you tell us about your musical sound?

Tarek Yazbek: Well, our musical style is a mixture of many metal styles combined into one unique fresh sound. That should make people who like different metal genre get interest in our music. We also include in our sound lots of classical guitar influences, even classical music compositions in our intros adding even more diversity and interest to our music.

3. On your first album you had lyrics written about The Punic Wars, can you tell us a little bit more about your interest in ancient history?

Tarek Yazbek: My Interest in ancient history started at an early age when I was still school. It just got me hooked in, just the idea about ancient civilization, their culture and religion was very intriguing for me. Also it tell us how things became the way they are now. It is also an original subject to use on metal albums as themes and lyrics, which can give more depth to your music.

4. I have read that you have a new album in the works that is going to be based on the Epic of Gilgamesh, how would you describe your interests in Mythology?

Tarek Yazbek: Mythology is what the ancients had left for us to tell how they viewed the world around them from a religious point of view, a way put in Symbolism. Even some Mythologies are Historical facts that got exaggerated by time, or where symbolized to be taught to the next generations. If you compare the religious texts to the mythological Texts you will be surprised how much similarities you will find, but the meanings have changed, although the symbolic factors are left the same. All these factors have pulled me closer and closer to the mythologies of this region.

5. What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Tarek Yazbek; currently we are only 2 members in the band, but we are recruiting new members so we can do live shows hopefully.

6. Do you have any touring or show plans for the future?

Tarek Yazbek: not at the current time, and not sure about the future since it’s hard to get a band from the middle east to play in Europe. But all options are open.

7. Currently you are unsigned, are you looking for a label or have received any interest?

Tarek Yazbek: We actually got 1 label interested, but things didn’t work out because they wanted us pay tons of money and they also will get some decent payment from sales. It was just ridiculous offer. For the next album we will try to check out some labels and we’ll see what would happen. Hopefully something would work out, because a label can get you the exposure you need.

8. On a worldwide level how has the feedback been to your music by fans of black and death metal?

Tarek Yazbek: Well we got a lot of positive feedback and reviews, but you can’t satisfy everybody as you know. We hope with this second release we can reach more people and open more eyes on our music.

9. What can we expect musically once the new album is released?

Tarek Yazbek: The new album will be more mature than previous one with better production and quality. Musically we are still going on in the same direction but of course its not gonna be a carbon copy of the first album and it will have its own flavor with the Lagrima signature. Also the band vocalist “Bilal Al-Aghar” has contributed very effectively on the music of the album adding his own touch to the band’s sound. I guess this album will leave a big effect on the fans and will get us new fans as well.

10. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Tarek Yazbek: I personally had a lot of bands and music styles that influenced the way I write music, especially in the death/black realm. For example bands like At the Gates, Hypocrisy, Dark Tranquility, Dimmu Borgir, Cradle of Filth, Death, Old Man’s Child ect… to name some. Nowadays there are bands like Kalmah and Opeth which are new influence for me and I try to learn from them. Also am interested in finding and listening to underground metal bands, and lots of them have some great music to offer but didn’t have the chance to get the attention they really deserve.

Other than metal, I really enjoy classic guitar music and I even play that type of music which I try to include in the band’s music to give it that unique touch to makes us a little different than the other band’s out there.

11. What are some of your non musical interests?

Tarek Yazbek: Music and sports are my two major hobbies in life and travelling also. I used to play a lot of soccer in the past but because of work and smoking I haven’t been able enjoy this sport any more, but I still do some body building to keep fit. As for travelling I go like once a year to a different country each time with the wife and enjoy our vacation and just relax.

12. Before we wrap up this interview, do you have any final words or thoughts?

Tarek Yazbek: Well finally I like to thank you for this opportunity and wonderful interview, hope the fans would enjoy it. As I mentioned earlier we have a new album that we will release, most probably at the end of this year, hope it will have a positive impact on metal fans around the world.

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Sunday, July 27, 2014

Everdying Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?
I sure can! Basically, when I first got into metal and got into a band I had always wanted to write stuff that was a cross between In Flames and God Dethroned. Keep in mind that this was back around 1999-2000 or so, when those bands were at their prime. These days I definitely lean more towards the heavier/brutal end of that but still try to retain the melodicism. I'd also like to take this time to point out that yes, I'm playing an 8 string guitar tuned down a half step and NO, there is and will NEVER be any djent or core related anything. I'm trying to break the stereotype I guess. I think my official bio sums it up pretty nicely: Imagine, if you will, an orgy comprised of pre-'Clayman' In Flames, God Dethroned, Dark Tranquillity, and Hypocrisy while Opeth, Dissection, and Mithotyn are jerking off in the corner; everdying is the resulting 8 stringed bastard child.
2.In March you had released a new ep, how would you describe the musical sound that is presented on the new recording and also how does it differ from the release you had put out 5 years ago?
I'd say that everything all around is better! Really though, I've upgraded almost all of my gear since then and didn't want as much of a raw sound as I had before. When I recorded December's Rainy Day in 2009 it was exactly how I had wanted it, and now looking back on it I wish that I had done some things differently but I think anyone who has ever released an album before can say the same thing! Musically, The Journey Ahead is a bit more varied in style, from melodic death to black metal to the brutal death gurgle vocals in the middle of I Will End You. Basically, I had decided that going solo would also mean that I get to not confine myself to one genre and just write whatever I feel like and put that out for everyone to hear. Initially I was a bit worried that people might think it was all over the place, but I've gotten a lot of positive feedback so I'm just going to keep on keepin' on! Funny thing though, all of the songs on They Journey Ahead were actually written prior to me recording December's Rainy Day. That's what happens when you've got a side project for so long that you never planned to end up being a main thing.
3.This project has been around since 2002 but so far has only had 2 releases, can you tell us a little bit more about the gap?
Yeah, Everdying had always been a side project of mine after the first melodic death band I was in broke up. I was part of Cardiac Arrest for a while, then D.O.T.A.C., then back to Cardiac Arrest briefly and then I finally settled in with Rellik for a number of years until our drummer quit and we decided to break up in 2007. After that I went to recording school in Arizona, moved back here to Downers Grove, got a studio setup in my apartment and started recording December's Rainy Day in 2009. I also spent time trying to get Rellik going again, but some shit happened and I quit, and then they broke up. I ended up taking a year or two off from doing metal and starting playing my acoustic guitar all the time, and then a couple years ago my friends in Withering Soul contacted me about joining them as the second guitarist so I thought it would be a good way to start to get back into the scene. Eventually though after about a year, I realized that while I love that band and love those guys that it just really wasn't what I wanted to be doing musically as they're more of a gothic-themed symphonic black metal band. At that point I had gotten an Axe Fx II and an 8 string guitar and decided that the time was right to head out on my own and make Everdying a full time thing, for the first time after 11 years. I really wish I had done this a lot sooner, but it just wasn't my time yet I suppose!
5.What is the meaning and inspiration behind the name 'Everdying'?
It's taken directly from the In Flames song off of the Subterranean EP. Honestly it's very tough to come up with a name for a band, even 12 years ago when there were waaaaaay less bands around. I just went through my CDs and started looking at song titles of bands that I loved and In Flames was one of my favorites and that song was one of my favorites also! Good melodic death with acoustic interludes, that pretty much sums up how I've wanted this band to be.
6.So far you have recorded everything solos with this project, are you open to working with other musicians on this project?
I'd like to say that I am, but I am absolutely not actively looking for other members right now. If there ever are any musicians added to the lineup in the future, they will be the absolute perfect match to what I want to do. I've wasted way too much time being in bands with people who weren't on the same page and I'd rather just be the only one who is held accountable for everything. If I fuck something up, it's no one's fault but my own and I'm the only one to rely on. Also, it's a lot cheaper! I mean, I can wake up and roll out of bed and practice my live set if I want to. I recorded and mixed the entire The Journey Ahead EP sitting cross-legged on my bed, no joke. It's just so much easier for me this way and right now I honestly can't imagine having to deal with anyone else being a part of it, especially after doing it on my own for so long.
7.On the new ep you had an In Flames cover, what was the decision behind doing your own version of one of their songs?
Well, my first band Eve's Bringer used to cover Episode 666 and that was a lot of fun but there's always been something about Worlds Within the Margin that I just loved! I had always been back and forth on doing a cover of it for years, even if it was just for myself and not to be on an actual release but then I just decided to go for it and then it happened. I'm still not sure if I'll ever play it live, although I probably will at some point at least once. There are so many songs that I've wanted to cover in all of the bands that I've been in and now I have the chance to do it so don't be surprised if you see me doing more in the future! Don't worry though, I won't pull a Children of Bodom and do shitty covers of everything under the sun. Most of mine will be done live I think. I keep going back and forth on doing a cover of Everdying actually, so maybe that'll happen someday too.
8.Currently you are unsigned, are you looking for a label or have received any interest?
I'm not actively looking for a label right now. I do have The Journey Ahead being distributed by a netlabel called Stillborn Twins Records, and Steve is a really cool guy who is trying to get the other bands on there more exposure so you guys should go check his site out! https://archive.org/details/stillborntwinsrecords
As far as a label in the traditional sense, I have not received any interest. Unless someone comes along with a really good deal I would rather just keep doing what I'm doing, on my own terms. All of my music will be offered as a free download with the option to pay if you choose to, as well as having physical copies for sale. The way labels are going nowadays I think a lot of bands could do most of the things on their own if they know what they're doing. Yeah it would be nice to have expanded promotion and maybe do some awesome tours but I'm still working up to that so if it happens, it happens.
9.When can we expect a full length album and also where do you see yourself heading into musically during the future?
Probably sometime next year for a full length, although that may change and I might end up doing another EP. It all depends what kinds of songs I get written and how long it's taking. It seems that nowadays people need shit faster or else they lose interest and forget about you and the EP route might be the best way to go for me I think. I do have about 5 songs finished for whatever I release next, as well as 3 for something that will be announced sometime in the next few months. I've probably got another 2 or 3 starts to songs, and I just found a bunch of old riffs on a hard drive that might end up finally turning into something too. Musically I think I'm heading towards heavier with better solos. Having the 8 string has definitely had an effect on how I'm writing now, there's just so much freedom with it it's crazy! In the past I hadn't ever really tried to write a lot of solos that were set in stone and that's something I've definitely been working on. I'd usually have some parts that were and then have some other parts that I'd improvise, but you know those guys that just move their right hand real fast and their left hand real fast and don't take the time to be accurate about what they're playing? Yeah that used to be me, but not anymore.
10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
All of the bands listed in my bio, obviously. Apart from that though I'd say Allegaeon has been a big influence lately. I first heard them a couple years ago and I was amazed at what they were doing with 7 strings, and then 8 strings on top of that. That band directly influenced my Ibanez rg8 purchase. I don't think that I really sound anything like them, they're all way better musicians but they got me into 8 string stuff and then I evolved from there. Their new one Elements of the Infinite is absolutely killer, anything Devin Townsend has ever released is just about perfect, Alice In Chains have pretty heavy rotation, I dunno I deliver pizza so I listen to a lot of shit all the time. Let's see, the new Wretched is pretty badass, the new Son of Aurelius is really good too, Alterbeast put out a pretty good one, I just found out about King of Asgard and they're the missing link between Mithotyn and Falconer, the new Inferi is fucking awesome, I listened to some Pennywise the other day, the new Gorgasm is pretty sick. I got down on some Assemblage 23 and Bella Morte the other day too, I listen to a pretty good variety of stuff I think. Also, Oingo Boingo.
11.What are some of your non musical interests?
I taught myself how to screen print when I tried to make some patches on my own, and that led to me making all of the shirts and patches that I sell, I wish I could do it more but I also like just doing it for myself. Mainly because if I fuck stuff up because I'm still learning I don't lose too much money and no one is pissed at me haha. I got really into building guitar pedals a couple years ago before I got my Axe Fx, basically just building stuff that I'd use for my rig. I started with some kits and then eventually got into etching my own circuit boards and shit, it's a lot of fun. I'd really love to get into building guitars and general woodworking really, I've wanted to do that for years but it's just more money than I have right now so that one will probably be on the backburner for a while. Shit wait those are all mostly musical interests aren't they? I'm really big into DIY-ing anything I possibly can. I also love Back to the Future. All of them. All of the time. Oh and your mom. All of you reading this. Your mom. Unless I'm related to you, because no. Does growing a beard count? I did the Whiskerino thing a few years ago and that was a blast, shaving sucks and I appreciate a good beard.
12.Before we wrap up this interview, do you have any final words or thoughts?
Yeah social media can go fuck itself, go to www.everdyingofficial.com and sign up for the email list! Also, Kanye West is the biggest piece of shit ever to exist and every single time I play I Will End You live it's dedicated to his worthless fuckin ass. Also I’m sorry for my tendency to ramble. My music is NOT the same way hahaha.

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Friday, July 25, 2014

Lagrima/Hannibal Ad Portas/2012 Full Length Review


  Lagrima  are  a   band  from  Lebanon  that  plays  a  melodic  mixture  of  black  and  death  metal  along  with  some  elements  of  neo  classical  and  this  is  a  review  of  his  self  released  2012  album  "Hannibal  Ad  Portas".

  Atmospheric  and  epic  sounding  synths  start  off  the  album  and  they  bring  a  classical  music  flavor  to  the  recording  and  after  the  intro  classical  guitars  are  added  into  the  music  which  leads  up  to  a  fast  and  melodic  black  metal  direction  along  with  blast  beats  and  high  pitched  screams  and  after  awhile  solos  and  leads  become  a  huge  part  of  the  musical  sound  on  the  album.

    A  good  portion  of  the  songs  are  long  and  epic  in  length  and  after  awhile  death  metal  growls  and  a  mixture  of  slow,  mid  paced  and  fast  parts  are  added  into  the  music  along  with  solos  that  utilize  a  great  amount  of  talent  and  skill  and  acoustic  guitars  also finding  their  way  into  the  heavier  tracks  which  also  gives  the  music  a  more  progressive  feeling.

  Elements  of  thrash  metal  can  be  heard  in  the  guitar  riffing  at  times  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  as  well  as  the  leads  incorporating  some  traces  of  traditional  metal  and  as  the  album  progresses  clean  singing  vocals  can  be  heard  at  times  while  the  main  focus  is  on  the  black  metal  vocals  which  also  get  very  grim  and  depressive  on  some  of  the  tracks  and  towards  the  end  of  the  recording  you  can  also  hear  a  mixture  of  instrumental  acoustic  and  heavy  vocal  songs  along  with  some  elements  of  Middle  Eastern  music  bring  added into  the  guitar  riffing.

  Lagrima  creates  a  very  original  sound  to  his  melodic  mixture  of  black  and  death  metal  which  also  sees  him  adding  in  elements  of  thrash,  classical  and  Middle  Eastern  music  along  with  some  solos  that  display  a  great  amount  of  talent  and  skill,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  are  a  concept  album  based on  the  Carthiginen  general  Hannibal  Barca  and  his  war  with  the  Romans  which  where  historically  known  as  the  Punic  Wars  or  more  accurately  The  Second  Punic  War.

  In  my  opinion  Lagrima  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  neo  classical  and  if  you  are  a  fan  of  those  musical  genre,  you  should  check  out  this band.  RECOMMENDED  TRACKS  INCLUDE  "Serenade  Upon  Mount  Aryx"  "Arise  And  Arrest  the  Destiny  Of  Rome"  and  "A  Final  Fight".  8/5  out  of  10.

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Everdying/The Journey Ahead/2014 EP Review


  This  is  another  review  of  an  ep  from  Illinois's  1  man  band  Everdying  which  continues  his  melodic  and  brutal  mixture  of  black  and  death  metal  with  the  recording  being  self  released  in  2014  and  called  "The  Journey  Ahead".

  Distorted  noises  start  off  the  album  before  going  into  a  dark  and  melodic  death  metal  direction  along  with  growls  and  black  metal  screams  and  a  few  seconds  later  the  music  starts  getting  faster  and  adding  in  blast  beats  as  well  as  bringing  in  a  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  bringing  in  clean  playing.

  The  solos  and  leads  are  in  a  very  melodic  musical  direction  and  the  following  track  sees  nature  sounds  and  acoustic  guitars  being  added  into  the  music  along with  the  song  being  all  instrumental  and  the  following  track  starts  off  with  spoken  word  samples  before  going  into  a  brutal  blackened  death  metal  direction  on  one  of  the  tracks  and  returning  back  to  a  more  melodic  direction  on  the  following  songs and  they  also  bring  back  the  acoustic  guitars  in  certain  sections  of  the  tracks  as  well  as  giving  the  music  a  more  progressive  feeling  and  the  demo  closes  with  a  cover  of  In  Flames's  "Worlds  Within  The  Margin".  

  Everdying  has  a  more  diverse  and  brutal  sound  on  this  recording  while  also  remaining  true  to  his  melodic  mixture  of  black  and  death  metal,  the  production  sounds  very  powerful  for  being  a  self  released   recording  while  the  lyrics  cover  dark  and  real  life  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Everdying  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "I  Will  End  You"  and  "The  Journey  Ahead".  8  out  of  10.

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