Netherbird/Into The Vast Uncharted/Eisenwald/2019 CD Review

  Sweden's  Netherbird have  returned  with  a  new  recording  which  shows  the  music  going  into  more  of  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2019  album  "Into  The  Vast  Uncharted"  which  will  be  released  in  September  by  Eisenwald.

  A  very  heavy  and  melodic  sound  starts  off  the  album  while  the  solos  and  leads  also  use  a  great  amount  of  melody.  Vocals  are  mostly  grim  sounding  black  metal  screams  along  with  some  symphonic  elements  also  being  mixed  in  with  the  heavier  sections  of  the  music  briefly  and  when  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard.

  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Elements  of  death  metal  can  also  be  heard quite  a  bit  throughout  the  recording  as  well  as  some  growls  also  being  utilized  at  times.

  Clean  vocals  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  along  with  some  songs  also  adding  in  a  small  amount  of  classical  guitars,  some  of  the  tracks  are  also  very  long  and  epic  in  length.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and struggle  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Netherbird  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Saturnine  Ancestry"   "Lunar  Pendulum"  and  "Nexus  of  Unlight".  8  out  of  10.

https://youtu.be/Q4ZsJt_sGns 

Cabrakaan/Cem Anahuac My Home/Sliptrick Records/2019 EP Review

  Cabrakaan  are  a  band  originally  from  Toluca,  Mexico  but  now  resides  in  Calgary,  Canada  and  plays  a  mixture  of  folk,  symphonic  and  death  metal  and  this  is  a  review  of  their  2019  ep  "Cem  Anahauc  My  Home"  which  will  be  released  on  August  27th  by  Sliptrick  Records.

 

  Shamanistic  and  tribal  beats  start  off  the  ep  along  with  some  folk  instruments  also  being  added  onto  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  music  at times.  Symphonic  elements  are  also  used  quite  a  bit  throughout  the  recording  along  with  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  

   Vocals  bring  in  a  mixture  of  black  metal  screams,  death  metal  growls  and  clean  vocals  while  the  riffs  also  use  a  decent  amount  of  melody.  Acoustic  guitars  are  also  added  into  some  parts  of  the  music  along  with  some  spoken  word  parts  also  being  used  briefly  and  when  the  music  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  as  the  ep  progresses  an  instrumental  is  also  added  onto  the  recording.

    

Cabrakaan  plays  a  musical  style  that takes  folk,  symphonic,  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  Spanish  and  English  and  cover  pre-Hispanic  Mythology  and  Mexican  Folklore  themes.

    In  my  opinion  Cabrakaan  are  a  very  great  sounding  mixture  of  folk,  symphonic,  melodic  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Burning  Flame"  "Calm  In  my  Storm"  and  "Blood".  8  out  of  10.

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Brotthogg/Echoes Of The Past/2019 Full Length Review

  Brotthogg  are  a  band  from  Norway  that  plays  a  melodic  and  progressive  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  self  released  2019  album  "Echoes  of  The  Past".

  A  very  fast,  heavy  and  melodic  sound  starts  off  the  album  along  with  a  decent  amount  of  blast  beats  and  tremolo  picking.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  death  metal  growls  are  also  utilized  at  times  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  done  in  a  very  melodic  style.  The  music  also  mixes  in  a  great  amount  of  thrash  metal  elements  as  well  as  having  its  progressive  moments  at  times  and  when  guitar  leads  are  utilized  they  are  done  in  a  very  melodic  style  and  as  the  album  progresses  acoustic  guitars  and  synths  can  also  be  heard  briefly.

  Brotthogg  plays  a  musical  style  that  is  mostly  rooted  in  melodic  black  and  death  metal  while  also  mixing  in  some  progressive  and  thrash  metal  elements  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  misanthropy,  philosophy  and  the  writings  of  Dante.

  In  my  opinion  Brotthogg  are  a  very  great  sounding  melodic  and  progressive  mixture  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Summoning"  "The  Aftermath"  and  "Total  Death".  8  out  of  10.

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Morast/II Nostro Silenzio/Totenmusik/Van Records/2019 CD Review

  Morast  are  a  band  from  Germany  that  plays  a  mixture  of  black,  sludge,  doom  and  death  metal  and  this  is  a  review  of  their  2019  album  "II  Nostro  Silenzio"  which  will  be  released  in  September  as  a  joint  effort  between  Totenmusik  and  Van  Records.

  A  very  slow,  dark  and  heavy  doom metal  sound  starts  off  the  album  while  the  riffs  also  add  in  a  decent  amount  of  melody.  The  riffs  also  mix  in  the  heaviness  of  sludge  metal  along  with  the  vocals  also  adding  in  a  decent  mixture  of  both  death  metal  growls  and  black  metal  screams.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  and  melodic  style.  One  track  also  introduces  clean  playing  onto  the  recording,  A  couple  of  the  tracks  are  very  long  and  epic  in  length  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  as  the  album  progresses  a  brief  use  of  spoken  word  parts  can  also  be  heard  and  all  of  the  music  sticks  to  either  a  slow  or  mid  tempo  direction.

  Morast  plays  a  musical  style  that  takes  black,  sludge,  doom  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  disenchantment  themes.

  In  my  opinion  Morast  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "A  Farewell"  and  "November".  8  out  of  10.

https://www.facebook.com/morastofficial

Sick Sad World Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Since the album came out we've had lots of feedback from the media, news and articles, for the most part very positive. We've played a few gigs too, but not as many as we'd like. We also recently released a music video. All of this allowing us to gain notoriety, listeners and fans, little by little.


2.In August you had released a new album, musically how does it differ from the stuff you have released in the past?

That was in February... it was the video that came out in August. What's changed with our new album, compared to our older ones is probably that it's more mature and definitely darker. We have some tracks that are more violent, almost black metal, on this album. The previous one was more ambient.


3.This is also your first album in 5 years, can you tell us a little bit more about what has been going on during that time frame?

We are not full-time musicians, so unfortunately we can't invest as much time in the band as we'd like. During the past few years we've worked on our old tracks to better perform them and written some new ones. Recording the album also took almost a year, from initial planning to release.


4.What are some of the lyrical topics and subjects you explore on the new album and also how would you describe your progress as songwriters over the years?

Our lyrics on the whole are pretty dark tales. They are sometimes based on true stories such as “The Family” about the Manson family, on fiction like “The Rope” about a deserter during war times, or on a personal observation of society like “Market” about consumerism. Many things inspire the lyrics, such as watching a documentary or film, or reading a book or a news article about a certain subject. I did not set any rules or themes in particular for the album. Lyrics just need to adhere to the general feel and rhythm of the track. Regarding evolution, whether in the text or the music, I'd say that with time we are indeed more and more mature.  This is to be expected because as we age we gain experience musically but also at life in general.


5.What is the meaning and inspiration behind the name 'Sick Sad World'?

The name comes from the MTV cartoon “Daria”. It's the name of a TV news report, often cynical, in this also cynical cartoon. To begin with Sick Sad World had a bit of a crossover punk-metal side. It was precisely this cynicism that suited us. Eventually, with time, the group evolved towards a darker and more melancholy style of music. The name ultimately still works well, although on a more literal level now. I'm afraid that this might go along with the changes in the world today.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The cover art was done by illustrator and tattoo artist Berenice Tattoo. It began as a photo of a dead crow, which she retouched to create something more aesthetic. The crow is a unifying thread for us, as they were present on our previous albums cover art. On the last album they flew, now it's a single dead crow. This ties in with the darker evolution of our music. The rest of the art was done by Karoline Horn, who supplemented the work done by Bérénice.

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

This all depends on what you mean by “best shows”. Those with the biggest audience, those where we've laughed the most, those that have given us the most pleasure... Often concerts where we're the opening act for a “big” group are cool because there's a big crowd and we're just there to warm up the room, to give our all in a short period with nothing to lose. This was the case when we played with Rosetta or with Hypno5e, for example. We've also played some gigs in small bars, with smaller audiences but where we really had a good time, were welcomed warmly by the venue, and enjoyed good food and a friendly atmosphere. This is something different, but equally pleasant.

On stage, when we're in a venue that allows for it technically, we play with little lighting and often a bit on retreat, and we play a video on a screen behind us. We don't have a particular desire to be in the limelight, so becoming shadows within aesthetic lighting effects, with the film as a backdrop which goes with the music creates a different ambiance, which allows the audience to enter the vibe, enter our universe, without scrutinizing everything we do.



8.Do you have any touring or show plans for the future?

One of our members will become a first-time father in about a month, so we've decided to slow down the rhythm a bit until the end of the year. We have some concerts planned in the West of France: Rennes, Bordeaux and maybe Nantes. To be honest, we're not always very active in seeking out gigs, we usually rather wait until they come to us.


9.On a worldwide level how has the reaction been to your newer music by fans of metal and hardcore?

As I've mentioned in other interviews, something that surprises us each time we release an album or video is that we have more success internationally than in France. Our music must not be suited to France, as most of the interest in our band, most of the fans who contact us, and even most merch and album sales come from foreign countries. Reactions are 100% positive so far.  It's rather funny because some fans must take us for a much bigger French group than we really are. We've had some comical surprises, like seeing one of our tracks used in the Instagram video of a New York chef, or following debates about our album on Russian forums. We struggle to understand this!



10.Where do you see the band heading into musically during the future?

I honestly don't know, as our recent compositions are all over the place. The most recent track, for example, is clearly doom, almost psyche. That said, we enjoy exploring different styles. When we finished recording Imago Clipeata we decided that the passages that were more violent and tinted by black metal suited us well and that we should accentuate that. But ultimately, once improvising in our practice room, we ended up creating some doom! We try to set rules and structure ourselves but we never stick to it. In the end we improvise and we let ourselves be guided by the feeling.



11.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

There are 5 of us and overall we all have different musical tastes. There is always one member that doesn't like one or another group. When it comes to groups that all 5 really like, there are but a few: Deftones, Russian Circles, Obscure Sphinx. On the other hand, when it's groups that the majority enjoy there are more options: Cult of Luna, Amen Ra, Solstafir, Envy, My Sleeping Karma, Mono, Agalloch, Emperor, Will Haven, Tool... In general we go for groups who play strongly on emotions and ambiance and who avoid clichés. In terms of what I'm listening to at the moment (I'm not sure for the others) there's Wear Your Wounds, Brutus and the soundtrack from the series Dark.



12.What are some of your non musical interests?

This also depends on the members. Some of us are fans of cinema or TV series, others are more sporty and go climbing, diving or wake-boarding. Some of us love art, exhibitions, museums, drawing, tattoos. For others it's nature, reading or ecology. There's just too much to include everything, and as with our musical tastes we would never find common ground for all 5 of us.


13.Before we wrap up this interview, do you have any final words or thoughts?

Simply: go listen to the album, and tell us what you think! These days everything is done at a distance, in a clinical way. People go onto platforms like Spotify, YouTube or Bandcamp, they hear our music, they like it or they dont, then they move onto something else.  All we get is statistics. If you've enjoyed it, send us an email or a Facebook message, or make a comment. It's great to have a direct link sometimes.

https://www.facebook.com/Sick-Sad-World-210123272410010/

Baradj Interview

1. Can you give us an update on what has been going on with the band since the recording and release of the new album?

► Since the release, we've been working on some media content related to Hunnar: artworks, play-through videos, several music videos, interviews, and more. New interesting merch is coming soon as well. J At the same time, we prepare ourselves for a live show, the first one since the album release.

1. Можете ли вы рассказать нам о том, что происходило с группой с момента записи и релиза нового альбома?

► На данный момент мы работаем над различным медиа-контентом, который связан с альбомом Hunnar: графическое оформление, видео play-through, несколько клипов, интервью и многое другое. Скоро у нас появится интересный мерч. J На вторую половину июля мы планируем подготовку к первым выступлениям с момента выхода альбома.

2. Recently you have released a new album, musically how does it differ from the stuff you have released in the past?


►Alex: Well, it would be easier to say what it has in common with previous albums. When the work on Hunnar was about to start, even at that time, it was pretty clear, that the musical idea, structure and sound features will be different from the previous releases, but it's still Baradj. Perhaps, the melodic elements and some part of songwriting (structural) elements, which we used in Hunnar, may have something in common with Nardughan and Triptych, our previous studio records.

Djonathan: The new release is connected with the old ones through their concept and idea, while the difference is in the sound’s progression and production. Album Алтынчәч was done in 2006 inspired by old folk-metal. Nardughan 2012 was also folk-metal, but mixed with fresh melodic death and metalcore. The next one, EP Tryptich 2013 is the beginning of post-folk-metal. And the new release Hunnar is the mix of the old Baradj and the new one, in both sound and the band’s line-up.

We added vocals to post-folk-metal, made more atmospheric sound, and the result is album Hunnar. The album’s bonus track #14 Boygala ham Laish is an allusion to Алтынчәч 2006, a remake of a khiyal from that demo-album. Also, it is worth noting that Hunnar took 6 years to create, which is also its difference from previous releases.
2. Недавно вы выпустили новый альбом, чем с музыкальной точки зрения он отличается от материала, который вы выпустили до этого?

►Alex: Честно говоря, проще сказать, что у него есть общего с предыдущими альбомами. Когда мы были близки к началу работы над Hunnar, даже тогда было вполне очевидно, что музыкальная концепция, структура и звучание будут отличаться от предыдущих релизов группы, при этом это по-прежнему Барадж. Возможно, что у мелодических элементов и некоторой части структурных элементов, которые мы использовали в альбоме, могут иметь что-то общее с альбомом Nardughan и EP Tryptich, нашими предыдущими студийными записями.

Djonathan: Связь между старыми и новыми релизов – это ее концепция и идея, а отличие в прогрессии звука и ее извлечение. Альбом Алтынчәч 2006 был написан в духе старого фолк метала. Пластинка Нардуган 2012 была написана в том же стиле фолк метала, но с примесью свежего мелодик-дэт-метала и металкора. Следом вышла студийная работа ЕP Триптих 2013 является началом жанра post folk metal. Новый релиз "Гунны" – это смесь старого Бараджа с новым. Как и в звуке, так и в составе.

Мы добавили вокал к Post folk metal жанру, добились более атмосферного звучания. и получился альбом Hunnar. Бонус трек, который мы добавили в альбом, является отсылкой к первому альбому Алтынчәч 2006. Мы переписали один инструментальный хыял «Бойгала и Лаиш», который уже выходил в первом демо-альбоме. Также стоит отметить, что альбом Гунны формировался 6 лет, это тоже отличает его от предыдущих релизов.

3. The lyrics on the new recording are a concept album, can you tell us a little bit more about the story you had covered on the album?

►The new record’s track list builds a sequence that corresponds to the chronology of historical events in Asia and Europe starting from the fall of Roman Empire and nomadic invasion. Each track describes a story of historic figures or the characters of myths and legends of ancient Bulgarian ethnicity.

We are going to post a series of publications describing the detailed story behind each of the record’s tracks.
3. В текстах песен заложена концепция альбома, можете ли вы рассказать нам немного подробнее об истории, которая была рассказана в альбоме?

►Треклист нового альбома соответствует хронологической последовательности исторических событий в Азии и Европе, начиная с падения Римской Империи и вторжения кочевников. Каждый трек рассказывает об исторической личности либо о персонаже из мифов и легенд древне-булгарского этноса.

Мы планируем опубликовать серию постов, в которых мы более подробно расскажем историю, стоящую за каждым из треков пластинки.

4. You also have some lyrics that deal with Tengrism and Bulgarian Folklore, can you tell us a little bit more about your interest in these topics?


►These elements do really have place to be. As our lyrics are inspired with the history of the nations, the cultural experiences of these epochs are highlighted as well. This is actually one our base goals – to share these myths and legends shaped and delivered with the music. We see our mission as not only to promote our native culture, but also to encourage people to discover and remember their own roots.

4. У вас также есть тексты, имеющие отношение к булгарскому фольклору и тенгризму, не могли бы вы рассказать нам немного больше о вашем интересе в этих темах?

►Это действительно имеет место быть. Поскольку тексты наших песен вдохновлены историей народов, культурным особенностям тех эпох мы также уделяем особое внимание. Одна из наших основных целей – делиться этими мифами и легендами, заключенными и передаваемыми в форме музыкального творчества. Мы считаем, что наша миссия заключается не только в популяризации и развитию нашей родной культуры, но и в том, чтобы призвать людей к изучению своих собственных корней и хранению памяти о них.

5. What is the meaning and inspiration behind the name 'Baradj'?

►According to legends, Baradj is the name of the dragon (a chimaera of three animals – Snow Leopard, Snake and Falcon) that lived on the place of Şaytan qalası (Shaytan’s castle, also known as "Yelabuga settlement"), a 10th century’s fortress in the town of Yelabuga, ruins of which are still there. The dragon protected Bulgarians from all evil spirits and wars. One of varations of this dragon can even be found on Kazan city's emblem (Zilant is Baradj, the thing is that archaeologists found a different name for it based on Tatar word “yılan/елан"). So even the name of the band comes out from Bulgarian folklore.

5. В чем значение названия "Baradj", и чем оно было вдохновлено?

►Согласно легендам, Барадж – это имя дракона (химера из трех животных – Снежный Барс, Змей и Сокол), жившего на месте Чертового городища (Шайтан каласы, Елабужское городище), крепости, построенной в 10-м веке, руины которой по-прежнему сохранились в городе Елабуга. Дракон Барадж защищал булгар от всех злых духов и войн. Одну из вариаций этого дракона можно найти даже на гербе города Казани (Зилант – это Барадж, только ученые археологи нашли ему другое название исходя из татарского слова Елан (змей)) . Поэтому даже название группы происходит из булгарского фольклора.

6. Can you tell us a little bit more about the artwork that is presented on the new album cover?

►This cover is a digital artwork that was made by Djonathan Lindaive (band's guitar player, singer and founder) based on Bulat Gilvanov's picture. Bulat is a modern painter, and he's our close friend who has influenced the band a lot, and even gave the band a hint about its name back in 2003. Bulat created most of the paintings that are displayed on our album covers, wrote lyrics for many songs of Baradj, including Altynchach and Bolgar Dalasy from the new album.

6. Можете ли вы рассказать нам немного больше об оформлении обложки нового альбома?

►Обложка альбома Hunnar – это графическая работа Джонатана Линдэйва (гитариста, вокалиста и основателя группы), сделанная на основе картин Булата Гильванова. Булат – современный художник, он близок к самой группе и значительно повлиял на нас, начиная с того, что подсказал само название для группы еще в 2003 году. Булат создал большинство картин, которые изображены на обложках наших альбомов, является автором текстов многих песен нашей группы, включая Altynchach и Bolgar Dalasy из нового альбома.

nnar7. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

►It's not so easy to point out a specific show because there were many of them since 2003. What for our live performances, we're currently working on it as we having a first live show after a big break, and literally it's gonna be our 3rd show in the current line-up. All of us have reached the understanding that a live performance should be aesthetic and sincere.
7. Какие из концертов, которые были даны группой за годы ее существования вы можете назвать лучшими, а также как бы вы описали свое выступление на сцене?

►Выделить какое-то отдельное представление сложно, поскольку их было достаточно много с 2003 года. Что касается наших живых выступлений, в данный момент мы готовимся к нашему первому шоу после долгого перерыва, и это будет в буквальном смысле наше третье выступление в нашем текущем составе. Мы пришли к тому, что живое выступление должно быть эстетичным и искренним.
8. Do you have any touring or show plans for the new album?

►For now, we have approved the first big festivals of youth-oriented ethnic music. As regards a tour, we can't announce any exact information right now, but will do that in September, so stay tuned!

8. Есть ли у вас какие-либо планы насчет турне и концертов в поддержку нового альбома?

►На текущий момент мы утвердили первые большие фестивали молодежной этнической музыки. Что касается тура, пока мы не можем оглашать точную информацию, но сделаем это в сентябре. Следите за новостями!
9. Currently you are unsigned, are you looking for a label or have received any interest?

►Actually, it seems better for us to stay an independent DIY band, however, this is a classical case "never say never". Currently, we’re relying on our own funds, digital sales and fan donations, but if we get a reliable proposal from a good label, we would be interested to discuss it.

9. В настоящий момент вы не подписаны на лейбл. Ищете ли вы для себя лейбл, получали ли подобные предложения?

►Честно говоря, наилучший вариант для нас – оставаться независимой DIY-группой, хотя это и классический случай "никогда не говори никогда". В данный момент мы сами занимаемся всей издательской деятельностью, ведем ее в на свои средства, плюс доход от цифровых продаж и донаты от поклонников, но если мы получим надежное предложение от хорошего лейбла, нам будет интересно его обсудить.
10. On a worldwide level how has the reaction been to your music by fans of post and folk metal?

►According to the latest data, Hunnar is already the most listened of all of our releases ever, and it's based only on Bandcamp stats, as the album is available exclusively there at this moment. We were quite surprised, for example, that the US is one of the "top-listening" regions. We have a lot of listeners across Europe, especially in Bulgaria and Turkey.

As for genre, it appears that many post and folk metal listeners find our music interesting enough. We get new reviews for the album every week and will share some of them in our social media.

10. Какова была реакция фанатов пост-метала и фолк-метала на вашу музыку, если рассматривать глобальный уровень?

►Согласно последним данным, альбом Hunnar уже является самым прослушиваемым из всех наших релизов, и это только данные с Bandcamp, поскольку альбом на данный момент доступен исключительно на этом ресурсе. Мы были удивлены, например, тем, что США являются одним из самых слушающих регионов. Также у нас достаточно много слушателей по всей Европе, особенно в Болгарии и Турции.

Что касается жанра, то похоже, что многие любители жанров пост-метал и фолк-метал находят нашу музыку интересной. Мы получаем новые рецензии на альбом каждую неделю и будем делиться некоторыми из них  наших соцсетях.
11. Where do you see the band heading into musically during the future?

►Can't make any forecast, but even for today, our early demos of the new songs sound somewhat differently, but it is a follow-up to Hunnar. So the main goal for us is still the same – to create a brand new music while preserving the band's authenticity and familiar sound.

11. Как вы считаете, каково будет дальнейшее развитие музыки вашей группы?

►Пока мы не можем давать каких-либо прогнозов, но даже на сегодня наши ранние демо-записи новых песен звучат несколько иначе, при этом являясь продолжением альбома Hunnar. Поэтому основная цель с музыкальной точки зрения остается той же – создавать совершенно новую музыку, сохраняя аутентичность группы и узнаваемое звучание.
12. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

►Each of us has totally different playlists. There are some common artists between them, but it's quite hard to mark exact artists that had influence, or how one or another artist has influenced our music. However, it’s important to note that our fans and reviewers mention such names as Opeth, Amorphis, Pelican, Eluveitie, In Flames, Brontide, Holding Onto Hope, Insomnium, Long Distance Calling, Cellar Darling, Ирбис, Deva Obida, Yaşru, Tengger Cavalry, Scale The Summit, pg.lost, Sunpocrisy, Syberia, Toundra, Tacoma Narrows Bridge Disaster.

As for the music that we listen to now... OK, here are some last artist names came from each band member: Cloudkicker, Mother's Cake, Рубежи, We Lost The Sea.

12. Назовите несколько групп или музыкальных стилей, которые повлияли на вашу музыку, и расскажите, что вы слушаете сейчас?

►У каждого из нас совершенно разные плейлисты. Между ними есть кое-что общее, но довольно сложно выделить конкретных исполнителей, которые повлияли на нас, и как именно. При этом важно отметить, что наши слушатели и авторы рецензий к альбому отмечают его сходство с такими артистами как Opeth, Amorphis, Pelican, Eluveitie, In Flames, Brontide, Holding Onto Hope, Insomnium, Long Distance Calling, Cellar Darling, Ирбис, Deva Obida, Yaşru, Tengger Cavalry, Scale The Summit, pg.lost, Sunpocrisy, Syberia, Toundra, Tacoma Narrows Bridge Disaster.

Что касается музыки, которую мы слушаем сейчас… Окей, вот несколько последних имен исполнителей, о которых было слышно от каждого из участников группы: Cloudkicker, Mother's Cake, Рубежи, We Lost The Sea.
13.What are some of your non-musical interests?

►We also give time to another arts and hobbies, like visual and digital art, clothes design, electronic music, photography, traveling, trekking, languages and self-education. Sometimes, it could also be jam sessions, video games, some scientific content found on the Internet, education of a cat or even just slopping around for some time J

13. Чем вы интересуетесь помимо музыки?

►Мы также уделяем время другим делам и хобби, таким как изобразительное и цифровое искусство, электронная музыка, фотография, путешествия, горный туризм, языки, медитации и самообразование. Иногда это могут быть джем-сейшены, видеоигры, научные материалы в Интернете, дрессировка кота или даже просто немного безделья J
14.Before we wrap up this interview, do you have any final words or thoughts?

►We wish you to remember who you are in your essence, and always learn the things that people have already forgotten. Keep the peace of the world! With love, Baradj.

14. Перед тем как мы закончим это интервью, что вы можете добавить напоследок?

►Мы желаем всем вам не забывать кто вы есть на самом деле и всегда учиться тому, что люди уже позабыли. Всем мира во всем мире! С любовью, Baradj.

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IATT/Nomenclature/Black Lion Records/2019 CD Review

  IATT  also  known  as  'I  Am  The  Trireme'  are  a  band  from  Pennsylvania  that  has  been  featured  before  in  this  zine  and  plays  a  progressive  mixture  of  symphonic  black  metal  and  melodic  death  metal  and  this  is  a  review  of  their  2019 album  "Nomenclature"  which  will  be  released  in  September  by  Black  Lion  Records.

  Grim  black  metal  screams  start  off  the  album  before  going  into  a  faster  direction  which  also  uses  a  great  amount  of  blast  beats  and  tremolo  picking.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style  and  symphonic  elements  are  also  mixed  into  the  heavier  sections  of  the  music.

  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  while  spoken  word  parts  can  also  be  heard  briefly.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  most  of  the  tracks  being  very  long  and  epic  in  length  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.

  The  riffs  also  add  in  a  decent  amount  of  melody  along  with  some  semi  clean  yet  rough  vocals  also  being  added  into  some  parts  of  the  music  as  well  as  the  songs  also  mixing  in  a  good  amount  of  growls  and  melodic  death  emtal  elements  and  as  the  album  progresses  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  and  a  couple  of  the  tracks are  instrumentals.  The  production  sounds  very  professional  while  the  lyrics  cover  mysticism  and  the  dark  nature  surrounding  primitive  medicine  circa  1700.

  In  my  opinion  this  is  another  great sounding  recording  from  IATT  and  if  you  are  a f an  of  symphonic  black  metal  and  progressive  and  melodic  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Cor  Pulmonale" "Molyneuxs  Problem"  "Yersenia  Pestis"  and  "Arsenic  Ways".  8  out  of  10.

Video "Arsenic Ways": https://www.youtube.com/watch?v=UIpXvutPhMY

Lyric Video "Cor Pulmonale": https://www.youtube.com/watch?v=bjt6ssOjCqI

             

Stortregn/Evocation Of Light/Non Serviam Records/2019 Vinyl Re-Issue

  Stortregn  are  a  band  from  Switzerland  that  has  been  featured  before  in  this  zine  and  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2013  album  "Evocation  of  Light"  which  will  be  re-issued  in  September  of  2019  by Non  Serviam.

 Classical  guitar  playing  starts  off  the  album  before  going  into  more  of  a  heavier  and  melodic  musical  direction.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  vocals  being  a  mixture  of  death  metal  growls  and  black  metal  screams.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  done  in  a  very  melodic  style. Classical  guitars  also  make  a  return  on  later  tracks  as  well  as  some  songs  also  adding  in  whispered  vocals  and  as  the  album  progresses  a  brief  instrumental  is  added  onto  the  recording,  the  closing  track  is  very  long  and  epic  in  length  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  On  this  recording  Stortregn  played  a  style  of  melodic  black/death  metal  that  was  very  influenced  by  the  Swedish bands  of  the  genre.  The  production  sounds  very  professional  while  the  lyrics  cover  sadness  and  desolation  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Stortregn  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Inner  Black  Flame"  "Negative  Theology"  and  "The  Call".  8  out  of  10.

Bandcamp: https://non-serviam-records.bandcamp.com/album/evocation-of-light

   

  

Anifernyen/Augur/Ethereal Sound Works/2019 CD Review

  Anifernyen  are  a  band  from  Portugal  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2019  album  "Augur"  which  will  be  released  in  September  by  Ethereal  Sound  Works.

  A  very  apocalyptic  sounding  intro starts  off  the  album  before  going  into  more  of  a  heavier  and  melodic  musical  direction  while  the  vocals  are  in  between  death  metal  growls  and  black  metal  screams.  When  the  music  speeds  up a  decent  amount  of  blast  beats  can  also  be  heard  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  the  faster  riffing  also  brings  in  a  decent  amount  of  tremolo  picking.  one  track  also  introduces  clean  playing  onto  the  recording  as  well  as  some  tracks  also  adding  in  a  small  amount  of  whispered  vocals  and  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style.

  Anifernyen  plays  a  musical  style  that  takes  the  melodic  styles  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  apocalyptic  and  end  times  themes.

  In  my  opinion  Anifernyen  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Augur"  "Emissary"  "Foreshadowing"  and  "Deadite".  8  out  of  10.

https://www.facebook.com/anifernyen/

https://anifernyen.bandcamp.com/      

Ades Numen/War/Another Side Records/2019 CD Review

  Ades  Numen  are  a  band  from  Italy  that  plays a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2019  album  "War"  which  was  released  by  Another  Side  Records.

  A  very  dark  sounding  intro  starts  off  the  album  which  also  introduces  symphonic  elements  onto  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  music.  The  riffs  also  use  a  great  amount  of  melody  along  with  the  vocals  also  adding  in  a  great  amount  of  death  metal  growls.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  faster  sections  of  the  songs  also  use  a  great  amount  of  blast  beats,  Elements  of  black  metal  can  also  be  heard  quite  a  bit  throughout  the  recording  and  the  songs  also  bring  in a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  The  faster  riffs  also  add  in  a  decent  amount  of  tremolo  picking  and  as  the  album  progresses  a  brief  use  of  grim  black  metal  vocals  can  also  be  heard  and  on  track  also  adds  in  a  small  amount  of  operatic  elements  and  spoken  word  parts.  The  production  sounds  very  professional  while  the  lyrics  cover  war,  darkness  and  mythological  themes.

  In  my  opinion  Ades  Numen  are  a  very  great  sounding  symphonic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "War"  "Breath  Of  Phobetor"  "Medusa"  and  "Ades  Numen".  8  out  of  10, 

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Fausttophel/Wings/Another Side Records Records/2019 Single Review

  Ukraine's  Fausttophel  have  returned  with  a  new  song  which  continues  their  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2019  single  "Wings"  which  was  released  by  Another  Side  Records.

  Clean  playing  starts  off  the  song  along with  some  keyboards  a  few  seconds  later  that  are  also  mixed  in  with  the  heavy  parts  before  going  into  a  very  fast  musical  direction  which  also   uses  a  great  amount  of  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them,  spoken  word  parts  can  also  be heard  briefly  as  well  as  some  death  metal  growls  also  being  utilized  at  times  and  when  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style.

  On  this  track Fausttophel remains  true  to  their melodic  mixture  of  black  and  death  metal  from  previous  releases.  The  production  sounds  very  professional  while  dark  themes.

  In  my  opinion  this  is  another  great  sounding  track  from  Fausttophel  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  single.  8  out  of  10.

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[ BOLT]/Lavas Magmas/dunk! records/2019 Split Album Review

  This  is  a  review  of  a  split  album  between  Germany's  [ BOLT ]  and  Lavas  Magmas  which  was  released  by  dunk!  records  and  we  will  start  off  the  review  with  [ BOLT ]   who  move  from  a  blackened  drone  doom  metal  style  to  more  of  an  instrumental  ambient  drone  style  with  their  track

  Their  side  of  the  split  starts  out  with  some  atmospheric  sounding  drones  while  their  track  is  also  over  10  minutes  in  length.  All  of  the  music  is  instrumental  along  with  some  elements  of  ambient  being  added  into  some  parts  of  the  song  and  the  track  also  avoids  the  black  and  doom  metal  influences  of  previous  releases.

  Next  up  is  Lavas  Magmas  a  solo  project  that  plays  a  mixture  of  noise  and  industrial.

  His  side  of  the  split  starts  out  with  some  atmospheric  sounding  drones  while  field  recordings  can  also  be  heard  in  the  background.  his  track  is  all  instrumental  along  with  the  track  being  over  10  minutes  in  length  and  the  song  also  adds  in  elements  of  noise  and  industrial  and  the  music  also  gets  more  diverse  as  the  song  progresses.

  On  the  closing  track  [ BOLT ]   and  Lavas  Magmas  team  up  together  and  mix  both  of  their  very  different  style  together.

  Their  side  of  the  split  starts  out  with  some  atmospheric  sounding  drones  while  the  track  is  over  20  minutes  in  length  and  an  instrumental.  Field  recordings  can  also  be  heard  at  times  along  with  some  elements  of  ambient  and  as  the  tracks  progresses  the  music  also  starts  adding  in  elements  of  black  and  doom  metal.

  In  conclusion  i  feel  this  is  a  very  great  sounding  split  and  would  recommend  it  to  all  fans  of  black,  doom  metal,  drone,  noise,  experimental  and  ambient.  8  out  of  10.

https://www.facebook.com/wearebolt/
https://wearebolt.bandcamp.com
www.lavasmagmas.bandcamp.com
                 

Wallowing Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?
T. This is a tough question to answer as we have tried so hard to keep the band somewhat of a mystery and an enigma. I think it's also an incredibly difficult given the nature of our band and music. I think aside from that we are an extreme metal band based in the south of the UK, it's best if we let the album speak for itself here.

2.In September you have your first full length coming out, can you tell us a little bit more about the musical style you went for on the recording?
T. This isn't only our first full length but our first recording entirely, bar an incredibly DIY live single track demo we put together with the help of our mate Sam. I think the beauty of that is, that there's no real style there whatsoever! Musically we write what we want to write and to play, and try not to box ourselves into genre or any other confining ideas, which is why you will find when listening to the record that (we like to think) the music is constantly changing and evolving to the overall themes within the piece. At heart we are entirely a prog band.


3.Your lyrics cover both science fiction and political themes, can you tell us a little bit more about your interest in those subjects?

T. What we tried to do with Planet Loss as a full piece, was try to highlight the current state of the planet through the use of Sci-fi metaphors and imagery as, if you really look at current world affairs it's ironic how close we are to your classic sci-fi dystopian tale. We have the oppressive, power-driven overlords (some even trying to build sky high monolithic walls), a huge imbalance of wealth and conflict of the people interests spanning the globe, a society so reliant on technology it's actually making us ill. Not to mention this is all happens in a reality where it is supposedly easier to give a huge chunk of the population a pill for their problems and send them on their way rather than work with them, despite the hollow numbness we experience thereafter.

Every so often you'll find a piece of media that does a great job of highlighting the issues half of us don’t even see. George Orwell's 1984 is a great example of this, and in more recent years as does the TV show black mirror. It's incredibly important in this day and age to keep your eyes open, read between the lines and think for yourself. Media such as those we have named do an incredible job of making this point and in a dream world hopefully people will see our album in a similar light.


4.You also mentioned some inspiration from George Orwell, can you tell us a little bit more about your interest in his works?

T. We enjoy a lot of Sci-fi literature such as the works of H.G Wells, Phillip K. Dick and James Herbert (The City is one of the best graphic novels of all time), but Orwell's ability to draw parallels between his writing and real-world political, social and economic issues was definitely an inspiration when writing Planet Loss. "1984" is a powerful piece of literature which resonates with us on several levels and we think that comes across in the lyrics and story we present.


5.What is the meaning and inspiration behind the name 'Wallowing'?

T. Planet Loss is a sentimental album to us for many reasons, but one of the biggest is because of how much truth there is behind the music. As we have said before, this album was made to highlight human errors that have failed society and the world in general, a world that we are a part of and have had to endure as much as anyone else. All of the topics we highlight on the album are things that have affected us as people, and in order to put that across effectively whilst writing the initial drafts for what eventually would become Planet Loss, our minds had to "wallow" in some horrible memories and experiences, so the name seemed natural from the start.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?
T. The artwork is a piece we commissioned from Luke Oram. His work has always stood out to us for his attention to detail, unique use of colour, contrast and overall style. Not to mention he has worked on cover art for some incredible bands such as Monolithian, Human Future, Iron Eagle & his own  band Atomck to name a few.
The idea behind the cover was to create an image with huge scale to mirror the music, whilst detailing the overall themes behind the story. The foreground shows a group of “Lizard Men” patrolling human slaves, whilst an evil overlord kind of figure looks down over the loading bay of his ship to see hoards of human slaves lined up by these ominous gigantic droid/robotic figures. The “overlord” has two curious, childlike and dependent droids on either side of him in a kind of metaphor to our views on the UK government. There are several metaphors within the piece which mimic metaphors within the music itself.
There is a real retro vibe to the piece which we really appreciate, from the Giger influenced spaceship-interior to the use of colour.

7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
T. We were fortunate enough to be a part of Cardiff Psych & Noise Fest alongside Ohhms, Cattle & Part Chimp as our first ever show, which was a great opportunity and awesome time  Although admittedly a daunting first ever show, we feel like it went incredibly well! Since then we have been lucky enough to play Dreadfest 2019 alongside WormRot, Rotten Sound - FukPig as well as Creeping Death Fest alongside BONG, & Riffmas Fest in Brighton alongside bands such as Telepathy and Diesel King. We have been very fortunate for a band with limited music and media available!



8.Do you have any touring or show plans once the new album is released?

J. We’ll be doing a run of shows around the album launch. Exact dates & locations still to be confirmed, but we’ll be announcing them as soon as possible. We’ll be looking at sorting out more dates for 2020, obviously, too.

9.On a worldwide level how has the reaction been to your music by fans of underground metal?

J. It’s hard to tell on a worldwide level, yet. We put out a demo for Phosgene a few months ago, and it got a great reception - and things have been going down really well live… but only a select few have heard the album for now - so it’s hard to get an idea of what the reaction will be outside of that!

10.Where do you see the band heading into musically during the future?
T. Musically we are keeping that door wide open. We aren't ones to pigeon-hole ourselves and despite having some rough ideas for new music in the works, there's no telling which direction it'll take just yet. It will be heavy, it will be disgusting and 100% as out there as “Planet Loss”, but we aren't going in with any specific ideas for a specific sound. We are a band who 100% like to feel things out naturally and let our emotion do the talking, so it's all very dependent on where we are in our lives at that specific point. It's real exciting as we are just as clueless as everyone else.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
T. Our influences are incredibly varied but all tend to stem from heavier music. Although saying that, the main ideas behind "Planet Loss" were inspired by Rush's "2112". We wanted to create an album that was, at heart, a prog concept album but executed through our own medium. Bands such as Haasts Eagled and Space Witch also had a personal influence on me when playing with initial ideas for the record.

We all spend a lot of time playing and running events in the UK Heavy Scene, so naturally we love bands such as Torpor, Opium Lord, Pet Brick, Grim Existence, Calligram, Monolithian & Geist to name a few.

12.What are some of your non musical interests?
T. Hooning cars, eating beans, creating art and spending time (drinking beers) with loved ones.

13.Before we wrap up this interview, do you have any final words or thoughts?
T. Just thanks for taking the time to put these questions together. We enjoyed answering them. We hope you enjoy the record

https://www.facebook.com/wallowingnoise

Ov Lustra Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

Of course! We’ve been a 3 piece (Myself, Tyler, and Ryan) for just about our entire time as a band. (Drummers have been hard for us to come by, minus a few talented studio musicians) We started in early 2017 with the main intent being that we felt our local scene was lacking in the specific style we aim for, so we sought out to change that.



2.Recently you have released a new mini album, musically how does it differ from your previous full length?

I’d say it’s a good bit different while still keeping to our roots. We got a lot of “deathcore” comparison on our first album, which wasn’t the intent lol, but this new release hasn’t seen as much of that, so we’re happy. The orchestration is much more epic this time around (thanks to Francesco from Fleshgod Apocalypse), the riffs and progressions are catchier (in our opinions), and the song structures are a little more mature than our first album.



3.The lyrics on both of the recordings have a concept to them, can you tell us a little bit more about the story that you cover on both albums?

To keep it as short as I can, our music has revolved around this story that Tyler (who is an English major) has been writing since we formed the band. Our first album begins with our main character, Oranys, waking in a field on an almost Earth-like wilderness planet, with no other intelligent life. This place is a purgatory of sorts known as “Ov Lustra”. Oranys was exiled here as a punishment, along with his loved one, Azure, who actually ends up dying. Oranys first has no memories or recollection of who or where he is, and the journey across Ov Lustra that follows is what our first album entails. His search for answers, which brings back his memories and details what he must do next. This new release, Tempestas, follows directly after the first album, detailing our characters feelings of loss/rage after recovering his memories and recalling the reason for his exile and Azure’s death, as well as his route for escape from Ov Lustra. It’s a rather in depth story that Tyler is actually writing entire books about, so I don’t want to give away too much right here.



4.Originally the band was known as 'Sun Speaker', what was the cause of the name change and also the meaning and inspiration behind the name 'Ov Lustra'?

We received a cease & desist letter from an artist who trademarked the Sun Speaker name after our first album released. We did what we could to try to retain the name, but did not succeed. So, we decided to try to keep things somewhat familiar to our followers and went with “Ov Lustra” because it was the title of our first album and an important location in our concept story.



5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork on the new cover was perfect for this release as we wanted to try to give a glimpse into what we envisioned some of the landscape of Ov Lustra would look like.



6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Well, due to our struggle with finding live drummers, we have actually only performed live once as a group, however, it was a great show and we had amazing support from our local scene. We do have plans of making more live appearances though.



7.Do you have any touring or show plans for the future?

At the moment, no. But, we are in talks with a new drummer, so that could change soon.



8.On a worldwide level how has the reaction been to your music by fans of black, death and symphonic metal?

We’ve actually gotten a better reaction than we initially anticipated when we started, which is amazing and humbling. We’ve received mostly all positive feedback, with the exception of a few haters, but that’s all good with us. We just like creating music for those that care to listen.



9.Where do you see the band heading into musically during the future?

I’m glad you ask. We toned down some of our “deathcore” elements in Tempestas in favor of more blackened progressions and riffs. Moving forward we plan to further move our sound to a more black metal focus, while still retaining some of the death metal riffs and such we are known for at the moment.



10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Overall, I’d say our biggest influences for this group have been Behemoth, The Black Dahlia Murder, Fleshgod Apocalypse, and Fallujah. I’ve been on a major Dark Funeral/Hate binge the last couple months though



11.Does Occultism play any role in your music?

To a degree, yes. It’s not apparent at face value, but a lot of the detail/premise behind our story is our own fictional rendition of Christianity’s early history. We put our own spin on the creation of man, Adam and Eve, God, and more. We do so in a VERY cryptic way, which honestly only reading the actual story would make more noticeable. However, we do plan to eventually publish these stories, so there is hope yet to discover our secrets yourself!



12.What are some of your non musical interests?

Outside of the band, Im also an audio engineer and graphic designer. Music is part of my daily life. But when I need a break I work on designing stuff, photography, and the like; which is actually my day job. I’m just an overall creative person.



13.Before we wrap up this interview, do you have any final words or thoughts?

I’d just like to let any readers know how grateful we are for the support we have received thus far. You all have been so good to us and we hope to keep pushing out music you will enjoy.

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Sick Sad World/Imago Clipeata/Atypeek Music/2019 CD Review

  Sick  Sad  World  are  a  band  from  France  that  plays  a  mixture  of  atmospheric  black  metal,  sludge,  hardcore  and  post  rock  and  this  is  a  review  of  their  2019  album  "Imago  Clipeata"  which  was  released  by  Atypeek  Music.

  Spoken  word  samples  start  off  the  album  along  with  some  clean  playing  a  few  seconds  later  before  going  into  a  heavier  musical  direction  which  also  introduces  high  pitched  black  emtal  screams  onto  the  recording.  Elements  of  sludge  metal  can  also  be  heard  in  the  slower  sections  of  the  music.

  The  songs  also  mix  in  elements  from  the  post  genres  of  metal,  hardcore  and  rock  while  the  riffs  also add  in  a  great  amount  of  melody.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.

  Some  of  the  riffing  also  adds  in  a  decent  amount  of  tremolo  piking  along  with  most  of  the  tracks  being  very  long  and  epic  in  length  as  well  as  some  blast  beats  also  being  utilized  when  the  music  speeds  up while  a    decent  amount  of  melody  can  also  be  heard  in  some  of the  guitar  riffing.

  One  track  also  introduces  clear  vocals  into the  music  as  well  as  clean  playing  also  making  a  return  in  certain  sections  of  the  recording  and  as  the  album  progresses  spoken  word  parts  are  also  used  briefly  along  with  one  track  also  adding  melodic  shoegaze  influenced  guitar  leads  into  the  music  and  death  metal  growls  are  also  added  onto  the  closing  track.  The  production  sounds  very  professional  while  the lyrics  cover  dark  themes.

  In  my  opinion  Sick  Sad  World  are  a  very  great  sounding  mixture  of  atmospheric  black  metal,  sludge,  hardcore  and  post  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Battlefield"  and  "Market".  8  out  of  10.

https://www.youtube.com/watch?v=2PUIxXevhLc      

Formicarius/Rending The Veil Of Flesh/Schwarzdorn Production/2019 CD Review

  United  Kingdom's  Formicarius  have  returned  with  a  new  recording  which  continues  the  symphonic  and  epic  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  their  2019  album  "Rending  The  Veil  Of  Flesh"  which  will  be  released  in  September  by  Schwatzdom  Production.

  A  very  fast  sound  starts  off  the  album  along  with  a  great  amount  of  blast  beats  while  symphonic  elements  are  also  added  into  the  heavier  sections  of  the  music.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  A  decent  amount  of  tremolo  picking  can  also  be  heard  in  the  faster  sections  of  the  songs  while  the  riffs  also  use  a  great  amount  of  melody  as  well  as  some  growls  being  added  into  some  parts  of  the  music.  The  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  one  track  also  introduces  acoustic  guitars  onto  the  recording.

   Female  vocals  can  also  be  heard  at  times  as  well  as  the  music  also  bringing  in  a  decent  amount  of  mid  90's  era  influences  but  keeping  it  modern  at  the  same  time  and  as  the  album  progresses  a  brief  use  of  spoken  word  parts  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  the  dark  ages  and  the  corruption  of  the  Christian  religion  in  that  era.

  In  my  opinion  this  is  another  great  sounding  recording  from  Formicarius  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Beyond  The  Veil  Of  Flesh"  "Inherit  Our  Sickness"  "Stalker  Among  The  Stars"  and  "O  Dread  Impaler".  8  out  of  10.

http://www.formicarius.co.uk