Thursday, August 6, 2020

Midgard/Tales Of Kreia/Sliptrick Records/2020 CD Review


  Midgard  are  a  band  from  Ukraine  that  plays  a  mixture  of  folk,  viking  and  death  metal  and  this  is  a  review  of  their  2020  album  "Tales  Of  Kreia"  which  will  be  released  on  August  18th  by  Sliptrick  Records.

  Melodic  guitar  solos  and  leads  start  off  the  album  while  death  metal  growls  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  the  screams  adding  in  touches  of  black  metal.  the  riffs  also  add  in  a  great  amount  of  melody  and  blast  beats  are  also  utilized  during  the  faster  sections  of  the  songs.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  some  songs  also  add  in  folk  instruments.  Female  vocals  can  also  be  heard  briefly  along  with  the  music  also  showing  some  influences  of  the  Swedish  style  as  well  as  the  solos  and  leads  being  done  in  a  very  melodic  yet  old  school  style,  clean  male  pagan  vocals  can  also  be  heard  in  certain  sections  of  the  recording  and  as  the  album  progresses  a  brief  use  of  spoken  word  parts  can  also  be  heard.

  Midgard  plays  a  musical  style  that  takes  folk,  viking  and  melodic  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  fantasy  themes  and  philosophical  issues  about  life  and  death.

  In  my  opinion  Midgard  are  a  very  great  sounding  mixture  of  folk,  viking  and  melodic  death  metal  and  if  you  are  a  fan  of  those musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Necromancer"  "Dwarf  King"  "Elven  Blade"  and  "Ice  Spirit". 8  out  of  10.

Official Website | Facebook | Youtube | Instagram | VK | On Sliptrick

Sunday, August 2, 2020

Journey Into Darkness Interview


1.Can you give us an update on what has been going on with the musical project since the recording and release of the new album?



I just released this week so not much musically, more about promotions! Although, I was working on this album up until the day it was released. I have already started on the next album, but I have no idea when that will be.





2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?



If I go way back, I played in a death metal band Sorrow back in the early 90s (we had 2 albums on Roadrunner). That music was of course more standard OSDM with some heavy doom influences. After we broke up I started writing all synth music that was reminiscent of intros and interludes on metal albums. But it wasn’t minimal, there were dark melodies with heavy death style drums. The music now is probably similar when it comes to the melodies and song structures, but the new stuff incorporates guitar and vocals and is way more heavy and intense.



3.This is also your first release 1996, can you tell us a little bit more about what has been going on during that time span?



After I released that CD in 1996, I was somewhat jaded. That CD was released on a small label I started myself and honestly cost me a lot of money. It was just hard to reach people and since the music was not death metal and not dark wave or dungeon synth, it just sat in the middle and got very little traction. I continued to write music on and off for the next 20 years (holy shit) but didn’t get serious again until about 2 years ago. So not much went on musically in that time (except I did continue to listen to all the great new music that came out). I won’t bore you with my non music career LOL



4.Your earlier release was more dark ambient while the new album is more symphonic black/death metal, can you tell us a little bit more about the decision behind going into this musical direction?



The older music was sitting in between a bunch of genres, and I guess after listening to it again years later, I realized it just wasn’t heavy enough. So I added guitar to one track and was immediately excited with the result. The melody and emotion was still there, but the music was just way more intense. So I said skrew it, I might as well add some vocals too! I am very happy with the result, it blends what I was trying to accomplish many years ago with my desire to write intense heavy music again. Sought of a merging of Sorrow and my original JID album.



5.What are some of the lyrical topics and subjects you explore with the newer album?



I’ve always tried to write meaningful lyrics. The music comes first, but if you have good lyrics the sum of the whole is more than the sum of its parts. As usual, there is an anti-religious song, I can’t help it, I hate religion LOL. One song is about humanity’s deeply violent past, present and future. It’s unavoidable. Another song is about the finality of life and of the universe itself, that death is literally written into our DNA and the structure of the universe. The last song with lyrics is about how insignificant we are compared to the universe (the title gives that away ha). Not just in size, but in time as well. You can take that to be depressing or a way to alleviate the daily stress of life. Some days I choose one, some days I choose the other.





6.What is the meaning and inspiration behind the name 'Journey Into Darkness'?



Quick story. The first name I came up with was Near Death Experience and the title of the first album was Journey Into Darkness. But I got a cease and desist letter from a lawyer representing a band that was using that name and had a business in a state using that name. So I switched the name of the project and the album. I am actually happy I did it. I like the name JID way better. It feel it conveys the mood and feeling of my music. When someone listens I want them to have a journey into darkness.



7.Can you tell us a little bit more about the artwork that is presented on the new album cover?



I wanted a cover representing the title Multitudes of Emptiness. That emptiness is everywhere, both on an emotional level but also in space. Life is empty, and again, you can be depressed about it or you can use it to say fuck it, nothing matters, just try to enjoy life. But space is empty too. An atom is mostly empty space, to the vast distances between stars and galaxies, the universe is empty. I didn’t want a cover that was just black of course, so having a person who was ethereal, or somewhat hollow whisking away into the vastness of space worked well.



8.With this project you record everything by yourself but also have experience working with a full band, how would you compare the two?



The obvious advantage to working solo is the creative freedom. But that makes it more difficult too. I get to control every aspect of the music but that means I also have to write every aspect. I obsess over everything, every note, every cymbal, arrangement, etc. so sometimes I second guess myself. At times it can be very nerve-racking. There were times I almost had panic attacks while working on this album. Occasionally I would ask a friend for an opinion. But for me, it is worth it to be able to bring to life my musical ideas exactly the way I want.



9.The new album was self released, are you open to working with a label again in the future?



I would be open to working with a label, I just didn’t want to wait around on this release. Although labels are still important, and I am sure they can do more than an individual, I didn’t want to wait around for months trying to get a deal and then waiting for more months to have the music released.



10.On a worldwide level how has the reaction been to your newer music by fans of black and death metal?



It’s only been one week, so far so good! A posted video got over 1000 streams with no thumbs down so that is good LOL. I’ve picked up a few hundred new followers on Facebook, Bandcamp, Youtube, Spotify, etc. Many people have been really receptive and like the hybrid style from both the black metal and death metal side. So I am very happy.



11.Where do you see yourself heading into musically during the future?



The simple answer is the newer music will be similar to this album. I am really happy with the sound and there is still a lot of area to explore within it.



12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?



I’ve been around since the start of extreme metal in the 80s and I am amazed at how it has progressed over the years. The newer music is amazing and definitely prompted me a few years ago to resurrect JID. So here is a long thought that explains a lot: I love symphonic extreme metal, but sometimes it emphasizes the orchestra parts too much. I love black metal, but sometimes the music is too melancholy. I love death metal but sometimes it lacks melody. I love classical but it can be very boring. So I have tried (and I hope succeeded!) at taking all the genres I love, mixing in what I think is great about them and leaving out what I feel is not as good and creating something unique. I don’t want to name bands, there are dozens (maybe hundreds) of bands I listen to and my favorite band can change daily LOL.



13.Before we wrap up this interview, do you have any final words or thoughts?



Thanks very much for this interview, it feels great to be back making music. For anyone interested, you can visit my website for links to all social media and streaming sites: jidarkness.com





Brett - Journey Into Darkness

https://jidarkness.com/

Saturday, August 1, 2020

Noite/A Cor do Fogo/I, Voidhanger Records/2020 Full Length Review


  Noite  are  a  solo project  from  Portugal  that  plays  an  experimental  form  of  black  metal  and  this  is  a  review  of  his  2020  album  "A  Cor  do  Fogo"  which  will  be  released  in  September  by  I, Voidhanger  Records.

  Operatic  vocals  start  off  the  album  while  choirs  can  also  be  heard  at  times  while  clean  playing  and  drums  are  also  a  very  huge  part  of  the  recording.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  music  also showing  an  influence  of  90's  era  avant  garde  black  metal.

  Elements  of  neo-classical  and  medieval  music  can  also  be  heard  in  some  parts  of  the recording  while  the  songs  also  get  very  experimental  sounding  at  times.  Psychedelic  sounds  can  also  be  heard  on  some  of  the  tracks  as  well  as  the  whole  recording  also  sticking  to  a  slower  musical  direction.

  Noite  plays  a  musical  style  that takes  experimental  and  avant  garde  black  metal  and  mixes  it  with  psychedelic,  neo-classical  and  medieval  music  to  create  a  sound  of  his  own.   the  production  sounds  very  dark  while  the  lyrics  are  written  in  Portuguese  and  cover  witchcraft,  human  damnation,  hell's  nostalgia,  Devil  Worshiping  and  mordant  satire  themes.

  In  my  opinion  Noite  are  a  very  great  sounding  experimental  black  metal solo  project  and  if  you  are  looking  for  something  that  is  very  original  sounding,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Noite  Eterna"  "Marcha  Do  Caldeirao".  8  out  of  10.

https://i-voidhangerrecords.bandcamp.com/album/a-cor-do-fogo

   

  

Friday, July 31, 2020

Abyss Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?



A: I started Abyss in 2009 together with another former member. The line-up soon was completed by aspiring musicians from a rural part in Bavaria, where we are located. Our music is a mixture of Melodic Black and Death Metal. If you like classic bands like Dissection, Sacramentum and if you appreciate modern successors that draw at least a little from their heritage, you might enjoy giving us a spin.



2.So far you have released a demo, ep and a split, musically how do they both differ from each other?



A: Our early work resulted in a number of songs that had a bigger Death Metal influence. This influence is still noticeable on our last EP from 2018. Throughout the years the Death Metal ration diminished. And together with some other new elements, we solidified a specific trademark sound we were aiming for. This is what you will hear on our part of the coming split with Besna.



3.The band has been around since 2009 but waited until 2018, can you tell us a little bit more about the earlier years?



A: That´s a common question. Mainly for two reasons that deserve a little elaboration:

First one would be because of line-up changes. The number of people that had an instrument in their hands in order to play for or with Abyss comes to more than a dozen already. The changes had nothing to do with personal differences, but more with people going abroad, moving away, getting a job, etc. Those things caused a lot of delay and pauses in the past and for those very reasons you will hear two session musicians on the coming release. There is a permanent line-up though, that works on the songs and concepts and you will most likely see on stage.

Second: It took a while to build the musical skill and capacity to transfer our ideas to reality in a proper way. I can only speak for myself, but I basically learned to play the guitar with the Band.



4.What are some of the lyrical topics and subjects the band has explored with the music so far?



A: We dedicated our themes to chaos. In short: Our songs should reflect mankinds unrest
about being at the mercy of this power and its search for sense, order and the higher, when there is
none of that. A rather nihilistic view on the world and humanity.




5.What is the meaning and inspiration behind the name 'Abyss'?



A: As the literal meaning depicts a bottomless pit, it reflects the symbolism and themes of our songs. No clear line, no end, no order. The name is used quite often by bands. And during the 10 years of minor public activity, it would have been easy to simply choose something more distinct. However, the name Abyss resembles a special meaning for the members. The missing puzzle piece, so to say, that binds all the other aspects of the band and brings it back to conclusion. Contrary to its meaning.



6.Can you tell us a little bit more about the artwork that is presented on the split cover?



A: The artwork awas made by Théo Braisaz, a french artist working under the name „Mr Kiwi“. I work closely together with him for another project. He´s an excelent graphical designer. Our cooperation reached a level where I can lay down my visual ideas and from then on almost blindly trust him with the realization. For the split, the artwork gives several hints on its main themes, which revolve around unfulfilled religious -or even ideological- salvation, absence of the higher and natures indifference towards these themes.



7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?



A: We had many great shows. One that really stood out was our first live performance. We played in front of 100-200 people in a Band Contest of which probably only 5 % were into Metal. The feedback was overwhelming though. Everyone freaked out when the last note subsides. It was the beginning of many things and the moment when Abyss truly came to life.

As a matter of fact we often hear that our live performances are far more convincing than our releases. Our music profits from the chaotic frenzy both Band and audience find themselves in during live situations. In the past recent years we worked hard to make our show aesthetically fitting to the concept. So it´s all about increasing the intensity to make the music, the dread almost physical.



8.You have a split coming out with Besna in September, what are your thoughts on the other band that had participated on the recording?



A: Already during the planning of the „Further Into Perdition tour“ working together went off smoothly. When we played together in Bratislava, they convinced us musically and therefore were our prime candidate for our intended split project. While our music has a certain drive and a pounding blast every now and then, theirs is equally wild, but more on the melancholic side and adds important aspects. Quite naturally and despite the very slight differences in the styles we play, the split reached a coherent whole.



9.On a worldwide level how has the reaction been to your music by fans of melodic black and death metal?



A: That will mostly turn out with the responses towards the coming release with Besna. Besides playing a east-euro-tour together with Groza, Abyss stayed hidden a long time. In my eyes, the project still has to get „out there“.



10.When can we expect a full length and also where do you see the band heading into musically during the future?



A: One upside of the current crisis is, that naturally artists are most likely sitting at home and have time to live out their creativity. I look forward to all the „quarantine creations“ released in the future. And perhaps we will be among them. Soundwise, sometimes I wish to make our music a little harsher and messier. It is leaning towards that already and I still want to keep our melodic trademark. After all, who needs another Deathspell Omega clone.



11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?



A: One main part of my songwriting work is indeed listening to new stuff. I am one of the persons that really listens to everything. I know people say this quite often and to me personally that´s actually often negatively connotated. Black Metal wise, I´m more and more intrigued by french, canadian and icelandic Black Metal. To name a few general bands I listen to quite often: Svartidauði, The Great Old Ones, Der Weg Einer Freiheit, Sombres Forêts, Gris, Selbst, Be'Lakor. Sure from our style, I guess one can draw conclusions on what we mainly listen to.



12.What are some of your non musical interests?



A: As I have hinted already, Abyss is a busy band. Some members will experience some career developments in the future. The plan is to lay down enough ground work for Abyss now to still be operational when that time comes.



13.Before we wrap up this interview, do you have any final words or thoughts?



A: Thanks for the interview, check out our split. One song has been published so far (https://www.youtube.com/watch?v=2_jkcV8_IDI&fbclid). Look out for the next one that will drop soon!

Cheers,

Kosmogonia/Enthrone The Gods/Cronus Productions/2020 CD Review


  Kosmogonia  are  a  band  from  Greece  that  plays  a  mixture  of  folk,  pagan  and  melodic  death  metal  and  this  is  a  review  of t heir  2020  album  "Enthrone  the  Gods"  which  was  released  by  Cronus  Productions.

  A  very  dark  and  epic  sounding  intro  starts  off  the  album  along  with    brief  use  of  spoken  word  parts  before  going  into a   heavier  musical  direction.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  riffs  also  add  in  a  great  amount  of  melody.

  Elements  of  folk  music  and  flutes  are  also  mixed  in  with  the  heavier  sections  of  the  music  while  the  vocals  are  mostly  death  metal  growls  along  with  some  clean  pagan  vocals  also  being  utilized  at  times.  Operatic  female  vocals  are  also  a  very  huge  part  of  the  recording  as  well  as  some  blast  beats  also  being  mixed  in  the  faster  sections  of  the  music.

  Throughout  the  album  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  great  portion  of  the  tracks  being  very  long  and  epic  in  length.  The  songs  also  show  an  influence  of  the  more  melodic  side  of  black  metal  as  well  as  some  of  the  tracks  also  adding  in  a  decent  of  keyboards,  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  and  on  some  songs  spoken  word  parts  also  make  a  return  and  at  times  the  music  also  has  its  symphonic  moments.  The  production  sounds  very  professional  while  the  lyrics  cover  Greek  Mythology  themes.

  In  my  opinion  Kosmogonia  are  a  very  great  sounding  mixture  of  folk,  pagan  and  melodic  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Elysian  Fields" "Dionysian  Song"  "Legacy  Of  Myrmidons"  and  "Pandora's  Fall".  8  out  of  10.

 https://www.facebook.com/Kosmogoniafolk
https://www.instagram.com/kosmogonia_official
https://www.youtube.com/channel/UCpULz0evz6Ve2QLI0QJy6Vw     

Tuesday, July 28, 2020

Black Crown Initiate/Violent Portraits Of Doomed Escape/Century Media Records/2020 Full Length Review


  Black  Crown  Initiate  are  a  band  from  Pennsylvania  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  progressive  and  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their  2020  album  "Violent  Portraits  Of  Doomed  Escape"  which  will  be  released in  August  by  Century  Media  Records.

  Acoustic  guitar  playing  along  with  some  clean  vocals  start  off  the  album  before  going  into a   heavier  musical  direction.  Aggressive  vocals  are  in  between  death  metal  growls  and  black  metal  screams  while  the  music  also  adds  in  a  decent  amount  of  prog  metal  elements  and  some  of  the  tracks  are  also very  long  and  epic  in  length.

  When  the  music  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard  while  the  riffs  also add  in  some  melodies  at  times.  Elements  of  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.

  Acoustic  guitars  also  make  a  return  on  some  of  the  later  tracks  along  with  some  chants  and  throat  singing  also  being  utilized  briefly  as  well  as  one  track  also  adding  in  a  brief  use  of  symphonic  sounds,  some  of  the  mid  tempo  sections  also  show  an  influence  of  djent  and  some  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  The  production  sounds  very  professional  while  the  lyrics  cover  philosophy  and  nihilism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Black  Crown  Initiate  and  if  you  are  a  fan  of  progressive  and  melodic  blackened  death  metal, you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Invitation"  "Years  In  Frigid  Light"  and  "Holy  Silence".  8 out  of  10.

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Trident/North/Non Serviam Records/2020 CD Review


  Trident  are  a  band  from  Sweden  that  plays  a  melodic  mixture  of  black  and  death  metal and  this  is  a  review  of  their  2020  album  "North"  which  will  be  released  in  October  by  Non  Serviam  Records.

  Gregorian  chants  start  off  the  album  along  with  some  classical  music  sounds  and    ritualistic  percussion.  Classical  guitars  can  also  be  heard  briefly  before  going  into  a  heavier  musical  direction  while  most  of  the tracks  are  also  very  long  and  epic  in  length  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can b e  heard.

  Vocals  are  mostly  black  metal  screams  as  well  as  the  music  also  mixing  in  a  lot  of  death  metal  elements  death  metal  while  all  of  the  musical  instruments  also have  a  very  powerful  sound  to  them.  The  riffs  also  add  in  a  great  amount  of  melody  along  with  the  music  also  being  very  heavily  rooted  in  the  Swedish  style.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  as  well  as  the  classical  guitars  also  making  a  return  on  some  of  the  later  tracks,  a  couple  of  songs  also  introduces  ritualistic spoken  word  parts  onto  the  album.  The  production  sounds  very  professional  while  the  lyrics  cover  a  story  about  an  Internal  journey,  of  ominous  visions  through  dreams,  touching  the  subjects  of  ancient  wisdom's  long  forgotten,  cursed  bloodlines.

  In  my  opinion  Trident  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Enter"  "Summoning"  "Possession"  and  "Schaman".  8 out  of  10.

https://www.facebook.com/Trident666official/
https://www.youtube.com/channel/UCvrG4qEybGmeLhK9QIkKc4w