1.Can you hive us an update on what is going on with the band these days?
Hey, thanks for the opportunity to talk. At the time of this interview, we're fresh into the new year so we're just about to get back into the rehearsal room to resharpen ourselves after the holiday break, as we've hopefully got a really busy year ahead of us with our debut album on the horizon.
2.In 2026 you have a new album coming out, musically how does it differ from the stuff you have released in the past?
'Dark Thoughts With Lights Out' is both nearly three years old and brand spanking new at the same time. The songs on the record are amongst the earliest written for the band, when it was just another in a line of projects I'd busied myself with at the time, before it expanded to a fully live proposition. To date, everything released so far has been written, recorded & produced by myself at home. I daren't say 'home studio' lest it conjure images of anything more extravagant than a laptop and a couple of leads in a box.
This album, however is the first recording as a full band, and with the benefit of a couple of years worth of fine tuning and expanding upon what I originally thought possible, it is undoubtedly the most complete replication of our sound and vibe I could have asked for. None of which would have been possible without Ike, our drummer and sound engineer by trade who brought to life a lot of the electronic backing and samples I'd always assumed would be confined to studio recordings. He also recorded, mixed and mastered the entire fucking thing too and I can't emphasize his input enough. I will say that if you've heard any of our previous recordings, the versions that are coming your way will be like hearing them for the first time again.
But like, much, much horribler.
3.What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the last couple of years?
I feel like I've learnt more in the last three years in regards to all aspects of music than I have in the previous ten, fifteen years or so of my life. Knowing that there are practical ways to realize some of the ideas I've had in my head for years has enabled me, mainly through trial and error, to figure out ways to incorporate the likes of harsh noise or synthesizers into the sound whether overtly or subtly - or by having a better idea as to replicate some of my other influences.
Lyrically, Cattle Hammer was built upon foundations of sadness, loss and self-loathing. I hope this isn't the case forever, if nothing for the sake of my own mental health, but life and its trials have ensured that the resounding themes of Cattle Hammer remain and will continue to be those of isolation, despair, grief, rejection, weakness, failure, emptiness, self-hatred, and most of all, love.
4.What is the meaning and inspiration behind the name 'Cattle Hammer'.
It sounds really cool. I won't expand further as any references to misheard savoury pastries of Asian origin will only cause disappointment.
5.Can you tell us a little bit more about the artwork that is presented on the new album cover?
Since day one, I've been responsible for the artwork and overall aesthetic of the band for no other reason than it was a solo endeavour at the time, and you'll always have to convince me that there's a better solution for most problems than DIY.
From the logo to the artwork, I guess my grind / HC / PV background shines through, but I like to think it helps it helps differentiate ourselves a little. There's not any overarching thematic decision to the front cover other than 'feature loads of horrible and/or uncomfortable stuff', but I did spend ages pondering over everything from the positioning of certain images, to manually adjusting the text on each letter of the album title individually (fun fact - directly inspired by the opening titles to the original Nightmare on Elm St)
I think the front cover is more of an extension of our overall aesthetic and if you can grab a copy of the vinyl in particular, you'll get an idea that the front cover is part of an overall package and vibe that - hopefully - we manage to create.
6.Out of all the shows the band has played so far and also how would you describe your stage performance?
Out of the shows we've played to date, we supported Margarita Witch Cult in our shared hometown of Birmingham last November, and was probably the most complete we've felt a performance could be for us so far, in terms of sound, performance, aggression and visuals. The Hare & Hounds, the venue, is blessed with a fantastic PA, so a lot of our electronics could cut through more effectively, and with a stage projector, we could also incorporate a 45 minute video backdrop I'd worked on but never been able to use at a venue til then.
It's difficult for me to describe us from the inside looking out, I guess maybe three cool dudes locked in and rocking hard whilst some hairy idiot has an emotional breakdown next to them? We've been described as intimidating a couple of times, which if meant in the sense of being sonically overwhelming or uncomfortably emotional at times, then I'm more than happy with that. A dense, negative aural experience shot through with the intensity of hardcore.
7.Do you have any touring or show plans for 2026?
We've a couple of shows to announce shortly, but otherwise, we're just ready to listen to whatever offers come our way, and I'm sure that the release of the album will help. Would absolutely like to do a run of shows so I guess we're just waiting to see what comes our way, not to say we're not averse to maybe sorting a couple of shows out ourselves.
8.On a worldwide level how has the reaction been to your music by fans of black, sludge metal and drone?
For a relatively low-key, low-profile band I was surprised at how quickly we were contacted by people from across the globe. I think within a week of the Rotting single being released, Riff Merchant Records from the US contacted me to ask if they could put a tape out for us. It's been overwhelmingly and uniformly positive from both fans and peers alike and it's never anything less than truly humbling.
9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
I guess this is the first time in a while that I haven't got a bunch of parallel projects actively running at once. Not by choice, but obviously Cattle Hammer is taking up a lot of my spare time at the moment. Mouth Toilet (power electronics / harsh noise) will always be a going concern of mine, and I've the itch to start writing some faster, more hardcore sounding stuff, so that'll be waiting to come out whenever I get the opportunity. There'll always be room for another Disentry record as well. Ike is playing with a project called Mangled Hand, and he's a solo creation called Degenesis which I can't really describe using mere words.
10.Where do you see the band heading into musically during the future?
Certainly no curveballs coming your way. We've a couple of hours worth of tracks yet to release so we're not short of material and inspiration can strike me at any time. I don't think we need to tune lower, speed up, slow down or make any radical changes - just a constant evolution of what you've heard from us so far, and none of it pleasant.
11.What are some of the bands or musical styles the band members are listening to nowadays?
It's hard for me to speak for the other members, but we've all got pretty varied tastes with a ton of overlap with each other. Personally I listen to a lot more faster-paced stuff than you'd imagine based on how Cattle Hammer sound. I could literally spend all day on this, so will just refer to my play history and grab the last ten bands from there for now : Integrity, Sick / Tired, Lack of Interest, Grief, Corrupted, Rudimentary Peni, Gauze, Noothgrush, Manhunt, Stomach - not a bad representation really!
Oh, and I lied, I absolutely can answer for Daz : he'll be listening to Danzig, Deicide and Type O Negative. Possibly simultaneously.
12.Before we wrap up this interview, do you have any final words or thoughts?
Thankyou again for reaching out, it's really appreciated. Big thankyou to Road To Masochist for their invaluable help, support and enthusiasm with getting this album out there into the world. To the person who gave me the confidence to do this in the first place, thankyou. Daz, Joe and Ike - thankyou for bringing this to life so perfectly and for your patience with me. And to all the bands we've played with and to those who've caught us live - thankyou most of all. The album is out February 6th, and apologies in advance for making your lives so much more miserable thereafter.
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