Tuesday, December 9, 2025

Abscence Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the band?

Abscence is a symphonic black/gothic metal band born in the shadows of Yorkshire. At our core, we’re storytellers we take the grand emotional palette of gothic romanticism and fuse it with the frostbitten atmosphere of black metal. The band consists of Gawain, who shapes the orchestral and compositional backbone; Morrigan, whose bass work and dual vocal style (haunting cleans and fierce growls) define our emotional range; Aethra on guitars, bringing both aggression and melody; and Glen Veldman, whose drumming provides precision, brutality, and ritualistic pulse.

Our music is drenched in atmosphere. We treat every album, every song, as a world. With Enigma, our debut, we introduced listeners to our cinematic approach dark, raw, symphonic and we’ve been expanding that universe ever since under Wormholedeath Records.


2. You recently released a new album—what musical direction did you aim for with Enigma?

Enigma was our declaration of identity. We didn’t want a hyper-polished modern metal record. Instead, we wanted something that felt alive fragile in the right places, feral in others.

The musical style lies at the crossroads of symphonic black metal, gothic metal, and classical influences. Gawain’s orchestral arrangements shaped the atmospheric backbone; the keyboards behave like another narrative voice. Morrigan’s vocals became the emotional flashpoint her clean passages carry sorrow, while her brutal vocals tear through the more intense climaxes.

Aethra’s guitars are sharp, melancholic, and dynamic, and Glan’s drumming pushed the album into harsher territory: relentless blasts, cinematic swells, and ritualistic rhythms.

We aimed for drama, emotion, and honesty and we didn’t shy away from keeping small imperfections that preserved the human touch of the record.


3. The lyrics form a concept album—what story does Enigma tell?

Enigma is a romantic tragedy wrapped in vampiric myth. It follows two immortal women, bound by a love that transcends centuries yet is constantly threatened by time, betrayal, and darkness. Their devotion is both salvation and curse.

The album follows their journey:

– their first meeting in secrecy

– their transformation

– their vows under moonlit skies

– their descent into obsession

– the sacrifices they make to remain together

– and the haunting stillness of eternity that follows them

It’s a story about how love can become monstrous, beautiful, and eternal all at once. Every track is a piece of their emotional landscape.


4. What inspired the name Abscence?

The name represents the emotional void inside every human being—the hollow ache left by lost love, grief, or longing. We selected the altered spelling deliberately. Abscence feels slightly “wrong” to the eye, like a forgotten term from worn-out folklore or an inscription found in a ruined chapel.

It symbolizes our musical philosophy: beautiful imperfection, emotional honesty, and the spaces between light and shadow.


5. Tell us about the artwork for Enigma.

The artwork embodies the core theme of the album: eternal love forged in darkness.

The imagery of spectral figures, crimson hues, and symbolic patterns encapsulates the delicate balance between beauty and torment. The artwork isn’t just aesthetic it’s part of the narrative. The cover looks like a moment frozen in time from the vampires’ story, capturing their tragic devotion.

We wanted something that could stand both as folklore and as a cinematic still.


6. Your stage names are inspired by Arthurian legends and Celtic Mythology. Can you explain your connection to these themes?

We’ve always gravitated toward mythologies steeped in tragedy, prophecy, and mysticism. Arthurian legends and Celtic lore contain all the elements we channel into our music: doomed heroes, witches, forbidden love, sacrifice, and magic.

Our chosen names Gawain, Morrigan, and Aethra reflect archetypes we align with artistically. They’re not costumes; they’re spiritual representations of the energies we bring into Abscence. We don’t just write songs we inhabit the mythic world we’re creating.


7. What have been your most memorable shows so far, and how would you describe your performance style?

Some of our most unforgettable shows have been intimate ones where every element lights, fog, volume, silence came together perfectly. We don’t simply play songs; we immerse the audience in the world of Enigma.

Onstage we are theatrical, emotional, and intense.

– Morrigan balances ethereal serenity with monstrous ferocity.

– Aethra delivers a combination of elegance and aggression.

– Gawain’s presence behind the keys adds ceremonial depth.

– Glan’s drumming drives everything forward with technical precision.

A live Abscence performance is meant to feel like watching a dark romantic tragedy unfold.


8. Do you have touring or show plans for the new releases?

Yes. We are planning selective UK and European shows to support Enigma and our upcoming releases. As we approach the next album cycle, we will expand into festivals and atmospheric venues that fit the storytelling nature of our performances. We prefer quality over quantity shows that feel like rituals.


9. How has the global reaction been among fans of symphonic black and gothic metal?

The response has been phenomenal. Listeners from around the world have connected deeply with the emotional and narrative approach of our music. Many have said it reminds them of the classic era when gothic and black metal were both raw and romantic, yet feels undeniably modern in spirit. This mixture of nostalgia and freshness seems to resonate strongly.


10. Where do you see the band heading musically in the future?

We’re entering a new creative era.

Before the next full album drops, we are releasing an EP titled:

“Each Fervent Kiss”

This EP acts as a bridge between Enigma and our upcoming album Where We Carved Our Stone.

It expands the vampire lovers’ saga with additional chapters more intimate, more violent, and more emotionally vulnerable.

Musically, it leans deeper into atmosphere, romantic sorrow, and haunting vocal interplay between Morrigan and Aethra.

Then comes the next full album:

“Where We Carved Our Stone”

This album will be grander, heavier, more symphonic, and more intense than anything we’ve done.

Expect:

– larger orchestral arrangements

– darker guitar landscapes

– more of Morrigan’s romantic cleans

– deeper storytelling

– guest vocalists

– a more cinematic experience from beginning to end

It is the next chapter of our mythology, carved literally and metaphorically.


11. What bands and styles have influenced you, and what are you listening to today?

We take inspiration from Emperor, Theatre of Tragedy, old Cradle of Filth, Paradise Lost, Limbonic Art,and classical composers like Vivaldi,Handel. But we also draw from dark folk, ambient soundtracks, Celtic traditions, and film score composers even vocal trance from Netherlands.

Recently we’ve been listening to everything from atmospheric black metal to contemporary classical pianists like Hélène Grimaud. We try not to limit our influences emotion guides the sound more than genre.


12. Do you have any final thoughts you would like to share?

We want to thank everyone who entered the world of Enigma and embraced our dark romantic vision. With the upcoming EP Each Fervent Kiss and the album Where We Carved Our Stone, we will dive even deeper into sorrow, passion, and myth.

This is just the beginning of our story.

Walk with us into the shadows there is much more to come.


 www.instagram.com/abscenceband

youtube.com/@abscenceband



Monday, December 8, 2025

Atavistia/The Winter Way(Reforged)/Blood Blast Distribution/2025 Full Length Review

 


  Vancouver  B.C,  Canada's  Atavistia  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  and  melodic  mixture  of  black, death  and  folk  metal  and  this  is  a  review  of  their  2025  album  "The  Winter  Way  (Reforged)"  which  will be  released  on  December  12th  by  Blood  Blast  Distribution  and  is  also  a re-recorded  version  of  their  2020  album.


  Nature  sounds  and  symphonic  orchestration  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  also  add  in  a  mixture  of  black  metal  screams  and  death metal  growls  while  the  riffs  also  add  in  a  lot  of  melody.


  Spoken  words  can  also  be  heard  on  a  few  tracks  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Back  up  shouts  are  also  utilized  at  times  along  with  some  clear  singing  also  being  added  into  certain  sections  of  the  album  as  well  as  the  songs  also  mixing  in  elements  of  folk  music.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  one  track  also  bringing  in  a  brief  use  of  clean  playing.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  winter  and  Scandinavian  Mythology. 


  In  my  opinion  this  is  another4  great  sounding  recording  from  Atavistia  and  if  you  are  a  fan  of  melodic  and  symphonic  black,  death  and  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "From  The  Ancient  Stones"  "Eternal  Oceans"  and  "The  Winter  Way".  8  out  of  10.

 

     

Starscourge/Conqueror Of The Stars, Betwixt Sundered Seraphim, The Lands Between Bleed/2025 Full Length Review

 

  Starscourge  are  an  international  duo  with  embers  from  Sweden  and  Singapore  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  2025  album  "Conqueror  Of  the  Stars,  Betwixt  Sundered  Seraphim,  The  Lands  Between  Bleed"  which  will  be  released  on  December  19th.


  Spoken  words  and  keyboards  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams  and  when  the  music  speeds  up  a  lot  of  blast   beats  can  be  heard.


  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  clear  vocals  also  adding  in  a  touch  of  power  metal  when  they  are  utilized.


  At  times  the  music  also  adds  in  some  symphonic  touches  and  a  couple  of  songs  also  adds  in  a  small  amount  of  clean  playing  as  well  as  the  closing  tracks  also  being  a  Slayer  cover.   The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantast,  mythology  and  the  epic  grandeur  of  the  Elden  Ring.


  In  my  opinion  Starscourge  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Blessings  Upon  the  Golden  Throne"  "Destiny's  Dastardly  Dynasty"  "Together,  My  Serpentine's  Valentine"  and  "Spirit  in  Black".  8  out  of  10.


  https://www.facebook.com/Official.Starscourge/

https://www.instagram.com/starscourge.official/  

Sunday, December 7, 2025

Hexagraf/Walsen van hoop/Void Wanderer Productions/2025 Full Length Review

 


  Hexagraf  are  a  duo  from  the  Netherlands  that  plays  an  atmospheric,  progressive  and  symphonic  mixture  of  black  and  doom  metal  and  this  is  a  review  of  their  2025  album  "Walsen  van  hoop"  which  will b e  released  on  December  18th  by  Void  Wanderer  Productions.


  Coughs  start  off  the  album  before  going  into  more  of  a  darker  and  heavier  direction  while  elements  of  doom  metal  are  also  added  into  the  slower  parts  of  the  recording.    Symphonic  keyboards  are  also  mixed  in  with  the  heavier  sections  of  the  songs  and  the  vocals  bring  in a   mixture  of  death  metal  growls  and  black  metal  screams.


  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  riffs  also  add  in  a  decent  amount  of  melody.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  clean  playing  can  also  be  heard  on  a  couple  of  songs.


  Whispered  vocals  and  spoken  words  are  also  utilized  briefly  along  with  some  of  the  songs  also  being  very  long  and  epic  in  length.  The  album  also  has  its  progressive  moments  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style,  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  clear  singing  is  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Dutch  and  cover  the  dark  underbelly  of  industry.


  In  my  opinion  Hexagraf  are  a  very  great  sounding  atmospheric,  progressive  and  symphonic  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Stoflongen"  and  "Bitjend  in  de  geestvan  productie".  8  out  of  10.


 https://voidwanderer.com/product/hexagraf-walsen-van-hoop-cd-preorder/

Cultic/Lore/Eleventh Key Records/2025 Full Length Rvbiew

 


  Cultic  are  a  band  from  Pennsylvania  that  plays  a  mixture  of  black,  doom,  death  metal  and  dungeon  synth  with  the  energy  of  punk  and  this  is  a  review  of  their  2025  album  "Lore"  which  was  released  by  Eleventh  Key  Records.


  Dungeon  synth  style  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  The  slower  parts  of  the  recording  also  add  in  elements  of  doom  metal  while  the  vocals  are  done  in  more  of  a  first  wave  black  metal  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  The  music  also  adds  in  the  heaviness  of  old  school  death  metal  while  all  of  the  songs  also  have  interludes  in  between  them.  Most  of  the  album  is  also  very  heavily  rooted  in  the  90's  and  early  90's  era  along  with  the  recording  also  capturing  the  energy  of  punk  at  times  as  well  as  the  solos  and  leads  also  remaining  very  true  to  an  old  school  direction.


  Spoken  words  can  also  be  heard  briefly  along  with  one  track  also  adding  in  a  brief  use  of  acoustic  guitars.  As  the  album  progresses  some  of  the  vocals  also  bring  in  the  grim  atmosphere  of  second  wave  black  metal ,  one  song  also  adds  in  a  small  amount  of  battle  samples  and  the  whole  album  also  sticks  to  either  a  slow  or  mid  tempo  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  fantasy  themes.


  In  my  opinion  Cultic  are  a  very  great  sounding  mixture  of  black,  doom,  death  emtal,  punk  and  dungeon  synth  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Nomad"  "Night  Grifter"  "ancinet  Kings"  and  "Dungeon  Wench".  8  out  of  10.


  https://youtu.be/PoaISq9D8oc

https://linktr.ee/culticband

https://cultic.bandcamp.com/

https://www.facebook.com/culticband

https://www.instagram.com/culticband


  

Saturday, December 6, 2025

The Panther Caps/Graven Images/The Swamp Records/2025 Full Length Review

 


  This  is  the  final  review  of  a  recording  from  Alaska's  solo  project  The  Panther  Caps  which  shows  the  music  going  for  a  psychedelic  mixture  of  black,  sludge,  stoner,  doom  metal  and  hardcore  and  the  album  was  released  in  2025  by  The  Swamp  Records  and  called  'Graven  Images".


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Elements  of  sludge  and  doom  metal  are  also  added  into  the  slower  sections  of  the  songs  along  with  the  vocals  bringing  in  a  mixture  of  clear  stoner  rock  vocals  and  black  metal  screams.


  A  lot  of  the  music  also  has  roots  in  the  70's  and  80's  while  also  sounding  very  modern  at  the  same  time.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  album  also  capturing  the  aggression  of  hardcore  at  times,  all  of  the  drum  beats  are  also  programmed  as  well  as  the  whole  album  also  sticking  to  a  heavier  direction  and  the  closing  track  is  also  very  long  and  epic  in  length.


  On  this  recording  The  Panther  Caps  continues  to  expand  on  his  psychedelic  mixture  of  black,  sludge,  stoner,  doom  metal  and  hardcore.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism,  Horror  and  Humor  themes. 


  In  my  opinion  this  is  another  great  sounding  album  from  The  Panther  Caps  and  if  you  are  a  fan  of  psychedelic,  black,  sludge,  stoner,  doom  metal  and  hardcore,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Feed  The  Black  Masses"  "Waste  of  Suffering"  "Humans  Have  A  Right  To  Hedonism"  and  "Graven  Images".  8  out  of  10.


  https://thepanthercaps.bandcamp.com/album/graven-images-lp-3 

The Panther Caps/2 Satanic 3 Panic/The Swamp Records/2025 Full Length Review

 


  This  is  a  review  of  another  recording  from  Alaska's  solo  project  The  Panther  Caps  which  shows  the  music  going  for  a  psychedelic  mixture  of  black,  sludge,  stoner,  doom  metal  and  hardcore  and  this  is  a  review  of  his  2025  album  "@  Satanic  2  Panic"  which  was  released  by  The  Swamp  Records.


  A  very  hard  and  heavy 70's  influenced  sound  starts  off  the  album  while  the  slower  sections  of  the  songs  also  add  in  elements  of  stoner,  sludge  and  doom  metal.  Vocals  range  from  clear  singing  to  high  pitched  black  metal  screams  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  mid  tempo  sections  of  the  songs  also  add  in  the  aggression  of  hardcore.  At  times  the  album  also  captures  a  psychedelic  atmosphere  along  with  the  music  also  adding  in  some  80's  influences  as  well  as  remaining  very  modern  at  the  same  time  and  all  of  the  tracks  stick  to  a  heavier  direction.


  On  this  recording  The  panther  Caps  mixed  black,  sludge,  stoner,  psychedelic  doom  metal  with  hardcore  to  create  a  very  heavy  release  that  also  captures  a  lot  of  retro  vibes.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism  and  Horror  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  The  Panther  Caps  and  if  you  are  a  fan  of  black,  sludge,  stoner,  psychedelic  doom  metal  and  hardcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "A  Goddess  To  Destroy  The  Earth"  "Shadow  Magus"  "2  Satanic  2  Panic"  and  "Scarecrow  lover".  8  out  of  10.


  https://thepanthercaps.bandcamp.com/album/2-satanic-2-panic-lp-1