Abscence/Enigma/WormHoleDeath Records/2025 Full Length Review

 

  Abscence  are  a  band  from  the  united  kingdom  that  plays  a  symphonic  mixture  of  black  and  gothic  metal  and  this  is  a  review  of  their  2025  album  "Enigma"  which  was  released  by  WormHoleDeath  Records.

  Keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  black  metal  screams  along  with  the  music  also  having  its  symphonic  moments  and  blast beats  are  added  into  the  faster  sections  of  the  songs  at  times.

  Growls  are  also  utilized  at  times  while  the  music  is  also  very  heavily  rooted  in  the  90's  era  and  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  clear  singing  is  utilized  they  also  add  in  elements  of  gothic  metal  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  clean  playing  is  also  utilized  at  times  and  some  of  the  tracks  are  also  long  and  epic  in  length  as  well  as  one  song  also  adding  in  a  brief  use  of  spoken  words

  Absence  plays  a  musical  style  that takes  a  symphonic  form  of  black  metal  and  mixes  it  with  gothic  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  tragic  an  immortal  love  of  two  vampire  women.

  In  my  opinion  Abscence  are  a  very  great  sounding  symphonic  mixture  of  black  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "We  Abandon  World  Pearls"  "Secrets  Confide"  "Cloak  Of  Mind"  and  "Our  Live  ignites".  8 out  of  10.

  www.instagram.com/abscenceband

youtube.com/@abscenceband  

End of Dawn Interview

 

1. Can you give us an update on what is going on with the band these days?

At the moment we are continuing the momentum from our debut album Primordial Darkness. Since signing with WormHoleDeath Records and releasing the album in late 2024, we have been playing shows around Greece and working on new material. Our recent performance at the GR Festival in Volos was a highlight, and we are steadily preparing the next steps for both live activity and songwriting.

2. A year ago the band released its first full-length. Can you tell us a bit more about the musical style you aimed for?

With Primordial Darkness, we wanted a balance of symphonic and gothic black metal, combining aggressive elements such as riffs and harsh vocals with clean vocals, orchestral arrangements, and darker atmospheric layers. The music explores contrasts like melancholy and intensity, and the themes draw from mythology, biblical imagery, and existential ideas, which naturally shaped the album’s cinematic and somber tone.

3. The band has been active since 2019 but waited until 2024 to release a debut. What were those first years like?

Those early years were focused on developing the sound and identity of End of Dawn. The project started small and gradually came together as a full band, with each member bringing personal influences into the writing process. We spent a lot of time composing, experimenting, and shaping the atmosphere that eventually defined Primordial Darkness. We also played a few shows to try out new material, and in 2024 the partnership with WormHoleDeath made it possible to release the album properly.

4. Many of your lyrics touch on occult themes. What draws you to this subject?

For us, the occult is less about dogma and more about symbolism. It offers imagery that represents internal struggles, transformation, and the more hidden aspects of human experience. Using these themes helps us frame emotional and psychological ideas in a way that fits the tone of our music, without leaning on any strict doctrine or established belief system.

5. What other lyrical topics appear in the newer material?

Besides occult symbolism, we also explore ideas related to death, mythology, biblical references, dark fantasy, and existential conflict. On the debut album, each track follows a kind of descent and eventual rise on a spiritual or psychological level. The new material draws more from dark fantasy influences such as literature, cinema, games, and the Dungeons and Dragons universe, which gives us room to approach our themes from another angle.

6. Can you tell us more about the album artwork?

The artwork represents the core essence of Primordial Darkness: the dawn of a post-apocalyptic era freed from the burning light of human civilization and welcoming a purifying darkness. The eclipse, which people seem to greet with awe, symbolizes that transformation. Both the confrontation with the unknown and a gateway to spiritual awakening, echoing the album’s lyrical themes. We wanted the visual aesthetic to mirror the music’s atmosphere: mystical, oppressive, and transformative.

7. Out of all the shows you have played so far, which one stands out the most?

Our performance at the GR Festival in Volos this August stands out. Sharing the stage with local bands and, one of our inspirations, Old Man’s Child was meaningful for us, and the atmosphere of the event left a strong impression. As we started performing, clouds gathered and darkened the sky, and combined with the crowd’s energy it felt like a true dark rite.

8. Do you have any touring or show plans for 2026?

We are currently planning the next steps. While nothing is confirmed yet, we aim to be more active live in 2026, both within Greece and potentially abroad. We are considering festivals, a national tour, and international appearances depending on how things develop.

9. Will the next album also be released through WormHoleDeath Records?

WormHoleDeath has been a supportive partner for our debut, and the collaboration remains positive. We will decide how to proceed once the new material reaches a more complete stage.

10. How has the worldwide reaction been to your music from fans of symphonic and gothic black metal?

The feedback has been encouraging. Listeners have responded well to the combination of heavier elements with orchestral and atmospheric parts. We are still building our audience, but so far the reception has been helpful and motivating.

11. What is going on with some of the other bands or projects your members are involved in?

Several members remain active in other projects, which brings new ideas back into End of Dawn. This year, Gravekeeper released a full length with his hardcore band Soulhound, as well as a single with his blackened deathcore band Chants ov Obscurity. Akhenaten released a split with Darkest Oath. Absence and I are working on a black metal project that is still taking shape. Other members occasionally join different projects or tribute bands, although our primary focus is on the next End of Dawn release.

12. Where do you see the band heading musically in the future?

We want to continue developing the symphonic and gothic aspects of our sound while keeping the raw black. metal foundation present. Our goal is to expand the arrangements, use a wider dynamic range, and put more attention on the visual and atmospheric elements of the music. We also feel more comfortable on stage now, which motivates us to improve the live experience further.

13. What bands or musical styles are the members currently listening to?

We listen to a broad mix of metal styles, as well as related genres such as gothic rock, psychedelic rock, dungeon synth, dark synthwave, Scandinavian folk, classical music, and film soundtracks. Each member has personal preferences, but our influences often blend into the writing process. We all share an interest in symphonic black metal, particularly bands like Dimmu Borgir, Cradle of Filth, and Old Man’s Child.

14. Any final words or thoughts?

We would like to thank our siblings of the night who have embraced Primordial Darkness and shown interest in the band. We are already working on new material and we hope to continue growing and creating music with sincerity and focus. Stay with us. The dawn may end, but the darkness continues to evolve.

https://linktr.ee/endofdawn

Dimension Of The Abandoned/Self Titled/2025 Full Length Review

 

  Dimension  Of  The  Abandoned  are  a  band  from  Sacramento,  California  that  plays  a  very  atmospheric,  melodic  and  progressive  form  of  blackened  heavy  metal  and  this  is  a  review  of  their  self  released  and  self  titled  2025  album.

  Clean  playing  and  synths  start  off  the  album  which  also  gives  the  music  more  of  an  atmospheric  and  progressive  feeling  while  also  mixing  in  with  the  heavier  sections  of  the  songs  at  times..  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  riffs  also  add  in a   great  amount  of  melody.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  album  also  adding  in  elements  of  traditional  metal.

  Clear  singing  is  also  utilized  at times  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  as  well  as  one  track  also  adding  in  a  brief  use  of  spoken  words  and  the  music  is  very  heavily  rooted  in  the  modern  era.  The  production  sounds  very  professional  while  the  lyrics  cover  introspective  themes.

  In  my  opinion  Dimension  Of  The  Abandoned  are  a  very  great  sounding  atmospheric,  melodic  and  progressive  blackened  heavy  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Journey  To  The  Ethereal"  and  ""The  Abandoning".  8  out  of  10.

  Bandcamp

YouTube      

Voragoth/Storm Obey No Masters!/2025 Full Length Review

 

  Voragoth  are  a  band  form  Croatia  that  plays  a  melodic  and  progressive  mixture  of  black  and  death  metal  with  elements  of  folk  music  and  this  is  a  review  of  their  self  released  2025  album  "Storm  Obey  No  Masters".

  Synths  and  acoustic  guitars  start  off  the  album  along  with  some  folk  instruments  which  also  returns  on  later  tracks  before  going  into  a  heavier  direction.  When  clear  singing  is  utilized  it  also  adds  in  a  touch  of  pagan  metal  while  the  guitar  solos  and  leads  are  also  done  in  a  very  melodic  style.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to t hem  while  the  vocals  are  mostly  high  pitched  black  metal  screams  mixed  in  with  a  few  death  metal  growls.  Blast  beats  are  also  added  into  the  faster  sections  of  the  album  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

    Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some spoken  words  and  whispers  also  utilized  briefly,  back  up  shouts  are  also  utilized  at  times  as  well  as  some  of  the  vocals  also  going  into  an  angry  shouting  direction  on  a  few  tracks,  tremolo  picking  is  also  added  into  some  of  the  faster  riffing.  The  production  sounds  very  professional  while  th e lyrics  cover  Nature  and  Dark  Fantasy  themes.

  In  my  opinion  Voragoth  are  a  very  great  sounding  melodic  and  progressive  mixture  of  black  and  death  metal  with  elements  of  folk  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "In  Chaos  We  Reign"  and  "The  Last  Day  Of  Night".  8  out  of  10.

  https://fanlink.tv/wdfk

https://www.instagram.com/voragothkvlt/

https://www.youtube.com/@Voragoth

https://voragoth.bandcamp.com/

https://open.spotify.com/artist/6WVeRfR5ZfaBU80OigVMLJ

https://distrokid.com/hyperfollow/voragoth/storm-obey-no-masters

https://voragoth.bandcamp.com/album/storm-obey-no-masters 

Aduanten/Apocryphal Voice/Nameless Grave Records/2o25 EP Review

 

  Aduanten  are  a  band  from  Austin,  Texas  that  plays  an  atmospheric  and  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  ep  "Apocryphal  Voice"  which  was  released  by  Nameless  Grave  Records.

  A  very  heavy  and  melodic  sound  starts  off  the  ep  while  the  vocals  bring  in  a  mixture  of  death  metal  growls  and  black  metal  screams.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  a  couple  of  tracks  also  adding  in  a  small  amount  of  clean  playing  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  synths  are  also  utilized  at  times.  When  the  music  speeds  up  a  small  amount  of  blast  beats  and  tremolo  picking  can  also  be  heard  along  with  the  recording  also  having  its  progressive  moments  and  most  of  the  recording  sticks  to  either  a  slow  or  mid  tempo  direction.

  Aduanten  plays  a  musical  style  that  takes  the  atmospheric,  melodic  and  progressive  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  decay  and  despair  with  profound  sorrow.

  In  my  opinion  Aduanten  are  a  very  great  sounding  atmospheric,  melodic  and  progressive  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Cerulean  Dream"  and  "The  Weakening  Sovereign".  8  out   of  10.

https://youtu.be/sR2DwsbrEgM

    

Eshtadur/Symphonic Crows - Live At The Santiago Londonos Theater/2025 Live Album Review

 

  Columbia's  Eshtadur  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic,  symphonic  and  blackened  form  of  death  metal  and  this  is  a  review  of  their  self  released  2025  live  album  "Symphonic  Crows  -  Live  At  The  Santiago  Londonos  Theater"  which  will   be  released  in  December.

  A  very  hard  and  heavy  sound  starts  off  the  album  while  also  mixing  in  with  the  symphonic  and orchestral  sounds.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  the  vocals  being  mostly  death  metal  growls  as  well  ad  the  faster  sections  of  the  recording  also  adding  in  a  decent  amount  of  blast  beats.

  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Live  audience  reaction  can  also  be  heard  in  between  tracks  along  with  the  music  also  incorporating  elements  of  black  metal  as  well  as  a  couple  of  songs  also  being  very  long  and  epic  in  length  as  well  as  a  later  track  also  adding  in  a  brief  use  of  clean  playing,  throat  singing  can  also  be  heard  at  times.

  On  this  recording  Eshtadur  introduces  symphonic  and  classical  music  orchestration  to  their  melodic  and  blackened  style  of  death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  despair  through  the  decay  of  humanity.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Eshtadur  and  if  you  are  a  fan  of  melodic,  symphonic  and  blackened  death  metal,  you  should  check  out  this  live  album.  RECOMMENDED  TRACKS  INCLUDE  "Lowborn  Bastard"  "The  Red  Door"  and  "The  Fall".  8  out  of  10.

  

• Official Website: https://www.eshtadur.com
• Bandcamp: https://bandcamp.com/eshtadurmusic
• Facebook: https://web.facebook.com/EshtadurOfficial
• Instagram: https://www.instagram.com/eshtadur/
• Twitter/X: https://x.com/eshtadur
• YouTube: https://youtube.com/playlist?list=PLUCNspfTmYc11cx-DlpFCfFSIbZ-nJ98i&si=nkVZ97ee4akIbeB0
• Spotify: https://open.spotify.com/intl-es/artist/0IdWx63RAlOm5W5iOKPesn?si=uDyPtTm9TOO0E_IiGkBM7A
• Apple Music: https://music.apple.com/ve/artist/eshtadur/1116355501
• TikTok: https://www.tiktok.com/@eshtadur

Avdagata/The Apocalyptic Aeon/At Dawn Records/2025 Full Length Review

 

  Avdagata  are  a  band  from  Sweden  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  very  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "The  Apocalyptic  Aeon"  which  will  be  released  on  November  29th  by  At  Dawn  Records.

  Acoustic  guitars  start  off  the  album  before  going  into  a  very  fast  and  brutal  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast b eats.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  tremolo  picking  is  also  added  into  some  of  the  faster  riffing.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  mixed  in  with  some  old  school  extreme  metal  aggression  while  the  songs  also  add  in a   good  mixture  of  slow,  mid  paced  and  fast  parts.  Synths  can  also  be  heard  in  the  background  at  times  along  with  one  track  also  introducing  female  vocals  onto  the  album,  a  later  song  also  adds  in  a  brief  use  of  clean  playing  as  well  as  some  spoken  words  also  being  utilized  briefly  

  On  this  recording  Avdagata  expands  on  their  melodic  style  of  blackened  death  metal  which  they  introduced  on  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  Swedish  and  cover  an  apocalyptic  future.

  In  my  opinion  this  is  another  great  sounding  album  from  Avdagata  and  if  you  are  a  fan  of  melodic  blackened  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "As  Humanity  Falls"  "The  Apocalyptic  Aeon"  "Regnum  In  Tenebris"  and "Luciferian".  8  out  of  10.

  https://www.facebook.com/Avdagata218/

https://www.instagram.com/avdagata.official/

https://www.youtube.com/watch?v=MzwPmvQrFCE