Gotland Interview

 

1. Can you give us an update on what has been going on with the band since the recording and release of the new album? 

First of all, greetings to all the followers of A Different Shade Of Black Metal Zine and thanks to you in the editorial team for this space that you dedicate to us. The composition process behind the new album was really long, because it was our first time creating a concept album. It started in 2016 and ended in 2019, when we recorded all the tracks. After the recordings, unfortunately we had to postpone the works on the mixing and mastering process due to the Covid pandemic. In 2021 we started again to work on the album and in 2022 it was delivered to our label Earth and Sky Productions. Unfortunately, they had some post-pandemic problems, which caused the album's release to be postponed. But now, on September 15th, it was finally released and we are looking forward to letting everyone listen to it.

 

2. Recently you have released a new album, musically how does it differ from the stuff you have released in the past? 

We think that “Rise” it’s quite different from its predecessor “Gloria et Morte”, but it is also a natural evolution from that starting point. Since “Gloria et Morte” we started reducing the folk influences, but there were still present. With “Rise” me maintained and evolved the extreme metal music base (adding also some death metal parts to the already present black metal ones) and completely removed the folk metal instruments, like flutes and bagpipes. But we gave more importance to the epic and symphonic part, hiring the talented Gabriele Gilodi as a session member that composed all the orchestral and piano parts of the album.

 3. Other than a few singles this is your first full length since 2014, can you tell us a little bit more about the long wait? 

Yes, as we said before it was a mix of causes. First of all, we wanted to create a concept album and we took all the needed time to do researches about history, to compose tracks that could also fit the story atmospheres, to find the right guests and their characters and so on. Then, we also spent the right time to record and mix this album, which was not easy: we had a lot of orchestral tracks and instrument, many guests and we wanted to reach a professional sound quality, in which all this sounds wouldn’t have been confused. The last years, unfortunately, were not in our hands: we were forced to stop for the Covid pandemic and our label had some problems related to it. 

4. A lot of your lyrics cover the history of the Roman Empire and the Viking era, can you tell us a little bit more about your interest in these topics?

 It’s true, we are fond of history and, in particular, of the one of Italy and all our lyrics since the beginning of the band are related to these topics. With this album, we decided to focus on one character, Arminius, the chieftain of the Germanic Cherusci tribe who defeated the Roman Empire at the Battle of the Teutoburg Forest in 9 AD. The album is all about his life, telling some personal and introspective events, but that also are intertwined with very important historical events, of which he is the protagonist. 

5. What is the meaning and inspiration behind the name 'Gotland'?

 It is quite strange, because we are from Italy and we tell about Italian history in our lyrics. So, why choosing the name of a Swedish island? This is because historians say that it was the island from which the first Barbarians moved and met the Romans. The meet and clash between these Barbarian population and the Empire is what put the basis for what Italy would be in the next centuries and even nowadays. 

6. Can you tell us a little bit more about the artwork that is presented on the new album cover? 

The artwork cover represent a mask that was discovered by archeologists on the site where the Battle of the Teutoburg Forest was fought. This face mask originally belonged to a helmet of a Roman cavalry man. The fact that it is broken with a skull behind symbolizes the loss of the Roman Empire in that battle against the Germans. The background is divided: on the left side we have Roman ruins and on the right side you can see a Germanic forest. This represents the two parts that fought, but also the two souls of the protagonist Arminius, who was a German that was raised in the Roman Empire.

 7. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

 We are proud of many live shows we had, but surely one of the bests was our opening for Abbath here in Italy in 2016. There a lot of people came and it was really fun to play in front of so many fans. But we also like festivals like Fosch Fest, Italic Pagan Fest, Malpafa Folk & Metal Fest or Eresia Fest, because we can have a better contact with the audience there and there is a friendlier atmosphere. During our live shows we firstly want to play our songs on the best way possible and with best sound. But we don’t want merely to reproduce the songs, but we try also to give a show to the audience, with face-painting, stage props and acted parts. 

8. Do you have any touring or show plans for the new album? 

We have two release parties here in Italy, one near our hometown Turin and one near Milan. During these shows we will play all the songs of the new album “Rise” with some guests and surprises. For more information about future live shows, keep an eye on our social channels. 

 9. You also have done some 'Windir' and 'Bathory' covers, what was the decision behind doing your own versions of their songs? 

We don’t do many covers, but sometimes we decides to do some first of all in order to pay homage to great artists, who are a great influence for us and without whom we probably would never have started making music. This is surely the case of our Windir and Bathory covers. However, we must say we also have real fun playing this tracks and the audience seems really to appreciate them during our live shows too! 

10. On a worldwide level how has the reaction been to your music by fans of extreme metal?

 Our fanbase is mainly in Italy, because we aren’t able to have many live shows outside of Italy due to our jobs. However, thanks to Internet, social medias and webzines like yours, our music is starting to be listened also abroad and we always had positive feedback for now. Our fear was to be too epic and symphonic for the death/black metal fans and too extreme for the melodic metal ones, but many people seem to appreciate the compromise we have tried to create between these two aspects. 

11. What is going on with some of the other bands or musical projects these days that some of the band members are a part of? 

In this moment, all our member are mainly focused on Gotland. However, I (the singer Irmin) recently released an album with my ex-band Desecrate. Even if I won’t sing with them for the live shows, the vocals on “Lights of Contradiction” album are still mine! Our singer Insanus also released an album with his side studio project Le Horla, called “Remords”. Our bassist Var and guitarist EG Orkan released some tracks with their electronic/avant-garde project Acronym during the pandemic, but they don’t have any plans for more releases in the near future. 

12. Where do you see the band heading into musically during the future?

 We are already working on the new material and we are really satisfied with the results! From one release to another, we always evolved our music and this time won’t be different. It’s really to soon to reveal something, but you can expect an evolution from what you heard on Rise. 

13. What are some of the bands or musical styles the band members are currently listening to nowadays?

 What we listen nowadays is what mainly influences our music. Our musical tastes are very varied: we are five members who listen to a lot of music. We go from world-class bands like Bathory, Septicflesh, Emperor, Nile, Windir and Summoning, to masters like Ennio Morricone, John Williams, Hans Zimmer and Alan Silvestri, just to name a few. But we also appreciate many local bands, which in our opinion are proving to have nothing to envy of the international giants: Furor Gallico, Atavicus, Selvans, Veratrum, Ponte del Diavolo, Lou Quinse, Hopeless, Scream3Days, Voltunma and many others that are making the Italian scene is increasingly interesting and above all increasingly high-level in its musical offering 

14. How would you describe your views on paganism?

 With our band we want to tell the history of the clash between the Barbarian population within the Roman Empire. Surely, the theme of the pagan gods and religion are sometimes present in our lyrics, but only on an historical level. 

 15. Before we wrap up this interview, do you have any final words or thoughts?

 Thank you so much for the space that you dedicated to us, both for this interview and for the nice review you wrote about our album. Greetings to all your readers and all the friends who follow us. We are waiting for you under the stage

  Facebook page: https://www.facebook.com/gotlandmetal/
  Instagram page: https://www.instagram.com/gotlandmetal/
 Youtube page: https://www.youtube.com/@Gotlandmetal
  Bandcamp page: https://gotlandmetal.bandcamp.com

Wizards Of Wiznan/No Light Has No Shadow/Argonauta Records/2023 Full Length Review

 

  Wizards  Of  Wiznan  are  a  band  from  Switzerland  that  plays  a  mixture  of  black,  sludge  and  doom  metal  and  this  is  a  review  of  their  2023  album  "No  Light  Has  No  Shadow"  which  will  be  released  on  September  29th  by  Argonauta  Records.

  Dark  sounding  synths  start  off  the  album  before  adding  in  more  of  an  atmospheric  stoner  rock  style  which  also  takes  the  music  into  a  heavier  direction.  Elements  of  sludge  and  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  while  the  vocals  bring  in  a  mixture  of  black  metal  screams  and  death  metal  growls.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  are  done  in  more  of  a  retro  proto  metal  style.  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length,  clear  vocals  can  also  be  heard  on  a  couple  of  songs  and  when  the  music  speeds  up  a  small  amount  of  blast  beats  are  also  utilized.

  Wizards  of  Wiznan  plays  a  musical  style  that  takes  black,  doom,  death,  sludge  and  stoner  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  a  dark  and  misanthropic  exploration  of  the  human  condition.

  In  my  opinion  Wizards  of  Wiznan  are  a  very  great  sounding  mixture  of  black,  death,  doom,  sludge  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Seeds  Of  Light"  and  "Reign".  8  out  of  10.

   https://www.facebook.com/ wizardsofwiznan

https://www.youtube.com/watch?v=5l5xe1nZiNk&ab_channel=ArgonautaRecords  

  

Uranium/Pure Nuclear Death/Sentient Ruin Laboratories/2023 Full Length Review

 

  Uranium  are  a  solo  project  from  Pennsylvania  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  blackened  form  of  industrial  with  elements  of  harsh  noise  and  death  industrial  and  this  is  a  review  of  his  2023  album  "Pure  Nuclear  Death"  which  will b e  released  in  October  by  Sentient  Ruin  Laboratories.

  Death  industrial  style  soundscapes  start  off  the  album  along  with  some  distorted  yet  heavy  riffing  a  few  seconds  later.  When t he  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  vocals  are  mostly  grim  sounding  black  metal  screams  and  all  of  the  tracks a re  also  very  long  and  epic  in  length.

  Growls  can  also  be  heard  at  times  while  all  of  the  drum  beats  are  also  programmed  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  songs  also  mixing  in  a  lot  of  power  electronics  and  harsh  noises,  spoken  word  samples  are  also  utilized  on  a  few  tracks  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  some  synths  also  being  added  into  certain  sections  of  the  recording.

  On  this  album  Uranium  remains  true  to  the  mixture  of  black  emtal,  death  industrial  and  harsh  noise  that  he  had  established  on  his  previous  release.  The  production  sounds  very  dark  while  the  lyrics  cover  science,  ethical  literature  and  philosophy  theme.

  In  my  opinion  this  is  another  great  sounding  recording  from  Uranium  and  if  you  are  a  fan  of  blackened  industrial,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Absolute  Terror"  and  "Black  Night  Satellite".  8  out  of  10.

  BANDCAMP RELEASE

  

Bolt Gun/The Tower/Avantgarde Music/2023 Full Length Review

 

  Bolt  Gun  are  a  band  from  Australia  that  plays  an  experimental  and  avant  garde  form  of  post  black  metal  with  elements  of  noise,  drone  and  dark  ambient  and  this  is  a  review  of  their  2023  album  "The  Tower"  which  was  released  by  Avantgarde  Music.

  Dark  ambient  style  synths  start  off  the  album  while  atmospheric  sounding  drones  can  also  be  heard  at  times.  All  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  saxophones  also  give  the  music  more  of  an  avant  garde  feeling  when t hey  are  utilized  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  mostly  tortured  sounding  black  metal  screams.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  along  with  the  faster  sections  of  the  songs  also  adding  in  a  small  amount  of  tremolo  picking  and blast  beats.

  At  times  the  music  also  gets  very  experimental  sounding  along  with  some  growls  also  being  added  into  certain  sections  of  the  recording.  Noises  are  also  added  on  some  of  the  tracks  as  well  as  some  of  the  songs  also  bringing  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  the  album  also  closes  with  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  are  inspired  by  the  writings  of  Brian  Evenson,,  Frank  Kafka,  Shirley  Jackson  and  cover  isolation,  extinction,  absurdity  and  nihilism  themes.

  In  my  opinion  Bolt  Gun  are  a  very  great  sounding  avant  garde  and  experimental  mixture  of  post  black  metal,  noise,  drone  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Tower"  and  "The  Scapegoat".  8 out  of  10.

  https://www.facebook.com/BoltGun

https://www.instagram.com/bolt_fun

https://boltgun.bandcamp.com    

  

Cunabula Interview

 

Can you give us an update on what has been going on with the band since the recording and release of the new album?

Goda: In some non-artistic and rather technical terms, we’re having small tasks for the album PR and also for the upcoming album release show that needs to be organized. Mentally, we’re trying to look forward and not take the album release fact as some result after which we can finally rest. And it’s not an easy task.

Recently you have released a new album, musically how does it differ from your previous ep?

Jurgis: I would say that the recent release has a more consistent and defined sound than the previous EP. Also, musically the new album has some recurring rhythmic composition techniques that in my opinion plays a strong role in overall musicality of this album.  Whereas the first EP was more experimental and dedicated for bands musical research. 

Tadas: The album production is less polished and more raw/live. Musically every song on the album is like a journey, everything is more coherent. And the vocals are much more important now.

This is also your first release since 2017, can you tell us a little bit more about what has been going on during that time frame?

Goda: After the EP release we were into live performances more, rehearsing, bringing our audience together, and when we started developing our recent album, we actually faced lots and lots of waiting in every single phase of it. Not mentioning the pandemics that wasn‘t very grateful for the band.

Tadas: On the other hand, we had an opportunity to try the songs live before the recordings. Only two tracks in this album were never performed live.

What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?

Tadas: Our lyrics are very abstract, it’s the atmosphere that matters, not the story. As the sole songwriter (so far), I wish other band members would get themselves involved in the songwriting more, it would be nice to explore collaborative songwriting. 

What is the meaning and inspiration behind the name 'Cunabula'?

Goda: The name came from Kurt Vonnegut's „Cat‘s Cradle“ and the word cradle had a special meaning for us at the time the band formed. Cunabula is Latin for cradle.

Tadas: I don’t know why, but this book is very highly regarded in Lithuania. Maybe it’s the same in other countries too.

Can you tell us a little bit more about the artwork that is presented on the new album cover?

Goda: Nojus Petrauskas, the author of the painting in the artwork, is a Lithuanian painter, an amazing surrealist, which was noticed by us accidentally after we spent hours searching for what could be an organic fit for our album visually. We just saw the painting named ‘Heart’ and we knew.

What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Goda: We vividly remember the gig when we were given a chance to support Conan band – the evening was insane. Also, it is Something Else to play at an open-air festival. And what’s regarding the listeners – we always receive some unexpected feedback about how gigs make people feel. For me, those words are exactly how I’d wish to feel as a listener in some heavy gig myself: partly hypnotized, partly scared, and energetically crushed to the ground. That kind of feedback is definitely inspiring.

Do you have any touring or show plans once the new album is released?

Goda: Not sure about the touring, but we definitely want to have an album release show in Lithuania.

On a worldwide level how has the reaction been to your music by fans of black, sludge and post metal?

Goda: We are happy to have some worldwide fans reaching out to us personally to express their gratitude for what we do. In general, the feedback is greatly motivating to keep doing what we do.

Tadas: Yes, the feedback was mainly positive so far. Our style is a tough cookie to crack, so it’s hard to fit it into one simple description. The music like this probably will never be popular, but if someone likes it, we are happy.  

Where do you see the band heading into musically during the future?

Jurgis: I think Cunabula has potential for the unexpected, I would not be surprised that we would take more experimental turns in the band's musical future. However, at this moment it is fair to say that some essential elements of our music would still be transferred to our future works, especially harmonic, and textural qualities of our sound. Which in my opinion has a big role in defining Cunabula as a band and are hugely responsible for the emotional weight of our music.  

What are some of the bands or musical styles the band members are currently listening to nowadays?

Jurgis: I think the overall musical spectrum of what we listen to is very wide, but regarding Cunabula style I strangely find much resemblance from 20th century’s academic minimalists or even some of the composers from New Simplicity wave. For example, works of Steve Reich, David Lang or Arvo Part. Though the similarity with such music is more of primal musical ideas level.  As for stylistically similar artists I think bands like: Cult of Luna, Russian Circles, Meshuggah plays a big role in our development. Also, i’d like to mention Polish post metal band Entropia, especially their album “Vacuum” which was a very fortunate discovery for me personally a few years ago.

Tadas: Old Norwegian black metal, new French black metal, classic sludge metal bands, some old prog rock, some random classical music.

Before we wrap up this interview, do you have any final words or thoughts? 

Goda: We enjoyed reading such personal and deep questions, thank you for that.

https://youtu.be/vw77kywj4dk

Facebook | Bandcamp | Instagram | Spotify

Old Ruins Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

(Kraje)

A lot of things happened in that time because the recording was finished one year ago also in September.

We had no label at this time and decided to send our complete album to some labels to find out if anyone is interested in a deal with us.

And when we finally got the deal we knew that we have to be patient because of the long time period for a vinyl pressing.

So we had enough time to practice, play some shows and of course we already wrote some new songs in that time.

2.You have a new album coming out later in September, musically how does it differ from your previous ep?

(Kraje)

First of all this time we were in a professional studio.

The EP was recorded, mixed and mastered by myself.

So the sound is much fatter than on the EP.

Musically it is not so different. Four songs from the EP are also on our album, to complete the whole concept.

We always try out to give our songs something special, like a smooth guitar solo, or a part and style of riffing, you wouldn’t expect. And especially not in a black metal band.

So you can see the whole album as a story, lyrically and musically.

3.A lot of your lyrics cover the video game 'Diablo' can you tell us a little bit more about your interest in this game'?

(Kraje)

That’s right, we are all great fans of the diablo videogames.

In my youth the was it Diablo 2 – Lord of Destruction what captivated me and nowadays we are all play Diablo 4.

Maybe that sounds a little bit crazy, but this game influenced me for all of our lyrics.

The dark atmosphere of the game, the great story without an happy ending, the tragic…

Can it more perfect for a black metal band?

The lyrics on “Always Heading East” are about the Dark Wanderer and his tragic story in Diablo 2.

4.What is the meaning and inspiration behind the name 'Old Ruins'?

(Kraje)

That’s a funny story

Our drummer Alex and our guitarist Ersin hang around to think about a band name and Alex was talking about Tyrael’s Sword Aldruin. (For those who knot know, Tyrael is a character from the videogame.)

And Aldruin sounds very similar to old ruins. So ersin asked him why he is talking about old ruins and our band name was born.

I think the name fits very good because a lot of scenes we describe in our songs, happening in old ruins our graves.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

(Kraje)

The Artwork is from the great German artist Timon Kokott.

He did our Artwork for the EP as well.

The Artwork shows the dark wanderer on his way through the desert and of course he is heading east as you can see.

Every time I look at this artwork I am travelling back in time when I first entered the second act of diablo 2.

That’s exactly the scene and there where so many scenes we had in mind for the album artwork, but this one is perfect.

If you don’t know him, check out Timon Kokott Artwork.

He is awesome

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

(Kraje)

So imagine yourself you made a band with no plans to play live.

Only creating cool songs, record them and that’s it.

But our EP was very successful and so we got the chance to play as substitute on an open air event in July 2021. It was in the middle of the pandemic and so it was one of the first concerts after a long time. 

Then this moment when we started the show

There were about 400 people on the place , and some of them wore our shirts.

And all that on our first live performance ever.

That was crazy

Our stage performance includes normally headbanging and some posing.

But not as wild as in a thrash band for example.

First of all we want to create a dark atmosphere and transmit it to the crowd

And of course we prefer to play tight and without great mistakes before acting like maniacs on stage.

7.Do you have any touring or show plans once the new album is released?

(Kraje)

Right now we have no plans for big tours but we still have a few shows left this year.

8.Cyrrently the band is signed to 'Doc Gator Records', can you tell us a little bit more about this label?

(Kraje)

Doc Gator Records is a Label from Switzerland.

When someone says Doc Gator Records is an underground label, then you should know that there is always the motto : quality before quantity.

They signed Bands from Brazil, Bulgaria, Wales, England, Canada, India, USA, Switzerland and at least Germany.

And that is what makes them very special.

They give bands like us a chance to spread the music all over the globe.

For me this is more than underground work.

9.On a worldwide level how has the reaction been to your music by fans of extreme metal? 

(Kraje)

Very different.

You know the old school black metal fans would say our music isn’t rough and fast enough.

Then you have these guys expecting nothing when they first heard our EP on Youtube, and later that day ,they bought it digital on bandcamp to support us.

Others are the same videogame freaks as we are, so they are totally hyped

10.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

(Kraje)

Right now there is only me playing in another Band

It’s called Smorrah and in this band I play bass and do some backing vocals.

We recorded our first album in the same studio we were with old ruins.

I told the guys about the awesome time in the studio and the awesome sound Michael creates.

At the Moment we are planning our release.

11.Where do you see the band heading into musically during the future?

(Kraje)

I can’t say where we are going in the future.

When we start a song, we never now what journey we will go on.

Some new parts are very 90’s black metal and then there are some breaks that you would never expect.

The only thing that will stay is our lyrical inspiration about the videogame and everything else only the time will tell.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

(Kraje)

Immortal and the Sideprojects from Abbath and Demonaz were big influence to me over the years. But there are a lot of other bands I prefer.

So on the one week I listen to iron maiden all the time, and the next week I listen to dissection.

13.Before we wrap up this interview, do you have ant final words or thoughts?

(Kraje)

When I look back to the last 10 years ,

Never give up your dreams, there is always a way to reach what you are dreaming about.

And when you check out our Music…. Stay awhile…. and listen

https://www.instagram.com/oldruins.official/

https://www.facebook.com/OldRuinsGE

https://twitter.com/therealOldRuins

https://open.spotify.com/artist/16B7r7ccFBc2CGIdwzxSWA?si=40mlzhJsSlKidNDuGm5iEQ&nd=1

Putrascension/Forever Below/Horror Pain Gore Death Records/2023 FUll Length Review

 

  Putrascension  are  a  band  from  New  Jersey  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2023  album  "Forever  Below"  which  will  be  released  in  October  by  Horror  Gore  Pain  Death  Records.    

  A  very  fast  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  The  riffs  also  add  in  a  lot  of  melody  while  the  vocals  are  mostly  high  pitched  black  metal  screams  as  well  as  the  music  also  being  very  heavily  rooted  in  the  Swedish  style  and  death  metal  growls  can  also b e  heard  at  times.

  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  At  times  the  music  also  gets  very  brutal  sounding  along  with  a  couple  of  tracks  also  adding  in  a  brief  use  of  clean  playing,  synths  and  spoken  word  parts,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  the  closing  track  is  very  long  and  epic  in  length.

  Putrascension  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  apocalyptic  themes.

  In  my  opinion  Putrascension  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Deeper  Hell"  "Stillness"  and  "Meslemtaea"..  8  out  of  10.

  https://www.putrascension.com/