Exist In Ruin Interview

 

1.Can you give us an update on what has been going on with the musical project since the recording and release of the new ep?

I’ve spent a lot of time writing new material and I’m ecstatic with what’s next. I got hold of a 7 string guitar after the release of the debut EP and it’s really influencing the sound direction for the upcoming releases. It’s still going to be symphonic and melodic, but with an even bigger sound! The guitars are taking a more prominent role. On the first EP I worked with João Miguel (Enblood, Nephilim) to do guitar solos, but the next series of songs will feature him from start to finish, as well as solos. I’ve also spent plenty of time promoting the debut EP and soon after its release I was able to secure a distribution deal with WormHoleDeath Records. The EP is being reissued on Dec 2, 2022, so I’m excited to see what transpires. 

2.Recently you have released a new ep, can you tell us a little bit more about the musical style that you went for on the recording?

The sound of Exist in Ruin on the debut EP is heavily inspired by a few of my favorite bands (Amon Amarth, Dimmu Borgir, and various other influences), while still maintaining a uniqueness. With guitars, drums, and the heavy male vocals it’s more of the melodic death metal/metalcore influence of Amon Amarth, plus a slight touch of black metal influence in places. With the Orchestration and the female vocals I was very influenced by Dimmu Borgir and one of their female vocalists, Agnete Kjølsrud.   

3.What are some of the lyrical topics and subjects you have explored with the music so far?

The EP has a strong undercurrent of persecution in the stories told in the lyrics of each song. Songs are about the predictable cycle of violence and persecution in genocides that take place in parts of the world. The tyranny of invaders. Amazing how relevant it is with world events today. One is about emotional predation or persecution by a Succubus. Another is about religious persecution where innocents were burned as witches. One about persecution of people through experiments in asylums of the past, and the title track is about persecution by one’s own mind by the depths of depression.       

4.What is the meaning and inspiration behind the name 'Exist In Ruin'?

It was a perfect encapsulation of my existence when I started working on the project at the end of 2019. At the time I had no idea the music would be what it is today. Mentally, I was in a very dark place. Years of sliding backwards in life and feeling trapped in a home/investment that I grew to despise, I felt very overwhelmed by it all. At the time I was fed up, blaming all my problems on others, and I wanted to leave my family and start a new simple and minimalist life. I was also extremely unhappy about my overall health and appearance and didn’t feel like I was myself anymore. Writing music at the time was a hiding place from it all. When the pandemic arrived it was terrible for many people, but it gave me a much needed break from the daily grind of life. Things have improved drastically since then, but at the time it was a perfect description of my existence.    

5.Can you tell us a little bit more about the artwork that is presented on the ep cover?

It’s a piece of art from an incredible artist “The Iron Parasite”. He says it was very influenced by a Children of Bodom album cover he liked. On the image there’s a lone character, isolated and completely covered in robes in an environment of skulls and desolation. I thought it was perfect metaphor for how I felt at the time and also visually a perfect fit for the Exist in Ruin name. The isolated character, hiding its face from the world in a desolate environment was a perfect reflection of myself. Even my personal band photo’s chiaroscuro lighting style, with my face half in darkness, symbolizes a struggle within.   

6.On the ep you also had a great amount of session musicians, can you tell us a little bit more about who they are and also their contributions to the recording?

American composer Jonah Weingarten, known for his incredible work in notable bands; Pyramaze and Catalyst Crime, is an old friend of mine. We worked together on a 3-song symphonic death metal demo many years ago with a band I was in at the time. All the other musicians were found online and all were/are experienced members of very talented bands. From Portugal, César Moreira (vocals in Enblood) and João Miguel (Lead guitar in Enblood) deliver the brutal vocals and guitar solos on this EP. From France, Jessy Christ (NZGL, Syndo-syS) delivered a range of Soprano, melodic, and heavy vocals as the female counterbalance to César’s deep death metal vocals. From Germany, Sebastian Bracht (Sophicide, Dahlian) delivered a unique male a cappella metal choir that fit perfectly in the middle of the EP to balance it all out. From Bulgaria, Konstantin Raydovski, a session guitarist very early in the project delivered solos on two songs that were just perfect for two of the songs.         

7.Do you have any plans to search for a live line up to do shows or tours in the future?

I think that would really open doors to finding new fans, so it crushes me to say there are no plans at the moment. I’d really love to do something with the original members. One way I imagine it can happen is if we arrange a festival slot and all get on board to make it happen. Herculean effort, but not impossible!  

8.A lot of the musicians who contributed to the recording come from different parts of the world, what impact does this have on the musical style that you play?

We are all fans of similar bands and music so we click on that level, but being able to hand pick each member online from anywhere in the world has allowed me to find the exact members I needed to emulate my influences, who are mostly European bands. It’s not likely I would have found an epic symphonic keyboard player who plays in European metal bands, a Soprano opera singer that loves black metal, and a heavy metal a cappella vocalist operating at these levels in my own area. They do each bring a bit of flavor from each of their countries to the songs. For example, Jessy Christ subtly added some French lyrics in one of the songs she sings on, and it works!     

 

9.On a worldwide level how has the reaction been to your music by fans of symphonic black and death metal?

I went into it thinking that there would be a bit of criticism. I accept that not everyone is going to like it. Also, when you claim to fit into certain genres, and people don’t agree, they can get quite irritated. I was expecting some of that, but really there has been none that I’m aware of so far and it has been overwhelmingly positive. I’ve had many messages from people that love the EP and are looking forward to more. 

10.When can we expect a full length and also where do you see yourself heading into as a musician during the future?

Most of the songwriting is complete for everything that will be released in 2023. The plan currently is to release several singles, each with it’s own video and artwork, and then fully promote and market each one to keep growing the audience. I will also pitch the songs to see if I can secure funding for a full length album or or EP. Besides all the work getting the singles out the door and the associated marketing, I will continue writing new material throughout 2023. I have extensive material to draw from and will see where I stand at the end of the year. 

     

11.What are some of the bands or musical styles that you are currently listening to nowadays?

According to my end of year wrap up on Spotify I have been listening mostly to Exist in Ruin, Slayer, Eonian (A project similar to Exist in Ruin put together by one guy with guest artists), Nephilim (A band that Exist in Ruin’s vocalist, César Moreira and guitar soloist, João Miguel play in), as well as one of my favorites, Old Man’s Child. Some other bands I’ve fairly recently discovered and now love are Uada, and King of Asgard. Basically all a mix of melodic death, symphonic melodic death or black metal, and thrash.    

12.Before we wrap up this interview, do you have any final words or thoughts?

Just to thank everyone for their support! Please spread the word. The reactions I’ve had so far are a huge inspiration to continue and I can’t wait for everyone to hear the new stuff! Thanks for the interview! 

www.existinruin.com
 www.youtube.com/existinruin
www.instagram.com/existinruin
www.facebook.com/existinruin
twitter.com/existinruin

Greybeard/Dark Age/2022 Full length Review

 

  Greybeard  are  a  band  from  Calgary,  Alberta,  Canada  that  plays  a  melodic  and  progressive  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2022  album  "Dark  Age".

  Black  metal  screams  and  heavy  riffing  starts  off  the  album  while  death  metal  growls  can  also  be  heard  at  times.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  all  of  the  musical  instruments  on  the  recording  also  having  a  very  powerful  sound  to  them  and  clear  vocals  can  also b e  heard  at  times.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  riffs  also  add  in  a  decent  amount  of  blast  beats.  The  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length,  when  clean  playing  is  utilized  they  also  give  the  music  more  of  a  progressive  feeling  and  spoken  word  parts  can  also  be  heard  briefly.

  Greybeard  plays  a  musical  style  that  takes  the  melodic  and  progressive  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  and  cover  the  tale  of  a  family  living  in  an  abandoned,  desolate  cityscape  as  the  father's  mental  state  collapses ,  imagining  a  witch  speaking  to  him  about  how  to  save  his  family.

  In  my  opinion  Gerybeard  are  a  very  great  sounding  melodic  and  progressive  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of t hose  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Light  From  1,000  Suns"  "Beneath"  and  "Dark  Age".  8  out  of  10.

  https://youtu.be/PqSVlrkMPDo

https://greybeard-yyc.bandcamp.com/album/dark-age

https://open.spotify.com/album/53NoVIF8fUVWhSEiXk9TCD

https://music.apple.com/ca/album/dark-age/1656201044

  

  

Vorgrum/Nature Emerge/2022 EP Review

 

  Vorgrum  are  a  solo  project  from  Argentina  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  fantasy  orientated  form  of  folk  metal  and  this  is  a  review  of  his  self  released  2022  ep  "Nature  Emerge".

  A  very  heavy  and  symphonic  sound  starts  off  the  ep  while  the  vocals  are  mostly  grim  black  metal  screams.  Elements  of  folk  music  are  also   mixed  in  with  the  heavier  sections  of  the  songs  at  times  along  with  one  also  adding  in  some  clear  pagan  chants   and  accordions  are  also  a  very  huge  part  of  the  recording.

  Most  of  the  music  sticks  to  a  mid  tempo  style  while  melodies  can  also  be  heard  in  some  of  the  guitar  riffing  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  one  of  the  songs  also  adding  in  a  brief  use  of  spoken  word  parts.

  On  this  recording  Vorgrum  takes  hid  music  into  more  of  a  mid  tempo  folk  metal  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  Fantasy  and  paganism  themes. 

  In  my  opinion  this  is  another  great  sounding  recording  from  Vorgrum   and  if  you  are  a  fan  of  folk  and  fantasy  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "The  Path"  and  "Nature  Emerge".  8  out  of  10.

  Bandcamp: https://vorgrum.bandcamp.com/

Facebook: https://www.facebook.com/vorgrum
Youtube: https://www.youtube.com/vorgrum
Spotify: https://open.spotify.com/artist/6hWSGko9tpuN1ReyF8YxPh?si=fHCSafWAR9S_eG5G0QE4wg

Instagram: https://www.instagram.com/vorgrumfolk   

High Fells/Catharsis/2022 Full Length Review

 

  High  Fells  are  a  band  from  Denton,  Texas  that  plays  a  very  melodic  and  blackened  form  of  death  metal  and  this  is  a  review  of  their  self  released  2022  album  "Catharsis".

  Melodic  guitar  solos  and  leads  start  off  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  tremolo  picking  and  brutal  sounding  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  riffing  also  adding  in  a  great  amount  of  death  metal  elements.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  the  riffs  also  add  in  a  great  amount  of  melody.  Growls  can  also  be  heard  at  times along  with  all  of  the  musical  instruments  on  the  album  also  having  a  very  powerful  sound  to  them  as  well  as  a  couple  of  tracks  also  adding  in  a  brief  use  of  clean  playing,  symphonic  sounds  can  also  be  hear d on  the  closing  song.

  High  Fells  plays  a  musical  style  that  takes  melodic  black  metal  and  mixes  it  with  death  metal  to  create  a  sound  of t heir  own.  The  production  sounds  very  professional  while  the  lyrics  cover  mental  and  emotional  wellness  themes.

  In  my  opinion  High  Fells  are  a  very  great  sounding  melodic  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Lingering"  "Hypoxian"  "Fall  With  The  Sun"  and  "Where  They  Call  my  Name".  8  out  of  10.

  https://youtu.be/JJ83eInk6fU

Highfells.bandcamp.com, Spotify.

https://youtu.be/iWoznIVS4aY

Highfells.com | Facebook.com/highfellstx | Twitter.com/highfellstx | Instagram.com/highfells

      

  

Exist In Ruin/Self Titled/WormHoleDeath Records/2022 EP Review

 

  Exist  In  Ruin  are  a  solo  project  from  Seattle,  Washington  with  some  session  members  that  plays  a  melodic  and  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  his  self  titled  2022  ep  which  will  be  released  in  December  by  WormHoleDeath  Records.

  A  very  heavy  yet  symphonic  sound  starts  off  the  ep  while  all  of t he  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  When the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  along  with  the  vocals  being  a  mixture  of  death  metal  growls  and  black  metal  screams. 

  Operatic  female  vocals  can  also be  heard  on  a  couple  of  the  tracks  while  the  riffs  also  add  in  a  great  amount  of  melody.  Clean  playing  is  also  utilized  in  certain  sections  of  the  recording  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts .

The  songs  also  mixing  in  some  classical  and  orchestra  music  touches,  choirs  can  also  be  heard  briefly  and  as  the  ep  progresses  a  brief  use  of  clear  male  vocal  and  spoken  word  parts  is  also  added  into  the  music. The  production  sounds  very  professional  while  the  lyrics  cover  dystopia,  darkness  and  war  themes.     

  In  my  opinion  Exile  In  Ruin  is  a  very  great  sounding  symphonic  and  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Stained  legacy"  and  "Although  i  Live  i  Die".  8  out  of  10.

  www.existinruin.com

www.youtube.com/ExistinRuin
 www.instagram.com/existinruin
 www.facebook.com/existinruin
twitter.com/existinruin

Frozen Dawn/The Decline Of The Enlightened Gods/Transcending Obscurity Records/2023 Full length Review

 

  Frozen  Dawn  are  a  band  from  Spain  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  melodic  form  of  black  metal  with  some  elements  of  death  and  thrash  metal  and  this  is  a  review  of  their  album  "The  Decline  Of  The  Enlightened  Gods"  which  will  be  released  in  2023  by  Transcending  Obscurity  Records.

  The  sounds  of  fire  burning  start  off  the  album  before  going  into  a  heavier  musical  direction  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  The  riffs  also  add  in  a  lot  of  melody  along  with  the  vocals  being  mostly  grim  yet  high  pitched  black  metal  screams  and  elements  of  thrash  metal  can  be  heard  in some  of  the  guitar  riffing.

  Rain  and  thunder  sounds  can  also  be  heard  briefly  while  death  metal  growls  can  also  be  heard  in  certain  sections  of  the  recording.  When  the  music  speeds  up  a  great  amount  of  blast  beats  are  also  utilized  along  with  the  faster  riffing  also  adding  in  a  lot  of  tremolo  picking  and  the  music  is  also  very  heavily  rooted  in  the  classic  Swedish  style.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length  as  well  as  one  track  also  adding  in  a  brief  use  of  clean  playing,  one  song  is  a  classical  guitar  instrumental  and  the  album  closes  with  a  cover  of  necrophobic's  "Blinded  by  Light,  Enlightened  By  Darkness".  The  production  sounds  very  professional  while  the  lyrics  cover    Winterland  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Frozen  Dawn  and  if  you  are  a  fan  of  melodic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Mystic  Fires  of  Dark  Allegiance"  "Frozen  Kings"  "Oath  of  Forgotten  pat"  and  "The  Decline  Of  Enlightened  Gods".  8  out  of  10.

  Official Video Stream #1

Official Video Stream #2

Frozen Dawn Bandcamp

Frozen Dawn Facebook  

  

  

Valve/Thermoclines/Moment Of Collapse Records/2022 Full Length Review

 

  Valve  are  a  band  from  France  that  plays  a  blackened  form  of  sludge  metal  with  some  elements  of  post  hardcore  and  mathcore  and  this  is  a  review  of t heir  2022  album  "Thermoclines"  which  will  be  released  on  November  11th  by  Moment  Of  Collapse  Records.

  Cinematic  sounding  synths  start  off  the  album  before  going  into  more  of  a  heavier  and  melodic  direction.  Elements  of  sludge  and  doom  metal  can  be  heard  in  the  slower  sections  of  the  songs  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  vocals  are  mostly  blackened  metal  screams.

  Clear  vocals  can  also  be  heard  at  times  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  tremolo  picking  and  blast  beats.  Hardcore  style  growls  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  of  the  riffing  also  bringing  in  more  of  a  dissonant  style  and  most  of  the  tracks  are  also  very  long  and  epic  in  length.

  Clean  playing  can  also b e  heard  in  certain  sections  of  the  recording  along  with  the  songs  also  adding  in  touches  of  post  hardcore  and  mathcore  as  well  as  the  tracks  also  adding  in a  decent  mixture  of  slow,  mid  paced  and  fast  parts,  spoken  word  parts  can  also  be  heard  at  times.  The  production  sounds  very  professional  while  the  lyrics  cover  despair  themes.

  In  my  opinion  Valve  are  a  very  decent  sounding  blackened  sludge  metal  band  with  elements  of  post  hardcore  and  mathcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Kabuki"  and  "Schism".  7  out  of  10.

  https://www.facebook.com/VALVE.PARIS/