Geisterfaust Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the band?

 

We started Geisterfaust back in 2018. Our goal was to create our very own sound inspired or influenced by two genres we all listen to: black metal and sludge/doom metal. So we wanted make some heavy sludgy drones and combine them with fast riff cascades and raw vocals.

 

2. So far you have released 2 EPs, musically how do they both differ form each other?

 

The first EP was recorded in studio in late 2019 and can be seen as some kind of preview of what was to come. We started playing our first shows and the plan was to work on a first album but then pandemic put everything on hold… you all know that story. So after a short break due to the lockdowns we went on to write new songs until we were able to enter the stage again by the end of last year.

We decided to record that first show after 20 months and that was what has become our newest release called Servile Mirrors of Animosity - not to be seen as a live album in a classic sense but due to the fact that it has been recorded live in front of a crowd it is Geisterfaust in the most direct and unpolished way.

 

3. What are some of the lyrical topics and subjects the band has explored so far with the music?

 

Well, it's always kind of hard to put that into words, since words are just some sort of tool to transport a feeling, a thought, a situation or a perception. So let's say a word it's only a shape. It's not the feeling itself when you feel it, it's not the fear you feel and so on, you know. But at least it's an approach to describe a subject.

Using metaphors or maybe aphorisms is a good thing helping the listener to get a feeling of whats it is about. But also giving the listener enough room and leaving it to oneself to work with it.

But yeah, let's keep it short: it's about questioning the way we are, the way we live, the way everything outside of each and everyone one of us is and why it is the way it is. It's about questioning everything you have ever been thought, everything you have ever thought you know about. It's about negating all that stuff and trying to find out what is, I mean what really "is". You know like being aware of the "inner world" and of course the "outer world“. About finding yourself… and your inner truth, the essence of your whole being. Yeah, you can say a lot of the lyrics affect spiritual topics.

 

4. What is the meaning and inspiration behind the name ‚Geisterfaust‘?

 

To be honest, it's an album title of the german Doom-Jazz band called Bohren & der Club of Gore. But we felt that it has a good vibe and describes the feeling of our music very well: the feeling of knowing that something is lurking in our (sub)conscious mind, which is suppressing our true being and choking our neck with it's cold skeleton "Geisterfaust".

 

5. Can you tell us a little bit more about the artwork on the current EP cover?

 

The covershot was taken during the show by A. Kiefer, a friend of the band. It was too good to just be posted on social media, so we decided to put it on the cover because it just fits the vibe of the record… and it has been recorded live on location so why not put a photo from that  on the cover of the release?

 

6. What are some of the best shows that the band has played so far and also how would you describe your stage performance?

 

Guess we all can consider the show that can be heard on Servile Mirrors of Animosity as our best show. It was the first one after a 20 month long break so it was a special feeling and even more intense than the live shows before the pandemic.

We don’t care a lot about “performing“ in a sense of a rock show. We play extreme and very loud, heavy music and whatever playing this music makes us act or look like in that moment, is what you get to see. You might call that our stage performance or stage presence but it is just us letting all these extreme emotions and feelings out without thinking if it might look cool or somewhat else.

 

7. Do you have any touring or show plans for 2022?

 

There are some things in the planning, so we will see what will be possible. After

a long time without any live music we are definitely ready to play some shows.

 

8. Recently 'Morbid And Miserable Records' released your current EP on physical formant, how did you get on contact with this label?

 

Morbid and Miserable released a compilation CD of Poisoned Speed last year,

a band in which two of us are active as well. Working together with them was very easy and we like their dedication for heavy underground music, so we got in touch again and they were very interested in releasing it on CD and spreading the word of Geisterfaust all over the US.

 

9. On a worldwide level how has the reaction been to your music by fans of black and sludge metal?

 

The reactions have been very good since its the release. Most people seem to understand what we want to express with Geisterfaust.

Of course it’s a pretty special mix of two different subgenres that some people might don't get or don’t like. Some of the ultra conservative black metal dudes might not like the drones and slow guitars in their black metal and some sludge dudes might not like riffs that are too fast but we just don’t care about that - either you're open for that kind of stuff and you like it or you don't - for us it's that simple.

 

 

 

10. When can we expect a full length and also where do you see the band heading into musically during the future?

 

We are currently working on the last songs for the full-length. If everything works out the way we want it to, you can expect it to be recorded this year and hopefully to be released shortly after. We will keep walking our own path with our own sound.

 

11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

 

Well, there are too many to mention because all of us three listen to a shitload of bands and different styles of music. But we can pick some very few that we all can agree on and that might have had an influence on us, more or less. When it come to the drones, the heavy massive guitar worshipping that we do, one of the influences are the great and almighty Sunn O))) because they just take amplifier worshipping to a different level for years. We all like the southern sludge sound from New Orleans scene as well, but its influence on our music has become less over the time. On the black metal side there are many bands we all can agree on, like most of those coming from the Nidrosian scene under the banner of the Terratur Possessions label (like Darvaza, Mare, Whoredom Rife and so on).

Of course we also like some of the big names like Watain, Dissection or Darkthrone and a lot more of the not so big names, but they are too many to mention. Guess you can say that our sound wasn't influenced by a a few bands in particular - it was more the overall atmosphere of those bands that had an impact on what we wanted to merge into the sound of Geisterfaust.

 

 

12. Before we wrap up this interview, do you have any final words or thoughts?

 

Thank you for your interest in Geisterfaust and for helping to spread our word.

 

 

http://geisterfaust.bandcamp.com/

 

 

 

Noctiferia/Reforma - Tribute To Laibach/Blood Blast Distribution/2021 Full Length Review

 

  Noctiferia  are  a  band  from  Slovenia  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  black,  death  metal,  experimental  and  avant  garde  and  this  is  a  review  of  their  2021  album  "Reforma  -  Tribute  To  Laibach"  which  was  released  by  Blood  blast  Distribution  and  consists  their  cover  versions  of  the  previous  mentioned  band.

  Tribal  style  beats  and  ethnic  instruments  start  off  the  album  before  going  into  a  heavier  musical  direction.  Vocals  are  in  between  death  metal  growls  and  black  metal  screams  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  the  music  also  has  its  avant  garde  moments.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  some  of  the  songs  also  add  in  session  work  from  David  Vincent,  Atilla  Csihar  and  Jorgen  Munkeby.  Melodies  are  also  add  in  some  of  the  guitar  riffing  along  with  the  vocals  also  add  in  more  of  an  aggressive  yet  semi  melodic  style  at  times.

  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  faster  sections  of  the  songs  also  adding  in  a  small  amount  of  blast  beats.  Programmed  beats  can  also  be  heard  at  times  as  well  as  one  track  also  adding  in  a  brief  use  of  clear  vocals  and  as  the  album  progresses  female  vocals,  keyboards  and  saxophones  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  political  themes.     

  In  my  opinion  this  is  another  great  sounding  recording  from  Noctiferia  and  if  you  are  a  fan  of  black,  death  metal,  industrial,  avant  garde  and  experimental,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Now  You  Will  Pay"  "Eurovision"  and  "Das  Spiel  Ist  Aus".  8  out  of  10.

https://www.facebook.com/noctiferia

https://www.noctiferia.net

https://open.spotify.com/album/5fYKiqYc1z1HfQ8sahdoOI?si=oqKEch4zSoW2_FG82OIGRQ

 https://youtu.be/ouQrt-mH6Ic
 https://youtu.be/P9W7TrFiZxU

 https://youtu.be/OJM3hmpsp54   

Se, Josta Ei Puhuta Interview

 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Basically training how to play the new songs. There were also many years we didn’t have a real practice sessions at all so we are getting in live shape. So far it looks quite promising. 

2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

Musically it could be a bit darker or at least it has a darker undertone. I think the sound spectrum is also a bit wider now than it used to be.  Dark parts are darker, melodic parts are more melodic and so on. I guess some natural progression from the first album, the music brought us here or something like that.

3.This is also your first album in 11 years, can you tell us a little bit more about what has been going on during that time frame?

Paying taxes, buying craft beers and doing stuff that isn’t related to our band. Joking aside…I think something was killing the motivation and we absolutely needed some time off from the band. I don’t know why the break ended up being so long though. During this period we obviously continued with musical activities on some level but not together.

4.Your earlier material had more of a melodic death/thrash metal style while the newer music shows more black metal elements, what was the decision behind going  into this musical direction?

I see what you mean. There were some glimpses of the darker leads and shit on the first album though and it was quite natural we ended up where we are right now. I compose most of the music and love black metal personally, so there’s that. I guess it’s a natural flow, maybe we end up to a grunge-territory within the next couple of albums, hah.

5.What are some of the lyrical topics and subjects the band explores with the newer release and also how would you describe your progress as songwriters over the years?

Lyrical topics are maybe hard to describe, maybe they are somewhere between darkest and gloomiest September day and Four horsemen of the apocalypse with schizophrenia. But we get the ideas from real life stuff and then make them more “lyrical”. Latest lyrics are somewhat catatonic and somewhat depressive. I guess they are what you want them to be.

6.What is the meaning and inspiration behind the name 'Se, josta ei puhuta'?

There is no real big story behind it. Just toyed with some names and it stuck. The good thing for sure is that it is not your average Joe metal name like “Doom destroyers” or “Dying foglords”. I guess you could translate it “The one thou shall not speak of” or “The one we don’t talk about” or something like that.

7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Yes indeed. We got a bit lost on the graphic side. And looking back we got quite shitty ideas. We found this Bahrull Marta guy from the depths of the internet and used his artwork and actually he did all the dirty work too. It goes hand in hand with the music I think.

8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

I think the most special shows were in the small places, I would even call some of them obscure. We will always cherish those small-town shows, something always happened. Because of the out of ordinary stuff, you can remember them so good. We used to have quite energetic shows. We’ll see what we can come up in the future.

9.Do you have any touring or show plans for the new album?

We do have show plans indeed and working on our live act, turning new songs into live-versions etc. I guess full-blown touring would be a bit too much for our livers.

10.How would you compare working with 'Inverse Records', to other labels you have been a part of in the past?

It has been quite smooth with Inverse and they have been very supportive. So far so good I would say. We’ve been quite lucky in a way that, we haven’t really had trouble with the labels in the past either. That or we don’t expect much from them, ha ha haa.

11.On a worldwide level how has the reaction been to your newer music by fans of melodic black and death metal?

I think we have received quite positive feedback. I’ve heard a few people mentioning about the music getting a shade darker but that’s about it. I don’t know if there are people who absolutely hate new songs and love the old ones. Maybe there are.

12.Where do you see the band heading into musically during the future?

Where the music leads us. Or where the songs lead the music. I don’t think we ever draw the strict lines anywhere, but it would be safe to say it would be metal.

13.what are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

I think we have quite a different taste for a music inside the band so it’s not so easy to answer this one. So I’ll give you a bunch of bands: Iron Maiden, Slayer, Bathory, Darkthrone, Dismember, Metallica, Judas Priest, Helloween, Impaled Nazarene, Dissection, Rotting Christ, etc. you know the good one’s. For the current taste I can only speak for myself: I tend to listen post-rock, black metal and Maustetytöt mostly. 

14.Before we wrap up this interview, do you have any final words or thoughts? 

The end is near…buy some beer and go check our new album while you still can.

https://www.facebook.com/sejostaeipuhuta666  

https://sejostaeipuhuta.bandcamp.com 
https://www.instagram.com/sejostaeipuhutaofficial 

VĀMĀCĀRA/Cosmic Fires: The Enlightenment Reversed/MDD Records/2022 CD Review

 

  VĀMĀCĀRA  are  a  band  from  Germany  that  plays  a  psychedelic  mixture  of  black,  doom  and  death  metal  with  elements  of  stoner  rock  and  this  is  a  review  of  their  2022  album  "Cosmic  Fires:  The  Enlightenment  Reversed"  which  will  be  released  on  April  29th  by  MDD  Records.

  &0's  influenced  riffing  starts  off  the  album  while  the  psychedelic  elements  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  vocals  being  mostly  grim  yet  high  pitched  black  metal  screams  and  spoken  word  parts  can  also  be  heard  briefly.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  tremolo  picking  can  be  heard  while  death  metal  growls  can  also  be  heard  at  times.  All  of  the  musical  instruments  on  the  recording  also  having  a  very  powerful  sound  to  them  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.

  The  slower  sections  of  the  songs  are  very  heavily  rooted  in  doom  metal  along  with  the  music  also  adding  in  touches  of  stoner  rock,  oriental  and  western  music  into  certain  sections  of  the  album.  Clear  vocals  and  clean  playing  can  also  be  heard  on  some  of  the  tracks,  whispers  can  also  be  heard  in  some  parts  of  the  recording  and  one  song  also  adds  in  a  brief  use  of  female  vocals.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English,  Greek,  Polish  and  Turkish  and  cover  Left  hand  Philosophy  and  Illumination  themes.

  In  my  opinion  VĀMĀCĀRA  are  a  very  great  sounding  psychedelic  mixture  of  black,  doom,  death  metal  and  stoner  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Alchemical  Symbolism"  and  "Brought  Up  By  The  Moon".  8  out  of  10.

  

Bandcamp

Facebook

    

Neon Noodle Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the solo project?

Neon Noodle is an outsider art project led by one person from Ann Arbor. I create various videos on my YouTube channel, usually doomer versions of the songs that I love, or completely experimental cursed-reversed or slowed down versions of full albums. There are also some heavily edited cartoons there. But I also create my own music. It all can be checked here:

https://www.youtube.com/channel/UCim7EaxPh6HBynxNnf3AXPw

2.Since 2021 you have released a great amount of material, musically how do most of your releases differ from each other?

Usually, as much as they can. Neon Noodle is conceived as a project of complete chaos and I work constantly. One album can be just noise, one can be almost "normal" rock music, others can be electronica or vaporwave. But I do have a tendency towards doom metal and generally darker genres of music. One thing is for certain, I don't want any direction.

3.You have worked with a variety of musical styles so far, can you tell us a little bit more about the genres you bring into your music?

It is mostly influenced by the music I listened to throughout my life, but I also like to spoil everything you know. It irritates me when something sounds normal, so I take some synth or guitar part and ruin it intentionally. I find great pleasure in destroying something that could pass as an electro-pop song or acoustic piece. Spectrum is quite huge, I have released 15 albums by far and you can check them here:

https://neonnoodle.bandcamp.com

4.Some of your lyrics cover occult themes, can you tell us a little bit more about your interest in this topic?

They always haunt me. In my dreams, in my life. I see Neon Noodle as a somewhat occult project, with no boundaries.

5.What are some of the other lyrical topics and subjects you have explored so far with the music?

Usually negative stuff, personal problems and some emotional breakdowns that keep coming back. Neon Noodle is my way of handling diagnosed depression actually. 

6.What is the meaning and inspiration behind the name 'Neon Noodle'?

It is a cartoon character from "The Great Piggy Bank Robbery" Daffy Duck episode. I liked him immediately, because he is the only one that survived Daffy's bullets.

7.In the last year you have released a good amount of material, do you spend most of your time writing and creating music?

Yes. I create those videos for YouTube, with almost no rules or modern trends. And then out of nowhere I just start to record a new album. Sometimes, it is a classic DAW process, layering tracks, mixing etc. Sometimes it's just one wave that I intentionally completely ruin. I enjoy the freedom.

8.With this project you record most of the music by yourself, are you open to working with other musicians or do you prefer to work solo?

Yes, if they like to keep it underground and without sucking up to the masses.

9.Currently you are unsigned, are you looking for a label or have received any interest?

I had received interest from one label, but I turned them down because I like the control and anonymity that Neon Noodle has.

10.On a worldwide level how has the reaction been to your recordings by fans of underground music?

If you get their attention, they love it. But the internet is such a sea of music, people cannot easily dive into something new and different, you know.

11.Where do you see yourself heading into as a musician during the future?

I have absolutely no idea, and I thrive on that.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

These days I listen to my version of Sonic Youth Sister album, which I named "cursed" version. It's a special recipe, that besides reversing the tracks includes some other stuff and mixing. Sonic Youth shared my version of this album on their official fb page and I am grateful to them because I am a huge fan.

13.Before we wrap up this interview, do you have any final words or thoughts?

Keep your ears free as much as you can because art knows no boundaries. And thank you for your attention.

The Spirit/Of Clarity And Galactic Structures/AOP Records/2022 CD Review

 

  The  Spirit  are  a  band  from  Germany  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  for  more  of  a  melodic  and  progressive  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2022  album  "Of  Clarity  And  Galactic  Structures"  which  will  be  released  on  April  29th  by  AOP  Records.

  A  very  fast  and  aggressive  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  great  amount  of  melody  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.

  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  songs  also  add  in  a decent  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  adding  in  a  great  amount  of  death  metal  elements.

  At  times  the  music  also  gets  very  progressive  sounding  along  with  the  music  also  adding  in  a  good  mixture  of  both  old  school  and  modern  influences  as  well  as  the  interlude  also  adding  in  a  brief  use  of  acoustic  guitars  before  returning  back  to  a  heavier  direction,  synths  can  also b e  heard  on  the  closing  track  which  is  also  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  Misanthropy  and  Cosmic  Metaphor  themes. 

  In  my  opinion  this  is  another  great  sounding  recording  from  The  Spirit  and  if  you  are  a  fan  of  melodic  and  progressive  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Of  Clarity  And  Galactic  Structures"  "Celestial  Fire"  and  "Arcane  Wanderer".  8  out  of  10.

https://www.facebook.com/thespiritband/

https://www.instagram.com/thespirit_band    

Neon Noodle/Opiate Rebel/2022 Full Length Review

 

  Neon  Noodle  are  a  solo  project  form  Michigan  that  plays  a  mixture  of  black,  sludge,  doom  and  death  metal and  this  is  a  review  of  his  self  released  2022  album  "Opiate  Rebel".

  A  very  slow,  dark  and  heavy  sound  starts  off  the  album  while  also  introducing  elements  of  sludge  and  doom  metal  onto  the  recording.  Vocals  are  mostly  cavernous  death  metal  growls  along  with  all  of  the  musical  instruments  on  the  recording  also  having  a  very  powerful  sound  to  them  and  the  solos  and  leads  bring  in  more  of  a  dark  yet  apocalyptic  and  melodic  style.

  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  riffs  also  add  in  a  small  amount  of  melody  at  times.  Elements  of  black  metal  can  also b e  heard  quite  a  bit  throughout  the  recording  along  with  one  song  also  being  a  brief  acoustic  instrumental  and  the  whole  album  also  sticks  to  a  slower  musical  direction. 

  Neon  Noodle  plays  a  musical  style  that  takes  black,  sludge,  doom  and  death  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  darkness  and  death  themes. 

  In  my  opinion  Neon  Noodle  is  a  very  great  sounding  mixture  of  black,  sludge,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Prince  Of  The  Broken  Empire"  "Thorn  of  Demons"  and  "Overdose".  8  out  of  10.

https://neonnoodle.bandcamp.com/album/opiate-rebel