Thursday, March 4, 2021

Sotz'/Popol Vuh/2020 Full Length Review

 


  Sotz'  are  a  band  from  Portugal  that  plays  a  very  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their  self  released  2020  album  "Popol  Vuh".


  A  very  dark  sounding  intro  starts  off  the  album  before  adding  in  clean  playing  and  nature  sounds  while  shamanistic  style  percussion  can  also b e  heard  briefly  before  going  into  a  heavier  direction.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  and  synths  can  also  be  heard  in  some  parts  of  the  recording.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  with  one  of  the  tracks  also  adding  in  a  brief  use  of  acoustic  guitars  as  well  as  the  music  also  adding  in  touches  of  mayan  folk  music  at  times,  elements  of  groove  metal  and  deathcore  can  also  be  heard  in  the  mid  tempo  sections  of  the  songs  and  one  of  the  tracks  is  also  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  the  theology,  history  and  culture  of  the  Ancient  Mayan  Civilization.


  In  my  opinion  Sotz'  are  a  very  great  sounding  melodic  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Oracles"  "Tree  Of  Knowledge"  "Popol  Vuh"  and  "Prospects  of  Pakal".  8  out  of  10.


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Wednesday, March 3, 2021

Upon Shadows/Modern Obscurantism/Ground Media Group/2019 CD Review

 


  Upon  Shadows  are  a  duo  originally  from  Uruguay  but  now  resides  in  Finland  and  plays  a  mixture  of  black,  dark,  gothic  metal  and  ambient  and  this  is  a  review  of  their  2019  album  "Modern  Obscurantism"  which  was  released  by  Ground  Media  Group.

  

  A  very  dark  and  avant  garde  style  intro  starts  off  the  album  before  going  into  more  of  a  dark  and  heavier  musical  direction.  Gothic  style  keyboards  are  also  a  very  huge  part  of  the  recording  while  the  lyrics  are  mostyl  high  pitched  black  metal  screams  along  with  some  spoken  word  parts  are  also  utilized  at  times.


  When  the  music  speeds  up  a  decent  amount  of   blast  beats  can  be  heard  while  clean  vocals  can  also  be  heard  at  times.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  being  very  heavily  rooted  in  the  mid  90's  era.


  The  songs  also  mix  in  a  great  amount  of  dark  metal  elements  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody.  The  keyboards  also  add  in  touches  of  ambient  into  some  parts  of  the  recording  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.  The  production  sounds  very  old  school  while  the  lyrics  cover  the  parallelism  between  the  obscurantism  of  the  Middle  Ages  and  the  new  forms  of  censorship  and  control.


  In  my  opinion  Upon  Shadows  are  a  very  great  sounding  mixture  of  black,  dark,  gothic  metal  and  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Vanity's  Bonfire"  "Dogma  The  Infinity  Of  Fire"  "Illusion  Of  Freedom"  and  "Out  Of  The  Blue  Comes  The  New  Plague".  8  out  of  10.        


    

Tuesday, March 2, 2021

MartyriuM/Lamia Satanica/Art Gates Records/2021 CD Review

 


  MartyriuM  are  a  band  from  Malta  that  plays  a  melodic  and  symphonic  mixture  of  black  and  death  metal  with  some  elements  of  industrial  and  this  is  a  review  of  their  2021  album  "Lamia  Satanica"  which  will  be  released  on  March  19th  by  Art  Gates  Records.


  Symphonic  style   keyboards  and  orchestra  sounds  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  while  the  vocals  also  add  in  a  decent  mixture  of  both  black  metal  screams  and  death  metal  growls.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  operatic  female  vocals  can  also  be  heard  in  some  parts  of  the  album.  The  riffs  also  add  in  a  good  amount  of  melody  along  with  some  spoken  word  parts  also  being  utilized  briefly  on  a  couple  of  songs


 Some  tracks  also  add  in  elements  of  industrial  along  with  the  music  also  having  its  cinematic  moments  as  well  as  some  choirs  also  being  utilized  briefly,  the  songs  also  add  in  a  decent  amount  of  90's  influences  but  keeps  it  modern  at  the  same  time.  The  production  sounds  very  professional  while  the  lyrics  cover  Philosophical  Satanism,  Occultism,  Demonology,  Mythology  and  Ancient  Magick  themes.  .


  In  my  opinion  MartyriuM  are  a  very  great  sounding  melodic  and  symphonic  mixture  of  black  and  death  metal  with  some  elements  of  industrial  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sacred  Book  Of  Baal"  "Emanation  Of  Souls"  "Order  Of  The  Fly"  and  "Betrothed  To  Damnation".  8/5  out  of  10.


https://www.facebook.com/martyriumhorde
https://www.instagram.com/martyriumofficial/
https://mobile.twitter.com/martyrium_malta




  

BlackEternal Interview

 

1. Can you give us an update on what has been going on with the musical project since the recording and release of the new album?

Nightmare: First off, I just want to say thank you very much for the wonderful album review and interview. It means a lot to me and I'm grateful that my music can be heard and appreciated for what it is. Since the Album release last month, I've been keeping very busy musically. Currently im working on 3 projects. One is the re-release of my first EP from 2016 entitled '6EQUJ5' I was always very unhappy with that release in terms of sound, quality and even timing. So I’ve re-recorded it from start to finish, it sounds 100% better and im hoping to bring it a new life very soon. Also, Im working on a collaboration project with a good friend of mine from Slovenia, Denis Mocnik. His band is "Return to the Void" and it will be a depressive black metal / Doom style album. Its already sounding great. He's a fantastic vocalist and drummer and we're very excited to put that together and release it. Lastly, I’m working on the 4th full-length BlackEternal album Entitled "Encounters II: Aftermath" this album I’m extremely excited about. It will pick up where my first full length album "Encounters" from 2019 left off. I'm already writing and composing the music and working with my actors to bring the story to life. 

2. Recently you have released a new album, musically how does it differ form the stuff you have released in the past?

Nightmare: "The Oakenford Chronicles" is different from my previous releases in terms of production. I had very little resources when it came to studio gear and software on my previous albums. I now have a professional grade home studio and musically the mixes are sounding much better than before. Also "The Oakenford Chronicles" has been my longest album as far as total running time and story. There's ALOT of music as well as tons of story line and voice acting. Overall, it was just a very big album to produce and it took over a year to put together. I believe this is my best and most ambitious work to date. 

3. On your last 2 albums you have a concept story that has been a part of 2 albums, can you tell us a little bit more about the songwriting on the last couple of releases?

Nightmare: The song writing for BlackEternal to me has always been about my characters. Along with the symphonic black metal aspect of my music, the characters and the actors who play them are just as important to me. Every one of my albums has main characters, supporting characters and even extras who play small roles within the story. I hire professional actors to play these characters and they do an amazing job. When I sit down to write a BlackEternal album, i always think of Characters then the setting and then very difficult horror-infused situations for them. Whether it be paranormal, hauntings or alien abductions I try to write realistic characters that listeners can relate to. Once i have my characters in mind and the terrible situations i want to put them in, the music and compositions and sound profiles come shortly after. I use the emotions a character would be feeling to write the song that is revolved around them. It all comes and meshes together very well as part of a single narrative. 


4. So far all of your releases have been concept albums, is this something that will also continue on future releases?

Nightmare: Absolutely. When i was a little kid, even before my teenage years i was always fascinated with horror movies, paranormal topics, ufology, and of course heavy metal. I even wrote short horror stories as a hobby back then. One thing i wanted to do was merge together all my favorite subjects. Hence BlackEternal was born. I fully understand that the metal genre is no stranger to horror, but i wanted to do something unique and different. Something that had never been done before. I wanted to bring the aspect of deep storytelling, character development and even character drama to my music. Which is why there are audio-book style tracks on my albums in between songs at times and sometimes even during the music tracks themselves. To me, it’s all about giving the listener a movie-like experience, my goal is to suck the listener right into the story and have them be on the journey along with the characters within the album. Which is why all my albums will be concept albums. 

5. You have also covered a good amount of occult and alien themes with your lyrics, can you tell us a little bit more about your interest in these topics?

Nightmare: For some reason that I cannot readily explain, I've always been drawn to Horror. Horror movies, The paranormal, Ufology and the darker subjects. I even played horror-style video games like Doom, Resident Evil,  Castlevania and Ghouls and Ghosts as a teenager. Even as a kid in elementary school in the early 80's i was known for this. That 'weirdo kid' who was always talking about aliens or ghosts to the rest of the class. I grew up watching horror movies and documentaries about hauntings and alien abductions, so it was something that’s always stuck with me. It feels like home, it’s where i feel comfortable and happy. That being said, writing Horror stories and characters for BlackEternal albums comes very naturally to me. 

6. A lot of your music is also heavily influenced by horror movies, which films have had the biggest on your music and songwriting?

Nightmare: Well, I'm an 80's kid. So naturally I love all the older horror flicks. It’s what i grew up on. I’m a huge fan of the Lucio Fulci, Dario Argento and the Italian horror flicks just as much as i love the original Romero Zombie flicks from the 60's 70' and 80's. Let’s not forget the good old American Slasher flicks like Friday the 13th and Halloween and Texas chainsaw. I'm also a huge fan of Vincent Price and his work along with the British Hammer Horror flicks from the 60' and 70's. I'm not very fond of the newer horror flicks, but i do watch them occasionally. Personally, i stick with the oldies. 

7. Can you tell us a little bit more about the artwork that is presented on the new album cover?

Nightmare: Great question! With all of my album covers, I try and capture what the album is about. It’s hard to do that with a single picture in most cases, but i certainly try. For "The Oakenford Chronicles" album cover we see our main protagonist "Tiffany Morgan" as she’s sitting in her wheel chair in the hallway of the mental asylum. Clearly she's losing her mind. Around her we can see the personification of the demons haunting her which are the arms coming at her from all sides. Behind her through the windows we see our main antagonist "Sylvanis Throne" getting closer. In the foreground we see a wheelchair. This is to represent her physical vulnerably as she was left paralyzed from the demonic attack at the very end of the previous album “Darkness Embrace” 

 8. With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

Nightmare: Like many metal heads, I was in dozens of different metal bands growing up. I played guitar for some bands, bass for other bands, drums, and sometimes even just vocals. It was always fun to play gigs with friends and write music together and have practice sessions, But I'm older now and I’m at a point in my life where playing live and band practice is no longer important to me. I much prefer working, writing and composing my music alone late at night in my home studio. It’s a much more peaceful experience for me and i don’t have to edit my thoughts to match anyone else's vision. I can write my characters and compose in peace and not have to run my ideas by anyone. I much prefer working alone and it will always be that way going forward. I absolutely enjoy collaborating with other musicians on their projects, but as far as BlackEternal goes, this will always be a one-man-band. 

9. On a worldwide level how has the reaction been to your music by fans of symphonic black metal?

Nightmare: This is a Fantastic question! I'm going to be openly honest and completely transparent with you. I'm very shocked by the reception of my music.  I’m truly very shocked and surprised because the reception has been mostly positive! I say this for a few different reasons. I'm an old man, and I've been into metal since i could walk, I've been to a thousand metal shows and I’m well aware of how the 'scene' can be. Some readers may not like my answer, but as i said before. I'll be totally honest here and i mean this with no disrespect to anyone, but at times the metal community can be slightly judgmental. Especially in black metal. If you don’t sound like "True Norwegian Christ-raping black metal" like mayhem did in the 90's or if you don’t spew lyrics about Satan and church burning and sacrifices or look like Gorgoroth with corpse paint and blood, some fans tend to tune you out and not give the music a chance. Especially for black metal that comes from the US. I grew up with that style of black metal, so don’t get me wrong, i love it as well. But it’s not what BlackEternal is trying to be and i think people are starting to realize that. That being said, amazingly, the reception has been very positive and very encouraging. I've received some fantastic reviews from some great metal sites and also some amazing fan emails who appreciate what I’m doing. Generally, my music and cinematic style has been very well-received and it’s honestly been a shock to me. When I first started this, I was positive that everyone would hate it, but I didn’t let it discourage me and I kept doing what I wanted to do. I never set out to do anything to "fit in" with "the norm" even in black metal, so the fact that people actually enjoy what I’m doing as different as it is, has been truly amazing to me. 

10. Currently you are unsigned, are you looking for a label or have received any interest?

Nightmare: That is correct. To date, all of my productions and releases have come out of pocket. Luckily, being a systems engineer for an IT company, I’m good with computers. I'm good with Photoshop and video editing, so i put together all my own album covers and album trailers, teasers, videos and productions. I would absolutely LOVE to have interest from a label who believes in what I’m doing with black metal. Having backing by a well-known metal label would be a dream come true for me. I've received some interest, but not from any legitimate labels. Mostly people just looking for money upfront unfortunately. I'm usually put off by that because if a label truly believes in what you're doing, they will back YOU and not the other way around. I’m not very good at "selling" if you will, so i haven’t put myself out there in terms of pitching my music to any major labels or mass emailing every label that i can find. I just don’t do those things. That being said, I'm hoping one day the "right person" listens to one of my albums and happens to be from a label. That would be a dream come true for me. 


11. Where do you see yourself heading into as a musician during the future?

Nightmare: To be honest, BlackEternal for me right now is simply a hobby that I use to express myself creatively. Also as a bit of stress relief at the end of a long day. I work full time in the IT field, I’m a professional mixed martial artist and a full time father to a wonderful 5 year old. My days are mostly very busy, so typically, i only get into the studio late at night once all the responsibilities of the day are over with. I just want to continue to do what i love doing. If my music can reach any type of success, that would be truly amazing, but if not i will still continue to write my albums and tell my stories with my characters and actors. 

12. What are you listening to nowadays?

Nightmare: Actually, I’m glad you asked. I listen to a bit of everything. I'm very diverse when it comes to music. I mostly listen to heavy metal of course. Death metal, Black metal, Thrash metal, but i love all types of music. From the Classic rock of the 70's, to 80's hair metal, to Credence Clearwater Revival, to the Beatles, to Queen, to 90's grudge to hardcore punk, I even like the occasional country or rap song. I even listen to softer indie music like "Calamine" I absolutely love Julie Stepanek's voice and their music is so peaceful to me. Most would say this is uncharacteristic for a black metal musician, but much like Martial Arts, Sticking to ONE genre or ONE style of anything is like a prison to your mind and keeps your inner skills trapped. Especially when it comes to music. 

13. Before we wrap up this interview, do you have any final words or thoughts? 

Nightmare: Yes. There are just a couple of things I’d like to say to wrap things up. First and foremost I want to give a big THANK YOU to anyone who has already listened to "The Oakenford Chronicles" or anyone who will read this interview and go listen to the album. The listens and streams and album purchases mean so much to me. Secondly, I want to thank the actors who played the main characters in the story. Kim Reiko, Tiffany Clare and Julian Illman all put forward wonderful performances on the album and im very proud of their work. Without my actors and characters my albums are nothing. Also, If anyone wants to download the album but is having financial hardship due to this pandemic. Please email me directly at Corpsegrinder01@yahoo.com and I will personally send you a free download code. Lastly, I want to thank A Different Shade of Black Metal Zine for the great album review and for this interview! Its been fun. Thank you all and stay tuned for new material coming soon! 

-Nightmare-


Monday, March 1, 2021

Demande a la Poussiere/Quietude Hostile/My Kingdom Music/2021 CD Review

 


  Demande  a  la  Poussiere  are  a  band  form  France  that  plays  an  apocalyptic  mixture  of  post  black,  sludge  and  doom  metal  and  this  is  a  review  of  their  2021  album  "Quietude  Hostile"  which  will  be  released  on  March  25th  by  My  Kingdom  music.


  Aggressive  shouts  start  off  the  album  along  with  a  brief  use  of  apocalyptic  soundscapes  before  going  into  a  heavier  doom  metal  direction.  The  riffs  also  bring  in  the  heaviness  of  sludge  metal  while  post  metal  style  melodies  are  also  added  into  some  of  the  guitar  riffing  and  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.


  Blackened  metal  screams  are  also  a  very  huge  part  of  the  recording  while  the  solos  and  leads  are  done  in  a  very  dark  yet  melodic  style.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  Clean  playing  and  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  along  with  a  great  amount  of  the  tracks  also  being  very  long  and  epic  in  length  as  well  as  a  couple  of  the  tracks  also  adding  in  a  brief  use  of  spoken  word  parts,  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  and  saxophones  can  also  be  heard  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  French  and  cover  post  apocalyptic  themes.


  In  my  opinion  Demande  a  la  Poussiere  are  a  very  great  sounding  apocalyptic  mixture  of  post  black,  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Morpheme"  "Perdu"  and  "Expiravit".  8  out  of  10.


http://facebook.com/DALPdoom


https://youtu.be/IIaKJ9zozvo


    

Saturday, February 27, 2021

Sol Draconi Septem/Hyperion/Time Tombs Production/2021 CD Review

 


  Sol  Draconi  Septem  are  a  band  from  France  that  plays  a  melodic  and  industrial  form  of  black  metal  and  this  is  a  review  of  their  2021  album  "Hyperion"  which  will  be  released  in  March  by  Time  Tombs  Production.


  Industrial  style  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Saxophones  can  also  be  heard  in  some  parts  of  the  recording  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.


  Vocals  are  mostyl  high  pitched  black  metal  screams  while  death  metal  growls  can  also be  heard  at  times.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  are  also  utilized  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  clean  vocals  can  also  be  heard  at  times.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  spoken  word  parts  also  being  utilized  briefly  ona  couple  of  songs.  Symphonic  and  atmospheric  sounds  can  also  be  heard  in  certain  sections  of  the  music  as  well  as  the  songs  also  capturing  a  very  sci-fi  orientated  atmosphere.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  Dan  Simmons's  "Hyperion  Cantos".


  In  my  opinion  Sol  Draconi  Septem  are  a  very  great  sounding  melodic  industrial  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Man  Who  Cried  God"  "The  River  Leth's  Taste  Is  better"  and  "The  Last  Pilgrims".  8/5  out  of  10.


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Friday, February 26, 2021

Medieval Demon/Arcadian Witchcraft/Hells Headbangers/2021 CD Review

 


  Medieval  Demon  are  a  band  from  Greece  that  has  been  featured  before  in  this  zine  and  plays  a  very  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2021  album  "Arcadian  Witchcraft"  which  will  be  released  in  March  by  Hells  Headbangers.


  A  very  dark,  heavy  and  symphonic  sound  starts  off  the  album  along  with  some  melodic  guitar  solos  and  leads  a  few  seconds  later.  All  of  the  musical  instruments  on  the  recording  also have  a  very  powerful  sound  to  them  while  the  music  is  also  very  heavily  rooted  in  the  90's  era  and  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody.  At  times  the  music  also  gets  very  ritualistic  sounding  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing.


  A  lot  of  the  music  also  captures  the  atmosphere  of  the  classic  Greek  black  metal  era  along  with  the  music  also  utilizing  a  great  amount  of  keyboards.  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  the  spoken  word  parts  also  giving  the  music  more  of  an  occult  atmosphere  when  they  are  utilized,  one  of  the  tracks  also  introduces  melodic  chants  onto  the  recording.  The  production  sounds  very  old  school  while  the  lyrics  cover  Satanism,  Luciferian,  Necromancy,  Occultism  and  Witchcraft  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Medieval  Demon  and  if  you  are  a  fan  of  melodic  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Meet  Her  Majesty,  the  Black  Queen"  "The  Grand  Archon"  and  "Arcadian  Witchcraft".  8/5  out  of  10.


http://medievaldemon.bandcamp.com/album/arcadian-witchcraft

https://youtu.be/UPvPDswOVdo