Internal Chronicles Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?
Internal Chronicles started out as a black/doom project by my friend (and now ex-band mate) Antares and me (NoOne) in 2011. We were really into metal and wanted to write and record our own music, but it was hard to find other musicians who wanted to play this genre so we did everything ourselves. Unfortunately, we didn't have the money nor the knowledge to record a full album back then, so the whole project was put on a hold until 2017. when we finally managed to get all the recording equipment.

2.In 2019 you have a new album coming out, musically how does it differ from your previous material?
The first album (Out of Sanity's Reach) was pretty raw and slow-paced. The second album, called Crimson Storm,  coming out in January 2019.Is a little more fast-paced, more melodic (more leads, orchestrations, piano and viola parts) and the quality is better.

3.What are some of the lyrical topics and subjects you have exploredwith the duo?
Out of Sanity's Reach is dealing with the topic of alienation and estrangement that both of us felt at that time (and still feel to some degree). We both always felt that somehow we are different than most
people, so the album explores some aspects of this kind of life-style (which includes being angry and disappointed with the world, but also the problem of loosing people, whether through death or through abandonment).

4.The musical project has been around since 2011 but waited until 2018 to release any music, can you tell us a little it more about the earlier years?
We wrote the first album (guitars and lyrics) in 2011. But couldn't find anyone to play bass and drums nor did we have the money to record the whole thing, so out of frustration and lack of motivation the
whole project was paused. But then, in 2017. I met a friend of ours who was selling his drum kit so he sold the kit to us for cheap (thanks Baco!) and another guy that I knew was selling his bass
guitar. Finally we decided to just buy the recording equipment and do it all ourselves and in 2018. Out of Sanity's Reach saw the light of day.

5.What is the meaning and inspiration behind the name 'Internal Chronicles'?
Each album is (and will be) dealing with a certain topic, a certain central emotional state that I'm in at the time. In a sense it is a musical diary of my emotional life. I'm using music as "track record"
of everything that is happening to me, as sort of a chronicle. That is internal... You get it. I'm also using it as a catharsis so that once this emotions are recorded I can psychologically move one. It is a
selfish pursuit I must confess.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?
The new album is called Crimson Storm, so the artwork is literally that - a storm, that is crimson in color. It is a metaphor for love, so the album deals with all the good, the bad, and the ugly sides of
love, but ends on a positive note. It is dedicated to my one and only. It's not a popular theme in black metal, but it is what I feel so I'm not going to make any compromises just to stay "kvlt". Also, I'm
pretty sure all those angry black metallers also felt love at some point in their life haha.

7.The band started out as a duo but is now a solo project, do you feel it is a lot more easier to get things done better musically this way?
Well, since Antares quit because of lack of motivation and time constraints it is easier. I don't have to wait around for a day when he has the time and motivation to write so I get a lot more done on my
own. On the other hand, I have the final say now so it's hard to stay objective sometimes. Also his creative input was different from mine and that worked great. Because of that he still remains a session member and we still write together sometimes.

8.You also keep your identity a secret, do you feel it is a lot more important to let the music do the talking?
That is exactly right. I felt it didn't matter who I was or what I look like in real life (hence the name "NoOne"), so I created this persona that I use to push my music forward. I really don't care about
looks, live shows, what guitar I'm playing etc. The only thing that matters is the music. It must be true and have a purpose. Everything else is irrelevant.

9.The new album was released on 'Guts And Blood Records', can you tell us a little bit more about this label?
Guts and Blood is a small label form South America that releases extreme metal genres. They actually found me and asked if they could release the second album as a Compact Disk. So far, they have been great. They did all the marketing and set the whole thing up for the release while respecting my wishes and my creative freedom.

10.On a worldwide level how has the reaction been to your music by fans of black and doom metal?
It was great. A lot of sites noticed me and I did a few interviews already. The fanbase is steadily growing. I'm satisfied since I didn't expect anyone to even listen to this shit, let alone like it.

11.Where do you see yourself heading into as a musician in the future?
I want to continue recording albums (the third album is in the planning stage right now) and working with different artists. On Crimson Storm I managed to bring in Sonia who is a professional viola
player (who also played the piano and other orchestrations), a friend of mine (Djere)  who did a great guitar solo, and Klara who did some speaking vocals and who also did both artworks for both albums. On the third album I'll be working with all of them, but I'm also bringing in a female vocalist (I hope) and a professional violin player (If everything goes as planned).

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Nowadays I'm listening to almost everything. Most metal genres, jazz, rap, classical music etc. I'm searching for motivation everywhere, but the bands that influenced Internal Chronicles the most are Draconian, My Dying Bride, Dark Tranquility, Wintersun and the Norwegian black metal scene from the 90's. It's a weird mix now that I think about it.

13.Before we wrap up this interview, do you have any final words or thoughts?.
Thanks for the interview and stay tuned for the Crimson Storm in January 2019. And a lot more from Internal Chronicles because I'm just getting started. Cheers!
Cheers

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Gloomy Grim/Obscure Metamorphosis/Symbol Of Domination Productions/Murdher Records/2018 EP Review

  Finland's  Gloomy  Grim  have  returned  with  a  new  recording  that  continues  the  symphonic  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  their  2018  ep  "Obscure  Metamorphosis"  which  was  released  as  a  joint effort  between  Symbol  of  Domination  Productions  and  Murdher  Records.

  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  vocals  are  mostly  high  pitched  black  metal  screams  that  also  get  very  deep  and  grim  at  times  along  with  the  solos  and  leads  being  done  in  a  very  melodic  style  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  A  great  amount  of  melody  can  also  be  heard  in  the  guitar  riffing  while  the  songs  also  bring  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  fast  riffs  also  adding  in  some  tremolo  picking  and  later  songs  also  bring  in  more  symphonic  elements  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  On  this  recording  Gloomy  Grim  remains  true  to  the  symphonic  style  of  black  metal  from  previous  releases,  the  production  sounds  very  professional  while  the  lyrics  cover  Anti  Christianity,  Satanism,  Horror  and  Darkness  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Gloomy  Grim  and  if  you  are  a  fan  of  this  band,  you  should  enjoy  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Stars  Above  Me"  and  "Impressive  Physical  Sight".  8  out  of  10.

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Nocratai/Tormento/Grimm Distribution/The Ritual Productions/Black Metal Records/2018 CD Review

  Nocratai  are  a  band  from  Italy  that  plays  an  industrial  form  of  black  metal  and  this  is  a review  of  their  2018  "Tormento"  which  was  released  as  a  joint  effort  between  Grimm  Distribution,  The  Ritual  Productions  and  Black  Metal  Records.

  Atmospheric  soundscapes  start  off  the  album  along  with  some  evil  laughter  a  few  seconds  later  while  spoken  word  samples  are  also  used  on  a  few  tracks  before  adding  some  industrial  elements  which  also  mixing  in  with  the  heavier  sections  of  the  music  which  also  introducing  grim  black  metal  screams  onto  the  recording.

  Some  of  the  tracks  are  very  long  and  epic  in  length  while  the  music also  uses  a  great  amount  of  programming  and  noise  elements  along  with  the  songs  also  get  very  experimental  at  times  as  well  as  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them,  when  guitar  leads  are  finally  added  onto  the  recording  they  re  done  in  a  very  melodic  style  and  the  music  sticks  to  mostly  a  mid  tempo  style  and  on  the  closing  track  they  also  add  in  some  of  the  riffing  and  vocals  from  Darkthrone's  "Transilvanian  Hunger".

  Nocratai  plays  a  musical  style  that  takes  industrial  and  black  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics cover  war,  anti  religion  and  destruction  themes.

  In  my  opinion  Nocratai  are  a  very  great  sounding  mixture of  industrial  and  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "I  Spit  In  The  Eyes  Of  Christ"  "Jesus  Creek"  and  "Drugs  And  Their  Terrible  Consequences".  8  out  of  10.

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A Thousand Sufferings/Bleakness/Symbol Of Domination Productions/2018 CD Review

  A  Thousand  Sufferings  are  a  band  from  Belgium  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  black,  doom  and  sludge  metal  and  this  is  a  review  of  their  2018  album  'Bleakness"  which  was  released  by  Symbol  Of  Domination  Records.

  Atmospheric  sounding  synths  start  off  the  album  before  going  into  a  heavier  direction  which  also  introduces  melodic  riffing  onto  the  recording  while  some  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  vocals  bringing  in  more  of  an  aggressive  shouting  style  and  the  solos  and  leads  also  bring  in  a  great  amount  of  melody.

  Clean  playing  can  also  be heard  in  certain  sections  of  the  recording  while  the  slow  riffing  is  very  heavily  rooted  in  sludge  and  doom  metal  along  with  the  screams  bringing  in  elements  of  black  metal  when  they  are  utilized  as  well  as  some  of  the  riffing  also  adding  in  a  decent  amount  of  tremolo  picking  and  on  the  closing  track  a  brief  use  of  blast  beats  can  also  be  heard

  On  this  recording  A  Thousand  Sufferings  remains  true  to  their  mixture  of  black,  doom  and  sludge  metal,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  and  negative  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  A  Thousand  Sufferings  and  if  you  are  a  fan  of  black,  doom  and  sludge  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Bleak"  and  "Faces".  8  out  of  10.

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Hipoxia/Ruinae Ira, Creans Ruina eo Tempore Est -Monumentum ab Khaos II/The Way Of The Hermit/2018 CD Review

  Hipoxia  are  a  band  from  Spain  that  has  had  an  album  reviewed  before  in  this  zine  and  plays  a  mixture  of  black,  doom,  sludge  metal  and  drone  and  this  is  a  review  of  their  2018  album  "Ruinae  Ira,  Creans  Ruina  eo  Tempore  Est -Monumentum  ab  Khaos  II"  which  was  released  by  The Way  Of The  Hermit.

  Clean  playing  starts  off  the  album  along  with  most  of  the  tracks  being  very  long  and  epic  in  length  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  as  well  as  some  grim  whispers  also  being  used  briefly  before  going  into  a  heavier  sludge  metal  direction  and  the  riffs  also  add  in  a  decent  amount  of  melody.

  Elements  of  doom  metal  can  also  be  heard  in  some  of  the  slower  riffing  while  the  solos  and  leads  are  done  in  a  very  melodic  post  metal  style  along  with  the  music  also  bringing  in  a  great  amount  of  black  metal  influences  which  show  up  mostly  in  the  screams  and  as  the  album  progresses  touches  of  drone,  gothic  rock  and  ambient  are  added  onto  the  recording  and  all  of  the  music  sticks  to  a  slower  direction.

  On  this  recording  Hipoxia  remains  rue  to  their  mixture  of  drone,  black,  sludge  and  doom  metal  while  also  adding  in  more  post  metal,  goth  rock  and  ambient  elements  this  time  around,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  form  Hipoxia  and  if  you  are  a  fan  of  drone,  black,  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACK  "Purification  Through  Amok".  8  out  of  10. 

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Internal Chronicles/Crimson Storm/Blood And Gut Records/2018 CD Review

  Internal  Chronicles  are  a  solo  project  from  Croatia  that  plays  a  mixture  of  melodic  black  and  doom  metal  and  this  is  a  review  of  his  album  "Crimson  Storm" which  will  be  released  in  2019  by  Blood  And  Gut  Records.

  Grim  black  metal  screams  start  off  the  album  before  going  into  a  heavier  doom  metal  direction  which  also  introduces  melodic  guitar  leads  onto  the  recording  while  the  riffs  also  bring  in  a  great  amount  of  melody  along  with  most  of  the  tracks  being  long  and  epic  in  length  and  synths  are  also  used  briefly.

  Spoken  word  parts  can  also  be  heard  briefly  while  the  music  also  brings  in  a  great  amount  of  90's  influences  along  with  a  brief  use  of  stringed  instruments  as  well  as  some  death  metal  growls  also  being  added  into  certain  sections  of  the  recording,  one  of  the  later  tracks  brings  in  ritualistic  chants  and  as  the  album  progresses  a  brief  use  of  acoustic  guitars  and  clean  vocals  can  also  be  heard  and  a  small  amount  of  blast  beats  are  added  on  the  closing  track.

  Internal  Chronicles  plays  a  musical  style  that  takes  melodic  black  and  doom  metal  and  mixes  them  together  to  create  a  sound  of  his  own,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Internal  Chronicles  is  a  very  great  sounding  melodic  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "A  Beautiful  Day  To  Die"  "The  Life's  Cure"  and  "Crimson  Storm".  8  out  of  10.

https://www.youtube.com/watch?v=L9UjzrqFZIk

Forbidden Rites Interview

1. For those that have never heard of you before, can you tell us a little bit about the band?
We are a mexican black death metal band inspired by the metal of the 90's. We talk a little about occult knowledge and secret societies.



2. Recently you have released an album, can you tell us a little bit more about the musical style you went for on the recording?
This album is a black death metal with 90’s shades,looking for a metal as powerful as melodic, aggressive and sometimes a bit tearing.



3. Your lyrics deal with  ancestral occult knowledge and secret societies can you tell us a little bit more about your interest in those topics?
These are topics that interest us a lot, how much of that knowledge have been lost over time and nowadays it is only embodied in signs and symbols of ancient civilizations, how human beings were closing their knowledge channels and now it has led them to being in a state of lethargy and obscurantism. Hell is here, hell is now, and we like to shout it in the face of people through our music. It’s worth mentioning that 6 of the lyrics were written by Alonso Guzmán, a mexican writer and good friend of the band, and the other two lyrics by Sergio Campos, who has always supported the project and has a lot of knowledge about these matters.



4. Originally the band started out playing covers, what was the decision behind writing and creating your own songs?
Actually, the covers were played only for a while and at the same time we started to compose our own material, the idea was always to generate our own music and expose in it everything we had inside.



5. The band originally started in 96 and waited until 2018 to release the first album, can you tell us a little bit more about what was going on during that time frame?
Exactly, the band started in '96 and after a while some of the members separated and started new projects,they looked for new sounds, etc. Hugo Olivos moved to Cyprus and Raúl Campos to Tijuana Mx, after those years, some members of the band were still in touch, some more, some less, everyone in different projects until at last, in 2017, a common friend, Rubén Contreras, put us in touch again and we decided to resume the ritual we had left pending.



6. What is the meaning and inspiration behind the name 'Forbidden Rites'?
Mainly, the name was inspired by the ancient rituals carried out by the leaders of some secret societies with occult knowledge, those rituals that wrapped knowledge and could be used for any purpose, rites that today are forgotten, and were forbidden before. It also has a personal connotation and we allude this name to the musical rites that had been forgotten among us back in the 90’s.



7. Can you tell us a little bit more about the artwork that is presented on the album cover?
It is the whole representation of those secret sects, which in ancient times hid their temples in the woods to carry out their rituals away from the curious and the blind.



8. Most of the band lives in Mexico while another member lives in Cyprus, how does this work out in the recording process?
It was a complicated process, but not that painful. In Mexico the guitars and bass were made, and we sent them to Hugo in Cyprus, he made the drums and returned the proposals, and so on and on until we were satisfied with the result. Later, Vlad Marin added voices to achieve the final product. At the recording studio, the process was similar.



9. On a worldwide level how has the reaction been to your music by fans of black and death metal?
It is true that the album still has a short time in the market and that still does not give us a full picture of the acceptance of it. So far we have received good reviews and the support and appreciation from the people who have heard it, which we are very grateful for.





10. What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
Hugo Olivos continues with his project Vomitile (who already released a third album), Raúl Campos and Juan Carlos Mtz finished their previous projects to dedicate themselves to Forbidden Rites and Vlad Marin has his Xiutecutli project on stand-by.



11. Where do you see the band heading into musically during the future?
We will always seek to perfect our music, but above all continue to seek how to communicate through it, that music has to tell you something and make you feel something. We also believe that talking about the future of Forbidden Rites music is a bit difficult since we like to live in the here and the now.



12. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Definitely bands like Dissection, Necrophobic, Satyricon, Vinterland, Old man’s child, Dawn were great influence for these 4 metalheads. Today any subgenre of metal is in our playlists but we also move to genres like jazz and progressive rock, but mostly, extreme metal.



13. Before we wrap up this interview, do you have any final words or thoughts?
First of all, we greatly appreciate this space and this interview, and also thanks to all the people who have shown us their support and empathy with this project, and to all those who have been with us throughout these years from the beginning.

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