Saturday, June 13, 2020

Skylord/Frostcraft/Soundage Productions/2019 CD Review


  Skylord  are  a  band  from  Russia  that  plays  a  very  melodic  and  symphonic  mixture  of  viking,  black  and  death  metal  and  this  is  a  review  of  their  2019  album  "Frostcraft" which  was  released  by  Soundage  Productions.

  Keyboards  start  off  the  album  while  also  using  a  variety  of  many  different  sounding  keys  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  The  riffs  also  bring  in  a  great  amount  of  melody  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  when  the  music  speeds  up a   great  amount  of  blast  beats  can  also  be  heard.

  At  times  the  music  also  gets  very  symphonic  sounding  while  death  metal  growls  and  clean  pagan  vocals  are  also  added  into  some  parts  of  the  recording.  The  music  also  has  a  lot  of  90's  influences  as  well  as  sounding  very  modern  at  the  same  time  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style.  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  as  well  as  some  of  the  clean  vocals  also  adding  in  a  touch  of  power  metal.

 Some  of  the  tracks  also  mix  in  elements  of  folk  metal  as  well  as  the  slower  sections  of  the  songs  also showing  some  influences  of  goth  and  doom  metal  and  as  the  album  progresses  whispered  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  Nature,  Fantasy,  Paganism  and  Russian  History  themes.

  In  my  opinion  Skylord  are  a  very  great  sounding  melodic  and  symphonic  mixture  of  black,  viking  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Drained(Emberdreams)"  "Enchanted  Forest"  "Scarlet  Winter"  and  "Wintertears".  8  out  of  10.


      

Bryan Eckermann/The 7th Sin/2020 CD Review


  Bryan  Eckerman  is  a  solo  artist  from  San  Antonio,  Texas  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  his  self  released  2020  album  "The  7th  Sin"  which  will  be  released  in  July.

  Clean  playing  starts  off  the  album  while  the  vocals  are  mostly  grim  sounding  black  emtal  screams  while  synths  also  mix  in  with  the  heavier  sections  of  the  songs  at  times.  The  riffs  also  add  in  a  great  amount  of  melody  along  with  the  faster  sections  of  the  songs  also  adding  in  a  lot  of  blast  beats  and  tremolo  picking.

  Melodies  are  also  added  in  a  lot  of  the  guitar  riffing  while  the  songs  also  add  in  a  decent  mixture  of  slow.  mid  paced  and  fast  parts.  Death  metal  growls  are  also  added  into  certain  sections  of  the  recording  along  with  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style.

  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  clean  playing  also  making  a  return  on  some  of  the  later  songs. Spoken  word  parts  can  also  be  heard  briefly  and  as  the  album  progresses  a  brief  use  of  classical  guitars  and  clean  vocals  can  also  be  heard  and  the  recording  closes  with  some  Mercyful  Fate,  Illnath,  Pain  and  Judas  Priest  covers.  The  production  sounds  very  professional  while  the  lyrics  cover  Horror  and  Mystery  themes.

  In  my  opinion  Bryan  Eckerman  is  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Succubus"  "Graveyard  Hymn"  "Sold  my  Soul"  and  "Night  Comes  Down".  8  out  of  10.




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N + [BOLT]/Play 15 Amps/Midira Records/2020 Full Length Review


  Germany's  N+  and  [BOLT]  team  up  once  again to  create  a  recording  that  mixes  experimental,  ambient,  improv,  black,  sludge,  doom  metal  and  drone  and  this  is  a  review  of  their  2020  collaboration  album  "Play  15  Amps"  which  was  released  by  Midira  Records.

  Atmospheric  sounding  drones  start  off  the  album  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  When  synths  are  utilized  they  also  bring  elements  of  ambient  onto  the  recording  along  with  some  clean  playing  also  being  added  into  the  background  in  certain  sections  of  the  recording.

  As  the  album  progresses  the  music  also  starts  getting  more  diverse  sounding  while  guitar  orientated  drones  are  also  utilized  at  times.  All  of  the  tracks  are  also  instrumentals  along  with  the  guitar  sounds  also  mixing  in  elements  of  black,  sludge  and  doom  metal  into  the  heavier  sections  as  well  as  the  music  also  having  its  repetitive  moments,  stringed  instruments  are  also  a  very  huge  part  of  the  recording  and  the  whole  album  also  sticks  to  a  slower  direction  and  the  re-mix  track  also  shows  more  of  an  avant  garde  side. 

  On  this  recording  N+  and  [BOLT]  team  up  and  create  a  recording  that  mostly  focuses  on  the  experimental,  ambient  and  drone  side  of  the  spectrum  as  well  as  having  some  touches  of  black,  sludge  and  doom  metal  as  well  as  keeping  everything  instrumental  and  the  production  also  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  N+  and  [BOLT]  and  if  you  are  a  fan  of  experimental,  ambient,  improv,  black,  sludge,  doom  metal  and  drone.  you  should  check  out  this  collaboration.   

https://wearebolt.bandcamp.com/album/play-15-amps

Wednesday, June 10, 2020

Varus Interview

Can you give us an update on what has been going on with the band since the recording of the new album?

Hi there! We’ve been working quite a lot in the background to create material and content for the upcoming release. So that might be some making of video clips, promotion material and even some new music! However, rehearsals are sadly not possible.

2. You have a new album coming out during the end of June, musically how does it differ from the stuff you have released in the past?

It might be very different, especially when it comes to the vocals. They’re lower, not as high pitched and more in-your-face. Apart from that, the guitar tuning is now Dropped D, whereas it’s been Dropped B on the first album. We strived for a more folky, epic sound and even introduced acoustic instruments which haven’t been there on Till The Sun Rises. The song length has also increased but it’s fewer songs therefore.

3. This is also your first release since 2014, can you tell us a little bit more about what has been going on during that time frame?

Our line up has changed a few times, most noticeable on lead vocals and drums. Also, we strived for getting a unique band image that should be indistinguishable, almost a Corporate Identity if you like. I’d say we’re now stronger than ever and it just feels like a strong bond between us.
On top, we’ve had some amazing concert opportunities over the years and worked hard on our live performances.

4. What are some of the lyrical topics and subjects the band explores on the newer album?

Our biggest theme is liberty. That’s the main topic but every song stands on its own. So we explore some drinking stories of our hometown, mourn the passing of a close friend, experience the apocalypse itself and remember how our surroundings have changed over time.

5. Originally the band was called 'Banjaxed' what was the cause of the name change?

When starting out, we played half cover, half original songs. The name Banjaxed was heavily related to that and restricted us to an all party band. As we were growing up, we strived to bring only our own material to the people. Varus was more universal and there is actually not one single metal group with that name. From that point we didn’t do covers anymore. So it wasn’t only a name change but also an image change.

8. I know that the bands name is a reference to 'Publius Quinctillus Varus', can you tell us a little bit more about your interest in this historical character?

I’ve been interested in history generally and somehow I stumbled across the Battle In The Teutoburg Forest. It hooked me from the first moment on until today. One reason for Varus was that the Germanic opponent Arminius just didn’t sound good as a band name. Image people trying to remember the name or yelling it at a concert. On the other hand, the character Varus as well as his story are just more tragic and not as heroic. This makes him a very interesting subject. Be sure that there willl be music about him at some point.

9. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

A highlight for us has been the performance at Wolfszeit Open Air 2019. We’ve shared stage with huge established bands that could be named idols of us. Unfortunately, it was at short notice and we couldn’t rehearse that much, so some songs could have been a bit tighter. Feedback has been great though.
Our on stage performances have become very energetic and wild. There’s now a lot of movement on stage and it seems to have a good impact on people.

10. Currently you are unsigned, are you looking for a label or have received any interest?

No, there’s no plans like that at the moment. We’re not actively searching for a label but if the right one comes around the corner – why not? However, we’d like to keep full control over music and image.

11. On a worldwide level how has the reaction been to your music by fans of symphonic, melodic, folk and extreme metal?

It has been good so far! Actually, the more epic and folky aspects are well received and seem to be the favourite themes of our fans. There’s even die hard fans in South America and a following in France. People tend to fall in love with the large choir and orchestra arrangements.

12. Where do you see the band heading into musically during the future?

I guess, we’ll be exploring the folk instruments a bit more but also looking for a more atmospheric approach. Moreover, there’s plans to not overdo it with lengthy songs. I’m already writing new songs and try to keep a strong songwriting, yet not to get lost in too many different parts.

13. What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

You can certainly hear some non-metal influences on the latest material, like Irish Folk or even Jethro Tull. Also, the metal side is inspired by other bands like those in the past. There’s fewer Alestorm-ish themes but rather hints of Ensiferum or Turisas.
At the moment, I’m listening to some Månegarm, Svartsot and again Jethro Tull.

14. Does Paganism play any role in the music?

Not really, to be honest. I know we get labelled as Pagan metal a lot of times and we’re fine with that. Musically, there might be Pagan metal in our style but lyrically, there’s not one single Pagan song in our repertoire. Nature romanticism is part of our music/lyrics but not worshiping the old gods.


15. Before we wrap up this interview, do you have any final words or thoughts?
I want to thank you guys for these well researched questions and your support!
We’re glad to get a lot of positive feedback on our music and are grateful for it. That’s what fuels our inspiration and motivation. So we’re really looking forward to the release of our second album, even during the ongoing crisis. This is what unites us – music.
Thank you all for reading! Stay safe and healthy!

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Lucynine Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?
 Hi! Sure. I've always been a hungry listener of any genre and also as a musician and composer I've never been able to follow a single line, even if I've always been attracted by what's obscure and violent. So, after playing in many bands, I decided to put on a solo project as a multi-instrumentalist and composer that would have allowed me to work in total self-sufficiency (I'm always on the move, so it's hard for me to keep on a proper band). There comes Lucynine.

2.You have your first full length coming out towards the end of July, musically how does it differ from the stuff you have released in the past?
 I'd say it's more sincere. It's not angry and dark because the genre wants to, but because this record tells true stories, with the right mood.

3.From 2013 to 2020 there was no music being released, can you tell us a little bit more about what has been going on during that time span?
 Well, no music has been released under the monicker Lucynine, but I worked on various projects with my own name. Most of all I worked on two short movies: “Block E, 4th Floor” (script, direction, music, everything apart the acting voice) and “Engine of Time” (only audio and soundtrack).

4.The lyrics on the new recording are a concept album, can you tell us a little bit more about the songwriting?
 “Amor Venenat” means “Love Envenoms” in Latin. I started working on this record after I lost my husband for a cancer in 2018. We've been together for 11 years and I fell into depression and felt the need of throwing a lot of shit out of me. This album was very therapeutic in that sense... I never had an easy relationship with love sphere: born homosexual in a strict Catholic family, affairs with men much older than me, not always easy to manage, then the loss of the one I had chosen to share my life with... So I really needed to shout out a lof of regret and pain. And the concept the album is built around is a sort of portrait of me. Well, a kind of portrait of me in that very moment.

5.What is the meaning and inspiration behind the name 'Lucynine'?
 The first half of the monicker Lucynine comes both from Lucifer both from the famous song by The Beatles “Lucy in the Sky with Diamonds” since a psychedelic component has always been relevant in my music. Number nine is both a magical number by itself, both a “six” upside down, to remind to the Number of the Beast. It's rock'n'roll, isn't it?

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?
 It's meant to include more concepts in the same picture: pain (the rope), sex/love (the man naked), but also the caducity of old age, religion (the red light reminds of vestments of a catholic cardinal). All these concepts are related to each other in the album.

7.You work mostly as a solo artist, would you be open to expanding into a full line up on future releases?
 I don't think so. I could think of a band for a live situation or many featured artists on next releases, but not a band.

8.You also have a few quests on the new album, can you tell us a little bit more about who they are and also their contributions to the recording?
 Sure! They all are famous actors and dubbers here in Italy (Dario Penne, for example is the Italian voice of Anthony Hopkins, Michael Caine, Tommy Lee Jones, Christopher Lloyd and many others). You see, I'm very bound to theatre, I work as a stage photographer, I collaborate with actors in many ways and most of my friends are actors too, so, since I wrote things that were meant to be spoken and not sung, I thought the best actors I knew would have been the best choice for those verses to be played.
I know that contributions could be a limitation for not Italian speaking people, but I hope their curiosity will win on this and push them to search for the meaning or... just listening to the whole album enjoying it.

9.Earlier this year you also released an ep tribute to 'Titor', what was the decision behind the tribute?
 It all started as a quarantine joke and ended in a serious double single. Titor have been both dear friends of mine, both one of my favourite hardcore punk bands ever. So it came out quite naturally.

10.On a worldwide level how has the reaction been to your music by fans of experimental, avant garde and extreme metal?
 I still have to understand it, because my 2013 EP didn't have much promotion, so “Amor Venenat” is the first time I have a serious promoting agency, a serious label, etc. Let's see what happens. I really can say I did all the best I could do.

11.Where do you see yourself heading into as a musician during the future/
 I'm really insecure so I never expect too much and try to enjoy everything good happens to me. So I can't make predictions. What I really really dream is to be called for a movie soundtrack.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays/
 I listen to many different genres, from classical music to jazz, from trip hop to crust punk, so it could turn into a very long reply ahahah! What I can say is that The Beatles changed my life when I was a child, Iron Maiden changed it again when I was 11, Devin Townsend when I was 16, Meshuggah when I was 18, Portishead when I was 20, and so on. In my shelves you can find from Rachmaninoff to Dark Funeral, from David Bowie to Gorillaz. These days I'm really into Bandcamp and looking for unknown good bands that do amazing things with nearly no budget. Maybe today you can discover better things from little labels or DIY scenery than among big majors. Well, maybe not only today!

13.What are some of your non musical interests?
 Literature, art, cinema, all that involves expression. I myself am a photographer and videomaker, so my different jobs in music and creativity really overlap with my interests. And it's a huge privilege today.

14.Before we wrap up this interview, do you have any final words or thoughts?
Thank you for the time you spent with me and for your interest in what I do. I wish people will enjoy my music and find out what's behind it and maybe... pieces of real life that deserve thoughts and meditation.

www.lucynine.com
www.facebook.com/lucynine
www.instagram.com/lucynine.official
https://lucynine.bandcamp.com

Monday, June 8, 2020

The Lightbringer/From The Void To The Existence/2020 CD Review


  The  Lightbringer  are  a  band  from  Quebec,  Canada  that  plays  a  melodic  and  atmospheric  mixture  of  black,  death  and  gothic  metal  and  this  is  a  review of  their  self  released  2020  album  "From  The  Void  To  The  Existence"  which  will  be  released  in  July.

  Tragic  sounding  pianos  and  keyboards  start  off  the  album  while  also  using  a  variety  of  many  different  sounding keys  and  mixing  in  with  the  heavier  sections  of  the  music.  Operatic  female  vocals  are  also  added  into  some  parts  of  the  recording  and  the  songs  also  mix  in  a  great  amount  of  black  metal  screams  and  death  metal  growls.

  The  riffs  also  add  in  a  great  amount  of  melody  and  when  the  music  speeds  up  a  lot  of  blast  beats  and  tremolo  picking  can  also  be  heard.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  music  also  having  its  atmospheric  moments  as  well  as  the  music  also  adding  in  some  elements  of  goth  metal.

  The  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  guitar  leads  being  done  in  a  melodic  style  when  they  are  utilized  and  most  of  the  tracks  are  also  very  short  in  length  along  with  one  track  also  adding  in  a  brief  use  of  spoken  word  parts  and  they  also  bring  in  a  cover  of  Kitaro's  "Caravansary".  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  fantasy  themes.

  In  my  opinion  The  Lightbringer  are  a  very  great  sounding  melodic  and  atmospheric  mixture  of  black,  death  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "From  The  Void"  "The  Awakening"  "The  Seal  Of  Annihilation"  and  "To  Existence".  8  out  of  10.

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Sunday, June 7, 2020

Lucynine/Amor Venenat/Inverse Records/2020 CD Review


 Lucynine  is  a  solo  project  from  Finland  that  plays  a  mixture  of  post  black,  sludge,  doom  metal, punk,  crust,  hardcore,  darkwave  and  experimental  and  this  is  a  review  of  his  2020  album  "Amor  Venenat"  which  will  be released  in  July by  Inverse  Records.

   Music  and  spoken  word  samples start off  the  album  before  going  into  a   very  fast  musical  direction  which  also  uses  a  great  amount  of  blast  beats  and  tremolo  picking.Vocals  are  mostly grim  yet  high  pitched  black  metal  screams.  Keyboards  are  also  mixed  in  with  the  heavier  sections  of  the  music  at  times.

   All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  some  tracks  also  bring  in  clean  singing  along  with  some  tracks  also  adding  in  elements  of  post  rock  and  the  slower  sections  of  the  songs  also  add  in  the  heaviness  of  sludge  and  doom  metal.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  noisy  style  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length.  Spoken  word  parts  also  make  a  return  on  some  of  the  later  tracks  as  well  as  the  music  also  having  its  experimental  moments  and  some  tracks  show  an  influence  of  darkwave.

  At  times  the  music  also  gets  very  experimental  sounding  as  well  as  some  tracks  also  adding  in  some  touches  of  post  punk,  crust  and  hardcore  and  all  of  the  tracks  also  sound  very  different  from  each  other,  death  metal  growls  can  also  be  heard  in  certain  sections  of  the  recording  and  as  the  album  progresses  psychedelic  and  blues  rock  elements  can  also  be heard  briefly.  The  production  sounds  very  professional  while the  lyrics  are  a  concept  album  based  upon  the  darkest  and  most  negative  sides  of  love.

  In  my  opinion  Lucynine  are  a  very  great  sounding  mixture  of  post  black,  sludge,  doom  metal,punk,  crust,  hardcore,  darkwave  and  experimental,  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "-Nine  Eleven"  "Things  I'll  Never  Know"  "White  Roses"  and  "Everyone  O  Lovedis  Dead". 8out  of  10.

www.lucynine.com
www.facebook.com/lucynine
www.instagram.com/lucynine.official
https://lucynine.bandcamp.com 

https://youtu.be/wfrVLjBgs4g

Okkultokrati/La Ilden Lyse/Southern Lord Recordings/2020 CD Review


  Norway's  Okkultokrati  have  returned  with  a  new  recording  which  shows  the  music  going  into  more  of  a  mixture  of  black'n'roll,  sludge  metal  and  hardcore  punk  and  this  is  a  review  of  their  2020  album  "La  Ilden  Lyse" which  was  released  by  Southern  Lord  Recordings.

  A  very  hard  and  heavy  sound  starts  off  the  album  while  the  vocals  are  mostly  high  pitched  black  metal  screams.  Elements  of  black'n'roll  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  all  of  the  musical  instruments  on  the  album  also  having  a  very  powerful  sound  to  them.

  At  times  the  music  also  captures  the  raw  energy  of  hardcore  punk  while  the  keyboards  also  gives  the  recording  more  of  a  psychedelic  and  ritualistic  feeling  when  they  are  utilized.  The  guitar  riffing  also  adds  in  a  decent  amount  of  melody  along  with  the  slower  sections  of  the  songs  also  adding  in  the  heaviness  of  sludge  metal  as  well  as  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length.,  melodic  guitar  leads  can  also  be  heard  briefly.

  On  this  recording  Okkultokrati  takes  black'n'roll,  sludge  metal  and  hardcore  punk  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Luciferian,  Thelema,  Occultism,  Moon  Worship  and  Transcending  Death  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Okkultokrati  and  if  you  are  a  fan  of  black'n'roll,  sludge  metal  and  hardcore  punk, you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Thelemic  Threat"  "Grimoire  Luciferian  Dream"  "Kiss  Of  Death"  and  "The  Dying  Grass  Moon".  8  out  of  10.


Friday, June 5, 2020

Serene Dark/Enantiodromia/2020 CD Review


  Serene  Dark  are  a  band  from  Ottawa,  Ontario,  Canada  that  has  been  featured  before  in  this  zine  under  their  older  name  'Enddemise'   and  plays  a  melodic  and  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2020  album  "Enantiodromia"  which  will  be  released  in  July.

  Tragic  sounding  keyboards  which  also  uses  a  variety  of  many  different  sounding  keys  and  spoken  word  samples  start  off  the  album  before  going  into  a  heavier  direction.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  guitar  solos  and  leads  are  also  done  in  a  very  melodic  style.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Death  metal  growls  are  also  utilized  quite  a  bit  throughout  the  recording  and  the  riffs  also bring  in  a  great  amount  of  melody  and  symphonic  elements  also  mix  in  with  the  heavier  sections  of  the  songs.

  All  of  the  musical  instruments  also  have  a  very  powerful sound  to  them  along  with  the  music  also  having  its  brutal  moments.  The  songs  also  add  in  a  decent  mixture  of  both  old  school  and  modern  influences  as  well  as  a couples  of  them  also  being  very  long  and  epic  in  length  and  as  the  album  progresses  throat  singing  and  clean  singing  can  also  be  heard  briefly  on  a  couple  of  tracks,  spoken  word  parts  also  make  a  brief  return  on  a  couple  of  later  songs.  The  production  sounds  very  professional  while  the  lyrics  cover  philosophy,  stoicism,  hermeticism  and  occultism  themes.

  In  my  opinion  Serene  Dark  are  a  very  great  sounding  symphonic  and  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.RECOMMENDED  TRACKS  INCLUDE  "Of  Serpentine  Form"  "Dweller  In  The  Void  of  Spirit"  " Grieving  The  Distortion  Of  Self"  and  "Onward,  Burning,  Radiance".  8  out  of  10.

 Bandcamp 

Thursday, June 4, 2020

Varus/A New Dawn/2020 Full Length Review


  This  is  a  review  of  another  recording  from  Germany's  Varus  which  continues  the  symphonic  and  melodic  mixture  of  folk,  melodic  black  and  death  metal  and  the  album  will  be  self  released  on  June  27th,  2020.

  Stringed  instruments  along  with  some  symphonic  sounds  start  off  the  album  along  with  a  brief  use  of  operatic  female  vocals  which  also  appear  on  later  tracks  before  going  into  a  heavier  direction  but  keeping  the  symphonic  elements.  Vocals  are  mostly  black  metal  screams  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Folk  instruments  can  also  be  heard  in  some  parts  of  the  recording  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds up  a  great  amount  of  blast  beats  can  be  heard  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.

  A  couple  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.  The  songs  also  add  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  death  metal  growls  also  being  added  into  some  parts  of  the  recording  and  some  tracks  also  add  in  some  clean  pagan  vocals  and  as  the  album  progresses  a  brief  use  of  acoustic  guitars  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  German  and  cover  local  myths/legends,  the  art  of  drinking,  Romanticism,  War  and  Historical  themes.

  In  my  opinion  this  is  another  great sounding  recording  from  Varus  and  if  you  are  a  fan  of  symphonic  and  melodic  folk,  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Awakening"  "Ein  Lebewohl"  and  "The  Minstrels  Chant".  8  out  of  10.

 https://youtu.be/fjVK1I4nFVk

Varus/Till The Sun Rises/2020 CD Review


  Varus  are  a  band  from  Germany  that  plays  a  symphonic  form  of  folk  metal  along  with  some  elements  of  melodic  black  and  death  metal  and  this  is  a  review  of  their  self  released  2014  album  "Till The  Sun  Rises".

  A  very  symphonic  and  epic  sound  starts  off  the  album  while  also  adding  in  some  touches  of  classical  music  while  also  capturing  the  atmosphere  of  a  fantasy  movie  soundtrack  and  the  symphonic  elements  also  mixes  in  with  the  heavier  sections  of  the  music  and  the  riffs  also  add  in  a  great  amount  of  melody.

  Black  metal  screams  are  also  utilized  quite  a  bit  throughout  the  recording  while  clean  pagan  vocals  are  also  utilized  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  some  death  metal  growls  also  being  added  into  certain  sections  of  the  music.

  Folk  metal  elements  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  blast  beats  also  being  added  into  the  faster  sections  of  the  music.  The  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  a  brief  use  of   folk  instruments  and  whispered  vocals  can  also  be  heard,  acoustic  guitars  can  also  be  heard  briefly  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  are  written  in a  mixture  of  English  and  German  and  cover  local  myths/legends,  the  art  of  drinking,  Romanticism,  War  and  Historical  themes.

  In  my  opinion  Varus  are  a  very  great  sounding  symphonic  and  melodic  mixture  of  folk,  black  and  death  metal and  if  you  are  a  fan  of  those  musical  genres, you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "One  Day"  "Nachtgiger"  "Des  Winters  Tod"  and  "Till  The  Sun  Rises".  8  out  of  10.

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Tuesday, June 2, 2020

Ba'alzamon Interview

1.Can you give us an update on what is going on with the band these days?

Marc: We all lead separate lives for the most part. This is mostly due to living so far from each other. While this hinders any hopes of live performances at the moment, we still have fun trading riffs and continuing to create music together. The internet and digital workstations have been great to us in that regard.

Rob: We are starting to track some demos for the follow up album. As a band that likely won’t be doing any touring, we want to keep the ball rolling somehow. We talked about it and I will be 50 in eight years, we’d like to have four albums out by then. So, one every 2 ½ to 3 years for the next decade.

2.In September you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

Rob: Well, what we released in September was more a demo than anything, the fully mixed and mastered album officially released in May 2020. We weren’t shooting for any particular style; we just write what we think sounds good and build upon that. 

Marc: I think we initially were trying to just redo most of the older songs as a fun project that helped keep us connected as friends. We had older demo recordings from around 1999 and wanted to update them to reflect what we have learned as musicians over the last couple decades. Once those were completed, we continued to write in the same vein musically because that just seems to be how things fall into place for the three of us. In a nutshell, I don't think we're ever going for a particular sound exactly. I think we just play what comes to us and it sounds how it does.

3.The band formed in 1998 and broke up in 2001, what was the cause of the split and also the decision to reform?

Marc: Towards to end of our initial run there was some turmoil brewing within the group. We had other guys playing with us at the time and things just didn't seem to work out overall. During the past couple decades, we were all involved in music somehow and I think it was just decided that we should try to get those original songs recorded for our own personal enjoyment. Once we started that process it just kind of took off for us again.

Curtis: Well the disbanding was brought on by many things. A big portion was due to not having support in the local scene (which was thriving at the time). There was national publicity in the Little Rock sludge scene which I was a part of, but somehow Ba'alzamon was not. On any given weekend, you would see some amazing extreme band come through with 2 or 3 stoner bands made up of the same handful of guys, and that was beyond frustrating. All that, along with previous members causing turmoil within the band, just killed it for all of us for a while.

4.What are some of the lyrical topics and subjects the band has explored so far with the music?

Marc: The original songs from the 1998-2001 era were kind of all over the place. There was no one solid topic that we used. We had a protest song (There Was No Blood), a song about cults (Heathens of the Blackest Fold), and even a song about celestial rebirth (A Vow of Celestial Fealty). We were younger then and were exploring many topics based on the state of the world then and also our influences at the time.

Curtis: Subjects tend to gravitate toward Cults and cult type activity, astral projection, breaking out of dark places in life and destroying what oppresses you. One song is a dedication for my love of nature and the beauty of the Ozarks.

5.I know that the band’s name comes from Robert Jordan's "Wheel of Time” series, can you tell us a little bit more about your interest in these writings and also are there any other fantasy authors that have had an influence on the music?

Marc: Unfortunately, I'm not much of a fantasy reader. That would be Rob who read those books and suggested the name. I'm personally more of a Sword and Sandals guy, while The Wheel of Time is Sword and Sorcery type stuff.

Curtis: Knights of Soth is about a character in the Dragonlance / Ravenloft series.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Marc: We wanted to capture some of the area where Ba'alzamon first got together as a band and started writing while also keeping things a little spooky.

Curtis: I took that while at sunset on a swampy part of Lake Conway.

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Rob: Probably a show we did at a place called Vino's. It is a staple club in the scene (has been for decades), and it was kind of a rite of passage to play there. Plus, I can still remember the after-party pretty well, and that was, I think, where we were peaking with that particular line-up.

Marc: We were a wild bunch for sure. Lots of DIY theatrics. We would use fake blood, homemade stage lighting and whatever else we could think of to try to give the crowd the best show possible. My personal favorite show that we ever played was at Vino's in Little Rock. We had all seen many bands that we loved there so sharing that same stage finally was a great experience. Other shows that are memorable were at The Parlor Tattoos in Little Rock and The Electric Moo in Russellville.

8.Currently you are unsigned, are you looking for a label or have received any interest?

Marc: I don't believe we've received any interest at this point. It may be a bit soon for that considering the album just got released. I think if the right offer were to come around, we may be interested.

9.On a worldwide level how has the reaction been to your music by fans of black and death metal?

Marc: People into metal seem to like it so far and we've received some good reviews. I'm not sure how many international listeners have heard us at this point, however.

10.Where do you see the band heading into musically during the future?

Marc: I think we'll keep writing music and working on the next release. With modern technology and faster ways of trading ideas, we could probably do this for a long time to come.

Rob: When we last spoke on it, we talked about doing 3 more albums before evaluating if it was worth continuing. For now, we are starting to lay some tracks for the next album.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Rob: A lot of early second wave black metal and early symphonic black metal. Those first few Emperor, Cradle of Filth and Dimmu Borgir albums, anything produced by Peter Tägtgren, some early melodic death metal. That is what influences me. I listen to a wide variety of things but lately have enjoyed the newest mgła album, Deathspell Omega, Dark Funeral’s Angelus Exuro pro Eternus.

Marc: I think we had a lot of black metal influence early on. I've personally never been much of a true death metal fan and was always the guy trying to get Luca Turilli into the CD rotation at parties. Cradle of Filth was a favorite especially during the Dusk and Her Embrace/Cruelty and the Beast era. Dimmu Borgir's Spiritual Black Dimensions was another one I think we all listened to often. There was also Borknagar, Manowar, Acid Bath, Rwake, Emperor, etc. Nowadays I'm listening to mostly bands like Nargaroth, Rotting Christ, Lustre, None, and Insomnium.

Curtis: UADA, Dopethrone, Graves at Sea, Origin, Cattle Decapitation


12.What are some of your non-musical interests?

Marc: I'm actually an avid trading card collector. I mainly stick with baseball, football and Star Wars cards. I have a good time buying, selling and trading with others like me who just enjoy the hobby.

Curtis: Camping, kayaking, youth football really all the youth sports we are involved in.

Rob: I am currently working on a PhD in Communication and Information Studies. I am in the dissertation phase, with two kids aged seven and one, as well as teaching undergraduate courses, so all that eats up most of my time. Any free time I usually dedicate to music.

13.Before we wrap up this interview, do you have any final words or thoughts?

Marc: Just that we appreciate every single person who has given us a listen and hope to continue making music. Thank you to everyone who has listened and reviewed us as well.
involved in,

Sunday, May 31, 2020

Throwing Bricks/What Will Be Lost/Tartarus Records/2020 Full Length Review


  Throwing  Bricks  are  a  band  from  the  Netherlands  that  plays  a  mixture  of  black, sludge  metal,  hardcore  punk  and  screamo  and  this  is  a  review  of  their  2020  album  "What  Will  Be  Lost"  which  was  released  by  Tartarus  Records.

  Clean  playing  starts  off  the  album  before  going  into  a  heavier  direction  while  the  riffs  also  add  in  a  decent  amount  of  dark  sounding  melodies.  The  slow  riffs  also  add  in  the  heaviness  of  sludge  metal  along  with  the  vocals  being  a  mixture  of  black  metal  screams  and  growls  along  with  the  solos  and  leads  being  done  in  a very  melodic  style.

  When  the  music  speeds  up  a decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  while  the  music  also  brings  in  elements  of  screamo  and  hardcore  punk.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  a  couple  of  the  tracks  also  being  long  and  epic  in  length.

  The  songs  also  bring  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  clean  playing  also  making  a  return  on  some  of  the  later  tracks  and  as  the  album  progresses  atmospheric  sounding  drones  can  also  be  heard  in  certain  sections  of  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  emotional  themes.

  In  my  opinion  Throwing  Bricks  are  a  very  great sounding  mixture  of  black,  sludge  metal, hardcore  and  screamo  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Day  He  Died"  and  "Galling".  8  out  of  10.


https://www.facebook.com/throwingbricksband/

https://throwingbricksband.bandcamp.com/  

Mary & The Highwalkers/Hounds/2019 CD Review


  Mary  &  The  Highwalkers  are  a  band  from  Poland  that  plays  a  mixture  of  black,  sludge,  doom  and  stoner  metal  and  this  is  a  review  of  their  self  released  2019  album  "Hounds".

  A  very  distorted  sound  starts  off  the  album  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.  Elements  of  sludge  and  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  along  with  some  clean  playing  also  being  utilized  on  a  few  tracks  and  when  the  music  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard.

  Vocals  are  mostly  high  pitched  sounding  black  metal  screams  while  the  riffs  also  add  in  a  decent  amount  of  stoner  style  melodies.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  clean  vocals  also  being  utilized  on  some  of  the  tracks.

  Some  of  the  songs  are  also  very  long  and  epic  in  length  along  with  some  tremolo  picking  being  added  into  some  of  the  faster  riffing  as  well  as  the  solos  and  leads  also  adding  in  some  touches  of  70's  rock/metal  but  mixing  it  with  a  more  modern  day  heaviness.  The  production  sounds  very  professional  while  the  lyrics  cover  evil  and  sorrow  themes.

  In  my  opinion  Mary  &  The  Highwalkers  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Hounds"  "..What  Sinners  Pay  For"  and  "Feast".  8  out  of  10.

https://www.facebook.com/maryandthehighwalkers/
https://www.youtube.com/channel/UChNSLdAd0PObme2E7jjBLAQ
https://maryandthehighwalkers.bandcamp.com/
https://www.instagram.com/maryandthehighwalkers/

  

Dawn Of Ashes/The Antinominion/Artofact Records/2020 CD Review


  Dawn  Of  Ashes  are  a  band  from  Los  Angeles,  California  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  industrial,  ebm  and  black  metal  and  this  is  a  review  of  their  2020  album  "The  Antinominion"  which  will  be  released  in  July  by  Artofact  Records.

  An  ebm  style  sound  starts  off  the  album  along  with  a  great  amount  of  programmed  beats  along  with  the  vocals  being  mostly  distorted  black  metal  screams.  The  music  also  mixes  in  a  lot  of  industrial  elements  along  with  the  music  also  capture  a  very  ritualistic  atmosphere  in  some  parts  of  the  recording.

  Spoken  word  parts  are  also  added  into  some  parts  of  the  tracks  while  the  music  also  incorporates  a  great  amount  of  samples.  Heavy  guitar  riffs  are  also  mixed  in  with  the  more  dark  electro  style  of  the album  giving  the  music  more  of  an  extreme  metal  heaviness  along  with  some  electronic  drums,  a  couple  of  the  tracks  are  also  long  and  epic  in  length  as  well  as  one  song  also  introducing  growls  onto  the  album    and  all of  the  music  sticks  to  either  a  slow  or  mid  tempo  style.

  On  this  recording  Dawn  Of  Ashes  goes  into  more  of  an  ebm  and  industrial  rock/metal  direction  as  well  as  keeping  the  black  metal  style  vocals.  The  production  sounds  very  professional  while  the  lyrics  explore  humanities  downfall  as  it  blindly  follows  it's  leaders.

  In  my  opinion  this  is  another  great  sounding  album  from  Dawn  Of  Ashes  and  f  you  are  a  fan  of  ebm,  industrial  and  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Pawns  Of  The  Wretched"  "Blood  Of  The  Titans"  "Follow  The  Pain"  and  "The  War  Within".  8  out  of  10.

https://www.facebook.com/Dawnofashes/ 
https://www.instagram.com/dawnofashesofficial/ 
https://twitter.com/dawnofashes666 
https://open.spotify.com/artist/35Uzsa9o0tZkdC4ZBtXuNV?si=R2uEir08SAST4J8MlrOK-w 

https://youtu.be/w6DQR-gBBOk

 

  

Saturday, May 30, 2020

Wedrowcy-Tulacze-Zbiegi/Berliner Vulkan/Devoted Art Propaganda/2020 Full Length Review


    Wedrowcy-Tulacze-Zbiegi  are  a  band  from  Poland  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording moves  away  from  their  metal  roots  and  goes  into  more  of  an  80's  era  new  wave  and  post  punk  direction and  this  is  a  review  of  their  2020  album  "Berliner  Vulkan"  which  will  be  released  in  June  by  Devoted  Art  Propaganda.

  Electronic  music  sounds  and  synths  start  off  the  album  while  all  of  the  drum  beats  are  also  programmed.  Goth  style  clean  vocals  are  also  a  very  huge  part  of  the  recording  while  spoken  word  parts  can  also  be  heard  at  times  along  with  the  music  also  adding  in  some  elements  of  80's  era  synth  pop.

  The  music  also  avoids  the  use  of  electric  guitars,  black  metal  elements  and  heavier  riffs  that  where  a  part  of  their  earlier  recordings.  Clean  playing  can  also  be  heard  briefly  along  with  the  music  also  adding  in  a  great  amount  of  post  punk  influences  as  well  as  some  touches  of  industrial  also  being  utilized  at  times.

  On  this  Wedrowcy-Tulacze-Zbiegi   moves  away  from  the  metal  influences  of  pat  albums  and  goes  into  more  of  a  mixture  of  new  wave,  post  rock  and  electronic  music.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Polish  and  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from Wedrowcy-Tulacze-Zbiegi and  if  you  are  a  fan  of  post  punk,  new  wave  and  electronic  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "I"  and  "IV".  8  out  of  10.

Bandcamp