Thursday, May 5, 2016

And Harmony Dies Interview


1.Can you give us an update on what is going on with the band these days?
Hi, actually we are looking for a new guitarist becouse our bandmate Rob left the band 2 month ago, then we will promote Totenamt with concerts.

2.Recently you have released a new album how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
Sound in new album it' s more various and complex and difference with old discography it' s basically in more influences outside metal and better arrangiament on it.

3.The band has been around since 1995 but only has released 3 full lengths, can you tell us a little bit more about the gaps in between releases?
Is it true, our production it's pretty slow, we prefer to publish our music when we are ready, we have work on Totenamt for 7 years and specially in that case, we have had personal problems that slow down us.

4.What are some of the lyrical topics and subjects the band explores with the newer music?
In that album we talk about Death, all songs are poems wrote by me almost 10 years ago. I explore death in all his shades and it is a sad album of course.

5.What is the meaning and inspiration behind the name 'And harmony Dies'?
20 years ago we were looking for a band name that include peace, wellness and at the same time something dark and we were fans of Venom, so listening to the album Possessed we focus our attention at the song title Harmony Dies. it became our first name, then we discovered that another band from Germany had the same name, but we were already active and known in our region, so we decided to add "AND" at the beginning, so it become And Harmony Dies.

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
I remember a great show in a club in 2005 there was a lot of people and all have fun. It was a great show! With the passing of years we decided to focus more of theatrical immaginary instead of metal impact. We are trying to focus more on songs' s feeling not only in anger given by metal parts.

7.Do you have any touring or show plans for the new album?
Actually not because of our guitarist search.

8.The new album was released on Sliptrick Records, are you happy with the support that they have given you so far?
Yes they are very professional and working really good.

9.On a worldwide level how has the feedback been to your music by fans of black and avant garde metal?
Actually responses are good and we are proud of it Black metal fans still looking to more classical proposal, but people more open minded really like it!

10.Are any of the band members also involved with any other bands or musical projects these days?
Yes me (Black). I have other project like Pesten and Lux Eternæ but And Harmony Dies still my priority.

11.Where do you see the band heading into musically during the future?
Nobady really knows where new songs will arrive. We still listening a lot genres and we will never repeat ourselves.

12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?
In metal absolutelly Devin Townsend, Arcturus, DHG, Mayhem, Phil Anselmo and the illegals. Outside metal, Asaf Avidan, Lord buffalo, Le trio Joubran and many many more.

13.What are some of your non musical interests?
I love films d' essay, Theather, geopolitics and ancient sumerian. Whisper (keyborder) love literature, especially russian.

14.Before we wrap up this interview, do you have any final words or thoughts?
Thank for your interesting, we want to let people crush their musical tastes. There are a lot of good music outside and people are afraid often to discover new one. Life contains a multitude of feelings, that sometimes change quickly. This is our music. Enjoy it!

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Vex/Sky Exile/Eihwaz Recordings/2016 CD Review


  San  Marcos,  Texas's  Vex  have  returned  with  a  new  album  that  takes  the  melodic  and progressive  mixture  of  black  and death  metal  of  previous  recordings  and  expand  on  it  by  mixing  in  elements  of  folk,  post  punk  and  ambient  and  this  is  a  review  of  their  2016  album  "Sky  Exile"  which  will  be  released  in  June  by  Eihwaz  Recordings.

  Distorted  guitar  drones  start  off  the  album  along  with  some  tribal  beats  and  after  the intro  the  music  start  going  into  more  of  a  heavier  musical  direction  along  with  some  black  metal  screams  and  the  riffs  also  bring  in  a  great  amount  of  melody  and  after  awhile  death  metal  growls  make  their  presence  known  on  the  recording.

  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  fashion  and  the  clean  guitars  also  gives  the  songs  more  of  a  progressive  feeling  while  melodic  vocals  are  also  utilized  at  times  and when  the  music  speeds  up  a  great  amount  of  blast  beats  are  utilized while  the  acoustic  guitars  bring  in  a  touch  of  folk.

  Some  of the  tracks  are  very  long  and  epic  in  length  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  as  the  album  progresses  elements  of  post  ambient  can  be  heard  in  certain  sections  of  the  recording  and  a  couple  of  the  tracks  are  all  instrumental  while some  of  the  slower  riffs  bring  in  a  touch  of  doom  metal  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  faster  riffs  bringing  in  a  small  amount  of  tremolo  picking  and  some  songs  also  bring  in  a  small  amount  of  spoken  word  parts.

  On  this  recording  Vex  remove  the  thrash  elements  that  where  present  on previous  recordings  while  keeping  the  melodic  black  and  death  metal  style  and  taking  it  into  more  of  a  progressive  direction  on  this  recording   and  mixes  in  influences  of  folk,  ambient  and  post  punk  to  take  their  musical  style  to  another  level,  the  production  sounds  very  professional  while the  lyrics  cover  dark,  depressive  and  metaphysical  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  vex  and  if  you  are  a  fan  of  the  progressive  and  melodic  styles  of  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Empyrean"  "The  Cygnus  Light"  "Dark  Skies  Painted"  and  "August  11".  8  out  of  10. 

  

Tuesday, May 3, 2016

Whispered Interview

    1.Can you give us an update on what has been going on with the band since the recording of the new album?


Greetings! Things are going pretty good. We're making a music video, doing interviews, trying to get more contacts with promotors / booking agencies and such.



    2.In May  you have a new album coming out, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?


Every member in the band agress that this is the best stuff we've done yet. Metsutan - Songs Of The Void contains all the usual Whispered elements, but I think everything is in better balance this time. There are also more japanese influences which give the album a nice ethnic atmosphere and most of the songs are quite fresh so compositions are more in line with our vision and concept. Influences from several metal genres are represented on the album forming a very diverse and compelling experience I might say.


    3.In the beginning the music was more power metal but the newer music has more of a melodic death metal approach, what was the decision behind going into a heavier direction?


Even during the recordings of our first album, I was thinking that I wanna push things to a bit heavier direction. I love all kind of metal, but I think that the driving force with Whispered should be drawn from melodic death metal clashing with symphonic and ethnic elements. On the new album there's probably more black metallish influences than ever too, but we wanna keep things interesting and not force the band to go to any specific direction.



    4.Your lyrics deal a lot with Samurai's and Japanese Legends, can you tell us a little bit more about your interest in this topics?


I've always thought that those themes work really well with metal music, and no-one seems to disagree. I've been interested in japanese culture for a really long time so the inspiration to write this kind of music felt really natural for me. Samurai as a concept is really like Whispered's music I think. Fearlessly engaging to the battle, without forgetting to enjoy a nice cup of tea on occasion.



    5.originally the band was called 'Zealot' what was the decision behind the name change and also the meaning and inspiration behind the name 'Whispered'?


Zealot didn't sound quite what we're about and we thought that another name could work better. I think Whispered works nicely because it's gives an serene and silent impression of the band, yet we're mostly quite the opposite. It's also a name that gives us a chance to play something else in the future if we want. If we'd named the band "Samurai Killers", we'd have a hard time to play country music. Hopefully that won't never happen.



    6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?


One show we did in Tokyo 2013 really stands out (no surprise there). It was truly amazing experience since we had no idea what to except from an audience in the land of our concept.
Luckily everything was a blast and we had really great time there meeting fans and getting some connections. These recent shows in Finland have also been quite great. Audience has been amazing and we're really excited to play some new songs. I'd describe our stage performance as I'd describe a battle. Tons of adrenaline being scattered in the midst of the fight, leaving the crows to pick up what's left!


    7.Do you have any touring or show plans once the new album is released?


Not much really. We're really trying to make connections to Europe, since this is our first release there also and we hope to hook up some booking opportunities.
Currently the situation is that we're giving one festival show in Finland at Tampere Metal Meeting with likes of Moonsorrow, Insomnium, Tiamat and Finntroll.
We try to get as much shows as possible for autumn.


    8.The new album is coming out on 'Redhouse Finland Music Publishing', can you tell us a little bit more about this label?


Well it's a quite small label, but they've given us really much financial support with our journey. Like us, Redhouse FMP doesn't have much connections
outside of Finland, but we hope we'll / they'll gain something with the new album.


    9.On a worldwide level how has the feedback been to your music by fans of extreme metal?


It has been quite amazing actually. We have a really solid and constantly growing fanbase which I'm extremely thankful of. I think we're making something quite new and I'm really
happy that most of the people seem to understand what we're trying to do here. I've not read much of negative stuff about Whispered, though nowadays it's probably not the smartest
idea to constantly browse the internet to see what people think. But overall, the feedback has been extremely positive.


    10.Are any of the band members also involved with any other bands or musical projects these days?


Well our bass and backing vocalist dude Kai Palo sings and plays in a band called Drawn Awake. Others don't have much projects, though I'm slowly cooking up some game soundtrack projects and such in the future. Whispered takes about everything we have to offer, so we don't have time for other uphill projects.


    11.Where do you see the band heading into musically during the future?


For now, probably the same direction we're going already. Bigger, better, more oriental, more focused. Though I'm quite sure that at some point, we'll make a bit less crowded album.
Meaning something that's really focused to the band with less orchestral elements. That sounds something I'd like to do at some point.


    12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?


Well for me, I constantly listen to all kind of music. I love finnish metal bands, game and movie soundtracks and some smooth jazz for instance. If I had to give some names right now,
I'd give Joe Hisaishi, Yuko Takehara, Moonsorrow, Hans Zimmer, Alan Silvestri, Carach Angren, Waltari, Sodom, Vesperith etc.



    13.What are some of your non musical interests?


Movies, making movies (shortfilms and stuff), wandering in the woods, games. I'm all fired up to try Dark Souls 3!



    14.Before we wrap up this interview, do you have any final words or thoughts?


Check out Metsutan - Songs Of The Void! Support the band, buy the music and merchandise!
Stay heavy, stay honored and hail Gojira!

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Monday, May 2, 2016

And Harmony Dies/Totenamt/Sliptrick Records/2016 CD Review


  And  Harmony  Dies  are  a band  from  Italy  that  plays  an  avant  garde  form  of  black  metal  and  this  is  a  review  of  their  2016  album  "Totenamt"  which  will  be  released  in  July  by  Sliptrick  Records.

  Nature  sounds  start  off  the  album  along  with  soem  church bells  before  going  into  more  of  an  avant  garde  direction  which  also  shows  violins  being  added  onto  the  recording  and  after  awhile  it  starts  to  mix  in  with  a  heavier  sound  which  also introduces  grim  black  metal  screams  onto  the  recording  along  with  some  symphonic  elements.

  A  great  amount  of  melody  can  be  heard  in  the  guitar  riffing  while  elements  of  jazz  can  also  be  heard  at  times  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  you  can  also  hear  clean  singing  in  the  music  at  times  along  with  death  metal  growls  being  used  in  some  parts  of  the  songs and  some  riffs  also  bring  in  elements  of  thrash,  heavy  and  doom  metal  and  traces  of  classical  music  are  present  throughout  the  recording  while  the  solos  and  leads stick to  a  melodic  musical  direction.

    When  the  music  speeds  up  a  small  amount of  blast  beats  can  be  heard  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  the  songs  also  get  very  experimental  at  times  and  as  the  album  progresses  elements  of  goth  can  be  heard  while  some  songs  also  add  in  acoustic  guitars,  pianos  and  spoken  word  parts  and  a  few  of  the  tracks  are  very  long  and  epic  in  length  and  later  tracks  start  adding  in  traces  of  Middle  Eastern  music  and  on  the  last  track  operatic  female  and  male  vocals  are  brought  onto  the  recording.

 And  Harmony  Dies  plays  a  style  of  black  metal  that  is  very  avant  garde  and  incorporates  many  elements  from  many  different  musical  genres,  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  suffering  and  agonizing  themes.

  In  my  opinion  And  Harmony  Dies  are  a  very  great  sounding  avant  garde  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Sometimes"  "Tears  like  Promises"  "Another  Ending  Fairytale"  and  "The  Cut".  8  out  of  10. 

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Wormfood/L' Envers/Apathia Records/2016 CD Review


  Wormfood  are  a  band  from  France  that  plays  an  avant  garde  mixture  of  gothic  and  black  metal    and  this  is  a  review  of  their 2016album  "L'  Envers"  which was  released  by Apathia  Records.

  Spoken  word  parts  start  off  the  album  and  after  the  intro  the  music  goes  into  a  heavy  and  fast  black  metal  direction  that  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats  before  slowing  down  and  mixing  in  avant  garde  style  keyboards  and  the  vocals  start  out  in  more  of  a  spoken  fashion.

  After  awhile  black  metal  screams  and  clean  singing  goth  style  vocals  are  added  onto  the  recording  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts and  a  good  amount  of  the  tracks  are  very  long  and  epic  in  length  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  and  some  songs  also  bring in  psychedelic  elements.

  Wormfood  plays  a  musical  style  that  takes  an  avant  garde  form  of  black  metal  and  mixes  it  with goth  to  create  a  style  of  their  own,  the  production  sounds  very professional  while  the  lyrics  cover  perversions  and  an  acid  view  on  society.

  In  my  opinion  Wormfood  are  a  very  great  sounding  mixture  of  goth  and  avant  garde  black  metal  and  if you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE "Serviteur  Du  Roi"  "Gone  On  the  Hoist"  and  "Poisonne".  8  out  of  10. 

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Friday, April 29, 2016

Voland/Self Titled/Mask Dead Records/2016 EP Re-issue Review


  Voland  where  a  duo  from  Italy  that  plays  a  mixture  of  folk  and   symphonic  black  metal  and  this  is  a  review  of  their  self  titled  2008  ep  which  was  re-issued  in  2016  by  Masked  Dead  Records.

  A  very  symphonic  sound  bordering  on  classical  starts  off  the  ep  bring  in  an  epic  feeling  to  the  recording  and  after  a  few  seconds  the  music  goes  into  a  very  fast  black  metal  direction  that  utilizes  a  great  amount of  tremolo  picking  and  blast  beats  along  with  some  grim  screams  and  they  also  mix  the  symphonic  and  heavy  parts  together.

  Clean  singing  and  melodic  vocals  can  be  heard  in  certain  sections  of the  recording  giving  the  music  a  medieval folk  music  feeling  and  the  songs  also  bring  in  a  great  mixture of  slow,  mid  paced  and  fast  parts  and  death  metal  growls  can  also  be  heard  in  the  music  at  times  and  the  riffs  also  bring  in  a  great  amount  of  melody  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  while  spoken  word  parts  along  with  elements  of  ambient  have  their  moment  on  some  tracks .

  Voland  played  a  style  of  symphonic  black  metal  on  this  recording  that  was  more  close  to  the  90's  side  of  the  genre  while  also  mixing  it  with  folk  music  to  create  something  very  original,  the  production  sounds  very dark  and  old  school  while  the  lyrics  cover  the  History  Of  Russia.

  In  my  opinion  Voland  where  a  very  great  sounding  symphonic  folk/black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Leningard"  and  "Ii  Lado  Dei  Ciudi".  8  out  of  10. 

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Asura/Only Death For My Warriors/Masked Dead Records/2016 Demo Re-issue Review


  Asura  where  a band from  Italy  that  played  a  symphonic  and  gothic  form  of  black  metal  and  this  is  a  review  of  their  2009  demo  "Only  Death  For  my  Warriors"  which  was  re-issued  in  2016  by  Masked  Dead  Records.

  Melodic  chanting  starts  off  the  demo  before  going  into  more  of  a  heavy  and symphonic  musical  direction  and  a  few  seconds  later  grim  black  metal  screams  make  their  presence  known  on  the  recording  and  the  riffs  also  use  a  great  amount  of  melody  and  most  of  the  tracks  are  long  and  epic  in  length.

  Death  metal  growls  can  be  heard  in  certain  sections  of  the  recording  while  the  keyboards  bring  in  the  atmosphere  of  a  gothic  horror  soundtrack  and  when  solos  and  leads  are  utilized  they  remain  true  to  a  very  melodic  musical  style  while  choirs  can  also  be  heard  in  the  music  at  times  along  with  a  small  amount  of  clean  playing  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  there  is  also  a  brief  use  of  melodic  vocals  and  the  music  sticks  mostly  to  either  a  slow  or  mid  paced  musical  direction  while  a  brief  use  of  fast  playing  and  blast  beats  are  added  onto  the  last  track.

  Asura  played  a  style  of  black  metal  that  was  very  symphonic  while  being  more  dark  and  underground  than  most  bands  of  that  genre  and  also  adding  in  a  touch  of  goth  and  death  metal  which  makes  the  music  stand  out  a  bit more,  the  production  has  a   very  dark  demo  sound  to  it  while  the  lyrics  cover  darkness,  death  and  hate  themes.

  In  my  opinion  Asura  where  a  very  great  sounding  symphonic  gothic/black  metal  band  and  if  you  are  a  fan  of  this musical  genre,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACK "Escape  From  Death".  8  out  of  10.  

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Romuvos/Infront Of Destiny/No Colours Records/2016 CD Review


  Romuvos  are  a  solo  project  from  Lithuania  that has  been  featured before  in  this  zine  and  plays  an  epic  form  of  folk/pagan  metal  and  this  is  a  review  of  his  2016  album  "Infront  Of  Destiny"  which  was  released  by  No Colours  Records.

  Thunder  and  rain  sounds  start  off  the  album  along  with  some  synths  a  few  seconds  later  before  adding in  pagan  chanting  and  acoustic  guitars  which  also  gives  the  music  more  of a  medieval  feeling  and  other  folk  instruments  can  be  heard  throughout  the  recording  and  it  also  mixes  in  with  the  heavier  side  of  the  music.

  At  times  the  music  can  be  very  atmospheric  and  clean  singing  pagan  vocals  are  also  a  very  huge  part  of  the  recording  and  the  music  also  alternates  between  both  folk  and  metal  parts  and  when  solos  and  leads  they  are  done  in  a  very  melodic  fashion  while  some  of  the  drums  bring  a  tribal  and  shamanistic  atmosphere  to  the  music.

  A  great  amount  of  the  tracks  are  very  long  and  epic  in  length  and  you  can  also  hear  the  influence  of  black  metal  in  the  guitar  riffing  and  as  the  album  a  brief  use  of  whispers  can  be  heard  and  when  synths  are  finally  utilized  they  give  the music  more  of  an  epic  feeling  and  the  songs  stick  to  either  a  slow  or mid  paced  musical  direction.

  Romuvos  remains  true  to  the  pagan/folk  metal  sound  of  previous  recordings  while  also  mixing  in  some  black  metal  influences  in  the  guitar  riffing  to  create  a  very  heavy,  epic  and  melodic  recording,  the  production  sounds  very  professional  while  the  lyrics  cover  Paganism,  Lithuanian  Traditions  and  Medieval  Times.

  In  my  opinion  this  is  another  great  sounding  recording  from  Romuvos  and  if  you  are  a  fan  of  pagan  and  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Infront  Of  Destiny  We  Shall  Face  Our  Death"  "Our  Spirits  Pass  Through  The  Underworld"  "The  Return  Back  Home"  and  "Let  thy  Gods  Sing  Your  Glory hymn".  8/5  out  of 10.

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Okkultokrati/Snake Reigns/Night Jerks/Southern Lord Recordings/2016 CD Review


  Okkultokrati  are  a  band  from  Norway  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  black  metal,  sludge,  d  beat,  crust,  hardcore  and punk  and  this  is  a  review  of  their  2014  compilation  which  contains  the  "Snake  Reigns"  album  I  reviewed  in  2012  and  their  2014  album  "Night  Jerks"  which  was  released  in  May  by  Southern  Lord  Recordings.

  A  crust  punk  style  sound  starts  off  the  compilation  along  with  some  d  beats  and aggressive  non  melodic  punk  vocals  and  all  of the  musical  instruments  have  a  very  powerful  sound  to  them  and  when  the  music  slows  down  elements  of  sludge  and  doom  metal  can  be  heard  and  after  awhile  grim  black  metal  screams  make  their  presence  known  on  the  recording.

    Throughout  the  compilation  you can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  on  some songs  a  small  amount  of  acoustic  guitars  can  be  heard  while  some  of  the  heavier  riffs  are  very  heavily  influenced  by  Motorhead  along  with  a  touch  of  first  wave  black  metal  and  when  solos  and  leads  are  added  into  the  music  they  add  in  more  of  an  early  80's  metal/punk  feeling  to  the  songs  and  a  couple  of  the  tracks  are  very  long  and  epic  in  length  and  the  intro  on  the  second  album  has  a  horror  movie  feeling  while  the  rest  of  the  music  sticks  to  a  heavy  style  and  they  close  the  recording  with  a  horror  move  soundtrack  style  instrumental.

   On  both  of  these  recordings  Okkultokrati  take  first  and  second  wave  black  metal  and  mixes  it  with  sludge,  doom  metal, crust,  d  beat  and  hardcore  to  create  something  very  original,  the  production  sounds  very  dark  yet heavy  while  the  lyrics  cover  Satanism,  Darkness  and  Drug  themes.

     On  both  of  these  recordings  Okkultokrati  take  first  and  second  wave  black  metal  and  mixes  it  with  sludge,  doom  metal, crust,  d  beat  and  hardcore  to  create  something  very  original,  the  production  sounds  very  dark  yet heavy  while  the  lyrics  cover  Satanism,  Darkness  and  Drug  themes.

  In  my  opinion  this  is  a  very  great  sounding  compilation  from  Okkultokrati  and  if  you  are  a  fan  of  black  metal,  doom,  sludge,  crust,  d  beat  and  hardcore  punk,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "No  Ouroboros"  "I  Thought  Of  Demons"  "We  So heavy"  and  "Moon  Dagger".  8  out  of  10.

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Tuesday, April 26, 2016

Rapheumets Well Interview


1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

We have been working on amplifying our stage performance and visuals as well as gearing up for tours.  Touring is our main mission now as we want to reach abroad, sharing our music internationally.  Recently we have even taken to acting lessons to help give us some more tools in our stage performance. 

2.Recently you have released a new album how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

It has more emotion, more personal connections with it in contrast to the story in which it represents.  Being a science fantasy story, it is important to convey the story in such a way musically that the person feels the lore more than just giving the illusion. We have more technical riffs in on this album and faster burst of drumming, but all in all it is a more vibrant album than our first album "Dimensions".  Dimensions was portrayed a darker feel.  The Exile has a more demanding feel with a epic overtone that makes it more colorful in terms of sound textures.  Also adding a female opera singer and the complex leads of our newest guitarist makes it an more mature album in our musical evolution. 

3.From 2007 to 2014 there was no music being released, can you tell us a little bit more about what was going on during that time span?

Well, it is very complex.  Merging 5 to 6 personal universes together for a single mission is quite a task and much like chemistry, certain elements can cause a disastrous reaction. Finding balance in attitudes and musical appreciation takes time though we are happy to say, we believe we found it. But yes, there is a myriad of actions that have taken place which has stunted our progress but time has given us a bit more wisdom to work with.   

4.Your lyrics have a sci fi and fantasy theme concept to them, can you tell us a little bit more about the song writing?

Our story is very deep, maybe too much for a 8 to 10 song album.  We developed a basic understanding for a multiverse and a verse in which consciousness is a force similar to electromagnetism, gravity, and the strong and weak nuclear forces.  We developed this hierarchy of powerful beings, created to aid in the propagation of sentient life.  We talk a lot about the formation of each multiverse in its birth, evolution, and decay. Matter is woven from the.  Deviations in the stream allow for dimensions to exist like a bubble in a pond.  But  this extends in quite a depth.  Then comes the comsic drama.  Beings loose favor, entire planets are destroyed, entire planetary systems wiped out. You see, there are these beings called the Atai which are "near" immortals who are coined "the architects" or sentinels.  They are quite powerful and very odd beings who in some ways, aid in the evolution of the dimension. The elder beings Sainath, Soyumoth, Eyu Na, Tael Udwafael, along with five others are locked into a war and that is where our story starts on the first album. 

The second album is abit more personal and takes place on a planet called Vranath Su and is from the perspective of a military commander who challenges a rouge Atai who begins mining people for s their organic fluids to feed a rare mineral which is built into a gate which can bend space and time, thus bringing forth the antagonist from the first story who was banished (well, it is a lot more complicated than thaat ha). The Main character Darmak defies his conquest and is tortured is a very insidious way.  He watches his family being murdered and he himself has his skin ripped from his bones many times a day (cursed with eternal life) in hopes that his very spirit is fragmented which is the ultimate death.  But, he ends up kicking some butt and blowing up the planet ha!!


5.According to the fb page the band also has an interest in ancient mythology, metaphysics and astronomy, can you tell us a little bit more about your interest in these topics?

Well, some of us are quite academic.  My self, I spent eight years in medical school in which I took anthropology classes, physics, and many of us have a affinity towards mythology.  in a subtle way, our music hints abit at the "ancient alien" concept though we do not prescribe purely to their shared beliefs or methods.  But, we do find value in science and the art equally which is used in creating our own science fantasy mythology.  Even my medical degree sheds light on Taoist philosophies and eastern constructs in which provokes thought. We like to be exploratory, educational, and entertaining with our topics in music.  

6.Originally the band was known as 'Blue Man's God', what was the decision behind the name change and also the meaning and inspiration behind the name 'Rapheuments Well'?  Well, we came up with this name many years ago and before the band "Blue Man's Group" came out.  You can already see the problem here. Jokes persisted and people thought we were some how affiliated with Blue Man's Group (which I really like by the way).  Rapheumets Well is a name constructed in our own universe.  Here is the actual definition:  Rapheumet is the name of a deity personified as a trickster, “a master of portals and inter-dimensional travel” who “often creates chaos for unsuspecting voyagers”, and in the band’s name “Well” refers to gravity wells, “which like black holes are catalysts of change and gateways between the cosmic plains.”

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Well, our most memorable has to be playing with Black Crown Initiate recently as well as Unleash the Archers.  Both bands inspired us.  Just seeing they dedication to their craft as well as their love for their fans.  We opened for these bands and the response was great.  We were able to learn alot which will serve us in our future endeavors. 

8.Do you have any touring or show plans for the new album?

Yes, we are already scheduled for a tour coming this July.  Past that, we are working closely with Test Your Metal Records and our label owner and manager Grant Truesdell in developing more tours internationally. 

9.The new album was released on 'Test Your Metal Records', can you tell us a little bit more about this label?  Test Your Metal Records was founded by Grant Truesdell who is also the guitarist for the renown band Unleash the Archers on Napalm Records.  He has been absolutely amazing in giving us hope and guidance.  He really works with us and is crystal clear about the objectives. He actually cares for the musicians on his label.  Test Your Metal Records is a rising label in which we have already grown a loyalty torwards.  It is the labels mission that is important, which actually focuses on helping the band acquirer the tools for success.  it is a partnership of a sorts, a feedback system in which makes us work equally as hard and we appreciate that.  We firmly believe that big things will keep rolling from this label. 

10.On a worldwide level how has the feedback been to your music by fans of black, death, symphonic and progressive metal?'

Well, so far it has been outstanding.  Our international fan base has grown and mostly positive feedback.  
11.Are any of the band members currently involved with any other bands or musical projects these days? 

Well, I am working with a band called Enthean from our area in whcih I am doing some drum work for.  They are phenomenal musicans and they are gaining some well deserved attention  Our gutarist Hunter Ross has a project called Carving the Architect which is amazing.  So, we doing a lot of "sharing" between the bands here.

12.Where do you see the band heading into musically during the future?  We have no limits so it is hard to say.  International tours, and developing a following both musically and for our story.  It is my hope that a video company may take notice or even a comic book company to make our story come to life.  This is our sole passion so we looking for this to be our predominant career. 

13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Black Crown Initiate, Enfold Darkness, Fallujah, Obscura, Dimmu Borgir, Emperor, Uneash the Archers, Iron Maiden, Devin Townsend, Kintaro, Danny Elfman, tears for fears, Acid Bath, Opeth, Fleshgod Apocalypse, Septic Flesh, Cradle of Filth, Amon Amarth, and Morbid Angel are some of our most influential bands. 

But, just as much we are inspired by our native bands such as Enthean, Everthrone, Crow Hollar, Neverfall, Occido, Kill the Host, Daedalus, Blood Written, Necrocosm, Skinn Jakkitt, Marrow of Earth, Black Demize, and Behind the Sun to list a few have been the foundation of the scene here in the south east and I feel they deserve the attention. 
14.What are some of your non musical interests?
Well, we have some martial artists practitioners and a weapons instructor in the band as well as a acupuncturist.  We are from the mountains so we tend to engage in some camping, fire building, squirrl eating, you know, mountain hillbilly things.  We have actress in the band and we are all video game fanatics for the most part.  We enjoy trying to unravel the mysteries of the cosmos but more so we like Chinese buffets. 

15.Before we wrap up this interview, do you have any final words or thoughts?

Well, we are very appreciative of your time and for you allowing us to speak.  We are humble musicians working hard for our passion, like so many other bands.  We are hoping to bring some attention to our area of the Carolinas as their is a lot of untapped potential here.

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Thursday, April 21, 2016

Rapheumets Well/The Exile/Test Your Metal Records/2016 Full Length Review


  Rapheumets  Well  are  a  band  from  North  Carolina  that  plays  a  symphonic  and  progressive  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2016  album  "The  Exile"  which  was  released  by  Test  Your  Metal  Records.

  Classical  guitar playing  starts  off  the  album  and  after  a  few  seconds  starts  going  into  more  of  a  brutal a nd  fast  symphonic  direction  along  with  a  great  amount  of  blast  beats  and  death  metal  growls  and  you  can  also  hear  melodies  and  technical  elements  in  the  guitar  riffing  and  after  awhile  black  metal  screams  start  becoming  a  very  huge  part  of  the  recording.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording  and  when  solos  and  leads  are  utilized  they  remain  true  to  a  blackened  death  metal  style  and  all  of  the musical  instruments  have  a  very  powerful  sound  to  them.

  When  clean  singing  male  and  female  vocals  are  utilized  they  give  the  music  more  of  a  operatic  feeling  and  some  of  the  heavier  riffing  also  brings  in  elements  of  prog  metal  while  the  symphonic side  of  the  songs  have  a  classical  music  influence  to  them  while  later  tracks  also  show  them  bringing  in  a  touch  of  ambient  and  a  couple  of  the  tracks  are  long  and  epic  in  length.

  Rapheumets  Well  plays  a  musical  style  that  takes  the  symphonic  styles  of  black  and  death  metal  and  mixes  them  together  to  ad  something  different  to  the  genre,  the  production  sounds  very  professional  while the  lyrics  are  a  concept  album  based  upon  their  own  sci  fi  and  fantasy  creations.

  In  my  opinion  Rapheumets  Well  are  a  very  great  sounding  symphonic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Epic  Of  Darmak"  "Witch  of  Dark  Sphere"  and  "Planetry  Cenotaph".  8  out  of  10.   

https://rapheumetswelltym.bandcamp.com 

 

Wednesday, April 20, 2016

Malevolentia/Republique/Epictural Production/2016 CD Review


  Malevolentia  are  a  band  from  France  that  plays  a  very  symphonic  and  orchestral  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2016  album  "Republique"  which  was  released  by  Epictural  Production.

  A  very  symphonic  sound  starts  off  the  album  along  with  some  orchestras  and  after  the  intro  the  music  goes  into  a  very  fast  black  metal  direction  that  uses  a  great  amount  of  tremolo  picking,  blast  beats  and  high  pitched  screams  which  they  also  mix  in  with  the  symphonic  elements  and  tthe  solos  and  leads  stick  to  a  melodic  direction.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  choir vocals  can  also  be  heard  at  times  while  female  vocals  are  also  used  at  times  and  they  both  give  the  music  more  of  an  operatic  feeling  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  the  music  at  times  also  brings  in  more  of  a  ritualistic,  metaphysical  and esoteric  atmosphere  and  the  last  track  brings  in  male  vocals  which  also  gives  the  music  more  of  a  goth  feeling.

  Malevolentia  plays  a  style  of  black  metal t at  is  very  aggressive  and  symphonic  while  also  mixing  in  a  touch  of  death  metal,  the  production  sounds  very  professional  while  the  lyrics  are  written  in French  and  is  a  concept  album  based  upon  an  Orwellian  type  of  society  with  deep  politics  and  some  occult  references.

  In  my  opinion  Malevolentia  are  a very  great  sounding  symphonic  and  orchestral  black  metal  band  with  a  touch  of  death  metal  and  if you are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Annuit  Coeptis"  "Magus  Frater  Spectat  Te"  "Orbo  ab  Chao"  and  "Eschatos".  8  out  of  10.

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Tuesday, April 19, 2016

In Twilight's Embrace/Trembling/Arachnophobia Records/2016 EP Review


  In  Twilight's  Embrace  are  a  band  from  Poland  that  started  out  more  in  a  melodic  death  metal  vein  but  have  evolved  into a  melodic  blackened  death  metal  band  on  this  recording  and  this  is  a  review  of  their  2016  ep  "Trembling"  which  will  be  relased  in  May  by  Arachnophobia  Records.

  A  very  dark  and  heavy  sound  starts  off  the  ep  and  after  awhile  grim  black  metal  screams  and  melodic  riffs  are  added  onto  the recording  and  the  it  means  in  more  of  a  Swedish  style  and  throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow, mid  paced  and  fast  parts  along  with  a  heavy  dose  of  melodic  death  metal.

  Solos  and  leads  are  done  in  more  of  a  melodic  fashion  and  the  music  is  very  heavily  rooted  in  the  90'sand  all  of  the  musical  instruments  have  a  very powerful  sound  to  them  and  you  can  also  hear  tremolo  picking  and  blast  beats  in  the  faster  sections  of  the  songs  and  there  is  a  brief  use  of  classical  guitars  and  the  ep  closes  with  a  cover  of  Armia's  "Opowiesc  Zimowa"  which  also  brings  in  a  touch  of  pun.

  In  Twilight's  Embrace  expand  on  their  melodic  death  metal  sound  by  adding  in  more  black  metal  elements  this  time  around  to  take  their  music  into  a  different  direction, the  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  occultism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  In  Twilight's  Embrace  and  if  you  are  a  fan  of  melodic  black/death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "In  the  Mouth  Of  Madness".  8  out  of  10.

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Monday, April 18, 2016

Stortregn Interview


1. Can you give us an update on what has been going on with the band since the recording of the new album?

Well, the line-up has changed a bit as we quite recently got a new bass player. While working on the new album, we also toured through France and Eastern Europe. To top it all, played at Wacken last summer. Besides that, we are working on a Stortregn beer and composing new songs. We're in a constant composing state of mind.

2. You have a new album coming out in May, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
The band is getting more mature. The compositions are more complex and varied than Evocation Of Light, which was more of a traditional melodic black metal style. Singularity is far more personal, more death and technical, with odd time signatures coming up. We payed also more attention to the sound of the album, it is deeper and richer than Evocation of Light.

3. What are some of the lyrical topics and subjects the band explores with the music?
A "singularity" in general relativity designates the region at the center of a black hole, where the laws of space and time cannot apply and cannot be measured. A point where the spacetime curvature becomes infinite. This idea of lawlessness is present all time in this album, both musically and lyrically, exploring it's diverse forms and application in life and space.

4. Originally the band was called 'Divine's Smile' and 'Addict Repulsion', what was the cause of the name changes?

In early 2005, when we started to explore darker music, we passed through a lots of line-up changes, and our music evolved very fast. At a certain point, we wanted to have a clean start, that’s why we changed our name and chose something which fits better with the band.

5. I know that the bands name means 'downpour' in Swedish, how does this name fit in with the musical style that you play?

The music of Stortregn has this cold and dark feeling that can be associated with this image. It can also be associated to a gloomy and melancholic atmosphere.

6. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Our performances are a mix of blood, ripping riffs and blast insanity. We give our maximum, both mentally and physically. For us, our best experiences where at Wacken 2015, although we had some great shows in France last year and our tour in Eastern Europe. A small club in Romania comes to mind......

7. Do you have any touring or show plans once the new album is released?

The 20th May in Grenoble, and the 27th May in Geneva are already confirmed. We are working on a tour for the end of the year and some other dates around that period will follow.

8. On the new album you had a few guests, can you tell us who they are and also their contributions to the recording?

The musicians we invited play a big role in our musical influences. They are amazing musicians and great person to work with. Simon (Beyond Creation) and Steffen Kummerer (Obscura, Thulcandra) each play an amazing solo on « Omega Rising » and « Black Moon Silhouette ». Ville Viljanen (Mors Principium Est) and Vladimir Cochet (Mirrorthrone) are doing some great vocal lines on « Vertigo » and « Acosmic Ascendant ».

9. On a worldwide level how has the feedback been to your music by fans black and death metal?

Feedback has been generally positive. We've been very often related to Dissection, which is an honor as well as a huge problem. The honor, of course is to be compared to them. The problem is that we cannot do anything without being labelled as "cover band". Which we are not. Dissection was a true source of inspiration, a starting point. However, we are going our own way.

10. Are any of the band members also involved with any other bans or musical projects these days?

Johan is classically trained, he works as a classical guitar teacher. Romain is part of different death and hardcore local bands. Sam has some jazz, funk and ska projects and Duran has had various projects in the past, though Stortregn is the only one at the moment.

11. Where do you see the band heading into musically during the future?

More extreme. More technical. More blast beats. The music of Stortregn is constantly evolving, and we're already working on new material, even more intense.

12. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
In non-metal, each of us listen to different stuff like Classical or Jazz from 60s to nowadays. In metal, besides those who were invited in the album, we can point to Gorod, Inferi, Animals As Leaders, Tribulation, and so on.

13. What are some of your non musical interests?
Beer brewing, eating, drinking, studying...

14. Before we wrap up this interview, do you have any final words or thoughts?
Thanks to everyone who has supported Stortregn during all these years. Enjoy the new album and see you on the road bitches!

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