Vanaheim Interview

Mike Seidel: First of all we want to thank you for giving us the chance to present our new concept album “Roede voor de Borst” in your magazine. We truly appreciate that! 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album? 

Mike Seidel: Our new concept album “Roede voor de Borst” was released on the 4th of September 2026. We are simply overwhelmed by the sheer amount of positive feedback we have received so far from genre veterans, metal critics and our fans. We had a different approach for this album, also because the whole team behind the band had grown since the release of our previous album “Een Verloren Verhaal”, which was our self-released debut album. We signed a record deal with Fireflash Records, joined the artist roster of Rock The Nation, who took over the bookings and, additionally, we now work closely together with Mastermold Music as our management team. Soon we will go on our first ever European tour, together with TYR, Twilight Force and Dragonland. The tour carries the name “Valhalla Calling Europe”. It will bring us to many countries we have never performed in before, with a total number of 25 shows in 15 countries. Exciting times ahead! 

2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

 Mike Seidel: “Roede voor de Borst” is a concept album. It tells a completely different story than our previous album, “Een Verloren Verhaal”. While the story for our debut album was grand, epic and fantastical, the story of “Roede voor de Borst” is more down to earth, more emotional and relatable. The sound of the album reflects this aspect as well. While we are using the orchestrations in the album more focused, we shifted the epicness factor towards the use of different elements this time. For example, we recorded a real choir of thirty people in the studio. This is pretty unique nowadays, because it is common to use simple plug-ins and VTS or samples for your music and everything seems to be becoming more and more digital. Especially in the time of artificial intelligence, where everything becomes so easy and generic, it is even more important to bring back real instruments into music. All the songs on the new album are connected through the story, but still every song works on its own. Every song has its own flavor and that makes the album interesting and raises the replay ability a lot! We widened the dynamics between hard pounding metal riffs and soft melodic parts cohesive to the story of the album to deepen the feeling of the story.

3.The lyrics on the new release is a concept album, can you tell us a little bit more about the story you covered with this recording?

 Mike Seidel: The story takes place in a fictional Dutch village from the 19th century, surrounded by wetlands. Our main protagonist is the miller of the village. An old man who has seen ghostly figures around the wetlands and who thinks they are a potential threat to the village and its inhabitants. Nobody believes him when he tries to warn the villagers every night. They think that he is just a bitter and crazy old man. One night, he goes on an unexpected journey which makes him reflect on his life choices. I don't want to spoil it too much, but it is a thrilling story full of emotions, regret and hope. It supports the music really well and if you read the lyrics while listening to the album, it deepens and enhances the whole experience. We are aware that not everyone in this world understands Dutch. That is why we offer translations in three other languages (English, German and French) on our website for the lyrics. We are still working on it but the translations will be finished soon. Just go to vanaheim.nl and follow us to the lyrics section. 

4.Your earlier lyrics covered Folklore and Mythology themes, can you tell us a little bit more about your interest in those topics?

 Mike Seidel: As a folk metal band we bring stories around the world. Stories of our heritage but also stories of our own. We love to write our own stories. That is the reason why we write a complete concept for an album, before we even start writing the music. The concept is a guideline for the music, the lyrics and the visuals that accompany the album. Folklore and mythology are a part of almost every band in this genre. With us the difference is that we like to create our own stories, which are inspired by different aspects but also by local stories, myths and urban legends. Historic happenings, culture and ethics are a big influence as well. 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 Mike Seidel: The album artwork is made by Julian Bauer. We had already worked with him on our debut album ”Een Verloren Verhaal” and we were so blown away by his work, that we had to work with him again. His style fits perfectly with our music. It represents epicness, displays the thrilling aspects of our music and the liveliness of his paintings tells a story. Julian can transform our music into a painting. What you see displayed in the artwork is a scene from the story of “Roede voor de Borst”. It shows a specific and tragic moment of the story and if you watch closely, you can already understand a part of the album’s story, only by watching and understanding the artwork. There is even a secret message hidden in the artwork. We are curious if you can find it. 

6.The band members live in different parts of Europe, what impact does this have on the musical style that you play?

 Mike Seidel: I wouldn't say that our location has a direct influence on the Vanaheim sound or style. We do have a very wide range of influences on our music, but even though we are split over three countries, our ethical and cultural backgrounds are very similar. Most members live in the Netherlands, our guitar player in Belgium and I live in Germany. The cultural difference is actually not that big. The fact that we live that far apart, doesn't make it easier to write music. Most of the songwriting happens online, where we exchange ideas in meetings. Towards the end of the writing phase, we meet up in person to finalize song structures, melodies or lyrics. Being in the same room while writing, makes the whole process much faster in our experience.

 7.Out of all the shows and tours the band has done so far, which one stands out the most?

 Mike Seidel: I guess every band member would give you a different answer to this question. For me personally, the Seafarer's Dream Tour with Ensiferum was one of the big highlights. Being able to be the support act for one of your childhood heroes is a moment that I will never forget. Back in the day, when one of my best friends gave me a USB stick with music on it, I discovered folk metal with Ensiferum. About 15 years later, I am sharing the stage with Ensiferum while supporting them with my own band. This is a dream coming true. When I discovered their music, I didn't even dare to think about this happening in a couple of years. Unbelievable! 

8.What are the touring plans for the new album?

 Mike Seidel: Soon we will embark on the “Valhalla Calling Europe” tour across 15 countries, with 25 shows, together with TYR, Twilight Force and Dragonland! Then we do have some ideas for possible tours in 2027, but nothing we can talk about yet. There are some big festivals in the pipeline, and we are looking forward to conquering the stage in countries we have never performed in before. We want to play as much as possible to bring “Roede voor de Borst” to as many countries as possible! It is so exciting to have a new album under the belt, which we can finally perform live with an energetic performance and a lot of crowd engagement.

 9.The new album was released on 'Fireflash Records', how did you get in contact with this label?

 Mike Seidel: We got in contact with Markus of Fireflash Records through someone we met after our performance at Wacken Open Air 2024. It was a total coincidence that we got in touch that day. We got offers from other labels for “Roede voor de Borst” as well, but none of them felt like a good fit for us. We almost decided that we wanted to release this album independently, like our debut album “Een Verloren Verhaal”. When we started talking with Markus, we were sure that he was the right guy to bring us forward. The collaboration with Fireflash Records has been nothing but great so far. They truly understand the vision of our band, our music and our intentions. It was a match we were missing with other labels, and we are happy that we found our way to Fireflash Records now

10.On a worldwide level how has the reaction been to your music by fans of folk metal? 

Mike Seidel: The reactions to “Roede voor de Borst” are overwhelming to be honest. It is great to see that we have created a worthy follow-up to our debut album, “Een Verloren Verhaal”. The album has received many great reviews and high album ratings so far and our fans are very happy with our new music. Some even say that we are the ones who can bring back “the golden era of folk metal”. It is not my task to judge if that is true or not, but we take these words as a big compliment! You must know that we do not simply write music for a new album and then we release it. We are making a whole story around the album with fitting lyrics, visuals, themes and so on. Everything has to be right. We want to create an immersive story or world for us and our fans. A story that they can live through while listening to the album or watching the music videos. It has to be authentic. 

11.Where do you see the band heading into musically during the future?

 Mike Seidel: Since our debut album we have found our own style. We want to keep it this way but still fresh it up from time to time. Here and there we implement some new elements or influences. That keeps it interesting. We don't want to create the same album repeatedly.

 12.What are some of the bands or musical styles that the band members are currently listening to nowadays?

 Mike Seidel: We do listen to a lot of different styles and music with some parallels. Three of us are big folk metal lovers. It is the music that we grew up with. Nightwish also always plays a big role in our playlists. Some others are more oriented towards folk or traditional music, while I also listen to a lot of heavy rock or black metal. It is the mixture of all these influences that creates the Vanaheim sound. 

13.Before we wrap up this interview, do you have any final words or thoughts? 

Mike Seidel: We want to thank you for this great interview and all readers of the ADifferentShadeOfBlackMetalZine. If you want to support us, buy our album in a physical format or come to our shows all around Europe. The Valhalla Calling tour is starting soon and we are so much looking forward to present our brand new concept album “Roede voor de Borst” together with an energetic performance and many crowd engaging elements. You are in for a real treat on this tour. We hope to see you on the road!

 -:𝐕𝐚𝐥𝐡𝐚𝐥𝐥𝐚 𝐂𝐚𝐥𝐥𝐢𝐧𝐠 𝐄𝐮𝐫𝐨𝐩𝐞𝐚𝐧 𝐓𝐨𝐮𝐫:

- 24.11 | SE | Malmö | Babel 

25.11 | DK | Aarhus | Voxhall 

26.11 | DE | Bochum | Matrix 

27.11 | DE | Regensburg | Eventhall Airport 

28.11 | CZ | Zlin | Masters Of Rock Café 

29.11 | DE | Leipzig | Hellraiser 

01.12 | DE | Saarbrücken | Garage

 02.12 | AT | Wörgl | Komma 

03.12 | DE | Berlin | Musik Brauerei 

04.12 | NL | Drachten | Iduna

 05.12 | BE | Brugge | Het Entrepot 

06.12 | NL | Uden | De Pul

 07.12 | DE | Stuttgart | Im Wizema

09.12 | AT | Vienna | Viper Room

 10.12 | DE | Weinheim | Cafe Central 

11.12 | DE | Geiselwind | Strohofer 

12.12 | CH | Pratteln | Z7 

13.12 | IT | Milan | Legend Club 

14.12 | HR | Zagreb | Boogaloo

 15.12 | HU | Budapest | Barba Negra

 16.12 | PL | Krakow | Hype Park 

17.12 | PL | Warsaw | Proxima 

18.12 | LV | Riga | Melna Piektdiena 

19.12 | EE | Tallinn | Helitehas 

20.12 | FI | Helsinki | Ääniwalli 

-:𝐔𝐍𝐈𝐓𝐘:-:𝐌𝐀𝐊𝐄𝐒:-:𝐔𝐒:-:𝐒𝐓𝐑𝐎𝐍𝐆:-

https://vanaheim.nl/

https://www.facebook.com/VanaheimBand/

http://instagram.com/vanaheimofficial/

https://www.tiktok.com/@vanaheimband

https://vanaheim-official-merch.myshopify.com/

Zornheym/Descending Into Madness/Noble Demon/2026 Full Length Review

  Sweden's  Zornheym  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic  and  symphonic  mixture  of  black  and death  emtal  and  this  is  a  review  of  their  2026  album  "Descending  Into  Madness"  which  will be  released  on  October  2nd  by  Noble  Demon.

  A  very  dark  sounding  prologue  starts  off  the  album  which  also  introduces  the  symphonic  and  orchestration  sounds  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Clear  singing  and  choirs  are  also  utilized  at  times 

  Harsh  vocals  are  a  mixture  of  death  emtal  growls  and  black  metal  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody.  When t he  music  speeds  up  a  great  amount  of  blast  beats  can be  heard  along  with  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them,  classical  guitars  can  also  be  heard  on  a  couple  of  tracks.

  On  this  recording  Zornheym  expands  on  their  symphonic  black  metal  style  by  adding  in  elements  of  melodic  death  metal  and  classical  music to create  something  very  different  from  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  the  Zornheim  Asylum.

  In  my  opinion  this  is  another  great  sounding  recording  from  Zornheym  and  if  you  are  a  fan  of  melodic  and  symphonic  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Deus  Rex"  "Anneliese"  "The  Funeral  march"  and  "Come  Sweet  Death".  8  out  of  10.  

https://www.instagram.com/zornheym_official/ 
https://www.facebook.com/zornheym  
https://zornheym.bandcamp.com/ 

     

Jotungrav/Elegi/Inverse Records/2026 Full length Review

  Jotungrav  are  a  band  from  Finland  that  plays  a  progressive  mixture  of  black  and  folk  metal  and  this  is  a  review  of t heir  2026  album  "Elegi"  which  was  released  by  inverse  Records.

  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  synths  also  take  the  music  into  more  of  a  progressive  direction.  Harsh  vocals  are  mostly  black  metal  screams  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  all  of  the  tracks  are  also  very  long  and  epic  in  length.

  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  faster  sections  of  the  album  also  adds  in  a  decent  amount  of  blast  beats.  Folk  instruments  and  acoustic  guitars  are  also  used  quite  a  bit  throughout  the  recording  along  with  some  clear  singing  also  being  utilized  at  times,  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  Jotungrav  plays  a  musical  style  that  takes  black,  folk  and  progressive  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Finnish  and  cover  Nordic  Mythology. 

  In  my  opinion  Jotungrav  are  a  very  great  sounding  progressive  mixture  of  black  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Vansinnesvisdom"  and  "Elegi".  8  out  of  10.

  https://www.facebook.com/jotungrav

https://www.instagram.com/jotungravofficial

https://jotungrav.bandcamp.com

    

Green Carnation/A Dark Poem, Part III: The Messiah Complex/Season Of Mist/2026 Full Length Review

  Green  Carnation  are  a  band  from  Norway  that  plays  an  avant  garde,  experimental  and  progressive  mixture  of  black,  doom  and  gothic  metal  and  this  is  a  review  of  their  20256  album  "A  Dark  Poem,  part  III;  The  Messiah  Complex"  which  was  released  by  Season  Of  Mist.

  Keyboards  and  synths  start  off  the  album  while  also  mixing  in  with  the  heavier  sections  of  the  songs  while  the  slower  riffs  also  add  in  elements  of  doom  metal.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  the  vocals  adding  in  more  of  a  clear  singing  style.

  At  times  the  music  also  gets  very  experimental and  progressive  sounding  while  also  adding  in  touches  of  gothic  metal.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  all  of  the  tracks  also  being  very  long  and  epic  in  length  along  with  a  couple  of  tracks also  adding  in  a  small  amount  of  harsh  black  metal  screams   

  Effects  are  also  used  quite  a  bit  throughout  the  album  along  with  some  flutes  and  organs  also  being  introduced  on  later  tracks.  Clean  playing  can  also  be  heard  briefly  as  well some  spoken  words  also  being  used  at  times  and  the  closing  track  brings  in  more  of  an  orchestral  style.  The  production  sounds  very  professional  while  the  lyrics  cover  melancholy  and  poetic  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Green  Carnation  and  if  you  are  a  fan  of  avant  garde,  experimental  and  progressive  black,  doom  and  gothic  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Unconditional  Artificial  Chemistry"  and "Broken  Souls,  COmmon  Enemies".  8  out  of  10.

  Bandcamp: https://greencarnationsom.bandcamp.com/

Facebook: https://www.facebook.com/GreenCarnationNorway

Instagram: https://www.instagram.com/green2carnation/

Twitter (X): https://x.com/Green2Carnation

YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA

Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc

Apple Music: https://music.apple.com/artist/green-carnation/72866964

Deezer: https://www.deezer.com/artist/8192

Tidal: https://tidal.com/browse/artist/23079

Forsaken Eternity/Shades Of Existence/Rottweiler Records/2026 EP Review

  Forsaken  Eternity  are  a  band  from  Portland,  Oregon  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  an  atmospheric,  melodic  and  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2026  ep  "Shades  Of  Existence"  which  was  released  by  Rottweiler  Records.

  A  very  heavy,  melodic  and  symphonic  sound  starts  off  the  ep  while  the  solos  and  leads  also  add  in  a  lot  of  melody.  Vocals  are  mostly  high  pitched  black  metal  screams  mixed  in with  some  death  metal  growls  as  well  as  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  tremolo  picking  and  blast b eats.

  Throughout  the  ep  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  music  also  has  its  atmospheric  moments.  At  times  the  music  also  gets  very  technical  sounding  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  spoken  words  can  also be  heard  briefly  and  acoustic  guitars  are  also  added  towards  the  end.

  On  this  recording  Forsaken  Eternity bring  out  a  very  atmospheric,  melodic,  symphonic  and  technical  mixture  of  black  and  death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  Fantasy  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Forsaken  Eternity  and  if  you  are  a  fan  of  melodic,  atmospheric, technical  and  symphonic  black  and  death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Adrift  In  A  Twisted  Ethereal"  and  "Celestial  Witch".  8 out  of  10.

https://www.facebook.com/forsakeneternityband
https://www.instagram.com/forsakeneternitymetal
https://forsakeneternityrr.bandcamp.com/

https://youtu.be/XGfw1b-py3s?si=QPA9vcP8VBh7V2MB

            

Urarv/Nychta Psychis/Darkness Shall Rise/2026 Full Length Review

  Urarv  are  a  band  from  Norway  that  has  bene  featured  before  in  this  zine  and  plays  an  avant  garde  style  of  black  metal  and  this  is  a  review  of  their  2026  album  "Nychta  Psychis"  which  will  be  released  in  October  by  Darkness  Shall  Rise.

  A  very  heavy  and  avant  garde  sound  starts  off  the  album  while  the  vocals  bring  in  more  of  an  angry  black  metal  style.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length  and  blast  beats  are  added  into  the  faster  sections  of  the  songs.

  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  while  the  album  also  adds  in a   good  mixture  of  slow,  mid  paced  and  fast  parts.  Clear  singing  can  also  be  heard  at  times  along  with  the  guitar  leads  also  expanding  on  the  avant  garde  style,  acoustic  guitars  are  also  added  on  a  few  tracks as  well  as  some  of  the  riffing  also  adding  in  a  small  amount  of  melody  and  the  recording  also  adds  in  a  decent  amount  of  synths. 

  On  this  recording  Urarv  continue  to  expand  on  the  avant  garde  style  of  black  metal t hat  they  have  introduced  on  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  esoteric  and  emotional  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Urarv  and  if  you  are  a  fan  of  avant  garde  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Nychta  Psychis"  and  "Youniverse".  8  out  of  10.

  facebook.com/urarv

Vanaheim/Roede voor de Borst/Fireflash Records/2026 Full Length Review

  Vanaheim  are  a  band f rom t he  Netherlands  that  plays  an  epic  form  of  folk  metal  and  this  is  a  review  of t heir  2026  album  "Roede  voor  de  Borst"  which  will  be  released in  September b y  Fireflash  Records.

  Folk  instruments  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Harsh  vocals  bring  in  a  style  similar  to  black  metal  while  the  riffs  also  add  in a   lot  of  melody  along  with  the  recording  also  adding  in  a  lot  of  symphonic  style  orchestration  and  the  riffs  also  add  in a   lot  of  melody.

  Elements  of  death  metal are  also  utilized  at  times  while  a  great  portion  of  the  tracks  are  also  long  and  epic  in  length.  When  guitar  solos  and  leads  are  added  into  the  music  they  are  done  in  a  very  melodic  style  along  with  the  faster  sections  of  the  album  also  adding  in  a  decent  amount  of  blast  beats.

  Choir  vocals  are  also  added  into  certain  sections  of  the  recording  along  with  some  spoken  words  also  being  used  briefly.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  clear  singing  can  also  be  heard  briefly  and  acoustic  guitars  are  also  introduced  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Dutch  and  is  a  concept  album  based  on  untold  legends  from t he  19th  century.  

  In  my  opinion  Vanaheim  are  a  very  great  sounding  epic  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Geestenmist"  and  "Roede  voor  de  Borst".  8  out  of  10.

  https://vanaheim.nl/

https://www.facebook.com/VanaheimBand/

http://instagram.com/vanaheimofficial/

https://www.tiktok.com/@vanaheimband

https://vanaheim-official-merch.myshopify.com/

Hrafnablót/Guðlaugar Saga/2026 Full Length Review

 

  Hrafnablót  are  a  band  from  Iceland  that  plays  folk  metal  and  this  is  a  review  of t heir  self  released  2026  album  "Guðlaugar  Saga"  which  will  be  released  in  September.

  Nature  sounds  and  whispers  start  off  the  album  while  spoken  words  can  also  be  heard  briefly  before  going  into a   heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  clear  female  vocals  are  also  utilized  at  times.

  Folk  instruments  are  also  mixed  in  with  the  heavier  sections  of  the  album  while  some  of  the  tracks  also  add  in  clear  male  vocals.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  a  couple  of  songs  also  being  very  long  and  epic  in  length,  when  harsh  vocals  are  utilized  they  also  add  in a   mixture  of  black  metal  screams  and  death  metal  growls.

 One  song  also introduces  acoustic  guitars  and  keyboards  into  the  music  and  most  of  the  recording  sticks  to  a  mid  tempo  direction  with  some  symphonic  touches  along  with t he  closing  track  also  being  very  long  and  epic  in  length. The  production  sounds  very  professional  while  the  lyrics  are  written  in  Icelandic  and  is  a  concept  album  based  upon  the  Sagas,  Magick  and  Folklore  of  their  homeland.  

  In  my  opinion  Hrafnablót  are  a  very  great  sounding  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  'Dísablót "  "Nornarheimt"  and  "Örlagavegur".  8  out  of  10.

  https://hrafnablot.is/​

​https://www.facebook.com/hrafnablot/  

      

Northern Oak/Reforged/2026 Full Length Review

  Northern  Oak  are  a  band  from  the  United  Kingdom  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  progressive  mixture  of  folk  and  black  metal  and  this  is  a  review  of  their  self  released  2026  album  "Reforged".

  Folk  instruments  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  recording  at  times.  Female  vocals  can  also  be  heard  briefly  along  with  some  tracks  also  adding  in  a  small  amount  of  acoustic  guitars  as  well  as  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length.

  Harsh  vocals  are  mostly  black  metal  screams  while  keyboards  are  also  used  quite  a  bit  throughout  the  album.  At  times  the  music  also  gets  very  progressive  sounding  along  with  the  faster  sections  of  the  recording  also  adding  in  a  small  amount  of  blast beats  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody.  Some  of  the  tracks  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  tracks  also  adding  in  a  small  amount  of  growls,  one  song  also  adds  in a   brief  use  of  clear  male  vocals  and  spoken  words.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  philosophy,  struggle  and  introspection  themes.   

  In  my  opinion  this  is  another  great  sounding  recording  from  Northern  Oak  and  if  you  are  a  fan  of  progressive  folk  and  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Dark  Of  Midsummer"  "Gawain"  and  "In  These  Hills".  8  out  of  10.

  Official website: http://music.northernoak.co.uk

Facebook: http://www.facebook.com/Northern.Oak

AntiMozdeBeast Interview

 

1.Can you give us an update on what has been going on with the solo project since the recording of the new album?

I have been working on a new full-length album. It isn’t necessarily near completion however it is coming together very well and developing smoothly.

2.You have a new album coming out in September, musically how does it differ from the stuff you have released in the past?

Every record of mine seems to tell a story. If you mean lyrically this album is a continuation of the story telling process. If you mean instrumentals, I applied rawer electric guitar than in my previous work and produced it so that it sounded more polished but still have that intensity my albums usually do. Every one of my albums is esthetically different than the previous whether it be the instrumentations or the general concept of the album.

3.What are some of the lyrical topics and subjects you explore with the newer music and also how would you describe your progress as a songwriter over the years?

Since I've been writing music which began at a very young age I began with general knowledge of music theory. I would just play simple chord progressions and the themes of my music were about my romantic relationships and relationships with people. Over the years I have gradually become more familiar with the mysteries of music as well as the technical techniques of songwriting in particular.

4.What is the meaning and inspiration behind the name 'AntiMozdeBeast'?

Anti derived from Antichrist, Moz derived from Mozart because I believe his music is the foundation of all heavy music and de Beast was for added effect. I decided not only to name this project AntiMozdeBeast because of those key elements but because of my personal life. My mother was the 21st child of 21 children who was practicing to become a nun. I was born on June 6th and had my first open heart surgery at age 3. In my adolescence I believed I was destined to be some sort of spiritual entity that would change the course of humanity. Mind you I was very young and naive.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

My brother passed away a few years ago and the vortex in the tombstone was symbolic for the unknown universe that is unavoidable once someone has found their way into death. As well as the inexplicable truth that life experience can answer some of those mysteries for those who seek it.

6.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

I prefer to work alone. However, I do prefer to work with others live.

7.Currently you are unsigned, are you looking for a label or have received any interest?

I am currently unsigned and am not particularly searching for a label but if I do receive any interest I would take it into account.

8.Since 2019 you have released a good amount of material, do you spend a lot of your time writing and creating music?

I do, mainly every day, while most people are busy with their own daily routines I am working and writing poetry, lyrics and music.

9.On a worldwide level how has the reaction been to your music by fans of metal and industrial?

On a world-wide scale? I have been featured in many publications and podcasts around the globe. I'm not certain as to my position on how followers or fans generally perceive or feel about my music as of yet.

10.Where do you see yourself heading into as a musician during the future?

I will always be a musician. I'm not quite sure what you mean by this question, the context I mean. E.g., will I develop new musical tastes, will my genres become broader, will my music become more popular? All I know is that I want to leave a body of work behind so as to be remembered.

11.What are some of the bands or musical styles you are currently listening to nowadays?

I listen to a broad variety of musical genres including aggrotech, industrial metal, EDM, rap, rock, classical metal, black metal, the list goes on.

12.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for taking the time and consideration of including AntiMozdeBeast in your publication.

https://linktr.ee/AntiMozdeBeast

Duskseeker Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?  

Duskseeker is my solo black metal project. I am currently based in Denton, Texas. Duskseeker started in 2015 as a musique concréte black metal project. I would play just guitar by myself and do improvised free improv textural experimental black metal with lots of guitar pedal experimentation. That sound was captured on the album Black Wolf Nightmare (2017). Over time, the project has evolved to have a more "full band" sound, but I am recording all the instruments (though I perform guitar and vocals live with backing tracks). Spiralscape (2021) was the first album to go into this territory, and it had styles of symphonic black metal, ambient, prog rock, doom metal, and free improv with the incorporation of synthesizers and drum machines. The Maw is my latest album (July 2026), and it hones in on a more aggressive, industrial, synth-backed sound with symphonic black metal and death metal elements. 

2.Recently you have released a new ep. ,musically how does it differ from the stuff you have released in the past?

It dials up the aggression more than my past works. The same musical freedom is still present, but with a more tightened industrial symphonic black metal sound with better production, more aggressive riffs and song writing, harder vocals, and more synths. 

3.Some of your lyrics cover Gnosticism themes, can you tell us a little bit more about your interestt in this topic?

I am not religious per se, but the world of the Gnostics is potent as an artistic tool and literary allegory. The world of Duskseeker that I have created borrows from the Gnostics the idea that a false, malevolent god is in charge of the world and this god is concealing beings of the earth from knowing real spiritual truth (gnosis). I take this idea and use it to critique the power structures of our real world and as a mode of self-empowerment. 

4.Lyrically you also cover 90's video games, which games have had an influence on the songwriting?

Final Fantasy VI and VII, Xenogears, Half Life, Elden Ring, Chrono Trigger, Dark Souls, Metroid, and King's Field are the primary video game influences on The Maw and Spiralscape, but there are others at well that probably came into play that I'm less conscious of or not recalling at the moment. 

5.What is the meaning and inspiration behind the name 'Duskseeker'?

It means a lot of different things to me personally, but to others it can mean something else. Some have told me that it reminds them of vampires, while others have said it reminds them of cowboys. I've heard other takes as well. These are interesting interpretations, and like all art, it is open to interpretation. 

6.Can you tell us a little bit about the artwork that is presented on the ep cover?

This is the prompt I gave to Devon Grey (Weeping Wyrm), the artist who created the art :

"I want the cover to feature as its subject a cybernetic knight/dragoon with either a sword or halberd in front of a cityscape with lightning in the background. The cityscape has many ruined buildings, but has one big gothic castle but with some spires or something indicating that it might be something futuristic. The art would seem to indicate that the giant castle has sucked the life out of the rest of the city and is some sort of nexus of malevolence. Perhaps the lightning is between the knight and the cityscape. I know this sounds a lot more sci-fi than what you probably usually do, but I like the idea of it being in your style and letting your style convey a distant dark fantasy land that may or may not be like our world and just subtly convey a sci-fi element by the fact of its otherworldliness."

7.With this recording you record most of the music by yourself, are you open to working with other musicians again in the future or do you prefer to work solo?

I am currently working with other musicians on the full length Duskseeker album that I am recording. I will also be working with somebody else on the mixing and mastering for that album as well. I would like to assemble a full live band for Duskseeker in the future. I do have some friends who have said they are interested in participating in that, but we haven't gotten together to make it happen quite yet.

8.With the live line up what are some of the best shows that you have played so far an also how would you describe your stage performance?

I really liked a lot of the shows that I did on The Maw tour I did in August. Every time I tour I feel like I learn something new and get better at touring. I've had many good shows on tours in the past, but I'd say this tour was the most successful for Duskseeker as a whole so far. When I play live, I dress in an outfit that consists of a black veil that goes over my eyes, an aluminum-plated pauldron (used by real practitioners of modernistic forms of ninjutsu), gauntlets, leggings, tactical boots, and a thin scarf that I use as a cape. All in black. I play guitar and do vocals, and I play to a backing track. I also enjoy adding free improv to some of the songs. Mostly in guitar solo sections these days, but sometimes I will improvise a whole section of the set, if the spirit moves me. Improvisation and experimentation are pillars in the foundations of Duskseeker, and I continue to embrace that as the sound of the project evolves. 

9.On the ep you also done a 'Nocturnus' cover, what was the decision behind doing your own version of one of their songs?

I really like the Nocturnus album, The Key, and that song resonates with me on a musical level as well as a lyrical level. I felt that the themes behind that song are in line with the material present on the rest of my album, The Maw. Nocturnus is also a very important band in terms of helping pioneer extensive use of synthesizers in extreme metal, and for that, I felt like paying tribute to them in a Duskseeker album was appropriate. RIP Mike Browning of Nocturnus and Morbid Angel, who died shortly before The Maw was released. 

10.On a worldwide level how has the reaction been to your music by fans of symphonic black and death metal?

No complaints so far that I'm aware of! Everyone I've seen or talked to has had very nice things to say, which is great. I am grateful for the positive reception. 

11. What is going on with your other musical projects these days?

Special Agent, my digital hardcore/postindustrial band has an EP up our sleeves ready to go that we are still figuring out release plans for. BONE LEECH, my sludge metal band, just tracked our debut album, which will hopefully be released in 2027. Oil Spill (black metal) has chatted about trying to get together and write sometime, but we are all collectively very busy with other obligations/projects/etc. I have thoughts for other projects as well, but those are more in the long term after I finish recording the next Duskseeker album. 

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Some of my biggest musical influences are, in no particular order, Nobuo Uematsu, Nine Inch Nails, Death, Type O Negative, Emperor, Pink Floyd, Kraftwerk, Aphex Twin, Johnny Cash, Scott Walker, Secret Chiefs 3, Frank Zappa, Slowdive, The Doors, The Cure, Dead Can Dance, Motoi Sakuraba, Yasunori Mitsuda, Michiru Yamane, Gyorgy Ligeti, and the list goes on. I still keep a lot of these artists in regular rotation. Some of my more recent regular rotations have been Exxûl, Blood Incantation, the Final Fantasy VIII OST, Lycia, Youth Code, the A Fox In Space OST, Madeline Goldstein, SRSQ, the Einhander OST, Enya, and Char-X, among many others. 

13.Before we wrap up this interview, do you have any final words or thoughts?

Be on the lookout for material, as well as more out of town shows. Thank you for your time. Stay cool 😎⚔️👽

https://www.facebook.com/dvskseeker/ 

Sigh/Goh-ka/Peaceville Records/2026 Full Length Review

  Japan's  Sigh  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  experimental  and  avant  garde  style  of  black  metal  and  this  is  a  review  of  their  2026  album  "Goh-ka"  which  will  be  released  in  September  by  Peaceville  Records.

  A  very  avant  garde  and  experimental  sound  starts  off  the  album  while  also  introducing  programmed  beats  and  keyboards  onto  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  music.  When  guitar   solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style.

  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  Asian  folk  instruments  are  also  used  at  times.  Vocals  are  done  in  more  of  a  grim  black  metal  style  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  clear  singing  is  also  utilized  quite  a  bit  throughout  the  album.

  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  album  also  having  its  psychedelic  moments.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  as  well  as  some  tracks  also  adding  in  some  acoustic  guitars.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Japanese  and  cover  the  nine  stages  of  human  decomposition  after  death  according  the  Buddhist  views.

  In  my  opinion  this  is  another  great  sounding  recording  from  Sigh  and  if  you  are  a  fan  of  this  band,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Kuso-shi  1.2  and  3"  "Unpoetenpu" and  "Kuso=shi  8  amd  9  _Mettaijakujo".  8  out  of  10.

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Labor Of The Negative/The Triumph Of Time And The Disillusioned/I, Voidhanger Records/2026 Full Length Review

  Labor  Of  The  Negative  are  an  international  band  with  members  from  The  United  Kingdom,  Norway  and  Egypt  that  plays  an  avant  garde  form  of  black  metal  and  this  is  a  review  of  their  2026  album  "The  Triumph  Of  Time  And  The  Disillusioned"  which  was  released b y  I,  Voidhanger  Records. 

  A  very  fast  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  lot  of  melody  as  well  as  adding  in  a  lot  of  avant  garde  style  structures  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Clear  singing  can  also  be  heard  at  times  while  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Trumpets  are  also  used  at  times  along  with  some  spoken  words  also  being  added  into  certain  sections  of  the  recording  along  with  some  tracks  also  adding  in  a  small  amount  of  clean  playing,  one  song  is  also  an  instrumental.

  Labor  Of  The  Negative  plays  a  style  of  black  metal  that  is  very  avant  garde  and  aggressive  sounding.  The  production  sounds  very  professional  while  the  lyrics  cover  the  writings  of  Nietzsche,  Hegel,  Hume,  Kierkegaard,  Epicurus  and  Durkheim.

  In  my  opinion  Labor  of  The  Negative  are  a  very great  sounding  avant  garde  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Epoche  I"  and  "Epoche  VI".  8 out  of  10.

https://i-voidhangerrecords.bandcamp.com/album/the-triumph-of-time-and-the-disillusioned

AntiMozdeBeast/Prophecy/2026 Full Length Review

 

  AntiMozdeBeast  are  a  solo  project  from  Florida  that  plays  an  industrial  form  of  black  metal  and  this  is  a  review  of  his  self  released  2026  album  "Prophecy"  which  will  be  released  in  September.

  Industrial  style  beats  start  off  the  album  and  also  mixes  in  with  the  more  aggressive sections  of  the  songs  while  spoken  words  are  also  used  at  times.  Electronic  soundscapes  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  all  of  the  drum  beats  also  being  programmed and  most  of  the  tracks  are  also  very  long  and  epic  in  length.

  When  harsh  vocals  are  utilized  they  are  also  done  in  more  of  a  black  metal  style  while  synths  are  also  used  quite  a  bit  throughout  the  album.  At  times  the  music  also  goes  into  more  of  an  experimental  direction  along  with  each  song  also  adding  in  a  different  style  and  the  recording  avoids  the  use  of  traditional  metal  instruments,  acoustic  guitars  can  also  be  heard  briefly.   

  AntiMozdeBeast  plays  a  musical  style  that  takes  black  metal,  experimental  and  industrial  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  while  the  lyrics  cover  organized  religion,  political  corruption  and  humanity's  failure.

  In  my  opinion  AntiMozdeBeast  is  a  very  great  sounding  mixture  of  black,  metal  industrial  and  experimental  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  Project.  RECOMMENDED  TRACKS  INCLUDE  "Prince  Of  Darkness"  and  "End  Of  Faith".  8  out  of  10.

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Pylar/Delyrio/Cyclic Law/Cavsas/2026 Full Length Review

  Pylar  are  a  band  from  Spain  that  has  had  music  reviewed  before  in t his  zine  and  on  this  recording  plays  a  very  avant  garde  and  ritualistic  mixture  of  black,  sludge,  doom  metal  and  drone  and  this  is  a  review  of  their  2026  album  "Delyrio"  which  was  released  as  a  joint  effort  between  Cyclic  Law  and  Cavsas.

  A  very  dark,  heavy  and  distorted  sound  starts  off  the  album  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  Elements  of  sludge  and  doom  metal  are  also  added  into  the  slower  sections  of  the  music  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.

  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  clear  chants  also  gives  the  music  more  of  a  ritualistic  vibe.  Spoken  words  can  also  be  heard  at  times  along  with  psychedelic  and  avant  garde  sounds  also  being  added  into  certain  sections  of  the  album,  blast beats  are  also  used  briefly.

  Drones  are  also  used  quite  a  bit  throughout  the  recording  along  with  some  tracks  also  adding  in  a  small  amount  of  stringed  instruments.  Clean  playing  can  also  be  heard  on  a  few  songs  and  a  lot  of  the  music  also  captures  an  improvised  atmosphere.  The  production  sounds  very  dark  while  the  lyrics  cover  alchemy  and  philosophical  fiction.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Pylar  and  if  you  are  a  fan  of  avant  garde  and  ritualistic  black,  sludge,  doom  metal  and  drone,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Adoracion"  and  "Enardecimiento".  8  out  of  10.

  https://www.pylar.bandcamp.com

https://www.facebook.com/PPYLARR

https://www.instagram.com/pylar_the_band