Unanimated/In The Forest Of The Dreaming Dead/Pavement Records/Necropolis Records/1994 CD Review

  Unanimated are a melodic black/death metal band from Sweden and this is a review of their 1994 album "In The Forest OF The Dreaming Dead" which was released by both Pavement and Necropolis Records.

Drums are mostly fast with a lot of blast beats and they slow down when the music calls for it, while the keyboards when they are rarely utilized are only there to enhance atmosphere, as for the bass playing it follows the riffs that are coming out of the guitars and they have a powerful sound of their own at times.

Rhythm guitars cover a lot of ground with some slow and heavy riffs with some faster riffing that mixes black and death metal together with a lot of melody as well as some thrash influences, while the lead guitars
are very melodic sounding guitar solos that have a lot of thrash as well as classic metal influences influences, and there is a small amount of acoustic guitars on this album.

Vocals are black/death style growls with some screams being used at times with some spoken word passages, while the lyrics cover some depressing themes with an anti christian edge, as for the production on this recording which was recorded at Unicorn/Moose Studios, and Noble House Studios during the months of may and June of 1992 sounds very professional for it's time and you can hear all of the musical instruments that are present on this album.

In my opinion Unanimated are a very good band that have influenced a lot of bands and if you are a fan of melodic black/death metal, you should have this album in your collection. RECOMMENDED TRACKS INCLUDE "Whispering Shadows" "Silence Ends" and "Buried Alive" which is a Venom cover tune. RECOMMENDED BUY.

Facebook

Myspace

Candle Serenade/Nosferatu's Passion/Guardians Of Metal/1995 CD Review

  Candle Serenade where a band from Portugal that played a melodic style of gothic black metal and this is a review of their 1995 album "Nosferatu's Passion" which was released by Guardians OF Metal Records.

Drums are a mixture between slow and fast playing with some brutal blast beats being utilized at times, while the keyboards have an atmospheric pagan/gothic feel mixed in with a small amount of flute, as for the bass playing it has a very powerful that dominates throughout the album with a mixture of slow and fast riffs mixed in with some bass leads.

Rhythm guitars have some slow riffs that are heavily influenced by doom metal while the mid paced and fast riffs are black metal with a good amount of melody, while the lead guitars are distorted sounding guitar solos that have a very dark metal sound to them.

Vocals are high pitched black metal screams with some clean singing female vocals being used at times, while the lyrics cover Celtic Paganism and vampirism from a left hand path point of view, as for the production on this recording it has a very raw yet professional feel that captures all the instruments.

In my opinion Candle Serenade where a very underrated band for their time and if you like atmospheric black metal with a doomy edge you should check this band out. RECOMMENDED TRACKS INCLUDE "Celtic Lir's SONS (Sab Erin's Legrnd" "Balakian Rider" and "Transylvanian Mistress". RECOMMENDED BUY.

Facebook

Myspace

Heidenreich/Trance Of An Unholy Union/Napalm Records/1997 CD Review

 Heidenreich where a band from Austria that had members of Abigor and they played a style that I would describe as being avant garde metal and this is a review of their 1997 album "Trance Of An Unholy Union" which was released by Napalm Records.

Drum programming is a mixture of slow, mid paced, and fast beats, while the Synthesizers are very symphonic and avant garde sounding with a small amount of piano that gives the music a horror movie soundtrack feel, as for the bass playing it follows the riffs that are coming out of the guitars.

Rhythm guitars are a mixture of slow and fast black metal riffing that is more primal than most avant garde black metal and they also contain a good amount of melody, while the lead guitars have a very weird and distorted sound with some melodic guitar solos.

Vocals are mostly high pitched black metal screams with some clean singing being used at times with some spoken word passages, while the lyrics touch on the occult,satanic, and cosmic themes, as for the production on this album which was recorded and mixed at Tonstudio Hoernix during 1997 sounds very professional and you can hear all of the instruments that are present on this album.

In my opinion Heidenreich where a very underrated avant garde black metal band for their time and if you are a fan of this style you should check out this band. RECOMMENDED TRACKS INCLUDE "Cosmic Reflections" "Grim and Bitter Heart" and "Trance Of An Unholy Union". RECOMMENDED BUY.

https://www.metal-archives.com/bands/Heidenreich/1100

Mundanus Imrerium/The Spectral Spheres Coronation/Nuclear Blast Records/1998 CD Review

  Mundanus Imperium where an avant garde melodic black metal band from Norway and this is a review of their album "The Spectral Sphere Coronation" which was released by Nuclear Blast Records.

Drums are mostly slow to mid paced parts with no fast playing or blast beats, while the keyboards are very symphonic and atmospheric sounding with some classical influences with some hard rock influences, as for the bass playing it is all rhythm bass that follows the riffs coming out of the guitars and they have a very powerful sound at times.

Rhythm guitars are mostly slow to mid paced riffs that I would describe as avant garde metal with a symphonic black metal feel and there are also a lot of influences from 80's metal/hard rock, lead guitars when they are utilized are mostly melodic sounding guitar solos.

Vocals are all clean singing hard rock/metal vocals with no growls, while the lyrics are mostly about space and cosmic stuff, as for the production on this album which was recorded and mixed at Studio Studio in August of 97 sounds very professional and you can hear all of the instruments that are present on this album.

In my opinion Mundanus Imperium where a very underrated band that did not get that well known because of the vocals, if you are an open minded fan of avant garde metal you should check out this band. RECOMMENDED TRACKS INCLUDE "Distant Conglomeration" "Starwars" and :If The Universe Transformed". RECOMMENDED BUY.

Detailed discography @ musik-sammler.de

Facebook

Metal Metropolis

Abruptum/In Umbra Maliitae Ambularo In Aeternum In Triumpho Tenebraum/Deathlike Silence Productions/1994 CD Review

Abruptum where a 2 piece band from Sweden that played a slow form of black metal that mixed in drone and noise elements to this music and this is a review of their 1994 album "In Umbra Malitiaj Ambularo" which was released by Deathlike Silence Productions.

Drums are mostly slow beats with no fast playing or blast beats, while the keyboards have a very dark sound that gives the music an evil edge, as for the violin when it is used it has a very noisy and avant garde sound.

Guitars are all slow riffing while the vocals are tortured screams about Satanism, pain, and torture, as for the production on this recording it has a very dark sound that captures all of the instruments and vocals.

In my opinion Abruptum where a very good band that was very original for their time and if you are a true fan  of  black  metal,  you already know who they are. RECOMMENDED BUY.

https://www.metal-archives.com/bands/Abruptum/1127

Abyssos/Together We Summon The Dark/Cacophonous Records/1997 CD Review

  Abyssos where a band from Sweden that played melodic black metal and this is a review of their classic debut album "Together We Summon The Dark" which was released by Cacophonous Records during the year of 1997.

Drums are very fast with a lot of brutal blast beats and they slow down at times when the music goes into a more slower/heavier and melodic direction, while the bass playing has a very powerful sound with a lot of fast riffing that sounds very professional, as for the keyboards when they are used they enhance the atmosphere of the music..

Rhythm guitars are a mixture of slow, mid paced to fast black metal riffs that are very heavy and melodic, while the lead guitars are mostly melodic guitar solos that mix black and melodic death metal together.

Vocals are high pitched black metal screams mixed in with a little bit of clean singing female vocals, while the lyrics cover topics such as witch burning, vampirism, and dark witchcraft from a left hand path as well as satanic point of view as well as a small amount of anti Christianity, as for the production on this recording which was recorded at Academy Studios during the month of May in the year of 1997 sounds very professional and you can hear all of the musical instruments that are present on this album.

In my opinion Abyssos where a very talented band that was very underrated for their time and if you are a fan of melodic black metal you should check out this band. RECOMMENDED TRACKS INCLUDE "We Hail Thy Entrance" "Lord Of The Sombre Reborn" "In Fear They Left The World Unseen" and "I've Watched The Moon Grow Old". RECOMMENDED BUY.

https://www.metal-archives.com/bands/Abyssos/1454

Catamenia/Cavalcade/Massacre Records/2010 CD Review

  Catamenia are a band from Finland that started out as a melodic/symphonic black metal band that has evolved into a gothic melodic black/doom/rock/metal band over the years and this is a review of their new 2010 album "Calvacade" which was released by Massacre Records.

Drums cover a lot of variety with a mixture of slow to mid paced parts with a lot of fast playing and some brutal blast beats, while the bass playing has a very technical and rhythmic sound of it's own.

Rhythm guitars mix a lot of slow, mid paced and melodic black metal riffs with some gothic doom metal and some thrash as well as melodic death metal influences and some open chords, while the lead guitars are very melodic guitar solos that have a depressing edge with a very professional sound.

Vocals mix high pitched black metal screams, deep death metal growls, screamo type of vocals, clean singing and spoken word parts, while the lyrics touch on depressing themes, as for the production on this album it has a very professional sound and you can hear all of the musical instruments that are present on this album.

In my opinion Catamenia are a very good band for this style and I am looking forward to hearing more of their older stuff which from what I heard so far seems to be more black metal influence, if you are a fan of their older stuff you might be disappointed with the new album, but if you are a fan of good quality gothic/rock/melodic/black/doom metal you should like this album.
RECOMMENDED TRACKS INCLUDE "Cavalcade" "Quantity Of Sadness" "Post Mortem" "A Callous Mind" and "Angry Again" which is a Megadeth cover. RECOMMENDED BUY.

Facebook

Google+

Homepage

Instagram

Myspace

ReverbNation

Spotify

Twitter

YouTube

Vintersorg/Till Fjalls/Naplam Records/1999 CD Review

  Vintersorg are a pagan/folk/black metal band from Sweden and this is a review of their 1999 album "Till Fjalls" which was released by Napalm Records.

Drums mix slow, mid paced, and fast beats together while the keyboards and synths give the music an atmospheric feel, as for the bass playing it has a lot of melody in the riffs mixed with a dark distorted tone.

Rhythm guitars mix a lot of mid paced melodic riffs that are very pagan sounding that also has some classic metal influences with a little bit of fast black metal riffing, while the lead guitars are melodic guitar solos that are influenced by classic metal with some occasional use of a wah wah pedal, as for the acoustic guitars they use a lot of finger picking and open chords which gives the music an atmospheric folk music feel.

Vocals are a mixture of high pitched black metal screams mixed with a lot of clean singing viking vocals with some female vocals being used on occasion, while the lyrics which are written in Swedish seem to be about Norse Mythology, as for the production on this album which was recorded during August of 1998 at Ballerina Audio with the drums and synthesizers being recorded during July of the same year at Wolf's Liar has a very professional sound and you can hear all of the musical instruments.

In my opinion Vintersorg are a very talented folk/black metal band and if you are a fan of this style you probably have already heard this band.
RECOMMENDED TRACKS INCLUDE "For Kung Och Fosterland" "Till Fjalls" "Jokeln"
and "Isjungfrum". RECOMMENDED BUY.

Bandcamp

Facebook

Myspace

Spotify

Ultimate Metal

Asmegin/Hin vordende Sod og So/Napalm Records/2003 CD Review

  Asmegin are a folk/black/death metal band from Norway and this is a review of their 2003 album "Hin vordende Sod og So" which was released by Napalm Records.

Drums mix some slow to mid paced parts with some fast playing and blast beats being utilized with some percussion being added at times, while there is a variety of different types of instruments being utilized throughput the album such as accordion,flutes, fiddle, mellotrons, Norwegian zither, Jew's Harp, country flutes, and Bajas that give the music a very heavy folk music edge.

Keyboards and pianos when there are added give the music a very atmospheric feel, while the bass playing has a very dark tone and it is all rhythm bass that follows the riffs coming out of the guitars.

Rhythm guitars mix some heavy death metal that also has a doomy sound at times with some fast playing that is very black metal sounding and melodic, while the lead guitars are very melodic and have alot of influences from classic metal in the guitar solos, as for the acoustic guitars when they are brought into the music it brings out the feel of living in the dark ages.

Vocals are a mixture of deep death metal growls with as some high pitched black metal screams as well as some clean singing male and females vocals throughout the album, while the lyrics are all written in Norwegian and seem to cover Norse mythology and Germanic folklore, as for the production on this album which was recorded at Top Room Studoa through the months of Feb-Nov 2002 sounds very professional and you can hear all of the musical instruments.

In my opinion Asmegin are a very good folk metal band that is very original in the way that they bring a death metal edge to this genre, if you are a fan of the more heavy orientated folk metal you should check this band out. RECOMMENDED TRACKS INCLUDE "Bruderov paa Haegtadtum" Over Aegird vidstragte Sletter" "Efterbyrden" and "Vargr i Veum". RECOMMENDED BUY.

https://www.metal-archives.com/bands/%C3%81smegin/3201

Cruachan/Pagan/Candlelight U.S.A/2004 CD Review

  Cruachan are a pagan/folk metal band from Ireland and this is a review of their 2004 album "Pagan" which was released by Candlelight U.S.A.

Drums are mostly mid paced beats with some percussion being used at times while the flute gives the music an Irish folk music feel, and there a lot of different instruments being used on this album such as bouzouki, Mandolin, Banjo, Cello, uillean pipes, fiddle and the Bodhran which brings out of the feel of being at an Irish festival drinking a Guinness.

Keyboards when they are utilized give the music an atmospheric feel while the bass playing is all rhythm bass that follows the riffs coming out of the guitars with a very powerful and dark sound.

Rhythm guitars use a lot of heavy riffs that are influenced by both death metal and black metal with a lot of melody being utilized and some thrash riffing, there is not a lot of lead guitars being used on this recording, as for the acoustic guitars when they are used utilize a lot of open chords and is used more as a background.

Male vocals are mostly high pitched black metal screams with some deep death metal growls as well as some cleaning, while the female vocals are clean sung with a lot of melody and a folk music feel, as for the lyrics they cover Irish paganism, with some other topics being discussed such as folklore, Lord Of The Rings trilogy, The war between the British army and fighting vikings, as for the production on this recording which was recorded and mixed in Sonic Studios in Dublin, Ireland during 1993 sounds very professional and you can hear all of the instruments.

In my opinion Cruachan are a very talented band and if you are a fan of folk metal you probably have already heard this band. RECOMMENDED TRACKS INCLUDE "Pagan" "Some Say The Devil Is Dead" and "Erinsong". RECOMMENDED BUY>

Bandcamp

Facebook

Google+

Homepage

Instagram

Myspace

ReverbNation

Spotify

YouTube

Nagelfar/Hunengrab im Herbst/Ketenhund Records/1997 CD Review

  Nagelfar where  an atmospheric/melodic/viking/black metal band from Germany and this is a review of their 1997 album "Hunengrab im Herbst" which was released by Kettenhund Records.


Drums are a mixture of slow to mid paced drumming with a lot of fast playing and blast beats, while the keyboards bring a lot of atmosphere and psychedelic/folk edges to the music, as for the bass playing it has a very powerful sound that is very noisy and distorted with some lead bass lines.

Rhythm guitars are mostly fast black metal riffs with some mid paced parts that are very melodic, while the lead guitars bring a lot of melodic pagan/black metal solos to the music, as for the acoustic guitars gave the music a very dark edge.

Vocals are mostly high pitched black metal screams with some deep death metal growls and a lot of clean vocals, while the lyrics are in German and seem to cover Asataru themes, as for the production it has a very raw feel which gives the music an underground edge with capturing the sounds of the instruments perfectly.

In my opinion Nagelfar where a very underrated band and if you are a fan of underground melodic black metal you should check this band out. RECOMMENDED TRACKS INCLUDE "Schwanengesang" Hunengrab in Herbst" and "Srontgorrth (Das dritte Kapitel". RECOMMENDED BUY.

Facebook

Spotify

Mithotyn/Knight Of The Distant Forest/Death Records/Invasion/1999 CD Review

 Mithotyn where a melodic pagan/viking/black/death metal band from Sweden and this is a review of their 1997 album "King Of The Distant Forest" which was released by Death Records in collaboration with Invasion Records.

Drums have a mixture of slow and mid paced playing with some fast drumming and blast beats, while the keyboards have a very atmospheric and medieval  feel with a pan flute as well as some other folk instruments being utilized on occasions, while the bass playing has a very powerful and dark feel to it and you can actually hear that instrument on this album.

Rhythm guitars are very melodic with some fast black metal riffing and some slow parts that have a doom metal feel, while the lead guitars are very pagan/epic sounding with a lot of melody that is heavily influenced by classic metal.

Vocals are mostly high pitched black metal screams with some death metal growls being utilized at times and there are also a lot of clean singing viking choir vocals being used at times, while the lyrics cover mostly Asataru style themes with some anti christian lyrics, as for the production on this recording which was recorded at Los Angered Recording during November of 1997 sounds very professional and you can hear all of the instruments that are present on this album.

In my opinion Mithotyn where a very talented and underrated viking metal band and this is a classic album, if you are a fan of melodic viking/black/death metal you should check this band out. RECOMMENDED TRACKS INCLUDE "Hail Me" "On Misty Pathways" "Under The Banner" and "The Vengeance". RECOMMENDED BUY.

https://www.metal-archives.com/bands/Mithotyn/364

Interview with Robert of Third World Abortion, Amadeus St. Vitus, Wicked Stench and Exterminate The Brutes Records.

1. Can you tell us a little bit about yourself, your projects and record label?

1. Hi this is Robert Johnson, founder of Exterminate the Brutes Records, singer/bassist in Third World Abortion, Octagon, and Amadeus st. Vitus. I began playing in punk bands when I was really young and eventually delved into heavier and more underground stuff after discovering Morbid Angel. Back when the record industry thought death metal was going to be the next big thing and you had major labels like Warner Bros. putting out satanic music. I started Amadeus st. Vitus back in 2003 and we have had several independent records that we have put out ourselves. Third World Abortion came along later when I wanted to go in a different direction and couldn't see dragging the other project across the coals. I needed someone to release my stuff so I started my own label, which has grown much and includes many more projects other than my own as many artists are sending in their demos for review and release. The name comes from the novella "Heart of Darkness." Get it and read it. Its worth it.

2. How would you describe the differences between the 3 bands you are in?
2. Really, its just a question chronology. I write based on my mood and the projects tend to reflect that. Amadeus st. Vitus was inspired by many different artists that are not immediately apparent in the music. They hide behind the lines. With Third World Abortion I have been in a black metal mood and also love the sound of tape. Wicked Stench is a project fronted by one of my old friends. It is very doomy death metal.

3. How have the live shows been for the bands so far?
3. Live shows fluctuate everywhere you go. You can pack one night then play to two people the next. Shows have gone well though.

4. What was it that inspired you to create your own record label?
4. There are not enough labels out there that truly cater to the underground. It is my goal to do just that.

5. How has the feedback been to your releases so far from extreme music fans worldwide?
5. Our responses have been excellent and encouraging. It's almost as if everyone was waiting for someone to step up to the plate. With the dying, corporate music world, music is being put back in the hands of the artists. It's a very exciting time.

6. Out off all the bands that you have which one would you consider your main project?
6. Third World Abortion is my main focus right now. The others are no less important to me however.

7. What is the inspiration between your lyrics?
7. My lyrics are inspired by everyday life. Whatever you put into your brain will grow and yield something else. That's something they don't teach you in school. If you learn something for a history test in third grade it sticks with you and you think about that and it can even come out later in the creative process. Look at Iron Maiden if you need an example. Not that they are underground but they are a prime example.

8. What are some bans or music styles that have influenced your music and what are you listening to nowadays?
8. I grew up listening to classic rock with parents that had a bad prejudice to country music. I stole my first metallica tape, And Justice For All, when I was 9. I got into punk rock as young kid and started playing guitar in a band. I got into Deicide, Cannibal Corpse, Exodus, Morbid Angel, etc. when I was 15 or 16. I discovered Black Metal shortly after that and have had a love for the underground for many years. I am currently spinning Burzum-"Belus" Darkthrone-"Under a Funeral Moon" Eyehategod-"Confederacy of Ruined Lives" and Gorgoroth-"Destroyer"

9. Out off all the releases that you have put out so far which one are you the most satisfied with?
9. I really love the Wicked Stench-"Spreading the Word. The riffs really get stuck in my head and I catch myself humming them all day. I think that makes it great. It sticks out in your mind.

10. What are some upcoming releases on your record label?
10. I have a split with Octagon and Fjelstad coming out on cassette next month. Great black metal. I have a split with Churner and Last Rape. The Vomit Arsonist is putting out a 20 minute cassette, really brutal stuff. Also, Morbid Anal Fog will be putting out their debut full-length, "Gartgoroth."

11. What are some goals that you have set out so far for your bands and record label?
11. We are going to push things as far as they can go. I tend to never give up. Watch it go!

12. How would you describe the underground scene in your home state of Mississippi?
12. It is actually more passionate than most of the scenes I have experienced. There are so many cover bands here covering "Brown Eyed Girl" that when a band plays originals, people tend to stick together. The metal scene is building at an unbelievable rate here.


13. What are some of your interests outside of metal?
13. I enjoy reading, cooking, and drinking beer. I also enjoy art, as long as it is strange. I'm a big fan of surrealism.

14. Any final words or thoughts?
14. Contact Exterminate the Brutes Records via email at ETBRecordings@Gmail.com
Stay on the lookout. This will not be the last time you hear this name. We are accepting demos at the time to boost our distribution and discography so if you have a project and need a label, we might be able to help you. This won't last so don't wait around. Join the Brute Squad today.
--Rob aka Brute A1a

Amadeus St. Vitus/Codex Diabolus/Exterminate The Brutes Records/2009/CD Review

 Amadeus St. Vitus are a band from Mississippi that plays a mixture of black metal, sludge metal and crust punk and this is a review of their 2009 album "Codex Diabolus" which was released by Exterminate The Brute Records.

Drums are mostly slow to mid paced beats with some fast playing as well as some occasional blast beats that sound very heavy and crushing while the bass playing sounds very powerful and is easy to hear despite having a raw production and it has a very powerful rhythm with some lead bass parts.

Guitars mixed elements of black metal, sludgy doom metal and crust punk together with a mixture of slow to fast riffs that are very heavy with some guitar leads that sound very distorted.

Vocals are a mixture of black metal screams and some screams that remind me of the legendary Acid Bath and some thrash style vocals, while the lyrics touch on humorous topics, as for the production it has a very raw feel but you can still hear all of the instruments.

In my opinion Amadeus St. Vitus are a very good band that sounds very underground and original, and if you are a fan of punk orientated sludgy metal with a black metal edge. RECOMMENDED TRACKS INCLUDE "Emptiness" "Severriously" "Sick and Destroyed" and "The Shorter Sex". RECOMMENDED BUY

https://www.soundclick.com/bands3/default.cfm?bandID=175235

Speaker Ritual Interview

1. Can You tell us a little bit about your project for those that are not familiar with your music?
Speaker Ritual itself came to be by default. I am the soul creator for the Black Metal band Ssenkrad. During the summer of 2009, Ssenkrad was on a sort of hiatus. I had created many intros and outros for the past and present Ssenkrad albums. While reviewing said Intros/outros, I began to listen to them differently, and fortunately became a starting point to creating more of the like, hence Speaker Ritual was born.

2. Where did you come up with the band name?
I have always been a fan of Drone, Sunn))), Boris, Earth, just to name a few. There was a Boris record called Amplifier Worship, I thought that was a stellar name for a band. I was afraid that if I used that title people would think I was riding the coat tails of Boris. So basically I used the same meaning, just different words. But Speaker Ritual is just that really, using the speakers as a forum to produce music for a form of invocation/conjuration of the song titles. Feelings, and places, realms so to speak. Not words and music, like eddie and the cruisers movie stated.

3. What is it that you are trying to accomplish with this project that you cannot do with your other band?
Alot of it has to do with the fact that when I was young and my mother let me watch Suspiria(Dario Argento)The music to that film scared the shit out of me. Of course others came along, John Carpenters own produced audio for Halloween and Precinct 13, to name a few. Those audio soundscapes took me somewhere, not like regular music, it gave me feeling, not just happiness or anger, but like a story was written in music form, and I could take it or it could take me anywhere it wanted to. They had so much presence. So I look to do those same things as well. If you read every title of a Speaker Ritual song, they mean something. Google them in your spare time, and you will learn the meaning behind every song that has ever be created.

4. How have your live shows been so far?
My home town has no scene at all for this style of music. Fortunately I've been excepted at alot of the College towns, because of there favor of ambient and noise/drone. So far I've played alot in Athens Ohio(Ohio University) the people except me, the clubs and bars except me as well so its been righteously received Their is more of a draw because of the diversity.

5. What are some goals that you have set out for this project?
Personally, I've never enjoyed producing/creating music more then I do for Speaker Ritual. I think I would fit in quite nicely opening up for Sunno))). But in lower more realistic expectations, I would like to be comfortable creating music for a certain fanbase that I could continue and make my sole aspiration in life. It would be nice to have Speaker Ritual be a full time job, it's that fun....

6. o you have any touring plans?
Right now I dont promote, so I take what ever is offered. Basically I get emails, and I show up.

7. According to your Myspace page you direct some movies and have a company dedicated to movies, what are some films that you have directed and how would someone be able to get ahold of some of them?
Film was my original muse, during early 2000 I made a few movies. They were mainly made for the sole purpose of friends and people in my home town, I've never tried to market them. I've made in the past a cartoon, dark evil stick style to live audio entitled "Born into Submission", a black and white silent live action film entitled "EVOL" and a series of compilation films entitled "Snuff Fuck" I currently have two Vols. Unfortunately I cant really advertise those, they are very graphic in nature. The series really took off for a while. For example, I would talk to someone on the internet about it and send them a copy, and with in a few days I'd get 50 emails stating that so and so showed them this sick ass film with reality death and porn mixed together, and wanted to know how to buy a copy. What can I say, faces of death had a huge barring on me as a child. You can see the trailers for the first two on the 60060 sixscore myspace page, but the Snuff Fuck, would be by mail order only. I guess if anyone was interested they could just message me.

8. What are some of the influences for Speaker Ritual music wise or non music wise?
First and foremost Goblin, the main staple of all Dario Argento films. They are a great ambient band from Italy. Sunno))), alot of people seem to see a connection there, recently I was told it reminded them of Abruptum? Maybe Danzig's Black Aria, and Burzum's Daudi Balders and Hildga...what ever? Early Boris, and Earth to name a few. But the biggest influence is my home town and county I live in. It is so rich in history and infamous characters(Mansfield Ohio/RichLand County) every song written so far has been a concept of said people or places with a story inter twined.
9. How has the feedback been to your music so far from extreme music fans worldwide?

I get the most praise from the Black Metal community, but some are Drone fans as well. People into the same things as me mostly.

10. Out off all the releases that you have done so far which one are you the most satisfied with?
So far the only Speaker Ritual album available is "Misteri Di contea di Richland" it is a concept record regarding any and all famous and infamous histories surrounding Richland county. Like I said before, google the names from the titles, to get a better understanding of what it is to be invoked. I'm close to finishing part 2 of Misteri...it should be ready by April.

11. Have you received any backlash from fans of your other band that expect to hear the same thing over and over with?
Not at all, most of them send praise. There has not been any limitations or expectation set.

12. What direction do you see the music heading into on future releases?
Hopefully a more international audience were I can concept worldly happenings instead of soley representing my home town.

13. Any final words or thoughts?
Speaker Ritual creates a feeling that represents reality, not fiction. There are no fairy tales, everything is 100% real. Search what is given, then feel what was written......

www.myspace.com/speakerritual

Derelict Sermon Interview

1. Can you tell us a little bit about your project for those that have never heard you before

i started derelict sermon in early 2006.i was pissed off just being a drummer in bands for the last 20 years apart from my lone power electronics project survivalist,(the long deleted for the cold blooded cdr was released in a very limited pressing by sadisque records in 1999.the cdr was recorded in 1996/1997)and ethersuite(a downbeat project with leoncia flynn,2 archangels in the winds of nihilism cd was released in 2004)which both was pretty much me solo and wanted to have complete control over my music/art direction etc.at first it was a blend of doom and a bit of black metal and now has grown into a very different beast.



2. What is going on with the project these days?

derelict sermon has so far released 3 albums on my label bleakscape.selftitled debut album(2006)wardycurse(2008) and the murderous altitude(2010)im currently working on a 4th album.maybe released this year by more than likely in 2011.


3. What is the meaning behind the bands name?

the name derelict sermon was coined in 2004 by myself and a close friend.we was talking about an old derelict church around where we live.sermon just kind of fit.the name should not be taken out of context i.e.a crumbling church falling down around a sermon spoke out etc!the name has a secret deeper meaning than that. its has an invisible meaning to me when i choose for it to have.


4. Do you have any other projects or bands besides this one, if so who are they and what style of music do they play?

i have been in many bands over the past 20 years,longcoldstare/harmony as one/scalplock etc.at the moment im just doing derelict sermon.


5. Have you considered getting a full line up or is this going to remain a solo project?

i have never been into doing ds live.it would lose all of its magic for me i think.i have toyed with the idea but im so into it being just studio based.the new stuff im working on would be impossible to pull off live.im into recording a track then moving on never to go back.progression would be zero if i went back and played say the 1st 2 albums.it would be so fuckin dull.i love to listen to them but not repeat them.


6. How would you describe your musical progress over the years and what direction do you see the band heading into on future releases?

my music as derelict sermon has no doubt progressed since the 1st album.form recording with my friend indian singer lopa kothari on the last 2 albums to the jagged time structures and general atmosphere on the new album.i think the 4th album will be the most out there and challenging i have ever done with derelict sermon.the music is much more orchestrated than ever,even improv and spectral musics seeping in. im working with lopa kothari again on this new one and another very talented lady and dear friend vera brozzoni.


7. Out of all the albums you have recorded so far which one are you the most satisfied with?

i love all 3!but would pick the murderous alttude as my current fav.its all the stuff i built up for it over the 2 years i took to record.its has an early mastodon/orthrealm influence in parts.the last track on the album leoncia is maybe a clue to were im heading next.maybe,but im thinking broader than that even.


8. How has the reception been so far to your music by extreme music fans worldwide?

so far its been really good.even getting a great review in kerrang!!!fuckin mad!even they seemed to like my sickminded music.nice!aot of people the world over have and continue to give me great fuckin reactions.im very grateful for that.its nice when people get into what your doing.


9. What are some bands or music styles that have influenced your music and what are you listening to nowadays?

at the start of derelict sermon its was hellhammer/early celtic frost/trouble/black sabbath.those are still there for me as are ortrealm/the locust/mastdon/high on fire/mercyful fate/iron maiden etc.i listen to very little black metal the only stuff i would touch from black metal these days would be early venom/bathory/early burzum/mercyful fate/xasthur/leviathan/twilight and craft.at the moment in listening to scott walker-the drift/kate bush/oum kalthum/gnaw/sunn0)))/genesis/miles davis/yoko ono/whitehouse/comus etc.i love lots of music,hc punk/classical/folk/jazz/pop and of course metal! have always had avast taste in music.


10. How would you describe the lyrical content of the music?

thats the hardest question.my lyrics have and will always be very private to me.all you need to know is they are very very extreme.whitehouse/sutcliffe jugend would be near places i would mine but i have a complete separate violence/sadism etc.alot of females in my titles/lyrics are ladies i have known or still know.they all have a history of being very dangerous people indeed.people you would not wanna fuck with.



11. What made you decide on the cover art that you used for the new album?

in one of my fav films called the baader meinhoff complex their is an assassination/kidnap scene and kind of very loosely based it on that.an american cartoonist called bodie chewning did it for me.i wanted to cover to be real but you know i dont want to go away for murder just for a fuckin cover!!!no i was gonna get models to do ot but thought it may be a too cheesy witchfinder general type of cover.i am really pleased the way it turned out.it looks fuckin great.


12. Does Satanism or Occultism play any role in your music or your life?

not really.not in my music anyway.i have been into austin osman spare for many years.in my life maybe there is some influence/inspiration form great people like him. anton la vey i used to really like.his take on things was very important to back in the mid to late 1990's.


13. What are some of your interests outside of music?

i work,see close friends.got to a few gigs.draw when i get time.read as well.i love films as well.and doctor who has been a big mover with me for ages now.you cant beat it!!!some of my fav fims are the mackintosh man/blue rita/thunderball/who dares wins/the honeymoon killers/the elephant man/saturday night and sunday morning/carrie/halloween and the wicker man.




14. Any final words or thoughts?

just thanks for the support and look out for the new album and the 4th album.i hope this project goes on for a while.and thanks for the interview.its a scoop dude as its derelict sermons first interview!!!you heard it here first people!

Facebook

MySpace

Derelict Sermon/The Murderous Altitude/Bleakscape/2010 CD REVIEW

 Derelict Sermon are a one man band from Great Britain that plays a style of extreme music that combines sludge, doom, black metal and noise and this is a review of the 2010 album "The Merderous Altide" which was released by Bleakscape.

Drums are mostly slow with some beats that get kind of fast at times with that that much when it comes to blasting, while the bass playing is very primal and sludgy with a dark distorted tone, and on the last song there were some strings being used to gave the music  a funeral doom/black metal feel mixed in with some ambient sounding noises that contained a lot of feedback.

Guitars are tuned down very low and have a dark and doomy sound with some occasional fast riffs that have a crust punk feel while the vocals seem to be a mixture of black metal screams mixed with Buzzoven, Grief and Eyehategod type of vocals and on one song there was some clean vocals that had a very sinister edge to them with the last song on the album having some female vocals that sounded New Age.

Production on this recording which was recorded at Bonafide during August of 2009 and Engineered as well as mixed by Brian Boganovic sounds really dark, raw and primal and all of the instruments and vocals sound very heavy, while the Front Cover Illustration which was dome by Bodie Chewing has a couple of women and an old man shooting guns through a car window and killing everybody in it, as for the song titles they cover murder topics and seem to have a good sense of humor.

In my opinion this is a good album and it brings back memories of a lot of the doom/sludge/grind/crust warehouse shows that I use to go to all the time in the mid 90's and early 2000's before everything got trendy. If you are a fan of sludgy doom metal with a black metal edge I would advise you to buy this album, you can contact the bandwww.myspace.com/derelictsermon ande www.derelictsermon777@gmail.com

Standout tracks include "Ambush Technigues" "Authoritarian Assassination" and "the Murderous Altitude". RECOMMENDED

Facebook

MySpace

Dagor Dagorath Interview

1. Can you tell us a little bit about the band forthose that are not familiar with you?
Well we are Dagor Dagorath from Israel we formed in 2003,band founded by Vorog(guitar/vocals),Getman Azach(Keyboards/back vovals) and me Mizgir( Bass guitar) and started as a pagan black metal band .., in 2007 we released our demo Times of DIstress and after that we changed our musical style to Black /Death
and now we releasing first album Yetzer Hara

2. How would you describe your sound?
Our sound is rich and complex i think that to hear all the elements in the album you need to hear it couple of times...
alot of Keyboards parts and different musical styles

3. I know the band name comes from Tolkien, what is it about this author that you find interesting?
first when we choose the name of the band we all read lord of the rings and what we found interesting in Tolkien is the way that he created huge fantasy world and when you read his books you feel that this world that he created is real ...

4. The album title Yetzer Ha Ra has kind of a cabalistic kind of sound to it, is it influenced by this form of Hebrew Mysticum?
Not exactly the title refers to the concept of"An inclination towards evil"as detailed in jewish lore.
the concept is metaphoric-through descriptions of outward warriors battles you may feel the union of each personality's own inward contradiction natures suffocation and fight between each ones defined evil/goodness sources.

5. How would you describe the musical progress over the years and what direction do you see the band heading into on future releases?
Our musical progress was huge first we played pagan black metal and then we moved to play black /death
olso our musical skills are better we dont stand in one place we try to developed our band and try new things
about the direction that we heading on future releases it hard to tell something specific right now we in the middle of writing new material for second album but it will be definitely big step forward in every aspect...

6. What are some of the best shows that you have played so far and how would you describe your live performance?
the best show that we had was the release show of our debut album ,it was our show and people come to see us so it was definitely weary special event for us ....
olo our first show in haifa city was very good show the crowd was amazing and gave us good feedback...

7. Are there any plans for a U.S tour?
We thought about it but for now it uncertain and we didnt get any good proposals so maybe in the next year we could come ,we would love to play in the us...

8. How has the music been received so far from the extreme metal community so far?
actually the album released only in russia and a worldwide release is right now 22 january
so in russia album received pretty good a lot positive review and good words, in our country our album olso gained good press..
and about the rest of the world we will see time will tell..

9. What are some bands or music styles that have influenced the band's music?
in the beginning when we started the band most of the bands that we listened were black metal like cradle ,dimmu borgir,anorexia nervosa satyricon and pagan black metal bands but with the time we started to listen to all kinds of metal styles so now we are infuenced from alot of different bands and styles,


10. What are you listening to nowadays?
i dont really know about other band members but I listen to hate,behemoth,Devil Driver,lamb of god,evergrey,arch enemy,ensiferum,opeth,septic flesh there is alot of the bands that i like ....

11. What role does Paganism, Occultism or Satanism play in the music?
i dont think that any of this is related to us.., paganism played a big role in our music when we started but now we moved to different directions...

12. Outside of music what are your interests?
Outside music my main interest is graphic design i am at my 3 year of study visual media and graphic design,so beside's that i dont really have time for other interests because to be a student and play in the band it really hard thing and you dont have alot of free time

13. How would you describe the extreme metal scene in Isreal?
The metal scene here in israel is very small we dont have alot of opportunities to play live concerts here and also you cant tour,
and Black Metal in Israel is not so wide-spread
but people support us from concert to concert and we have a good feedback here...


14. Any final words or thoughts?
Thanxs alot for the Interview
also thanxs to all people that supported us and Continue to do this
Best
Mizgir

Facebook

Myspace

ReverbNation

Twitter

VKontakte

YouTube

KenoN/From the Viod Came Chaos/Qualm Records/2009

 KenoN are a 3 piece band from El Monte,California whose music I would describe as symphonic black metal and this is a review of their 2009 release From The Void Came...Chaos.

Drums are very fast and brutal with a lot of blast beats and the drums slow down at times when the keyboards come in which are in the vein of 90's symphonic black metal and if you were around in the 90's I don't have to tell you who they remind me but it is some band that was popular in the 90's that is still even more popular now but don't use that style of keyboard playing anymore.

Bass playing on this recording is kind of mixed down low in the mix but the parts I did hear where fast and melodic, while the Rhythm guitars cover a variety of different riffs with some fast black metal playing that have somewhat of a death metal influence and you can hear a lot of melody. Guitar leads sound very technical as well as professional with a lot of solos that contain a lot of power and melody.
There are also some occasional acoustic parts that have a really haunting sound with some melody.

Vocals are a mixture of high pitched black metal screams mixed in with a good measure of death metal growls that have a polish blackened death metal feel to them and there is some occasional clean melodic singing mixed in as well.

Production on this recording which was recorded in a bedroom in El Monte and mixed and mastered by Stygian sounds very professional for a bedroom quality and has a level of professionalism that you would hear on a Century Media or Nuclear Blast Recording.

I did not get a copy of the lyrics while I downloaded this but I can name of some of the songs so you can get the titles  "From The Void Came....Chaos" "Throne Of Thorns" and "Hordes OF Empire".

In my opinion this is a really good album from a band that shows a lot of potential and if they get signed to the right label or get on a decent tour, they get become a much bigger name.
HIGHLY RECOMMENDED.

Beltane Interview

1. Can you give us a brief history of the band?


Ok, Beltane began as a project that I decided to start in mid 1993, however I consider the official start in October ’94, when I recorded a song called ‘Into the Night’, playing all the instruments myself. From there, it developed into a three-piece band with Dyrkyn on drums and Thyiendalen on bass. Apart from a few glitches that lineup lasted from 1994 til 1999.
The next period from 2000-2003 was fairly dormant until I reactivated the project with Kvathairein on bass and using drumtracks instead of a drummer. On the (southern) Summer Solstice of 2004 we made a recording that became the first release of our Seasonal Release programme.
2006 saw Dyrkyn return to the band and also Noslohcin joined on guitar, so for that year we were a four-piece band. In late ’06 I met Baphgirl, and things started to change.
Early 2007 I left Nelson to relocate to the Manawatu area in the North Island, and Baphgirl, who had become my partner, took up the role of bassist and we returned to using drumtracks for live shows. Things have been much more successful since locating the band in the North Island – in ’07 and ’08 we played many more shows than Beltane has done in it’s entire history before then.
For the last half of ’08 until now, we have been pretty much focusing on the recording side of Beltane, and recently also on the online presence which has been paying good dividends. We have also started working extensively with contributing artists; one of these being Kvathairein, who has been making some great contributions.
For a more detailed history, have a look at the timeline on our Myspace page.

2. How would you describe your sound to someone who has never heard you before?

The core ov our sound is Black Metal, and although we do venture into other styles the BM essence is usually preserved in the guitar sound and in many ov the vocals. However we are quite diverse and bring in elements ov Gothic music, Industrial/Electronica and aspects ov other metal genres from Hard Rock to Death Metal. We also experiment with including symphonic instruments and sculpted noise sources in our sound.

3. What releases have you put out so far?
Pre-Seasonal Releases:
Rehearsal April 5 1995 (Cassette, currently unavailable)
MCMXCIX (3 track CD, currently unavailable)
Rehearsal at Irongate 2004 (Bonus CD-ROM content on Cape D’Evil & CD from Lifespan Records)
Seasonal Releases:
Summer Solstice Live ’04 (Live Album)
Equinox Upon Fairfield AE05 (MCD)
WSOV (MCD)
The Brook Project VE05 (MCD)
Midnight on the Glen SS05 (MCD)
Autumn Craft 2006 (MCD)
Solstice’s Altar Returns – Winter6 (MCD)
Her Spring Eyes VI (MCD)
Jera (Album)
Jera 2 (Album)
Cape D’Evil (MCD)
…Through Darker Seasons (Album)
Shadowplay Desolate (MCD)
Summer ov Skoth (MCD)

4. What are some of the best shows that you have played and which crowds would you say are the craziest or best?
For the old lineup ov Beltane, opening for Impaled Nazarene was pretty cool. The Darkness Gathering ov 2003 was a great show, and about the best kind ov live comeback you’re likely to get. The 6/6/06 show was really cool because…well…it was the 6/6/06!! For the current lineup we played extensively in 2007 & ’08, and the shows at the venue ‘Valve’ in Wellington, New Zealand were consistently some ov the best as we had fun, had good audience response and made money, which always helps! ;)
Sadly, Valve is no more. Some new people have reopened it as ‘Hole in the Wall’, but they haven’t returned any ov our messages properly about booking a show.
The craziest show is easily when we played ‘Dannypalooza’ in Dunedin (New Zealand) in Feb 2008.

5. Are there any plans for a U.S tour?
Not really.. Unless someone with the wherewithal in the U.S took a severe liking to us and made it happen. We have been in contact with some people in Canada, so touring there is possibly more likely, but even then it’s a long way off.

6. How would you describe your musical progress over the years, I heard an old song on YouTube the other day and it sounded like a different band?
I would definitely say our songwriting is getting better, both in terms ov the quality we can achieve and the speed at which we can do it. Since we record on every Solstice & Equinox we make a lot ov CDs, therefore we need to write a lot ov songs. Practice makes perfect, as they say!
The song you saw on YouTube is called ‘Emily’, and probably sounds completely different to any other song on that CD (Jera), as all the songs do. We are a very diverse band and no two songs sound alike..! Someone recently described that song as sounding like "old Pentagram", which is kind ov funny as we have never heard them, hehe..
As for the productions, the quality ov these has improved over the years. I would describe our earlier Seasonal Releases as having a somewhat ‘underground’ sound, whereas the later ones have moved over into the professional sphere. I think the change here came really abruptly between the ‘Jera’ & ‘Jera 2’ albums, and probably has much to do with improvements in mastering techniques. In fact at some stage I’m planning on re-mastering the ‘Jera’ album, as I feel I could bring it up to nearly the standard ov ‘Jera 2’.

7. When can we expect new material?
If we’re working on a new EP, it’ll come out 3 months after the last release. If it’s an album, it’ll come out 6 months later. However, we update our Myspace tracks every 3 months regardless.
Our current project is a re-recording ov our ‘MCMXCIX’ (mini CD), since it’s the 10-year anniversary ov this release! We are very excited about this particular project, as the drumming is performed by Mark Dubanowski who lives, and recorded the parts, in Scotland. It also features our former bass player, Kvatharein on rhythm guitar, who recorded his parts in Wellington on the Equinox Eve – the same time we were recording our parts in the Manawatu Gorge Cemetery. It’ll be out in early June, we expect. Since it’s only 3 tracks, it will also feature extensive bonus material as CD-ROM content, probably Beltane’s 6606 performance.


8. What are you listening to nowadays and what are some good bands that you would recommend?
Well, as you could imagine working on Beltane how we do, means we spend an unholy amount ov time listening to Beltane tracks in various stages ov completion. We actually enjoy listening to our completed productions, and while this may sound narcissistic, if someone doesn’t like their own music, why should they expect anyone else to? (imagine a chef that didn’t eat his own food!!!) (
In the car, we constantly listen to Hades – Again Shall Rise & Bathory – Blood Fire Death, as the CD player is fucked and will only play those two CDs! Also as we are developing Satanica as a proper label now, we listen to a lot ov material that’s sent to us for release. We usually do this while we’re washing the dishes, and if we don’t get anything new the dishes mount up!
I’m a traditionalist, so I recommend the classics.. Bathory, Darkthrone, Celtic Frost, Venom, Mayhem, Burzum, Cradle of Filth (yes, CoF.. HA HA! Mainly their earlier stuff, but also their Sony album ironically), but I also like stuff which is not metal like Funker Vogt, Covenant (EBM), Beherit’s electronic stuff (I do like their metal stuff too ov course), Inkkubus Sukkubus, and The Mission, Fields of the Nephilim, etc. A fairly obscure metal/gothic crossover band, I think, who deserves more exposure is Willow Wisp. And while we’re on that, Fleurety, Summoning, Kreator and Coroner are great too.
Baphgirl’s tastes veer into the more industrial/electronica realm – Rammstein, Funker Vogt, Assemblage 23, Covenant, Blutengel, Front 242, Das Ich, Switchblade Symphony, Neuroticfish, And One, Cruxshadows, VNV Nation, Project Pitchfork, Astral Projection.. to name a few ov her favourites.

9. What are your main influences music wise or non music wise?
The aforementioned classic bands were certainly an influence in the fact that they made me want to play Black Metal. However I don’t think we’re actively influenced by anyone, musically, to a great degree. So in an ongoing way, other influences do indeed play a greater role in our music. The seasons are a very strong influence, which we have deliberately designed into Beltane to be this way. Life influences a great deal ov our lyrical output, and since we are Satanists, it’s essentially a life viewed from that perspective.

10. What role does Celtic Paganism play in the bands music or life?
I was born on Walpurgisnacht/Northern Hemisphere observed day ov Beltane. That’s basically how we come to have this name. I don’t consider it an accident that I was born on this day. Although we are Satanists, we are unlike many Satanists, Pagan as well in terms ov observing the Wheel ov the Year and using sympathetic magick. We are certainly interested in all things Celtic and Irish (especially the lighthouses), but we don’t restrict ourselves to worshipping Celtic deities, in fact as Satanists, we don’t worship ANY deities. We do use them in ritual magick, but are just as likely to use Norse/Greek/Egyptian & Sumerian ones in these workings as well. We do enjoy it when a riff comes out with a Celtic flavour, though!

11. What are some good books or films that you would recommend?
Books: The Satanic Bible. Everyone should read this book..! The Lord of the Rings (read the damn book!) Anything and everything on the Occult, The Lighthouse Stevensons by Bella Bathurst, Lords of Chaos, if you’re interested in the history ov Norwegian Black Metal.
Movies: Apocalypse Now. This should be watched often and in many different drugged states. Dr. Strangelove, the Omen series, Preaching to the Perverted, Secretary, Death Tunnel, The Lighthouse (by some Swedish dude.. look it up on YouTube), I strongly recommend you try to obtain a copy ov Mourning the Ancient’s video – HYPERLINK "http://www.mourningtheancient.com" www.mourningtheancient.com & all ov Paul Douglas Valentine’s stuff on YouTube (PDValentine).
Baphgirl recommends these books: Anything by Terry Goodkind, Sara Douglass, Tad Williams, Charlaine Harris, Raymond E. Feist & the late David Gemmell.
And these movies: Harry Potter series and porn.

12. How would you describe the metal scene in New Zealand and what are some good bands that you would recommend from your home country?
In the last 10 years, the scene has expanded massively. Alas, most ov that expansion has come in the form ov fuckwits. Most NZ bands are nothing but sycophantic fanboys, pallidly imitating their overseas heroes in the hope they’ll get laid. It’s a pity we cannot answer questions like these without taking interviews in a somewhat negative direction. We find the New Zealand scene nearly totally unsupportive ov Beltane and completely reluctant to give us the acknowledgement we obviously deserve. For all the bands that have played at the shows that WE organized in ’07 & ’08, not a single fucking one has returned the favour. This is why we have moved towards looking to the international market.
However, we do have some friends so I’ll recommend them. Sounds of Vengeance, Varraghor, Malevolence, Zspyne & Execrate/Pevertor.

13. Any final words?
Anyone who would like to hear more ov Beltane and purchase our CDs can do so at HYPERLINK "http://www.myspace.com/darkgodbeltane" http://www.myspace.com/darkgodbeltane . Also you can check out our website HYPERLINK "http://www.angelfire.com/band2/beltane" http://www.angelfire.com/band2/beltane . Remember that our CD prices are in NZ$, which are only worth just over half a US$, so they’re less expensive than they look! You can also obtain our releases as digital(MP3) releases mailed directly to your inbox. Contact us about this, for prices etc.

14.Thanks for the interview?
Yeah, cheers for the interview. It’s been an interesting afternoon filling out these questions, especially question 11 hehe.. ( We wish you the best for your zine, and keep in touch and we’ll keep you up to date with info and new releases to review...!

Facebook

Myspace

Official website

ReverbNation