Sunday, September 9, 2018

Valdrin Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?
Since recording the new album, we have continued playing live in as many places as we can. The band has been playing material from "Two Carrion Talismans"  live since about 2013 and overtime we've been filling our setlist with more material from this album. We are also constantly writing new music and becoming more obsessed with our current vision of where the band is going. Our second guitarist, Colton, joined the band in early 2016 and has added a lot to the current music we're working on.

2.You have a new album coming out in September, what are some of the things you feel you have done differently with this recording that you where not able to do with your previous release?

The first thing anyone would notice is that we have a real drummer now. Ryan has been a part of our history since we started, but unfortunately he wasn't a part of the band during the recording of our first album. He rejoined in 2013 and we haven't looked back since. We immediately began crafting the intense and hateful hymns that would end up on "Two Carrion Talismans," it was a great time creatively and I am proud of how truly unique and dark this album is. We wanted to create the most angry, and villainous album we possibly could, and I think we achieved it.

3.This is your first album since 2014, can you tell us a little bit more about what was going on during that time span?

Mostly what I explained above. Working on the music that would become "Two Carrion Talismans" and playing across the midwestern United States. We finished writing the music of "TCT" in 2015 and went into the studio early November of that year. The album took about a year to record, and about a year after that to get it out of the engineers hands and into the right hands to be mixed and mastered by our friend Dan Klein at Iron Hand Audio. We started talking to Blood Harvest Records about releasing the album at the end 2017, and here we are today. Unfortunately, life is tedious, and goals often take longer to achieve if you want to do them the right way. Nonetheless, Im confident that you wont have to wait another 4 years for the next Valdrin release.

4.The lyrics on the new recording are a concept album, can you tell us a little bit more about the story that was covered on this release?

All of our music is conceptual and part of the Ausadjur Mythos. The story's protagonist, Valdrin Ausadjur, is the root of which the whole story is based upon. "Beyond The Forest" (our debut album) was the beginning of his story, which will most likely be a trilogy of albums. "Two Carrion Talismans" is a prequel to the events of that album, and is the only album we will create that is solely dedicated to the Antagonist, Nex Animus. This story begins at the end of his earthly life, in a prehistoric period of mankind, and his post-mortal creation of the dark netherworld known as the Orcus, where the events of "Beyond The Forest" later take place. Without revealing too much, I will say that this story accounts for centuries of rule over the Orcus, and the journey to his enlightenment, where he discovers a way to create armageddon and survive it. What ends up taking place on "Beyond The Forest" is a result of this conspiracy, and it leads to Nex being able to destroy the triad of worlds in which Earth is the fulcrum and escape into the universe. Valdrin - the pawn for his scheme - escapes as well. One day we'll see what happens next.

5.Your lyrics also have a lot of occult themes, can you tell us a little bit more about your interest in Occultism?

We all have an interest in the Occult to varying degrees. However, I want to stress that we are not an occult band. Our music is a story, a concept, a mythology of our own creation. The 'Ausadjur Mythos' is informed by many ancient religions, mythologies, occult practices and basically is a synthesis of all spiritual concepts from the past, and sees humans as the creators of this spiritual energy. The afterworlds we've created: The Aurae (the light world) and The Orcus (the dark world) are channelled through a conduit within mankind that we call The Spirit Genome. This is more or less the DNA of the soul, that was created in prehistoric times from a great conflict that we call 'Junnatox'.

These are examples of how our music might appear occult, but it isn't. We aren't giving guides to esoteric rituals or anything like that, we are entirely based within our own concept.


6.What is the meaning and inspiration behind the name 'Valdrin'?

It has no inherit meaning. We thought we made the name up, but it turns out its an Albanian name commonly used for both men and women. It translates to something like 'wave.' But it is simply the name of our protagonist, and any other connections could only have been made after the fact. His surname, Ausadjur, is where all the meaning lies.

7.Can you tell us a little bit more about the artwork that is on the album cover?

The album cover features the antagonist, Nex Animus. What you see on the cover is a concept of duality. In this instance it is the perceived self, and the actual self. It represents what we consider to be the archetypes of all villainous, antagonist characters. In the foreground, you see a haggard, feeble old man who bares the scars from his past and his own inner anguish, but in the reflection you see a grandiose evil tyrant, who exists only to conquer and destroy. This is the dichotomy of evil: that which is made into evil through a real or perceived injustice, and that which is purely evil and wishes to destroy for no reason but to create suffering. The concept of duality is also reflected in the album title, "Two Carrion Talismans." These talismans are in the eyes of the Ausadjur sword on the cover.

The artwork was done by an amazing artist and friend named Lucas Ruigerri and he did an amazing job at bringing this concept to life.

8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

We've enjoyed them all in different ways. Some that stick out are when we played with Zemial in Lexington, KY or the two times we've shared the stage with Incantation in our hometown of Cincinnati. Taking part in the Blood Of The Wolf festivals I-III in Lexington (put on by our allies in Tombstalker and the Wolven Brotherhood) were all great moments. Playing in cities like Richmond, VA, and Philadelphia, PA we're also very rewarding experiences. We'll play anywhere that wants us. We hope to play more across the US and hopefully in Europe in the future.

9.Do you have any touring or show plans once the new album is released?

We definitely have plans to play in as many cities as possible once the album is released. When we have our copies, we'll hit the road and see what happens.

10.On a worldwide level how has the reaction been to your music by fans of black and death metal?

Its been great, honestly. Sometimes people aren't sure wether to call us black metal or death metal, and that is interesting to watch what people label us. Nonetheless, there seems to be people out there who are really catching on to what we are doing, and some of these people are reading into the lyrics and the story, and getting very into the concept. This is the greatest reward we could ever receive. It doesn't matter if its 10 fans or 10,000.....if someone gets it, then we don't feel entirely alone. Our music, after-all, is a complete escape from this garbage world, and is a way for us to create a place to inhabit that is infinitely more interesting than this boring place we've been born into.

11.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Colton's band Lucis Absentia are currently on hiatus from playing live. I believe they'll be back one day and they'll continue making great metal music. They recently released a full length album called "Gehenna Gate" and its doing very well. I did a demo with a close friend of mine around 2016 with a band called Grim Feast. The demo did well and garnered some good press. Its mostly a project though, maybe one day we'll do an album. Ryan composes a lot of music on his own time for himself, and so does James. For the moment though, we've all had a tunnel vision focus on our current direction with this. Every member has contributed greatly to what is coming in the future.

12.Where do you see the band heading into musically during the future?

I see the music getting a lot darker and more haunting. The new songs reflect a lot of hatred, fear, misanthropy, and terrifying visions from nightmares. I don't want to give any information on where the story is going, but I will say that this will be the music of bloodred nightmares and haunting, isolated torture.

13.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

Some of the bands/musicians that influenced us to find our own identity were stuff like: Bathory, Peste Noire, Dissection, The Chasm, Xasthur Leviathan, Mutiilation, Morbid Angel, Windir, Manes, Order From Chaos, as well as the compositions of Nobuo Uematsu. Nowadays I've been listening to a lot of different stuff like Abigor, Katharsis, Dawn, Endless Dismal Moan, Judas Iscariot, Thergothon, Lycia, Belketre. As far as new bands, I've been obsessed with some of the current black metal coming from Sweden, stuff like Azelisassath, Grav, Ganipahalan, Beketh Nexehmu and more.

14.Before we wrap up this interview, do you have any final words or thoughts?

Thanks for the interview! We appreciate everyone's support for our music worldwide. Hope you all enjoy "Two Carrion Talismans."

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Felis Catus/Banquet On The Moon/Masked Dead Records/2018 EP Review


  Felis  Catus  is  a  solo  project  from  Italy  that  plays  a  mixture  of  experimental,  black  and  death  metal  and  this  is  a  review  of  his  2018  ep  "Banquet  On  The  Moon"  which  will  be  released  on  September  25th  by  Masked  Dead  Records.

  Atmospheric  soundscapes  start  off  the  album  along  with  some  grim  black  metal  screams  a  few  seconds  later  while   clean  playing  is  also  utilized  at  times  as  well  as  the  songs  also  bringing  in  elements  of  ambient  and  electronic  music  which  is  also  mixed  into  the  heavier  sections  of  the  music  and  the  music  also  has  its  avant  garde  moments.

  At  times  the  music  gets  very  experimental  along  with  a  great  amount  of  progressive  rock  elements  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  the  songs  also  add  in  some  session  work  from  Grey  Ravenmoon  and  Alessandro  Riva  as  well  as  some  spoken  word  parts  and  whispers  being  used  briefly  and  death  metal  growls  are  also  added  into  certain  sections  of  the  recording,  as  the  ep  progresses  a  brief  use  of  middle  eastern  style  chants  can  also  be  heard  and  the  riffs  also  bring  in  a  decent  amount  of  melody.

  Felis  Catus  plays  a  music  style  that  takes  black,  death  metal,  experimental,  ambient  and  electronic  music  and  mixes  them  together  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  science  and  space  themes.

  In  my  opinion  Felis  Catus  is  a  very  great  sounding  mixture  of  experimental,  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Banquet  On  the  Moon"  and  "Baron  Munchausen".  8  out  of  10.

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Tuesday, September 4, 2018

Rapheumets Well/The Elder's Anthology/Test Your Metal Records/2018 Compilation Album Review


  North  Carolina's  Rapheumets  Well  have  returned  with  a  compilation  that  is  in  the  progressive  and  symphonic  style  of  black/death  metal  and  this  is  a  review  of  their 2018  album  "The  Elder's  Anthology"  which  also  consists  of  remixed  and  remastered  songs  from  their  3  albums  and  will  be  released  on  October  26th  by  Test  Your  Metal  Records.

  Acoustic  guitar  playing  starts  off  the  compilation  before  going  into  a  heavier  direction  while  the  symphonic  elements  are  also  mixed  in  with  the  heavy  parts  off  the  songs  along  with  the  faster  sections  of  the  songs  also  bringing  in  a  great  amount  of  blast  beats  and  the  vocals a re  a  mixture  of  black  metal  screams  and  death  metal  growls.

  When  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  and  technical  style  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  riffs  having  their  melodic  moments  as  well  as  a  brief  use  of  spoken  word  parts  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Clean  male  and  female  vocals  can  also  be  heard  briefly while  some  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  music  also  capturing  the  atmosphere  of a  science  fiction  movie  soundtrack  as  well  as  mixing  in  elements  of  orchestral  and  classical  music into the  more brutal  parts  of  the  songs.

  On  this  compilation  Rapheumets  Well  brings  out  some  of  the  best  symphonic  and  progressive  black/death  metal  material,  the  production  sounds  very  professional  while  the  lyrics  cover  their  self  created  science  fiction  lore  which  focuses  on  the  fictitious  universe  of  the  Atai.

  In  my  opinion  this  is  a  very  great sounding  collection  from  Rapheumets  Well  and  if  you  are  a  fan  of  symphonic  and  progressive  black  and  death  metal,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Resurrecting  The  Blood  Gate"  "The  Witch  Of  Darkspire"  "They  Cometh  in  Fire"  and  "Ghosts  Walkers  Exodus".  8  out  of  10. 

https://youtu.be/kPym5DiG700    

Monday, September 3, 2018

Psyclon Nine/Icon Of The Adversary/Metropolis Records/2018 CD Review


  Psyclon  Nine  are  a  band  from  San  Francisco,  California  that  plays  a  mixture  of  aggrotech,  industrial  and  black  metal  and  this  is  a  review  of  their  2018  album  "Icon  Of  The  Adversary"  which  was  released  by  Metropolis  Records.

  Industrial  sounds  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  music  along  with  some  spoken  word  samples  also  being  utilized  at  times  as  well  as  the  vocals  also  bringing  in  a  great  amount  of  black  metal  screams  and  industrial  style  vocals a re  also  used  at  times.

  Elements  of  aggrotech  can  also  be  heard  quite  a  bit  throughout  the  recording  while  programmed  beats  and  synths  are  also  used  at  times  along  with  the  riffs  also  adding  in  a  small  amount  of  melody  and  as  the  album  progresses  a  brief  use  of  clean  playing  can  be  heard  and  the  closing  track  is  very  long  and  epic  in  length  which  also  adds  in  a  small  amount  of  clean  vocals.

  Psyclon  Nine  plays  a  musical  style  that  takes  aggrotech,  industrial  and  black  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Psyclon  Nine  are  a  very  great  sounding  mixture  of  aggrotech,  industrial  and  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Crown  of  the  Worm"  "Warm  What's  Hollow"  "and  With  Fire"  and  "The  Last".  8  out  of  10.

https://www.facebook.com/psyclonnineofficial/

Thursday, August 30, 2018

DungeonHammer/Infernal Moon/Me Saco Un Ojo/2018 Full length Review


  DungeonHammer  are  an  international  duo  that  has  been  featured  before  in  this  zine  with  the  band  members  being  from  France  and  the  Netherlands  and  plays  a  mixture  of  black,  doom,  thrash  metal  and  punk  and  this  is  a  review  of  their  2018  album  "Infernal  Moon"  which  will  be  released  in  October  by  Me  Saco  Un  Ojo.

  A  very  dark  and  heavy  sound  starts  off  the  album  along  with  the  music  being  heavily  rooted  in  the  80's  while  both  the  vocals  and  riffs  show  a  Hellhammer/Celtic  Frost  influence  as  well  as  all  of  the  musical  instruments  having  a  very  powerful  sound  to t hem  and  the  slower  sections  of  the  songs  bring  in  elements  of  doom  metal.

  When  the  music  speeds  up  elements  of  punk  and  d  beat  can  also  be  heard  while  solos  and  leads  when  they  are  utilized  are  done  in  a  very  melodic  and  old  school  style  along  with  some  of  the  songs  being  very  long  and  epic  in  length  and  they  also  manage  to  make  a  retro  style  sound  more  modern  as  well  as  one  track  also  adding  in  a  brief  use  of  acoustic  guitars  and  blast  beats  can  also  be  heard  briefly.

  DungeonHammer  creates  another  recording  that  remains  true  to  their  mixture  of  black,  doom,  thrash  metal  and  punk,  the  production  sounds  very  old  school  while  the  lyrics  cover  darkness  and  death  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  DungeonHammer  and  if  you  are  a  fan  of  black,  doom,  thrash  metal  and  punk,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Infernal  Moon"  "Perpetual  Funeral  Winds"  and  "Ad  Infinitum".  8  out  of  10.

https://www.facebook.com/dungeonhammer/

      

Tuesday, August 28, 2018

Evilon Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?
Evilon is a melodic folk-deathmetal band from Sweden that was created in 2015.
In January 2017 we released our first EP "shores of evilon".  Our debut album "Leviathan" will be out the 28th of September via Wormholedeath.

2.You have your first full length coming out in September, what are some of the things you have done different musically with this recording that you where not able to do on your previous ep?
I would say that we have done many things differently. First of all the recording process has been more relaxed and you could say that we had a plan on how we would do it, and we sticked to it. We knew that we did not want to record vocals and drums by ourselfes like we did last time, and we knew that we wanted to be part of the whole "mix and master process" to get it as we wanted.
You could say that the music is different in a way aswell, shortly after the release of our EP you could say that we properly found our own "Evilon sound", you can still listen to the EP and hear that "this is Evilon" but the upcoming album will contain even more "Evilon sound".

3.Your lyrics cover Norse, Celtic and Biblical themes, can you tell us a little bit more about your interest in these topics?
Well, the Norse part felt naturally for us, maybe it's the ancient viking blood in our veins, haha!
The celtic theme also came quite naturally, there are so many possibilities for melodies if you can be inspired by the Celtic music, we don't use bagpipes and stuff like that in our songs yet but usually you can capture the celtic feeling by playing the right melody on a guitar, and we also use violins.
And so to the biblical themes.. none of us is religious, but you can still get a lot of inspiration from the bible if you look at it as a "book of tales".
Of course we don't have a "biblical theme" in every song , but we have pieces here and there, like in "Leviathan" for instance.

4.What is the meaning and inspiration behind the name 'Evilon'?
I have always been interested in the island "Avalon", there is so much mystery and stories about that island. So i thought "Avalon would be a awesome name for this band", it turned out that the name was already taken by a christian band so I thought that we play kinda evil music.. Evil+Avalon became Evilon.
So it's really nothing more but a mixture of words.

5.Can you tell us a little bit more about the artwork that is presented on the album cover?
The artwork is made by our vocalist Joel.
The idéa behind it is kinda "less is more", we want the artwork to stand out by it's simplicity. We wanted the artwork to reflect EviloN, and also the album overall. As you can see the album looks like a runestone, with the beast "Leviathan" on it.

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
Oak metalclub in Norway is a GREAT place to play a cool live show, i think it's impossible to find better audience! I don't know which show it's been the best but we did a strange and a really really funny show in the basement of the  Oak metalclub one time.
This was a private show for members of the club only, we played in a room with full drumset, 2 guitars with cabinets and amps, bass with cabinet and amp and ofcourse vocals, the room was 11-12 square meters and at the last song of the show we was 40 people in that room with closed doors.
It was crowded but damn funny! I actually think it was some sort of record!

7.Do you have any touring or show plans once the new album is released?
No tours planned yet, we have a show the 28th of September (the release date of the album), other than that we don't have much planned yet.

8.On a worldwide level how has the reaction been to your music by fans of folk and melodic death metal?
The EP was released independently by us and never got any publicity really, and as you know the full-lenght album is not released yet.
But we have gotten good reactions of the song "Leviathan" that was released quite recently as a lyric video, we have also had some plays on different radios lately with the new songs so I hope that people will like it, I think we will hear more as soon as the album is released!

9.Where do you see the band heading into musically during the future?
Hard to tell, as i mentioned before, it feels like we have found our own style now and that we will stick to that. We are working hard to not "copy ourselves" and focus on making great songs! Hopefully we will get more publicity when "Leviathan" is released, especially now when the album will be released by wormholedeath! We are not alone this time and that feels great.
Also we hope to get alot more gigs in the future and some touring would be really fun!

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
All of the members of Evilon listen to different stuff, i think thats why we have the sound that we have today, but to mention some bands:
Wintersun, Opeth, In flames, At the gates, Arch enemy, Helloween, Eluveitie, etcetc.
It's a big blend of bands and genres!

11.What are some of your non musical interests?
Spending time with family, animals, videogames and stuff like that, the music is the biggest interest!

12.Before we wrap up this interview, do you have any final words or thoughts?
First of all i would like to thank you all for the positive response and the support we that we have gotten so far, we really appreciate it! Make sure to stay tuned, the album will be released the 28th of September and we would like to hear what all of you out there thinks about it!
Stay metal and stay tuned!

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Saturday, August 25, 2018

Act Of Impalement/Perdition Cult/Caligari Records/2018 Cassette Review


  Act  Of  Impalement  are  a  band  from  Nashville,  Tennessee  that  has  had  music reviewed  before  in  this  zine  and  plays  a  blackened  form  of  doom/death  metal  with  elements  of  sludge  and  this  is  a  review  of  their  2018  album  'Perdition  Cult"  which  was  released  on  cassette  by  Caligari  Records.

  A  very  distorted  amp  sound  starts  off  the  album  before  going  into  a  heavier  doom  metal  direction  while  the  riffs  also  add  in  a  decent  amount  of  dark  sounding  melodies  along  with  the  faster  sections  of  the  songs  also  using  a  great  amount  of  blast  beats  and  black  metal  elements  and  the  music  is  rooted  in  the  90's.

  Vocals  are  mostly  death  metal  growls  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  the  songs  also  bringing  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well,  as  some  d  bear  and  sludge  elements  also  being  utilized  at  times  and  when  guitar  leads  are used  briefly  they  are  done  in  a  very  raw  and  melodic  style  and  acoustic  guitars  are  added  onto  the  closing  track.

  On  this  recording  Act  Of  Impalement  remain  true  to  the  blackened  style  of  doom/death  metal  from  their  previous  releases,  the  production  sounds  very  old  school  while  the  lyrics  cover  Occultism  and  History  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Act  Of  Impalement  and  if  you  are  a  fan  of  blackened  doom/death  metal,  you  should  check  out  this  cassette.  RECOMMENDED  TRACKS  INCLUDE  "Disembowelment  Rituals  Of  Moloch"  "Ruins  Of  Sarnath"  "Pax  Ramona"  and  "Chthonic'.  8  out  of  10.

https://caligarirecords.bandcamp.com/album/perdition-cult