Will Of The Ancients/To Our Glorious Dead/PRC Music/2014 CD Review

  Will  Of  the  Ancients  are  a  band  from  Ontario,  Canada  that  plays  a  melodic  form  of  black/death  metal  and  this  is  a  review  of  their  2014  album  "To  Our  Glorious  Dead"  which  will  be  released  by  PRC  Music.

  "The  Trapper"  which  is  also  the  first  song  on  the  album  opens  up  with  heavy  and  melodic  sounding  guitar  riffs  and  drums  along  with  some  synths  and  bass  guitars  and  a  few  seconds  alter  black  metal  screams  and  death  metal  growls  kick  in  and  after  awhile  guitar  leads  are  added  into  the  music  and  halfway  through  the  music  melodic  clean singing  vocals  are  added  into  the  song.

  "Shield  of  Stone"  begins  with  heavy  and  melodic  sounding  guitar  riffs  and  leads  before  adding  in  drums  and  melodic  power  metal  screams  as  well  as  some  synths  and  a  minute  later  black  metal  screams  kick  in  as  well  as  some  powerful  sounding  bass  guitars  and  growls.

  "Where  Men  Fear  To  Build"  opens  up  with  fast  and  heavy  guitar  riffs  along  with  some  drums  before adding  in  synths,  melody  and  black  metal  screams  as w ell  as  slowing  down  and  adding  in  death  metal  growls  and  then  the  music  starts  to  alternate  between  fast  and  slow  parts  as  well  as  bring  in  a  small  amount  of  guitar  solos  and  leads  and  you  can  hear  melodic  vocals  for  a  few  seconds  before  adding  in  blast  beats.

  "Divinioan  Ascention"  starts  up  with  heavy  guitar  riffs  and  drums  and  a  few  seconds  alter  growls  and  screams  start  to  kick  in  which  also  leads  up  to  some  guitar  solos  and  leads  as  well  as  some  powerful  sounding  bass  guitars.

  "The  Stars  Like  Dust"  kicks  in  with  melodic  guitar  riffs  and  leads  along  with  some  drums  and  after  awhile  the  music  speeds  up  a  bit  before  adding  in  melodic  clean  singing  vocals  as  well  as  an  orchestra  which  leads  to  growls  and  screams  becoming  a  part  of  the  music  and  then  the  music  starts  to  alternate  between  fast  and  slow  parts  and  you  can  also  hear  bass  guitars  in  certain  sections  of  the  music.

  "Trench  Raider"  comes  in  with  fast,  heavy  and  melodic  sounding  guitar  riffs  along  with  some  leads,  blast  beats  from  the  drums  and  black  metal  screams  as  well  as  alternating  between  mid  paced  and  fast  parts.

  "To  Our  Glorious  Dead"  which  is  also  the  last  song  on  the  album  as  well  as  title  track  begins  with acoustic  guitars  that  utilize  finger  picking  and  full  chords  and  after  awhile  electric  guitars  are  also  added  in  along  with  some  solos  and  leads  which  also  leads  up  to  drums  and  heavy  guitar  riffs  as  well  as  symphonic  synths  that  also  bring  in  black  metal  screams  with  blast  beats  coming  in  shortly  after  that  briefly  and  you  can  also  hear  bass  guitars  in  certain  sections  of  the  song,  which  also  leads  up  to  a  small  use  of  death  metal  growls,  as  time  goes  on  by  melodic  vocals  are  added  in.

  Song  lyrics  cover  dark  and  violent  themes,  while  the  production  has  a  very  strong,  powerful,  heavy  and  professional  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording.

  In  my  opinion  Will  Of  the  Ancients  are  a  very  great  sounding  melodic  black/death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Trapper"  "The  Stars  Like  Dust"  and  "To  Our  Glorious  Dead".  RECOMMENDED  BUY.      

http://prcmusic.bandcamp.com/album/dooms-day-the-devils-eyes
          

Cosmic Infusion/Self Titled/Transcending Obscurity India/2013 EP Review

  Cosmic  Infusion  are  a  band  from  India  that  plays  a  very  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  titled  2013  ep  which  was  released  by  Transcending  Obscurity  India.

  "Acronycal  Eloge"  which  is  also  the  first  song  on  the  ep  opens  up  with  synths  and  heavy  guitar  riffs  along  with  some  drums  and  a  few  seconds  alter  guitar  solos  and  leads  start  coming  in  and  out  of  the  song as  well  as  a  mixture  of  black  metal  screams  and  death  metal  growls  shortly  after  that  and  the  music  sticks  mostly  to  a  mid  paced  direction.

  "Burial  of  Thy  Own"  begins  with  soft  acoustic  guitar  playing  before  adding  in  heavy  guitar  riffs,  drums,  black  metal  screams  and  synths  as  well  as  a  small  amount  of  growls  and  a  few  seconds  alter  melodic  clean  singing  vocals  make  their  way  into  the  music  and  after  awhile  guitar  solos  and  leads  start  coming  in  and  out  of  the  music  as  well  as  the  acoustic  guitars  returning  along with  some  spoken  word  parts.

  "Journey"  opens  up  with  sound  effects  before  adding  in  drums  along with  some  synths  a  few  seconds  later  as  well  as  some  heavy  guitar  riffs  and  black  metal  screams  as  well  as  a  small  amount  of  death  metal  growls  and  towards  the  end  spoken  word  parts  are  added  into  the  music.

  "Gothika"  starts  up  with  symphonic  synths  and  a  few  seconds  alter  blast  beats  from  the  drums  along  with  some  fast  and  heavy  guitar  riffs  kick  in  before  adding  in  screams  and  growls  and  after  awhile  melody  and  spoken  word  parts  are  added  into  the  music  and  towards  the  end  there  is  a brief  use  of  guitar  leads.

  "Crepheus  -  Bringer  Of the  End'  which  is  the  last  song  on  the  ep  begins  with  dark  sounding  synths  and  a  few  seconds  alter  drums  and  heavy  guitar  riffs  kick  in  as  well  as  going  into  a  faster  direction  after  that  along  with  some  black  metal  vocals  which  also  leads  up  to  some  melody  being  added  into  the  music  and  towards  the  end  there  is  a  brief  use  of  spoken  word  chanting  and  the  song  closes  with  a  guitar  lead.

  Song  lyrics  cover  dark  themes,  while  the  production  has  a  very  strong,  powerful  and  heavy  sound  along  with  the  bass  guitars  being  mixed down  low  in  the  mix.

  In  my  opinion  Cosmic  infusion  are  a  very  great  sounding  symphonic  black  metal b and  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Burial  of  Thy  Own"  and  "Gothika".  RECOMMENDED  BUY.    


https://transcendingobscurityindia.bandcamp.com/album/cosmic-infusion
           

  

Barashi Interview

1. Can you tell us a little bit about the band for those that have never heard of you before? We're a four piece band playing psychedelic metal from Vermont. we formed in 2010 right after we all got out of high school. We really enjoyed making music togethe, so we decided to stick with it. After three years we are very pleased to have just released our first full length album.

2.How would you describe your musical sound? Heavy psychedelic metal. Our sound has changed drastically since the beginning of the band. We were originally an instrumental trio, and added a vocalist after about two years of playing. Our sound got much darker and heavier but still included some of the melodic elements that were present in our earlier work.

3.What are some of the lyrical topics and subjects the band explores with the music? Lyrics are the last part of our songwriting process. We have all contributed to the lyrics on this album. Usually they are about mysticism or little stories that we come up with. We don't really have any sort of topic we always stick. Usually someone will just come up with something that we think is cool and that's what we will use.

4.What is the meaning and inspiration behind the name Barashi? A Barishi is a shaman in Mongolian and Siberian cultures who practices bone-setting.

5.What are some of the best shows that the band ha splayed so far and also how would you describe your stage performance? Our live sound is significantly different from the sound on the album. A large part of this is due to the fact that the album was recorded in E-standard and we play live in C-standard. The down tuning makes the songs heavier while, hopefully retaining the more melodic elements. We like to keep the energy high so our set generally consists of the more aggressive tracks. As far as shows go, its always a blast to play our home town of Brattleboro Vermont. There's a large gothic church downtown that we rent and have shows in. Its a perfect setting and the maniacs in this town are always down to come out and go nuts for a show!

6.Do you have any touring or show plans for the future? we would love to set up a larger tour in support of this album. As it is we are just gigging sporadically around the north east. We have quite a few dates lined up for the next couple months which is great. we really just love to play as much as possible.

7.Currently you are unsigned, are you looking for a label or have received any interest? I think signing with a label could be very rewarding. It could be really great to team up with a label that would really help further our music.

8.Are there any other musical projects besides this band or is this a full time line up? Its definitely a full-time line up. We've been working on this for over three years now and it has become a huge part of all of our lives.

9.On a worldwide level how has the feedback been to your music by fans of progressive and extreme metal? The album was just released, we don't even have physical copies yet, so we haven't gotten that many reviews. The ones we have received though have been resoundingly positive. We're grateful that people are willing to take time to listen to our album, and its great that it seems to be resonating with some people. Its really just great to be able to release an album after putting in so much time and hard work.

10.What direction do you see your music heading into on future releases? Who knows. When something strikes us we just go for it. Since the formation our sound has gradually gotten heavier and more aggressive, so we may delve deeper into some darker territory. New songs are already in the works and we are performing some of them live.

11.What are some bands or musical styles that have influenced your music and also what are you listening to nowadays? We draw inspiration from a wide range of music. Mastodon and Opeth, as well as bands such as My Bloody Valentine and the Cure have had significant impact on our work. As far as what we listen to, its an incredibly eclectic mix. Collectively we listen to everything ranging from jazz, metal, hip-hop, rock, you name it. None of us are all that crazy about this new alt-folk pop movement though.

12.How would you describe the metal scene in your home state of Vermont? There is some real talent hiding out in the hills here. Nectars Nightclub in Burlington has metal nights where you can see a variety of Vermont metal acts alongside touring bands. One of our favorite bands, Vaporizer is from the Burlington area. Those guys fucking tear it up!

13.Outside of music what are some of your interests? Partying and racket sports!!! Sascha our singer is a crazy rollerblader and is usually doing backflips in a halfpipe somewhere when we are not playing.

14.Any final words or thoughts before we wrap up this interview?

Thanks so much for the interview!

Check out our album on bandcamp: http://barishi.bandcamp.com/album/barishi

and our Facebook page for updated events and info: https://www.facebook.com/barishiband

Barishi/Self Titled/2013 CD Review

  Barishi  are  a  band  from  Vermont  that  plays  a  very  progressive  form  of  metal  with  elements  of  melodic  black  and  death  metal  and  this  is  a  review  of  their  self  released  and  self  titled  2013  album.

  "Sky  Burial"  which  is  also  the  first  song  on  the  album  opens  up  with  sound  effects  along  with  some  saxophones  a  few  seconds  later  and  the  song  is  an  instrumental  intro  with  no  vocals  or  other  instruments  being  utilized.

  "Holy  Mountain"  begins  with  heavy  and  melodic  sounding  progressive  metal  guitar  riffs  along  with  some  drums  and  you  can  hear  bass  guitars  in  the  background  which  also  leads  up  to  saxophones  as  well  as  a  small  amount  of  clean  playing  and  then  melodic  clean singing  vocals  kick  in  before  evolving  more  into  aggressive  screams  and  then  guitar  leads  and  solos  start  coming  in  and  out  of  the  song.

  "The  Rider"  opens  up,  with  some  heavy  and  melodic  sounding  guitar  and  bass  riffs  along  with  some  drums  before  adding  in  black  metal  screams  and  after  awhile  death  metal  influences  and  progressive  rock  style  guitar  leads  are  added  into  the  song  along  with  some  hardcore  style  screams.

  "Exhibiche"  starts  up  with  nature  sounds  and  spoken  word  samples  and  a  few  seconds  later  bass  guitars  kick  in  along  with  some  clean  guitars  before  adding  in  drums  and  a  couple  of  minutes  later  guitar  solos  and  leads  start  coming  in  and  out  of  the  song.

  "Through  Mountains,  Through  Plains"  kicks  in  with  melodic  clean singing  vocals,  heavy  guitar  riffs  and  drums  and  you  can  also  hear  bass  guitars in  the  background  and  as  time  goes  on  by  the  music  gets  more  progressive  sounding  along  with  some  aggressive  vocals  which  also  leads  up  to  a  brief  use  of  clean  guitars  before  getting  heavy  again.

  "The  Waters"  comes in  with  drums  and  heavy,  melodic  and  progressive  sounding  guitar  riffs  along  with  some  black  metal  influenced  screams  a  few  seconds  later  along  with  some powerful  sounding  bass  guitars  and  towards  the  end  there  is  a  brief  use  of  guitar  solos  and  leads.  

  "A  Place  That  Swallows  All  Rivers"  hits  it  off  with  distorted  and  clean  sounding  guitar  riffs  along  with  some  bass  and  drums  and  a  few  seconds  alter  guitar  solos  and  leads  start  coming  in  and  out  of  the  song  and  there  are  no  vocals  present  on  the  song  with  the  music  being  all  instrumental.

  "Jaguar  Scarification  Ritual"  which  was  also  the  last  song  on  the  album  begins  with  sound  effects  before  adding  in  drums  and  bass  guitars  which  also  leads  up  to  heavy  guitar  riffs that  also  utilize  a  great  amount  of  melody  along  with  some  clean  guitars  which  also  leads  up  to  clean  singing  vocals  which  later  evolve  into  some  aggressive  sounding  screams  as  well  as  guitar  leads.

  Song  lyrics  cover  dark  and  metaphysical  themes,  while  the  production  has  a  very  strong,  powerful,  heavy  and  professional  sound  for  being  a  self  released  recording  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording  along  with  some  of  the  songs  being  long  and  epic  in  length.

  In  my  opinion  Barishi  are  a  very  great  sounding  progressive  metal  band  with  elements  of  melodic  black  and  death  metal  and  if  you  are  a  fan  of  this  musical  genre, you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Rider"  "Through  Mountains,  Through  Plains"  and  "Jaguar  Scarification  Ritual".  RECOMMENDED  BUY.

http://barishi.bandcamp.com/

Lyfthrasyr Interview

Answered by Aggreash
aggreash@lyfthrasyr.com


1. Can you give us an update on what is going on with the band these days?

We just released the new album “The Engineered Flesh” via ALIVE Distribution and are very glad about the reactions so far. The promotion is still going on and at the same time we are planning concerts for 2014.


2. How would you describe the musical sound of the new album and also how does it differ from previous releases?

Our sound in general is a mixture of melodic black and death metal. Most songs are high-speed and there are classical influences by using piano or strings as well as influences of electro music by using synthesizer sounds. Compared to the albums before “The Engineered Flesh”, the songs are catchier and there is more variety among them. Probably the biggest difference and the most interesting aspect of “The Engineered Flesh” is the stronger influence of electro music. Nevertheless, this is still extreme metal and not music for the dance floor.


3. What are some of the lyrical topics and subjects the band explores with the new release?

The album title “The Engineered Flesh” stands for the overall concept behind the album. It is about the artificial enhancement and preservation of humans by nanotechnology, genetic engineering, and robotics – a philosophical direction called transhumanism. Music, lyrics, and artwork have been tailored precisely to this concept. Besides life extension or healing mortal diseases, which query the necessity of believing in a higher power, I also discuss topics such as cryonics, soul transfer, or character improvement. I purposely skipped Hollywood topics like misusage of such technologies by terrorists and government to concentrate on more realistic issues like potential consequences or side effects for individual humans.


4. What is the meaning and inspiration behind the name Lyfthrasyr?

“Lifthrasir” was one of two survivors of the apocalypse “Ragnarök” in Nordic mythology. The idea behind the name Lyfthrasyr is to point out the roots of our music (Nordic black metal) on the one hand and to emphasize the beginning of something new on the other hand. The two “i” have been replaces by “y” to make the name unique. Lyfthrasyr shall be linked to the band only and not to Nordic mythology.


5. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
My personal highlights were the concerts at WGT 2006 with about 2000 people and at the Global East Rock Festival 2011 with more than 1000 people in front of the stage. I also really enjoyed the whole European tour 2007 with Behemoth and Kataklysm as well as the Russian tour in 2011. In general, our show is meant to be an extraordinary performance. We don’t wear band shirts on stage but focus on a morbid, cold, and modern appearance. There is a lot of fog and we use own light effects which are synchronized to the music. Furthermore, the interaction with people during the show is very important for us, so I try to stimulate and motivate the crowd all along. With Nefastus we found the perfect drummer for Lyfthrasyr. On stage he plays like a precision machine.


6. Do you have any touring or show plans for the future?

In 2014, we will definitely focus on playing concerts again as the last concert took place long ago in late 2012. If there might be an offer for a tour with a well-fitting band package, we will accept it. But there is nothing clear, yet, so I don’t want to announce concerts at the moment.


7. Recently the band signed to ALIVE Vertrieb, can you tell us a little bit more about this label?

ALIVE Vertrieb is a professional distributor and guarantees that our new album is available all along Europe in online shops and real stores. Actually, I would have preferred to sign a contract with a record label but the offers we got were not convincing, unfortunately. However, being signed to a label is not really necessary anymore nowadays since promotion and distribution can be easily outsourced to professional companies just as we did.


8. On a worldwide level how has the feedback been to your music by fans of black and death metal?

It is fantastic to get good feedback and orders from countries far away from Germany such as USA, Canada, Russia, or Japan. I was also very impressed when people came to me after the concert in Kiev/Ukraine, where we never played before, and said they have been waiting for us to play here since many years. The internet made it easy to reach people worldwide and this is great. However, since our promoter and distributor operate primarily in Germany, most of our feedback is coming from Germany and the nearby countries, of course.


9. What direction do you see your music heading into on future releases?

That’s a good question. At the moment I guess, future songs might be of a more mature style compared to the songs on the new album “The Engineered Flesh” combined with some new influences which even I can’t predict so far. I really like the strong influence of electro music, so I definitely want to keep that and refine it.


10. What are some bands or musical styles that have influenced your newer music and also what are you listening to nowadays?

During songwriting I listened a lot to Rammstein, The Prodigy, Machine Head, or Turmion Kätilöt. Currently I enjoy listening to classic rock such as W.A.S.P., Mötley Crüe, or Iron Maiden.


11. Outside of music what are some of your interests?

Sports, chess, travelling, and beer.


12. Any final words or thoughts before we wrap up this interview?

Check out the new songs and videos and visit our concerts! We highly appreciate your support! Thanks a lot for this interview!

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Jaldaoath/The Further Adventures/D.T.M Productions 2013 CD Review

 

   Jaldaoath  are  a  band  from  the  United  Kingdom  that  plays  a  form  of  folk  metal  with  black  elements  that  they  call  Teutonic  Templar  Thrash  and  this  is  a  review  of  their  2013  album  "The  Further  Adventures"  which  was  released  by  D.T.M  Productions.

  "Roland  the  Farter"  which  is  also  the  first  song  on  the  album  opens  up  with  melodic  chanting  before  adding  in  heavy  guitars  and  drums  along  with  some  synths  and  then  spoken  words  and  folk  instruments  are  added  into  the  song  and  you  can  hear  bass  guitars  in   the  background.

  "Warrior  Monks  Of  Whitehawk"  begins  with  classical  music  style  orchestras  and  hand  clapping  before  adding  in  heavy  guitar  riffs,  folk  instruments  and  drums  along  with  some  shouting  style  vocals  and  melodic  guitar  leads  which  also  leads  up  to  some  clean  singing  melodic  vocals  as  well  as  some  spoken  word  parts  and  powerful  sounding  bass  guitars  and  towards  the  end  you  can  hear  some  esoteric  sounding  melodic  chanting  in  the  background.  

  "The  Bitch  Of  Chistlehurst  Caves"  opens  up  with  synths  and  spoken  word  parts  before  adding  in  heavy  guitars,  drums  and  folk  instruments  before  adding  in  rough  spoken  word  parts and  after  awhile  melodic  vocals  are  added  into  the  song  along  with  some  guitar  leads  shortly  after  that  along  with  a  small  amount  of  black  metal  vocals.

  "Raise  The  Crummhorns"  starts  up  with  folk  instruments  before  adding  in  heavy  guitar  riffs  and  drums  along  with  some  vocals  and  after  awhile  bass  guitars  make  their  presence  known  along  with  some  folk  metal  style  vocals  and  after  awhile t here  is  a  brief  use  of  guitar  leads  along  with  some  spoken  words  being  added  into  the  song.

  "Wailing  Witch  Of  The  Moulsecoomb"  kicks  in  with  acoustic  guitar  playing  before  adding  in  heavy  guitar  riffs,  bass  and  drums  and  you  can  also  hear  melody  in  the  guitar  riffing  when  the  folk  instruments  kick  in  along  with  some  vocals  shortly  after  that  and  towards  the  end  there  is  a  brief  use  of  melodic  chanting  and  spoken  word  parts  added  into  the  song.

  "Black  Metal  Beauty"  hits it  off  with  heavy  and  melodic  guitar and  bass  riffs  along  with  some  drums  and  a  few  seconds  alter  melodic  vocals  make  their  way  into  the  song  and  you  can  also  hear  a  small  amount  of  female  vocals  along  with  black  metal  screams  which  also  leads  up  to  a  brief  use  of  guitar  leads  and  towards  the  end  there  is  a  brief  use  of  spoken  word  parts.

  "The  Whispering  Dwarf"  comes  in  with  whispers  before  adding  in  melodic  guitar  leads  and  drums  along  with  some  spoken  word  parts  and  heavy  guitar  and  bass  riffs  which  also  leads  up  to  melodic  vocals  kicking  in  along  wit h a  small  amount  of  female  vocals  in  the  background.

  'Father  Pig"  is  introduced  by  animal  noises  which  leads  up  to  bass  guitars,  synths  and  drums  along  with  some  melodic  vocals  and  heavy  rock'n'roll  style  guitar  riffs  which  also  leads  up  to  a  small  amount  of  guitar  leads  and  halfway  through  the  song  there  is  a  brief  use  of  spoken  word  parts.

  "J  Team"  which  is  also  the  last  song  on  the  album  begins  with  spoken  word  parts  and  a  minute  later  drums  and  guitar  leads  come  into  the  song  before  adding  in  heavy  guitar  and  bass  and  folk  instruments  which  also  leads  up  to  melodic  clean  singing  vocals  and  the  song  closes  with  nature  sounds.

  Song  lyrics  cover  comedy,  English  history  and  folklore,  while  the  production  has  a  very  strong,  powerful,  heavy  and  professional  sound  where you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording.

  In  my  opinion  Jaldaoath  are  a  very  great  sounding  folk  metal  band  with  elements  of  black  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Warrior  Monks  Of  Whitehawk"  "Wailing  Witch  Of  The  Moulsecoomb"  "Black  Metal  Beauty"  and  "Father  Pig".  RECOMMENDED  BUY.

https://www.facebook.com/Jaldaboath/
      

Earhead/Dethcentrik/An Anthology/2012 Split Album Review

  This  is  a  review  of  a  split  album  between  Turkey's  Earhead  and  Colorado's  Deathcentrik  which  is  called  "An  Anthology"  and  self  released  in  the  year  of  2013  and  we  will  start  off  the  review  with  Earhead  a  1  man  band  that  plays  harsh  noise  with  elements  of  black  metal.

  'The  Guy  Killed  His  Wife,  His  Children  And  Then  Cut  Off  His  Own  Penis"  which  is  also  the  first  song  on  his  side  of  the  split  opens  up  with  static  sounds  and  a  few  seconds  later  spoken  word  parts  and  programmed  beats  make  their  way  into  the  song  which  then  leads  up  to  harsh  power  electronics.

  'New  Verses  From  The  Sumerian  God"  begins  with  drum  programmed  and  harsh  power  electronics  and  a  few  seconds  alter  spoken  word  samples  come  in,  a  few  minutes  later  avant  garde  sounds  come  in,  as  time  goes  on  by  demonic  growls  are  added  into  the  song  along  with  some  dark  industrial  elements.

  "Holocaust  At  The  Disco"  opens  up  with  static  sounding  noises  along  with  some  loops  and  power  electronics  that  also  bring  in  harsh  noise  elements  and  after  awhile  the  song  adds  in  atmospheric  sounding  synths  and  dark  ambient  elements  as  well  as  some  drum  programming

    "Holocaust  At  The  Disco-Kill  The  Survivors" starts  up  with  some  dark  sounds  that  get  more  harsh  as  time  goes  on  by  as  well  as  elements  of  ambient  noise  and  towards  the  end  atmospheric  synths  are  added  into  the  music.

  "Deus  est  Mortuus"  kicks  in  with  dark  ambient  drone  sounds  and  a  few  seconds  later  experimental  sounds  and  drum  programming  come  in  along  with  some  loops  before  adding  in  industrial  and  harsh  noise  elements.

  "In  The  Mind  Of  A  Psychopath"  comes  in  with  ambient  style  noises  along  with  some  programmed  beats  which  also  leads  up  to  some  whispers  before  adding  in  harsh  sounding  loops,  as  the  song  moves  on  aggressive  vocals  and  synths  start  to  come  in.

  "We  Need  To  Talk  About  Noise,  Fuck  Kevin!"  is  introduced  with  soft  sounds  before  getting  darker  along  with  sounds  of  thunder  which  then  leads  up  to  dark  ambient/drones  and  synths  kicking  in  before  adding  in  harsh  power  electronics  and  a  few  seconds  alter  spoken  word  parts  come  in.

  "Hellish"  which  is  also  the  last  song  on  his  side  of  the  split  begins  with  harsh  noise  sounds,  black  metal  screams  and  death  metal  growls  and  the  song  goes  into  a  brutal  death  industrial/power  electronics  direction.

  Song  themes  cover  darkness,  violence  and  Sumerian  themes,  while  the  production  has  a  very  harsh,  brutal,  raw  and  primitive  sound  to  it  along  with  the  songs  being  very  long  and  epic  in  length.

  In  my  opinion  Earhead  are  a  very  great  sounding  harsh  noise  project  with  elements  of  black  metal  and  death  industrial  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "The  Guy  Killed  His  Wife,  His  Children  And  Then  Cut  Off  His  Own  Penis"  and  "In  The  Mind  Of  A  Psychopath".  RECOMMENDED.      

  Next  up  is  Dethcentrik  a  1  man  band  that  has  been  featured  before  in  this  zine  with  a  musical  style  that  combines,  black,  death  and  doom  metal  with  sludge,  punk,  industrial  and  harsh  noise.

  "Skullfuck  The  Infidel"  which  is  also  the  first  song  on  his  side  of  the  split  opens  up  with  programmed  beats  along  with  some  black  metal  influenced  guitar  riffs  as  well  as  a  mixture  of  screams  and  growls  and  you  can  also  hear  bass  guitars  in  the  background  that  get  more  powerful  as  time  goes  on  by.

  "Society's  Whores"  begins  with  black  metal  style  vocals  and  drum  beats  and  you  can  also  hear  guitars  and  bass  in  the  background  along  wit h some  deep  growls  and  the  music  is  mixed  down  low  in  the  mix  and  has  a  lo-fi  sound  to  it.

  "Stalking  Beast  Of  The  Night"  opens  up  with  nintendo  style  sounds  and  atmospheric  synths  and  you  can  also  hear  distorted  guitar  noises  and  programmed  drum  beats  in  the  backgrounds  which  also  leads  up  to  harsh  noise  screams.

  "The  Experiment"  starts  up  with  noises  made  from  natural  things  before  adding  in  some  dark  ambient  style  synths  and  towards  the  end  it  goes  silent  for  a  few  seconds  and  then  brings  in  element  of  harsh  noise  and  screams.

  "Violent  Sex  Change"  kicks  in  with  spoken  word  samples  before  adding  in  deep  demonic  growls  which  leads  up  to  some  doom/drone  style  guitar  riffs  and  drum  programming  as  well  as  some  black  metal  influenced  vocals.

  "Why  Wont  You  Die"  hits  it  off  with  heavy  bass  guitar  riffs  along  with  some  acoustic  guitars  which  also  leads up  to  melodic  clean  singing,  synths  and  distorted  guitar  noises  before  adding  in  drum  programming  and  noisecore  screams  mixed  with  death  metal  growls.

  "If  Only"  is  introduced  with  industrial  style  noises  along  with some  dark  ambient  synths  before  adding  in  grim  depressive  black  metal  vocals  and  the  song  is  very  short  and  only  around  3   minutes.

  'Life  Down  The  Toilet"  which  is  also  the  last  song  on  his  side  of  the  split  begins  with  heavy  guitar  riffs,  black  metal  screams  and  drums  as  well  as  some  deeper  death  metal  vocals  being  used  for  a  few  seconds.

  Song  lyrics  cover  dark  themes,  while  the  production  has  a  very  dark,  raw  and  primitive  sound  to  it.

  In  my  opinion  this  is  another  great  sounding  recording  from  Deathcentrik  and  if  you  are  a  fan  of  black  metal  mixed  with  noise,  you should  check  out  his  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Stalking  Beast  Of  The  Nigh"  and  "Life  Down  The  Toilet". RECOMMENDED.

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  if  you  are  a  fan  of  black  metal  or  noise,  you  should  add  this  split  to  your  collection.  RECOMMENDED  BUY.  

https://www.reverbnation.com/dethcentrik/songs