Monday, January 31, 2022

Sargassus/The Albatross/2022 EP Review

 


    Sargassus  are  a  band  from  Finland  that  plays  a  progressive  mixture  of  post  black  and  death  metal  and  this  is  a  review  of  their  self  released  2022  ep  "The  Albatross".


  A  very  heavy  and  melodic  sound  starts  off  the  ep  while  the  solos  and  leads  also  add  in  a  great  amount  of  melody.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  also  adding  in  a  good  mixture  of  black  metal  screams  and  death  emtal  growls.


  Elements  of  post  metal  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  music  also  has  its  progressive  moments.  The  recording  also  adds  in  a  small  amount  of  psychedelic  touches  at  times  along  with  some  clear  singing  also  being  utilized  on  a  couple  of  tracks  and  all  of  the  songs  stick  to  either  a  slow  or  mid  tempo  direction  and  acoustic  guitars  can  also b e  heard  briefly  towards  the  end.  


  Sargassus  plays  a  musical  style  that  takes  post  black,  melodic  death  and  progressive  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  godlike  birds,  deceased  dogs  and  the  collapse  of  time.


  In  my  opinion  Sargassus  are  a  very  great  sounding  progressive  mixture  of  post  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "The  Albatross".  8 out  of  10.



https://sargassus.com/
https://open.spotify.com/artist/6LMtEP3qEjyOv8G7wbBjEd
https://www.facebook.com/sargassusband
https://www.instagram.com/sargassusband/

https://sargassus.bandcamp.com/

https://www.youtube.com/watch?v=ZGuidd9jqIw&feature=youtu.be          

(Dolch) Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

T: Hello! That´s a lot what happened, as the recording started a long time ago. Actually, we kept on writing songs and recording stuff for ever and we took a lot of work into mixing "NACHT". We played a handful of shows and a tiny little tour in the close east of Europe , which seemed like a miracle doing this during a worldwide pandemic situation.

 


2.You have a new album coming out this year, musically how does it differ from the stuff you have released in the past?

T: We used a bit less guitars, a bit more electronic sounds and we mixed the vocals louder. The songs are a bit shorter.

 M: FEUER, the previous Album, NACHT, released this year and TOD, still to be be finished, were recorded in a more than proper studio for the first time, so it gave us a lot of opportunities to vary with every instrument and soundscape on the recordings.


3.Your earlier material showed some black metal influences while the newer music sees you moving away from that influence, can you tell us a little bit more about the musical change?

T: I am not sure if we ever had a big black metal influence. Maybe even more influenced by music and tunes that have been an impact on what became then black metal? The 80ies? Early EBM and Doom music? We never had one specific sound. (Dolch) is like a chameleon of sound, depending on what story we want to tell. However. The guitar sound now is different, we also grew up with so much different music we would be lying to ourselves of denying other influences, like 90ies alternative and rock music, such as trip hop or anything experimental. Do you remember, back in the days even the word "Pop" was not a "no go" or something bad, when it was good quality?

 M: NACHT might differ when you listen to superficially. But it‘s just us. We are all influenced by such a broad variety of different genres in music and art, so it just has to come down to what fits best to the topic or songs.


4.What are some of the lyrical topics and subjects you explore with the newer music and also how would you describe your progress as songwriters over the years?

T: The "Nacht" album is one trip through the night, we talk about euphoria & depression, lust for life but also the fear of it. We were hanging out in California during these recording sessions, it was beautiful but also cold and ugly at the same time. The night can make you become a stupid modern vampire, looking for attraction, but also leaves you spitted out ugly in the morning, lost and broken.

I think we learned to become more precise songwriters, more specific on the story. We are maybe not the best songwriters, but hopefully good storytellers. (Dolch) is not meant to be entertaining only, we always wanted to say something, to communicate with the listener.

 


5.You have also covered some occult topics on some of your releases, can you tell us a little bit more about your interest in this topic?


M: I am sorry. If you read it in an occult way, can you tell me more about it? It is your own decision on how to read the lyrics, I am definitely not the one to argue about it. But we never had that topic in mind.

T: There is no such topic in our songs, there never was. Sorry. But it is ok if you feel so.


 


6.I know that the bands name means 'dagger' in German, how does  this name fit in with the musical style that you play?

T: Actually, the band never really had a name but the symbol, the triangle and the dagger inside. It used to be a military sign, we turned it and de-militarized it. Somehow, the logo feels like a shield of protection for us, same as writing, recording and playing this music might protect us from becoming crazy.

M: T is right. But maybe it is little stitch to our hearts for every song.

 


7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

T: I remember the tour kick off in Berlin last October was one hell of energy between the audience and us, that felt great! We had some great shows on the older tours, I remember Paris and London being fun, same as Roadburn, Norway, House Of The Holy, Hell Over Hammaburg and our first ever show on Acherontic Arts Festival of course!

 Our performance is quite an “anti -performance” ,I  would say. We are there, but we are not important as individuals. The music must speak, we try to create a special energy and sometimes we are able to transport this to the audience, they give it back to us and we have a wonderful night.

 M: But we evolved in our stage to audience communication. Still the songs we play is more important than our stage performance but the connection to the audience, weather they enjoy it or not, is also a big impact.


8.You have also been a part of splits with 'King Dude' and 'The Ruins Of Beverast', what are your thoughts on the other bands that had participated on the recording?

We did a split with King Dude, yes, and there is the tour tape that also includes The Ruins Of Beverast. Both absolutely great artists and friends to us. They are family. T.J from King Dude has a performance on one track on "Nacht", he does a perfect job with his dark voice. Other bands are not included on that album. We have some guests, like a german theatre actress speaking a poem etc.

 


9.On a worldwide level how have your fans reacted to your newer material?

T: We can´t say yet, the album "Nacht" is just about to be released. I guess a lot of old school metal dudes will hate it and there will be folks listen to it secretly as it is too genre-ignoring.

The last LP "Feuer" was beloved as far as I remember. "Nacht" will be a love or total hate thing.

 M: On a worldwide level, I would like to learn more about reactions about every release. But with NACHT, yes. Love or Hate.


10.Where do you see the band heading into musically during the future?

T: More wide, less boundaries, more unexpected tunes on the other hand, but some traditional stuff on the other. We are working on finalizing "Tod", which will be the third part of FEUER, NACHT und TOD. Expect some ambient but orchestral sound, at least a bit. Then we already work on what follows after. It will be full of Soul I hope…

M: For every song we seek the appropriate measures.

 


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

T: Ok, like mentioned before, a lot of styles and bands, too much to count. Stuff from the 80ies and 90ies when Pop music was still good, a lot of alternative and independent music, punk, metal (yeah of course the darkness and hopelessness of black metal), but also classical tunes from past to modern. We also get our influences from theatre plays, art, good books and philosophy. There is some rare good new tunes coming out here and then nowadays, but 90% of all stuff is just an repetition of hypes and such which really can be a bore...it is always good when you have a good tunes and melody and something to say with your own sound and in your own way.

 


12.before we wrap up this interview, do you have any final words or thoughts?  

T: Everything occult is gone! 

M: Thank you and be safe!


https://youtu.be/E44MYlkzk9M


https://youtu.be/cz14y5ddCsg


Fyrgast/As Darkness Swept The Lands/2022 Full Length Review

 


  Fyrgast  are  a  solo  project  from  Sweden  that  plays  a  melodic  and  blackened  form  of  death  metal  and  this  is  a  review  of  his  self  released  2022  album  "As  Darkness  Swept  The  Lands".


  A  synth  orientated  intro  starts  off  the  album  before  going  into  a  heavier  and  melodic  musical  direction  while  the  vocals  are  mostly  grim  sounding  black  metal  screams.  Most  of  the  music  is  also  very  heavily  rooted  in  the  90's  Swedish  era  and  during  the  faster  sections  of  the  songs  a  great  amount  of  blast  beats  can  be  heard.


  Elements  of  death  metal  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  The  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  couple  of  tracks  also  adding  in  a  brief  use  of  classical  guitars  as  well  as  the  faster  riffs  also  utilizing  a  decent  amount  of  tremolo  picking  and  the  album  closes  with  an  instrumental.


  Fyrgast  plays  a  musical  style  that  goes  back  to  the  90's  era  of  melodic  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  old  school  while  the  lyrics  cover  Nature  and  Philosophy  themes.      


  In  my  opinion  Fyrgast  are  a  very  great  sounding  melodic  and  blackened  death  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Shores  Of  Infinity"  "Commanding  The  Storms"  and  "The  Chains  Shall  be  Broken".  8  out  of  10.


https://fyrgast.bandcamp.com/releases  

Sunday, January 30, 2022

Eight Bells/Legacy Of Ruin/Prophecy Productions/2022 Full Length Review

 


  Eight  Bells  are  a  band  from  Portland,  Oregon  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  an  experimental  and  progressive  mixture  of  post  black,  doom  and  death  metal  and  this  is  a  review  of  their  2022  album  "Legacy  Of  Ruin"  which  will  be  released  in  February  by  Prophecy  Productions.


  Avant  garde  soundscapes  start  off  the  album  along  with  some  clear  vocals  a  few  seconds  later  before  adding  in  some  acoustic  guitars.  Elements  of  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Black  metal  screams  can  also  be  heard  in  certain  sections  of  the  recording  while  the  solos  and  leads  are  also  done  in  a  very  melodic  post  metal  style.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length along  with  the  faster  sections  of   the  songs  also  adding  in  a  decent  amount  of  blast  beats  and  tremolo  picking.


  At  times  the  music  also  gets  very  progressive  and  experimental  sounding  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.  Some  of  the  heavier  riffing  also  shows  an  influence  of  death  metal  as  well  as  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts,  some  tracks  also  add  in  a  small  amount  of  clean  playing,  keyboards  and  violins.  The  production  sounds  very  professional  while  the  lyrics  cover  the  human  condition,  natural  destruction,  death,  regret,  loss,  malice  and  retribution.


  In  my  opinion  this  is  another  great  sounding  recording  from  Eight  Bells  and  if  you  are  a  fan  of  experimental  and  progressive  post  black,  doom  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Well"  and  "The  Crone".  8  out  of  10.


  https://eightbellsband.com/about-us

www.facebook.com/eightbellsband
www.instagram.com/eightbellsband


      

Vinterland/Welcome My Last Chapter/Black Lodge Records/2022 Full Length Re-Issue Review

 


  Vinterland  are  a  band  from  Sweden  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  1996  album  "Welcome  To  My  Last  Chapter"  which  will  be  re-issued  in  February, 2022  by  Black  Lodge  Records.


  Acoustic  guitars  which  also  appear  on  later  songs  start  off  the  album  before  going  into  a  faster  musical  direction  which  also  adds  in  a  great  amount  of  blast  beats  and  tremolo  picking.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  great  amount  of  melody  and  influences  from  melodic  Swedish  death  metal.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  some  synths  also  being  brought  into  the  music  on  a  couple  of  songs  as  well  as  some  of  the  tracks  are  also  very  long  and  epic  in  length,  one  song  is  also  an  instrumental  and  as  the  album  progresses  a  brief  use  of  spoken  word  parts  can  also  be  heard.  


  Vinterland  plays  a  style  of  melodic  black/death  metal  that  was  very  different  for  the  era  it  was  released.  The  production  sounds  very  professional  while  the  lyrics  cover  night,  nature  and  darkness  themes.


  In  my  opinion  Vinterland  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Our  Dawn  Of  Glory"  "As  I  Behold  The  Dying  Sun"  and  "Wings  Of  Sorrow".  8  out  of  10.


https://orcd.co/welcome-my-last-chapter-remastered


www.blacklodge.se/artists/vinterland/


  

Saturday, January 29, 2022

Everson Poe/The Night Country/Trepanation Recordings/2022 CD Review


 

  Chicago,  Illinois's  solo  project  Everson  Poe  has  returned  with  a  new recording  which  shows  the  music  going  for  a  mixture  of  post  black,  doom  and  sludge  metal  and  this  is  a  review  of  her  2022  album  "This  Night  Country"  which  will  be  released  in  February  by  Trepanation  Recordings.


  Clean  playing  starts  off  the  album  while  the  music  also  adds  in  a  great  amount  of  post  rock  elements.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  some  clear  vocals  also  being  utilized  at  times  and  the  slower  sections  of  the  songs  also  adds  in  the  heaviness  of  sludge  and  doom  metal.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  faster  sections  of  the  songs  also  adding  in  some  tremolo  picking  and  blast  beats  and  high  pitched  black  metal  screams  can  also  be  heard  at  times.


  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  songs  also adding  in  some  synths  and  atmospheric  sounding  drones.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  the  allegorical  and  universal  nature  of  fairy  tales.


  In  my  opinion  this  is  another  great  sounding  recording  from  Everson  Poe  and  if  you  are  a  fan  of  post  black,  sludge  and  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "I  Am  The  Maker  Of  My  Own  Evil"  and  "The  Chamber  of  Blood".  8  out  of  10.


https://eversonpoe.bandcamp.com/album/the-night-country-2


  

Sunday, January 23, 2022

Son of Seth/De Dor a Odio/Trepanation Recordings/2022 EP Review

 


  Son  of  Seth  are  a  solo  project  from  Denmark  that  plays  a  ritualistic  mixture  of  black,  doom  metal, industrial  and  drone  and  this  is  a  review  of  his  2022  ep  "De  Dor  a  Odio"  which  will  be  released  in  February  by  Trepanation  Recordings.


  Distorted  sounding  drones  start  off  the  ep  while  the  music  also  mixes  in  a  decent  amount  of  ritualistic  and  apocalyptic  soundscapes.  Elements  of  industrial  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  the  synths  also  give  the  songs  more  of  a  haunting  atmosphere.


  Programmed  beats,  noises  and  industrial  sounds  are  also  a  very  huge  part  of  the  recording  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  All  of  the  tracks  also  sound  very  different  from  each  other  along  with  one  song  also  introducing  deep  yet  demonic  sounding  vocals  onto  the  recording  and  as  the  ep  progresses  the  vocals  evolve  into  more  of  an  industrial  metal  style


  Son  of  Seth  plays  a  musical  style  that  takes  black,  doom  metal,   industrial,  drone  and  ritual  and  mixes  them  together  to  create  a   sound  of  his  own.  The  production  sounds  very  dark  while  the  lyrics  cover  Occultism  and  Darkness  themes.   


  In  my  opinion  Son  of  Seth  are  a  very  great  sounding  ritualistic  mixture  of  black,  doom  metal,  drone  and  industrial  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Tortured  Spirit"  and  "Epitome  Of  Silence".  8 out  of  10.


www.facebook.com/Sonofsethdoom

www.instagram.com/sonofseth_/

sonofseth.bandcamp.com/releases