Saturday, January 14, 2017

Aether Interview


 1.For those that have never heard of you before, can you tell us a little bit about the band?
1) Hi, we're Aether. We've been around for a little bit more than a year, pillaging and raiding the lands of Poland from our hometown, Łódź. Thus being said, we started the band in late 2015 with the spirit of Melodic Death Metal in our hearts. Which of course led to the release of the "Tale of Fire" EP on September 30th.

    2.In September you had released an ep, how would you describe the musical sound that is presented on the recording?
2) It's a mixture of our biggest influences such as Wintersun or Blind Guardian and our first attempt to create something unique and original. It has all that you might want it to have - blast beats, powerful screams, acoustic parts, INGENIOUS BASSWORK, a little choir and a lot of orchestrations! And, a riddle to us, as some people say black metal influences. ;)

    3.What are some of the lyrical topics and subjects the band explores with the music?
3) That's one vast topic to explore. Fair enough to say each song is a separate story and for a careful listener the whole EP somehow blends into a bigger picture (which was actually unintended when I was writing the lyrics). And if someone's careful enough it's easy to notice that the stories touch more profound topics regarding man's dilemmas and his quest for understanding.

    4.What is the meaning and inspiration behind the name 'Aether'?
4) In ancient Greece Aether was one of the primordial deities, a personification of the upper air. He embodies the pure air that the gods breathe thus filling the space between the realms of gods and mortals. However he had barely any shrines and no cult or temples at all. In other words, Aether is something that exists, yet is not to be touched nor seen; an idea of magic and all beyond understanding.
It's also a magical element in the "Witcher" saga and sounds dope as fuck :D

    5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
5) Since our first stage appearance we had our fair share of gigs in entire Poland with a lot of great folk metal bands, but our hearts always beat faster in our hometown - Łódź. And so, the most memorable Aether's concerts were played there. Such as our EP release party, which was a priceless experience.

    6.Do you have any touring or show plans for the future?
6) Well, it's a hard topic to talk about without spoiling anything or making hype of things that may not happen, but we definitely want to grow bigger, go HARDER, BETTER, FASTER, STRONGER... We want to start playing gigs outside of Poland and have our first serious tour. And even though we're starting to catch the first glimpses of what may the future bring us, only time will tell.

    7.The ep was released on 'Art Of The Night Productions', can you tell us a little bit more about this label?
7) Well, it all started when we were playing one of the "Folk Metal Night" gigs. There was this one funny guy selling merch, sipping his beer from a drinking horn.
We were introduced. His name is Leopold and he's the owner of the label. Long story short, a few months later, after sharing a few beers and gigs he said "Hey, once you have some stuff recorded, hit me up, I may release it". And well, that's basically how it worked. Leo, aside from being a super cool guy, is one of the main reasons the Polish folk metal scene is so cool.

    8.On a worldwide level how has the feedback been to your music by fans of melodic death and folk metal?
8) Overwhelming. We were shocked how many people wanted to listen to our music and get in touch with us. It's truly amazing. We shipped out quite a lot of CDs, not only in Europe but also to the USA and Japan.
And if it was not enough, we are constantly receiving very positive feedback from members of greater acts such as Beyond Creation, Ionic Bond or Aether Realm. It's so unreal - artists who wrote some of our favourite songs say they enjoyed our music and put it on their playlists! Truly shocking!
So as you can see, the support is amazing and we are truly thankful to everyone who believes in us.

    9.When can we expect a full length and also where do you see the band heading into musically during the future?
9) Difficult question. We have a lot of ideas and as you can imagine it's not this kind of stuff that can be written in one evening. It takes time to write a song we're satisfied with, and we have no idea when all those half-written tunes will be finished. But I can assure you that it will happen... someday... I hope...

    10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
10) It may vary, depending on which bandmember you ask, but we all share a neverending love and appreciation towards Blind Guardian and Wintersun. That's it. There's nothing more you need in life.
(Well, you still have to eat and sleep and do some other things, but who cares about such down to earth things) :P

    11.What are some of your non musical interests?
11) Honestly there are hardly any that we share. Unless you count drinking, partying and eating Chinese food as interests. Seriously now, some of us enjoy games, but who doesn't nowadays. And we all have individual interests, namely some scientific/medical/technological stuff and photography. Life's too short not to explore new areas of interest!


    12.Before we wrap up this interview, do you have any final words or thoughts?
12) First of all, we want to thank you for giving us an opportunity to write our asses off. Secondly we want to thank all our fans for letting us develop as a band, it's you who make us who we are! And last but not least, thanks to all of you who made it down here, we really appreciate it! Cheers ;)

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Friday, January 13, 2017

Saille/Gnosis/Code666/2017 CD Review


  Saille  are  a  band  from  Belgium  that  has  been  featured  before  in  this  zine  and  plays  a  very  epic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "Gnosis"  which  will  be  released  in  March  by  Code666.

Ritualistic  soundscapes  start  off  the  album  along  with  some  horror  movie  style  keyboards  a  few  seconds  later  which  also  leads  up  to  a  heavier  musical  style  that  also  introduces  melodic  guitar  leads  and  grim  yet  high  pitched  black  metal  screams  onto  the  recording  and  they  also  mix  the  symphonic  and  heavy  parts  together.

  When  the  music  speeds  up  a  great  amount  of   tremolo  picking  blast  beats  can  be  heard  and  death  metal  growls  are  also  utilized  at  times  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the  riffs  also  bring  in  a  great  amount  of  melody  and  when  spoken  word  parts  are  utilized  they  give  the  recording  more  of  an  occult  feeling.

   One  track  also  adds  in  a  brief  use  of  operatic  female  vocals  while  clean  guitars  are  also  added  into  some  of  the  later  songs and  as  the  album  progresses  violins  can  also  be  heard  briefly  on  one  of  the  later  tracks  which  is  also long  and  epic  in  length  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present on  this  recording.

  Saille  creates  another  recording  that  remains  true  to  the  epic  and  symphonic  style  of  black  metal from  their  previous  releases,  the  production  sounds  very  professional  while  the  lyrics  are  a  concept  upon  based  upon  Promethean  and  Luciferian  ideals.

  In  my  opinion  this  is  another  great  sounding  recording  from  Saille  and  if  you  are  a  fan  of  epic  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Pandaemonium  Gathers"  "Before  The  Crawling  Chaos"  "Thou,  My  Maker"  and  "1904  Era  Vulgaris". 8  out  of  10.     

http://www.metalinjection.net/av/new-music/belgiums-saille-offer-frostly-black-metal-with-gnosis​​

Monday, January 9, 2017

Hypocras/Implosive/2016 EP Review


  Hypocras  are  a  band  from Switzerland  that  plays  a  mixture  of  melodic  death,  viking  and  folk  metal  and  this  is  a  review  of  their  self  released  2016  ep  "Implosive".

  A  very  heavy  and  melodic  sound  starts  off  the  ep  along  with  some  blast  beats  and  high  pitched  screams  which  also  have  a  touch  of  black  metal  to  them  and  folk  instruments  are  also  used  quite  a  bit  throughout  the  recording  and  the  music  also  mixes  in  some  modern  metal  elements  and  deep  growls  are  also  used  at  times.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  back  up  shouts  are  also  used  at  times  and  when  guitar  solos  and  leads  are  utilized  they  stick  to  a  very  melodic  yet  extreme  musical  style  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  they  also  bring  in  a  cover  of  Djizoes  "A  Song  For  Them"  and  there  is  also  a  brief  use  of  grim  spoken  word  parts  and  they  also  bring  in  an  electronic  re-mix  song  as  the  last  track.

  Hypocras  plays  a  musical  style  that  is  mostly  rooted  in  melodic  death  metal  while  also  adding  in  touches  of  black,  viking  and  folk  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Hypocras  are  a  very  great  sounding  mixture  of  melodic  death,  black,  viking  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Implosive  Absolution"  and  "At  the  Edge".  8  out  of  10.

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Sunday, January 8, 2017

Deadwound/Indentity Shapes/Black Bow Records/2017 EP Review


  Deadwound  are  a  band  from  The  United  Kingdom  that  plays  a  mixture  of  black  metal,  doom,  sludge, d  beat, and  hardcore  and  this  is  a  review  of  their  2016  ep  "Identity  Shapes"  which  was  released  by  Black  Bow  Records.

  Dark  effects  and  spoken  word  parts  start  off  the  ep  before  going  into  a  more  heavy  and  melodic  sludge metal  direction while  the  vocals  also  take  sludge  and  mix  it  in  with  black  metal  screams  while  crust  style  growls  can  also  be  heard  at  times  and  the  slow  riffing  is  also  heavily  influenced  by  doom  metal.

  A  great  amount  of  hardcore  elements  can  be  heard  quite  a  bit  throughout  the  recording and  when  the  music  speeds  up  a  great  amount  of  d  beats  can  be  heard and  the  guitar  solos  and  leads  are  also  done  in  a  very  melodic  style  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Deadwound  plays  a  musical  style  that  takes  black  metal,  doom,  sludge,  d  beat  and  hardcore  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  occultism  an  other  dark  themes.

  In  my  opinion  Deadwound  are  a  very  great  sounding  mixture  of  black  metal,  doom,  sludge,  d  beat  and  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Kult  Warrior"  and  "Babylon".  8  out  of  10.

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Ashenspire Interview


1.       For those that have never heard of before, can you tell us a little bit about the band?

Four oddities who like jazz and social justice, making peculiar music. We also have a variety of wonderful outside musicians who bless us with their talent on occasion.

2.       You have a new album coming out in January, how would you describe the musical sound that is presented on the recording?

We do indeed – It’s called Speak Not of the Laudanum Quandary. Musically, it’s a mixture of bleak metal textures with a bit of jazz fusion, a bit of prog rock and a healthy dose of the eccentric and theatrical. The vocal delivery is unlike conventional black metal, or clean vocals; it is called Sprechgesang, and was highly inspired by the mad ravings of the legendary Mr Doctor of Devil Doll.

3.       What are some of the lyrical topics and subjects the band explores with the music?

This is actually one of the key components of Speak Not…, because it explores territory rarely approached in metal. The album is made up of 7 “veils”, or observations; each is concerned with a particular issue to do with British imperialism, and how that issue propagates into modern life. For instance, the first track looks at the displacement of indigenous peoples – this has particular relevance in Scotland due to a prolonged ousting of crofting families called the Highland Clearances, but of course is widely recognizable in the actions of imperial Britain throughout the world. Furthermore, it doesn’t take a historian to recognize parallels with modern day attitudes to refugees. It’s very much important to remember the responsibility we bear for many of the less privileged peoples today, considering how our comfort can often be traced back to others suffering.

4.       What is the meaning and inspiration behind the name 'Ashenspire'?

The name refers primarily to smokestacks – vast arrays of chimneys that dominated the skyline here in Glasgow for decades, and similarly so in industrial cities all over the UK. Similarly, most of the older architecture in our city is stained near-black with soot. It also makes reference to the towering blocks of flats all over modern Britain in the fine brutalist architectural tradition.

5.       What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Well, as of yet we have only performed a couple of times; we don’t like to play throwaway shows, every performance has value. But each time has been utterly exhilarating. Doffs of the cap to our friends at Cog Promotions and the North of the Wall team. The performance itself relies on playing tightly, but with feeling, and a pervasive atmosphere tending towards lunacy. Needless to say, it’s remarkable fun for us.

6.       Do you have any touring or show plans for the new album?

We’re going to be supporting the wonderful gents in Ash Borer this April in Glasgow, and details of a big album release shindig (with some extremely talented friends of ours) should be public soon enough. We’d absolutely love to go a-touring for the album, we’ll have to see what opportunities arise with regards to that.

7.       The new album is coming out on 'Code666', are you happy with the support that they have given you so far?

I think delighted would be the word. The folks at Code666 have been very good to us. We’re extremely blessed to be part of such a sterling label.



8.       On a worldwide level how has the feedback been to your music by fans of black and avant-garde metal?

So far so good, I think is the general consensus. Some very kind words have come in from all over the globe. Folks who are looking for more music along the lines of Dødheimsgard, Vulture Industries or our good friends in A Forest of Stars seem to find something to enjoy. It doesn’t seem to be music that people who like orthodox black metal particularly connect to, but we had that coming, really. Honestly, one of the more surprising things has been the feedback from people who don’t listen to any metal at all – very positive.



9.       Where do you see the band heading into musically during the future?

Saxophones. Lots of saxophones.

10.   What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Devil Doll are a big one of course, as are our aforementioned contemporaries; aside from them, Snarky Puppy, Miles Davis, Sun Ra, Deep Purple and Ulver have all had a significant impact, among a huge number of others. I personally haven’t been able to stop listening to the new record by Edward Scissortongue and Lamplighter, Tell Them It’s Winter, ever since it came out. Brooding and melancholy in extremis, but insightful and addictive hip-hop for the discerning listener. Safe to say some of that sound will have leeched into our own writing come album two…

11.   What are some of your non-musical interests?

Outside of music we all tend to stay creative as best we can, in various different ways. We have an actor/comedian, an educational psychologist, a physicist and a chemist, so that fairly plays into it all. Consistently, though, we all like absurd humour, politics, posh beer, and dogs.

12.   Before we wrap up this interview, do you have any final words or thoughts?

We hope that all of those who read this enjoy the new album, and we hope to hear discussion and viewpoints on its subject matter; that’s what it’s there for. So long as it makes people think, it has been successful. Many thanks for your time, be safe.

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A Cunning Man Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?


A Cunning Man is one man metal project combining different styles of extreme music. Expect blast beats and tremolo picked guitar lines, but also piano, strings and clean vocals sung with a Scottish accent.



2.In January you had released on ep, how would you describe the musical sound that is presented on the recording?


I wanted to fuse all my favourite things about music. The sounds range from Black and Melodeath Metal to Modern Classical and Post Rock.

Everything is shaped by my own experience living in Scotland.



3.Your lyrics cover some Occult topics, can you tell us a little bit more about your interest in Occultism?


Each song title is named after a Renaissance period Grimoire.

As the EP title: Practical Applications of Theurgy hints, the content is concerned with different Occult and spiritual topics. These range from The Shared Unconsciousness to Folk Hymns.



4.What is the meaning and inspiration behind the name 'A Cunning Man'?


Cunning folk were the esoteric advisors of the common people throughout Medieval and Renaissance Europe.

I wanted a name which reflected my interest in this history. I also wanted it to reflect that the project was the work of a single person.



5.On the ep you had recorded almost everything by yourself, are you open to working with a full band or do you prefer to remain solo?


At the moment I’d like to continue doing the majority of the work myself, especially the composition. For the next EP though, I think I’ll be bringing on board a guitarist.


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6.Currently you are unsigned, are you looking for a label or have received any interest?


At current I’ve only been sending the EP out to press. I’m comfortable handling the distribution and PR myself at current.

I’m very interested in working with a label for future releases though.



7.On a worldwide level how has the feedback been to your music by fans of melodic and extreme metal?


Broadly positive at current, which is very exciting. I’m really enjoying receiving feedback on my work and connecting with fellow metal fans.



8.Are you also involved with any other bands or musical projects these days?


I’m currently studying music so most of my time goes towards that. A Cunning Man is my only project at the moment.



9.When can we expect a full length and also where do you see yourself heading into as a musician in the future?


The next release will be another EP. After that I'll consider a full length. Pending possible label support.

I’m always looking to improve my compositional and song writing skills, so expect increasingly complex music going forward.



10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Iron Maiden’s Brave New World is what really inspired my initial love for music.

My influences include Katatonia, Evergrey, Shade Empire and Eternal Tears Of Sorrow. I love my metal as melodic as possible with lots of different instrumentation.

At the moment I’ve been enjoying the new releases from Harakiri for the Sky, Insomnium and Dark Tranquillity.



11.What are some of your non musical interests?


I love gaming when I have the time and play a lot of RPGs. I’m also big into table top gaming with friends.



12.Before we wrap up this interview, do you have any final words or thoughts?


Thanks very much for the interview and for reviewing the EP on the site.

You can expect a new EP in the early months of Summer.

https://www.facebook.com/acunningmanmetal/

Saturday, January 7, 2017

Aether/Tale Of Fire/Art Of The Night Productions/2016 EP Review


 Aether  are  a  band  from  Poland  that  plays  a  melodic  mixture  of  folk,  viking,  and death  metal  and  this  is  a  review  of  their   2016  ep  "Tale  Of  Fire"  which  was  released  by  Art  Of  the  Night  Productions.

   Folk  music  style  sounds  start  off  the  ep  and  the  music  also  brings  in  a  decent  amount  of  symphonic  elements  and  they  also  mix  in  with  the  heavier  sound  which  also  introduces  melodic  guitar  leads  onto  the  recording  and  the  riffs  also  use  a  great  amount  of  melody  and  after  awhile  high  pitched  screams  make  their  presence  known  and  they  add  a  touch  of  black  metal.

  Vocals  also  mix  in  a  great  amount  of  death  metal  growls  and  the  music  also  brings  back  some  of  the  90's  viking  and  melodic  death  metal  styles  and  some  of  the  drum  beats  also  gives  the  music  more  of  a  tribal  feeling  and  clean  singing  pagan  vocals  along  with  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  there  is  also  a  brief  use  of  female  vocals.

  Aether  plays  a  musical  style  that  takes  the  more  melodic  forms  of  black  and  death  metal  and  mixes  it  with  viking,  symphonic  and  folk  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  fantasy  themes.

  In  my  opinion  Aether  are  a  very  great  sounding  melodic  death  metal  band  with  touches  of  black,  viking,  symphonic  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Tale  of  Fire".  8  out  of  10.

https://aether-band.bandcamp.com/album/tale-of-fire