Showing posts sorted by date for query abyss. Sort by relevance Show all posts
Showing posts sorted by date for query abyss. Sort by relevance Show all posts

Tuesday, January 5, 2021

Stortregn/Impermanence/The Artisan Era/2021 CD Review

 


  Switzerland's  Stortregn  have  returned  with  a  new  recording  which  continues  the  melodic  mixture  of  black  and  death  metal  from  their  previous  releases  and  this  is  a  review  of  their  2021  album  "Impermanence"  which  will  be  released  in  march  by  the  Artisan  Era.


  Synths,  classical  guitars,  rain  and  thunder  sounds  start  off  the  album  before  adding  in  some  drum  beats  and  melodic  guitar  solos  and  leads.  The  heavier  riffs  also  add  in  a  decent  amount  of  melody  while  the  faster  sections  of  the  songs  also  add  in  a  lot  of  blast  beats  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.


  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  music  also  having  its  progressive  moments  as  well  as  acoustic  guitars  also  being  added  on  some  of  the  tracks.


  At  times  the  music  also  gets  very  technical  sounding  along  with  some  influences  form  the  90's  Swedish  era  but  keeping  it  modern  at  the  same  time.  A  decent  amount of  jazz  influences  can  also  be  heard  in  the  way  the  music  is  being  structured  as  well  as  one  track  also  introducing  spoken  word  parts  onto  the  recording,  tremolo  picking  can  also b e  heard  in  some  of  the  faster  riffing.  The  production  sounds  very  professional  while  the  lyrics  cover  scientific  and  cosmos  themes. 


  In  my  opinion  this  is  another  great  sounding  album  from  Stortregn  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Ghosts  Of  The  Past"  "Grand  Nexion  Abyss"  and  "Timeless  Splendor".  8  out  of  10.


Social Media Links http://www.stortregn.com
Instagram: @stortregn_official
 https://www.facebook.com/Stortregn

https://youtu.be/DURn6it0P6I

Monday, November 30, 2020

Plaguebreeder Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band? 

Plaguebreeder is a symphonic extreme metal band from Finland. Current line up is a trio: Ardeath (vocals/bass/orchestras), Klaath (guitars) and Kalmisto (drums).

2.Recently you have released a new ep, musically how does it differ from the previous demos? 

I think it’s more diverse and ruthless. We spent more time on planning and recording the guitars and vocals than before, so we could get most out of them. Also adding the orchestras makes a big difference to the previous recordings.

3.This is also the first release in 7 years, can you tell us a little bit more about what has been going on during that time span? 

During the 7 years the line-up has changed a couple of times. Two previous guitarists, Hornthrone and Mr. Bleedy, left and Klaath joined the band. There was a different bass player, Azagrath, for a while but things didn’t work quite well, so I decided to take the bass again. Also my personal life has been quite busy these years, so I had to re-schedule a lot of band related things.

4.What are some of the lyrical topics and subjects you explore with the newer music and also how would you describe your progress as songwriters over the years? 

The new EP deals with topics like war, nuclear destruction and ecocatastrophe. I’d say that war in different perspectives is the binding theme in all of the songs. 

Our songwriting process has been quite the same all these years: I write basic skeleton at home and we all add some meat and blood on it at our rehearsal place. It usually takes 3-5 different variations to get the track good enough. On this EP the most straightforward track was I Believe in Misanthropy, which I wrote entirely at one session. The Arrival of Fire took 8 different versions to get it right if I remember correctly. The writing process always starts with a killer guitar riff or a kick ass melody. When the track has been tested enough at rehearsal’s I start composing the orchestras and writing the lyrics.

5.What is the meaning and inspiration behind the name 'Plaguebreeder'? 

When I came up with the name, I wanted to create music that would be as brutal and vile as the black death back in 1347-1351. So breeding the plague is breeding our music. 

6.Can you tell us a little bit more about the artwork that is presented on the ep cover? 

I’ve always made the covers myself. This time I wanted to create a symbol that you can recognize instantly as the symbol of Plaguebreeder. The symbol consists of nuclear and chaos symbols and it has 12 spikes which symbolize time. Since most of the lyrics were ready and their theme was quite violent, I came up with the idea of making our symbol as the Earth itself in the breaking point. In the cover Earth’s seas have turned to blood, rivers to fire and continents as ash. Total annihilation that is.

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance? 

On stage we try to be as ruthless as possible. You can get an idea of what we are about live if you watch our music video The Root of Extinction on youtube.  It was filmed at our rehearsal place on live like situation. We have done quite a few good gigs. I think you can get a really good show even with a small audience (in this Covid-19 time especially) if the crowd is fully with you in the music. I always get a real energy boost when the crowd is screaming. Our biggest gig was at Steelfest Open Air which was also pretty awesome. 

8.On a worldwide level how has the reaction been to your music by fans of black, death and symphonic metal? 

I think we have reached the global audience better than before. Big thanks goes of course to our record label Inverse Records since they have done quite good job with the marketing. I can’t really say how black, death and symphonic metal fans have reacted to our music since our stuff is a mixture of all of these genres, but all in all, the feedback has been very positive. 

9.What is going on with some of the other bands or musical styles these days that some of the band members are a part of? 

I’m currently writing lyrics to MMD which is an old band. Years ago, I was a bass player in the band but Abyss (guitarist) asked me to rejoin the group as a vocalist. We released a single Seeds of Evil last summer and we are currently working on our debut album. I’m working with Plaguebreeder’s Klaath on Northern Genocide, an industrial melodic death metal band, and we are also writing a new album. We released our debut album Genesis vol. 666 over a year ago and got a really good response from the audience. Kalmisto is also working on a new album with his pornogrind band Inferia, which is one of the oldest, if not the oldest grind band in Finland. So we are quite busy all the time. 

10.When can we expect a full length and also where do you see the band heading into musically during the future? 

We have been working on new tracks quite some time already and we have 4 songs completely ready. Also there’s roughly 3 good skeletons on the way. I hope we can start recording next Summer or Autumn maybe. Musically we are going towards more diverse, orchestral and melodic direction. In general we have slowed the tempo a bit but we still have some really vicious things coming up.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays? 

We as a trio, listen to variety of material from black metal to power metal and even ebm and synthpop. But the stuff that influence our music and have always influenced are such bands as Immortal, Vader, Behemoth, Dimmu Borgir, Anaal Nathrakh and Marduk.

12.Before we wrap up this interview, do you have any final words or thoughts?

Check out our music videos on youtube, our Spotify and keep listening to metal and spread the plague! 


Saturday, August 22, 2020

Eshtadur/From The Abyss/Blood Blast Distribution/2020 Full Length Review



  Columbia's  Eshtadur  have  returned  with  a  new  recording  which  continues  the  melodic  and  blackened  style  of  death  metal  from  their  previous  releases  and  this  is  a  review  of  their  2020  album  "From  The  Abyss"  which  will  be  released  in  September  by  Blood  Blast  Distribution.

  A  very  heavy  and  symphonic  sound  starts  off  the  album  while  the  vocals  are  mostly death  metal  growls  along  with  some  blackened  screams  also  being  utilized  at  times.  The  riffs  also  add  in  a  great  amount  of  melody  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow, mid  paced  and  fast  parts  while  the  music  also  brings  in a   great  amount  of  Swedish  influences.  The  symphonic  elements  also  make  a  return  on  some  of  the  later  tracks  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  one  track  also  introducing  clean  playing  onto  the  recording  and  as  the  album  progresses  they  also  add  in  a  cover  of  Firehouse's  "All  She Wrote"  which  also  introduces  clean  vocals  into  the  music.

  On  this  recording  Eshtadur  adds  more  symphonic  elements  in  their  melodic  style of  blackened  death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  despair  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Eshtadur  and  if  you  are  a  fan  of  melodic  and  blackened  death  metal,you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Lowborn  Bastard"  "The  Fall"  "The  Oathbreaker"  and  "Disphased  Dimension".  8  out  of  10.

 https://www.facebook.com/EshtadurOfficial/    

Friday, July 31, 2020

Abyss Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?



A: I started Abyss in 2009 together with another former member. The line-up soon was completed by aspiring musicians from a rural part in Bavaria, where we are located. Our music is a mixture of Melodic Black and Death Metal. If you like classic bands like Dissection, Sacramentum and if you appreciate modern successors that draw at least a little from their heritage, you might enjoy giving us a spin.



2.So far you have released a demo, ep and a split, musically how do they both differ from each other?



A: Our early work resulted in a number of songs that had a bigger Death Metal influence. This influence is still noticeable on our last EP from 2018. Throughout the years the Death Metal ration diminished. And together with some other new elements, we solidified a specific trademark sound we were aiming for. This is what you will hear on our part of the coming split with Besna.



3.The band has been around since 2009 but waited until 2018, can you tell us a little bit more about the earlier years?



A: That´s a common question. Mainly for two reasons that deserve a little elaboration:

First one would be because of line-up changes. The number of people that had an instrument in their hands in order to play for or with Abyss comes to more than a dozen already. The changes had nothing to do with personal differences, but more with people going abroad, moving away, getting a job, etc. Those things caused a lot of delay and pauses in the past and for those very reasons you will hear two session musicians on the coming release. There is a permanent line-up though, that works on the songs and concepts and you will most likely see on stage.

Second: It took a while to build the musical skill and capacity to transfer our ideas to reality in a proper way. I can only speak for myself, but I basically learned to play the guitar with the Band.



4.What are some of the lyrical topics and subjects the band has explored with the music so far?



A: We dedicated our themes to chaos. In short: Our songs should reflect mankinds unrest
about being at the mercy of this power and its search for sense, order and the higher, when there is
none of that. A rather nihilistic view on the world and humanity.




5.What is the meaning and inspiration behind the name 'Abyss'?



A: As the literal meaning depicts a bottomless pit, it reflects the symbolism and themes of our songs. No clear line, no end, no order. The name is used quite often by bands. And during the 10 years of minor public activity, it would have been easy to simply choose something more distinct. However, the name Abyss resembles a special meaning for the members. The missing puzzle piece, so to say, that binds all the other aspects of the band and brings it back to conclusion. Contrary to its meaning.



6.Can you tell us a little bit more about the artwork that is presented on the split cover?



A: The artwork awas made by Théo Braisaz, a french artist working under the name „Mr Kiwi“. I work closely together with him for another project. He´s an excelent graphical designer. Our cooperation reached a level where I can lay down my visual ideas and from then on almost blindly trust him with the realization. For the split, the artwork gives several hints on its main themes, which revolve around unfulfilled religious -or even ideological- salvation, absence of the higher and natures indifference towards these themes.



7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?



A: We had many great shows. One that really stood out was our first live performance. We played in front of 100-200 people in a Band Contest of which probably only 5 % were into Metal. The feedback was overwhelming though. Everyone freaked out when the last note subsides. It was the beginning of many things and the moment when Abyss truly came to life.

As a matter of fact we often hear that our live performances are far more convincing than our releases. Our music profits from the chaotic frenzy both Band and audience find themselves in during live situations. In the past recent years we worked hard to make our show aesthetically fitting to the concept. So it´s all about increasing the intensity to make the music, the dread almost physical.



8.You have a split coming out with Besna in September, what are your thoughts on the other band that had participated on the recording?



A: Already during the planning of the „Further Into Perdition tour“ working together went off smoothly. When we played together in Bratislava, they convinced us musically and therefore were our prime candidate for our intended split project. While our music has a certain drive and a pounding blast every now and then, theirs is equally wild, but more on the melancholic side and adds important aspects. Quite naturally and despite the very slight differences in the styles we play, the split reached a coherent whole.



9.On a worldwide level how has the reaction been to your music by fans of melodic black and death metal?



A: That will mostly turn out with the responses towards the coming release with Besna. Besides playing a east-euro-tour together with Groza, Abyss stayed hidden a long time. In my eyes, the project still has to get „out there“.



10.When can we expect a full length and also where do you see the band heading into musically during the future?



A: One upside of the current crisis is, that naturally artists are most likely sitting at home and have time to live out their creativity. I look forward to all the „quarantine creations“ released in the future. And perhaps we will be among them. Soundwise, sometimes I wish to make our music a little harsher and messier. It is leaning towards that already and I still want to keep our melodic trademark. After all, who needs another Deathspell Omega clone.



11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?



A: One main part of my songwriting work is indeed listening to new stuff. I am one of the persons that really listens to everything. I know people say this quite often and to me personally that´s actually often negatively connotated. Black Metal wise, I´m more and more intrigued by french, canadian and icelandic Black Metal. To name a few general bands I listen to quite often: Svartidauði, The Great Old Ones, Der Weg Einer Freiheit, Sombres Forêts, Gris, Selbst, Be'Lakor. Sure from our style, I guess one can draw conclusions on what we mainly listen to.



12.What are some of your non musical interests?



A: As I have hinted already, Abyss is a busy band. Some members will experience some career developments in the future. The plan is to lay down enough ground work for Abyss now to still be operational when that time comes.



13.Before we wrap up this interview, do you have any final words or thoughts?



A: Thanks for the interview, check out our split. One song has been published so far (https://www.youtube.com/watch?v=2_jkcV8_IDI&fbclid). Look out for the next one that will drop soon!

Cheers,

Wednesday, December 25, 2019

Meth Assassin/Reptilian Side of God/Terratur Possessions/2019 CD Review



 Meth  Assassin  are  a  band  from  the  Netherlands  that  plays  a  mixture  of  black  metal,  industrial,  witchhouse  and  horrorcore  and  this  is  a  review  of  their  2019  album  "Reptillian  Side  Of  God"  which  was  released  by  Terratur  Possessions.



  Electro-industrial  sound,  programmed  beats  and  synths  start  off  the  album  along  with  some  tortured  voices  also  being  utilized  briefly  which  also  gives  the  music  more  of  a  horror  movie  atmosphere. High  pitched  black  metal  screams  are  also  a  very  huge  part  of  the  recording  and  the  songs  also  add  in  elements  of  house  music.

  The  songs  also  mix  in  a  great  amount  of  pulsating  basses  while the  music  captures  the  atmosphere  and  darkness  of  an  occult  black  metal  album  without  adding  in  heavy  guitar  riffs.  When  spoken  word  parts  are  utilized  they  also  give  the  music  more  of  a  ritualistic  feeling  and  as  the  album  progresses  elements  of  witchhouse    are  also  added  onto  the  recording,  one  of  the  later  tracks  is  also  an  instrumental.

  Meth  Assassin  plays  a  musical  style  that  takes  black  metal,  industrial,  horrorcore  and  witchhouse  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  while  the  lyrics  cover  Satanism,  Left  Hand  Path,  Occultism  and  Astral  Projection  themes. 

  In  my  opinion  Meth  Assassin  are  a  very  great  sounding  mixture  of  black  metal,  industrial,  witchhouse  and  horrorcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Luciferian  Abyss"  "Reptillian  Side  Of  God"  and  "Invoking  The  Adversary".  8  out  of  10.

"Satanic Infiltrator" - https://soundcloud.com/terratvr-possessions/m3th-assassin-satanic-infiltrator
"Torrents of Ungodliness" - https://soundcloud.com/terratvr-possessions/m3th-assassin-torrents-of-ungodliness
      

Wednesday, October 31, 2018

Fordomth/I.N.D.N.S.L.E/Endless Winter Records/2018 CD Review


  Fordomth  are  a  band  from  Italy  that  plays  a  mixture  of  black,  sludge  and  funeral  doom  metal  and  this  is  a  review  of  their  2018  album  "I.N.D.N.S.L.E"  which  will  be  released  in  November  by  Endless  Winter  Records.

  Tragic  sounding  keyboards  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  music  at  times  before  adding  in  some  clean  playing  while  most  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  riffs  also  bringing  in  a  great  amount  of  melody  and  all  of  the  musical  instruments  sound  very  powerful.

  Vocals  bring  in  a  mixture  of  clean  singing,  guttural  death  metal  growls  and  black  metal screams  while  the  slower  sections  of  the  songs  are  very  heavily  rooted  in  funeral  doom  metal  along  with  the  solos  and  leads  being  done  in  a  very  melodic  style  as  well  as  one  track  also  introducing  spoken  word  parts  onto  the  recording  and  they  also  give  the  music  more  of  a  poetic  atmosphere,  all  of the  music  sticks  to  a  slower  direction  and  also  captures  the  heaviness  of  sludge  metal  and  as  the  album   progresses  slide  guitars  and  stringed  instruments  can  also  be  heard  briefly.

  Forndomth  plays  a  musical  style  that  takes  black,  sludge  and  funeral  doom  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  covering  based  upon  eternal  damnation,  developed  under  it's  satanic  perspectives.

  In  my  opinion  Forndomth  are  a  very  great  sounding  mixture  of  black,  sludge  and  funeral  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Chapter  II  Abyss  Of  Hell"  and  "Chapter  V  I.N.D.S.L.E".  8  out  of  10.

fordomthband@gmail.com
www.facebook.com/fordomth666
www.instagram.com/fordomth.666
http://endless-winter.org/
www.facebook.com/EndlessWinterDoomMetal

    

Monday, May 21, 2018

Medieval Demon Interview

1.      Can you give us an update on what has been going on with the band since the recording of the new album?
- We are walking in the shadows,  into the caves and deep into the forests, in the same ritualistic ways that we did 20 years ago.
We worship the goat of lust that attacks the heavens with its horns!!!

2. In June you have a new album coming out, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you released in the past?
- Our sound is to use and hit the darkest notes, under the fullmoon and  the light of the black candles, to lie together along the circle of the pentagram, in order to communicate with the spirits of the underworld and worship Satan. Medieval Necromancy is more obscure and occult from the stuff we released in the past.

3. You refer to your music as 'spiritual necromantic black metal', can you tell us a little bit more about this term?
                - We create  Black metal with divination from the dead.

4. Your lyrics go in depth with necromancy, black magick and Satanism, can you tell us a little bit more about your dedication to the dark arts?
- As individuals we are against Christianity and for decades we are dedicated ourselves to darkness and the black arts.

5. The band was broken up for 15 years, what was the cause of split and also the decision to reform?
- We wanted to isolate our souls and study the necromantic texts of the late Middle Ages, the medieval magic and occult practise. Now as a promethean fire we want to keep the black metal flames of Lucifer alive!

6. I remember reading a story in the mid 90's about one of the band members facing prison time, can you tell us a little bit more about what actually happened?
- Two members were suspected as vandals and stayed in prison for a few days as they had already a history of such acts in the past.

7. What is the meaning and inspiration behind the name 'Medieval Demon'?
- The name of the band came after the invocation of a demon.

8. Can you tell us a little bit more about the artwork that is presented on the new album cover?
- It's a necromantic ritual in action. The great artist Mark Ridick made all our artwork. He is a true unholy brother.

9. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
- We have performed 2 shows during the 90s. Our performance was old school and devoted to the black metal cult spirit.

10. Do you have any touring or show plans once the new album is released?
- No. Exception would be only a night forest ceremony for  mystics and true Devil worshippers.

11. A couple of the band members also own a record store and a metal label, can you tell us a little bit more about it?
- Yes, brothers Lord Apollyon & Sirokous are the owners of Bowel of Noise records located in the centre of Athens, Greece. It's focused on extreme and satanic metal music. Sirokous also runs LVX INFERNVM  label &  Lord Apollyon ALTAR OF THE BLACK RAM.

12. On a worldwide level how has the feedback been to your music by fans of black metal?
- We buried the band but the interest from the fans is still alive.

13. Where do you see the band heading into musically during future?
- We create only true black metal. No experimentations in our rituals!

14. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
- Many bands from the past such as old Samael, old Master's Hammer, old Bathory, old Darkthrone, old Gorgoroth, old Morbid Angel, old Mayhem, Grave, Dark Funeral,  Profanatica, Demoncy, old Rotting Christ, old Necromantia, old Ancient Rites, Malefic Oath, Engraved, old Immortal, Tormentor, Impaled Nazarene, Beherit, Sarcofago, Mutilator, Sextrash, Funereal Moon, Goblin, Antonius Rex, Jacula, Coven, Aphrodite's Child - 666, The Black etc.

15. Before we wrap up this interview, do you have any final words or thoughts?
- Oh Satan, Spirit of the Earth, God of Liberty, open wide the gates of Hell
And come forth from the abyss...



Bandcamp
Facebook
Myspace

Monday, December 11, 2017

Vargrav Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?

The band originated during starless nights in late 2015.
As the vision calmly evolved and the cloak of obscurity relinquished, Vargrav was chosen to be illuminating sign for this act of black arts.
During the formative years, the music also transmitted into a profound abyss, only to reincarnate as a sinister glow of the black flame.
A demo version of the album was then unleashed during the summer of 2016,
and  after numerous contacts from different labels, Werewolf Records was immediately chosen to be the most suitable collaborator with which to work.
The overture of a black-hearted storm has been sung and what has yet left uncovered shall be conquered...

2.You have an album coming out in January, how would you describe the musical sound that is presented on the recording?

After the two preview songs were published  I received a lot of feedback about the sound and overall atmosphere being very 90's.
I can't really say is it done intentionally or is it just subconsciousness. Nevertheless sounding 90's is purely logical as for me the golden age
of Blackmetal is in the early and mid '90's when everything around it was new to me. Naturally it's impossible to imitate first impressions
when I first time heard some of the classic albums but creating something as close to that as possible I can uphold the passion that ignited back then.

3.What are some of the lyrical topics and subjects you explore with your music?

The topics alternate from unleashing the black storm of hellfire upon all living to glorifying the supremacy of an individual. In the middle a certain
multidimensional approach to reign the powers shackled by constricted knowledge of your capability.

4.What is the meaning and inspiration behind the name 'Vargrav'?

Varg (wolf) has been a feared beast among many cultures for centuries and  in the bible wolf is exclusively evil. Yet wolf has also been seen as a trailblazer
and a teacher. Grav (grave) is where you bury the dead (if someone didn't know) so as an coherence Vargrav is the rest where a bestial wisdom lurks only to rise again.
It's also a palindrome with 7 letters. A palindrome is endless and a continuum. After reaching the end the beginning is the new end.
7 is the number of complement. A number of time and space, representing wisdom, perfection, balance and immortality.

5.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

Compromises kill creativity and when working with others one cannot avoid them. So because of that simple fact I work solo on
all of my bands. Even if it demands a multiple amount of work I couldn't be satisfied with the result if it wouldn't be 100% based on my vision.
It would also be impossible to even think joining a band only as a player. I am a leader, not a follower.

6.On the album you had also done a cover of Emperor's "Ancient Queen", what was the decision behind doing your own version of one of their songs?

Since the first time i heard Emperor's "In The Nightside Eclipse" no other album has ever made such an impact. I could even call it an enlightenment as
in that same moment I knew exactly what I must do. It took me over 20 years to complete that task but time is irrelevant when creating timeless art.
When listening to "Ancient Queen" I've wondered so many times what it would sound like with more keyboards and some clean vocals as in "In the Nightside Eclipse" style.
So recording this cover was a perfect way to get my question answered.

7.The album is going to be released on 'Werewolf Records', can you tell us a little bit more about this label?

The name basically tells it all. An unchained beast seeding terror and fear among those incapable to assimilate it's purposes.
An uncompromising monument of black arts.

8.On a worldwide level how has the feedback been to your music by fans of symphonic black metal?

As the current trend is pretty far from symphonic Blackmetal it seems that for many people it works as a stimulant ascending from the vast grey mass of thousand similar bands.

9.Are you also involved with any other bands or musical projects?

The only active band beside Vargrav at the moment is Druadan Forest - My first solo band which I started back in 1998 only to be put to rest for 17 years. 2016 I was finally ready to release the debut album "The Loremasters Time" via GS productions. The three demos
from ´98-´99 were also released as a compilation by the same label. The second full-length "The Lost Dimension" was released by Wolfspell records 2017. Also a split with The True Werwolf will be released in near future so check it out.

10.Where do you see yourself heading into as a musician in the future?

I try to evolve all the time. The point where you feel satisfied is the point where you can't advance any further and basically can forget any improvement from your past works.
I started musical studies back in the 80's and unfortunately quit after few years so I have a lot to catch up. In the future - if my efforts should pay off and I'll be able to move even a bit closer to the goals I've set, I see
myself as a full-time professional musician and composer.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

There are tons of bands that have influenced my but as said above Emperor has always been the most important and one of the few metal bands that have truly inspired me.
I've never actually seen myself as a metalhead, headbanger or such. Of course I've listened to metal for as long as I can remember but still never felt musically inspired by it.
I enjoy melodies, atmosphere, a sort of surreal soundscapes that I can feel being similar. Seceded from reality.
Nowadays I mostly listen to electronic music and soundtracks.

12.How would you describe your views on Occultism?

I am a Satanist.

13.Before we wrap up this interview, do you have any final words or thoughts?

Blackmetal is not for everyone.

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Saturday, February 21, 2015

Aethyr Interview


1.Can you give us an update on what has been going on with the band since the record- ing of the new album?

D - We've got the master of the album in our hands by the end of the summer 2014. Since then we've been doing some gigs & making new tracks, thinking about making a record for the future split or EP. New tracks are very different from the CORPUS! Also we were making video for CVLT single.

W - Also we were drawing a new artwork for the release.


2.You have a new album coming out this year, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

D - Aethyr has started as a duo, but now we are four-piece band. It was a long way from blackened-industrial-drone with only Aleister Crowley on the vocals, to the thing we've recorded for CORPUS.

W - I think that we are still trying to find out our own musical sound. We continue to try new things and mix styles in different proportions.


3.This is to be the first full length since 2010 and the first release since the split since 2012, can you tell us a little bit more about what has been going on during that time frame?

D - After the split came out in 2012 we became full four-piece band and started making all the music together, also making live shows. Music became more and more difficult and when we had enough material we went to the studio, but wasn't really ready. So we've re-recorded the album in 3 different studios during 2013 & 2014. During that time Aethyr came stronger as a band & have made some new tracks that we've decided also to record for the album and leave some old (more drone sounded) tracks behind.


4.Your lyrics cover Occultism and Esoteric Disciplines, can you tell us a little bit more about your interest in those topics?

W – As for me, it all has as metaphysical and as poetic sense. In order to understand the world we think of metaphors and signs. It's a way and attempt to look beyond reality. Staying alone with Abyss and comprehend himself and alone with the absolute.


5.I know that the bands name means the fifth element or spirit in occultism, how does this name fit in with the musical style that you play?

D – Our music – is the Aethyr for this world.

W - All our efforts in band it is a way to understand what is it Aethyr.


6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

W - We have not a many gigs during this time. We play usually where coincides with the spirit and atmosphere of the place and other musicians in small clubs. There was also a memorable experience - a concert in the woods, it was the video material for the video of the single "CVLT" (www.youtube.com/watch?v=wnhaDGprw_I ).


7. Do you have any touring or show plans once the new album is released?

D – Supporting Primordial (IRL) is the nearest one. Tour – maybe.

W - We don’t thinking about that, but we open for any offers.


8.On a worldwide level how has the feedback been to your music by fans of black metal, doom and drone?

W - We are just beginning to assert itself, but nevertheless, thanks for the efforts of our label Cimmerian Shade Recordings - more people know about our music. And there are a few positive reviews already. This is very encouraging.


9.Where do you see the band heading into musically during the future?

D - Our new tracks sounds more in melodic-black-death style. We speed up more and more)) Though we have one new classic doom-black track. But anyway - we don't want/don't like to make borders. If someone got a great drone/sludge riff - we'll make it, followed by great death riff, etc.


10.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

D – Oh, there are so many of them…Nihilist, Le Mystere Des Voix Bulgares, Ceremonial Oath, Behemoth, Slayer, Amenra, Celeste, Clint Mansell, Gunter Kallmann Chorus, The Ocean, SepticFlesh, Under Byen – to name a few.

W - There are too many. From bands playing dark ambient and drone to True Norwegian Black Metal. Old and relative new. And it's impossible to select one or two. I suppose it is a mixture of all of them )


11.What are some of your non musical interests?

D – Graphic design & photo, but music is the main interest all the time (with other projects & music styles).

W - We involved in art project http://rottenfantom.com/ together with my beautiful wife Elena. We making a dark and mysterious black and white illustrations. It is a second part of my life on a par with Aethyr.


12.Before we wrap up this interview, do you have any final words or thoughts?

W - Thanks a lot for the interesting questions. Music is an important part of human culture. It is a mixture that unites people across the globe. Listen to the good music and try not to do anything stupid! )

D – Ave A!

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Saturday, November 22, 2014

Unfathomed Of Abyss Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Unfathomed of Abyss is a studio project that utilizes extreme metal / black metal sounding musical phrases composed in a layered and constantly temporally evolving symphonic framework.


2.Recently you have released a new album, how would you describe the musical sound that is presented on the recording?

It's fucking awesome. But, I'm really not an unbiased source of information on this.


3.This musical project has been around since 2001 but so far this is the first release, can you tell us a little bit more about the delay?

I started writing in 2001, and finished in 2012. Though some of the parts I even wrote in 2000, I had used them to do a concept study in rhythmic ideas tied to tonality that evolved, or echoed with slight changes introduced to repeated elements over time, rather than mindless repeating of parts verbatim for the entire piece. That study that I did on 2001 ended up being the proof of concept for the entire album, which is the final section of “The Malevolence of Existence's Continuation”. I had to insert some parts that mindlessly repeated verbatim though because constantly evolving parts with no opposite can create it’s own type of monotony as well. But in estimating / tallying up the actual time spent working on writing the album, if I omit all the time spent not working on the parts that went into the album (time spent writing other stuff that did not make it on the album, writing other music as an exercise or concept studies, time spent studying classical theory amongst whatever other random things life throws one's way), the writing would have consisted of about a years worth of weekends and evenings, it was just spread out over almost the entire time-frame. Although, it took me a lot longer to write parts at first, than it does now. Recording didn't take forever once I was done writing. Then I spent literally a year re-mixing it with mostly decade's old software and hardware. Most of the time was spent waiting for the geezerly Dell I have to process audio, usually around 10 – 20 minutes per track, multiple times for each song. I had like 20 – 30 mix downs to go through for each song because loading everything up all at once would freeze the software for sure, and occasionally crash the computer and forever corrupt audio files.



4.What are some of the lyrical topics and subjects that you explore with your music?

“To Unequal the Balance of the Cosmos” is about origins and evolution of life, and that life taking hold of the physics of it's own basis, and a cataclysm that follows when life manipulates it's basis.

“The figment Unadulated” is about the nonexistence, arbitraryness and invented bullshittery of things that exist only in the minds of people; religions, cultures, and really any group of people where the name of that group somehow lasts longer than the people that adopt those made up ways.

“Within The Glory of Other Lights” is about humanity and life in general's need to colonize areas away from Earth, as Earth will be consumed by the Sun eventually when it expands to be a red giant (it's circumference has been estimated by people a lot smarter than me to come to rest roughly along Earth's orbit in around 2 billion years or so, though in around 1 billion years, the increase [occurring right now] in the Sun's luminosity will heat Earth up to the point of being unfit for life). Mars is referred to in the lyrics, however the title suggests other stars besides the one that annoys us in the morning are a worthy goal as well.

“To Nothing” is about a life form that fails to overcome it's subordinance to existence, and then dissolves to existence itself, to molten rock, or vapor perhaps. It however maintains a chance at future evolution to self awareness again, as is true of any of the ingredients for life that may be wandering through the universe right now.

“Within the Void” is about the nonexistent dichotomy purveyed (to annoy people with any sense) by the fake fucks that inhabit Earth, those who pretend that ideas (actually, I'm just talking about traditions, cultural groups and religions) are somehow reality itself, and who purvey that anything observable, testable and otherwise physically real is somehow not real or not useful. So, it's about a habit of travesty that humanity perpetuates upon itself; a fleshy self destruct button.

The Malevolence of Existence's Continuation is about the transience of life, and it's subordinance to Earth.

The way the lyrics are written though, those meanings are hard to glean.

5.What is the meaning and inspiration behind the name 'Unfathomed Of Abyss'?

It's a sort of slight of hand way of saying “life”. At least, I wouldn't expect much of it to exist in a universe that largely consists of a relative majority of emptiness.

6.With this musical project you record everything by yourself, are you open to working with a full time band, or do you prefer to work solo?

I couldn't have written this as a collaboration with a band. Nor could I have learned to write this type of stuff if I was spending a lot of free-time practicing playing parts. I did work with two other people on this, and could not have finished it without their help. Kevin Talley did the drums, and Tom Kvålsvoll did the Mastering.

7.Currently you are unsigned, are you looking for a label or have received any interest?

There hasn't been any label interest. I may be wrong, but I assume there has to be some sort of touring capability to entice a lot of labels. These days they seem to serve more of a promotional function (it's very easy to self release digitally and physically) as far as I can tell, and opening for some band with a big following that also kicks ass in a live performance is likely a better form of promotion than putting those same band's name in a “sounds similar to...” section of a website. But I'm on the fence about labels anyway.

8.On a worldwide level how has the feedback been to your music by fans of symphonic black metal?

Pretty good actually. It varies wildly though. I have received feedback indicating that the music is just right to people's tastes, and even that it is the type of thing some people look for. I have gotten feedback that indicates some people really expect a more linear and “repeated verbatim” based approach to something labeled with the word “symphonic”, I guess the same people might be seeing the “black metal” in the descriptions I use, and ignoring the “symphonic” part. I use those terms merely because they are the closest descriptive terms that people use to search for any music online. I do not believe that somehow, magically or as in some other type of woo woo type way that my music itself inhabits some mystical state of being by being called this or that. So, it is not this, that, or some other thing. It is what it is. I would call it “fluffy cupcakes” if search terms could be replaced by sounds playing in a person's brain. It would be a lot easier if Amazon could hear those sounds when I search for music to buy, otherwise I have to figure out how people are describing music, which can be bullshit.

9.Where do you see yourself heading into as a musician in the future?

I'll be writing more brutally and varied, and more symphonically. There is some new material already written. I'm also interested in getting rid of the use of synthesized sounds as much as possible. So I've got a violin being shipped to me from halfway around the globe as I type this. It's not a far stretch, from guitar to violin. Assuming I can get to the point of being able to record what I write with it, then I'll have to find a viola, cello and double bass as well. All the synth parts were actually written with the real instruments in mind anyway.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Pink Floyd, Jimi Hendrix, old Metallica, Slayer, Mayhem, Arcturus, Emperor, Stravinskiy's The Rite of Spring, almost anything by Alan Hovhaness, Iannis Xenakis, and Vangelis. those are the best examples I can think of now. I prefer modern orchestral styles to classical / boroque, romantic etc eras, dissonant metal, or metal that uses multiple types of scales rather than music that solely relies on the typical overused, ripped of to the point of annoyance western scale. Nowadays I flip constantly between the nu-metal, hard rock, 90's hard / grunge rock, alternative and classical (not the opera one) channels on SiriusXm.

11.What are some of your non musical interests?

Architecture, stop-motion animation, computer generated visual effects software (Blender is the shit) surreal / fantasy / sci-fi visual artwork, designing things.

12.Before we wrap up this interview, do you have any final words or thoughts?

Just say no to trends.

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Thursday, November 6, 2014

Unfathomed Of Abyss/Arise Upon Oblivion/2014 CD Review


  Unfathomed  of  Abyss  are  a  1  man  band  from  Texas  that  plays  a  very  symphonic  and  avant  garde  form  of  black  metal  and  this  is  a  review  of  his  self  released  2014  album  "Arise  Upon  Oblivion".

  A  very  dark,  heavy  and  symphonic  sound  starts  off  the  album  along  with  some  melodic  guitar  leads  and  blast  beats  which  are  utilized  a  great  amount  throughout  the  recording  and  you  can  also  hear  a  great  amount  of  keyboards  being  utilized  in  certain  sections  of  the  recording  and  there  is  also  a  good  mixture  of  slow,  mid  paced  and  fast  parts  present  throughout  the  recording  and  most of  the  tracks  are  very  long  and  epic  in  length.

  When  vocals  are  added  into  the  music  they  are  in  a  very  grim  and  high  pitched  direction  of  black  metal  and  you  can  also  hear  death  metal  growls  being  added  into  the  music  at  times  and  the  music  also  brings  in  a  very  symphonic  style  while  still  being  very  heavy  and  melodic  at  the  same  time  and  you  can  hear  a  great  amount  of  talent  and  skill  in  the  way  the  instruments  are  performed.

  The  symphonic  black  metal  style  of  the  album  is  more  closer  to  the  mid  90's  era  of  the  genre  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  after  awhile  you  can  hear  some avant  garde  elements  being  added  into  the  music  but  done  in  a  more  heavier  fashion  and  at  times  you  can  hear  a  touch  of  funeral  doom  in  the  slower  sections  of  the  music  while  the  symphonic  elements  also  bring  in  influences  from  orchestra  and  classical  music.

  Unfathomed  Of  Abyss  creates  a  style  of  symphonic  and  avant  garde  black  metal  that  is  closer  to  the  90's  style  and  also  has  more  of  a  darker  and  heavier  edge  than  most  bands  of  this  genre,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  doom,  existence  and  oblivion  themes.

  In  my  opinion  Unfathomed  Of  Abyss  are  a  very  great  sounding  avant  garde,  symphonic  black  metal  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "To  Unequal  The  Balance  Of  the  Cosmos"  and  "Within  the  Void".  8  out  of  10.

https://unfathomedofabyss.bandcamp.com/releases

Wednesday, July 9, 2014

Bastion Interview


Answer: Dmitry (vocals, horns), Ivan (drums), Yuri (vocals, bass), Alexander (keyboards, accordion)

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Dmitry: After the release of the album several concerts in Moscow were played to support it. We also recorded a new song "Sumetskaya" based on an old Russian folk tune for a fight, and made live video for this song. We are going to present them in the near future. At the moment, we took a long pause to determine the further development of the concept and vector group.

2.Recently you have released a new album can you tell us a little bit more about the musical direction of the new recording and also how does it differ from the stuff you have released in the past?
Ivan: we approached more responsibly to the record of a new album with a sound concept of music and visual album design. The first album is good in his own, but due to lack of experience, many errors were made during the recording process we tried to avoid on the new album. Music is fundamentally different, which is understandable since there were important changes in the band: in fact, composers were changed. New members added the diversity of folk instruments.

Alexander: and technically the group does not stand still. We wanted to play harder and more varied, while retaining the folk component, which is eventually happened. Besides lyrics also undergone a change in the direction of greater linearity and stiffness corresponding to modern realities. Everybody went all out and that is happened - the best at the moment that our group can offer.

3.In the beginning the band played in a more power metal direction, what was the decision behind going into a more heavier and darker direction?

Yuri: It was a natural desire of participants, which just went from the inside. Times change - changing ourselves. Events around us getting tougher and we react to them through our songs. Besides striving to give people a boost to opposition negative factors around us, and more hard music contributes a much better motivation!
Alexander: Probably heavy hammer of the current sound is better able to reach the minds and destroy the gate of indifference inhabitant than the previous chaotic whistling in the air power metal sword.

4.While there where a few demos released in the early 2000's the band waited until 2011 to put out their first album, can you tell us a little bit more about the gap between releases?

Ivan: As often happens - the young guys get together, with the idea to play a definite music, creativity abounds, but the case itself, which for some then becomes a matter of life, not yet filled with that sense and awareness that appear later with experience. Parties are formed around, people come and go and everything is fun. In such circumstances demo are being written, creating something which happens naturally, and the recording quality in mind - this is not working as recording full-length album. And then serious changes begin, time shows - what is the most important for someone. In our case, the whole complex of these problems is the reason of a temporary abyss. In fact, the tracks presented on "Dawn of Svarog" were written by different people of the first casts started recording the album some, already finished the others. In any case, the first release - it's important theme for us - we summed up the first step of forming a "Bastion" and paid tribute to the first participants who have at one time a huge contribution to the team.

5.The lyrics cover Slavic Paganism themes, can you tell us a little bit more about your interest in this topic?

Yuri: Actually it is not only about paganism. For us paganism - is primarily one of the pages in the history of our nation, undeservedly forgotten and rejected by modernity.
Alexander: This topic is, unfortunately, almost no coverage in the official history, though an integral and a very large part of it. This is done on purpose, because the modern religious system which promotes slavery, humility and non-countering to all the negative that we have now is beneficial to the state. While Slavic paganism promotes freedom and harmony with the environment, which is lacking in modern humanity.
Ivan: All this talks and debates about the validity of certain beliefs already pretty bored. I personally absolutely non-religious person. Paganism for me is a way of learning about the world, do not allow limitations. As a creative person, I want to breathe and absorb everything that gives us around the world - with its light and dark sides. Everything is subject to a single space, and feel one with it - that is my spiritual path. Everything else - the profanity and fictions of people wanting to subdue the crowd. If we talk about the topic of paganism in the works "Bastion", it gives us a basis for a deeper dive into a folk soul, not yet tainted by foreign elements, true love for our fatherland and unbreakable bond with her.

6.What is the meaning and inspiration behind the name 'Bastion'?
Ivan: It's actually quite banal. Title was invented in the beginning and did not change. And then it was important to pick up a resounding suitable word for executable  music (power metal). Looked everywhere, thought, discuss different options were ... until at one point in a dictionary, it has caught the eye of "Bastion". We decided that it is well suited for it and stopped. Surprisingly, until now, given all the changes in our sound and style - it does not lose relevance. "Bastion" as used to stand, despite all external attacks, and will stand on its promise and carry listeners.

Yuri: "Bastion" is a serf fortification. That's you will not pass by our group so easily and not overcome hurriedly. In addition, as it is a defensive structure, as we stand on guard for our traditions and history.

7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
Dmitry: For me, the best concerts were in Minsk (Belarus) in 2011, the same year in St. Petersburg, together with Skyforger and the presentation of the new album in Moscow in February 2014. Our performance was described once the publication Casus Belli Zine as "Krasnoznamensk’s ruffians " (we are from a town called Krasnoznamensk). This definition accurately describes our behavior on stage: unbridled energy and conduct, which gets all the spectators and puts in a slam and mosh. We behave on stage completely uncharacteristic of typical pagan metallers. It is worth a look!

8.Do you have any touring or show plans for the future?
Dmitry: No plans for performances, because, frankly, no one is calling us to play)). And especially not arranges tours. Promote our own music as we can.

9.The new album was released on Der Schwarze Tod, can you tell us a little bit more about this label?

Ivan: Der Schwarz Tod - this label of Nebokray’s (Небокрай) vocalist, whose participants are also some people from "Bastion." Our first release, by the way, also came out with the help of this label. At this stage, we are completely satisfied with the cooperation with them, label does not stand still, builds momentum, increasing the number of released versions, well, then we all communicate closely, so we do everything together (for details on the release and distribution of Der Schwarz Tod you can learn here - https://www.facebook.com/DerSchwarzeTod).

10.On a worldwide level how has the feedback been to your newer music by fans of underground, extreme, pagan and folk metal?
Dmitry: At the international level only positive feedback there are. And ordinary listeners and music critics have praised our effort and work.

http://www.metalhead.it/?p=27511 (7.5 \ 10 from Italy)
http://nocturnemagazine.net/recenzije/1704/- #. Uxn8cND. (8 \ 10 from Serbia)
5 \ 5 from Dark City magazine (leading magazine about heavy music in Russia)

11.Are any of the band members involved with any other musical projects these days?

Dmitry: Guitarist Konstantin involved in the group Lepta (Лепъта) and has recently been helping our friends from the group Krada (Krada). Ivan and Yuri are permanent band members Nebokraj, just as I wrote Flute for Nebokraj on a new mini-album. Personally, I'm studying ancient Russian traditional music and have a project under this "Kudeyar» (Кудеяр).

Ivan: Just trying to help our friends and colleagues on the stage - this notorious group Temnozor, Krada Moscow, there was collaboration with a group of Wolf Cross and other groups.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Yuri: First of all of course it is the traditional Russian folk music and our folklore in general. Then folk metal and black metal. Not without modern alternatives (hardcore, rapcore). I always like listening to The Exploited and Oi, RAC, melodic death, pagan metal.
Ivan: I've been listening to different music at different stages of my life, so that all affected little. Recently returned to the nu-metal and alternative - Limp Bizkit, Korn, Soulfly ... Before this was mostly hardcore. Quoted old Black Sabbath - the greatest band of all time! At one time the strongest influence was the Norwegian black metal - in the face of all known, the brightest of its representatives. If we talk about the lighter characters, the Iron Maiden - always on my top list! Guys from Manowar - just to display .. always appreciated the music drive and some wildness or atmospherics and some detachment. Here it all and entwined.
Alexander: Everything, classic rock, pumping heavy music, all that helps to push, tug, squat and run.
Dmitry: First, there was punk rock, then grew up on classic heavy metal, then symphonic black metal, nu-metal, alternative, hard core. Now I listen to any good music, be it pop, elektro, rap or metal. I generally like music as itself and no matter what style it is. Among the groups in my track sheet are always 3 Doors Down, Limp Bizkit, Chimaira, Nickelback, Drowning Pool, Hatebreed, Deftones, Dry Kill Logic, Creed, Devildriver, Deadlock, Lamb of God. Lately listening downtempo, melodic drum'n'bass, embient, and of course the Russian ethnographic folklore.

13.What are some of your non musical interests?

Ivan: Besides music, are actively engaged in sport - gym, martial arts, boxing, football. Participate in mass jogging and other sports promotions aimed at the proper development of young people. Interested in car and motorcycle industry. Course literature - both classical art and popular science, mostly historical. Just interested in the issues of doing business in the Russian complex realities. Besides all this, everyone has a basic work, half of a group have family with young children - so do not have to miss.
Alexander: HLS (healthy lifestyle): rocking, girls, bike, skiing. J
Yuri: I think the consensus is said rocking. With regard to myself, rocking, history of his native country, its peoples, politics. About family and parenting does not say that because even though it takes the lion's share of the time, it can not be called hobby. This is the fucking life!)
Dmitry: each participant involved in sports, as possible participate in public life. I love an active lifestyle, cars and motorcycles, guns, outdoor recreation, longer hikes, literature, in general, all that fills life with colors and what you feel truly alive.

14.Before we wrap up this interview, do you have any final words or thoughts?

Ivan: Thank you for your interesting questions and interest in our creativity! Do not forget your roots, fully develop, get better every day and then do not have to complain about the negativity around - create your own reality!

Yuri: Keep yourself healthy, get exercise and learn the history of your country. All that you need to raise a healthy generation. Be patriots of your fatherland.

Alexander: Be fruitful and multiply, and replenish the earth!

Dmitry: Thank you for showing interest in us and really interesting questions. Salute Portugal from Russia. Listen to our music and watch the news on the official pages: