Wednesday, November 17, 2021

Civerous/Decrepit Flesh Relic/Transylvanian Tapes/2021 Full Length Review

 


  Civerous  are  a  band  from  Los  Angles,  California  that  plays  a  mixture  of  black,  death,  drone,  doom  and  sludge  metal  and  this  is  a  review  of  their  2021  album  "Decrepit  Flesh  Relic"  which  will  be  released  on  November  19th  by  Transylvanian  Tapes.


  Dark  yet  ritualistic  soundscapes  start  off  the  album  before  going  into  a  heavier  musical  direction  while  the  vocals  are  mostly  death  metal  growls.  Black  metal  screams  can  also  be  heard  at  times  while  evil  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  and  the  slower  sections  of  the  songs  also  add  in  the  heaviness  of  sludge  and  doom  metal.


  The  songs  also  add  in  a  decent  amount  of  90's  influences  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  lot  of  blast b eats  can  also  be  heard  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length  as  well  as  one  song  also  introducing  clean  playing  and  stringed  instruments  on  the  album,  drones  can  also b e  heard  in  certain  sections  of  the  recording,  one  of  the  tracks  is  also  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  disease,  death  and  decay  themes.


  In  my  opinion  Civerous  are  a  very  great  sounding  mixture  of  black,  death,  drone,  doom  and  sludge  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "From  The  Crypt  To  The  Cavern"  and  "Spiral  of  Eyes".  8  out  of  10.


  http://www.instagram.com/civerous_disease


        

Paradise in Flames/Act One/2021 Full Length Review

 


  Paradise  In  Flames  are  a  band  from  Brazil  that  plays  a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2021  album  "Act  One".


  Symphonic  sounding  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  During  the  faster  sections  of  the  songs  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  vocals  also  bring  in  a  mixture  of  black  metal  screams  and  death  metal  growls.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  operatic  male  and  female  vocals  can  also  be  heard  in  some  parts  of  the  album.  Throughout  the  recording  you  can  also h ear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  being  very  heavily  rooted  in  the  90's.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized  as  well  as  some  songs  adding  in  whispered  vocals,  spoken  word  parts  can  also  be  heard  briefly  and  as  the  album  progresses  a  brief  use  of  clear  vocals  and  clean  playing  are  also  utilized.  The  production  sounds  very  old  school  while  the  lyrics  cover  Occultism,  Evilness,  Darkness,  Anti  Christianity  and  Misanthropy  themes.


  In  my  opinion  Paradise  In  Flames  are  a  very  great  sounding  symphonic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Old  Ritual  To  An  Ancient  Curse"  "Dancer  Of  The  Mist"  "Unseen  God"  and  "The  Way  To  The  Pentagram".  8  out  of  10. 


  https://www.facebook.com/paradiseinflamesband

https://linktr.ee/paradiseinflames%C3%A2%C2%80%C2%8B

https://www.youtube.com/watch?v=AD8wjdtUb20 


    

Tuesday, November 16, 2021

3xperimental/Dimorphis/2021 Single Review

 


  3xperimental  are  a  solo  project  from  Germany  that  has  been  featured  before  in  this  zine  and  plays  a  very  atmospheric  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2021  single  "Dimorphis"  which  will  be  released  on  November  24th.


  Sci-fi  orientated  keyboards  start  off  the  single  along  with  some  programmed  drum  beats  later  before  going  into  a  heavier  direction.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  mostly  high  pitched  black  metal  screams  and  the  music  also  adds  in  a  great amount  of  atmospheric  and  symphonic  elements  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  second  track  is  also  an  instrumental  version  of t he  first  song.


  On  this  recording  3xperimental  plays  a  style  of  black  metal  that  is  very  atmospheric  and  symphonic  sounding.  The  production  sounds  very  dark  while t he  lyrics  cover  space  exploration  themes.


  In  my  opinion  this  is  another  great  sounding  track  from  3xperimental  and  if  you  are  a  fan  of  atmospheric  and  symphonic  black  metal,  you  should  check  out  this  single.  8  out  of  10.



  


    

Monday, November 15, 2021

Tine/Mergae Maris Profundi/2022 CD Review

 


  Tine  are  a  solo  project  from  Pennsylvania  that  has  been  featured  before  in  this  zine  and  plays  a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  his  self  released  album  "Mergae  Maris  Profundi"  which  will  be  released  in  2022.


  A  very  heavy  yet  melodic  sound  starts  off  the  album  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Symphonic  elements  are  also  a  very  huge  part  of  the  songs  along  with  the  vocals  bringing  in  a  mixture  of  black  metal  screams  and  death  metal  growls.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  A  lot  of  the  album  is  also  heavily  rooted  in  the  mid  90's  era  but  mixed  with  a  more  modern  style  along  with  some  choirs  also  being  utilized  on  a  few  tracks.


  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  as  well  as  some  of  the  faster  riffing  also  adding  in  some  tremolo  picking,  melodies  are  also  added  into  some  of  the  riffs,  as  the  album  progresses  a  brief  use  of  clean  playing  can  also  be  heard  and  a  couple  of  later  songs  also  adds  in  a  brief  use  of  clean  vocals  and  the  recording  closes  with  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Lavey  Satanism,  Philosophy,  Anti  Christianity.  Darkness,  Horror  and  the  writings  of  H.P  Lovecraft.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Tine  and  if  you  are  a  fan  of  symphonic  black  and  death  emtal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "From  The  Deep  Ir  beckons..."  "A  Cetacean  Dirge"  and  "The  Kracken's  Lament".  8  out  of  10.


  https://tine.bandcamp.com


  

Friday, November 12, 2021

Agnes Vein/Deathcall/Venerate Industries/2021 Full Length Review

 


  Agnes  Vein  are  a  band  from  Greece  that  plays  an  epic  mixture  of  black,  sludge  and  doom  metal and  this  is  a  review  of  their  2021  album  "Deathcall"  which  will  be  released  in  December  by  Venerate  Industries.


  A  very  slow,  dark  and  heavy  sound  starts  off  the  album  while  also  introducing  elements  of  sludge  and  doom  metal  onto  the  recording.  All  of  the  tracks  on  the  recording  are  also  very  long  and  epic  in  length  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  Vocals  are  mostly  black  metal  screams  while  clear  singing  can  also  be  heard  in  some  parts  of  the  album.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  dark  yet  melodic  style  as  well  as  one  song  also  adding  in  a  brief  use  of  clean  playing,  touches  of  80's  era  epic  doom  metal  can  also  be  heard  at  times  and  all  of  the  music  sticks  to  either  a  slow  or  mid  tempo  direction.


  Agnes  Vein  plays  a  musical  style  that  takes  black,  sludge  and  epic  doom  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  inner  thoughts  and  philosophical  themes.


  In  my  opinion  Agnes  Vein  are  a  very  great  sounding  epic  mixture  of  black,  sludge  and  doom  metal  and if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Deathcall"  and  "The  Golgotha  Entanglement".  8  out  of  10.


https://www.facebook.com/agnesveinband
https://agnesvein.bandcamp.com/
https://open.spotify.com/artist/3BD60vhHcGClnZ9sTD3k2J?si=az_DR_MGRrmPLXP5cHvMMA 

https://youtu.be/P7UafQF9aK0

Thursday, November 11, 2021

Orbital Soul System Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?


I've been interested in cosmic music for a long time. Since I've heard Arcturus "Sham mirrors" and Samael 'Eternal' (still my favourite cosmic metal album) I was trying to find some more space metal albums. There were not so many of them and the balance of guitars and synths was not the one I was trying to find. After some years playing in different bands as a guitarist (Rakoth is the one that should be mentioned) I decided to start creating the cosmic music I'd like to hear all this time. So I left Rakoth in 2008 and started my cosmic metal project. It was supposed to be only studio one-man band (as it is still nowadays), so I had to learn to play bass, work with synths (I don't use virtual synths, only real ones) to perform vocals and many other... The demo of two songs (Into the sun and Eternal voyage) was done in 2010, the process went slow and the album was recorded only in 2017. 


2.A few months back you also released an album, can you tell us a little bit more about the musical style that you went for on the recording?


It's hard to describe clearly. It's a mix of black, doom,death and modern metal from my opinion. Maybe with some ambient parts. I must say that it became a problem on particular moment with the promotion because it is not so 'doom' for doom-metal fans, not so 'black' for black metal fans etc. The thoughts about this point  for the second album seem to be scary for me :) But there will be more black metal parts definitely.


3.What are some of the lyrical topics and subjects you explore with the newer album?


To tell the truth all the the lyrics has been written in one day, so I didn't achieve the lyrical level I'd like to. Some of songs describe inner thoughts and human's self-contemplation (Into the sun, The path, Hollow), the title song "Eternal voyage" describes the thoughts of a space rescue boat lost in the deep space. Someday I will definitely make a concept-oriented album.


4.You also had a solo project a few years ago called 'Orbital Dawn', is 'Orbital Soul System' a continuation of your previous project?


Yes. Orbital Soul System is a rebranding of Orbital Dawn. The album was recorded in 2017 but didn't get a good mixing and mastering. So it was half-released as a demo-album of Orbital Dawn project. My brother Alex Zalessky started to study sound engineering and in 2020 he asked me to give him my tracks to see if he could do some good sound for the album. And the result was very cool (I must say that the recording in 2017 was not performed very correct for great mixing) so I decided to release the album now.


5.What is the meaning and inspiration behind the name 'Orbital Soul System'?


The meaning is the question of similarity between human soul and universe. And I like the sounding of "Orbital" word :)


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork was made by MOSAEYE ART&DESIGN. The idea was mine, I would like to place the image of the rescue boat from the title song. So it came that way. A damaged space ship doomed to eternal wandering in the universe...


7.With this project you record everything by yourself but have experience working with a full line up in a previous band, how would you compare the two?


It was fun and interesting to play in a band but the current format of working on music is as convenient as possible for me. I feel free to make what I want and when I want, to experiment as much as necessary. The only negative thing is the lack of opportunity to play live shows. So I would like to stay alone in music creating  but taking some session musicians for live shows in the future is possible.


8.Currently you are unsigned, are you looking for a label or have received any interest?


I would like to get signed on a label really able to bring my music to more listeners. So I'm interested in labels with really good promotion. I didn't really try enough to get signed with the debut album, we'll see if my second album will arouse some interest from such labels. If not- ok, I'll stay independent.


9.On a worldwide level how has the reaction been to your music by fans of underground metal?


The reaction is quite good. Many people really like the album. Some of them didn't like the sound but tastes differ, many people say that the sound is very good. I like the sound of this album because it's really heavy and not so unpolished as it used to be on plenty of modern records. Many of them notice the real COSMIC spirit and the originality.


10.Where do you see yourself heading into as a musician during the future?


I hope to create some music that will outlive the creator. The music that will become something special for some people.  Maybe I'll make another project to play electronic music parallel to Orbital Some System in future.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Too many of them. Some music can be influential for you even if you are not huge fan of it. As some really influential bands I should name Arcturus, Ulver (great fan of synth-pop Ulver, hehe), Emperor (Anthems and Eclipse), Bad Sector, Pink Floyd, Theatre of tragedy, Soilwork (Peter Wichers), Mayhem, Samael, Meshuggah, Scream Silence, Covenant (swedish synth-pop band), Royksopp. I'm listening to plenty of bands nowadays. From late Bring me the horizon to Atrium Carceri and Rome. There are many interesting bands and styles, it's bad if you are caged just in 5 styles... As for black metal: 90's and 00's bands plus some modern bands as Raventale, Darkspace...


12.Before we wrap up this interview, do you have any final words or thoughts?


Be really thinking, feeling and strong ones.  

https://orbitalsoulsystem.bandcamp.com
https://www.facebook.com/Orbitalsoulsystemofficial/
https://open.spotify.com/album/6GAd8pgJ30hpR7A3PCPCzY

Wednesday, November 10, 2021

Nightshade Interview

 

1.For those that have never heard of you, can you tell us a little bit about the musical project?

Thomas: Nightshade was founded in 1998 and was active in the underground scene until about 2004 when it changed its name and style. Originally, we created a metal style that was much influenced by bands like Samael, The Kovenant, the use of tons and tons of electronic and synths to create soundscapes, also with classical influences. Then in 2019, about 15 years later actually, I came up with the idea to reactivate the band.

David: Wasn’t I the one who came up with the idea?? Hahaha. I think I was kind of hoping this would happen at some point. I’m still very fond of our first demo, “Andromeda’s Heart”, released in 1999. It has this youthful energy that we never really captured after that. I wanted to “celebrate” its 20th anniversary so I uploaded a remastered version of it on Bandcamp. It so happens that Thomas had secretly been working on new songs. When he came to me with these demos, I was blown away and felt the stars were aligning again.


2.In November you have a new album coming out, can you tell us a little bit about the musical style that you went for on the recording?

Thomas: We wanted to stay true to that original energy and style because it’s quite uncommon. At the same time, we wanted to make an album that reflected who we are today as musicians and also as individuals. It’s a sort of return to the origins and at the same time an evolution from the last 15+ years. For example, we rearranged Chopin’s Opus 23, something that was really hard to do, integrated samples of opera voices alongside David’s clean singing and used lots of guitar tracks, like around 10 or so. Eventually, we worked with Sebastian Has, who is also known for his work with Behemoth, to produce a very warm and natural, yet powerful sound.


3.What are some of the lyrical topics and subjects the band has explored so far with the music?

David: Right from the beginning of the band in 1998, there has been a “spacey” touch to our lyrics as well as many references to Greek, Roman and Christian mythologies. But they are roughly an imagery that allows us to dig into deeper themes. On Sounds of Dark Matter, we deal a lot with knowledge or rather the search for knowledge. “Set To Destroy The Heart Of The Sun” is about the feeling that all spirituality seems to be slowly dimming out in this world. “Pulsars 1.33” is about the desperate need for mankind to leave a legacy in the cosmos, though we’re bound to become extinct at some point. “A Call From Distant Skies” deals with how civilisations have turned towards the skies to try and explain everything that is happening down here, while at the same time trying to harness and conquer these stars.


4.What is the meaning and inspiration behind the name 'Nightshade'?

Thomas: We were, and still are, huge fans of Summoning. Our band is named after their EP “Nightshade Forests”. Also, the song “A Call From Distant Skies” is our kind of tribute to the band.


5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The angels represent The Lamb opening the seven seals. It’s an illustration by Julius Schnorr von Carolsfeld, a German painter from the 19th century. We gave it a “Nightshade” twist of course…. the background is a surreal vision of space with clouds, there is also  a dying sun behind mystic symbols alluding to songs like “Pulsars 1.33” or “A Call From Distant Skies”.


6.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

Thomas: The current line-up is working just fine. But you know… “Never say never” haha … we’ll see what happens, especially as we’re having more and more demand for playing live.


7. On the album you also done a 'Kovenant' cover, what was the decision behind doing your own version of one of their songs?

David: A lot of the composition for the album was done during the 2020 confinement. People having too much time on their hands, these “10 albums that had a huge impact on me” lists started to bloom on Social media and it made me realize how important Nexus Polaris was for me when it came out. It’s actually the main album that drove Nightshade lyrically into space. Since we were kind of paying tribute to our own past, I thought why not acknowledge the influence of Covenant/The Kovenant by covering one of their songs. “Chariots Of Thunder” was always one of my favourite tracks off Nexus Polaris so we had a go at it. Thomas was keen to work on this but he wanted to twist it, to make it stand a bit off. Hence the “acoustic almost flamenco” version, haha.


8.On a worldwide level, how has the reaction been to your music by fans of industrial and black metal?

David: It would be a bit pretentious to state we aroused worldwide level reactions with Nightshade, hahah. We’ve been silent for more than 15 years so it’s hard to say how people will react to our sound today. We had many good reviews back in the day, most nodding to the freshness of this mix of orchestral, cold wave, thrash and industrial influences. The scene has evolved a lot since then and I feel there is a lot of space in today’s underground for experimentation, which is great. I hope we can squeeze in there.


9.Where do you see the band heading into musically during the future?

Thomas: It’s a bit early to say as “Sounds of Dark Matter'' is just being released now. But we’ll certainly stick to what makes our music different: a blend of orchestrations with industrial/Dark Wave feel and some thrashy influences! … and we’ll certainly explore new frontiers.


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Thomas: Part of my influences come from classic metal bands like Iron Maiden, etc… when I was a teenager. After that, there was the new wave of BM in the late 90’s and 2000’s that had a huge influence on me musically and personally. In the last 10 years I’ve been listening to so many things that I just couldn’t pick one. I’m also revisiting some bands, like I ‘m having a blast re-listening to Morbid Angel’s discography at the moment and following some new bands on bandcamp.

David: Having taken a very wee part in the composition, I can only speak about vocals and lyrical inspiration… I mentioned The Kovenant and I guess this is still something that lingers in my mind, at least lyrically. Vocally, I’d say you can hear I’ve listened to a lot of “Gothenburg death metal” in the past, though I don’t really listen to these bands anymore. I’ve grown up with thrash metal and that’s also a big influence, as well as a lot of atmospheric black metal, like Summoning, Winterfylleth, Negura Bunget, old Arcturus… Lyrically, I’m heavily inspired by Romantic and Symbolist artists, including painters. Hence the numerous references to Greek, Germanic or Christian mythologies.


11.How would you describe your views on Satanism and Occultism?

David : As far as I’m concerned, I don’t care much for Satanism as an oppositional system to Christianism. That being said, the serpent is a constant figure in our lyrics, used to embody both the idea of lie but also the thirst for knowledge. The Promethean figure is central in our universe. And Christianism forged the image of Satan from the Promethean myths, as the opposer of God, the one who offers mankind knowledge as a way to challenge God(s).

Thomas : I bought Anthon LaVey’s Satanic Bible back in the days. It had quite an influence on me on several fronts, like “good” or “bad” can have very different meanings compared to what society wants us to think. But today I feel more inspired by occultism. As a matter of fact, much of our current image as a band is based on mystic symbols. Together with the lyrics, it creates many ways in which you can discover our music.


12.Before we wrap up this interview, do you have any final words or thoughts?

Thomas: we’re really grateful to ADifferentShadeOfBlackMetalZine and your readers for the support. We’re trying to share back as much as we can so please follow us on social media and check out our 2 videos for the album!

David: Yup, thanks a lot for choosing Nightshade to travel through time and space!