Lung Knots/Golden Dirges, Molten Larynges/Tartarus Records/2021 CD Review

 

  Lung  Knots  are  a  solo  project  from  an  unknown  area  that  plays  a  mixture  of  black  metal,  harsh  noise  and  drone  and  this  is  a  review  of  his  2021  album  "Go0lden  Dirges,  Molten  Larynges"  which  will  be  released  in  May  by  Tartarus  Records.

  Harsh  noises  and  power  electronics  start  off  the  ep  along  with  some  programmed  beats  a  few  seconds  later  that  also  add  in  touches  of  industrial.  Vocals  are  mostly  high  pitched  black  metal  screams  which  also  get  deep  yet  aggressive  in  some  parts  of  the  recording  while  experimental  style  soundscapes  are  also  added  into  the  background  at  times.

  Drones  are  also  a  very  huge  part  of  the  album  while  the  synths  also  give  the  music  more  of  a  dark  atmosphere  when  they  are  utilized.  When  power  electronics  are  utilized  they  also  give  the  songs  more  of  a  harsher  sound  along  with  some  tracks  also  adding  in  some  powerful  sounding  bass  sounds.

  Melodic  chants  and  vocals  can  also  be  heard  briefly  on  a  couple  of  the  tracks  and  as  the  album  progresses  a  brief  use  of  keyboards  are  also  utilized  as  well  as  a  later  song  also  introducing  whispers  and  spoken  word  parts  onto  the  recording.  The  production  sounds  very  dark  while  the  lyrics  cover  dark  and  disturbing  themes.

  In  my  opinion  Lung  Knots  is  a  very  great  sounding  mixture  of  black  metal,  harsh  noise,  industrial,  experimental  and  drone  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Void  Hymnal"  "Our  Torches  Soaked  In  Oil"  and  "Throat  Flutters".  8  out  of  10.

http://lungknots.bandcamp.com 
https://facebook.com/lungknots 
https://instagram.com/lungknots 

 

Gloomy Grim/Agathonomicon/Satanath Records/Murdher Records/2021 CD Review

 

  Finland's  Gloomy  Grim  have  returned  with  a  new  recording  which  continues  the  symphonic  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  their  2021  album  "Agathonomicon"  which  will  be  released  on  April  28th  as  a  joint  effort  between  Satanath  and  Murdher  Records.

  A  very  ritualistic  sounding  intro  starts  off  the  album  while  also  introducing  grim  black  metal  vocals  onto  the  recording  which  also  takes  the  music  into  a  heavier  direction.  The  riffs  also  add  in  a  great  amount  of  melody  along  with  the  faster  sections  of  the  songs  also  adding  in  a  lot  of  tremolo  picking  and  blast  beats.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style  and  symphonic  sounding  keyboards  are  also  added  into  the  heavier  sections  of  the  music.

  A  lot  of  the  songs  are  also  very  heavily  rooted  in  the  mid  90's  era  along  with  one  of  the  tracks  also  introducing  spoken  word  parts  onto  the  album  as  well  as  a  later  track  also  adding  in  a  small  amount  of  back  up  shouts  and  growls.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism,  Darkness,  Death,  Horror  and  War  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Gloomy  Grim  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "The  Hermit"  "Third  Eye  Opening"  "To  The  Death,  i  Have  Sworn"  and  "Haunting,  Hunting, Howling".  8  out  of  10.

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Osiris/Meanders A Soul.../Satanath Records/2021 CD Review

 

  Osiris  are  a  band  from  Egypt  that  plays  a  very  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2021  album  "Meanders  A  Soul..."  which  will  be  released  on  April  26th  by  Satanath  Records.

  Symphonic  sounds  and  orchestration  starts  off  the  album  along  with  a  brief  use  of  nature  sounds  and  cries  while  also  mixing  in  with  the  heavier  sections  of  the  songs  at  times.  Vocals  are  mostly  high  pitched  black  metal  screams  as  well  as  adding  some  death  metal  growls  into  some  parts  of  the  recording.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  some  songs  also  add  in  a  small  amount  of  clean  playing.

  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  the  songs  also  adding  in  a  lot  of  90's  influences,  a  couple  of  the  tracks  are  also  very  long  and  epic  in  length  and  as  the  album  progresses  a  brief  use  of  clean  vocals  can  also be  heard  on  a  couple  of  tracks,  female  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  Ancient  Egyptian  Civilization,  Warfare,  Hate,  Pain,  Anger,  Passion  and  Fear  themes.

  In  my  opinion  Osiris  are  a  very  great  sounding  melodic  and  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Of  hate,  Passion  And  Eternity"  "Tears  of  Isis"  and  "Endless  Sands".  8  out  of  10.

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Christian Cosentino Interview

 

1.For those that have never heard of you before, can you tell us a little bit more about yourself and your solo project?

1. I can’t think of much to say about myself. Despite the fact I’ve released my music under my name I don’t want it to be too much about me. My project is an attempt to represent my music as purely as possible and hopefully with as little of my “own intent” as possible. 

2.Recently you have released an album, can you tell us a little bit more about the musical style that you went for on the recording?

2. I guess Lawn is best described as a highly symphonic metal album. The symphonic sections are mainly made up of strings and pianos and are influenced I think by the classical music I had heard at the time. The metal component is influenced by my initial experiences with black metal in combination with all of the other influences I had back then. The result is probably most akin to “post black metal.” The whole album has a more of a “symphonic” approach than metal though I think.

3.A lot of the music was written between 2017 and 2018 but you waited until 2021 to release the album, can you tell us a little bit more about the wait?

3. All of the music was finished by around March of 2018 and the majority was written in 2017. The wait was unintentional. It’s just been a long battle to present the music in the best way possible. 

The vocals where a massive hurdle for me. Not only in figuring out how to approach them for this particular album but also in writing lyrics which I’ve always found difficult to do at the standard that I’m aiming for. I ended up giving up on doing the lyrics alone and asked a close friend to help me finish them. I also concluded that having the vocals be subtle was the best option. I was careful to only feature vocals in places where the music demands them instead of taking a more conventional approach. I didn’t want to cover up musical moments that spoke for themselves with vocals that would’ve worsened them.

There were also issues with the structures of some songs which had to be ironed out. A good chunk of music was scrapped for the song Lustre and an entire song was also thrown away semi-late into the process. 

4.What are some of the lyrical topics and subjects you have explored with the music so far?

4. The lyrics on this album go into a lot of school experiences from early childhood all the way up to the end of high school (When the album was written). But of course it’d be way too hard to take this style of music seriously if I was singing some dramatic, teenage, school bullshit. So as a result of that the lyrics are shrouded in layers of metaphor that can be interpreted in multiple ways but extract the emotional substance out of my young years in a (hopefully) more timeless manner. The goal was to take the universal emotion out of the real life context. 

5.Can you tell us a little bit more about the artwork that is presented on the album cover?

5. I had the idea for a painting of a garden like that for a long time. Then I found the work of XenArtRB who had already done similar things to what I had imagined and his style struck me as perfect for the album art. So I sent him a message and after some discussion he painted the artwork for me by commission. The imagery comes from what I “see” when I listen to the music and the lyrics also use the same imagery. I think the painting turned out perfectly.

6.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

6. The music that I release under my own name is that which I write alone and for solely personal reasons in an involuntary and subconscious process. The lack of other musicians on Lawn came about initially out of necessity but later because it just “felt right” for this album. That being said I’m already trying to find a drummer to record on the next album which is also largely made up of old material that I’m finishing at the moment.

I’d love to do some more collaborative work in the future under a different banner and I also have a big interest in producing. There is also an album that’s been in the works for many years with a friend (the same who helped me do lyrics on Lawn) who has a similar musical mindset. 

7.Currently you are unsigned, are you looking for a label or have received any interest?

7. I’d like to make a distribution deal with a label for printing physical media but I have no interest if its at the cost of sacrificing the rights to my own music. I’ll print CDs and records independently if I don’t get approached. 

8.On a worldwide level how has the reaction been to your music by fans of symphonic and post black metal?

8. It hasn’t had a whole lot of exposure yet but what little response its gotten has been incredibly kind and passionate for the most part. The “symphonic black metal promotion” youtube channel uploaded a track which has been the biggest source of attention so far with a lot of kind words in the comments which was amazing to see. 

9.Where do you see yourself heading into as a musician during the future?

9. My goal is just to release the music that captures my emotional state over a given period of time. Albums are “units of time” in my eyes. The future second album (which again: features a lot of old material) is already quite different aesthetically and stylistically from Lawn (While retaining some of the same features) and I’m sure I’ll venture even further later on down the line. The only thing I have a concrete interest in doing in the future is becoming good at orchestral writing. I’ve started learning so that eventually I can hopefully do an album like Lawn on a much larger scale with real and interesting orchestration.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

10. I’m always searching for new music but my “musical mood” can swing very quickly so I listen to quite a broad range of things nowadays. I love classical music; my favourite composer is Beethoven but I’m also largely into Mahler, Sibelius and Shostakovich amongst many others of course…too many to name. I have a wide appreciation for black metal too, I’ve been listening to the first Enslaved demos and albums recently. Again there’s just too many to name with black metal but I tend to always go back to the Norwegian classics. I’ve also been on a big Celtic Frost and Bjork kick lately. Some other favourites are Devin Townsend, Ween, Paysage d’Hiver and Lunar Aurora.

11.What are some of your non musical interests?

11. I have a large appreciation for visual art though I’m not overly well versed. I’m also fairly philosophically and to use a horrible word: “spiritual” in some sense. I think a lot of philosophy and spirituality is bullshit though. I also love video games but mainly from the 2000s…most modern gaming doesn’t interest me at all. I think archaic 3d graphics have a similar atmospheric effect to raw production in black metal, funnily enough…the same principle perhaps.

12.Before we wrap up this interview, do you have any final words or thoughts? 

12. Thank you for reaching out for an interview and thank you to anybody reading this and/or who goes and listens to my music :)

https://christiancosentino.bandcamp.com/album/lawn
https://www.instagram.com/crustcosentino/

Minas Morgul Interview

 

MINAS MORGUL - A Different Shade Of Black Metal / Zine(US)

1. Can you give us an update on what has been going on with the band since the recording of the new album?

Berserk:

I can still remember we were just taking a photo shot in March last year. Then came the news of the first lockdown. That was the last time we all saw each other.

Weeks and months followed in a state that we have never experienced before.

everyone went to the studio separately, the songs were partly still unfinished, it was extremely unfavorable for an album production.

we tried to use the messengers as best possible for our communication. the mix and master phase of the album was lengthened, the layout was not finished, the release date had to be postponed, there were big internal problems for the band. In retrospect, it was a fucking busy year

with many obstacles, setbacks and disappointments. So we're all the happier that we're finally looking forward to the album release.

2. You have a new album coming out in April, musically how does it differ from the stuff you have released in the past?

Berserk:

three new, very good musicians were involved in the "Heimkehr" production (haffi: guitar, janke: bass, stef: vocals). We are particularly proud of the many facets of stef's singing style. In addition, all of the musicians incorporated their own creative ideas this enabled us to raise the album to a qualitatively new level. Heimkehr is probably the most varied album in our history. no song is like the other. we were able to incorporate our personal musical inspirations and since these are very diverse, the album has become very heterogeneous overall.

3. Can you tell us a little bit more about the lyrical topics and subjects you explore with the new album and also how would you describe your progress as songwriters over the years?

Berserk:

"Heimkehr" describes our journey back home, to the roots. We have implemented this symbolically on the song itself.

Other songs like "Niedergang", "Teufel" or "Weltenfall" tell of an evil creature called human who has aimed from the beginning of time to destroy himself and everything around him."Totenschiff" tells of the end of the world and "tiefe Narben" describes the life of an old man up to his death.They are songs that life writes, they are stories that accompany us, that touch and shape us.

4.A lot of your lyrics also cover Paganism themes, can you tell us a little bit more about your interest in this subject?

Berserk:

This has not been the case for many years.

Since the release of the album "Ära" in 2012, via "Kult" in 2017 to the present day, a musical and content-related change has taken place. We are away from "Pagan Metal", because there are many more things in our heads that occupy us and that we want to tell. Black Metal beats in our hearts.

5. I know that the band was named after the writings of J.R.R Tolkien, can you tell us a little bit more about your interest in his work and also are there any other authors that you have an interest in?

Berserk:

Minas Morgul was founded in 1997.

That was almost 25 years ago.

At that time we were fascinated by the fantastic world of Tolkins, in which great battles of good and evil were fought.Today we see our fortress "Minas Morgul" as a place that is within each of us. A journey into the self, where the wars of yourself are fought and you can only achieve your inner balance if you face all your demons.

6. Can you tell us a little bit more about the artwork that is presented on the new album cover?

Berserk:

As already mentioned, the new album is called "Heimkehr". It is the product of a creative process in which everyone was able to contribute and realize, as seldom before in the history of Minas Morgul. We walked all the way to the walls of our fortress, a rocky road to the base. We returned home.

We felt an inner need to portray this homecoming on the cover.

7. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Berserk:

We played a lot of shows over the years, including some bigger ones like the "Ragnarök", "Ultima Ratio" or "Wolfszeit" festival. There were also shows abroad, for example Austria, Switzerland, Lichtenstein, which we fondly remember. Some were very adventurous. We were stuck at the airport for 10 hours, in the end completely drunk. We spent hours in a traffic jam in the center of Prague on our way to Austria. There were breakdowns, injuries, even a city ban.The most beautiful shows were often those in small clubs, close together with the fans and what felt like 100 degrees.

8. The band has been around since 1997, what is it that motivates you to keep going after a couple of decades?

Berserk:

Music is emotion. Metal is passion. And as long as we have emotions and passion, we will keep going. Take a guitar and tell the world how you feel and it will listen.

9. On a worldwide level how has the reaction been to your music by fans of black and pagan metal?

Berserk:

Many people have been with us for a long time and are still loyal to us. Some have left and others have just joined them. Life brings change. We change, the fans change. The albums from back then are no longer what we create today. We don't stand still, we do what we feel like doing. So do the fans. And that's why we still have a large fan base.

10. Where do you see the band heading into musically during the future?

Berserk:

"Heimkehr" has become an absolutely heterogeneous work in which the influences of all members are reflected. My wish for the future is to create a homogeneous atmospheric black metal album that is bursting with raw cold. We are already working on new songs. Stay tuned to see what will become of it.

11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Berserk:

We are of course always inspired by the music we hear and like ourselves. Sometimes you play a "new" riff and it sounds familiar, until you realize it already exists. Then you rebuild it without destroying the atmosphere and create a new composition that will always remind you of your idols. For example, on the new album you can find homage to bands like "Scheitan", "Naglfar", "Dissection", or "Type o Negative".

But it is often enough inspiration when we rehearse together and everyone can contribute their ideas. The currents and moods then flow by themselves, from which compositions emerge that create potential for new songs.

12. Before we wrap up this interview, do you have any final words or thoughts?

Berserk:

We are looking forward to the album release and the reactions. We hope that the pandemic will end soon so that we can finally play live again. We would like to thank you for the interview, the label for the great support and the fans for their loyalty.

Stay straight! 1313

Juha Jyrkas/Sydameni Kuusipuulle/Earth And Sky Productions/2019 CD Review

 

  Juha  Jyrkas  is  a  solo  artist  from  Finland  that  is  a  former  songwriter  for  Korpiklaani  and  plays  folk  metal  and  this  is  a  review  of  his  20219  album  "Sydameni  Kuusipuulle"  which  was  released  by  Earth  And  Sky  Productions.

  Ritualistic  sounding  drumming  starts  off  the  album  along  with  some  melodic  riffing  a  few  seconds  later.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  also  add  in  a  great  amount  of  melody  and  black  metal  screams  can  also  be  heard  in  some  parts  of  the  music.

  Clean  pagan  vocals  are  also  a  very  huge  part  of  the  album  while  the  music  also  has  its  epic  moments  and  touches  of  traditional  metal  can  also  be  heard  at  times.  The  songs  also  bring  in  a  great  amount  of  folk  music  elements  along  with  one  track  also  introducing  Turkish  baglama's onto  the  album  as  well  as  some  female  vocals  also  being  utilized  briefly,  as  the  album  progresses  a  small  amount  of  folk  instruments  and  shamanistic  chanting  can  also  be  heard  and  all  of  the  music  sticks  to  either  a  slow  or  mid  tempo  direction.

  Juha  Jyrkas  plays  a  musical  style  that  takes  folk,  pagan,  black  and  traditional  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Finnish  and  cover  Paganism,  Mysticism  and  Nature  themes.

  In  my  opinion  Juha  Jyrkas  is  a  very  great  sounding  folk  metal  solo  artist  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Kymmenen  Kyrvan  Nimea"  "Manalan  Valtikka"  "Voimaa"  and  "Juhlapaiva".  8  out  of  10.

  https://easp.bandcamp.com/album/syd-meni-kuusipuulle 

Stake Driver Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?

We’re a five-piece symphonic black metal from Dayton/Cincinnati Ohio. We formed in July of 2020 with the intention of playing the type of black metal that we as fans of the genre want to hear. Our goal is two produce black metal that is aggressive but also compelling to listen to. We don’t give a fuck about anything else.

2.Recently you have released an album, can you tell us a little bit more about the musical style that you went for on the recording? 

With lycanthropy we wanted to produce a record that was a pure and unforgiving black metal assault on the listener. It has elements of thrash and hardcore blended with first and second wave black metal influence that we like. We wanted to produce something that is epic and theatrical but also heavy. 

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

Lycanthropy is a concept album, that is something from the start of the band that was important to us. The themes on the record were influenced heavily by the work of Junji Ito and Gary Bradner’s The Howling. On a face value level, it explores story elements of lycanthropy and body horror. I wanted to describe the human form in the most disgusting and demented ways I could. It’s an analogy for the destructive nature of religion in our society, especially Christianity, but also a commentary on how life is meaningless except for the meanings we place on it. End of the day we’re all just ground beef that learned how to think.

4.What is the meaning and inspiration behind the name 'Stake Driver'?

As a band all of us are horror movie fans. It’s a riff on the idea of driving a stake into the heart of some marauding ghoul.  We wanted a name that instantly produced a visual of gothic castles and Transylvania upon hearing it.

5.Can you tell us a little bit more about the artwork that is presented on the album cover?

The artwork for the record was done by a gentleman by the name of Mourtous. You can find their page on Instagram. Very talented artist. We wanted something visually striking. It says, “this is exactly what you think it is.” It is a “fuck you” to Christianity which we like a lot.

6.Has the band had any opportunities to do any live shows or open to the idea?

Unfortunately, no. Whenever shows become an option again we plan to play wherever will have us.

7.The cassette version was released by 'Cemetery horror Productions', can you tell us a little bit more about this label?

Cemetery Horror is a black and death metal label out of Pennsylvania. They’ve put out some great releases by Vanen, Eulogist, and Isolated A.d. The head of that label is someone who has an ear to the underground and genuinely wants to help build up young bands. They have been very supportive of everything we’ve done since we dropped our first song. BUY RECORDS FROM THEM!

8.On a worldwide level how has the reaction been to your music by fans of symphonic black metal?

So far, the reaction to us and what we do has been great. When we started the band we didn’t care or expect anyone to enjoy what we were doing so it’s been quite a nice surprise.

9.Where do you see the band heading into musically during the future?

To continue to produce the most pure and heavy black metal we possibly can. To continue what we did on lycanthropy but bigger. 

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays? Our biggest influence is Emperor, specifically in the nightside eclipse. Early Dimmu Borgir, obviously Darkthrone and Mayhem. Urgehal and Enthroned.  As far as first wave bands Bathory and Venom. Some of the less obvious bands like Motorhead, Sodom, Slayer, Agnostic Front, and Necrophagia. 

Currently we really like the new Hulder record, Hellmoon’s Undying blackened glory. The last few Paysage D’Hiver releases are flawless. I’d highly recommend the new Vanen demo and Saidan’s Jigoku. Revenant Marquis, Youth in Ribbons. Pyromancy Arctic Isolation and Kelam’s new demo. Since Pan-Amerikan Native Front released Little Turtles War I’ve been listening to it constantly.  It’s a great time for new black metal, consistently excellent new stuff coming out all the time. 

11.Does Satanism or Occultism play any role in your music?

There is definitely ideas of Satanism expressed in our lyrics. The occult plays heavily into our visuals and the way we present our band. 

12.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for interviewing us. Buy records, support small bands, start your own band. The only thing that truly matters in life is music and creating.

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