Nemesium/Continua/Black Lion Records/2020 CD Review

  Nemesium  are  a  band  from  Australia  that  plays  a  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their  2020  album  "Continua"  which  was  released  by  Black  Lion  Records.

  Sci-fi  sound  effects  and  spoken  word  parts  start  off  the  album  before  going  into  more  of  a  heavier  and  melodic  musical  direction.  When  the  music  speeds  up  a  great  amount  of  brutal  sounding  blast  beats  can  be  heard  while  the  vocals  are  mostly  death  metal  growls  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  black  emtal  screams  are  also  added  into  some  parts  of  the  music.  The  songs  also  mix  in  a  decent  amount  of  progressive  and  technical  elements  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style.

  Tribal  drumming  can  also  be  heard  briefly  which  also  gives  the  recording  more  of  a  shamanistic  atmosphere  before  returning  back  to  a  heavier  musical  direction  along  with  the  songs  also  mixing  in  a  great  amount  of  Swedish  influences  as  well  as  one  track  also  introducing  clean  playing  onto  the  recording  and  as  the  album  progresses  a  brief  instrumental  can  also  be  heard  which  also  introduces  synths  onto  the  album.  The  production  sounds  very  professional  while  the  lyrics  cover  science  fiction  themes.

  In  my  opinion  Nemesium  are  a  very  great  sounding  melodic  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Archetype"  "The  Fire  And  The  Flesh"  "The  Dawn  Of  Retribution"  and  "Relive  this  Nightmare".  8  out  of  10.

https://www.facebook.com/NemesiumOfficial
https://www.instagram.com/nemesiumofficial_/ 
https://open.spotify.com/artist/2IUsvIFmFQ45sSuRwSbMRK 

https://youtu.be/fSt-TLiwqLY   

Degollado Interview

 NOTE: THIS INTERVIEW WAS ANSWERED BY THE BASS PLAYER
                                   AND FOUNDER OF OUR BAND: ANJAEL.
1.-Can you give us an update on what's going on with the band these days?
Well, right now we are working, from home, due to he global pandemic you know, but we still keep sounding around the World, but yeah, we keep working even if we’re tired,  and  we’re keeping our fans and followers updated about everything that’s coming, of course we have achieved all of this thanks to the valuable and dedicated work of our manager, Erik Norambuena.

2.-So far you have released a demo, can you tell us a little bit more about the musical style you went for on the recording
Yes, we have released an unofficial promotional demo, but as everyone knows, things are difficult here in Venezuela, so, for that reason we wanted to release a demo so everyone can hear us even if we do not have the media to record  an LP…yet.
Everything we do we make it with love and dedication for all of  your fans.
Also, we chose the BLACK and DEATH genres because we wanted something powerful  and aggressive, and these genres gave us that perfect mixture of feelings.

3.-What are some of the lyrical topics and subjects the band has explored so far with the music?
The lyrics of the band DEGOLLADO are mostly protest,  we feel it as our way of protesting against the negative vision that some religions have in modern times. We do not criticize religion as such, but the negative aspect that they entail.

 4.-What is the meaning and inspiration behind the name 'Degollado'?
Technically, the word “Degollado” means “Beheaded”…
Well, the name of DEGOLLADO is a node to a little aneadote of us, our guitarist, Rolo, unfortunately witnessed a person while someone else brutally cut their  throat, that obviously remained in his brain.
Later, while he was composing, he saved every recording data in a folder on his computer that he named “DEGOLLADO”, after that memory.

5.-Can you tell us a little bit more about the artwork that is presented on the demo cover?
As I mentioned before, both the name and the art were the product of that bloody memory of that episode that the Guitarist of the band witnessed, I took him to look for ideas to reflect that memory both in image, music and name of the band ...  and with this the idea for the art of the cover of this demo was born, which was edited by Victor Norambuena, son of our manager Erik Norambuena

6.-What are some of the best shows that the band has played so far and also how would you describe your stage performance? 
Every time we’re on the stage, it feels incredible for us, we all have had incredible moments,  unique moments, but especially the debut of the band in Valencia in May 2019, the receptivity of the public was impressive, which made us see what we started  On the right foot, especially knowing that what we were looking for when merging these two genres such as BLACK and DEATH was better than we expected, we achieved what we wanted to achieve.

7.-The demo was released on 'Entocomphobic Records', how did you get in contact with this label?
The owner of the label, contacted our manager through our Facebook page after seeing all of  our work and offered us to work as a team and join his label, we are very thankful.

8.- 0n a worldwide level how has the reaction been to your music by fans of black and death metal?
The reception has been very positive, both for the Venezuelan and Worldwide fans, but especially outside our country is when we have felt more supported, I feel that they like it so much that we played on a radio in Norway thanks to a great friend, Yoleima Gascon from  the cradle of BLACK metal I feel that the receptivity has been positive.




9.-When can we expect a full length and also where do you see the band heading into musically during the future?
As we said, the situation in Venezuela is not the best, it has been difficult for us to record our first album, the one we had planned release this year, then, the pandemic slowed us down a bit, but we’re already recording our first official single which will be done and ready by the end of August, and with the help of the universe we hope next year to already have the album that will contain 9 or 10 songs. 
How do we see ourselves in future?  Ending our first album, starting a second one and taking our music to every part of the world.

10.-What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Some the bands that have had little influence in DEGOLLADO , are  Dark tranquility, Arch Enemy, Dimmu Borgir and Cryptosy , which are also the bands we listen daily.

11.-What are some of your non musical interests? 
I have many personal interest and activities besides music, I have children to fight for every day, I have an incredible love for reading, learning more new things every day and being a better person  , best human being, best mother, best friend, best musician.

12.-Before we wrap up this interview, do you have any final words or thoughts?
First of all, thank you for the interest in our project, thank you also for the interview ... we thank the public that supports us and all those who in some way have helped us take our music to the places where  It has been taken, Internet pages, magazines, YouTube channels and every possible digital medium.
As a goodbye ... we send a huge metal hug and long live rock and roll !!!

                                     
            Facebook:
www.facebook.com/degolladobandvnzla/

Instagram:
www.instagram.com/degolladoblackdeatehmetal/

Youtube:
www.youtube.com/channel/UC2bPKZHbKGPaWy9mSomiDkA

Email: degolladobandavzla@gmail.com

Brotthogg/The Die Is Cast/2020 Full Length Review

  Brotthogg  are  a  band  from  Norway  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  melodic  and  progressive  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2020  album "The  Die  Is  Cast"  which  will  be  released  in  August.

  Cinematic  sounds  start  off  the  album  before going  into  a  heavier  and  faster  musical  direction  which  also  uses  a  great  amount  of  blast  beats.   Vocals  are  mostly  black  metal screams  along  with  some  groove  metal  style  vocals   also  being  used  at  times and  the  riffs  also  add  in  a  great  amount  of  melody.

  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  synths  can  be  heard  in certain  sections  of  the  recording.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  get  very  progressive  sounding  at  times.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  some  death  metal  growls  also being  utilized  at  times  as  well  as  the  guitar  riffing  also  adding  in  elements  of  thrash  metal,  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  and  one  track  also  introduces  clean  playing  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  misanthropy,  the  writings  of  Dante  and  philosophy  themes.

   In  my  opinion  this  is  another  great  sounding  recording  from  Brotthogg  and  if  you  are  a  fan  of  melodic  and  progressive  black,  death  and  thrash  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Nokturne"  "Draugen"  and  "Iacta  Alea  Est".  8  out  of  10.

https://youtu.be/iLXAA1dyamo   

    

Degollado/Self Titled/Entocomophobic Records/2020 Demo Review

  Degollado  are  a  band  from  Venezuela  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  2020  demo  which  was  released  by  Entocomophobic  Records.

  A  powerful  sounding  bass  guitars  and  drums  start  off  the  demo  along  with  some  heavy  riffing  a  few  seconds  later.  Vocals  bring  in  a  mixture  of  black  metal  screams  an  death  metal  growls  while  the  guitar  solos  and  leads  are  done  in  a  very  melodic  style  and  the  riffs  also  add  in  a  great  amount  of  melody.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  The  music  is  also  very  heavily  rooted  in  the  90's  along  with  the  tracks  also  adding  in  some  Swedish  influences,  synths  can  also  be  heard  at  times  and  a  couple  of  the  songs  where  also  recorded  live.

  Degollado  plays  a  musical  style  that  goes  back  to  the  90's  era  of  melodic  black  and  death  metal.  The  production  sounds  very  old  school  while  the  lyrics  are  written  in  Spanish  and  cover  darkness  and  mythology  themes.

  In  my  opinion  Degollado  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "El  Rito"  and  "El  Templo  de  la  Crueldad  (En  Vivo)".  8  out  of  10.

https://entocomophobicrecords.bandcamp.com/album/degollado

      

Blood Of Angels/Failure Of Faith/Sliptrick Records/2020 CD Review

  Blood  Of  Angels  are  a  band  from  Florida  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  melodic  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2020  album  "Failure  Of  Faith"  which  will  be  released  by  Sliptrick  Records.

  Classical  guitars  and  synths  start  off  the  album  before  going  into  a  heavier  musical  direction  will  the  riffs  also  add  in  a  great  amount  of  melody.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  the  faster  sections  of  the  songs  also  adding  in  a  great  amount  of  blast  beats.

  Vocals  also  bring  in  a  mixture  of  black  metal  screams  and  death  metal  growls  while  the  guitar  solos  and  leads  are  also  done  in  a  very  melodic  style.  A  touch  of  groove  metal  can  also  be  heard  during  the  mid  tempo  sections  of  the  songs  and  some  of  the  vocals  along  with  the  music  also  adding  in  some  elements  of  thrash  metal.

  Throughout  the  album  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  one  of  the  tracks  being  very  long  and  epic  in  length  and  also  introducing  clean  playing  and  spoken  word  parts  onto  the  recording  and  they  also  bring  in  a  cover  of  Motorhead's  "I  Don't  Need  Religion",  power  metal  style  vocals  can  also  be  heard  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  cover  anti  religion  and  historical  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Blood  Of  Angels  and  if  you  are  a  fan  of  melodic  black,  death,  thrash  and  groove  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Monotheism"  "Blood  Of  The  Lamb"  "Crusader"  and  "America's  Mythologies".  8  out  of  10.

Bandcamp

Facebook

Official website

YouTube

   

  

Thyrant/Katabasis/Indie Recordings/2020 CD Review

  Thyrant  are  a  band  from  Spain  that  plays  a  very  melodic  and  progressive  mixture  of  black,  death  and  groove  metal  and  this  is  a  review  of  their  2020  album  "Katabasis"  which  will  be  released  in  July  17th  by  Indie  Recordings.

  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  riffs  also  add  in  a  great  amount  of  melody.  Grim  black  metal  screams  are  also  a  very  huge  part  of  the  recording  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  a  great  portion  of  the  tracks  are  very  long  and epic  in  length.

  Clean  vocals  are  also  added  into  some  parts  of  the  recording  while  the  guitar  solos  and  leads  are  also  done  in  a  very  melodic  style.  At  times  the  music  also  gets  very  progressive  sounding  along  with  some  growling  style  vocals  also  being  used  in  certain  sections  of  the  songs  which  also  introduces  elements  of  death  metal  onto  the  recording.

  Some  of  the  mid  tempo  sections  of  the  songs  show  an  influence  of  groove  metal  along  with  a  couple  of  tracks  being  instrumental  as  well  as  one  of  them  introducing  acoustic  guitars  and  clean  playing  onto  the  album,  as  the  album  progresses  a  brief  use  of  fast  tremolo  picking  and  blast  beats  can  also  be  heard  on  a  couple  of  tracks  and  a  later  song  also  adds  in  a  small  amount  of  whispered  vocals.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  a  story  of  someone  going  through  difficult  moments  and  conquering  them.

  In  my  opinion  Thyrant  are  a  very  great  sounding  progressive  and  melodic  mixture  of  black,  death  and  groove  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Face  The Thyrant"  "Black  Oceans"  "KatabasisChapter  Iv".  8  out  of  10.

Facebook | Homepage | Spotify | Bandcamp       

Disillumination/Return To Fire Fields/Entocomophobic Records/2020 Album Re-Issue Review

  Disillumination  are  a  band  from  Columbia  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2018  album  "Return  To  Fire  Fields"  which  was  re-issued  in  2020  by  Entocomophobic  Records.

  Tragic  sounding  keyboards  and  winds  start  off  the  album  along  with  a  brief  use  of  spoken  word  parts  before  going  into  a  heavier  direction.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  riffs  also  add  in  a  great  amount  of  melody  along  with  the  music  also  being  very  heavily  rooted  in  the  90's.

  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  while  death  metal  growls  are  also  utilized  at  times.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

 The  music  also  adds in  a  great  amount  of  Swedish  influences  along  with  one  track  also  introducing  acoustic  guitars  onto  the  recording  as  well  as  a  later  song  introducing  clean  playing  onto  the  album,  keyboards  also  make  a  brief  return  on  an  instrumental  The  production  sounds  very  old  school  while  the  lyrics  cover  darkness,  death  and  occultism  themes.

  In  my  opinion  Disillumination  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Internal  Suffering"  "Azazel  Throne"  and  "The  Call  Of  The  Grave".  8  out  of  10.

https://entocomophobicrecords.bandcamp.com/album/return-to-fire-fields.  . 

  

Ensiferum/Thalassic/Metal Blade Records/2020 CD Review

  Finland's  Ensiferum  have  returned  with  a  new  recording  which  continues  the  epic  folk  metal  style  of  previous  releases  and  this  is  a  review  of  their  2020  album  "Thalassic"  which  will  be  released  in  July  by  Metal  Blade  Records.

  Water  sounds  start  off  the  album  along  with  some  clean  vocals  and  acoustic  guitars  a  few  seconds  later  while  the  music  also  brings  in  some  symphonic  sounding  keyboards  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  and  the  riffs  also  add  in  a  great  amount  of  melody.

  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  black  metal  screams  and  death  metal  growls  are  also  utilized  at  times.  When  guitar  solos  and  leads  are utilized  they  are  done  in  a  very  melodic  style  along  with  some  tracks  also  adding  in  some  back  up  shouts.

  The  clean  vocals  also  add  in  some  elements  of  pagan  and  power  metal  when  they  are  utilized  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Blast  beats  can  also  be  heard  in  the  faster  sections  of  the  songs  as  well  as  some  tracks  also  adding  in  some  folk  instruments  and  as  the  album  progresses  a  brief  use  of  spoken  word  parts  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  history,  myths,  legends  and  heathenism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Ensiferum  and  if  you  are  a  fan  of  this  band,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Seafarer's  Dream"  "The  Defence  of  The  Sampo"  "One  With  the  Sea"  and  "Cold  Northland  (Vainamoinen  Part  III".  8  out  of  10.

http://www.facebook.com/Ensiferum
http://www.ensiferum.com
http://www.metalblade.com/ensiferum 
   

Inexorum/Moonlit Navigation/Gilead Media/2020 CD Review

  Inexorum  are  a  band  from  Minnesota  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2020  album  "Moonlit  Navigation"  which  will  be  released  on  June  26th  by  Gilead  Media.

  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  guitar  solos  and  leads  are  done  in  a  very  melodic  style.  When  the  music  speeds  up a   great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  the  vocals  also  add  in  a mixture  of  death  metal  growls  and  black  metal  screams.

  Melodic  vocals  can  also  be heard  on  one  of  the  tracks  while  the  songs  also  add  in a   decent  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length.

  As  the  album  progresses  a  brief  use  of  clean  playing,  female  vocals  and  synths  can  also  be  heard  briefly  as  well  as  a  brief  instrumental  but  keeping  the  focus  on  a  heavier  direction  and  they  also  take  the  Swedish  style  of  the  90's  and  update  it  for t he  modern  era.  The  production  sounds  very  professional  while  the  lyrics  cover  struggle  and  grief  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Inexorum  and  if  you  are  a  fan  of  melodic  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Ouroboric  State"  "Chains  Of  Loss"  and  "In  Desperate  Times'.  8  out  of  10.

Bandcamp

Facebook

The Lightbringer Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?

We had an intensive period where we focussed almost exclusively on creating our first and only show for The Lightbringer. To be honest, this challenge undoubtedly surpasses all our expectations! It takes us a good year just to focus on this project. Adapting these songs on stage was not an easy task and finding ways to practice together was even more complex. We had to create the sculptural elements of the set, putting all the pieces together to make sure the visual and the audio just works... Do we regret it? Absolutely not! It was a great experience and we all learn a lot personnally and collectively as a band. This show is on our youtube channel if you want to see the result.

2.You have a new album coming out in July, musically how does it differ from the stuff you have released in the past?

Well, it differs a lot! But at the same time, The Lightbringer vibe is clearly present. This EP is way darker, deeper and more atmospheric than what we have done previously, and I like it a LOT!! I think every album from this project will be different, it will depend on which part of the world we explore and what the story is about. As the albums will come out, I sense it will become harder and harder to define The Lightbringer genre. Some would say that it's bad but to me, I feel that it will become our strenght.

3.The band has been around since 2010 but so far there has only been 3 releases, can you tell us a little bit more about the gap in between releases?

Heptanity took a long time to came out, we put a lot of thoughts into this album and to be honest, we wanted to create a kind of masterpiece with that one! So we became a little too much perfectionnist but it worked to a certain degree. Both me (Simon) and my brother (Olivier) have had big changes in our lives during this time too. For the EP, it is really the building of the show that postponed the release. But if I can rassure you, the writing for the next album is already well advanced, so you should not wait too long!


4.The lyrics on the new album are also a concept album, can you tell us a little bit more about the songwriting?

To me, music has to transport the listener into another world, a mental space where physical reality is no more a thing. With The Lightbringer I try to build this fantasy world with illustrations, a story and an epic soundtrack that drives it all. From The Void To Existence is basically the foundation of this world: a time when the seven primordial spirits awakened from the Void and dreamed a new dimension we call Existence. Heptanity is the continuation of that story: when the seven spirits materializes their Wills to become the gods of their creation. And everything after will be build on that!

For those who want to dig deeper into that story, we offer the illustrated ebooks of all the albums when you subscribe to our newsletter. Think about it!

5.On your facebook page you also mentioned some interest in mythology and cosmogony, can you tell us a little bit more about it?

I think mythology is the greatest source of inspiration for a metal band that want to tell epic stories!!
Mythology is probably the first written record of mankind trying to describe the world with their beliefs, their fears, their condition as human but mostly a record of the insane capabillities of the human imagination to invent godlike stories! Someone who does like metal music must agree with mythology!

6.What is the meaning and inspiration behind the name 'The Lightbringer'?

No one, except Lightbringer (Japan) had use this name back in 2010.... And I really wondered why! There is so much religious and mythological references around the Lightbringer, or Lucifer, or the morning star etc to build a band around!
This name really inspires me, but not for the reasons I have just mentioned. How I see the lightbringer is more like ''those who bear a light inside of them''. I think we all have a talent, something that sets us apart from others and contributes to the world we are all living in. As a bearer of light, you must recognize this unique power, embrace it and improve the world to inspire others and maybe one day, everyone will reaches its full potential and become a bearer of light..... Not so metal I agree! But I think if Lucifer was reading this, he will definitely approve!

7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

One of my passion is to create all the artwork of our albums, I want this project to be very personnal and authentic. For this cover, I tried to depict this moment when Existence came to life, and expand through the dimension of the Void. The identity of the mysterious entity on the left will be revealed later! But if you read the Ebook of the album, you will have strong clues about who he really is.

8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Like I mentioned earlier, we have only done one show and that was in 2019 last year. For the moment, The Lightbringer is more a studio project and these compositions are a real challenge to perform on stage, at least at the level we are right now! There is a lot of stuff going on in these songs and one of my goal is to simplify as most as possible the structure and the arrangements without loosing The Lightbringer signature. A stage performance for us means that it will involve a scenery, costumes, make up and everything necessary to plunge the spectator into another reality. I don't think we will do shows on a regular basis in the future but when we will decide to do one, we will do our best to make it a really special event.

9.On the new album you also done a 'Kitaro' cover, what was the decision behind doing your own version of one of his songs?

Simply because I love Kitaro! When I'm painting I regularly listen to his albums, it's appeasing, inspiring and it's really easy to listen. I just wanted to do my take on this legendary song and to be honest, I felt uncomfortable to transform so much his work. I hope he will pardon me!!! But seriously I think the result is very interesting and a metal version of Caravansary was vital in my opinion!

10.Currently you are unsigned, are you looking for a label or have received any interest?

This is something we will consider seriously for the next album, we never tried to get signed but we are  at a point where it could really helps us gaining more visibillity. Having more people discovering what we do is our main challenge right now.

11.On a worldwide level how has the reaction been to your music by fans of melodic, atmospheric and extreme metal?

The reaction is good frankly! The reviews are really good, people who are fans really love it. I think we lack visibillity and that's exactly what we need to focus on. A label would be awesomely helpful on that matter.

12.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

The entire band is also invested in the project of our black metal singer Stan (Sol-Orcus) called Tsar Stangra. This is an interesting bulgarian black metal project with crazy folks elements building the songs. Stan is bulgarian and he takes all his inspiration through that mythology and culture, and it becomes epic very quickly! If you like Arkona and Nokturnal Mortum, you should check this out!

13.Where do you see the band heading into musically during the future?

We will always have a melodic foundation with a undeniable inspiration towards melodic black metal, melo-death and even power metal at the right times. Our main goal is to tell stories and the melodic wave of the 90's is our way to go! The next album will revisit the Heptanity kind of structure and inspiration, but some pieces will be darker like From The Void To Existence. I will resume the future of the band with these words: Epic, majestic, dark, ethereal and melodic.

14.What are some of the bands or musical projects that have had an influence on your music and also what are you listening to nowadays?

Bands like Esoctrilihum and Botanist are really doing it right presently in my opinion. Bands who builds a world around their music will always have my greatest support! These bands are really amazing! Some of my biggest influences : the 2 first Septic Flesh albums, Edge Of Sanity, Therion, early Dark Tranquillity, early Cradle Of Filth, many melodic black metal bands...


15.Before we wrap up this interview, do you have any final words or thoughts?

An especially thanks for you guys who took the time to write meaningful questions and plunge into our world! We really appreciate! For all of you who are reading this thing, just listen to this EP  and share your thoughts, your feedback is more than welcome!

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Velkhanos Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

Velkhanos is a band established in 2018 and is set apart by a broad fusion of styles within metal. It is made of Miriam on vocals, Fernando and Pablo on the guitars, Ángel on bass guitar and Jose Antonio on the drums.

2.Recently you have released your first album, can you tell us a little bit more about the musical style you went for on the recording?

The style we chose was not to choose any style. We wanted to do whatever we felt like, taking bits and pieces from here and there and knock something different in to shape. We thought: “I like Death, Heavy, Black, Power… Why should I have a different band for each style? So we started working on each track while letting ourselves get carried away, experimenting, looking for a connection between styles… In the end we are very pleased with the album, with rythms from Melodic Death and Black, solos from Heavy and choruses from Power. This might have many dectractors, we are aware of that. The next album will be very different and we think that’s the beauty of it, being able to change (within certain limits) and set labels aside.


3.Some of your lyrics touch on mythological themes, can you tell us a little bit more about your interest in this subject?

This album in particular is centered on religion, that’s why there is some mythology in there, although we have tried to steer clear of clichés, avoiding names of gods or beings. The idea was to talk about the relationship between God and human beings. Who created who? Do we try to justify our actions in the name of a greater good? Are our successes or failures the favour or punishment of some deity? Fernando has always been really into literature, history and philosophy.

Our lyrics are based on these concepts, beginning with Bring Me The Fire which is about afterlife, the struggle amongst religions to add another soul to their list; about the Inquisition (The Eye Of God), the search of a god’s compassion through sacrifice (Moloch) or simply telling a tale such as Dagon, H. P. Lovecraft’s work, which also fits the album theme.


4.What are some of the other lyrical topics and subjects the band has explored so far with the music?

For our new álbum we are doing a lot of reading and researching material of historical character, even though we are going to embellish it with rituals and witchcraft. We have a good baseline story to write a great album. We cannot give up much more, but, in general, we have very diverse interests.


5.What is the meaning and inspiration behind the name 'Velkhanos'?

Velkhanos was the god of fire and nature according to Cretan mythology. We are really passionate about Mediterranean culture and all the blend of civilizations it entailed. Velkhanos, the god, has been present in the great Greek and Roman civilizations, which are precisely the maximum representative of Mediterranean cultural symbiosis. Velkhanos, the band, is a symbiosis of styles within the Metal. This made us relate and also lead us to center our first album on religion.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The Cover is the work of Fátima Ruiz, photographer and a great artist. Fernando and Fátima worked for a few days on the concept and the idea materialized. Our cover has the four horsemen of the apocalypse as its context, along with the central figure, the Wrath. This character ends up being a combination of the other four and it’s the liaison between the human being and the gods. The Wrath is both divine and mortal at the same time, ones feel it for the other, reciprocally. Some feel love and some feel hate, but the Wrath is inherent to both. To be honest, we are very happy with the job done.


7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

The best shows are the ones yet to come. For “The Wrath”’s tour we are working on a good stage production, with an important visual impact. We want for the audience to dive into the songs and enjoy it as much as they can.

8.The new album was released on 'Art Gates Records', can you tell us a little bit more about this label?


Art Gates Records is a label with years of experience who works with some of the leading bands currently on our country, such as Noctem, In Mute, Irdorath, Leo Jiménez, Morphium, Injector… We are very happy to be able to work with them and they do make things easier for us.



9.On a worldwide level how has the reaction been to your music by fans of melodic black and death metal?

We have come across all sorts of reactions, some very good and some not so much. There is people who love changes, blends, growing in the musical sphere and experimenting. On the other hand there is people who are more of a purist who feel this mixtures are almost sacrilege. You cannot please everybody and we would rather do what we enjoy, mix as many styles as we like or elements we like from each of them.

10.Where do you see the band heading into musically during the future?

We are going to keep working on the path we are currently taking, polishing the mistakes we have made and that we now see from afar. We will do a new album more complex and contundent, with room for experimentation. We will no longer be driven by the wish to release material so it will be and advantage for doing a well rounded job. We already have some tracks and they sound impressive.



11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

We like many bands of many different styles, and our favorites don’t even come sound close to what we do, so we would not say we have any models. Which is to say, we don’t plan for the band to sound like the bands we like, we aim to sound in a way we ourselves like in a given moment. It is something hard to explain, but we basically try to stay away from influences. Bands we listen can be as diverse as Iron Maiden, Metallica, Helloween, Gojira, Vhäldemar, Soulitude, Grimah, Amon Amarth, Nightwish, Mgla, Fleshgod, Death… The list is never-ending.


12.What are some of your non musical interests?

We love cinema, literature, food and drink. We often do barbeques to strengthen the bonds between band members. We also like sports such as mountain climbing, horse riding, cycling…


13.Before we wrap up this interview, do you have any final words or thoughts?

We would like for everyone to give the full album a chance, you might not enjoy one track but you will like some other, and for the listener to enjoy all of the work we have put into it. We are looking forward to going out on the road to present our album and giving the audience the best we have.

http://facebook.com/velkhanosmetal
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Bryan Eckermann Interview

1.Can you give us an update on what is going on with the solo project these days?

Yes, things have been quite busy as of late. At the beginning of 2020 I decided to start to put a more direct focus towards this project, as in years prior I had always been juggling this as well as several other bands. I started off the process for this album in just February, so at this point it has been 4 months of intense, recording, artwork designing, video making etc. For this new album I did something brand new in designing an artwork for each song, as well as a lyric or stream video to coincide for each. I did a fan vote here a few weeks ago to let them choose which cover art they liked best and the winner became the art I had designed for the last single "Succubus" which also I think is the best video I made as well, release for that last single is June 19th. The full new album will be out July 10th, with all the 6 singles I have released over these 4 months as well as some bonus cover songs at the end (Mercyful Fate, Illnath, Pain, Judas Priest) I did 3 of those last year more or less for fun and inspiration and just released on Youtube only. The newest cover song I did was Pain for a contest Peter Tagtgren had posted online, and i figured why not add it to the album as well.

2.In July you have a new album coming out, musically how does it differ from the stuff you have released in the past?

The new album "The 7th Sin" I believe is the most diverse of all my albums I have released to this point. The fact being that 3 songs were written 10 years ago, 3 songs are brand new, and then 4 cover songs of various genres in metal, it is in a way a kind of compilation album. The 3 old songs actually have a completely different style then I play now, but when re-recorded and revamped they sounded amazing! The new songs I wrote I would say are a more direct follow up to last years "Zychodia" album style wise, very brutal and technical, I also had alot of pent up anger from some recent events in my life that led to those being extremely aggressive. And as for the cover songs, it was fun to bring my style into stuff that originally is very different than what I sound like. It was a challenge to bridge the gap in style and find my sound within those songs.

3.What are some of the lyrical topics and subjects you explored with your newer music and also how would you describe your progress as a songwriter over the years?

Lyrical topics on this CD are varied, but I would say they all kind of relate in some ways, the opener "Succubus" is a result of something that happened to me recently, a theft, that left me feeling empty inside. So I had this idea from the artwork I was designing, to make the succubus character an actual grim reaper character. So in a sense she is awakened by your sins and comes to take your soul to hell, and some of what is explored lyrically is that it is a deserved fate. Track 2, Morbid Beauty, was actually written by my good friend and musical cohort Kobey Lange (Cerebral Desecration, Scars of the Flesh, Wings of Abaddon) and we duet the vocals, in case anyone doesn't know, he actually wrote all of the lyrics to my last album "Zychodia". We have this magical way of collaborating that it works so seemlessly. The song itself I had the artwork before any music or lyrics, so i gave him that as an inspiration to write about. It in turn became about humanity's morbid obsession with the idea they aren't good enough the way they are, without makeup, plastic surgery etc etc. The song is a more gruesome take on that topic, but so much of what is said in the lyrics rings completely true in our society these days. The 3rd song Tales of the Past, is one of the old songs, this song is a personal one to me. It is basically me talking to myself and how I deal with regrets and many times in my life I have made decisions i regret and wish i could change. It makes for even a bit stranger to have written it in the past about the past, and recording it again in the future haha. It was kind of my way of correcting a past mistake and being able to record the song in such a better quality nowadays. Track 4 Graveyard Hymn is basically a funeral kind of song lyrically, the thought of dying and what's left behind and what is beyond. Are we just food for the worms at that point, is my tombstone just a perch for the crows? Track 5 Pain or Death goes back to 2010 again, this song is a deep one, and written for a friend of mine who was diagnosed with cancer. That night when i went home after she told me, i was devastated for her, but at the same time I had thoughts of what would I do if it was me? If you were given the option of a probable death, would you fight through pain, chemotherapy etc to live? It can be transferred to many scenarios, would you rather live in pain, or just decide that death is an easier solution. A bit morbid yes, but very real thought and scenario. Track 6 Flesh and Steel the 3rd old song and final of the the originals on the album is another that is very personal to me. This song is basically me at my most suicidal moment in life, but instead of doing something final/fatal, I decided to write a song and vent those emotions into a positive. And in doing so the music helped me get through something I wouldv'e regretted. I hope in some way that song and its lyrics can help someone else who might be feeling the same way.

4.Some of your older lyrics covered science fiction and horror themes, can you tell us a little bit more about your interest in those topics?

2016's album "The Haunting at Helmbrook" to many fans is still my best, it was my first take at a full concept album. I have always been very inspired by King Diamond, and his horror stories are some of the best. So for my take on that album I can't even put into words how it all came into my mind, I also did a bit of a weird writing process on that one, and didn't even have a full concept to start, I had the visual in my mind of some scenarios and I literally wrote the story plot as I went through track by track, not knowing how it would end until i got to the end. This album was the first time Kobey Lange had a hand in writing lyrics for one of my albums, I wrote the entire concept up until the last song, and after about 6 months of work I was drained. I gave him the full album, lyrics, and music to the last song and said, sum it up for me, give me a finale. And he knocked that song out of the park. It really helped bring everything together. Fast forward to 2019 and Zychodia was a similar scenario on what started our collaboration on that album. I had been working on the music for the album since right after Haunting was finished, so Zychodia had been about 2 and a half years of writing music, I had what i knew was my best album to date, and I had a concept idea, sci-fi story, I had song names but just a mostly general idea, I have always been fascinated with aliens and sci-fi stuff. And I could not pull myself to get it done, I was at the breaking point and almost about to scrap the album, Kobey stepped in and asked me to let him have a go at it. What ensued was magical to say the least, he took my basic idea and turned it into a novel worthy sci-fi tale, that is so in depth it would take quite a while to explain. If anyone reading is interested I'm sure the lyrics can be found online and you should have a go at just reading it as a story, I hope one day Kobey will turn it into a full on book. With these two albums serving as my concept albums, for the future which topic would i consider doing again? probably something along the Haunting at Helmbrook lines is possible to come up again at some point, we will just have to wait and see what inspires me in the future.

5.With this project you record everything by yourself but also play in a few bands, how would you compare the 2?

Doing my solo project is obviously the most demanding of the 2 because besides occasionally having outside help on lyrics, everything is done by only me, and being the producer, artwork designer (lately). I do the job of about 6 people all myself, it does tend to take its toll on me mentally haha.
I do miss the feel of having a full band when i do things like this all the time, but with Scars of the Flesh my other main band, we started as just a studio project, but this past January we finally pulled together a full band and played a live show, I hope to continue to build that up to be constant thing for the future of that band. Writing music by myself and with others is definitely what I would say defines the two as different. When I am alone writing for my project I am my own critic, and only my opinion matters. With Scars and other previous projects I always like to have the other members put in as much say as I have, so it's not just another BE song under a different name. I still typically grind the studio/producer side of things about the same in all projects I'm associated with, as I have a certain standard of quality of sound I want to achieve, so therefore, you can in fact hear similarities in everything I've been a part of. I guess you can call that my personal stamp on things.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Yes, the artwork process for this new album was actually very exciting and new for me. Before this I had designed only two albums covers on projects myself, 2018's Winters Plague (The Final Eclipse), and the new Scars of the Flesh (Reaching into the Void) CD we just released in January. Both of those came out cool, but to say I am experienced in that process, I would say no. So when I started this new album, I designed an art for the song Pain or Death first back in February, and I had this random idea of doing an artwork for each song, it was quite a challenge to pull it off in the end. But as a matter of fact I got ahead of myself on the artwork creating and had several of them before the music, so I would say the arts actually helped shape the music. I held a contest like i said previously and let the fans decide which of the 6 arts they like best. I announced the last and final song art for "Succubus" and gave a 3 day voting window online. The fans absolutely loved that art and the Graveyard Hymn art. The voting came down to the wire on those 2, but in the end the Succubus art won out. I did end up changing the full album title to "The 7th Sin' and made a slightly alternate succubus art for the single. That artwork was by far the one i worked the most on, so I can say I am happy it is the one that won in the end. For the physical albums, all 6 artworks will be featured in a full 16 page booklet plus lyrics, as well as a cool art panel for the cover songs.

7.On the new album you also have done a good amount of covers, can you tell us a little bit more about your choices for the cover songs?

The covers featured on this album are personal favorites of mine, I am always really picky with what songs if any I will do covers of, it has to be something that I think will blend with my style nicely. The first one i did was the Mercyful Fate song, I said earlier about how much I love King Diamond, and Mercyful is no exception to that. I remember when the 9 album came out in '99, its always been a personal favorite of mine because it was also the first time i saw him on tour that year. I wasn't sure how good it would come out when i started, but when it was finished it was better then i couldve imagined. The Illnath song is probably one that very few people will recognize, because even if they know of the band, that song was an unreleased version. Their 3rd album was supposed to be "Three nights in the sewers of sodom" but things happened within the band and the singer Bjorn "Narrenschiff" Holter ended up leaving the band. You can only hear the original version on a Youtube stream which i believe there is a download link too. I absolutely love that album even in demo form, the one that did finally come out with a different singer years later is just lackluster to me. So no offense to the band but i wanted to hear a great finished recording of that song and Bjorn has also become a friend of mine over the years and it was cool to give him a dedication through my cover of him. The Judas Priest song is a pretty random one for fans of them, but for me its always been one of my favorite Priest tunes and I knew it would translate very cool with some heavier vocals. The last cover I added was Pain, and like i said earlier, it was a last minute addition, for a contest Peter Tagtgren had posted, I recorded it in one night and did vocals the next day, and with how great it came out I just had to add it to the album too.

8.Currently you are unsigned, are you looking for a label or have received any interest?

I had tried for years and years earlier on 2014-2019 I sent out hundreds and hundreds of submissions, emails, mailing press kits etc etc. to bigger labels, to no response. I got interest from a few small labels over the years, but the things they have offered are things I already do myself. So there would be no positive to signing a deal. At this point in my musical career, I am just to the point where if it happens it happens kind of thing, I doubt I will be seeking it out as I have in the past, as nowadays being on a big label doesn't necessarily define your success anyway. The labels will come chomping when the success has already arrived. I'm just trying to enjoy what I do and if i was making music for money I guess i would've quit a long time ago haha. It's the creation process that I truly enjoy.

9.On a worldwide level how has the reaction been to your music by fans of melodic black and death metal?

I definitely have fans all around the globe, I get messages from many people from countries all around. Since I ship all physical merch orders myself, I see where they come from and its nice to see how far the music has spread. I honestly believe I have more fans globally than in the U.S. where I am from. I guess that's attributed the style of music I play and how much bigger it is outside the U.S. I hope with each new album I put out that it can reach some new ears, that is always the goal.

10.What is going on with your other bands these days?

Well, Wings of Abaddon had been my main band for years, but we decided to call it quits in 2018, about a year before that we had started Scars of the Flesh which remains as my only active other band currently. We have brought that from just a studio project into a full live band and played our first show this past January for our new CD release. I had joined Cerebral Desecration last year, but more as a fill in. That band features Kobey Lange who was in Wings and is still in Scars too, also Joe Muniz who was in Wings, so it was easy to step into a band with members I had jammed with for years and years. But i decided in 2020 that I would just focus on my project and Scars of the Flesh moving forward, I guess it has become a bit harder to do as much as I had in years previous as I get older. I tend to be a workaholic when it comes to music haha. And if anyone is curious on Winters Plague, that is actually just a solo album I released under a different name, being that it was my original solo project name long ago. I've been asked many times if i will do another album under that name, and right now I can only say I'm not sure. Time will tell, but for now you can look forward to new BE stuff regularly and Scars of the Flesh.

11.Where do you see yourself heading into as a musician during the future?

The future is always wide open for me, there are a few nostalgic projects I want to get out here in the next year or two, more or less studio stuff, re-recordings. We had a project in 2007-2011 called Desert Beast that has a killer album just sitting on my computer that I plan on revamping and getting out to the world, just to at least have one out under that name. It was some killer tunes forsure. This year also marks the 20 year anniversary of my original first band Blessed Agony, we have been talking about doing a few one off tunes in memory of that band, not a resurrection of it, just a tribute kinda thing. Scars of the Flesh is going to be picking back up on writing and jamming for shows soon as the COVID stuff put a damper on our progress when it hit right after our first gig, we had to cancel plans for now, but soon that machine will start rolling again. For now I'm going to stay active in the studio and be productive, I actually have the whole next BE album written musically, as The 7th Sin kinda came in suddenly and got done first, but i was working on a whole different album that is going to be a BIG endeavor. I plan on it being a 2 disc concept album, I am just needing some years to make that one happen. Anyways, fans can expect alot of new tunes in many forms coming in the future. If people are starting to understand something about me is that I put out alot of music hahaha, and I don't see that changing anytime soon.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Oh man, there is just too many to name! When it comes to what bands i would say influence my sound the most, I would say, Hypocrisy, Old Man's Child, Arch Enemy, At the Gates, Amon Amarth, Dimmu Borgir, Cradle of Filth, Death, King Diamond. But I could go on and on and on. What I tend to listen more on a daily/weekly basis might surprise people a bit, I tend to have this unquenchable thirst for power metal lol. I absolutely love bands, like Primal Fear, Stratovarius, Gloryhammer, Gamma Ray, Helloween etc etc. One that has me hooked lately, is Allen/Olzon that CD is magnificent, been on a constant rotation here.

13.What are some of your non musical interests?

I have been getting in deep with artwork/design stuff as of late, I have a bit of a side thing going making flyers for bands and shows. I recently did a shirt design for a buddy. I have had a few bands starting to inquire to me about album artwork, and other shirt designs. So its seeming when I'm not doing music itself, I'm getting more into the artwork/design side of music. Another thing i want to grow into doing more fully is lyric video design. I actually went pretty deep into the creation of the Morbid Beauty and Succubus videos for this new album. I need to upgrade my computer to handle a bit more, but its something I could see doing as a side business and still helping the music scene in another way.

14.Before we wrap up this interview, do you have any final words or thoughts?

I hope everyone who reads this will check out the new CD when it drops July 10th, I put my heart and soul into all the music I create. I want to thank all the people who have supported me for years and years now, as well as any new fans that come about. If you guys want to dive into my world there is alot to be found (Bryan Eckermann, Scars of the Flesh, Winters Plague, Wings of Abaddon, Cerebral Desecration, Blessed Agony)
A big cheers to you out there reading this! And stay tuned for the next endeavors, there will always be more to come.

Flesh And Steel Video

Morbid Beauty Lyric Video

Graveyard Hymn

Skylord/Frostcraft/Soundage Productions/2019 CD Review

  Skylord  are  a  band  from  Russia  that  plays  a  very  melodic  and  symphonic  mixture  of  viking,  black  and  death  metal  and  this  is  a  review  of  their  2019  album  "Frostcraft" which  was  released  by  Soundage  Productions.

  Keyboards  start  off  the  album  while  also  using  a  variety  of  many  different  sounding  keys  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  The  riffs  also  bring  in  a  great  amount  of  melody  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  when  the  music  speeds  up a   great  amount  of  blast  beats  can  also  be  heard.

  At  times  the  music  also  gets  very  symphonic  sounding  while  death  metal  growls  and  clean  pagan  vocals  are  also  added  into  some  parts  of  the  recording.  The  music  also  has  a  lot  of  90's  influences  as  well  as  sounding  very  modern  at  the  same  time  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style.  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  as  well  as  some  of  the  clean  vocals  also  adding  in  a  touch  of  power  metal.

 Some  of  the  tracks  also  mix  in  elements  of  folk  metal  as  well  as  the  slower  sections  of  the  songs  also showing  some  influences  of  goth  and  doom  metal  and  as  the  album  progresses  whispered  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  Nature,  Fantasy,  Paganism  and  Russian  History  themes.

  In  my  opinion  Skylord  are  a  very  great  sounding  melodic  and  symphonic  mixture  of  black,  viking  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Drained(Emberdreams)"  "Enchanted  Forest"  "Scarlet  Winter"  and  "Wintertears".  8  out  of  10.

https://skylordmetal.bandcamp.com/releases