Showing posts with label progressive black metal. Show all posts
Showing posts with label progressive black metal. Show all posts

Sunday, April 14, 2024

Malconfort/Humanism/Transcending Obscurity Records/2024 Full Length Review

 


  Malconfort  are  a  band  from  the  united  kingdom  that  plays  an  experimental  form  of  black  metal  and  this  is  a  review  of  their  2024  album  "Humanism"  which  will b e  released  in  July  by  Transcending  obscurity  Records.


  High  pitched  black  metal s creams  start  off  the  album  along  with  some  heavy  and  avant  garde  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  clean  playing  is  utilized  it  also  takes  the  album  into  more  of  a  progressive  direction  and  spoken  word  parts  and  synths  can  also  be  heard on  a  few  tracks.


  At  times  the  music  also  gets  very  experimental  sounding  while  elements  of  free  form  jazz  can  also  be  heard  at times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  yet  dissonant  style  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  all  of  the  music  sticks  to  either  a  slow  or  mid  tempo  direction,  whispered  vocals  are  also  added  on  a  couple  of  songs.


  Malconfort  plays  a  style  of  black  metal t ha t is  very  avant  garde,  progressive  and  experimental  sounding  as  well  as  mixing  in  elements  of  free  form  jazz  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  philosophical  themes.


  In  my  opinion  Malconfort  are  a  very  great  sounding  experimental  sounding  black  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Cruelty  (Elation)"  and  "Carnivore  (God)".  8  out  of  10.


  Official Video


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Malconfort Bandcamp

Malconfort Facebook          

Sunday, February 18, 2024

Defying/Wadera/These Hands Melt/2024 Full Length Review

 


  Defying  are  a  band  from  Poland  that  plays  a  progressive  mixture  of  ambient,  post  black  and  sludge  metal  and  this  is  a  review  of  their  2024  album  "Wadera"  which  will  be  released  on  February  23rd  by  These  Hands  Melt.


  Night  sounds,  whispers  and  spoken  words which  also  returns  on  later  songs  start  off  the  album  before  going  into  more  of  a  heavier  and  melodic  direction.  When  synths  are  utilzied  they  also  bring  in  elements  of  ambient  while  some  tracks  also  add  in  a  small  amount  of  clean  playing  and  the  slower  sections  of  the  songs  are  heavily  rooted  in  sludge  metal.


  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  post  metal  direction.  


  At  times  the  music  also  gets  very  progressive  sounding  along  with  a  few  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  of  the  tracks  also  being  very  long  and  epic  in  length,  clear  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  polish  horror  film  "The  Wolf(1983)"  and  the  short  story  "Wadera(1977)  written  by  Jerzy  Gieraltowski.


  In  my  opinion  Defying  are  a  very  great  sounding  progressive  mixture  of  ambient,  post  black  and  sludge  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Tempus  Infaustum"  "The  Acquittance  Shade"  "Reluctant  To  The  Grave"  and  "Quietus".  8  out  of  10.


  Facebook | Bandcamp | Instagram | Spotify    

Grey Skies Fallen/Molded By Broken Hands/Profound Lore Records/2024 Full Length Review

 


  New  York's  Grey  Skies  Fallen  has  returned  with  a  new  recording  which  shows  the  music  going for  a  melodic  and  progressive  mixture  of  black,  dark,  doom  and  death  metal  and  this  is  a  review  of  their  2024  album  "Molded  By  Broken  Hands"  which  will  be  released  in  march  by  Profound  Lore  Records.


  Acoustic  guitars  start  off  the  album  along  with  some  synths  a  few  seconds  later  before  going  into  more  of  a  heavier  and  melodic  direction.  Vocals  are mostly  black  metal  screams  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal  and  most  of  the  tracks  are  also  very  long  and  epic  in  length.


  At  times  the  music  also  gets  very  progressive  sounding  while  death  metal  growls  are  also  added  into  certain  sections  of  the  recording.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  adding  in  a  lot  of  90's  era  dark  metal  influences.


  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  songs  also  adding  in  a  lot  of  clean  sections  as  well  as  one  song  also  introducing  melodic  vocals  onto  the  album,  when  the  music  speeds  up  briefly  a  small  amount  of  blast  beats  can  also  be  heard  and  most  of  the  album  sticks  to  a  slower  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  despair  and  bleakness  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Grey  Skies  Fallen  and  if  you  are  a  fan  of  melodic  black,  dark,  doom  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "A  Twisted  Place  In  Time"  "I  Can  Hear  Your  Voice"  and  "Knowing  That  You're  There".  8  out  of  10.


  https://greyskiesfallen.bandcamp.com

https://www.facebook.com/greyskiesfallen

https://www.instagram.com/greyskiesfallen

https://twitter.com/greyskiesfallen

https://www.youtube.com/watch?v=eUZMyX5suao

https://www.youtube.com/watch?v=Q964xa-1Mt4            

Monday, February 12, 2024

Wandering Oak Interview

 


1.Can you give us an update on what has been going on with the band since the recording and release of the new album?


First of all, thanks for your interest in interviewing us! We really appreciate it.


Well the album has only been out for about a week and thus far we've begun rehearsals for a few regional shows (Buffalo, Boston, Baltimore) in July, and we have some new merch items down the pipeline.


2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?


The biggest shift is that we have pushed our sound in a much more progressive direction whilst also increasing the black metal ferocity and aggression. We've pushed our instrumental abilities much further and also pushed the envelope with influences and the scope of the compositions.


3.This is also your first release in 5 years, can you tell us a little bit more about what has been going on during that time frame?


A lot! We had just come off of a short tour with Wilderun in 2019 and were poised to work on the album before COVID hit, which in a perverted way gave us time to woodshed new ideas. Also, Joe decided not to commit to the band and we spent a long time trying to find a new guitarist. We did play some local shows here in Rochester before we decided to replace our drummer, and we were essentially in album mode for about a year. 


4.What are some of the lyrical topics and subjects the band explores with the new album and also how would you describe your progress as songwriters over the years?


Much of the music deals with the concept of overcoming hardship, be it from loss, climate change, mental illness, and fascism. We feel our sound has become a lot more sophisticated whilst still being very organic and rooted (pun intended) in our original mission statement. We've also assembled a group of musicians that I feel finally does the music I have in my head justice, while adding their own spin that creates something that is more than just the sum of its parts.


5.What is the meaning and inspiration behind the name 'Wandering Oak'?


There are several meanings, but fundamentally it is a 'kenning', a compound or figurative phrase in Old English and Old Norse poetry used to replace a common noun, It refers to our meandering songs that drift away from the root yet stay grounded. It is also of course a reference to Ents from Tolkein's universe, and much like the term 'Led Zeppelin' is an oxymoronic description of the music - large, massive and imposing, intricate, but also down to earth and natural, yet adventurous. We want the listener to know they're in for a trip.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


It was designed by the amazing Czech artist Moonroot who also did our new logo, and it was based off of a rendering done by a colleague of mine. It is meant to represent a tree that has weathered every season, as an analogy for the struggles of life.


7.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?


Some of our best performances include some of the dates we played on the road with Wilderun, not to mention the special opportunity we had to open for Negura Bunget on two of their dates on the final US tour they did. RIP Negru. Our stage performances are relatively no frills, high energy. We like to wear war paint but keep the outfits minimalist. It's more about the music than the presentation for us. We let the riffs do the talking.


8.Do you have any touring or show plans for the new album?


Yes, as previously stated we have three shows booked in July of this year, and hopefully there will be more to come.


9.On a worldwide level how has the reaction been to your music by fans of folk, progressive and extreme metal?


So far the reaction has been very good! Obviously it will take time for the album to spread through the networks but so far so good! There are definitely some that feel like we have progressed too far from our original sound or think we're too overwhelming, but honestly we feel like people in this scene just aren't used to being challenged anymore.


10.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?


So myself (Robert) I have my other band Goblin Hovel who are currently recording our next album, We're a more zany style of folk metal. Deidre and myself also joined The Atrocity Tourist, fronted by Hovel's lead singer. It's an avant-garde metal band devoted to the modernization of the murder ballad. CW has his black metal band Hubris which also includes our session guitarist Andy, who are also both of Ferus Din. Hubris are putting the finishing touches on their next album and you should definitely check it out. They are FIERCE. Furthermore, Andy and I are also part of the triumphant anti-fascist black metal band Helianthus, which will hopefully be working on our full length this year. Andy also has the bands Temple of Mammon and Antiquity. Our live guitarist Mitch has this cool Celtic Fusion project called Wired Tae the Moon, and I implore you to give them a listen. They're very unique.


11.Where do you see the band heading into musically during the future?


More progressive, more ambitious, more aggressive, more transgressive, but decidedly darker and more pointedly sociopolitical.


12.What are some of the bands or musical styles the band members are currently listening to nowadays?


Several of us have been listening to a lot of Havukruunu. They rip. Mitch has been listening to Dixie Dregs a lot. I've been getting back into jazz and ambient music. Also a lot of Doomsword and Borknagar. Deidre is usually listening to a lot of prog and jazz. Andy is a classically trained musician and plays a lot of early music, and his listening reflects that as well. His father was in a progressive rock band called Rodan in the 70's that opened for Gentle Giant and Mahavishnu Orchestra amongst others, and those are very much shared tastes.


13.Before we wrap up this interview, do you have any final words or thoughts?


Thanks again for taking an interest in us! We hope you really enjoy the album and maybe you can catch us live when we eventually book a larger tour. Hopefully next year. Keep your eyes peeled for some cool merch items, and follow us on http://wanderingoakband.bandcamp.com 


Sunday, February 11, 2024

Borknagar/Fall/Century Media Records/2024 Full Length Review

 


  Borknagar  are  a  band  from  Norway  that  has  a  history  that  goes  back  to  the  90's  and  plays  a  progressive  mixture  of  black  and  folk  metal  and  this  is  a  review  of  their  2024  album  "Fall"  which  will  be  released  on  February  23rd  by  Century  Media  Records.


  Keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  great  amount  of  melody.  High  pitched  black  metal  screams  are  also  a  very  huge  part  of  the  recording  and  the  faster  sections  of  the  recording  also  add  in  a  lot  of  tremolo  picking  and  blast  beats.


  Clear  pagan  vocals  are  also  a  very  huge  part  of  the  album  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  TA  couple  of  the  songs  also  add  in a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  songs  also  being  very  long  and  epic  in  length,  when  clean  playing  is  utilized  they  also  take  the  music  into  a  more  progressive  direction.


  Psychedelic  sounds  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  riffs  also  adding  in  a  great  amount  of  melody.  Chants,  choirs  and  percussion  can  also  be  heard  in  some  parts  of  the  album  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  The  production  sounds  very  professional  while  the  lyrics  cover  the  change  of  seasons  and  universal  struggle.


  In  my  opinion  this  is  another  great  sounding  album  from  Broknagar  and  if  you  are  a  fan  of  this  band,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Summits"  "Stars  Ablaze"  and  "Northward".  8  out  of  10.


  www.borknagar.com   

www.facebook.com/borknagarofficial 
https://www.instagram.com/borknagar 
http://twitter.com/borknagarHQ 

Wednesday, February 7, 2024

Sea Of Consciousness Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?


Sea of Consciousness is the brainchild of guitarist Daniel Sirotski and drummer István Timmermans.


They have been playing since 2014 together and were trying to come up with a grand concept that Sea of Consciousness is now. The band Sea of Consciousness has been brought to life since 2019 and were trying to find the missing band-members. After multiple line-up changes we finally found vocalist Bionda Honings in 2022. Her vocals were the final missing link to finally develop our style further. Then we found guitarist Stefan Gerritsen and bassist Jeroen Koorn in 2023 and we completed our line-up and debut-album.


 


2.Recently you have released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?


The music is a huge mix of progressive technical metal with influences from death, black, thrash and heavy metal. We don’t believe in genre boxes and instead are trying to create our own genre that doesn’t let itself be defined by a narrow musical style.


 


We write music from the heart and the quality of the song is the most important. We try to think what a song needs instead of a fixed idea and/or ego.


 


The main songwriter, Daniel Sirotski, takes musical inspiration from every direction and tries to mold it all into one style. The reason is also because we, as a band, don’t want to be limited.


 


3.Some of the band members where previously a part of 'Inferus Dei', what was the cause of breaking up the previous band and forming the new group?


Guitarist Daniel Sirotski and drummer István Timmermans decided to break up the band because the musical vision had changed dramatically. Inferus Dei was the first attempt to flesh out the huge concept that Daniel and István had. After some time they decided that the attempt wasn’t what they wanted and looked at it as a learning school.


 


4.What are some of the lyrical topics and subjects the band has explored so far with the music?


Mostly about life’s struggles covered in a spiritual/mystical veil. Writing music is for us a way to deal with reality and trauma in general. So it heals us in a way, and therefore, we hope that it will heal other listeners. Or at least enjoy our music, that’s cool too.


 


5.What is the meaning and inspiration behind the name 'Sea of Consciousness"?


It started with the song ‘’Sea of Consciousness’’. When the song was being written, Daniel named it ‘’Sea of Consciousness’’ because it just felt it was the best way to describe the song and feeling it had. Afterwards, István had the genius idea to name our band that. Since then, we took the song as a basis from where we wanted to develop our sound further.


 


After a while, the name got more and more meaning. Sea of Consciousness symbolizes the reality around us. Every living being on this world is a small drop in the endless sea of consciousness that spans our globe. It is everything and nothing at the same time. We all try to traverse this endless stream and holding on to that which we know. But in the end, everything is random (or fate). From this principle we want to make music how it comes to us, instead of defining ourselves with a genre. We want to create our own genre because life is so much more than those few drops of consciousness most bands associate themselves with. The quest for knowledge, self-improvement and constructive thinking is one of the most challenging and rewarding paths that a human can take. We try to tread that path to enlightenment through music.


 


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The white robed figures represent the instrumentalists in the band. The black figure in the lake is our vocalist and the nature around us is the Sea of Consciousness. We are summoning ‘’Spirit’’ that ultimately unites every element and transcends us.


 


7.Has the band done any live shows or open to the idea?


We had our first show on the 12th of January 2024. Currently we are trying to find shows that we can play so we can hone our craft. We have some shows planned in March but we want more!


 


 


8.Currently you are unsigned, are you looking for a label or have received any interest?


We had a label approach us with a deal 1,5 weeks after releasing our album. Honestly, nobody expected it so soon so we kind of freaked out in a good way. But after some thought we decided that it is too soon to sign ourselves to a label. It is a goal that we ultimately want to achieve, but it has to be on our own terms.


 


9.On a worldwide level how has the reaction been to your music by fans of progressive and extreme metal?


The reaction is huge! Seriously, we did not expect this response. I mean, we even had a viral TikTok video about us with over 40K likes and counting..


It has been almost 3 weeks since the launch of the album and we got from 80 monthly listeners to almost 5000 on Spotify. Its crazy.


 


A lot of reviews also with some really good constructive feedback that we will take with us in future songs.


 


10.Where do you see the band heading into musically during the future?


I don’t think you can really assess your own musical development, but we want to focus on capitalizing on our ‘’unique’’ style of composition. With the amazing feedback we have had, this wont be a problem.


 


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


The list is too long to effectively tell you what kind of influences we all have. The main songwriter, Daniel Sirotski, listens to reggae-ska, old-school hip-hop, 1940’s jazz, satanic black metal, aggressive thrash metal, 80’s pop songs etc. The list is too much. Daniel never listens to one band for a long time and instead has periods were he listens to a specific genre before moving on to the next thing. His baseline musical influence is Metallica and Dissection though.


 


Stefan Gerritsen is a huge metal fan in general, but can listen to almost every other genre too. He likes drum & bass, country, Celtic music and also classic pop music. He loves a song as long as it has substance and it can reach his soul. But if he has to name a specific band, it would definitely be Avenged Sevenfold.


 


István Timmermans greatest inspiration is Arch Enemy. That band is the main reason he picked up the drumsticks. But most of his inspirational percussion ideas come from bands like Obscura, Amorphis and Septic Flesh. But because we don’t only write brutal metal music, István takes influences from blues and up tempo rock music to come up with fresh ideas.


 


Bionda Honings remembers when she was 9 years old a friend of her father always played guitar for them. She really was inspired by the fact that you can process your emotions through music instead not knowing how to deal with feelings in general. Music was the best way to deal with reality.


Bionda always steered towards rock music and begun listening to The Rasmus, Evanescence and Linkin Park. Then she found out that more extreme music had more impact and found bands like Orbit Culture and Decapitated. Bionda was inspired by bands that really put their emotion into the music. Because of this Bionda is also very all-round in her musical taste. Its all about the feeling that the listener gets my hearing the auditory journey.



Jeroen Koorn started with rock music on the radio like Queen, ACDC and Green Day. This peeked his interest and later, as a teenager, he met people who introduced him to heavier music like Pantera, Slayer and Iron Maiden. Slowly but surely Jeroen got rolled into the world of metal. His first real favorite bands were System of a Down and Slipknot.


The urge to pick up the bass guitar came when Jeroen listened to Behemoth and Opeth for the first time.


 


Beside metal music, Jeroen also listens to reggae, oldschool gangsterrap and goes to drum and bass parties frequently.


 


All-in all, everyone had a very wide range of musical influences.


 


12.Before we wrap up this interview, do you have any final words or thoughts?


We are extremely grateful for the opportunity to tell our story here! The response is amazing and we are thankful for your attention!


https://seaofconsciousness.bandcamp.com/album/sea-of-consciousnes

Friday, February 2, 2024

Wandering Oak/Resilience/Fiadh Productions/2024 Full Length Review

 


  Wandering Oak  are  a  band  from  New  York  that  plays  an  epic  and  progressive  mixture  of  folk,  black,  thrash  and  heavy  metal  and  this  is  a  review  of  their  2024  album  "Resilience"  which  was  released  by  Fiadh  Productions.


  Nature  sounds  start  off  the  album  before  going  into  a  heavier  direction  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Vocals  are  mostly  black  metal  screams  along  with  some  clean  singing  and  death  metal  growls  while  tremolo  picking  and  blast b eats  can  also b e  heard  in  the  faster  sections  of  the  songs.


  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  traditional  metal  style  while  the  riffs  also  add  in  a  lot  of  melody.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  acoustic  guitars  also  bringing  in  elements  of  folk  music  when  they  are  utilized.


  At  times  the  music  also  gets  very  progressive  sounding  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Folk  instruments  can  also  be  heard  briefly  as  well  as  some  of  the  guitar  riffing  also  showing  an  influence  of  thrash  metal,  spoken  word  parts  and  whispers  are  also  utilized  on  a  couple  of  tracks.  The  production  sounds  very  professional  while  the  lyrics  cover  nature  and  folklore  themes.


  In  my  opinion  Wandering  Oak  are  a  very  great  sounding  epic  and  progressive  mixture  of  folk,  black,  thrash  and  heavy  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "To  Fir  They  Fell"  and  "Snowbound".  8  out  of  10.


   Wandering Oak       

Saturday, January 27, 2024

Hand Of Kalliach/Corryvreckan/Prosthetic Records/2024 Full Length Review

 


  Scotland's  duo  Hand  Of  Kalliach  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  Celtic  form  of  folk  metal  with  elements  of  melodic  death  metal  and  this  is  a  review  of  their  2024  album  "Corryvreckan"  which  will  be  released  in  February  by  Prosthetic  Records.


  Nature  sounds  start  off  the  album  along  with  some  clear  vocals  a  few  seconds  later  while  synths  are  introduced  onto  the  recording   a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  music  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  the  harsh  vocals  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  At  times  the  music  also  gets  very  progressive  sounding  while  the  songs  also  add  in  a  lot  of  touches  of  Scottish  folk  music,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  most  of  the  tracks  stick  to  a  mid  tempo  direction.


  On  this  recording  Hand  Of   Kalliach  takes  their  Celtic  folk  metal  style  into  more  of  a  modern,  melodic  and  progressive  direction.  The  production  sounds  very  professional  while  the  lyrics  are  inspired  by  an  ancient  Irish  text  "Cormac's  Glossary".


  In  my  opinion  this  is  another  great  sounding  album  from  Hand  Of  Kalliach  and  if  you  are  a  fan  of  Celtic  folk  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Three  Seas"  "Cirein-croin"  "Unbroken  You  Remain"  and  "Of  Twilight  And  The  Pyre".  8  out  of  10/.


  https://www.facebook.com/HandOfKalliach


       

Thursday, January 25, 2024

Nothing Is Real/Acts of Despair And Faith/2024 Full Length Review

 


  Los  Angeles,  California's  solo  project   Nothing  Is  Real  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  progressive,  psychedelic  and  technical  mixture  of  black,  sludge,  doom  metal  and  experimental  noise  rock  and  this  is  a  review  of  his  self  released  2024  album  "Acts  of  Despair  And  Faith"  which  will  be  released  in  April.


  Clean  playing  starts  off  the  album  before  going  into  more  of  a  distorted  and  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  sludge  and  doom  metal.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  faster  sections  of  the  tracks  also  adding  in  a  good  amount  of  blast  beats.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  psychedelic  sounds  can  also  be  heard  in  certain  sections  of  the  recording  along  with  a  great  portion  of  the  songs  also  being  very  long  and  epic  in  length  and  the  tracks  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  At  times  the  music  also  gets  very  technical,  progressive  and  experimental  sounding  as  well  as  adding  in  a  good  amount  of  noise  rock  touches.  All  of  the  songs  also  sticks  to  an  instrumental  direction   and  a  lot  of  the  music  also  adds  in  more  of  an  improvised  atmosphere  while  the  production  also  sounds  very  professional.


  In  my  opinion  this  is  another  great  sounding  recording  from  Nothing  Is  Real  and  if  you  are  a  fan  of  progressive,  psychedelic, technical  black,  sludge,  doom  metal  and  experimental  noise  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Block  The  light"  and  "Split".  8  out  of  10.


  

Bandcamp
Facebook


      

Tuesday, January 23, 2024

Sea Of Consciousness/Self Titled/2024 Full Length Review

 


  Sea  Of  Consciousness  are  a  band  from  the  Netherlands  that  plays  an  atmospheric,  melodic,  progressive  and  technical  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  and  self  released  2024  album.


  Synths  start  off  the  album  before  going  into  more  of  a  fast  and  melodic  direction  which  also  utilizes  a  great  amount  of  blast  beats.  Vocals  are  a  mixture  of  clear  singing,  death  emtal  growls  and  black  metal  screams  while  the  music  also  gets  very  technical  sounding  at  times  and  all  of  the  musical  instruments  also  have  a   very  powerful  sound  to  them.


  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  clean  sections  of  the  album  taking  the  music  into  more  of  a  progressive  direction.


  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  with  the  music  also  having  its  atmospheric  moments  and  one  of  the  tracks  is  also  an  instrumental  which  also  adds  in  a  brief  use  of  field  recordings.  The  production  sounds  very  professional  while  the  lyrics  cover  life's  struggles.    

  

  In  my  opinion  Sea  of  Consciousness  are  a  very  great  sounding  atmospheric,  melodic,  progressive  and  technical  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sea  Of  Consciousness"  "Reflections"  and  "Torchbearer".  8  out  of  10.


  https://www.metal-archives.com/bands/Sea_of_Consciousness/3540537389

https://www.facebook.com/SeaofConsciousness.official

https://instagram.com/sea.of.consciousness

https://vm.tiktok.com/ZGJ3NqDCT/

https://seaofconsciousness.bandcamp.com/

https://music.apple.com/us/artist/sea-of-consciousness/1625977396

https://www.deezer.com/en/artist/171124367

https://open.spotify.com/artist/4jMjkPnS3oAFqhngqKCo3o

https://soundcloud.com/sea-of-consciousness  


  

Sunday, January 21, 2024

Iterum Nata/From The Infinite Light/Nordvis Produktion/2024 Full Length Review

 


  Iterum  Nata  is  a  solo  project  from  Finalnd  and  on  this  recording  goes  for  a  mixture  of  black,  doom  metal,  neo-folk  and  progressive  rock  and  this  is  a  review  of  his  album  "From  The  Infinite  Light"  which  will  be  released  in  2024  by  Nordvis  Produktion.


  Spoken  word  parts  start  off  the  album  and  also  gives  the  recording  more  of  a  ritualistic  atmosphere  before  going  into  more  of  a  neo-folk  direction.  Synths,  folk  instruments  and  percussion  are  also  utilized  quite  a  bit  throughout  the  recording  and  the  slower  heavier  riffs  also  add  in  elements  of  doom  metal.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  acoustic  guitar  sections  also  takes  the  music  into  more  of  a  progressive  direction.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are utilized.


  Most  of  the  vocals  are  done  in  a  melodic  style  along  with  the  faster  sections  of  the  recording  also  adding  in  black  metal  style  tremolo  picking  and  blast  beats  as  well  as  each  song  also  sounding  very  different  from  each  other..  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  Darkness  and  Death  with  some  inspiration  from  the  Qabbalah  to  explain  cosmic  genesis.    


  In  my  opinion  this  is  another  great  sounding  recording  from  Iterum  Nata  and  if  you  are  a  fan  of  black,  doom  metal,  neo-folk  and  progressive  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Gleaming  Eternity"  "The  Drifter"  and  "The  Crown  of  All".  8  out  of  10.


  https://music.apple.com/se/artist/iterum-nata/1316451649

https://iterumnata.bandcamp.com/

https://www.facebook.com/IterumNata93/

https://www.instagram.com/iterumnata/

https://open.spotify.com/artist/2haCAnM4Yi8B2lhUTT0rbY?si=sWEfeLy5TJ2KpoUr8R29qQ&nd=1&dlsi=6b2bc79102d841cc


    


  

Tuesday, January 16, 2024

Profane Burial/My Plateau/Crime Records/2024 Full Length Review

 


  Profane  Burial  are  a  band  from  Norway  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2024  album  "My  Plateau"  which  will  be  released  in  march  by  Crime  Records.


  A  very  heavy  and  symphonic  sound  starts  off  the  album  while  the  solos  and  leads  are  also  done  in a   very  melodic  style.  Vocals  are  mostly  grim  black  metal  screams  along  with  the  riffs  also  adding  in a   lot  of  melody  and  when  the  music  speeds  up a   great  amount  of  tremolo  picking  and  blast  beats  can  be  heard.

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  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  album  also  has  its  atmospheric  moments.  At  times  the  music  also  gets  very  progressive  and  cinematic  sounding  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  choirs  can  also b e  heard  briefly  and  a  couple  of  tracks  are  also  long  and  epic  in  length.


  On  this  recording  Profane  Burial  takes  their  symphonic  style  of  black  metal  into  more  of  an  atmospheric,  cinematic  and  progressive  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  curses,  fantasy,  horror,  magick,  witchery  and  ghosts.   


  In  my  opinion  this  is  another  great  sounding  recording  from  Profane  Burial  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INC:LUDE  "Moribund"  and  "Horror  Code".  8  out  of  10.


  https://profaneburial.bandcamp.com

https://www.facebook.com/ProfaneBurial

https://www.instagram.com/profane_burial

https://youtu.be/hfQ8BM8IOe4     

Saturday, December 23, 2023

Dawnwalker/Human Ruins/Room 312/2023 Album Re-Issue Review

 


  Dawnwalker  are  a  band  from  the  United  Kingdom  that  has  had  music  reviewed  before  in  this  zine and  on  this  recording  played  a  progressive  and  melodic  mixture  of  black,  doom,  folk  and  post  metal  and  this  is  a  review  of  their  2018  album  "Human  Ruins"  which  was  re-issued  in  2023  by  Room  312.


  Nature  sounds  and  synths  start  off  the  album  along  with  some  acoustic  guitars  a  few  seconds  later  before  going  into  more  of  a  heavier  and  melodic  direction.  A  lot  of  the  vocals  are  also  done  in  a  clear  style  while  the  music  also  gets  very  progressive  sounding  at  times  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to t hem.


  The  slower  sections  of  the album  are  also  very  heavily  rooted  in  doom  metal  while  the  solos  and  leads  are  also  done  in  a  very  melodic  post  metal  style.  Black  metal  screams  are  also  added  on  some  of  the  tracks  along  with  one  song  also  introducing  folk  music  touches  onto  the  recording,  a  couple  of  songs  are  also  very  long  and  epic  in  length.  


Death  metal  growls  can  also  be  heard  briefly  and  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  and  tremolo  picking  are  also  utilized  and  as  the  album  progresses  a  brief  use  of  female  vocals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  the  seasons  guided  by  myth  and  magick.


  In  my  opinion  this  was  another  great  sounding  recording  from  Dawnwalker  and  if  you  are  a  fan  of  melodic  and  progressive  black,  doom,  death,  folk  and  post  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Pagan  Plains"  "Horus"  "Into  The  Night"  and  "Between  Worlds".  8  out  of  10.


  https://dawnwalker.uk

https://dawnwalker.bandcamp.com
https://facebook.com/dawnwalkeruk
https://instagram.com/dawnwalkeruk


     

Wednesday, December 6, 2023

Raven Wundis Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the solo project


The solo project was conceived to pave the way for a more diverse and personal musical exploration, having the freedom to create art without the boundaries of anything or anyone. Somehow, it liberates myself from the limitation of a band setup and gives me a fresh perspective.


2.So far you have released 2 full lengths, musically how do they both differ from each other?

In actuality, I have released just one concept album comprised of 7 previously released singles, chapters if I may say. The third chapter “A Glimpse of Being” is a 35-minute epic track, which some streaming platforms see as a full length or an EP. So it may seem that I have released to separate full lengths  but it’s actually just one. The 7 seven chapters have their own story to tell and has their own identity but all are connected.


3.The lyrics on the new recording are a concept album, can you tell us a little bit more about the story you have covered with this release?

“In Shadows Summons Divinity” is a 1 hour and 27 minutes long concept album which took 3 years to complete. The story is about an ancient god named Orhyd, his creations, his doubts, his failures and triumphs. It began in darkness and his journey towards the formation of the celestial sphere, eventually leading to the evolution of existence, its struggles, its expansive resilience, the vicious cycle of death and rebirth, creation and destruction. In its conclusion, existence is fully developed yet Orhyd seem to doubt his creation if it is truly a gift or a curse. The lyrical content between chapters presents a chain in which the last word of a preceding chapter is also the beginning word of the next chapter, adding to the connection and binding of the concept tale. The whole album is a single track with the same title as the album title, comprised of 7 chapters.  I am extremely confident that I have done justice to the voices in my head with this release, they are actually not pissed


4.What is the meaning and inspiration behind the name 'Raven Wundis'/

Raven Wundis is an anagram of my real name and I am a confessed sucker for such. It somehow depicts the meaning of shadows shrouded in mystery, and it has the nice ring to it, don’t you think?


5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork is a collage of concept and mysticism as well. It has the divine hands that represent Orhyd, his creation, the firmament and the abyss, the progessing time representing the evolution, existence and darkness


6.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

I am open to working with other musicians. In fact, I am currently involved with 2 bands, Corporate Fiction and The Muted Squalls. Both are also from the Philippines but it is in the opposite side of the musical spectrum


7.Currently you are unsigned, are you looking for a label or have received any interest?

Yes  I am curranty unsigned and am looking for a label that could help me put out a physical distribution. 3 record labels have shown interest but somehow financial terms seem to be a little confusing so I am still on the lookout for a label, perhaps you can point me to the right direction with this


8.On a worldwide level how has the reaction been to your music by fans of extreme and progressive metal?

So far so good, and they seem to appreciate the works that I have put out with this release. Pretty much a positive reception and I really appreciate it. It has been fun and humbling at the same time.



9.Are you also involved with any other bands or musical projects?


Yup, with Corporate Fiction and The Muted Squals


10.Where do you see yourself heading into as a musician during the future?

The musical direction of the upcoming releases that I cannot divulge as of yet since I write as the creative machine begins spinning, when the savage itch needed to be taken cared of. Hopefully, by that time, I am able to find the appropriate label


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Opeth has been a huge influence. Also Bjork, Ne Obliviscaris, Death Spell Omega, The Ocean Colective, Pain of Salvation, The Church, The Cure, Depeche Mode. I practically listen to any music that tingles my ears, regardless of genre


12.Before we wrap up this interview, do you have any final words or thoughts?

A massive thanks to ADifferentShadeOfBlackMetalZine for this opportunity. Continue showing support to original music and keep the fire burning by raising the horns!


Official Site: https://ravenwundis.com

FB: https://www.facebook.com/raven.wundis.music

IG: https://www.instagram.com/ravenwundis/?hl=en

X formerly Twitter: https://twitter.com/RWundis

SPOTIFY: https://open.spotify.com/artist/4M8inNwbtLAvU5sIWvnhqR

BANDCAMP: https://ravenwundis.bandcamp.com/album/in-shadows-summons-divinity

APPLE MUSIC: https://music.apple.com/us/artist/raven-wundis/1511447052


Sunday, November 26, 2023

Raven Wundis/In Shadows Summon Divinity/2023 Full Length Review

 


  Raven  Wundis  are  a  solo  project  from  the  Philippines  that  plays  a  melodic  and  progressive  mixture  of  black  and  death  emtal  with  elements  of  jazz  fusion  and  this  is  a  review  of  his  self  released  2023  album  "In  Shadows  Summon  Divinity".


  Clean  playing  and  clear  vocals  start  off  the  album  while  also  adding  in  progressive  touches  and  elements  of  jazz  fusion  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  vocals  also  add  in  a mixture  of  death  metal  growls  and  black  metal  screams.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  Most  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  synths  also  being  utilized  on  a  few  songs.  Spoken  word  parts  and  acoustic  guitars  can  also  be  heard  briefly  and  the  pianos  also  give  the  songs  more  of  an  avant  garde  touch.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  origin  tale  of  the  celestial  sphere  and  an,  in t he  eys  of  Orhyd  -  an  ancient  god.


  In  my  opinion  Raven  Wundis  are  a  very  great  sounding  melodic  mixture  of  black,  death  metal  and  jazz  fusion  and  if  you  are  a  fan  of t hose  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Vision  Of  Collapsing  Stars"  and  "Of  Primal  Quickening".  8  out  of  10.


  https://youtu.be/JoIt9zPNFEI


Official Site: https://ravenwundis.com

FB: https://www.facebook.com/raven.wundis.music

IG: https://www.instagram.com/ravenwundis/?hl=en

X formerly Twitter: https://twitter.com/RWundis

SPOTIFY: https://open.spotify.com/artist/4M8inNwbtLAvU5sIWvnhqR

BANDCAMP: https://ravenwundis.bandcamp.com/album/in-shadows-summons-divinity

APPLE MUSIC: https://music.apple.com/us/artist/raven-wundis/1511447052              

Winterhorde/Neptunian/Noble Demon/2023 Full Length Review

 


  Winterhorde  are  a  band  from  Israel  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  melodic  and  progressive  form  of  black  metal  with  some  touches  of  classical  and  orchestra  music  and  this  is  a  review  of  their  2023  album  "Neptunian"  which  will b e  released  in  December  by  Noble  Demon.


  Water  sounds  start  off  the  album  along  with  some  heavy   riffing,  keyboards  and  orchestration  which  also  gives  the  songs  more  of  a  symphonic  feeling.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  chants  can  also  be  heard  briefly  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while t he  vocals  bring  in  a  mixture  of  death  metal  growls  and  black  metal  screams.  Clear  singing  can  also  be  heard  at  times  along  with  the  riffs  also  adding  in  a  great  amount  of  melody  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  clean  sections  also  giving  the  music  more  of  a  progressive  feeling  when  they  are  utilized.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  tremolo  picking  also  being  added  into  the  faster  riffing,  wind  instruments  can  also  be  heard  on  one  song  and  another  track  also  adds  in  a  small  amount  of  female  vocals.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  fiction  and  insanity  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Winterhorde  and  if  you  are  a  fan  of  melodic,  progressive  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Amphibia"  "The  Spirit  Of  Freedom"  and  "With  bare  hands  Against  The  Storm".  8  out  of  10.


  https://www.facebook.com/winterhorde/wall/