Monday, November 2, 2015

Tine Interview


1. For those that have never heard of you before, can you tell us a little bit about the band?

Count Murmur: Tine is an extreme metal band that combines elements of symphonic black metal with modern death metal to convey a thematic musical vision covering topics ranging from ancient history to supernatural horror and many things in between.  The band was founded in early 2011 by me (songwriter/composer).  Currently, Tine is a husband and wife duo consisting of myself (vocals, bass, guitars, drum programming, and lyrics) and Vanth (keyboards, art, management).  Almost all facets of the band are handled by Vanth and me.  For example, I designed the logo and Vanth created the album cover art.  Tine is truly an independent musical entity untainted by the pressures of the music industry or the forceful hand of a record label.

Vanth: When Tine first came to be, Murmur and I were living in our first house together.  The house was weird and we were in a weird town.  It was a duplex and the other half was unoccupied.  I swore it was haunted!  It was unfinished, so there was a lot of dust and dirt everywhere.  One day I saw young children’s handprints on the door.  I mean, it could have been just some kids, but I never saw kids that young running around.  The town we lived in was frequently visited by that show “Paranormal Activity.”  One day they came to our door asking if we have experienced anything supernatural.  I was disheveled and 6 months pregnant at the time and I did NOT want to be on television looking like a barefoot and pregnant hillbilly, so I didn’t tell them about the other half of the house.  It’s quite fitting that Tine was birthed in that house at that particular part of our lives.

2.So far you have released a single and a full length, how would you describe the musical sound that is presented on the recordings?

Count Murmur: It was very important for the music of Tine to be full of atmosphere and spirit.  I feel that this came through in both recordings; however, the difference in sound between the single and the full-length record are noticeable.  For the “Encounter with the Shadow People” single, everything was recorded in a more amateur way and I attempted to mix and master it all myself.  I considered the single a warm-up for things to come.  For the album, I implemented lessons learned from the single and recorded it more properly.  Additionally, the album was professionally mixed and mastered.  The differences between the single and the album version are substantial as a result.  It is important to note that both recordings were done on a shoe-string budget.  Both were recorded in my basement with fairly low-end equipment.  I used a total of 3 mics for the full album (SM57, SM58, and e609 Silver).  I used a Spider IV Line 6 Amp for the guitar and a Behringer BXL3000 for bass.  I used a Scarlet 2i4 for the recording in Cubase.  And, I used Easydrummer to write the drums note by note.  Despite not having the high end equipment or the resources of the big label bands, I feel that the sound of the album is powerful and full of atmosphere.  It certainly has that feature of black metal but also the power and production of death metal.  It’s a true representation of what Tine is all about.

Vanth: I think you can feel the passion that went into the creation of the music.  Each song takes you on a journey through the mind of Murmur.  Tine really has a sound all of its own.  I really can’t think of anything that’s similar.  The usage of clean singing throughout the album is really a unique touch. 

3.Can you tell us a little bit more about the lyrical topics and subjects the band explores with the music?

Count Murmur: I am glad you asked this question, as lyrics are oft overlooked in music.  When the band was formed, I was determined not to focus on only one topic.  I let the music and my mind decide the topics.  Therefore, the lyrical subject matter tends to be varied.  Still, it is important to distinguish variation from randomness.  The lyrics certainly do not span random topics.  The focus of the subject matter includes supernatural experiences from my youth, ancient history and philosophy, lovecraftian and supernatural horrors, anti-religious themes, and the occult.  For example, the song, “Encounter with the Shadow People”, is inspired from an experience I had as a young adult when I actually saw a shadow demon in the middle of a church.  When I told the pastor of this church what I’d saw, the look of absolute horror that washed over him was something to behold, as this pastor had known me personally as a reputable person of straight fact.  I must say that I did get quite a kick out of this in hindsight because I realized just how corrupt this church was – as many churches truly are.  Perhaps I was glimpsing a manifestation of this corruption? 

Vanth: Many of the songs were written before a song topic was chosen.  Murmur matched the song with an appropriate experience or topic, based on how the song felt.  I remember when “The Watchful Eye” was just one bass riff, and now it’s a ripping song about something truly terrifying.  The evolution of the songs was a profound thing to be a part of.

4.What is the meaning and inspiration behind the name 'Tine'?

Count Murmur: This is an interesting question and the answer requires a bit of a story.  When I was a child, I was quite artistic and imaginative.  I would invent mythologies, people, and places in my mind, and I would invent stories of their heritage and struggles.  One such place I invented was a world called, “Tine”, which was a world of fire where beings of fire lived.  Of course, my scientific mind would also seek to explain how this was all possible – even back then.  But, at the time, I had no idea what the word “tine” actually meant.  The name just popped into my head…  So, many years later, when I was developing the concept for this band, part of the inspiration for the band was some various haunting encounters I’d had in my childhood, and, so the name “Tine” seemed like a name befitting, as it was straight out of my childhood.  But, the name also has further significance.  A “tine” can be part of a fence or gate, and I see the music as a gateway into my mind and into a mythology from my childhood.  Additionally, a “tine” is a prong on a pitchfork – a symbol often associated with Satan.  I see the name representing defiance of Christianity.  Finally, a “tine” is also a weapon.  I see the music as my weapon against the world.  This band is my statement to all.

Vanth: Before Murmur settled on the name Tine, he was thinking of naming the band “The Cult of Quindorrian.”  Quindorrian is yet another manifestation of Murmur’s mind when he was a child.  It was a Lovecraftian creature with a head like an artichoke.  I don’t know where Murmur comes up with this shit, but he’s a creative genius.

5.Currently there are only 2 members in the band are you planning on expanding the line up in the future or do you chose to remain a duo?

Count Murmur: For now, we will remain a duo unless someone comes along [particularly a drummer] who can match my passion for this music.  This will be a rare person, indeed.  When I first founded Tine, I actually intended it to be a full band.  Initially, it started as a 3-piece project, but guitarist Azim Erebus, as he was known, went in a different direction.  It is, then, that I decided to handle most of the musical duties myself and work solely with Vanth.  The search for like-minded musicians has been fruitless and frustrating to say the least.  I certainly tried to find supporting musicians, but I quickly realized that the work ethic, musical ability, creativity, and, most importantly, the passion, was just not there for the local rabble.  This was initially discouraging, but later liberating, as I soon realized that my desire to expand the band membership was not necessary.  I realized that I could do this myself without desperately clinging to the local mediocrity.  If nothing else, this has ensured a consistent musical vision for Tine.

Vanth: I think it would be extremely difficult to find someone who would be a good fit for the band.  It would be like finding another person to marry.  Compatible band cohesion is just that to me; a marriage.  The reason why Tine made this album is because Murmur and I are on the same creative wavelength, and we’re happily married.  I don’t know if there’s someone out there that could join us in the band, but I won’t completely rule it out.

6.Currently you are unsigned, are you looking for a label or have received any interest?

Count Murmur: We have not received direct interest from any labels as of yet, but I also would not expect us to.  Labels are mostly blind and usually only take notice of bands that are hard not to notice.  We don’t have a dramatic gimmick and do not play live shows.  This makes labels scoff.  Record labels tend to be quite idiotic in their marketing and strategies.  They aren’t looking for real music; they are looking for a marketing scheme.  They seek to ride the popularity of bands who’ve already busted their asses to get where they are.  I view record labels in the harshest light.  They are mostly the scum of the Earth.  Tine will never kiss a record label’s ass.  In this day and age, record labels are mostly irrelevant in my opinion.  They seem to only truly benefit bands that have already gained a massive amount of success, which, to me is the opposite of how it should be.  But, then again, they are in it for their own profit, so this should be expected.  It’s the easy way for them, after-all.  I see Tine as turning down most record “deals” unless the rare label comes along that seeks to support the music and genuinely believes in what we are doing.  This doesn’t mean that I feel Tine would not be a good signing for a black/death metal label; on the contrary.  I just don’t feel they will see it this way.  Nor, do I care.

Vanth: Murmur summed this question up perfectly.  I’m not really interested in being signed.  I have negative things to say, but I want to keep my good Karma.

7.On a worldwide level how has the feedback been to your music by fans of black and death metal?

Count Murmur: The support we have been receiving has been overwhelmingly positive.  We have had people say some amazing things to us, much of which can be viewed in our press on ReverbNation.  When someone recites the lyric of a song back to me, and tells me that the album gets them through their day at work, it truly warms my heart.  The fans are feeling what I felt when I wrote these songs, and that is amazing to me.  I’m quite flattered by all this.  It also amazes me that the support is so global.  We have fans in the Philippines, Russia, Brazil, and many other countries around the world.  What is also special to me is that the music seems to appeal to black metal fans, death metal fans, and fans of other styles of metal as well. 

Vanth: The feedback we have had has been extremely positive.  I knew people would like Murmur’s work.  It’s just so memorable.  I listen to it all the time.  Every time I listen to the album, I pretend in my head, that I am someone completely different who has never heard the music before.  This way, I am able to kind of experience the music for the first time, over and over again.

9.Where do you see the band heading into musically during the future?

Count Murmur: First, I feel it important to say to our supporters and fans that the music of Tine will continue on this path and will not falter or “sell-out”.  I have at least 5 songs already in the works for a new record and some are the darkest aural monstrosities I’ve ever written.  More of the black metal element will come out in the next album and I see the music further increasing in both density and atmosphere.  Vanth continues to explore her talents as a keyboardist, so I see the symphonic component of the music being even more profound than before.  Other than this evolution, you will definitely recognize the music as being distinctly “Tine” on future releases.

Vanth:  I plan on practicing and learning more of the keyboard.  I am constantly expanding my knowledge and bettering myself.   I really want to be worthy of being in Murmur’s band.  I want to be the best I can be, for him, for me, for you (the fans), and for Tine.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Count Murmur: My two biggest inspirations, musically and on many levels, are Behemoth and Burzum.  I find both of these bands inspirational for me (if Burzum would be considered a “band”?).  Behemoth influences me musically and spiritually as I find myself having a lot in common with Nergal.  His battle with cancer and his steadfast diligence in the face of death is certainly inspirational.  And, I love his brilliant blend of black and death metal.  Varg Vikernes of Burzum is the one who inspired me that an album could be created by even just one person and that it could be successful and profound.  You don’t need expensive equipment or big label marketing to make an album; all you need is the passion, the musical vision, and the will to see it through.  This is what Burzum has taught me.  You may notice in the album photography for Tine that I am wearing my Burzum shirt; this is intentional and symbolizes this album being created and released in a manner not unlike the works of Burzum.  As far as my general influences, I would say that my music is influenced by various Black Metal, Death Metal, and Thrash Metal.  Influential bands for me are the two aforementioned, in addition to Old Dimmu Borgir, Emperor, Mayhem, Immortal, Old Morbid Angel, and Nile.  I have a vast CD collection and listen to all genres of metal, however.  On occasion, you’ll catch me listening to classical music or even blue grass.  I love being consumed by music.  It is one of my great loves in this world.  I also tend to stay up with the times regarding metal.  For example, I am really enjoying the new Cattle Decapitation, Lychgate, GhostBath, Non Opus Dei, and Panopticon records.

Vanth: I am really into atmospheric black metal.  Big names like Agalloch, Alcest, and, most recently, a big name, Panopticon, is what inspires me.  Most of the good shit isn’t a big name, though.  Currently I’m listening to Ghost Bath, Ghost, Abigail Williams, Beyond Creation, Cattle Decap, Summoning, and Crow Black Sky.

11.How would you describe your views on Occultism?

Count Murmur: There is much more to this world than the common human perceives.  Additionally, I know for certain that objects, places, and thoughts can hold great power.  The secrets of this world are far more than anyone would care to believe and I enjoy learning and uncovering these secrets as I journey through my life.  I do invoke them through my thoughts and my music and would currently consider myself a LaVeyan Buddhist, philosophically.  I believe in the power of mind, spirit, will, and self.  What I do not believe is the Christian and other religious doctrines that were written by infinitely corrupt men some years ago.  To me, Christianity is among the worst cults to ever exist in this world.  Living in the area where I reside, I am surrounded by this hypocrisy and it is sickening.  But, it does give me plenty of inspiration to draw upon for lyrical topics. 

Vanth: I think it’s all very interesting and anything is possible.  As Murmur considers himself a “LaVeyan Buddhist,” I would consider myself a “Buddhist Wiccan.”   I believe in the concept of Karma, and I feel the earth holds much power.  I’m constantly trying to collect good Karma.  I love doing this.  Call me superstitious, but I’m a big believer in the supernatural as well.  I also have experienced things in my life that concretes my belief.

12.Before we wrap up this interview, do you have any final words or thoughts?

Count Murmur: I would like to thank yourself and any who would listen to our musical and attempt to learn more about Tine.  There is more than meets the eye when it comes to Tine and I enjoy when the fans and supporters find these “Easter eggs” (sorry for the Christian term, although technically “Easter” is a pagan holiday by origin…) within the music, lyrics, and album art.  For those with the patience and interest, please do look further at the lyrics, music, and art and feel free to contact us with questions.  Some of the songs have more than one meaning.  Certainly, the substance of our debut record is not merely superficial.  There is more to it than just heavy metal.

Vanth: I want Tine to reach every corner of the earth.  More people need to hear it.  I am always working on getting it to new ears.  If you enjoy the music, help us out and tell someone with like-minded interests about Tine.  Murmur’s work is definitely profound.  I never tire of it.  I need more people to feel the same way as I.  There will be more from Tine.  We have already started work on material for the sophomore release.  Stay tuned, and keep believing in our musical and artistic vision.  We thrive on your positivity.

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Friday, October 30, 2015

Darkest Era/Gods And Origins/Cruz Del Sur Music/7 Inch Review


  Darkest  Era  are  a  band  from  Northern  Ireland  that  has  been  featured  before  in  this  zine and  plays  a  folk  inspired form  of  heavy  metal  along  with  a  touch  of  black  metal  and  this  is  a  review  of  their  2015  ep  "Gods  And  Origins"  which  will  be  released  in  November  by  Cruz  Del  Sur  Music.

  A  very  dark,  heavy  and  melodic  sound  starts  off  the  ep  and all  of  the  musical instruments  have  a  very  powerful  sound  to  them  and  after  awhile  high  pitched  screams  are  added  into  the  music  before  evolving  into  more  of  a  power  metal  style  and  the  music  has  an  early  80's  classic  metal  feeling  and  the  solos  and  leads  add  in  a  touch  of  NWOBHM.

  Acoustic  guitars  are  brought onto  the  second  track  and  they  bring  in  elements  of  folk  music  while  the  vocals  keep  the  clean  singing  of  the first  track   and  the  song  is  a  remake  of  their  older  track   "An  Dagda  Awakens".

 Darkest  Era  continue  the  Celtic  metal  style  of  previous  recordings  as  well  as  creating  2  tracks  that  are  full  of  melody  and  emotion, the  production  sounds   very  professional  while  the  lyrics  cover Celtic  Mythology  and  Occultism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Darkest  Era  and  if  you  are  a  fan  of  this  band,  you  should  enjoy  this  ep.  RECOMMENDED  TRACK  "Elohim".  8  out  of  10.

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Friday, October 23, 2015

Canyon Of The Skull/Self Titled/2015 Full Length Review


  Canyon  Of  the  Skull  are  a  band  from  Texas  that  plays  an  instrumental  mixture  of  black,  doom  and  sludge  metal  and  this  is  a  review  of  their  self  titled  and  self  released  2015 album  which  will  be  released  on  October  30th.

  A  very  dark,  slow,  and  heavy  sludge  metal  sound  starts  off  the  album  along  with  some  elements  of  doom  and  both  of  the  tracks  are  very  long  and  epic  in  length  and  contain  no  vocals  or  lyrics  and  when  melodies  are  utilized  they  are  very  dark  and  melodic  sounding  and  also  bring  in  a  heavy  post  black  metal  influence  to  the  music.

 Elements  of  stoner  metal  and  improv  can  be  heard  quite  a  bit  throughout  the  recording  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  at  times  the  music  also  adds  in  mid  paced  riffing  and  the  songs  never  go  into  a  fast  direction  and  only  add  in  a  brief  use  of solo  and  leads  and  focus  more  on  a  very  heavy  blackened  doom  metal  style.

  Canyon  Of  The  Skull  plays  a  musical  style  that  takes  black,  doom  and  sludge  metal  and  mixes  them  together  in  an  instrumental  format  to  create  a  style  of  their  own  and  the  production  also  sounds  very  professional  for  being  a  self  released  recording.

  In  my  opinion  Canyon  Of  The  Skull  are  a  very  great  sounding  instrumental  mixture  of  black,  doom  and  sludge  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Canyon  Of  The  Skull".  8  out  of  10.


 

Wednesday, October 21, 2015

Tranquillizer/Des Endes Anfang/2015 CD Review


  Tranquillizer  are  a  band  from  Germany  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2015  album  "Des Endes Anfang".

  A very  dark  and  heavy  guitar  sound  starts  off  the  album  along  with  some  melodic  guitar  leads  making  their  presence  known  on  the  recording  a  few  seconds  later  and  once  the  drums  kick  in  all  of  the  musical  instruments  start  having  a  very  powerful  sound  to  them  and  after  the  intro  elements  of  thrash  are  added  into  the  music.

  The  vocals  use  a  great  mixture  of  high  pitched  black  metal  screams  and  deep  growls  while  the  riffs  also  utilize  a  great  amount  of  melody  and  you  can  hear  elements  of  modern  metal  in  the  bands  musical  style  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  some  of  the  songs  also  bring  in  a  small amount  of  whispers  and  clean  playing  while one  track  brings  in  a  brief  use  of  folk  instruments  and  the  focus  remains  mostly  on  a  heavy  and  melodic  black/death  metal  style.

  Tranquillizer  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mix  them  together  with  a  more  modern  sound  to  update  the  genre  for  modern  days,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  are  written  in  German  and  cover  dark  themes.

  In  my  opinion  Tranquillizer  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Ein  andere  Welt"  "Kapitulation"  and  "Ins  Licht".  8  out  of  10.

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Tuesday, October 20, 2015

Sekoria/Im Reich Der Schatten/Kernkraftritter Records/2015 CD Review


  Sekoria  are  a  band  from  Germany  that  plays  a  very  epic,  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2015  album  "Im Reich Der Schatten"  which  will  be  released in  November  by  Kernkraftritter Records.

   A  very  symphonic  and  epic  keyboard   sound  starts  off  the  album  and  after  the  intro  the  music  gets  heavier  and  adds  in  grim  black  metal  screams  and  melodic  riffs  while  the  faster  sections  of  the  music  bring  in  a  great  amount  of  blast  beats  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  When  solos  and  leads  are   utilized  they  are  in a  very  melodic  metal  direction  and  the  symphonic  and  heavy  parts  mix  together  quite  a  bit  throughout  the  recording  and  a  lot  of  the  riffs  also  bring  in  a  more  modern  metal  style  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them   while  the  vocals  also  mix  in  both  deep  and  high  pitched  screams  and  growls   and  clean  playing  can  also  be  heard  at  times  while  a  couple  of  tracks  are  very  long  and  epic  in  length.

  Sekoria  plays  a  style  of  black  metal  that  is  very  epic  and  symphonic  in  the  90's  style  while  also  mixing  in  modern  elements,  the  production  sounds  very  powerful  while  the  lyrics  are  written  in  German  and  cover  suicide,  hate,  desolation,  depression  and  desire  themes.

  In  my  opinion  Sekoria  are  a  very  great  sounding  epic  and  symphonic  black  metal  band  and  if you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Im Reich Der Schatten"  "Wessen  Der  Zeit"  "Der  Fall"  and  "Ein  Letztes  Mal".  8  out  of  10.

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Friday, October 16, 2015

Selvans/Lupercalia/Avantgarde Music/2015 CD Review


  Selvans  are  a  band  from  Italy  that  plays  a  mixture  of  folk  and  symphonic  black  metal  and  this  is a review  of  their  2015  album  "Lupercalia"  which  was  released  by  Avantgarde  Music.

  Nature  sounds  start  off  the  album  along  with  some  folk  instruments  and  epic sounding  keyboards  which  also  leads  up  to  more  of  a  heavy  and  symphonic  black  metal  style  which  also  incorporates  a  great  amount  of  melodic  guitar  solos  and  the  fast  parts  also  bring  in  a  great  amount  of  blast  beats  and  you  can  also  hear  all  of the  musical  instruments  that  are  present  on  this recording.

  When  vocals  are  brought  onto  the  recording  they  are  mostly  grim  and  high  pitched  black  metal  screams  and  the  music  is  very  heavily  rooted  in  the  90's  symphonic  style  of  the  genre  while  the  folk  elements  the  songs  sound more  modern  and  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  present  throughout  the  recording.

   Most  of  the  tracks  being  very  long  and  epic  in  length  and  acoustic  guitars  can  also  be  heard  at  times  along  with  the  vocals  also  bringing  in a  small  amount  of  whispers  and  as  the  album progresses  the  riffs  start  utilizing  more  melody and  the  folk  instruments  also  mix  in  with  the  heavier  parts  and  there  is  also  a  brief  use  of  clean  singing  present  on  the  last  track.

  Selvans  plays  a  style  of  symphonic  black  metal  that  is  very  heavily  rooted  in  the  90's  and  they  update  this  style  by  mixing  it  in  with  pagan  folk  music,  the  production  sound s very  powerful  while  the  lyrics  are  written  in  Italian  and  cover  Folklore,  Mysticism,  Oral  History,  Nature,  Tradition,  Surrealsim  and  Art.

  In  my  opinion Selvans  are  a  very  great  sounding  mixture  of  pagan  folk  and  symphonic  black  metal  and  if  you  are  a  fan  of  those musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Versipellis"  and  "Scurtchin".  8  out  of  10.

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Tuesday, October 13, 2015

Perihelion/Zeng/Apathia Records/2015 CD Review


  Perihelion  are  a  band  from  Hungary  that  plays  a  mixture  of  post  rock and  avant  garde  black  metal  and  this  is  a  review  of  their  2015  album  "Zeng"  which  was  released  by  Apathia  Records.

  A  very  dark  and  atmospheric  ambient  sound  starts  off  the  album  along  with  some  distorted  guitars  that  also  bring  in  drones  before  going  into  a  very  melodic  post  metal  direction  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  along  with  soem  clean  singing  vocals.

  After  the  vocals  kick  in  the  music  goes  into  a  very  fast  black  metal  direction  that  also  utilizes  a  great  amount  of  blast  beats and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  great  amount  of  melodic  guitar  leads along  with  a  touch  of  shoegaze  and  the  music  is  perfectly  balance  between  both  clean  and  heavy  parts  and  you  can  also  hear  a  lot  of  avant  garde  metal  elements  in  the  bands  musical  style  and  in  some  of  the  faster  parts  a  brief  use  of  black  metal  screams  can  be  heard.

  Perihelion  plays  a  musical  style  that  takes  the mid  90's  avant  garde  black  metal  style  while  focusing  more  on  a  regular  style  of  singing  and  mixing  it  in  with  a  more  modern  style  of  post  rock  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  are  written  in  Hungarian  and  cover  spiritual  and  cosmic  journey  themes.

  In  my  opinion  Perihelion  are  a  very  great  sounding  mixture  of  avant  garde  black  metal  and  post  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Tundockles"  "Vegtelen  Kek"  and  "Hajad  Szel".  8  out  of  10. 

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Monday, October 12, 2015

Tine/The Forest Dreams Of Black/2015 CD Review


  Tine  are  a  band  from  Pennsylvania  that  plays  a  symphonic  form  of  blackened  death  metal  and  this  is  a  review  of t heir  self  released  2015  album  "The  Forest  Dreams  of  Black".

  Nature  sounds  start  off  the  album  before  bass  guitars  and  melodic  guitar  leads  kick  in  along  with  some  drum  beats  and  after  awhile  the  music  starts  going  into  a  heavier  musical  direction  and  after  the  intro  the  music  starts  getting  more  symphoniuc  as  well  as  adding  in  high  pitched  black  metal  screams  and  death  metal  growls.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  when  solos  and  leads  are  utilized  they  are  done  in  a  very  dark  and  melodic  musical  tradition  and  a  great  portion  of  the  tracks  are  very  long  and  epic  in  length.

  Melodies  can  be  heard  quite  a  bit  in  the  guitar  riffing  and  as  the  album  progresses  clean  singing  can  be  heard  in  certain  sections  of  the  recording  and  they  also  bring  in  a  couple  of  instrumental  tracks  while  most  of  the  other  songs  bring  in  vocals  and  at  the  times  the  keyboards  also  bring  in  a  variety  of  many  different  sounding  keys.

  Tine  plays  a  musical  style  that  takes  symphonic  black  metal  and  mixes  it  in  with  the  more  modern  style  of  blackened  death  metal  to  create  a  style  of  their  own,  the  production sounds  very  professional  for  being  s  elf  released  recording  while  the  lyrics  cover  Mysticism,  Occultism,  Mythology,  Darkness,  Mystical  Forest,  Legends  and  Evil  themes.

  In  my  opinion  Tine  are  a  very  great  sounding  symphonic  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Horrors  at  Antioch"  "The  Crusade  of  Dracul"  and  "The  Watchful  Eye".  8  out  of  10.


Wednesday, October 7, 2015

Hypermass Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?

We are a melodic Death Metal band consisting of 5 members from Trondheim, Norway, all in the ages of 19 to 20. We’ve played together since late 2012. Our musical influences include The Black Dahlia Murder, Revocation and the more brutal side of the melodic Death Metal spectrum, though that’s only a small fraction of our influences.

2.Recently you have released an EP, how would you describe the musical sound that is presented on the recording?

It’s hard to describe it without resorting to mindless genre referrals, but it’s basically a buffet of melodic, technical, and groovy Death Metal with a side of exotic jazz fusion.

3.What are some of the lyrical topics and subjects the band explores with the music?

The lyrics are mostly very critical of humanity as a whole, with certain underlying philosophical themes. We try to not get too obvious in our writing, and leave a lot of it up for interpretation. I’m a sucker for lyrics myself, as for me they can define a great song. Clutch is one of my favorite bands mostly for that reason, I never tire of Neil Fallon’s abstract and satirical lyrics. But with every band the lyrics must complement the music in a special kind of way. What we try to do is contrast those lyrics of misanthropy and negativity with melodic and «epic» parts, if that’s a word that’s possible to use without sounding like a douchebag. I think it’s a great effect, nonetheless.

4.What is the meaning and inspiration behind the name 'Hypermass'?

Hypermass is essentially another word for «black hole», although it’s not a frequently used word anymore. That stuff always intrigued me, you know, along with the fact that dark matter/energy constitutes about 95% of the universe, with no one having the slightest clue of what it actually is. It also complies with our subject matter in a way. I will admit that it had also to do with the fact that it’s pretty hard to find a recognizable band name now that pretty much everything has been used, but I think we lucked out on that one.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

We try to be as energetic as possible, and let the crowd know they’re just as big a part of the show as we are. We just try to have fun on stage no matter how big or small the crowd is. If there’s only 5 people in the crowd, it’s your job to give those 5 people the greatest show you can give them. We try to keep that in the back of our heads every gig, although we’ve fortunately yet to play for that small of a crowd. People are there to have a good time, so it’s also important not to take yourself too seriously. Some of the best shows we’ve played have been local club gigs, those are always really fun.

6.Do you have any touring or show plans for the future?

We’re doing some local gigs in the coming months. We may go on tour soon, when the time is right. As of now we’re in writing mode for the full-length though, so that comes first.

7.Currently you are unsigned, are you looking for a label or have received any interest?

We have received interests from various underground labels, which is awesome. Still, we think we have a lot more to offer than what’s presented on the EP, and I don’t wanna sound reluctant, but we’re kind of holding it off at the moment until our full-length is done, or at least until the right contract is presented.

8.On a worldwide level how has the feedback been to your music by fans of melodic death metal?

It has been overwhelming, to say the least. We really didn’t have any expectation on whether people would like it or not, to be completely honest. Luckily for us people seem to enjoy it, as we’re yet to get a bad review.

9.When can we expect a full length album and also where do you see the band heading into musically during the future?

Too early to say when the full-length will be nearing release, I’m afraid. All I can say is that we’re in serious writing mode, and that the songs so far sound great. The new stuff I’d say is a little bit more focused, in terms of writing, as well as it’s a lot more technical and faster than the previous stuff. We’re still a melodic Death Metal band though, as far as genres go.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Guitar-wise I’d say the top 3 would have to be The Black Dahlia Murder, Revocation and Allegaeon, as we’re often lumped into the same category as those bands. But you know, we’re very easily inspired by stuff. We don’t like to shut out ideas just ‘cause it doesn’t necessarily comply with other influences. Then it would become tedious and boring.

Currently I’m really digging the latest Rivers of Nihil album. Those guys really caught me by surprise, with possibly the best combination of atmosphere and heaviness I’ve ever heard. My other top 5 records of the year so far has to be the new TBDM, Clutch, Cattle Decapitation, Ghost and Nile.

11.What are some of your non musical interests?

Outside of music we’re pretty versatile people when it comes to other interests, but I guess everyone is into some form of sport. I’m a rabid MMA fan myself, our other guitarist likes golf, our vocalist and bassist is really into football («soccer» if you’re American I guess), and our drummer likes fishing, although I don’t know if that’s officially declared a sport by now. It should be. That stuff is tiring.

12.Before we wrap up this interview, do you have any final words or thoughts?

Thanks for the interview, and be sure to keep an eye out for our debut album coming up!

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Monday, September 28, 2015

Islay/The Angels' Share/Final Gate Records/2015 CD Review


  Islay  are  a  band  from  Germany  that  plays  a  blackened  form  of  melodic  death  metal  and  this  is  a  review  of  their 2015  album  "The  Angels'  Share"  which  was  released  by  Final  Gate Records.

  Drum  beats  and  powerful  sounding  bass  guitar  solos  start  off  the  album  before  adding  in  melodic  leads  and  blast  beats  that  dominate  throughout  the  recording  and  when  growls  are  added  into  the  music  it  gives  the  tracks  more  of  a  Swedish  feeling  along  with  some  high  pitched  black  metla  screams  being  added  in  at  times.

 Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the music  is  very  heavily  rooted  in  the  90's  melodic  styles  of  black  and  death  metal  and  as  the  album  progresses  clean  singing  can  be  heard  in  certain  sections  of  the  recording  and  they  also  give  the  songs  more  of  a  modern feeling  when  they  are  utilized  while  the  classical  guitars  when  they  are  brought  in  add  progressive  elements  onto  the  recording  and  some  songs  also  bring  in  a  few  seconds  of  atmospheric  keyboards  that  are  almost  close  to  being  symphonic  at  times.

  Islay  plays  a  musical  style  that  takes  the  90's  Swedish  melodic  styles  of  death  and  black  metal  and  mix  them  in  with  some  modern  elements  to  update  the  sound  for  current  times,  the  production  sounds  very  professional  while  the  lyrics  cover  war  and  anti  religion  themes  along  with  one  of  the  tracks  being  written  in  German.

  In  my  opinion  Islay  are  a  very  great  sounding  melodic  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Under  The  Sway  Of  God"  "Blind  messiah"  "Napalm  Shower"  and  "The  Angels'  Share".  8  out  of  10.

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Wednesday, September 23, 2015

Xaemora Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?

We're Xaemora, melodic Black Metal from St. Louis, formed in 2012.

2.So far you have released a demo and an ep, how would you describe the musical sound that is presented on both of the recordings?

We put a lot of emphasis on melody to balance out the chaos. "Kingdom Venom I" is a great representation or musical snapshot of Xaemora at that particular time, there's fast stuff, slow stuff, some melodic, some brutal, some heavy, some meloncholy, it's a pretty well rounded Black Metal album, it's exactly the kind of stuff I look for in an album.

3.What are some of the lyrical topics and subjects the band explores with the music?

This is pretty simple, most of the songs are about death and suicide.

4.What is the meaning and inspiration behind the name 'Xaemora'?
When it came time to start releasing the music we had been working on and start playing live, we knew immediately that we needed a unique name to stand out in the overcrowded world of cliche metal band names, Xaemora is a name we created.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Our first tour this spring was absolutely amazing, some truly great shows, most notably, West Texas Death Fest and Full Terror Assault Open Air earlier this month, those shows were incredible!

6.Do you have any touring plans for the future?

We'll be doing a Southeastern US tour in October as we make our way down to Black Kvlt Fest III in Miami. After we record and release "Kingdom Venom II" the goal is to tour as much as possible in 2016!

7.On a worldwide level how has the feedback been to your music by fans of symphonic black metal?

We've got followers from all over the world but we're still very underground and relatively new, the reactions to our latest EP have been largely positive so we're very happy about that.

8.Are any of the band members also involved with any other bands or musical projects these days?

Too many to name! Pretty much everyone in the band has other musical projects outside Xaemora.

9.When can we expect a full length album and also where do you see the band heading into musically during the future?

We're focusing on releasing the next EP "Kingdom Venom II" in 2016, it's too early to try to predict either one of those.

10.What are some of the bands or musical  styles that have had an influence on your music and also what are you listening to nowadays?

Lots of influence from Emperor, Dissection, Mayhem, Watain, and 1349.  Lately I've been listening to a lot of the new Keep of Kalessin, Ravencult, Dead Shore, Micawber and Advent Sorrow. Our local friends in Tyranny Enthroned and Black Fast have incredible new albums out right now too.

11.What are some of your non musical interests?

This one could really go all over the place, there are five of us and we all have so many different interests outside of music.

12.Before we wrap up this interview, do you have any final words or thoughts?

Look for "Kingdom Venom II" to be out early next year, we're going to tour as much as we humanly can next year, if you want us to come to your city, contact us and let's set it up! Otherwise, if you see us on the road coming through your town, come out to a show!

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Tuesday, September 15, 2015

Hypermass/Clouded Visions/2015 EP Review


  Hypermass  are  a  band  from  Norway  that  plays  a  melodic  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review of  their  self  released  2015  ep  "Clouded  Visions".

  Clean  guitar  playing  and  sound  effects  start  off  the  ep  before  going  into  a  heavier  direction  a  few  seconds  later  along  with  some  melodic  guitar  solos  making  their presence  known  on  the  recording  and  after  the  intro  the  music  starts  going  into  a  very  fast,  technical  and  brutal  blackened  death  metal  direction.

  Death  metal  growls  are  a  very  huge  part  of  the  recording  and  the  band  also  mixes  in  elements of  modern  and  prog  metal  along  with  a  heavy  dose  of  thrash  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the  riffs  also  bring  in  a  great  amount  of  melody and  some  songs  bring  in  a  jazz  influence  but  done  with  more  heaviness  along  with  a  couple  of  tracks  being  very  long  and  epic  in  length  and  clean  playing  also  makes  its  return  briefly  on  the  last  song.

  Hypermass  plays  a  musical  style  that  takes  the  more  melodic  sides  of  black,  death  and  thrash  metal  and  mixes  it  in  with  elements  of  prog  to  create  a  sound  of  their  own,  the  production  sound s very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  philosophical  themes.

  In  my  opinion  Hypermass  are  a  very  great  sounding  melodic  mixture  of  black, death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Ionize"  and  "In  The  Final  Stage  Of  Embryonic  Mutation".  8  out  of  10.  

http://www.facebook.com/hypermassmetal
https://hypermass.bandcamp.com/

Monday, September 14, 2015

Xaemora/Kingdom Venom I/Merdumgiriz/2015 EP Review


  Xaemora  are  a  band  from  Missouri  that  plays  a  very  symphonic  and  melodic  form  of  black  metal  and  this  is  a  review  of  their  2015  ep  "Kingdom Venom I"  which  was  released  by  Merdumgiriz.

   A  very  distorted  sound  starts  off  the  ep  before  getting  more  heavy  and  symphonic  along  with  soem  high  pitched  black  metal  screams  and  melodies  and  when  the  music  speeds  up  meldoic  guitar  leads  and  blast  beats  make  their  presence  on  the  recording  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Some  of  the  riffs  bring  in  elements  of  thrash  and  death  metal  and  the  bands  musical  style  also  brings  in  a  very  dark  atmosphere  and  the  music  is  very  heavily  rooted  in  the  mid  90's  style  of  symphonic  black  metal  and  also  has  a  little  bit  more  aggression  than  most  bands  of  this  genre  and  the   last  track  is  all  instrumental  and  also  introduces  clean  playing  onto  the  recording.

  Xaemora  plays  a  style  of  black  metal  that  is  very  symphonic  and  melodic in  the  mid  90's  Nordic  tradition  and  also  bring  a  lot  of  aggression  that  is  rarely  heard  in  the  genre  these  days,  the  production  sounds  very  professional  while  the  lyrics  cover  Misanthropy,  Chaos  and  Death.

  In  my  opinion  Xaemora  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Gadara'  and  "Desolation  Solitude".  8  out  of  10.

Facebook: https://www.facebook.com/Xaemora
Bandcamp: http://xaemora.bandcamp.com/

     

Sunday, August 30, 2015

ORCumentary Interview


1.Can you give us an update on what has been going on with the musical project since the recording of the new album?



Finishing the album was a big relief, but no rest for the wicked, as they say. I have two CD pre-release shows lined up in a couple weeks, so I’m busy rehearsing 7 new songs.



2.You have a new album coming out in October, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?



Destroy the Dwarves is a continuation of the style on Orcs 1 Goblins 0, which is the album I think of as ORCumentary’s true beginning. I coined a new “genre” called “orc rock”, because it’s legitimately difficult to sum up my style quickly. I incorporate influences from music I like (mainly melodic death, industrial metal, power metal, and folk metal). I have fast songs, mid songs, slow songs, straightforward songs, long songs, melodic songs, aggressive songs, you get the idea. I work very hard to make sure every song is one I can be proud of, one I will enjoy playing live, and one that offers something that hasn’t been presented in an ORCumentary song before.



Bringing all that back to your original question, I went even further on both ends of the musical spectrum with Destroy the Dwarves. To give two quick(ish) examples, there’s one song towards the end of the album that’s about 3 minutes long. Very catchy and straightforward. It starts out as kind of a garage rock song but it kind of builds into something heavier and there’s a great guitar solo in it. Now compare that to a song around the middle that’s 7 minutes long, has an ambient intro, switches tempos midway through, and has extended instrumental sections. That and everything in between is what listeners can expect to hear on Destroy the Dwarves.



3.What are some of the lyrical topics and subjects you explore with the newer music?



Lyrically, ORCumentary’s music follows a storyline. To sum it up quickly, Orc Adams, hero of the orcs and wielder of the Keyboard of Mayhem, is on a mission to establish orc supremacy and lay low all the other races in The Five Lands. Destroy the Dwarves is a continuation of that story and the Dwarves are on the chopping block next. The Dwarves raise a white flag and want to meet with Adams to make a peace treaty, but the hero of the Orcs has other ideas. Needless to say, things don’t go according to plan for either party. There’s lots of violence, flatulence (as Dwarves are rather gassy), scheming, razor-sharp wit, and the ending is rather shocking.



4.What is the meaning and inspiration behind the name ORCumentary?



It literally means “a documentary about orcs.” The lyrical content has always been from the perspective of orcs, but everything after my debut album follows a continuous storyline.



5.On the albums you record everything my yourself, are you planning on expanding the line up in the future or do you chose to remain solo?



I get asked this question a lot. I thought about making it a full band once, went as far as to seriously consider it. However, ORCumentary means too much to me to allow anyone else to be a part of the process, if that makes sense. It’s been my creative outlet for almost 10 years. It has also already been established as a solo band, and people love it that way. It’s part of what makes ORCumentary stand out. Something huge would be lost if other people were added to the mix It’s nice to be in complete control of everything, although the downside of that is if I’m not motivated, nothing gets done. If I could do absolutely everything myself for ORCumentary I would, but I don’t have the skills/means to do the mastering and artwork. Luckily, Not A Damn Cheese Design and I are always on the same page when it comes to bringing my ideas to life, and my friend Ben Lane does a great job mastering.



6.What are some of the best shows that you have played so far and also how would you describe your stage performance?



My live show is literally just me on stage with a keyboard and a mic. I have a larger-than-life stage presence, which makes up for the lack of members. Orc Adams on stage is the complete opposite of what I’m like in real life. He’s boisterous, loud, demanding, arrogant, but he’s got a great sense of humor (although I have a good sense of humor too) and the stage shenanigans are really hard to take seriously. Anyways, I do vocals and play keyboard parts live. It’s very energetic, or so I like to think.



My favorite show so far has been my CD release back in 2013 for Orcs 1 Goblins 0. For the songs “Orc and the Butterfly” and “Sword of Iron”, a group of about 15 people came up and helped me do the gang vocal parts. It was pretty surreal. I also opened for Agalloch back in 2012, which was really cool too.



7.Do you have any touring or show plans once the new album is released?



Nothing concrete, but I’m probably going to take it easy for the rest of this year. Might pick up a couple shows, but next year is when the heavier gigging will take place. I can’t do extensive touring, but I want to do a few weekend tours next spring/summer; hopefully the Philly area, maybe return to Buffalo, who knows?



8.Can you tell us a little bit more about Orc Rock Records?



Most people/publications take artists who are signed more seriously, so that was honestly the only reason why I put it on there.



9.In one interview you talked about your interest in fantasy novels, what are some of the fantasy authors that you have taken an interest in lately?



Terry Brooks is my favorite author. 5 of his books are at the top of my “to read” list. R.A. Salvatore is one of my favorites too, although I haven’t read any of his books in years (he’ll be next). I really liked the first four books in The Sword of Truth series, but I couldn’t stick with the fifth one. Jacqueline Carey wrote this really interesting duology called The Sundering, which portrayed the “villains” as the heroes often are, and the “heroes” as the villains often are.



To be honest, I haven’t been good about keeping up with new authors and those recommended to me because up until a few years ago I had kind of “fallen out” of reading. Now that things have settled down a bit in my life, I’ve been re-reading a lot of the ones I own. I want to be “caught up”, per se, before pursuing new authors and books. Over the past few years, I’ve reread LOTR, Harry Potter, Dragonlance Chronicles (which was a bit of a disappointment), and some Terry Brooks too.



10.On a worldwide level how has the feedback been to your music by fans of metal?



The response is mostly positive. Usually the only really negativity is from the online community. It’s definitely a love it or hate it thing. The people who come out to shows have a great time and can appreciate not only the comedic aspects, but the musicianship too. I’m really lucky that the response has been as supportive and positive as it has been.



11.Where do you see yourself heading into as a musician in the future?



I’d like to continue to keep songwriting as my main focus. I’ve kind of started a side band (actual band with other people) and I have 4 songs in various stages of completion for that. I don’t want to talk too much about it, but I really want to do just vocals live if it kicks off and we start doing shows.



I like the idea of getting back into playing sheet music as well. I took piano lessons for 11 years (age 7 to 18), but after I graduated high school, my main focus has been on songwriting. Getting back into technical and theoretical study on the piano would be great, but it depends on if I have the musical time for it.



Eventually I’d like to start a project for ambient/soundtrack style music, but again it’s about having the time and sufficient inspiration. The vast majority of what I listen to is metal, so that’s what I want to play and write most of the time. I have a really hard time finding non-metal that’s interesting, so I think I’d like to make whatever ambient/non-metal side project similar to ORCumentary, in the sense that I’d take influence from lots of other genres and just write what I like to hear.



12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?



My favorite subgenres are melodic death metal, power metal, and industrial metal. I’m influenced by a lot of different bands these days, but my favorites are Elvenking, Mnemic, Soilwork, Poets of the Fall, and Thrice. I also really like certain soundtracks like LOTR. I can find something good in most styles of music, whether it’s something I personally enjoy or not



13.What are some of your non-musical interests?



My non-musical interests include reading, walking, archery (although I don’t get to do it very often), video games, and movies. I love spring and fall weather and I try to be outside as much as possible in those times of year.



14.Before we wrap up this interview, do you have any final words or thoughts?



Thanks for your thoughtful questions and for taking the time to listen to my music. Keep orc rock alive!

https://orcumentary.bandcamp.com/