Illusion of Fate/King Of Serpemts/2021 Full Length Review

 

  Illusion  Of  Fate  are  a  band  from  Milwaukee,  Wisconsin  that  plays  a  very  atmospheric,  melodic  and  technical  form  of  blackened  death  metal  and  this  is  a  review  of  their  self  released  2021  album  "King  Of  Serpents".

  Rain  and  thunder  sounds  start  off  the  album  before  going  into  a  heavier  musical  direction  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  tremolo  picking  and  blast  beats.  At  times  the  music  also  gets  very  atmospheric  sounding  and  the  vocals  ad d in  a  mixture  of  death  metal  growls  and  black  metal  screams.

  Synths  are  also  utilized  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  The  music  also  has  its  technical  moments  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording.

  Illusion  Of  Fate  plays  a  musical  style  that  takes  the  atmospheric,  technical  and  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  occultism  themes.

  In  my  opinion  Illusion  Of  Fate  are  a  very  great  sounding  atmospheric,  melodic  and  technical  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "King  Of  Serpents  Movement  II:  The  Warlock"  "March  Of   The  Lepers"  and  "Paradigm  of  Madness".  8  out  of  10.

  https://linktr.ee/visions_of_sunless_skies   

Nothing Is Real/Acts of Despair And Faith/2024 Full Length Review

 

  Los  Angeles,  California's  solo  project   Nothing  Is  Real  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  progressive,  psychedelic  and  technical  mixture  of  black,  sludge,  doom  metal  and  experimental  noise  rock  and  this  is  a  review  of  his  self  released  2024  album  "Acts  of  Despair  And  Faith"  which  will  be  released  in  April.

  Clean  playing  starts  off  the  album  before  going  into  more  of  a  distorted  and  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  sludge  and  doom  metal.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  faster  sections  of  the  tracks  also  adding  in  a  good  amount  of  blast  beats.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  psychedelic  sounds  can  also  be  heard  in  certain  sections  of  the  recording  along  with  a  great  portion  of  the  songs  also  being  very  long  and  epic  in  length  and  the  tracks  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  At  times  the  music  also  gets  very  technical,  progressive  and  experimental  sounding  as  well  as  adding  in  a  good  amount  of  noise  rock  touches.  All  of  the  songs  also  sticks  to  an  instrumental  direction   and  a  lot  of  the  music  also  adds  in  more  of  an  improvised  atmosphere  while  the  production  also  sounds  very  professional.

  In  my  opinion  this  is  another  great  sounding  recording  from  Nothing  Is  Real  and  if  you  are  a  fan  of  progressive,  psychedelic, technical  black,  sludge,  doom  metal  and  experimental  noise  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Block  The  light"  and  "Split".  8  out  of  10.

  

Bandcamp

Facebook

      

Gates Open Interview

 

  1.Can you give us an update on what is going on with the band these days?

Greeting!

We are constantly working on new songs.

We already have a handful of new songs with lyrics waiting for final recordings and arrangements, which means more material is being created all the time.

We train and work on/record our songs at home, at the moment both working alone.

So we are working remotely in our band for at the moment.

So far, it has worked well that way.

We live 170 km from each other, so we don't see each other often.

We work on our material by exchanging messages and changing tracks via Google Drive.

We update social media almost daily, as news about our upcoming album keeps coming from all over the world.

Our songs are played on smaller and medium-sized internet radio stations around the world.

And this is the fourth interview this month, so there is action.

2.You have your first full length coming out in February, can you tell us a little bit more about the musical style that you went for on the recording?

Our musical style is full metal, with a very dark tone.  In our opinion, our style is mostly blackened death/thrash metal, but there are nuances from other genres, also outside of metal music, for example from punk.

3.Both of the band members where previously in 'Down In Silence', what was the decision behind splitting up the group and forming a new project?

Tommi:

I was in the ranks of Down into Silence from 2007 to 2020.

I have great memories from those years.

I got gigging experience and became familiar with studio recording.

In 2020, I moved to another town, 170 km away from the other band members.

I tried for a while to continue and go to training, but that year there were a lot of unpleasant things in my personal life, so my motivation dropped a bit in regards to everything.

And the distance to that as an equation, I could no longer continue in that life situation and decided to leave the band.

The band finally stopped its activities in 2022.

Jere:

Down into silence was stopped due to lack of motivation and time of the members.

A few years later, we decided to start a new band with Tommi in a new style.

4.What are some of the lyrical topics and subjects the band has explored so far with the music?

Some of the album's lyrics are written by external authors.

For example, the author of the song "The Awakening" was inspired for the lyrics when he had read Jordan Peterson's writings and watched his Biblical series lectures on YouTube.

The inspiration for the lyrics of the song writer A Place Called Home came from her own real personal experiences at a young age.

The lyrics, which are our band's own handwriting on the album, were inspired by e.g.  The Gates Open title song is about people's selfishness, the evil of the world, the current way the world is going.

The song about death was inspired by the loss of a loved one.

But we also live in the Nordic countries, this northern dark season inspired us to make a song about that topic on the album.

But all the unpleasant things, bad events, etc. read daily inspire us.

5.What is the meaning and inspiration behind the name 'Gates Open'?

Gates Open tells stories about the world's darkness, evil, life and death.

Part as fiction, part based on reality.

The gates are open, but where, you decide.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

We have created the cover art of the album using artificial intelligence.

The picture was made based on the phrase "voice after silence", I probably wrote something else to it.  The picture chosen for the cover of the "Voice After Silence" album was just perfect for the cover of our debut album, there were a few other options.

The person in the picture, presumably a woman, looks into the distance and presumably hears a voice from somewhere far away.

That's how we see the picture ourselves.

And if we open up the idea of ​​the name of the album, we came up with it as a continuation with our new band Gates Open from our old band Down into Silence.

It was a few quiet years after the Down into Silence band broke up and as old members of that band we founded a completely new band Gates Open, so the name of the debut album was perfectly suited "Voice After Silence".

7.Currently there are only 2 members in the band are you open to expanding the line up or do you prefer to remain a duo?

Yes, that has been the idea, as long as we get a good line-up together.

Live gigs could certainly be offered soon, it would be great to also perform our songs live in the future.

We both have some live performance experience from our old band days.

8.The new album is going to be released on 'Inverse Records', how did you get in contact with this label?

Inverse Records approached us with a message last spring thanks to our own active promotion.

We don't know exactly where they did spotted us, but I assume it was from the conversations/broadcasts of the Swedish Veckans Band Metal Radio.

In this case, it was ideal that we didn't approach them, but they approached us, so somehow we immediately aroused interest.

9.On a worldwide level how has the reaction been to your music by fans of extreme metal?

All the feedback we have received has been nothing but positive.

It feels really great.

We hope that the general public, especially in metal community, will discover our band and find something for themselves in our songs, whatever that may be.

10.Where do you see the band heading into musically during the future?

It very much depends on what Jere's note pencil turns out to be in terms of style.

Jere composes, Tommi sings.

Lyrics are created from both sides, partly together.

And if we get hold of great lyrics, we'll of course turn it into a song.

Together we fit the pieces to its final form.

Lets see what the future holds.

In any case, we would think that we will stay largely on the lines given by our first album, musically and stylistically.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Tommi:

My own singing style at the Gates Open was largely influenced by the singing styles of Children of Bodom's Alexi Laiho, Cradle of Filth's Dani Filth, Dimmu Borgir's Shagrath, and Turmion Kätilöt's Spellgoth and Mc Raaka Pee.  Norther's Petri Lindroos should also be mentioned.

I listen to music everywhere, different genres, depending on my mood.

But mostly I listen to metal and nowadays I listen to a lot of all new bands and songs from various lists.

But Pantera, of course, is the world's best metal band of all time.

Currently, among Finnish bands, I recommend Warmen and Bloodred Hourglass.

But I also recommend checking out Inverse Records' wide range of music, there are really good bands there.

Recently, I've been listening to Inverse Record's Spotify list, a really hard set can be found in our own stable. 

I recommend getting to know, without mentioning more than one band.

Jere:

The first bands that made me pick up the guitar were Metallica, Sepultura, Pantera, Testament and so on.

Then came Dimmu Borgir, Immortal, Dissection, Children of Bodom, Cannibal Corpse to name a few, with whom I started listening to more Brutal metal.

From Finland, I recommend the Stam1na band if you are interested in Finnish-language metal and the Swedish Orbit Culture is currently being listened to.

12.Before we wrap up thia interview, do you have any final words or thoughts?

Thanks for the interview!

It was great answering your questions.

Keep on rocking, stay metal!

https://www.facebook.com/gatesopenband 
https://www.instagram.com/gatesopenband 
https://gatesopen.bandcamp.com 

Sea Of Consciousness/Self Titled/2024 Full Length Review

 

  Sea  Of  Consciousness  are  a  band  from  the  Netherlands  that  plays  an  atmospheric,  melodic,  progressive  and  technical  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  and  self  released  2024  album.

  Synths  start  off  the  album  before  going  into  more  of  a  fast  and  melodic  direction  which  also  utilizes  a  great  amount  of  blast  beats.  Vocals  are  a  mixture  of  clear  singing,  death  emtal  growls  and  black  metal  screams  while  the  music  also  gets  very  technical  sounding  at  times  and  all  of  the  musical  instruments  also  have  a   very  powerful  sound  to  them.

  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  clean  sections  of  the  album  taking  the  music  into  more  of  a  progressive  direction.

  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  with  the  music  also  having  its  atmospheric  moments  and  one  of  the  tracks  is  also  an  instrumental  which  also  adds  in  a  brief  use  of  field  recordings.  The  production  sounds  very  professional  while  the  lyrics  cover  life's  struggles.    

  

  In  my  opinion  Sea  of  Consciousness  are  a  very  great  sounding  atmospheric,  melodic,  progressive  and  technical  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sea  Of  Consciousness"  "Reflections"  and  "Torchbearer".  8  out  of  10.

  https://www.metal-archives.com/bands/Sea_of_Consciousness/3540537389

https://www.facebook.com/SeaofConsciousness.official

https://instagram.com/sea.of.consciousness

https://vm.tiktok.com/ZGJ3NqDCT/

https://seaofconsciousness.bandcamp.com/

https://music.apple.com/us/artist/sea-of-consciousness/1625977396

https://www.deezer.com/en/artist/171124367

https://open.spotify.com/artist/4jMjkPnS3oAFqhngqKCo3o

https://soundcloud.com/sea-of-consciousness  

  

Cruxis Interview

 

 1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Since we’re new, I don’t think many people have heard of us. We are two, the Dok-tor and myself. He makes the music and I sing the words. 

2.You have your first album coming out towards the end of January, can you tell us a little bit more about the musical style that you went for on the recording?

The Dok-tor is responsible for all the music here, but I think it’s safe to say he wasn’t trying to emulate someone else’s sound when recording these songs. I’m sure some of the genres and bands we’re both fond of had some influence on the sound. There’s some crust punk, some industrial, a bit of black metal, even some post-punk and deathrock. In the end, though, I think it sounds like itself more than a patchwork of bands and genres either of us enjoy.  

3.What are some of the lyrical topics and subjects the band has explored so far with the music?

Some are more abstract impressions and representations of a place, a time, ideas. Lyric writing, all of music making, is a bit like Debord’s dérive in that it requires some disorientation or, like Breton said, psychic automatism. Fāl-gūsh came out of overheard, misheard conversations. Fāl-gūsh is a type of divination usually associated with young girls. You would stand in a dark corner or concealed spot behind a fence, maybe a garden wall, and listen to the conversations of passers-by. The words you hear, the subjects being discussed, would provide answers to your questions. 

Unquiet, the last song on our album, was also the last song I wrote words for and sang. I had been talking with a couple friends who have family in Gaza and elsewhere in Palestine about the ongoing destruction happening there. About how their family’s homes were destroyed or had been seized decades ago, about what the long history of colonialism and efforts to demoralize and oppress the people there have done to them, their family and friends in Palestine. About what living with colonialism and racist oppression does to you, both personally and how it reveals power to be the inherently abusive, extractive, violent force it is. Though lyrically as abstract as anything else I write, Unquiet is fiercely anticolonial, antifascist, and an oppositional force to all forms of oppression.

4.What is the meaning and inspiration behind the name 'Cruxis'?

There’s a constellation called Crux, or Crucis, the Southern Cross. The brightest star in Crux is Acrux, the 13th brightest star in the night sky. You could think of Cruxis as drawn from those stellar names.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

That’s the Dok-tor again. I’ll say that, as in our sound, there’s a confluence of influences. Let’s call it a lo-fi, diy, analog, photocopied zine aesthetic combined with an enigmatic mysticism. 

6.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

I can’t really imagine we’d need to add more people. It worked well like this and if we do it again, we already have everything covered between us.

7.Are there any plans for live shows in the future or is this strictly a studio project?

There’s an ocean in the way of live shows.

8.On a worldwide level how has the reaction been to your music by fans of extreme and underground musical styles?

Since we’re quite new, and I’m answering these questions before our album is out, we haven’t really gotten a lot of reaction yet. The messages I’ve received from people who have heard it so far have been positive, which is nice. I know we’re both really happy with what we did here and hope that when it’s more widely available that other people will enjoy it, too.

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

The Dok-tor is always making new music, which you’ll hear in time whether you realize it or not.  

I have a new project, Deep Fade, which is a sort of noisy, blackened pastoral industrial experiment. The first album will be out in late February, and, like Cruxis, will be on Fiadh Production. Then I have several other things coming, more Deep Fade, a few new collaborations with old friends, a final album from my old project, The Floating World. I’m sure there will be more as the year wears on.

10.Where do you see the band heading into musically during the future?

I think it’ll go where it goes, there isn’t a definitive plan for it. It’s easier to make music when it happens because there’s something you want to hear that you aren’t hearing, maybe don’t even realize that’s what you’re creating when you start, but as you get into it what you create coheres around some idea that becomes central through the act of making songs. The map draws itself as you go.

11.What are some of the bands or musical styles that have had an influence on your music and what are you listening to nowadays?

I can, again, only speak for myself here, but some of it I’m sure overlaps with the Dok-tor. Over the years, I’ve listened to a lot of Killing Joke, Godflesh and Godflesh-y industrial-esque stuff, Amebix and Rudimentary Peni (I’m finally reading Nick Blinko’s Primal Screamer right now), some black metal, some post-punk, deathrock. Of course, then there are artists like Anita Lane, who has always been a huge influence of mine. Her uneven and wavering, haunted singing hovers around the edges of anything I do. Rowland Howard had a gorgeous shimmer, too.

Lately, I’ve been listening to a lot of JK Flesh, another Justin Broadrick project. He had an album out this past fall, NO EXIT, which is incredible and disorienting and I’m still hearing new things in it. Same for Darkthrone’s Eternal Hails, which passed me by when it came out a coupe years ago, but got drawn in by Fenriz’s description of it as “heavy like a dinosaur.”

12.Before we wrap up this interview, do you have any final words or thoughts?

https://cruxis-13.bandcamp.com/

Iterum Nata/From The Infinite Light/Nordvis Produktion/2024 Full Length Review

 

  Iterum  Nata  is  a  solo  project  from  Finalnd  and  on  this  recording  goes  for  a  mixture  of  black,  doom  metal,  neo-folk  and  progressive  rock  and  this  is  a  review  of  his  album  "From  The  Infinite  Light"  which  will  be  released  in  2024  by  Nordvis  Produktion.

  Spoken  word  parts  start  off  the  album  and  also  gives  the  recording  more  of  a  ritualistic  atmosphere  before  going  into  more  of  a  neo-folk  direction.  Synths,  folk  instruments  and  percussion  are  also  utilized  quite  a  bit  throughout  the  recording  and  the  slower  heavier  riffs  also  add  in  elements  of  doom  metal.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  acoustic  guitar  sections  also  takes  the  music  into  more  of  a  progressive  direction.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are utilized.

  Most  of  the  vocals  are  done  in  a  melodic  style  along  with  the  faster  sections  of  the  recording  also  adding  in  black  metal  style  tremolo  picking  and  blast  beats  as  well  as  each  song  also  sounding  very  different  from  each  other..  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  Darkness  and  Death  with  some  inspiration  from  the  Qabbalah  to  explain  cosmic  genesis.    

  In  my  opinion  this  is  another  great  sounding  recording  from  Iterum  Nata  and  if  you  are  a  fan  of  black,  doom  metal,  neo-folk  and  progressive  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Gleaming  Eternity"  "The  Drifter"  and  "The  Crown  of  All".  8  out  of  10.

  https://music.apple.com/se/artist/iterum-nata/1316451649

https://iterumnata.bandcamp.com/

https://www.facebook.com/IterumNata93/

https://www.instagram.com/iterumnata/

https://open.spotify.com/artist/2haCAnM4Yi8B2lhUTT0rbY?si=sWEfeLy5TJ2KpoUr8R29qQ&nd=1&dlsi=6b2bc79102d841cc

    

  

Gates Open/Voice After Silence/Inverse Records/2024 Full Length Review

 

  Gates  Open  are  a  duo  from  Finland  that  plays  a  melodic  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2024  album  "Voice  After  Silence"  which  will  be  released  in  February  by  Inverse  Records.

  A  very  heavy  and  aggressive  sound  starts  off  the  album  while  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.  Elements  of  thrash  metal  can  also  be  heard  in  some  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  melodies  can  also  be  heard  in  some  of  the  riffs.  

  Most  of  the  music  is  also  very  heavily  rooted  in  the  modern  era  while  a  few songs  also  adds  in  a  small  amount  of  clean  playing.  Synths  can  also  be  heard  briefly  along  with  all  of  the  musical  instruments  on  the  album  also  having  a  very  powerful  sound  to  them  and  most  of  the  recording  also  sticks  to  a  mid  tempo  direction.

  Gates  open  plays  a  musical  style  that  takes  melodic  black,  death  and  thrash  metal  and  mixes  them  together  to  create  a  sound  of  their  song.  The  production  sounds  very  professional  while  the  lyrics  cover the  darker  side  of  the  world  and  mankind,  life  and  death.

  In  my  opinion  Gates  Open  are  a  very  great  sounding  melodic  mixture  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "The  Awakening"  "A  Place  Called  Home"  "We  Are  No  More"  and  "Northern  Dark".  8  out  of  10.

  https://www.facebook.com/gatesopenband 

https://www.instagram.com/gatesopenband 
https://gatesopen.bandcamp.com 

 

https://youtu.be/aJiwCXSQaW0

https://youtu.be/pUxw7F8ZdOQ

https://youtu.be/KcgtVqrLHsQ