Wizards Of Wiznan Interview

 

Can you give us an update on what is going on with the band these days?

Yes, of course, we are currently in a creative phase, working on new songs! As for upcoming shows, we have a few planned in the next months, abroad in Germany and Belgium but also in our area. 

Recently you have released your first full length, musically how does it differ from your previous ep?

Our way of composing songs has been refined since the release of our EP. Musically “No Light Has No Shadow” is more intense and darker. We looked deep in our guts in order to best express it through our music. This album leans more towards the Sludge and Post Black style, unlike our EP which combined more Stoner and Doom influences.

A lot of the band members have also participated in black and death metal bands but with this group go for more of a blackened sludge metal direction, do you feel having a background playing different genres makes you music stand out a lot of more?

True, having musicians from different backgrounds allows us to explore more deeply and reach a wider range of listeners. It also helps us create atmospheres and textures blending different styles. We particularly received a lot of positive feedback regarding the mix between Black Metal and Sludge influences. This can create atmospheres that are both heavy and threatening, add to that nebulous melodies and you can build a sonic experience that envelops the listeners.

What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?

We drew inspiration from local history but also from human emotions. Concerning the local historical dimension, one event in particular touched us. It’s the annihilation of a local hamlet by the Black Death which ravaged our lands long ago. The hamlet in question was called “Le Végenand”, our band name is directly inspired by it as well as many of our lyrics. The themes of death and loss are very present in the album. Some songs are more focused on human suffering, depression and the specter of death that floats among the living.

Concerning our songwriting process, it has been refined over time. We learned to better combine our different musical influences, allowing us to create an immersive album that is more focused than our first EP. The latter was called “Experimental Brew” because at that time we were still in a discovering / experimental process. With 'No Light Has No Shadow', we worked more deeply on our musical approach and found a sound that more closely resembled our own. Working more regularly and assiduously has developed new skills in all the members.  The process is becoming more refined and more in tune with our respective experiences, enabling us to convey our condition as best we can and share an even more immersive and authentic experience with our audience.

Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork on our album cover was created by the talented Inken Stabell whom we discovered on Instagram. You can see observe a silhouette standing in the immensity of the mountains that surrounds him. Alone in the middle of this desolate landscape, this silhouette symbolizes the doubts and the loneliness that we all sometimes have to face.

Out of all the shows the band has played so far, which one stands out the most?

Of course! One show in particular comes to mind. We played in August in the PALP Festival. It’s a festival in our area that is kind of specializing in the Stoner – Doom and Psychedelic Rock scene. It was an incredible experience for us, to be able to plan in this festival that we had been attending as spectators for several years. In addition, being able to play outdoors in the mountains makes it an almost mystical experience ahah!

Do you have any touring or show plans for the new album?

We haven’t currently planned a release party for the album. However, we will be performing the album as part of the “Argonauta Fest”, organized by our label Argonauta Records. The shows are scheduled on November 17th and 18th, respectively in Ghent (Belgium) and in Eisenhüttenstadt (Germany). We’re really looking forward to share the songs on stage with the public and our fellow friends from Argonauta Records.

  

On a worldwide level how has the reaction been to your music by fans of black. sludge and doom metal?

It's not a simple question. It's clear that by mixing several influences, you expose yourself to a lot more criticism, positive or negative, from your audience. Above all, we want to offer something innovative, authentic and, above all, something that suits us. We regularly rub shoulders with all the different styles you mentioned, and I honestly think that people are receptive to this kind of concept. Personally, I'm extremely eclectic and I find this approach nourishing and enriching. But there's no doubt that for the purists, it's different, our style is less appreciated, but we're also aware that we can't please everyone. Overall, the feedback has been very positive about our choice of design, and we'll continue in this vein.

Recently one of the band members released a solo album under the name ' Félonie', can you tell us a little bit more about this solo project?

Yes! It’s the side-project of Marc, our rhythm guitarist and co-singer. Félonie is a one-man black metal band that he created at the end of 2022. To quote him:

“You know, the band songwriting process can be a bit tricky, it’s often a matter of compromise, especially when our respective horizons are so eclectic. Some guitar riffs were perhaps too much black metal or too many blast-beats for the direction we wanted to take with Wizards of Wiznan. I then said to myself, why not create a dedicated project for that kind of songs? And Félonie was born. It was also an great opportunity to bring music to some of my lyrics, all written in French. The album, named “De Sève et Sang” (Of Sap and Blood) draws inspiration from local history, tales and legends. Release date: October 13th through Aural Music / Code 666!”

Where do you see the band heading into musically during the future?

Following the latest discussions we've had, our aim is to preserve this richness and its influences. Apart from the styles mentioned in your questions, we still have a huge number of external influences that we could incorporate into our compositional process. I don't think we want to impose any limits on ourselves, but the guiding principle for the future is to continue to perfect our style and find an even more intense harmony in the conception of an album. We want to offer an even more immersive experience for the listener and develop a raw, violent and coherent style that allows the natural expression of our condition through our music.

What are some of the bands or musical styles the band members are listening to nowadays?

Here's a list of the current state of play: 

-Gaerea, Colour Haze, Mantar, Aset, King Buffalo, Amelie Lens, Aorlac, Bob Marley and the Wailers, Sleep Token, Amenra, Amon Amarth, OM, Dissection, Alcest

That says a lot about the direction our compositions are going to take... We'll let you be the judge.

Before we wrap up this interview, do you have any final words or thoughts?

To begin with, we'd like to thank you for the time and opportunity you've given us, and we're very grateful.

 And to conclude, it's important for us to value our music and share it with everyone. It's through music that we transcend our condition and give the best version of ourselves.

Thank you.

Marc and Ludovic WoW

https://www.facebook.com/ wizardsofwiznan

Waldläufer/Der Ewige Augenblick/2023 EP Review

 

    Waldläufer  are  a  solo  project  from  Italy  that  plays  a  very  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  his  self  released  2023  ep  "Der  Ewige  Augenblick"  which  will  be  released  some  time  in  2023.

 Background  noise  and  clean  playing  starts  off  the  ep  before  going  into  more  of  a  heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  the  music  is  heavily  rooted  in t he  classic  Swedish  style.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  the  songs  also  mix  in  a  lot  of  death  metal  elements.  Tremolo  picking  is  also  added  into  a  lot  of  the  faster  riffing  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  Spoken  words  and  growls  can  also  be  heard  on  a  few  track  along  with the  solos  and  leads also  being  done  in  a  very  melodic  style  as  well  as  some  of  the  songs  also  being  long  and  epic  in  length,  nature  sounds  and  synths  can  also  be  heard  briefly  and  clean  playing  also  makes  a  brief  return.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  German  and  cover  poetic  themes.   

  In  my  opinion    Waldläufer  are a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Tempus"  and  "Der  Ewige  Augenblick".  8 out  of  10.

  

Gotland Interview

 

1. Can you give us an update on what has been going on with the band since the recording and release of the new album? 

First of all, greetings to all the followers of A Different Shade Of Black Metal Zine and thanks to you in the editorial team for this space that you dedicate to us. The composition process behind the new album was really long, because it was our first time creating a concept album. It started in 2016 and ended in 2019, when we recorded all the tracks. After the recordings, unfortunately we had to postpone the works on the mixing and mastering process due to the Covid pandemic. In 2021 we started again to work on the album and in 2022 it was delivered to our label Earth and Sky Productions. Unfortunately, they had some post-pandemic problems, which caused the album's release to be postponed. But now, on September 15th, it was finally released and we are looking forward to letting everyone listen to it.

 

2. Recently you have released a new album, musically how does it differ from the stuff you have released in the past? 

We think that “Rise” it’s quite different from its predecessor “Gloria et Morte”, but it is also a natural evolution from that starting point. Since “Gloria et Morte” we started reducing the folk influences, but there were still present. With “Rise” me maintained and evolved the extreme metal music base (adding also some death metal parts to the already present black metal ones) and completely removed the folk metal instruments, like flutes and bagpipes. But we gave more importance to the epic and symphonic part, hiring the talented Gabriele Gilodi as a session member that composed all the orchestral and piano parts of the album.

 3. Other than a few singles this is your first full length since 2014, can you tell us a little bit more about the long wait? 

Yes, as we said before it was a mix of causes. First of all, we wanted to create a concept album and we took all the needed time to do researches about history, to compose tracks that could also fit the story atmospheres, to find the right guests and their characters and so on. Then, we also spent the right time to record and mix this album, which was not easy: we had a lot of orchestral tracks and instrument, many guests and we wanted to reach a professional sound quality, in which all this sounds wouldn’t have been confused. The last years, unfortunately, were not in our hands: we were forced to stop for the Covid pandemic and our label had some problems related to it. 

4. A lot of your lyrics cover the history of the Roman Empire and the Viking era, can you tell us a little bit more about your interest in these topics?

 It’s true, we are fond of history and, in particular, of the one of Italy and all our lyrics since the beginning of the band are related to these topics. With this album, we decided to focus on one character, Arminius, the chieftain of the Germanic Cherusci tribe who defeated the Roman Empire at the Battle of the Teutoburg Forest in 9 AD. The album is all about his life, telling some personal and introspective events, but that also are intertwined with very important historical events, of which he is the protagonist. 

5. What is the meaning and inspiration behind the name 'Gotland'?

 It is quite strange, because we are from Italy and we tell about Italian history in our lyrics. So, why choosing the name of a Swedish island? This is because historians say that it was the island from which the first Barbarians moved and met the Romans. The meet and clash between these Barbarian population and the Empire is what put the basis for what Italy would be in the next centuries and even nowadays. 

6. Can you tell us a little bit more about the artwork that is presented on the new album cover? 

The artwork cover represent a mask that was discovered by archeologists on the site where the Battle of the Teutoburg Forest was fought. This face mask originally belonged to a helmet of a Roman cavalry man. The fact that it is broken with a skull behind symbolizes the loss of the Roman Empire in that battle against the Germans. The background is divided: on the left side we have Roman ruins and on the right side you can see a Germanic forest. This represents the two parts that fought, but also the two souls of the protagonist Arminius, who was a German that was raised in the Roman Empire.

 7. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

 We are proud of many live shows we had, but surely one of the bests was our opening for Abbath here in Italy in 2016. There a lot of people came and it was really fun to play in front of so many fans. But we also like festivals like Fosch Fest, Italic Pagan Fest, Malpafa Folk & Metal Fest or Eresia Fest, because we can have a better contact with the audience there and there is a friendlier atmosphere. During our live shows we firstly want to play our songs on the best way possible and with best sound. But we don’t want merely to reproduce the songs, but we try also to give a show to the audience, with face-painting, stage props and acted parts. 

8. Do you have any touring or show plans for the new album? 

We have two release parties here in Italy, one near our hometown Turin and one near Milan. During these shows we will play all the songs of the new album “Rise” with some guests and surprises. For more information about future live shows, keep an eye on our social channels. 

 9. You also have done some 'Windir' and 'Bathory' covers, what was the decision behind doing your own versions of their songs? 

We don’t do many covers, but sometimes we decides to do some first of all in order to pay homage to great artists, who are a great influence for us and without whom we probably would never have started making music. This is surely the case of our Windir and Bathory covers. However, we must say we also have real fun playing this tracks and the audience seems really to appreciate them during our live shows too! 

10. On a worldwide level how has the reaction been to your music by fans of extreme metal?

 Our fanbase is mainly in Italy, because we aren’t able to have many live shows outside of Italy due to our jobs. However, thanks to Internet, social medias and webzines like yours, our music is starting to be listened also abroad and we always had positive feedback for now. Our fear was to be too epic and symphonic for the death/black metal fans and too extreme for the melodic metal ones, but many people seem to appreciate the compromise we have tried to create between these two aspects. 

11. What is going on with some of the other bands or musical projects these days that some of the band members are a part of? 

In this moment, all our member are mainly focused on Gotland. However, I (the singer Irmin) recently released an album with my ex-band Desecrate. Even if I won’t sing with them for the live shows, the vocals on “Lights of Contradiction” album are still mine! Our singer Insanus also released an album with his side studio project Le Horla, called “Remords”. Our bassist Var and guitarist EG Orkan released some tracks with their electronic/avant-garde project Acronym during the pandemic, but they don’t have any plans for more releases in the near future. 

12. Where do you see the band heading into musically during the future?

 We are already working on the new material and we are really satisfied with the results! From one release to another, we always evolved our music and this time won’t be different. It’s really to soon to reveal something, but you can expect an evolution from what you heard on Rise. 

13. What are some of the bands or musical styles the band members are currently listening to nowadays?

 What we listen nowadays is what mainly influences our music. Our musical tastes are very varied: we are five members who listen to a lot of music. We go from world-class bands like Bathory, Septicflesh, Emperor, Nile, Windir and Summoning, to masters like Ennio Morricone, John Williams, Hans Zimmer and Alan Silvestri, just to name a few. But we also appreciate many local bands, which in our opinion are proving to have nothing to envy of the international giants: Furor Gallico, Atavicus, Selvans, Veratrum, Ponte del Diavolo, Lou Quinse, Hopeless, Scream3Days, Voltunma and many others that are making the Italian scene is increasingly interesting and above all increasingly high-level in its musical offering 

14. How would you describe your views on paganism?

 With our band we want to tell the history of the clash between the Barbarian population within the Roman Empire. Surely, the theme of the pagan gods and religion are sometimes present in our lyrics, but only on an historical level. 

 15. Before we wrap up this interview, do you have any final words or thoughts?

 Thank you so much for the space that you dedicated to us, both for this interview and for the nice review you wrote about our album. Greetings to all your readers and all the friends who follow us. We are waiting for you under the stage

  Facebook page: https://www.facebook.com/gotlandmetal/
  Instagram page: https://www.instagram.com/gotlandmetal/
 Youtube page: https://www.youtube.com/@Gotlandmetal
  Bandcamp page: https://gotlandmetal.bandcamp.com

Wizards Of Wiznan/No Light Has No Shadow/Argonauta Records/2023 Full Length Review

 

  Wizards  Of  Wiznan  are  a  band  from  Switzerland  that  plays  a  mixture  of  black,  sludge  and  doom  metal  and  this  is  a  review  of  their  2023  album  "No  Light  Has  No  Shadow"  which  will  be  released  on  September  29th  by  Argonauta  Records.

  Dark  sounding  synths  start  off  the  album  before  adding  in  more  of  an  atmospheric  stoner  rock  style  which  also  takes  the  music  into  a  heavier  direction.  Elements  of  sludge  and  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  while  the  vocals  bring  in  a  mixture  of  black  metal  screams  and  death  metal  growls.

  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  are  done  in  more  of  a  retro  proto  metal  style.  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length,  clear  vocals  can  also  be  heard  on  a  couple  of  songs  and  when  the  music  speeds  up  a  small  amount  of  blast  beats  are  also  utilized.

  Wizards  of  Wiznan  plays  a  musical  style  that  takes  black,  doom,  death,  sludge  and  stoner  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  a  dark  and  misanthropic  exploration  of  the  human  condition.

  In  my  opinion  Wizards  of  Wiznan  are  a  very  great  sounding  mixture  of  black,  death,  doom,  sludge  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Seeds  Of  Light"  and  "Reign".  8  out  of  10.

   https://www.facebook.com/ wizardsofwiznan

https://www.youtube.com/watch?v=5l5xe1nZiNk&ab_channel=ArgonautaRecords  

  

Uranium/Pure Nuclear Death/Sentient Ruin Laboratories/2023 Full Length Review

 

  Uranium  are  a  solo  project  from  Pennsylvania  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  blackened  form  of  industrial  with  elements  of  harsh  noise  and  death  industrial  and  this  is  a  review  of  his  2023  album  "Pure  Nuclear  Death"  which  will b e  released  in  October  by  Sentient  Ruin  Laboratories.

  Death  industrial  style  soundscapes  start  off  the  album  along  with  some  distorted  yet  heavy  riffing  a  few  seconds  later.  When t he  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  vocals  are  mostly  grim  sounding  black  metal  screams  and  all  of  the  tracks a re  also  very  long  and  epic  in  length.

  Growls  can  also  be  heard  at  times  while  all  of  the  drum  beats  are  also  programmed  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  songs  also  mixing  in  a  lot  of  power  electronics  and  harsh  noises,  spoken  word  samples  are  also  utilized  on  a  few  tracks  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  some  synths  also  being  added  into  certain  sections  of  the  recording.

  On  this  album  Uranium  remains  true  to  the  mixture  of  black  emtal,  death  industrial  and  harsh  noise  that  he  had  established  on  his  previous  release.  The  production  sounds  very  dark  while  the  lyrics  cover  science,  ethical  literature  and  philosophy  theme.

  In  my  opinion  this  is  another  great  sounding  recording  from  Uranium  and  if  you  are  a  fan  of  blackened  industrial,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Absolute  Terror"  and  "Black  Night  Satellite".  8  out  of  10.

  BANDCAMP RELEASE

  

Bolt Gun/The Tower/Avantgarde Music/2023 Full Length Review

 

  Bolt  Gun  are  a  band  from  Australia  that  plays  an  experimental  and  avant  garde  form  of  post  black  metal  with  elements  of  noise,  drone  and  dark  ambient  and  this  is  a  review  of  their  2023  album  "The  Tower"  which  was  released  by  Avantgarde  Music.

  Dark  ambient  style  synths  start  off  the  album  while  atmospheric  sounding  drones  can  also  be  heard  at  times.  All  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  saxophones  also  give  the  music  more  of  an  avant  garde  feeling  when t hey  are  utilized  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  mostly  tortured  sounding  black  metal  screams.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  along  with  the  faster  sections  of  the  songs  also  adding  in  a  small  amount  of  tremolo  picking  and blast  beats.

  At  times  the  music  also  gets  very  experimental  sounding  along  with  some  growls  also  being  added  into  certain  sections  of  the  recording.  Noises  are  also  added  on  some  of  the  tracks  as  well  as  some  of  the  songs  also  bringing  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  the  album  also  closes  with  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  are  inspired  by  the  writings  of  Brian  Evenson,,  Frank  Kafka,  Shirley  Jackson  and  cover  isolation,  extinction,  absurdity  and  nihilism  themes.

  In  my  opinion  Bolt  Gun  are  a  very  great  sounding  avant  garde  and  experimental  mixture  of  post  black  metal,  noise,  drone  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Tower"  and  "The  Scapegoat".  8 out  of  10.

  https://www.facebook.com/BoltGun

https://www.instagram.com/bolt_fun

https://boltgun.bandcamp.com    

  

Cunabula Interview

 

Can you give us an update on what has been going on with the band since the recording and release of the new album?

Goda: In some non-artistic and rather technical terms, we’re having small tasks for the album PR and also for the upcoming album release show that needs to be organized. Mentally, we’re trying to look forward and not take the album release fact as some result after which we can finally rest. And it’s not an easy task.

Recently you have released a new album, musically how does it differ from your previous ep?

Jurgis: I would say that the recent release has a more consistent and defined sound than the previous EP. Also, musically the new album has some recurring rhythmic composition techniques that in my opinion plays a strong role in overall musicality of this album.  Whereas the first EP was more experimental and dedicated for bands musical research. 

Tadas: The album production is less polished and more raw/live. Musically every song on the album is like a journey, everything is more coherent. And the vocals are much more important now.

This is also your first release since 2017, can you tell us a little bit more about what has been going on during that time frame?

Goda: After the EP release we were into live performances more, rehearsing, bringing our audience together, and when we started developing our recent album, we actually faced lots and lots of waiting in every single phase of it. Not mentioning the pandemics that wasn‘t very grateful for the band.

Tadas: On the other hand, we had an opportunity to try the songs live before the recordings. Only two tracks in this album were never performed live.

What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?

Tadas: Our lyrics are very abstract, it’s the atmosphere that matters, not the story. As the sole songwriter (so far), I wish other band members would get themselves involved in the songwriting more, it would be nice to explore collaborative songwriting. 

What is the meaning and inspiration behind the name 'Cunabula'?

Goda: The name came from Kurt Vonnegut's „Cat‘s Cradle“ and the word cradle had a special meaning for us at the time the band formed. Cunabula is Latin for cradle.

Tadas: I don’t know why, but this book is very highly regarded in Lithuania. Maybe it’s the same in other countries too.

Can you tell us a little bit more about the artwork that is presented on the new album cover?

Goda: Nojus Petrauskas, the author of the painting in the artwork, is a Lithuanian painter, an amazing surrealist, which was noticed by us accidentally after we spent hours searching for what could be an organic fit for our album visually. We just saw the painting named ‘Heart’ and we knew.

What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Goda: We vividly remember the gig when we were given a chance to support Conan band – the evening was insane. Also, it is Something Else to play at an open-air festival. And what’s regarding the listeners – we always receive some unexpected feedback about how gigs make people feel. For me, those words are exactly how I’d wish to feel as a listener in some heavy gig myself: partly hypnotized, partly scared, and energetically crushed to the ground. That kind of feedback is definitely inspiring.

Do you have any touring or show plans once the new album is released?

Goda: Not sure about the touring, but we definitely want to have an album release show in Lithuania.

On a worldwide level how has the reaction been to your music by fans of black, sludge and post metal?

Goda: We are happy to have some worldwide fans reaching out to us personally to express their gratitude for what we do. In general, the feedback is greatly motivating to keep doing what we do.

Tadas: Yes, the feedback was mainly positive so far. Our style is a tough cookie to crack, so it’s hard to fit it into one simple description. The music like this probably will never be popular, but if someone likes it, we are happy.  

Where do you see the band heading into musically during the future?

Jurgis: I think Cunabula has potential for the unexpected, I would not be surprised that we would take more experimental turns in the band's musical future. However, at this moment it is fair to say that some essential elements of our music would still be transferred to our future works, especially harmonic, and textural qualities of our sound. Which in my opinion has a big role in defining Cunabula as a band and are hugely responsible for the emotional weight of our music.  

What are some of the bands or musical styles the band members are currently listening to nowadays?

Jurgis: I think the overall musical spectrum of what we listen to is very wide, but regarding Cunabula style I strangely find much resemblance from 20th century’s academic minimalists or even some of the composers from New Simplicity wave. For example, works of Steve Reich, David Lang or Arvo Part. Though the similarity with such music is more of primal musical ideas level.  As for stylistically similar artists I think bands like: Cult of Luna, Russian Circles, Meshuggah plays a big role in our development. Also, i’d like to mention Polish post metal band Entropia, especially their album “Vacuum” which was a very fortunate discovery for me personally a few years ago.

Tadas: Old Norwegian black metal, new French black metal, classic sludge metal bands, some old prog rock, some random classical music.

Before we wrap up this interview, do you have any final words or thoughts? 

Goda: We enjoyed reading such personal and deep questions, thank you for that.

https://youtu.be/vw77kywj4dk

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