Sunday, October 16, 2016

False Reality/End Of Eternity/Loud Rage Music/2016 CD Review


  False  Reality  are  a  band  from  Romania  that  plays  a  melodic  mixture  of  black,  doom  and  death  metal  and  this  is  a  review  of  their  2016  album  "End  Of  Eternity"  which  will  be  released  on  October  28th  by  Loud  Rage  Music.

  Clean  guitars  start  off  the  album  along  with  some  whispers  a  few  seconds  later  before  adding  in  some  drum  beats  which  also  leads  up  to  a  heavier  and  melodic  musical  direction  which  also  shows  death  metal  growls  and  synths  being  added  onto  the  recording  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.

  Black  metal  screams  can  be  heard  in  some  parts  of  the  songs  and  the  tracks  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  melodic  vocals  can  also  be  heard  at  times  and  the  slower  sections  of  the  songs  are  very  heavily  influenced  by  doom  metal  and  the  solos  and  leads  also  bring  in  a  great  amount  of  melody  and  the  music  also  gets very  symphonic  and  progressive at  times  while  clean  guitars  also  make  a return  in  certain  sections  of  the  recording  and  a  couple  of  the  tracks  are  very  long  and  epic  in  length  and  there  is  also  a  brief  use  of  spoken  word  parts.

  False  Reality  plays  a  musical  style  that  takes  the  melodic  forms  of  black,  doom  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very professional  while  the  lyrics  cover  death,  nature,  love,  and sadness  themes.

  In  my  opinion  False  Reality  are  a  very  great  sounding  melodic  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Bewitched"  "Rapture  And  Pain"  and "Dear  Friend".  8  out  of  10.

 https://loudragemusic.bandcamp.com/album/false-reality-end-of-eternity

Thursday, October 13, 2016

Jagged Mouth Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?
Alex:  We basically started at the beginning of 2016. We have all known each other for years. Bon, our guitarist, of course has Lamentations of the Ashen, which is his one-man black metal project with several releases out.  Him and I had bounced around the idea of doing something together, be it a live incarnation of Lamentations or a doom band that we dreamt up several years ago that just never coalesced. Our drummer Roman is one of the main promoters in Albuquerque, where we are from, and so I had known him for awhile because he used to book bands that I was in previously, and I have been on friendly terms with him just from seeing him at the venues that him and I work at.  One night while at some show, I asked him "when are you and Bon and I gonna do something?", and he told me that actually he and Bon had plans to jam the following week, and told me I should come down.   So the next
 week we all met up in a rehearsal space that Bon had downtown, and along with a guy named Ben on bass, we began to work on the songs that would become "Fallen to Incarnadine Loam" and "A Wretched Offering". Roman and Bon already had the riffs somewhat put together, and so after hearing them once I just picked up a mic and did the thing.  Ben didn't last long as the bassist - in fact he was let go after a piss poor performance in the studio while the band was laying down the first three of the five songs that make up the album.   I was still only doing vocals at that time, and so Bon played the bass tracks on those songs. After that first studio session, we played several shows; a couple with a guy named Randy on bass, and one with no bass player at all. After that show it was decided that I should go ahead and play bass, so I camped out in my garage for a couple of weeks learning how to do vocals and play bass at the same time in preparation for more shows that we had booked, and the second studio session in which I played bass.

2.Recently you have released an album, how would you describe the musical sound that is presented on the recording? Alex:  Doom. Sludge.

3.According to the fb page you refer to your music as 'high desert doom', can you tell us a little bit more about this term? 
Well we are based in Albuquerque, New Mexico. It's a high desert climate, so basically a desert, but at altitude, so thankfully densely wooded forests and superb mountains aren't far away. Doom is a pretty broad spectrum; Celestiial is quite a bit removed in sound from Black Sabbath. Trouble is very different from Mournful Congregation. However all of those bands could be called doom bands and our style fits in there somewhere.

4.What are some of the lyrical topics and subjects the band explores with the music?
Alex: I wrote the lyrics to all of the songs except "Lingers The Taolith", which were penned by Bon. I would say the overall lyrical theme could be tied to personal tragedy . Not made up shit like "oh, my feelings are betrayed amongst the mire and I just can fathom going on".  More like real life family members being torn apart from each other by someone else's act of betrayal, revenge, etc. Stuff that actually hurts that I can't shake.  That's really just one song, though ("A Wretched Offering"), but it's always the first one that comes to mind when I think about the lyrics that I've written.  In addition, we have songs that touch on esoteric themes, things that pop in my head while I'm driving,  esoteric topics, psychoanalytical themes, and "exchanging slavery for freedom" to pull a quote from "If Hope Conspires Against Us".

5.What is the meaning and inspiration behind the name 'Jagged Mouth'?
Bon: The band name is something I thought up one night when I was listening to metal and riding my bike. It's a description of a scowling gateway through broken glass, into a void.

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
Alex:  We have had the privilege of opening for Monolord, Goya, Chvrch and some others but for me personally, the highlights so far would be playing with and forming alliances with distances from Albuquerque and The Stalk from El Paso, Texas. Words of encouragement and respect from peers goes a long way with me.
People have come up after our shows and told me that they can tell our music is deeply personal, and it is. It is for the three of us on different levels. Our stage performance is us just plugging in and playing these songs that we've come up with, with whatever occurs doing so naturally. It creates its own vibe that people either walk away from or choose to immerse themselves in.

7.Do you have any touring or show plans for the future?
Alex:  I'm glad to say that we do. We have a 2 week tour lined up for late October and early November with Ol' Dagger from Santa Fe, New Mexico. We will be hitting towns in the western US, and playing with bands that we enjoy and are looking forward to getting to know such as North, Scalafrea, Brume and Catapult The Dead.

8.Currently you are unsigned, are you looking for a label or have received any interest?
Alex:  We are definitely still looking for a label to work with to release CDs and vinyl. A cassette release is imminent on the Evergreen Spires label.

9.On a worldwide level how has the feedback been to your music by fans of black, sludge and doom metal? 
Alex:  We are a very new band, and are honored that people have been purchasing the digital version of "Louring" from many locations around the world.  Absolutely honored. We all listen to music all the time, and I'm sure you and your readers can relate that when you're hanging with friends and you want to show them something new that they haven't been exposed to before, that Jagged Mouth would be a part of that is amazing. Also, sometimes people look for a band or an album that just reaches them on a level that they need at that exact moment in time. If we could do that for someone, that would be a privilege beyond measure.

10.Where do you see the band heading into musically during the future?
Alex:  Hard to say. We haven't really discussed it. But we never really discussed any of this.  It just happened. Our future songs will be slow and heavy, that is for sure.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Alex:  I think it's safe to say that we have taken no direct musical influence from any band or group of bands. I listen to a broad spectrum of music, but doom and sludge have always held a special place in my heart, and of course those are the two genres that people affiliate Jagged Mouth with. Bon and Roman listen to a ton of doom and stoner bands, and so the songs that we came up weren't forced by any means. Bon had these riffs and we just added nuances to and came up with the songs. It was relatively easy for us to get the vibe and understand the direction of how things needed to go. You either get it or you don't.

12.What are some of your non musical interests?
Alex:  Hiking. Camping. Boobs.

13.Before we wrap up this interview, do you have any final words or thoughts?
Alex:  Thank you for the opportunity. Underground music is usually only propagated through underground channels, and we applaud your effort. Keep it up.

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Saturday, October 8, 2016

Daedalean Complex/The Rise Of Icarus/PRC Music/2016 CD Re-Issue Review


  Daedalean Complex  are  a  band  from  Quebec, Canada  that  plays  a  symphonic  and gothic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2013  album  "The  Rise  Of  Icarus"  which  will  be  re-issued  in  December  by  PRC  Music.

  Symphonic  sounding  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  stuff  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  after  awhile  clean  singing  goth  vocals  are  added  onto  the  recording  and  acoustic  guitars  can  also  be  heard  on  the  recording  at  times.

  Black  metal  screams  along  with  death  metal  growls  are  a  very  huge  part  of  the  recording  and  the  music  also  brings  in  elements  of  industrial  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  some  of  the  songs  also  bring  in  female  vocals  and  some  of  the  tracks are  long  and  epic  in  length  and  the  riffs  also  bring  in  a  great  amount  of  melody  while t he  songs  also  bring  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  the  guitar  leads a re  done  in  a  very  melodic  fashion  and  there  is  also  a brief  use  of  spoken  word  parts.

  Daedalean Complex  plays  a  musical  style  that  takes  symphonic  black  metal  and  mixes  it  with  goth  and  a  touch  of  death  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Deadalean  Complex  are  a  very  great  sounding  symphonic  and  gothic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "A  Shattered  Icon"  "Chrysalis"  and  "The  Dark  path".  8  out  of  10.

https://www.youtube.com/watch?v=j6lFoKcFwyQ

Friday, October 7, 2016

Creatures/Le Noir Vullage/Antiq Label/2016 Full Length Review


  Creatures  are  a  solo  project  from  France  that  plays  a  musical  style  he  describes  as  being  horror  metal  which  mixes  symphonic  black  metal,  death,  doom,  and  ambient  music  together  and  this  is  a  review  of  his  2016  album  "Le  Noir  Village"  which  will  be  released  on  October  25th  by  Antiq  Label.

  Nature  sounds  along  with  classical  guitars  start  off  the  album  and  after  awhile  spoken  word  parts  and  background  female  vocals  are  added  onto  the  recording  which also start  getting  more  powerful  after  awhile  and  once  the  music  gets  heavy  they  also  weird  in  weird  goth  style  keyboards  and  grim  black  metal  screams.

  A  great  amount  of  melody  can  be  heard  in  the  guitar  riffing  and  death metal growls  can  also  be  heard  at  times  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them and  the  solos and  leads are  done  in  a  very  melodic  direction  and  clean  singing  male  vocals  can  also  be  heard  in  certain  sections  of  the recording.

  Most  of  the  tracks  are  very  long  and  epic  in  length  and  the  slower  sections  of  the  songs  are  very  heavily  influenced  by  doom  metal  and w hen  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  and  the  songs  also  bring  in a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  violins  can  also  be  heard  at  times  and  there  is  also  a  brief  use  of  tribal  beats  and  shamanistic  chanting  and  the  keyboards  also  mix  in  a  decent  amount  of  ambient  elements.

  Creatures  plays  a  musical  style  that  is  mostly  rooted  in  black  metal  while  also  mixing  in  symphonic  and  ambient  elements  along  with  some  goth,  doom  and  death  metal  influences  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  are  written  in  French  and  is  a  concept  album  based  upon  a  twelfth  century  countryside  getting  attacked  by  terrifying  monsters.

  In  my  opinion  Creatures  are  a  very  great  sounding  symphonic  black  metal  project  with  elements  of  doom,  death  metal  and  ambient  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Cadavre  Abadonne" and  "Souls  le  Visage  avenent  de  la  Mort".  8  out  of  10.    

https://www.youtube.com/watch? 

Thursday, October 6, 2016

Dark Portrait/A Harrowing Atrocity/Xperiments XIII/2016 CD Review


  Dark  Portrait  are  a  band  from  Greece  that  plays  a  very  melodic,  symphonic  and  gothic  form  of  black  metal  and  this  is  a  review  of  their  2016  album  "A  Harrowing  Atrocity"  which  will  be  released  in  December  by  Xperiment  XIII.

  A  very  dark  sounding  violin  starts  off  the  album  along  with  some  symphonic  keyboards  being  added  onto  the  recording  a  few  seconds  later  and  they  also  give  the  music  more  of  a  classical  feeling  and  operatic  female  vocals  can  also  be  heard  briefly  and  they  also  mix  in  with  the  heavier  side  of  the  songs.

  When t he  music  speeds  up a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  and  the  vocals  are  mostly  grim  yet  high  pitched  screams  while  the  riffs  also  bring  in  a  great  amount  of  melody  and  you  can  also  hear  a  touch  of  goth  in  the  music  and  the  songs  also  bring  in a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  clean  singing  can  also  be  heard  at  times  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  the  solos  and  lads  sticking  to  a  very  melodic  style  and  a  couple  of  the  tracks  are  long  and  epic  in  length.

  Dark  Portrait  plays  a  style  of  black  metal  that  is  very  symphonic  and  melodic  while  also  adding  in  touches  of  goth,  the  production  sounds  very  professional  while  the  lyrics  cover  Darkness  and  Occultism  themes.

  In  my  opinion  Dark  Portrait  are  a  very  great  sounding symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Incantation  For  Lamia"  "As  I  Die"  "Fiend  Incarnate"  and  "Ocean  Of  Pain".  8  out  of  10. 

Incantation for Lamia: https://youtu.be/0N_PsvklGU0
The Rise of the Anti-Christ (feat. Hliana Tsakiraki): https://youtu.be/-14sBn73EY0

Tuesday, October 4, 2016

Cwealm Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?



Cwealm is a misanthropic one-man melodic black metal project founded by myself in 2014. The purpose from the beginning was twofold: to compose music that touches the inner core of the listener, through beauty and violence alike, and to spread a virulent hatred for mankind.      



2.Recently you have released your first full length album, how would you describe the musical sound that is presented on the recording?



A bit simplified I’d describe it as Swedish black metal in the mid 90’s No Fashion vein. It’s more progressive than that, for sure, since the songs are quite varied and explore a plethora of themes. But still, that’s very much what it sounds like.    



3.What are some of the lyrical topics and subjects you explore with your music?



The lyrics focus mainly on death. In different ways, of course, and with various occult themes and anti-abrahamitic sentiments thrown in. The extermination of man, and the annihilation of the universe, are topics that run all through the album. 



4.What is the meaning and inspiration behind the name 'Cwealm'?



Cwealm is Old English for death, that’s what I usually tell people. In fact Cwealm has many definitions depending on context: slaughter, torment, pestilence, contagion, etc. For example, ”Þurh deáþes cwealm” means ”through pain of death”. ”Ðú wást cwealm hátne in helle”, further, is Old English for ”thou knowest hot torment in hell”.    



5.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?



I record everything by myself except drums. The drums on this album, Odes to No Hereafter were handled (brilliantly I might add!) by Jocke Wallgren, courtesy of Amon Amarth. So I have no problem working with other musicians, but they will be session or guest musicians, not members of the band.



6. The album was released on 'Dusktone', can you tell us a little bit more about this label?



Well, it’s an Italian label releasing mainly black metal, doom metal and more experimental stuff. I’m proud to be a part of its roster, with many great acts such as Svartelder, Scuorn and Until Death Overtakes Me.  



7.On a worldwide level how has the feedback been to your music by fans of black and death metal?



My album was released a week ago, so it’s hard to say, but the response so far has been very positive. I love the fact that folks from all over the world (from Brazil to Belarus!) has shown interest in Cwealm.



8.Where do you see yourself heading into as a musician in the future?



I’m going to write and record another album. But I haven’t even started writing yet, so that’s going to take a while. I don’t really plan for the future as a musician, I just let my inspiration take me where it leads me. 



9.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?



Musically, my inspiration has a lot of sources. I’ve been influenced by about 50 per cent metal and 50 per cent other stuff. Bands like Dissection, early At The Gates, the old Norwegian masters etc. are important of course but also old thrash and death metal, like Dark Angel or Gorguts. For non-metal, I can’t name specific bands, but have been listening to flamenco, classical music, folk, circus music, and it all has inspired me.



What I listen to nowadays? I guess the above gives you a decent hint.      



10.How would you describe your views on Occultism?



I have a hard time using words to describe this meaningfully. It depends quite a lot on what you mean by occultism, but Cwealm is a partially occult band. So my advice would be to delve as deep as you can into the music and lyrics of Odes to No Hereafter, and some things will definitely become clear to you.       



11.What are some of your non musical interests?



I’m interested in a wide array of different subjects, e.g. philosophy, psychology and history (which partly explains my BA in the History of Science and Ideas). Other than that I enjoy being with my daughter, working out, and making the world unpleasant for abrahamitic scum.



12.Before we wrap up this interview, do you have any final words or thoughts?



I’d like to thank all of you who have supported Cwealm thus far, and encourage anyone with a dark soul to purchase Odes to No Hereafter from Dusktone. Ubi mors ibi spes!

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Sunday, October 2, 2016

Stojar Interview


1.Can you give us an update on what is going on with the band these days?
1. Stozhar Group welcomes readers' ... and the interviewer! At the moment the band is Stozhar in full combat readiness, rehearsals, preparing new material.

2.Recently you have released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
2. On the new album we tried to make the sound more powerful and dense, worked on the sound, as on the previous album, Ilya Morok and in our opinion the work he coped brilliantly.

3.Your lyrics cover Slavonic Paganism and Patriotism themes, can you tell us a little bit more about your interest in these subjects?
3. The pagan worldview is our life, we live it, that in fact is reflected in our music and creativity.

4.What is the meaning and inspiration behind the name 'Stojar'?
4. The Slavs believed that it rotates around Stozhar Perun Wheel of Time and the Universe. Stozhary - not just the center of the universe of the Milky Way, and even they patronize Russia.

5.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
5. Stozhar Group is quite active concert, one of the highlights of the show was held recently Folk Summer Fest.

6.Do you have any touring or show plans for the new album?
6. Of course we have the material for a new album, and we are already closely involved in the preparation of new songs. Most likely we will soon be releasing the single Internet.

7.The new album was released on 'Stygian Crypt Productions, are you happy with the support they have given you so far?
7. All of our albums come out, come out, and I hope will come out on Stygian Crupt prod. We like to work with this label, I want to emphasize the high level of professionalism of people who work there, for which they thank you very much.

8.On a worldwide level how has the feedback been to your music by fans of pagan and folk metal?
8. The new album, the audience perceived well, also quite high ratings given the resources that have made a review of the new album.

9.Where do you see the band heading into musically during the future?
9. What concerns the future of the group, we are not going to stop there, a lot of plans and we will bring them to life.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
10. Groups that have affected our work a lot, both Russian and foreign, but we tried not to be like no one of them, and to develop his own style. As for the groups that we are listening to right now they are also very much, mostly Russian metal scene.

11.What are some of your non musical interests?
11. Well, in fact, many members of the group have families and children, and free time is not much, so the main one hobby is music, many are involved in sports by music.

12.Before we wrap up this interview, do you have any final words or thoughts?
12. And finally I want to say, listen to metal, go to concerts, and support your favorite team.

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Saturday, October 1, 2016

Cwealm/Odes To No Hereafter/Dusktone/2016 CD Review


  Cwealm  are  a  solo  project  from  Sweden  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review of  his  2016  album  "Odes  To  No  Hereafter"  which  was  released  by  Dusktone.

  Horror  movie  style  keyboards  start  off  the  album  along  with  a  brief  use  of  spoken  word  parts  and  after  the intro  the  music  goes  into  a  heavier  direction  along  with  a  great  amount  of  melodic  guitar  leads  and  grim  black  metal  screams  and  the  music  also  gets  very  technical  at  times  and  blast  beats  are  used  in  the  faster  sections  of  the  songs.

  You  can  hear  a  great  amount  of  tremolo  picking  in  the  fast  riffs  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them and  acoustic  guitars  can  also  be  heard  in  certain  sections  of  the  recording  which  also  bring  in  middle  eastern  style  scales  briefly  along  with  some  clean  singing  vocals.

  The  music  is  very heavily  rooted  in  the  90's  and  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the  music  also  incorporated  a  great  amount  of  melodic  death  metal  elements  and  keyboards  also  make  a  return  later  on  during  the  recording  and  one  of t he  tracks  is  very  long  and  epic  in  length..

  Cwealm  plays  a  musical  style  that  takes  the  90's  Swedish  styles  of  melodic  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  his  own,  the  production  sounds  very  professional  while  the  lyrics  cover  death,  misanthropy,  occultism,  and  annihilation  themes.

  In  my opinion  Cwealm  are  a  very  great  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Pale  Maleficence"  "Serpent  Of  Rebirth"  and  "Kadavret".  8  out  of  10.



 

Netherbird/The Grander Voyage/Black Lodge Records/2016 CD Review


  Sweden's  Netherbird  have  returned  with  a  new  recording  that  continues  the  melodic  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  their  2016  album  "The  Grander  Voyage"  which  will  be  released  by  Black  Lodge  Records  on  October  28th.

  Water  and  thunder  sounds  start  off  the  album  along  with  some  clean  guitars  a  few  seconds  later  and  after  awhile  melodic  guitar leads  and  grim  black  metal  vocals  are  added  onto  the  recording  which  also  leads  up  to  a  heavier  direction  and  the  riffs  also  use  a  great  amount  of  melody  while  a  decent  amount  of  blast  beats  can  be  heard  during  the  faster  sections  of  the  songs.

  All  of  the  musical  instruments  on  the  recording  have a   very  powerful  sound  to  them  and  the  songs  also  bring  in a  great  mixture  of  slow, mid  paced  and  fast  parts  and  acoustic  guitars  are  also  added  into certain  sections  of  the  recording  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  the  faster  riffs  also  use  a  decent  amount  of  tremolo  picking  and  the  slower  sections  of  the  songs  are  heavily  influenced  by  doom  metal.

  Netherbird  creates  another  recording  that  remains  true  to  the  melodic  black  metal  style  of  previous  releases  while  also  moving  away from  the  symphonic  style  and  adding  in  touches  of  doom  metal  to  take  their  style  to  another  level,  the  production  sounds  very  professional  while  the  lyrics  cover darkness  and  struggles  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Netherbird  and  if  you  are  a  fan  of  melodic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Hinterlands" "Pillars Of  The  Sky"  and  "Emerald  Crossroads".  8  out  of 10.

https://netherbird.bandcamp.com/track/windwards-2

 

Friday, September 30, 2016

IceThurS/Unlocked Door/Bud Metal Records/2016 CD Review

'
  IceThurS  are  a  band  from  Russia  that  plays  pagan/folk  metal  and  this  is  a  review  of  their  2016  album  "Unlocked  Door"  which  was  released  by  Bud  Metal  Records.

  Melodic  guitar  riffs  and  folk  instruments  start  off  the  album  as  well  as  going  into  a  heavier  direction  and  after  awhile  grim  screams a re  added onto  the  recording  and  they  also  bring  in  an  influence  of  black metal  into  the  music  while  death  metal  influences  and  back  up  chants  can  be  heard  at  times.

  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  and  female  vocals  are  also  used  in  some  parts  of  the  songs  and when  guitar  leads a re  utilized  they  are  done  in  a  very  melodic  style  and  when  synths a re  utilized  they  bring  in  touches  of  electronic  music  and  as  the  album  progresses  thrash  influences  along  with  some  blast  beats  are  added  onto  some  of  the  tracks  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  IceThurS  plays  a  musical  style  that  is  mostly rooted  in  pagan/folk metal  while  also  mixing  in  the  heaviness  of  black  and  melodic  death  metal  along  with a  touch  of  thrash  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  are  written  in a  mixture  of  Russian  and English  and  cover  Nature,  Norse  and  Slavic  Paganism  themes.

  In  my  opinion  IceThurS  are  a  very  great  sounding  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Gift"  "Loki"  "War"  and  "Vengeance  Of  Veles".  8  out  of  10.

https://www.youtube.com/watch?v=36EjfJ3-UzE



 

Wednesday, September 28, 2016

Vorgrum Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?
We are a Pagan/Folk Metal band from Argentina. Our music goes from the rawest Black Metal; to the most Humpa Folk you can hear. We like to say that we are a hybrid of the genre, we don’t search to be or more blackers or more folker. We mix the thing to be delightful for everyone who likes both genres.

2.So far you have released one ep and one full length, how would you describe the musical sound that is presented on both of the recordings and also how do they differ from each other?

Our first release; The Awakening, was released on 2011, this EP could be described most like a Troll Metal album. Are 4 songs with lot of Humpa screeching rhythms guitars and accordions, and a really characteristic sharpie voices.
The album, Last Domain, is an evolution of all our music. The different kinds of rhythms and different folklores are noticed on this album. Making these release a huge evolution of the band.

3.The band has been around since 2009 but so far there has only been 2 releases, can you tell us a little bit more about the gap in between recordings?

The first album was recorded for the original members, Folter, Olek and Kryz. It was released for have some material and also the search of musicians to play this genre. The time lapses between The Awakening and Last Domain, 5 years, was because lot of members leaved the band, and was hard to have a regular formation. After many time, Folter, Kryz, Patrick and Olek recorded the album.

4.What are some of the lyrical topics and subjects you explore with your music?

In our lyrics we talk about Vorgrum world and how they want to prevent the advance of human race which want to destroy all the forest and nature from the World to build all they builds and etc. Vorgrum job is to prevent that.
We transmit a message of preserve nature and roots of each one, but this message is talked from the point of view of this creature. Which also likes to drink and dance in the forest till pass out.


5.What is the meaning and inspiration behind the name 'Vorgrum'?

To search a name for this particular creature, an ancient creature..

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

I (Iti) think that our best show was the show with Skiltron for the anniversary of “The Clans Have United”. The venue was full, and we player right before Skiltron, a lot of moshpits, sings of approval and a lot of fun, of course.
We describe our show as a party. We want to give people something else besides music. Is not only the execution of the instruments at the hour of give a show. You have to give something “extra” to the audience. We dance a lot, we have fun, and we make jokes to the public and between us. We think that if you want to hear only music, stay in your home and listen to the album, but if you want to have a lot of fun and drink with us, come to a show, and enjoy the party.

7.Do you have any touring or show plans for the future?
We’ll be touring around Europe on October.

8.On a worldwide level how has the feedback been to your music by fans of pagan and folk metal?

At worldwide level, we have a lot of feedback. People from lot of parts of the world write on our fb page, or Instagram. Most of the reviews of the album comes from European countries, and there a lot of bandcamps sells from different parts of the world.

9.Where do you see the band heading into musically during the future?

More Albums, more tours, more mature musicians


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

We listen to all kinds of Metal, but we enjoy other types of music and we use them for Vorgrum, too.

11.How would you describe your views on paganism?

We in some kind are attracted to paganism. We don’t practice it. But we like the theme and we use it as philosophy of life, not belief. Of course, or songs had a lot of paganism and etc. But is not a concrete one, like Odinism, Wicca, or druidic. We use philosophies for all of them, and mix with magical creatures of folklores from Europe and rest of the world

12.What are some of your non musical interests?
That is a personal question. Respect me, I like to read a lot, videogames, and spend time with my dogs.
A group level, I have to said hang out for a beers or make asado (Argentinian Barbeque)

13.Before we wrap up this interview, do you have any final words or thoughts?

First of all, thanks for taking you time for sending this questions. We liked to answer them. Also, to all European Folks, we’ll be touring on October over Europe. So if you want to see a show, join us! We’ll be glad to know to every one of you, and meet new places.
Follow our tour at: https://www.facebook.com/vorgrum or https://www.instagram.com/vorgrumfolk
THANKS!

Okkultokrati/Raspberry Dawn/Southern Lord/2016 CD Review


  Norway's  Okkultokrati  have  returned  with  a  new  recording that  keeps  the  black  metal,  sludge  and  hardcore  punk  elements  of  previous  releases  while  also  mixing  in  goth,  psychedelia  and  70's  rock  and  this  is  a  review  of  their  2016  album  "Raspberry  Dawn"  which  will  be  released  on  September  30th  by  Southern  Lord.

  Distorted  drones  along  with  some  old  school  punk  rock  riffing  starts  off  the  album  along  with  some  grim  vocals  that  have  a  first  wave  black  metal  vibe  to  them  and  synths  can  also  be  heard  in  the  music  at  times  and  all  of  the  musical  instruments  have  a  very powerful  sound  to  them and  melodies  can  also  be  heard  in  some  of  the  riffs.

      Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while t he  solos  and  leads  are  done  in a  more  old  school  hardcore  punk  style  and  the  vocals  also  adopt  a  punk  rock  style  at  times  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  there  is  also  a  brief  use  of  goth  rock  style  clean  singing  and  female  vocals  while  some  tracks  bring  in  elements  of  old  school  metal,  70's  rock  and  psychedelia.

  Okkultokrati  makes  a  huge  change  on  this  recording  while  the  black  metal  and  punk  elements  can  be  heard  they  also  start  mixing  in  goth,  synth  pop,  70's  rock  and  psychedelia  to  take  their  music  to  another  level,  the  production  sounds  very professional  while  the  lyrics  cover  science  fiction  themes.

 In my  opinion  this  is  another  great  sounding  recording  from  Okkultokrati  and  if  you  are  a  fan  of  black  metal,  punk,  goth  and  psychedelic  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "World  Peace"  "Suspension"  "Future  War"  and  "Agic  People".  8  out  of  10. 

     

Monday, September 26, 2016

Jagged Mouth/Louring/2016 Full Length Review


  Jagged  Mouth  are  a  band  from  Albuquerque,  New  Mexico  that  plays  a  blackened  mixture  of  doom  and  sludge  metal  and  this  is  a  review  of  their  self  released  2016  album  "Louring"  which  will  be  released  in  October.

  A  very  dark  yet  heavy  doom  metal  sound  starts  off  the  album  which  also  uses  a decent  amount  of  melody  as  well  as  mixing  in  the  heaviness  of  sludge  while  the  vocals  are  mostly  high  pitched  black  metal  screams  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  along  with  most  of  the  songs  being  long  and  epic  in  length.

  When  guitar  leads  are  utilized  they  are  done  in  a  very  dark  and  melodic  style  and  angry  hardcore  style  vocals  can  also  be  heard  at  times  and  as  the  album  progresses  more  elements  of  stoner  metal  are  added  onto  the  recording  while  one  track  also  brings  in  a  brief  use  of  clean  vocals  and  all  of  the  songs  stick  to  a  slow  musical  direction  and  acoustic  guitars  are  also  added  onto  the  last  track.

  Jagged  Mouth  plays  a musical  style  that  takes  black,  doom,  sludge  and  stoner  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds very  powerful  for  being  a  self released  recording  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Jagged  Mouth  are  a  very  great  sounding  blackened  mixture  of  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "A  Wretched  Offering"  and  "Lingers  The  Taolith".  8  out  of  10.

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Wednesday, September 21, 2016

Seven Sins/Due Diaboli et Apocalypse/Satanath Records/2016 CD Review


  Seven  Sins  are  a  band  from  Kazakhstan  that  plays  a  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2016  album  "Due  Diaboli  et  Apocalypse"  which  was  released  by  Satanath  Records.

  Spoken  word  parts  along  with  some  keyboards  start  off  the  album  as  well  as  the  sounds  of  eagles  and  after  awhile  the  music  gets  more  epic  and  symphonic while  also  adding  in  touches  of  classical  and  orchestra  music  and  it  also  mixes  in  with  the  heavier  riffs  and  you  can  also  hear  elements  of  Asian  music  at  times.

  Vocals  are  mostly  grim  yet  high  pitched  black  metal  screams  while  death  metal  growls  are  also  used  at  times  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  when  solos  and  leads  are  utilized  they  are  done  on  a  very  melodic  fashion.

 Spoken  word  parts  also  make  a  return  in  certain  sections  of  the  recording  and  female  vocals  can  also  be  heard  at  times  and  one  of  the  tracks  also  brings  in  ethnic  style  folk  instruments  briefly  while  a  couple  of  later  tracks  also  brings  in  a  small  amount  of  clean  guitars and  some  of  the  riffs  also  bring  in  a  decent  amount  of  melody  and  there  is  also  a  brief  use  of  male  clean  singing  vocals.

  Seven  Sins  plays  a  style  of  black  metal  that  is  very  symphonic  and  orchestra  orientated  while  also being  very  heavy  influenced  by  death  metal,  the  production  sounds  very  professional  while  the  lyrics  cover  Qabala,  Alchemy, Occultism,  The  Devil,  Knights,  Medieval,  and  Death  themes.

  In  my  opinion  Seven  Sins  are  a  very  great  sounding  symphonic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Kabbalah"  "Alchemist"  "Seraphim"  and  "Infinitas  Non".  8  out  of  10.

https://www.facebook.com/Septem.peccata
     

Saturday, September 17, 2016

Stojar/At Twilight Of Battles By The Hammer Of Thunderstorms/Stygian Crypt Productions/2016 CD Review


  Stojar  are  a  band  from  Russia  that  plays  a  pagan  form  of  folk  metal  and  this  is  a  review  of  their  2016  album  "At  Twilight  Of  Battle s By  The  Hammer  Of  Thunderstorms"  which  was  released  by  Stygian  Crypt  Productions.

  Folk  music  instruments  start  off  the  album  giving  the  songs  more  of  a  pagan  feeling  and  they  also  mix  in  with  the  heavier  guitars  while  keyboards  can  also  be  heard  at  times  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  and  female  vocals  along  with  black  metal  screams  are  a  very  huge  part  of  the  recording.

  Nature  sounds  can  also  be  heard  briefly  while  the  music  also  gets  very  symphonic  at  times  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  you  can  also h ear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  the  riffs  also  use  a  decent  amount  of  melody.

  Stojar  plays  a  style  of  pagan/folk  metal  that  can  be  symphonic  at  times  while  also  mixing  in  elements  of  black  metal  which  also  gives  the  music  a  heavier  edge,  the  production  sounds  very  professional  while  the  lyrics  are  written  in  Russian  and  cover  Slavonic  Paganism  and  Patroitism  themes.

  In  my  opinion  Stojar  are  a  very  great  sounding  pagan/folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Molotom  groz  v  sumerki"  "Na  styage  plammenoy  zari"  and  "Pamyati  Slava".  8  out  of  10.  

 https://soundcloud.com/user-94176499/stojar-at-twilight-of-battles-by-the-hammer-of-thunderstorms/s-ZoqQs)


 

Thursday, September 15, 2016

The Astroplex Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?

The Astroplex is a two men team, Herr Nox & John Steele. Between the both of us, we share the work load that needs to be done. in order to get this project going. We are from Canada, in two different Provinces, Quebec and Ontario. Herr Nox is the singer, lyricist, graphic designer and wrote those really cool 80’s movie soundtrack tunes on the album. I, (John) play most of the instruments, wrote the main songs and handled the production side of things, including recording and mixing. Our good friend, Jonh M.Miller, did a fantastic job on the mastering of the album.

2.You have an album coming out, how would you describe the musical sound that is presented on the recording?

When we decided to record the album, we both had a very precise vision on what we wanted the album to sound like. We aimed for songs that would be reminiscent of early 2000’s melodic death metal and melodic Black metal scene. We also wanted a faux 1980’s, sci-fi flick, soundtrack to serve as the catalyst for the story we wanted to tell. It was the combination of these two genres that helped facilitate our narrative.

3.You refer to your music as 'Space metal', can you tell us a little bit more about this term?

We approached the writing of this album like you would writing a book. We developed a story line, with plots and sub plots. When we were done, it was clear that this could not be classified as a traditional black/death album. We tried looking up metal genres that we could be associated with, and we concluded that it was perhaps best to come up with a classification that would describe us best. The album is set in space, with space ships and droids and other-worldly planets. It only made sense to call it what it is, Space metal!

4.Your lyrics cover science fiction themes; can you tell us a little bit more about your interest in this subject?

We both grew up loving the sci-fi movies of the 1980’s. Although some of these movies may look a bit outdated in both special effects, or even story-telling, the fact remains that it still holds fond memories for the both us. So we set out to have an album where each songs are a chapter that helps tell the main story. Herr Nox is a great lyricist, and he has crafted a really interesting way of telling the narrative through each songs.

 5.What is the meaning and inspiration behind the name 'The Astroplex'?

The Astroplex, is the name of the ship used by Satis, (our main character in the story), and her crew. We wanted a name that would reflect the genre we play, so we went with this name. We just shot band names back and forth, and The Astroplex was the one that we both agreed on.

6. Currently there are only 2 members in the band, are you planning on expanding the line up in the future or do you prefer to remain a duo?

Our situation is different than most people. We both reside in two different Provinces, separated by an 8-hour long car drive. This creates a bit of a challenge when wanting to rehearse songs or finding band members, but that being said, we are both open to the idea. Should we get an interesting offer, who knows? As far as involving other people in the writing process, we’ll see. Writing the songs, producing, recording, mixing and overall doing everything ourselves is very difficult and time consuming. Maybe, if need be, we’ll recruit other people to help us on in the future.

7. Currently you are unsigned, are you looking for a label or have received any interest?

We have not received any offers as of yet. To be honest, we both agree that to sign to a label, we would have to come out on top. I will never sign a 360 deal! Being an independent band means that we have 100% control over the creative process and the income we generate. We set our own deadlines and get to work in an environment of our choosing. No big costly studios, which we end up having to pay back to the label before seeing any revenues. We are not saying no, but in order to sign, we’d have to have a really sweet deal, and that is very unlikely.

8. On a worldwide level how has the feedback been to your music by fans of black metal?

 The reviews are coming in and feedback from the fans is abundant. In general, people get it. Actually, they get it way more than we had anticipated. People know that this is not by any means a traditional black metal band. We have elements of it for sure, but it is not flat out what we set out to do. We live in a great time for music, where you can experiment musically without totally alienating your fan base. We love Emperor, Immortal, Gorgoroth and Dimmu Borgir. But this is not what we do. It’s in the song writing for sure, but it’s not the main focus. Today’s metal audience is very open minded and diversified, which helps bands such as ourselves find a “niche” market.

9. Where do you see the band heading into musically during the future?

We decided to put out this album as a mean to introduce our fans to the band, and to the concept we wish to explore. Now in the future we are entertaining the idea of releasing songs independently. So, for example, we may put a song out each month instead of waiting a year to put out an entire album. The concept is being used by other artists in other genres, and they are doing better than traditional album releases.

10. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

John: For me, during the writing of this album, I was listening to a lot of Arch Enemy, Dimmu Borgir, Behemoth and 70’s rock. I think it comes through in the songs. Nowadays, I’m listening to Bloodbath, Opeth, Katatonia and The Devin Townsend Project.

Herr Nox: for this album, I immersed myself completely in 80s movies and listened to plenty of synthesizers soundtracks. The likes of John Carpenter and Vangelis can be heard in the instrumentals, I'm sure. As for today, I would say I listen to almost anything. From Mozart to My Dying Bride, from Perturbator to Igorrr. David Bowie is always in my playlist.

11.What are some of your non-musical interests?

 John: I love History, politics (although I am getting a bit saturated with it lately) and philosophy.
I love to read up on psychoacoustics and the physics behind the sounds we hear and how we perceive them. I do a lot of recording and mixing, so this translates well into the work I do.


Herr Nox: movies, visual arts, psychology and science-fiction. Anything related to space (from a scientific standpoint) will get my attention. I find space exploration fascinating.

12. Before we wrap up this interview, do you have any final words or thoughts?

John: I would like to thank you for giving us the chance to speak about this project with your audience. We love to connect with new people. Thanks again for the review, we really appreciate.

Herr Nox: thank you for the interview, it's greatly appreciated. Also, to anyone reading this, support your local scene. A few good words will make a difference for it is passion that fuels any artist.

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Sunday, September 11, 2016

Vorgrum/Last Domain/Via Nocturna/2016 CD Review


  Vorgrum  are  a  band  from  Argentina  that  plays  pagan/folk  metal  and  this  is  a  review  of  their  2016  album  "Last  Domain"  which  was  released  by  Via  Nocturna.

  Epic  sounding  keyboards  start  off  the  album  and  after  awhile  the  music  gets  heavier  along  with some  black  metal s creams  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  death  metal  growls  are  also  utilized  at  times  and  they  also  mix  the  symphonic  side  in  with  the  heavy  material.

 Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  clean  vocals  can  also  be  heard  in  certain  sections  of  some  songs  and  as  the  album  progresses  more  folk  instruments  are  added  onto  the  recording  and  there  is  also  a  brief  use  of  tribal  elements  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Vorgrum  plays  a  style  of  pagan/folk  metal  that  is  very  heavily  influenced  by  black  and  death  metal  while  also  having  its  melodic  and  symphonic  moments,  the  production  sounds  very  professional  while  the  lyrics  cover  high  fantasy,  trolls  and  drinking.

  In  my  opinion  Vorgrum  are  a  very  great  sounding  pagan/folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Legacy  Of  The  Ancient"  "Troll  Villa"  "Legions  From  Niflheim"  and  "Ancient  Rulers".  8  out  of  10. 

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