Aexylium Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

Two singles have already been released, the third official videoclip will be released on October 29th, the day of the album's release.

We recently played at Feffarkhorn festival with Atlas Pain and Furor Gallico, and now we are planning the release party. We can’t wait!

2.You have a new album coming out towards the end of October, musically how does it differ from the stuff you have released in the past?

Compared to the previous album, 'The Fifth Season' is more focused on orchestrations and the symphonic part, which is also emphasized by the presence of the vocal ensemble. In addition, the guitar riffs are more aggressive and elaborate, increasing the metal component in the songs

3.A lot of your lyrics cover Celtic and Norse Mythology, can you tell us a little bit more about your interest in these topics?

We are very fascinated by Norse Mythology, especially me and Steven (the singer). He read several books about it, and we also believe that this theme can blend well with this musical genre, that’s why we often draw inspiration from it.

4.What are some of the other lyrical topics and subjects the band has explored over the years with your music?

In addition to Norse and Celtic mythology, our lyrics also speak of other topics, even different from each other.

'Mountains', for example, talks about the majesty and beauty of the peaks, 'Immortal Blood' instead is inspired by a videogame (Skyrim – The Elder Scrolls), 'The Fifth Season' instead talks about more current topics, such as a hypothetical semi extinction of humanity due to the consequences of man’s wicked choices.

5.What is the meaning and inspiration behind the name 'Aexylium'?

'Aexylium' comes from the Latin word 'exilium' (exile) and in our imagination, it is an ancient and now abandoned place, where the worst criminals were locked up for life

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork is made by the talented artist Jan Yrlund (Darkgrove Design) who has worked with several important bands, such as Manowar and Korpiklaani. 

We asked him to draw inspiration from the lyric of 'The Fifth Season' which, as mentioned above, speaks of a hypothetical semi-extinction, and then of hope of rebirth.

7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Surely when we play at festivals the show is always memorable, because people are more excited and inclined to dance. 

One of the shows that we remember with more pleasure is certainly Montelago Celtic Festival in 2018, the audience sang with us at the top of their lungs and at the end of the performance kept asking for an encore.

8.A couple of years ago you had done a cover of the 'Games Of Thrones' theme, what was the decision behind doing your own version of this song?

We were fans of the TV series and we believe that fantasy themes can often blend perfectly with our musical genre. When we play it live, the audience really appreciates it. 

We also made our own version of the main theme of 'Vikings', and it’s really appreciated on Youtube.

9.On a worldwide level how has the reaction been to your music by fans of folk and symphonic metal?

The first album helped us to make ourselves known for the first time in Italy and abroad. Now, with 'The Fifth Season', we want to try to make our mark in this musical genre, forging our own sound. 

The reaction to the first two singles was absolutely positive, and we hope that it will be even more with the next single and all the other songs on the album.

10.Where do you see the band heading musically towards the future?

I think the sound we experienced on this album may be our definitive sound. We also had a female voice as a guest in a couple of songs, it is not to be excluded that in the future a female singer may join the band permanently.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

If we talk about folk metal, the bands that most influence our songwriting are probably Eluveitie, Alestorm and Falconer.

But we don’t draw inspiration only from them, in fact, I believe it is precisely the musical variety that each of us listens to lead us to be creative without imposing limits.

12.Before we wrap up this interview, do you have any final words or thoughts? 

Thanks for the interview and we hope you enjoy our album!

https://youtu.be/uL0YN1JIyVc 

Huronian/As Cold As A Stranger Sunset/Dolerem Records/2021 Full Length Review

 

  Huronian  are  a  band  from  Italy  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2021  album  "As  Cold  As  A  Stranger  Sunset"  which  will  be  released  in  October  by  Dolerem  Records.

  A  synth  orientated  intro  starts  off  the  album  along  with  a  brief  use  of  operatic  vocals  before  going  into  a  heavier  musical  direction.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  while  the  vocals  are  a  mixture  of  angry  black  metal  screams  and  death  metal  growls  and  the  riffs  also  add  in  a  great  amount  of  Swedish  style  melodies.

  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  while  the  songs  also  add  in  a  decent  mixture  of  slow, mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  all  of  the  musical  instruments  on  the  recording  also  having  a  very  powerful  sound  to  them  and  as  the  album  progresses  a  brief  use  of  classical  guitars  and  spoken  word  parts  can  also  be  heard.

  Huronian  plays  a  musical  style  that  takes  the  melodic  styles  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Huronian  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Portals  To  The  Unspeakable"  "Birds  Among  Insects"  and  "Shadow  Cast  by  Eternal  Sails".  8  out  of  10.

https://www.youtube.com/watch?v=YD-Qqaj68Tg    

Chasmdweller/Flesh Crusade/2021 Full Length Review

 

 Toronto, Ontario, Canada's  duo  Chasmdweller  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  black,  sludge,  funeral  doom  and  death  metal  and  this  is  a  review  of  their  self  released  2021  album  Flesh  Crusade".

   Dark  soundscapes  start  off  the  album  along  with  some  synths  and  elements  of  noise  a  few  seconds  later  while  the  vocals  also  add  in  a  great  amount  of  demonic  sounding  death  metal growls.  Evil  sounding  melodies  are  also  added  into  the  heavier  sections  of  the  songs  and  when t he  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard.

  A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  also  have  their  guttural  moments.  Black  metal  screams  can  also  be  heard  at  times  along  with  the  solos  and  leads  being  done  in  an  early  90's  extreme  metal  style  as  well  as  the  slower  sections  of  the  songs  also  adding  in  elements  of  sludge  and  funeral  doom  metal  and  the  closing  track  also  adds  in  more  of  a  ritualistic  atmosphere.

  On  this  recording  Chasmdweller  focuses  more  on  a  blackened  death  metal  style  and  cut  back  on  the  sludge  and  funeral  doom  metal  elements  that  where  a  very  huge  part  of  their  earlier  recordings.  The  production  sounds  very  professional  while  the  lyrics  cover  Death  and  Ancient  Evil  themes. 

  In  my  opinion  this  is  another  great  sounding  recording  from  Chasmdweller  and  if  you  are  a  fan  of  blackened  death  emtal  with  some  touches  of  sludge  and  funeral  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Seeping  In  Agony"  and  "Hexed  Beyond  Mortality".  8  out  of  10.

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Oenos/Cmo IV/2021 EP Review

 

  Oenos  are  a  solo  project  from  the  United  Kingdom that  plays  a  mixture  of  black,  sludge,  doom  and  post  metal  and  this  is  a  review  of  his  self  released  2021  ep  "Cmo  IV".

  A  very  dark,  heavy  and  melodic  sound  starts  off  the  ep  while  the  slower  sections  of  the  songs  also  add  in  the  heaviness  of  sludge  and  doom  metal.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  some  songs  also  adding  in  a  small  amount  of  clean  playing.

  Vocals a re  mostly  high  pitched  black  metal  screams  while  the  solos  and  leads  are  done  in  a  very  melodic  post  metal  style.  The  music  also  has  its  atmospheric  moments  along  with  a  brief  use  of  synths  as  well  as  most  of  the  tracks  also  being  very  long  and  epic  in  length,  clean  vocals  can  also  be  heard  briefly  and  all  of  the  music  also  sticks  to a   slower  direction.

   Oenos  plays  a  musical  style  that  takes  black,  sludge,  doom  and  post  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  cover  failure,  fear,  apathy  and  the  state  of  our  dying  planet.

  In  my  opinion  Oenos  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  and  post  metal  and  if  you  are  a f an  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Real  Rubio"  and  "St  maur".  8  out  of  10.

• https://www.instagram.com/oenosmusic

• https://www.facebook.com/oenosmusic

• https://twitter.com/oenosmusic

• https://www.youtube.com/channel/UC9aYSv2Rey28IvFv0vmOKmg

PreEmptive Strike 0.1/Redeclaration Of War (2006-2015)/2021 Compilation EP Review

 

  Greece's  PreEmptive  Strike  0.1  have  returned  with  a  compilation  which  consists  of  songs  being  recorded  between  2006  and  2015  which  also  shows  the  music  going  for  more  of  a  electro- industrial  style  while  more  current  releases  show  more  of  a  black  metal  influence  and  this  is  a  review  of  their  self  released  2021  ep  "Redeclaration  Of  War  (2006-2015)".

  Synths  start  off  the  ep  along  with  some  electronic  and  industrial  elements  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  All  of  the  drum  beats  are  programmed  along  with  the  tracks  also  mixing  in  a  decent  amount  of  spoken  word  samples  and  sci-fi  style  vocals  can  also  be  heard  at  times.

  Most  of  the  music  is  also  heavily  rooted  in  an  ebm  style  while  the  aggressive  vocals  show  some  touches  of  black  and  industrial  metal.  Clean  vocals  can  also  be  heard  briefly  along  with  each  song  also  sounding  very  different  from  each  other  and  the  music  also  shows  an  influence  of  the  classic  Wax  Trax  era.

  On  this  recording  PreEmptive  Strike  0.1  displays  more  of  their  electro-industrial  beginnings  instead  of  the  black  metal  elements  they  alter  mixed  with  this  style  on  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  science  fiction  and  war  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  PreEmptive  Strike  0.1  and  if  you  are  a  fan  of  electro-industrial,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Lethal  Defence  Systems"  and  "Epos  of  The  Argonauts".  8  out  of  10.

https://pes01.bandcamp.com/music    

    

  

Aexylium/The Fifth Season/Rockshots Records/2021 CD Review

 

  Aexylium  are  a  band  from  Italy  that  plays  a  symphonic  form  of  folk  metal  and  this  is  a  review  of  their  2021  album  "The  Fifth  Season"  which  will b e  released  in  October  by  Rockshots  Records.

  A  very  epic  and  symphonic  sound  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  in  some  of  the  guitar  riffing  while  the  music  also  mixes  in  a  great  amount  of  folk  music  instruments  and  the  vocals  also  add  in  a  decent  mixture  of  death  metal  growls  and  black  metal  screams.  

  When  the  music  speeds  up a   decent  amount  of  blast  beats  can  also  be  heard  while  clean  male,  female  vocals  and  choirs  can  also  be  heard  in  some  parts  of  the  album.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  some  songs  also  adding  in  a  small  amount  of  clean  playing.

  The  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  one  song  also  adding  in  a  brief  use  of  battle  sounds  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized,  one  of  the  tracks  also  introduces  acoustic  guitars  onto  the  album  and  as  the  recording  progresses  a  couple  of  instrumentals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  Norse  and  Celtic  mythology  themes.

  In  my  opinion  Aexylium  are  a  very  great  sounding  symphonic  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Bridge"  "Battle  At  Tettenhall"  "Yggdrasil"  and  "Spirit  Of  the  North".  8  out  of  10.

Aexylium.it
Facebook.com/aexylium

Instagram.com/aexylium_official            

Spectral Darkwave Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?

We are Spectral Darkwave, harvesters of pain across time and space - in tribute to gods most dark. We collect the suffering in vessels made of death doom metal ornamented by orchestras and the tragic events themselves. They are pulsing exhibits to the terror of existence.

2.In October you have a new album coming out, musically how does it differ from the stuff you have released in the past?

The new album 'At Outer Dark' furthers the collection of suffering first put together in 'Last First Contact', but with a great leap in the production values. Musically, it is thicker in tone and slightly more complex in it's arrangements, to offer deeper immersion in the scenes we capture.

3.This is also your first full length since 2015, can you tell us a little bit more about what has been going on during that time frame?

The first record was very much a proof of concept that stories could be told, this then allowed us to recruit The Gunner on bass and perfect our live show, considering every possible angle. This culminated in our invitation to Bloodstock 2021. Our lord Cthulu has clearly recognized our work.

4.What are some of the lyrical topics and subjects you explore with the newer release and also how would you describe your progress as songwriters over the years?

The song lyrics focus on setting the scene in the wants, needs and desires of the human suffering on offer at a point in space time. For example, the lead single '731' focusses on the emotional turmoil of surgery on live victims in the name of Japanese patriotism. The March Of Saes focuses on the exhilaration and fear of Elephant riders in ancient Persia. The album culminates in the song 'At Outer Dark' - a paean to our quest as a crew to join with our lord Cthulu as he passed through the material realm and it's... consequences.

5.On one of your singles you also cover Norse Mythology, can you tell us a little bit more about your interest in this topic?

Our interest is only in the amount of pain that could be harvested from the shores of Lindisfarne in AD 793. It's essence ages well in our vaults. 

6.What is the meaning and inspiration behind the name 'Spectral Darkwave'?

The good ship Darkwave is the ship in which we as a crew travel through time and space. We emerge, take the horror available, sometimes milk the situation for a little more, then disappear as quickly as we came - but not entirely without trace.

7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork captures our encounter with our Lord Cthulu beyond the furthest spiral arm of this galaxy. We sought to join with him, sampling but a fraction of his power. This moment of misadventure can be heard in the epic, final song of the album 'At Outer Dark'.

8.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

We offer, theatre, spectacle and immersion. As a result, we have been lucky to play more than few performances where the energy of band and crowd has crackled with devotion to the dark - the shared catharsis of looking into the abyss and having it stare back in musical form. Clearly, the highlight for was this year's Bloodstock performance.

9.The new album is coming out on 'Occidental Records'. can you tell us a little bit more about this label?

Sadly, in more mundane matters, to release records these days has become the responsibility of the artist. Investment, promotion, distribution and monetization - all of it. With the digitization of music came the simple fact that there is a huge supply of music and the ability to record it. Supply has outstripped demand. In the capitalist system, the monetary value is low, yet the artistic value is higher than ever. So, it is our label, named after an industrial disaster and the power of empire - it reminds us making sure we do the right things to keep the good ship Darkwave afloat.

10.On a worldwide level how has the reaction been to your music by fans of underground metal?

We genuinely believe we have an experience of high quality with which to engage audiences - but there is an awful lot of noise out there that our signal must penetrate. When people see us we are remembered, we've already had pre-orders for people from half a decade ago. However, we feel that perhaps with the length of time between albums, that this for many will be the first time - and they will hear us at our most potent.

11.Where do you see the band heading into musically during the future?

Well, it would seem that after nearly 2 dozen tales of human suffering and our final encounter with HIM on the new record, that the consequences of our meeting will play out in the narrative of the next record. Musically, we will always seek to pulse, doom and terrify with arrangements that bring a grand scale to our tracks.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

It started as early some of the darkest theme tunes from 80's video games, TV shows and films. We seek to chase that sense of scale and adventure. Metal is the only genre that sense of infinite power other than the darker orchestrations of Gorecki or the choral work of Tallis. Yet we cannot say we do not admire the work of artists such as Septic Flesh, Draconian or the Vision Bleak where they too seek a sense of scale. But we seek the narrative moments themselves. 

13.Does occultism play any role in your music?

Indirectly. Our obsession with the dark gods of the universe, a reaching out to the infinite, the unknowable other beyond human perception interests us deeply. You might say it is the thoughts of historical occultism illuminated by scientific insights that more than ever declare 'there is more out there than we can ever know'.

14.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for taking the time to speak to us. May this be the first step upon your conversion.

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