Showing posts with label experimental black metal. Show all posts
Showing posts with label experimental black metal. Show all posts

Thursday, June 13, 2024

Mycena Interview

 


1. Can you give us an update on what has been going on with the band since the recording and release of the new album?


Currently, we are still promoting our latest album "Serendisarray" and brainstorming concepts for our next album. I've also switched focus to my other musical projects (Vrhovec, Grinded Grin, Acid Hags). We've started collecting ideas, riffs, and themes for the new album. Once we gather a good number, we'll begin compiling and arranging them into a concept that best suits the new album. We plan to start working on the album this fall, and the writing and recording process is expected to take about six months.


2. In April you had released a new album, musically how does it differ from the stuff you have released in the past?


On our previous albums, we relied heavily on improvisation. We didn't have finished themes, and they were recorded spontaneously when we all got together without prior arrangements or rehearsals. It was classic jamming. Our new album "Serendisarray" took about a year to record, spread across 10 sessions, with constant work on the concept. Every riff was tested and refined to fit the concept. Some songs started with a guitar riff, while others began with a drum pattern.


3. What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?


Some of the lyrical themes include Nostradamus' predictions, Pythagoras and Pythagorean teachings, cosmic chaos and serenity, and emotional disturbances and passions. Progress as a songwriter is very evident in Mycena. However, since Mycena isn't the only band I'm in, the writing styles intertwine and improve through my other projects, making everything look different when I return to Mycena. With each album, the writing style evolves, and the art of songwriting is honed into the unique expression that each of us possesses.


4. What is the meaning and inspiration behind the name 'Mycena'?


The name Mycena was taken from a hallucinogenic mushroom, which perfectly fit the initial concept of a psychedelic band. An added bonus is that no one had used this name for a band before. Nowadays, it's challenging to find a super cool band name that hasn't already been taken.


5. Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork for the album was created by the phenomenal artist Vhan. It perfectly represents the album, which has chaos as its main theme, with a psychedelic touch, space, mantra, the human in the center, and the third eye—everything you can hear and feel on the album.


6. Currently there are onyl 2 members in the band. are you open to expanding the line up or do you prefer to remain a duo?


Currently, we are a duo when creating the album, but for concerts and recording, we have several musicians who join us depending on the concept of the concert or album. Moving forward, we will continue writing and recording as a duo, serving as the core idea center, and then we will use session musicians to enrich the album's sound.


7. What are some of the best shows that the band has played so far and also how would you describe your stage performance?


The best concert, in my opinion, was in Koprivnica at FUNK Day when the festival was held outdoors. There were six of us on stage, and we created quite a scene with tons of smoke. I wore a white rabbit mask while playing the synth.


8. Do you have any touring or show plans for the new album?


No, we don't tour; we only play occasional concerts at local festivals. We don't have that obligation or need because we are on our own label, and we don't make a living from music. But we live for music.


9. Currently the band is singed to 'Olde Scratch Records', can you tell us a little bit more about this label?


Olde Scratch is my label, covering all my bands and allowing me to keep everything under one umbrella. It's easier to reach journalists and promote our music, and the audience knows what to expect when they see an Olde Scratch release.


10. On  a worldwide level how has the reaction been to your albums by fans of underground music?


With the exception of one of my black metal project, Mycena has reached the furthest of all my endeavors. The response has been phenomenal and very surprising. Both journalists and the audience have reacted excellently. It's a great motivation for us to continue our work.


11. Where do you see the band heading into musically during the future?


I think we'll be moving towards less improvisation in the future and aim to work more on concept and arrangement. Our goal is also to ensure each song has vocals and melody, while still embracing tension through dissonance. That's our current plan, and we'll see in a few months how much of it we can achieve and how well our current ideas will come to life.


12. What are some of the bands or musical styles that you are currently listening to nowadays?


My all-time favorites are Croatian Seven That Spells, Oranssi Pazuzu, Deathspell Omega, King Crimson, and Master Musicians of Bukkake. They embody that psychedelic dissonance with a unique atmosphere that I crave when listening to and creating music.


13. Before we wrap up this interview, do you have any final words or thoughts?


Nothing more, thank you very much for the interview, and thanks to everyone for listening to the "Serendisarray" album :)


(Aleksandar Vrhovec, Mycena)

Saturday, June 8, 2024

Mycenia/Serendisarray/Olde Scratch Records/2024 Full Length Review

 


  Mycena  are  a  duo  from  Croatia  that  plays  a  mixture  of  black  metal,  stoner  rock,  jazz,  avant  garde,  experimental,  psychedelic  and  prog  rock  and  this  is  a  review  of  their  2024  album  "Serendisarray"  which  was  released  by  Olde  Scratch  Records.


  Psychedelic  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  clean  sections  also  take  the  music  into  more  of  a  progressive  direction  when  they  are  added  in  the  music.


  High  pitched  black  metal  screams  can  be  heard  briefly  while  the  slower  sections  of  the  songs  also  add  in  elements  of  stoner  metal.  at  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  along  with  a  lot  of  the  vocals  adding  in  more  of  a  spoken  demonic  style,  saxophones  and  clarinets  are  also  added  on  some  of  the  tracks.


  The  album  also  adds  in  a  few  instrumentals  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  introduced  into  the  music,  melodies  are  also  added  into  some  of  the  guitar  riffing  and  most  of  the  songs  stick  to  either  a  slow  or  mid  tempo  direction.   The  production  sounds  very  professional  while  the  lyrics  cover  esoteric  themes.


  In  mu  opinion  Mycena  are  a  very  great  sounding  mixture  of  black,  stoner  metal,  jazz,  avant  garde,  experimental,  psychedelic  and  prog  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Lacrima  Futurum"  "Erato"  and  "Apatheia".  8  out  of  10.


  https://mycena.bandcamp.com/album/serendisarray

https://youtu.be/STyy8PQ-fvc?si=eZm794NnY5bnSmK1 

Tuesday, April 23, 2024

Haunted Plasma/I/Svart Records/2024 Full Length Review

 


   Haunted  Plasma  are  a  band  from  Finland  that  plays  a  psychedelic  form  of  black  metal  with  elements  of  techno  and  this  is  a  review  of  their  2024  album  "I"  which  will  be  released  in  May  by  Svart  Records.


  Sci-fi  orientated  synths  start  off  the  album  along  with  some  clean  playing  a  few  seconds  later  before  adding  in  some  spoken  word  parts.  Touches  of  techno  and  krautrock  can  also  be  heard  at  times  and  also  mixes  in  with  the  heavier  sections  of  the  songs  while  most  of  the  tracks  are  also  very  long  and  epic  in  length  


  Clear  singing  can  also  be  heard  quite  a  bit  throughout  the  album  while  the  songs  also  add  in  a  great  amount  of  programmed  beats.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style  along  with  the  music  also  having  its  psychedelic  moments  and  mixing  in  the  heaviness  of  black  metal,  clean  playing,  harsh  screams  and  noises  can  also  be  heard  briefly.


  Haunted  Plasma  plays  a  musical  style  that  takes  techno,  krautrock,  noise  and  psychedelic  black  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  writings  of  William  Gibson  and  Phillip  K.  Dick.


  In  my  opinion  Haunted  Plasma  are  a  very  great  sounding  mixture  of  techno,  krautrock,  noise  and  psychedelic  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Reverse  Engineer"  and  "Echoes". 8  out  of  10.


  https://www.facebook.com/p/Haunted-Plasma-100064487333162

https://www.instagram.com/hauntedplasma/        


      

Sunday, April 14, 2024

Malconfort/Humanism/Transcending Obscurity Records/2024 Full Length Review

 


  Malconfort  are  a  band  from  the  united  kingdom  that  plays  an  experimental  form  of  black  metal  and  this  is  a  review  of  their  2024  album  "Humanism"  which  will b e  released  in  July  by  Transcending  obscurity  Records.


  High  pitched  black  metal s creams  start  off  the  album  along  with  some  heavy  and  avant  garde  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  clean  playing  is  utilized  it  also  takes  the  album  into  more  of  a  progressive  direction  and  spoken  word  parts  and  synths  can  also  be  heard on  a  few  tracks.


  At  times  the  music  also  gets  very  experimental  sounding  while  elements  of  free  form  jazz  can  also  be  heard  at times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  yet  dissonant  style  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  all  of  the  music  sticks  to  either  a  slow  or  mid  tempo  direction,  whispered  vocals  are  also  added  on  a  couple  of  songs.


  Malconfort  plays  a  style  of  black  metal t ha t is  very  avant  garde,  progressive  and  experimental  sounding  as  well  as  mixing  in  elements  of  free  form  jazz  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  philosophical  themes.


  In  my  opinion  Malconfort  are  a  very  great  sounding  experimental  sounding  black  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Cruelty  (Elation)"  and  "Carnivore  (God)".  8  out  of  10.


  Official Video


Video Stream

Malconfort Bandcamp

Malconfort Facebook          

Thursday, March 21, 2024

Eyriahrk Nunshkar Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the solo project?

The solo project, in fact, has existed since 2014, but it was under a different name, A.M Ferrari Fradejas, and the music was very different, and considerably changed over the last four years. It became clearer when I released the previous EP, "Shiarkha," in 2022. It happened very spontaneously, over a guitar gifted to me on my birthday two years ago, my main instruments to write music for over thirty five years were the piano and keyboard. Why I didn't play guitar before is another story to tell, but when I plugged this one in, two months after the EP Shiarkha was released.


2.You released an ep in February, musically how does it differ from your previous release?  

Under this project, it already differs from its predecessor, Shiarkha, which was much rawer, possibly less structured, and probably less colourful, and an only-one-flavour EP. The Eyriahrk Nunshkar EP incorporates more elements of all the music I have created over the years. In some ways, it feels like working on a puzzle, though I only noticed it after making this EP; I didn't think about it while making it. It more dramatically differs from the music I released under my previous name, which was a blend of progressive rock, psychedelic rock, contemporary, neofolk, and avant-pop, even soul. I'm not great with labels and am not keen on them, but I understand their use.


3.What are some of the lyrical topics and subjects you have explored so far with the music?  

Until 2019, I drew inspiration from various things, such as cinema, which is also important to me, a painting, a movie, someone I met in the street or something I witnessed, and personal experiences too. I didn't talk about a release in 2021, though now I feel like it belongs to this project. I considered it to be a bit of a side project at the time. I actually wanted to distance myself from it because it was a gift for the dead or the departed. I released my first experimental short movie, which accompanied an album of mantras and rituals; the making of it was a ritual in itself. I had given myself a bit more than a month to get it ready for October 31st, 2021. I was reading a lot on the importance of the work of psychopomps (guides of souls who escort deceased souls from Earth to the afterlife), which, regardless of one's belief system or non-belief, is very much needed in our world. If we don't want to call it a soul, call it energy or memory, and we don't want it trapped here. The idea was to recreate this ritual or process in music and visuals; it came to me while I was walking in one of my favorite spots, a beautiful graveyard with a view of the sea, and so, when it happened, I had very little time to get it ready. The intertwined idea is that any sales from this release are sent to charities supporting bereavement after suicide and suicide prevention. Shiarkha, which was released in 2022, is the name of an owl I encountered during an inner journey, or shamanic journey. So far, the inspiration for this project has been drawn from journeying, channelling, or whatever you may call it. We all have a different understanding, and this is one of my understandings.


4.On the ep you also written your lyrics in 3 different languages, can you tell us a little bit more about the languages you used in your songwriting?

One of the languages is an improvised one; some people call it glossolalia, or speaking tongues. I admire those who know in their hearts what they say or what is happening to them. I have an amazing friend who speaks a light language; I don't have that confidence; I just don't know; our brain works in mysterious ways; and while there are also unseen realms that we don't know about, well, I don't. I have an understanding, but that doesn't mean that I know. However, I am working consciously on the intention and the energy I put into the work I do because, regardless of whether my music reaches two ears or more, as musicians, but not only, also as human beings, we have a duty and a responsibility to choose what energy and what message we want to convey. Regarding the languages themselves, I've always been fascinated by their sounds, dialects, and words, and as a child, I loved to sing in made-up languages. My music partner and husband, Santiago, and I have also developed some sort of dialect over the last thirteen years we have been together. Anyway, I am far from being the first to make up languages; we had Magma, Tolkien, and the Cocteau Twins, to name a few. In the creative process of this EP, other lyrics came to me in French and in English, which are the two main languages that I speak. My Spanish is not fluent, though I used some in my previous EP, "Shiarkha." The Māori bit happened when I researched sentences and words that depict the silver cord, the silver cord linking the astral form to the physical body during astral projection or out-of-body experience. I found some Māori words that I loved and used, and probably the translation wouldn't be accurate, but I love the sound of "Taura Hiriwa," for example, and so I used it.  


5.What is the meaning and inspiration behind the name 'Eyriahrk Nunshkar'?  

Another made-up word became a name. In fact, it was only the title of the second track of the EP at first, and when I finished the EP, it felt natural and logical that the solo project should be renamed, and that was going to be the new project name or pseudonym.


6.Can you tell us a little bit more about the artwork that is presented on the ep cover?

It was a picture taken on a very very windy day. I am very blessed to be living by the sea, and I was messing around like a 5-year-old trapped in a 49-year-old body, taking pictures of my hair in the wind. One shot was of the hair covering my eyes. I posted the picture, and someone said, "It should be an album art cover." This was before I even started working on the last EP. Now the EP art cover looks nothing like the original picture because I did some work on it, but once I finished the artwork, I realised it was an eye curtain made of hair. In some shamanic cultures, such as in Siberia, for example, one of the purposes of the eye curtains is to hide their eyes from ordinary people when they merge with their spirit helpers and also to act as a screen in order to help them go into trance. It also helps with journeying and helps to reach and maintain a specific altered state of consciousness, which makes sense in this context.


7.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?  

I feel very lucky to have been collaborating with many musicians and artists. I am still collaborating with other musicians at this time. It's not that I prefer to work solo; there are just different experiences. When I work solo, I am in a different realm, and the creative process is different as well. It's a bit like being in a dream state, and when I finish a recording, I don't remember the whole process. I am not trying to be mysterious or cryptic; it's just how I experience it. I also work very fast when I am alone—not that I am better than anyone; it's just that there is a stream of information that passes through me, and it's fast when it happens. I have to follow and materialise as it happens. In fact, it is anxiety-inducing for me, and I get impatient, though as I am growing older, I am dealing much better with it, and I am much more disciplined about it these days. When I work in collaboration, I am much more aware, and it's the work and energy of the people I work with that fuel me. I am always open to working with other musicians, not only for the experience of sharing but also for the opportunity of learning and growing as a musician. In the context of Eyriahrk Nunshkar, I don't know where this is going; I am experiencing and experimenting.


8.You also release your own music on your own label, are you open to working with other labels?  

Yes, I actually contacted two record labels already because I really like the artists they are working with. For years, I didn't want to be signed, mainly due to bad past experiences, but I am not against it today.


9.On  a worldwide level how has the reaction been to your music by fans of experimental and extreme metal?

I have been quite under the radar since working as a solo artist, and I would say even more with this project. But the few pieces of feedback I received have been very positive, which I am grateful for.


10.Can you tell us a little bit more about your other musical projects?  

Current or past ones? I collaborated with many people, but currently I have a joint project, and since we're not revealing our identities for the time being, I won't say more on this one. We have already released an EP, and we are planning some new material. There is also the Fradejas & Fradejas duo with Santiago Fradejas, my music partner and husband; we released one free-form experimental EP and another free-form experimental album during COVID called OUM. We released our last EP in 2022 called "Los Nueve Buhos," which is more song-oriented but is a bonkers blend of old-fashioned crooning, extreme metal, and cowboy music with lyrics made up of the mixed-up language we created over the years. Some of our sources of inspiration were drawn by the White family of West Virginia, and other sources are beings from other alternative realms who we have given life to. I also collaborated more closely on Layma Azur's albums "Zeii" and "The Lower Sky.". Layma Azur is a rock-in-opposition, prog rock project founded in Buenos Aires by Santiago in 2005. Other recent collaborations include some vocal arrangements for Jeff Eacho, a great musician and friend, and vocal arrangements for Tribes of Medusa alongside the musicians, songwriters, and vocalists Valenteen and Evi Vine, also all dear friends. I collaborated with the production, arrangements, and backing vocals on a song called "The Legacy," written by a musician and friend, Tannith Storm, which we released last year. Past and current collaborations as a guest vocalist include the UK-based Goth crossover band The Eden House between 2009 and 2011, Sand Snowman, who is an amazing artist and musician that creates very unique music, a blend of experimental psychedelic prog folk, and also the equally amazing, unique, and talented Phi-Yaan-Zek.


11.When can we expect a full length and also where do you see yourself heading into as a musician during the future?  

As to when there will be a full-length album, I have no idea at this time, but then I said that last summer, and I released an EP last February, so who knows? I have written a lot of music over the years. I also attempted on a few occasions to put a set together and play live, but what happened instead while rehearsing were new songs, albums, and EPs, and it's not like I had an audience waiting for me to play anyway. Where do I see myself heading as a musician in the future? Well, if all goes well, I will turn 50 next year. Over the last few years, I have lost friends, some younger than me. I live in the present more than ever! I am alive now, my husband is alive, and so are some of my loved ones, and that has become the most important thing in these times of uncertainty. I am just grateful for what I have, for the luxury of being able to create at home, and for the luxury of not compromising what I do. I live with the consequences of it, which might be that I am not able to make a living from what I do. The younger me would be frustrated and filled with feelings of unfairness. Luckily, I am older and taking on my responsibilities, and I am also admiring the fresh blood taking over! The metal and avant-garde fields are crowded, and the music field is also full of young, amazing musicians. I hear people saying, "Music is not as good as it used to be." I respectfully disagree; it's just that we have to search for it in this internet ocean. There are many fantastic artists and musicians under the radar who took the teachings from their ancestors and took it to the next level with better technique and craft in creating hybrids. If I can reach an audience and have the health to keep creating and maybe playing live again, if I can overcome my anxiety, but I would if the opportunity happened, then great! I would love to. I have amazing musician friends, and we spoke about creating our own network and scene and collaborating. I would love that, but if it doesn't happen, I am at peace with it and will enjoy and honour what I have, prioritise my loved ones, and see how I can be of better service to others.


12.What are some of the bands or musical styles you are currently listening to nowadays?  

I wish I had more time; there is so much music to listen to and discover. At the moment, I try to make time to listen to what my friends release on Bandcamp. I listen to Zeresh, a one female band with a very unique tone, sound and atmosphere. I also listen to Kate Arnold, who does electro-mediaeval loopery on hammered dulcimer, violin, and vocals, also unique and beautiful. I try as well to make time to listen to new artists or artists I don't know on Bandcamp, YouTube, etc. I am listening to this fabulous artist called Kakushin Nishihara, a performer of a traditional instrument, the Satsuma Biwa (a five-stringed Japanese lute). She blends that with noise and experimental music. When I can make time to listen to more music, because life can get in the way, there will be Thantifaxath, Tom Yorke. A few days ago, I was introduced to Oranssi Pazuzu, and I loved it. I know they have been around for some time, but I didn't know them. Last week I listened to the last Sleepytime Gorilla Museum album, and as I expected from them, it was mind-blowing! I listen to black metal, death metal, contemporary classical, avant-garde, British 80's new wave, punk, pop, traditional folk music from various countries, fusion, grunge, electro, trance, goth, soul, industrial and the list goes on.


13.Before we wrap up this interview, do you have any final words or thoughts?  

Yes, thank you so very much for inviting me to this interview and for giving musicians and artists exposure and the opportunity to express themselves.


 https://www.fradejasproductions.com/

Wednesday, March 20, 2024

Malevich/Trembling And Dowsed/Roman Numeral Records/2024 EP Review

 


  Malevich  are  a  band  from  Atlanta,  Georgia  that  plays  an  experimental  mixture  of  dissonant  black,  sludge  metal  and  post  hardcore  and  this  is  a  review  of  their  2024  ep  "Trembling  And  Dowsed"  which  will  be  released  in  April  by  Roman  Numeral  Records.


  Distorted  beats  start  off  the  ep  along  with  some  synths  a  few  seconds  later  before  going  into  a  heavier  sludge  metal  direction.  Vocals  are  mostly  angry  sounding  hardcore  style  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody  along  with  the  music  also  having  its  experimental  moments.


  Some  of  the  screams  also  add  in  touches  of  black  metal  while  the  riffs  also  go  into  a  dissonant  direction  at  times.  Growls  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  music  also  adding  in  a  decent  amount  of  blast  beats  and  grindcore  influences  when  it  speeds  up  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  slide  guitars  can  also  be  heard  briefly  and  the  clean  sections  also  add  in  post  rock  elements  and  clear  vocals.    


  Malevich  plays  a  musical  style  that  takes  dissonant  black,  sludge  metal,  post  hardcore  and  experimental  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  existential  dread  and  the  oppressive  systems  under  capitalism.


  In  my  opinion  Malevich  are  a  very  decent  sounding  experimental  mixture  of  dissonant  black,  sludge  metal  and  post  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Red  To  Gold"  and  "Inaliencable".  7  out  of  10.


  https://www.youtube.com/watch?v=R8fH5r8NKI8      

Friday, March 15, 2024

Eyriahrk Nunshkar/Self Titled/2024 EP Review

 


  Eyriahrk  Nunshkar  are  a  solo  project  from  the  United  Kingdom  that  plays  an  avant  garde,  experimental,  progressive  and  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  titled  and  self  released  2024  ep.


  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  the  clear  singing  also  gives  the  music  more  of  an  avant  garde  feeling.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  elements  of  doom  metal  can  be  heard  in  the  slower  sections  of  the  songs  and  a  couple  of  tracks  are  also  long  and  epic  in  length.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  clean  sections  also takes  the  music  into  more  of  a  progressive  direction.  At  times  the  recording  also  gets  very  experimental  sounding  along  with  some  synths  also  being  utilized  on  a  couple  of  tracks.


O)one  song  also  adds  in  some  spoken  word  parts  and  whispers  as  well as  the  music   also  adding  in some  industrial,  drone  and  ritualistic  touches  and  on  the  closing  track  a  brief  use  of  fast  tremolo  picking  and  blast b eats  can  also  be  heard.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  are  written  in  a  mixture  of  English,  French  and  Maori  and  cover  the  human  psyche.     


  In  my  opinion  Eyriahrk  Nunshkar  are  a  very  great  sounding  avant  garde,  progressive,  experimental  and  melodic  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Oblivious  Etymology"  and  "Taura  Hiriwa".  8  out  of  10.


  https://youtu.be/3KB-bSMKwI8

https://youtu.be/k4vkwucbek4

https://www.facebook.com/EyriahrkNunshkar

https://www.instagram.com/eyriahrk.nunshkar_/

https://www.youtube.com/@EyriahrkNunshkar

https://www.youtube.com/@EyriahrkNunshkar

https://open.spotify.com/artist/2ef2MXyExtaxhDqwhBvGi3

https://eyriahrknunshkar.bandcamp.com/

https://music.apple.com/us/artist/eyriahrk-nunshkar/1733739020

https://soundcloud.com/eyriahrk-nunshkar  

Saturday, February 24, 2024

Martikor/Acedia/2024 Full Length Review

 


  Martikor  are  a  band  from  San  Francisco,  California  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  an  atmospheric  and  experimental  mixture  of  black,  sludge  and  post  metal  and  this  is  a  review  of  their  self  released "Acedia"  which  will  be  released  in  April.



  Distorted  sounds  and  clean  playing  starts  off  the  album  while  spoken  word  parts  can  also  be  heard  in  the  background  briefly  before  going  into  a  heavier  post  metal  direction.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  the  slower  sections  of  the  songs  also  adding  in  elements  of  sludge  metal.


  Vocals  are  mostly  high  pitched  black  metal s creams  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  music  also  going  into  on  experimental  direction  in  certain  sections  of  the  album.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length.  Keyboards  are  also  utilized  quite  a  bit  throughout  the  album,  clear  vocals  are  also  added  on  some  of  the  songs,  acoustic  guitars  can  also  be  heard  briefly  and  when  the  music  speeds  up  a  small  amount  of  tremolo  picking  and  blast b eats  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  mourning  and  brief  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Martikor  and  if  you  are  a  fan  of  atmospheric  and  experimental  black,  sludge  and  post  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Soothing  Rattle"  "A  Tremor  In  Infinity"  and  "Acedia".  8  out  of  10.


  https://music.apple.com/gb/artist/martikor/1704566355

https://martikor.bandcamp.com/

https://www.facebook.com/Martikor/

https://www.instagram.com/martikor_music/

https://open.spotify.com/artist/5ZSJqYpRZHEdHw7P9LQYHg?si=td7eKsfITxePqQ8Yl_HAPA&nd=1&dlsi=5f1dac65c5884eb3

https://www.youtube.com/channel/UCpt6kcAnWrlfoccf9xnkATQ  

Thursday, December 21, 2023

Tele.S.Therion/Lunurumh/Hinthv Ritvvm [Riteet v ZHinthv]/Radical Matters/2020 Collaboration Album Review

 


  This  is  a  review  of  another  collaboration  between  Italy's  Tele.S.Therion  and  Lunurmh  which  shows  the  music  going  for  a  ritualistic  and  'acousmatic'  style  of  black  metal  and  the  album  was  originally  released  in  2020  and  called  "Hinthv  Ritvvm  [Riteet  v  ZHinthv]"  which  was  released  by  Radical  Matters.


  Field  recordings  and  ritualistic  whispers  start  off  the  album  which  also  adds  in  a  touch  of  occult  black  metal,  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  spoken  words  and  chants  are  also  utilized  quite  a  bit  throughout  the  recording  and  avant  garde  style  soundscapes  are  also  added  into  the  background.


  At  times  the  vocals  also  get  very  demonic  sounding  while  one  song  also  introduces  elements  of  noise  onto  the  recording.  Bass  guitars  are  also  added  into  certain  sections  of  the  album  which  also  adds  in  slow  riffs  that  are  heavily  influenced  by  doom  emtal  along  with  the  album  also  having  its  experimental  moments,  each  track  also  sounds  very  different  from  each  other.  and  all  of  the  music  is  also  improvised  and  the  closing  song  also  adds  in  a  couple  of  minutes  of  silence.


  On  this  recording  Tele.S.Therion  and  Lunurmh  take  black,  doom  metal,  noise,  experimental,  avant  garde  and  ritual  and  mix  them  together  to  create  a  very  diverse  recording.  The  production  sounds  very  dark  while  the  lyrics  are  based  upon  Etruscan  and  Sumerian  Rituals.


  In  my  opinion  this  is  another  great  sounding  collaboration  between  Tele.S.Therion  and   Lunurmh  and  if  you  are  a  fan  of  black,  doom  metal,  avant  garde,  experimental,  noise  and  ritual,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Maqlu  Surpu"  "Liber  Linteus"  and  "The  Etruscan  Liver".  8  out  of  10.


  https://telestherion.bandcamp.com/album/hinthv-ritvvm-riteet-v-hinthv          

Wednesday, December 20, 2023

Tele.S.Therion/Lunurumh/Liber Linteus Zagabriensis - LLZ [Ao - 4MN c​.​P22AT +x] - For voice Solo (Paper gramophone)/Radical Matters/2020 Collaboration Album Review

 


  This  is  a  review  of  a  collaboration  between  Italy's  Tele.S.Therion  and  Lunurumh  that  goes  for  a  ritualistic  and  'acoumatic'  style  of  black  metal  and  this  is  a  review  of  their  album  "Liber  Linteus Zagabriensis  -  LLZ  [Ao  -  4MN  c​.​P22AT  +x]  -  For  voice  Solo  (Paper  gramophone)"  which  was  released  by  Radical  Matters.


  Whispered  vocals  start  off  the  album  along  with  some  ritualistic  spoken  word  parts  a  few  seconds  later.  Some  of  the  deeper  vocals  also bring  in  elements  of  black  metal  while  all  of  the  tracks  are  also  very  long  and  epic  in  length  while  field  recordings  and  electronic  sounds  are  also  introduced  on  the  second  track.


  All  of t he  songs  also  sound  very  different  from  each  other  while  the  album  is  also  very  heavily  rooted  in  an  avant  garde  style  along  with  one  track  also  adding  in  a  few  seconds  of  silence  and  elements  of  noise  are  added  on  the  closing  song  and  all  of t he  music  is  also  improvised.


  On  this  recording  Tele.S.Therion  teams  up  with  Lunurumh  and  goes  for  mostly  a  ritualistic  appproach  with  this  rleease  while  the  production  sounds  very  dark  and  the  song  themes  focus  more  on  occult  rituals.


  In  my  opinion  this  is  a  very  great  sounding  collaboration  between  Tele.S.Therion  and  Lunirumh  and  if  you  are  a  fan  of  avant  garde  and  ritualistic  music  with  touches  of  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACK  "Liber  Linteus  Zagabriensis  -  LLZ  [Ao  -  4MN  c.P22AT  +x]  -  Paper  gramophone  with  three  cones".  8  out  of  10.


  https://telestherion.bandcamp.com/album/liber-linteus-zagabriensis-llz-ao-4mn-c-p22at-x-for-voice-solo-paper-gramophone     

Tuesday, December 19, 2023

Tele.S.Therion/Nature Unveiled/Radical Matters/2020 Full Length Review

 


  This  is  a  review  of  another  recording  from  Italy's  Tele.S.Therion  which  shows  them  expanding  on  the  acousmatic  style  of  black  metal  and  the  album  was  released  in  2020  by  Radical  Matters  and  called  "Nature  Unveiled".


  Dark  soundscapes  start  off  the  album  along  with  some  power  electronics  a  few  seconds  later  while  the  music  also  gets  very  ritualistic  sounding  at  times.  All  of  the  tracks  are  also  very  long  and  epic  in  length  as  well  as  some   voices  and  chants  also  being  added  into  the  background on  a  couple  of  tracks.   


  Elements  of  black  and  doom  metal  are  also  added  into  certain  sections  of  the  recordings  while  the  bass  guitars  also  enhance  the  heaviness  of  the  album.  At  times  the  music  also  gets  very  apocalyptic  sounding  along  with  each  song  also  sounding  very  different  from  each  other  as  well as  all  of  the  music  also  being  improvised,  radio  receivers  and  harsh  noises  can  also  be  heard  in  certain  sections  of  the  album.


  On  this  recording  Tele.S.Therion  went  more  experimental  and  ritualistic  sounding  as  well  as  only  adding  in  small  touches  of  black  and  doom  metal.  the  production  sounds  very  dark  while  the  songs  themes  are  based  upon  Current  93's  "Nature Unveiled".


  In  my  opinion  this  was  another  great  sounding  album  from  Tele.S.Therion  and  if  you  are  a  fan  of  experimental,  ritual,  noise,  black  and  doom  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "I -pt. I"  and  "II".  8  out  of  10.


https://telestherion.bandcamp.com/album/nature-unveiled  


      

Tele.S.Therion/Black Paintings XII - XV/Radical Matters/2020 Full Length Review

 


  This  is  a  review  of  another  recording  from  Italy's  Tele.S.Therion  which  is  also  done  in  a  'acousmatic  black  metal'  style  and  the  album  was  originally  recorded  in  2011  and  released  in  2020  and  called  "Black  Paintings  XII  -  XV"  which  was  released  by  Radical  Matters. 


  Dark  soundscapes  and  drones  start  off  the  album  along  with  some  noises  a  few  seconds  later  while  the  music  also  gets  very  experimental  and  avant  garde  sounding  at  times.  Elements  of  underground  industrial  can  also  be  heard  in  certain  sections  of  the  recording  and  most  of  the  album  sticks  to  an  instrumental  direction. 


  All  of  the  songs  also  sound  very  different  from  each  other  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Most  of  the  music  is  also  improvised  along  with  some  power  electronic  sounds  also  being  added  into  certain  sections  of  the  recording  which  also  takes  the  music  into  a  harsher  direction  and  when  bass  guitars  are introduced  on  the  album  they  also  add  in  the  heaviness  of  black  and  doom  metal  as  well  as  some  touches  of  ambient  also  being  mixed  in  at  times.


  On  this  recording  Tele.S.Therion  focused  more  on  an  experimental  noise  direction  with  some  touches  of  black  and  doom  metal  as  well  as  keeping  everything  instrumental  while  the  production  sounds  very  dark.


  In  my  opinion  this  was  another  great  sounding  recording  from  Tele.S.Therion  and  if  you  are  a  fan  of  experimental,  noise,  black  and  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "XIII"  and  "XV".  8  out  of  10.


  https://telestherion.bandcamp.com/album/black-paintings-xii-xv    

Sunday, December 17, 2023

Tele.S.Therion/The Chapel/Radical Matters/2020 Album Re-Issue Review

 


  This  is  a  review  of  an  earlier  recording  from  Italy's  Tele.S.Therion  which  displays  beginnings  of the  'acousmatic  black  metal  style'  and  the  album  was  originally  released  in  2011  and  called  "The  Chapel"  and  was  re-issued  in  2020  by  Radical  Matters.


  Ambient  style  soundscapes  and  electric  bass  guitar  sounds  start  off  the  album  while  the  music  also  brings  in  elements  of  noise.  All  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  songs  also  adding  in  a  lot  of  amplifier  distortion  as  well  as  going  into  a  very  ritualistic  direction  at  times.


  All  of  the  music  is  also  improvised  while  metaphonic  chants  can  also  be  heard  in  certain  sections  of  the  recording.  A  lot  of  the  album  also  mixes  in  elements  of  black  and  doom  metal  to  take  the  recording  into  more  of  a  heavier  direction  along  with  each  song  also  sounding  very  different  from  each  other.


  Field  recordings  and  drones  can  also  be  heard  on  certain  tracks  along  with  the  music  also  getting  very  experimental  and  avant  garde  sounding  at  times.  Most  of  the  music  also  sticks  to  an  instrumental  style  as  well  as  the  whole  album  also  remaining  true  to  a  slower  direction  while  the  production  sounds  very  dark.


  In  my  opinion  this  is  another  great  sounding  album  from  Tele.S.Therion  and  if  you  are  a f an  of  experimental  and  ritualistic  black  and  doom  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "I"  "IV"  and  "VII".  8  out  of  10.


  https://telestherion.bandcamp.com/album/the-chapel    


      

Tele.S.Therion/Wilderness Perversion/Grimoire XIII/Radical Matters/2020 Collaboration Album Review

 


  This  is  a  review  of  a  collaboration  between  Italy's  Tele.S.Therion  and  Wilderness  Perversion  better  known  for  his  work  in  Mortuary  Drape  and  the  music  goes  for  an  acousmatic  form  of  black  metal  and  the  album  is  called  "Grimoire  XIII"  and  was  released  in  2020  by  Radical  Matters.


  Grim  black  metal  vocals  and  ritualistic  chants  start  off  the  album  while  the  bass  guitars  bring  in  elements  of  doom  metal  and  are  used  as  a  lead  instrument  on  the  recording.  All  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  all  of  the  music  also  being  improvised  and  spoken  word  parts  can  also  be  heard  at times.


  The  album  also  has  its  experimental  and  avant  garde  moments  while  harsh  noises  and  drones  are  also  added  into  certain  sections  of  the  recording.  Sound  effects  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  demonic  voices  also  being  utilized  at  times  and  all  of  the  tracks  stick  to  a  slower  direction.


 On  this  recording  Tele.S.Therion  and  Wilderness  Perversion  mix  their  2  different  styles  together  and  create  a  very  ritualistic  and  experimental  sounding  album t hat  captures  the  heaviness  and  black  and  doom  metal  while  the  song  themes  focuses  on  grimoires  and  rituals.


  In  my  opinion  this  is  a  very  great  sounding  collaboration  between  Tele.S.Therion  and  Wilderness  Perversion  and  if  you  are  a  fan  of  experimental  and  ritualistic  black  and  doom  metal,  you  should  check  out  this  album.  8  out  of  10.


  https://telestherion.bandcamp.com/album/grimoire-xiii     


      

Tuesday, December 5, 2023

Tele.S.Therion/Black Paintings VIII-XI/Radical Matters/2020 Full Length Review

 


  This  is  a  review  of  an  earlier  recording  from  Italy's  Tele.S.Therion  which  shows  their  early  style  of  acoustomatic  black  metal  and  this  is  a  review  of  their  album  "Black  Painting  VIII-XI"  which  was  originally  produced  in  2011  and  released  in  2020  by  Radical  Matters.


  Dark  soundscapes  and  noises  start  off  the  album  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  At  times  the  music  captures  a  very  lo-fi  atmosphere  along  with  some  drones  also  being  utilized  in  certain  sections  of t he  recording  and  the  bass  guitars  add  in  the  heaviness  of  black  and  doom  metal.


  All  of  the  music  is  also  instrumental  while  all  of  the  songs  also  sound  improvised  while  the  percussions  also  add  in  some  ritualistic  touches.  All  of t he  tracks  also  sound  very  different  from  each  other  along  with  the  album  also  adding  in  harsh  noises  that  are  done  by  amplifiers   mixed  in  with  some  power  electronics.


  On  this  recording  Tele.S.Therion  took  black,  doom  metal,  noise,  experimental  and  drone  and  mixed  them  together  to  create  a  very  diverse  recording  that  was  heavier  than  current  releases  as  well  as  keeping  everything  instrumental  while  the  production  sounds  very  dark.


  In  my  opinion  this  was  another  great  sounding  recording  from  Tele.S.Therion  and  if  you  are  a  fan  of  black,  doom  metal,  drone,  noise  and  experimental,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Black  Paining  VIII"  and  "Black  Painting  XI".  8  out  of  10.


  https://telestherion.bandcamp.com/album/black-paintings-viii-xi

Monday, December 4, 2023

Tele.S.Therion/Pho Ba Grong 'Jug - Acta incognitorum, r. g. i. v. VIII TA - Contemplatio Musicae In Musicae Absentia [For solo performer]/Radical Matters/2023 FUll Length Review

 


  Italy's  Tele.S.Therion  has  returned  with  a  new  recording  which  shows  them  expanding  on  their  acoustomatic  style  of  black  metal  and  this  is  a  review  of  their  2023  album  "Pho  Ba  Grong  'Jug - Acta  incognitorum,  r. g. i. v.  VIII  TA  -  Contemplatio  Musicae  In  Musicae  Absentia  [For  solo performer]"  which  was  released  by  Radical  Matters.


  Field  recordings  start  off  the  album  before  going  into  more  of  an  experimental  and  avant  garde  musical  direction.  All  of  the  music  is  also  improvised  while  viola  bow's  are  also  a  very  huge  part  of  the  recording  along  with  the  electric  bass  also  being  utilized  more  as  a  lead  instrument  and  the  album  also h as  its  ritualistic  moments.


  Elements  of  black  and  doom  metal a re  also  utilized  quite  a  bit  throughout  the  recording  while  noises  are  also  added  into  some  part  of  the  album.  When  percussion  is  utilized  it  is  also  done  in  a  very  aggressive  style  along  with  the  music  also  adding  in  some  home  made  instruments,  evil  voices  are  also  utilized  at  times.


  On  this  recording  Tele.S.Therion  takes  black,  doom  metal,  experimental,  avant  garde  and  noise  and  mixes  them  together  to  create  a  very  diverse  album  as  well  as  keeping  everything  improvised  while  the  production  sounds  very  dark,


  In  my  opinion  this  is  another  great  sounding  recording  from  Tele.S.Therion  and  if  you  are  a  fan  of  black,  doom  meta,  noise,  avant  garde  and  experimental  music,  you  should  check  out  this  album.  8  out  of  10.


  : https://telestherion.bandcamp.com

 : https://www.youtube.com/watch?v=CzJNIhYbowY    


    

Sunday, October 22, 2023

Tele.S.Therion/VERB.D.SVM C.S.T ARCON/Radical Matters/2023 Full Length Review

 


  Italy's  Tele.S.Therion  has  returned  with  a  new  recording  which  shows  them  expanding  on  their  acousmatic  style  of  black  metal  and  this  is  a  review  of  their  2023  album  "VERB.D.SVM  C.S.T  ARCON"  which  will  be  released  on  Halloween  by  Radical  Matters.


  Dark  soundscapes  and  drones  start  off  the  album  while  also  adding  in  some  heavy  guitar  riffing  that  is  very  heavily  rooted  in  black  and  doom  metal.  At  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  along  with  the  percussion  also  taking  the  recording  into  more  of  a  ritualistic  direction.


  The  only  track  that  is  presented  on  this  recording  is  also  very  close  to  being  80  minutes  in  length  while  a  lot  of  the  music  also  sounds  improvised.  Trumpets,  trombones  and  daxophones  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  distorted  guitar  amp  sounds  also  adding  in  touches  of  noise.


  The  whole  album  also  sticks  to  an  instrumental  direction  along  with  the  music  also  getting  more  diverse  sounding  as  the  track  progresses.  At  times  the  music  also  captures  the  atmosphere  of  nightmares  and  violent  hallucinations  as  well  as  some  fast  drumming  and  blast beats  also  being  utilized  briefly  and  after  almost  an  hour  piano's  are  also  introduced  onto  the  recording,  a  small  amount  of  melody  can  also  be  heard  in  some  of  the  guitar  riffing  while  the  production  also  sounds  very  dark.


  In  my  opinion  this  is  another  great  sounding  recording  from  Tele.S.Therion  and  if  you  are  a  fan  of  avant  garde,  experimental  and  ritualistic  black  and  doom  metal,  you  should  check  out  tihs  album.  8  out  of  10.


  www.youtube.com/watch?v=Wte3JaCtl9Y

https://telestherion.bandcamp.com              

Sunday, July 16, 2023

Nibiru/Anamorphosis/Argonauta Records/2023 Full Length Review

 


  Nibiru  are  a  band  from  Italy  that  plays  a  ritualistic  and  psychedelic  mixture  of  black,  sludge,  doom  metal  and  drone  and  this  is  a  review  of  their  2023  album  "Anamorphosis"  which  was  released  by  Argonauta  Records.


  Heavy  breathing  starts  off  the  album  along  with  some  drones  and  ritualistic  soundscapes  a  few  seconds  later.  The  only  song  that  is  presented  on  this  recording  is  also  over  55  minutes  in  length  while  the  music  also  has  its  experimental  and  avant  garde  moments  and  harsh  noises  can  also  be  heard  at  times.


  When  tribal  percussion  is  utilized  they  also  enhance  the  occult  atmosphere  of  the  music  while  a  lot  of  the  album  also  sounds  improvised.  Grim  yet  high  pitched  sounding  black  metal  screams  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  spoken  word  parts  also  calling  upon  the  ancient  spirits  when  they  are  utilized.


  Elements  of  doom  and  sludge  metal  can  also  be  heard  in  the  slower  sections  of  the  song  along  with  the  bass  guitars  also  giving  the  music  a  lot  more  heaviness  when  they  are  introduced  on  the  album,  Keyboards  and  organs  are  also  added  into  some  parts  of  the  album  as  well  as  some  clear  singing  also  being  utilized  briefly.  The  production  sounds  very  dark  while t he  lyrics  cover  the  Enochian  keys,  the  writings  of  Aliester  Crowley,  Austin  Osman  Spare,  Kenneth Grant  and  Psychiatric  Essays.


  In  my  opinion  Nibiru  are  a  very  great  sounding  ritualistic  and  psychedelic  mixture  of  black,  sludge,  doom  metal  and  drone  and  if  you  are  a  fan  of t hose  musical  genres,  you  should  check  out  this  band.  8  out  of  10.


  https://youtu.be/RI_4viJaNZ0


https://nibiru667.bandcamp. com/

https://www.facebook.com/ nibiruritual    


    

Pylar/Limyte/Cavsas/Cyclic Law/2023 Full length Review

 


  Pylar  are  a  band  from  Spain  that  plays  a  mixture  of  black,  sludge,  doom  metal,  drone,  experimental,  ritual  and  psychedelia  and  this  is  a  review  of  their  2023  album  "Limyte"  which  was  released  as  a  joint  effort  between  Cavsas  and  Cyclic  Law.


  Ritualistic  soundscapes  and  drones  start  off  the  album  along  with  some  psychedelic  sounds  a  few  seconds  later.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  clear  chants  also  being  utilized  briefly  as  well  as  some  clean  playing  also  being  added  into  certain  sections  of  the  recording.


  Some  of t he  drum b eats  also  bring  in  more  of  a  shamanistic  atmosphere  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Elements  of  sludge  and  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  and  grim  black  metal  screams  can  also b e  heard  at  times.


  A  lot  of  the  music  also b rings  in  more  of  an  improv  atmosphere  along  with  the  songs  also  bringing  in  a  decent  amount  of  clean  playing  as  well  as  some  blast  beats  also  being  utilized  when  the  music  finally  speeds  up.  The  production  sounds  very  dark  while  the  lyrics  cover  the  writings  of  Francisco  Jot-Perez,  Occult  Sciences,  Paganism,  Mysticism,  The  Sacred,  Superstition  and  Cosmic  Horror  themes.


  In  my  opinion  Pylar  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  metal   drone,  experimental,  ritual  and  psychedelia  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Limite".  8  out  of  10.


  

http://www.pylar.bandcamp.com
http://www.facebook.com/PPYLARR

http://www.instagram.com/pylar_the_band