Nefarious Grime Interview

 

 1. Can you give us an update on what is going on with the musical project these days? 

I am currently working on 7 different projects for Nefarious simultaneously! 

2 different splits with different artists from all around the world. 

1 Goth EP and Single 

A compilation of my Noise/ Avant Garde music  

Working on an Industrial track 

And a lo-fi Dungeon Synth album 

 

2.Recently you have released a new EP; musically how does it differ from the stuff you have released in the past? 

It differs in the quality of sound and composition mostly. There is now a level of sophistication and proper structure that I’m aiming for. I usually would just improvise everything in the past and not actually compose with a goal in mind. It was a very intuitive way of writing.  

 

3.Originally the project started out more with a darkwave style while the new release shows more of a black metal style. What was the decision behind going into this musical direction? 

Black Metal has been a genre I have had a deep, long intimate love and appreciation for. It’s a genre I’ve always been curious to play and explore but never got the chance to until a year ago when my friend Vinnie of Voidrium added me to a Black Metal fest and that’s when I decided this would be the perfect opportunity to try my hand at it and see what I would come up with. I was just doing it for fun and challenging myself with something new. I never thought it would take flight and be as successful as it has been.  

 

4. What are some of the lyrical topics and subjects you explore with the new release and also how would you describe your progress as a songwriter over the years? 

My subject matter has always been and will always be of a dark, morose, and gothic nature for the most part. On my EP “Death is Immortal” I create fictional stories about vampires with insatiable hunger, resurrection through necrophilia and demonic dominions, but also touching on our own mortality and human plight such as regret, guilt and sorrow as well as the power and beauty of nature.  My older works didn’t have as much dark fiction as this EP does. For example, “A Broken Curse”, was mostly about betrayal, revenge and seeking guidance from ancestral spirituality to purify the soul from generational curses. Although it did have one vampire song also! I guess you can say I was flirting with the dark fiction back then.  

 

5. What is the meaning and inspiration behind the name 'Nefarious Grime? 

I was playing on the thought of Tautology where different words or phrases are framed side by side but have repeated meanings or ideas, in other words a form of redundancy. The word “Nefarious” means having wicked, evil or villainous characteristics coupled with “Grime” which indicates being dirty or filthy. Placed together basically means Evil Filth or Wicked Dirt, and it’s assumed dirt can be wicked, and filth can be evil. At the end of the day, it’s just a play on words and somewhat describing my tastes within music and the arts as well. I was raised and indoctrinated into Christianity, so my entire youth revolved around purity, and this was my way to rebel against that as well.  

 

 

6.Can you tell us a little bit more about the artwork that is presented on the new ep cover? 

The artwork is a direct representation of how I see myself when I’m in character and on stage; A hot and sensual vampire Queen, hypnotizing the masses with my banshee screams. 

 

7.With this project you record everything by yourself but have experience working with musicians in other bands, do you prefer to work solo? 

I recorded the bass, keyboards, and vocals for the EP and did have help from my sound engineer who not only mixed and mastered all the songs but provided customized guitar parts for them too. The drums were drum tracks I found online.  

While I do love and enjoy playing in a band with a group of people, performing by myself is also equally rewarding and boosts my confidence in my ability to hit those vocal queues seamlessly and have a solid stage presence. It's also easier to be solo, especially when you don’t have to rely on anyone’s schedule or financial state to take the plunge and perform out of town.  

 

8. What are some of the best shows that you have done with this project and how would you describe your stage performance?  

So far, I really loved the support and energy when I performed in Portland, Oregon. It is significant because that was the 2nd out of state show I did as my solo project (Arkansas being the 1st which was also a great experience but didn’t yield as many people). So, it is a huge milestone for me as well. Although I will mention playing Florida Dungeon Fest in Orlando, FL also came close to that as the vibes and response there were immaculate too.  

 

9. Do you have any touring or show plans for the future? 

Yes. My next adventure will be performing in Queens NY at The Bunker April 30th, 2026. After that, I hope to conquer Seattle in June, have a do-over in Arkansas at an actual venue in September, and try to play Colorado and maybe Ohio later in the year if possible. However, I am open to playing fests or other lineups elsewhere; I will go where I’m wanted basically.  

 

 

10.On a worldwide level how has the reaction been to your music by fans of black and gothic metal? 

Surprisingly enough, there has been a HUGE appreciation for my flavor of Black Metal worldwide, from Spain to Australia, Germany and even Japan. I’ve gained fans from all over the world quite rapidly.  

 

11. Are you involved with any other bands or musical projects these days? 

YES XD. Way too many! But I genuinely enjoy them all.  

 

Local Projects: 

I’m the vocalist for Old School Death Metal outfit, Amenorrhea. 

 

Keyboardist and vocalist for Sludge/Doom band Snake Healer.  

 

Bassist for Post Punk duo His Panic.  

 

I’ve got a secret Black Metal project with a full lineup here in Miami. Details of this project are anticipated to be released soon, I hope! 

 

Out of Town projects: 

I’ve got a black metal project with my friend from Canada called Souffrance Eternelle; I do keyboards and vocals/ compose lyrics for that.  

 

I’ve got a goth project with a friend from Massachusetts who used to live in Miami called Martyr Opera. Slow progress with it, but the intention to start is there.  

 

I’ve got a Melodic Doom Death project called Somber Embrace with 2 friends from Virginia. We are slowly building the song structures and so far, we have about 5 songs. 

 

As mentioned earlier, I’m working on a Black Metal split with my friend in Denial of Death from Germany and a secondary split with a compilation of artists from California, Mexico and other parts of the States.  

 

Projects worth mentioning; Hiatus or Dead bands: 

My first band ever was Bullethorn; A Post Instrumental Doom project I played drums for. Apocalyptic Assault; a thrash project I played drums for. 

Dog Night Terror; a dark Punk project I also played drums for. 

 

 

 

12.Where do you see yourself heading into as a musician during the future? 

My hope is to play large festivals, not just in the States but out of the country as well.  

And eventually traveling more frequently to perform and getting a substantial allowance from that so I can continue doing what I love and eventually live off my art and music. Every artist's goals really! 

 

 

13. What are some of the bands or musical styles you are currently listening to nowadays? 

I’m highly eclectic with genres and constantly rotating the music I listen to based on my mood. I’m currently obsessed with Pillorian. 

Bongripper and Sexual Purity are always in rotation though.  

 

14. Does Occultism play any role in your music? 

Occultism plays a huge part in my music and aesthetics. And the next few albums will certainly dive deeper into more occult themes that are probably more obscure and not as touched upon. I’m highly curious and inquisitive, so I love to explore many different themes within the Occult spectrum. Watching documentaries, spiritual/ metaphysical lectures, and doing research about certain topics is one of my favorite things to do.  

 

15. Before we wrap up this interview, do you have any final words or thoughts? 

Don’t be afraid to do things on your own. You don’t really have to depend or rely on anyone but yourself to get the job done. It’s ok to get help when needed, but you should be the master of your own craft and orchestrate your own moves at your own pace. Try to always create daily and take small steps toward your goals. It's ok to sometimes do nothing and rest when needed. When inspiration comes, DO NOT STOP, let that energy flow through you. Don’t feel discouraged if you go for a long time without creating or feeling unmotivated to start; your talent and skills never really leave you. Think of it as if you are just marinating in your creative juices, anticipating the stove of willpower to turn on so you can COOK.  

https://www.facebook.com/NefariousGrime666

Nefarious Grime/Death Is Immortal/Hypnotic Dirge Records/2026 EP Review

 

  Nefarious  Grime  are  a  band  from  Florida  that  plays  a  gothic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2026  ep  "Death  Is  Immortal"  which  was  released  by  Hypnotic  Dirge  Records.

  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  the  keyboards  also  add  in  some  gothic  and  symphonic  elements.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  riffs  also  adding  in  a  great  amount  of  melody  as  well  as  the  solos  and  leads  are  also   being  done  in  a  very  melodic  style.

  Most  of  the  music  is  also  very  heavily  rooted  in  the  90's  era  of t he  genre  while  some  tracks  also  add  in  operatic  female  vocals.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  along  with  a  couple  of  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.

  Nefarious  Grime  plays  a  musical  style  that  goes  back  to  the  90'[s  era  of  gothic  and  symphonic  black  metal.  The  production  sounds  very  old  school  while  the  lyrics  cover  Vampirism,  Occultism ,  Necromancy,  Death  and  Horror  themes.

  In  my  opinion  Nefarious  Grime  are  a  very  great  sounding  symphonic  and  gothic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Evil  Dead"  and  "Mountain  Frost".  8 out  of  10.

  https://hypnoticdirgerecords.bandcamp.com/album/death-is-immortal  

Evoked Eclipse/The Cries Of Evil/Club Inferno Ent./2026 Full Length Review

 

  Evoked  Eclipse  are  a  band  from  Italy  that  plays  an  atmospheric  and  melodic  mixture  of  black,  gothic  doom  and  death  metal  and  this  is  a  review  of  their  2026  album  "The  Cries  Of  Evil"  which  will  be  released  in  February  by  Club  Inferno  Ent..

  Atmospheric  sounding  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  and  also  adds  in  a  gothic  touch.  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  recording  while  the  riffs  also  add  in  a  lot  of  melody  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  faster  sections  of  the  songs  also  add  in a  great  amount  of  tremolo  picking  and  blast b eats.  A  lot  of  the  music  is  very  heavily  rooted  in  the  90's  Swedish  style  along  with  the  recording  also  adding  in  a  lot  of  influences  from t he  more  melodic  style  of  death  metal.

   Clean  playing  is  also  utilized  at  times  along  with  one  track  also  adding  in  a  brief  use  of  female  vocals.  Spoken  words  can  also  be  heard  briefly  along  with  a  couple  of  tracks  being  instrumentals  and  some  of  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  growls  are  also  introduced.  The  production  sounds  very  professional  while  the  lyrics  cover  Darkness  and  Evil  themes.

  In  my  opinion  Evoked  Eclipse  are  a  very  great  sounding  atmospheric  and  melodic  mixture  of  black,  gothic  doom  and  death  metal  and  if  you  are a   fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Cries  Of  Evil"  and  "Illusions  Of  The  Lie".  8  out  of  10.

  https://www.facebook.com/evokedeclipse     

Kalrog Naar/Archeogothik Vol. 1/Kalrog Records/2025 Full Length Review

 

  Kalrog  Naar  are  a  solo  project  that h as  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  epic,  romantic  and  fantasy  themed  form  of  dark  metal  and  this  is  a  review  of  his  2025  album  "Archeogothik  Vol.  1"  which  was  released  by  Kalrog  Records.

  Programmed  beats  and  keyboards  start  off  the  album  which  also  adds  in  elements  of  goth  metal  and  mixes  in  with  the  heavier  sections  of  the  songs.  A  lot  of  the  vocals  are  also  done  in  a  clear  singing  style  mixed  in  with  some  grim  black  metal  screams  and  when  the  music  speeds  up  a  decent  amount  of  blast b eats  can b e  heard.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  most  of  the  album  is  very  heavily  rooted  in  more  of  dark  metal  style.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  some  of  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  clean  playing  can  also  be  heard  at  times  and  there  are  also  some  Death  SS,  Savage,  Opus  and  In  Ketton  covers.  

  In  his  recording  Kalrog  Naar  goes  for  more  of  a  mixture  of  goth  and  dark  metal  with  some  touches  of  black  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  fantasy  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Kalrog  Naar  and  if  you  are  a  fan  of  epic,  romantic  and  fantasy  themed  dark  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Monster"  "The  Nightmare"  "Burning  Down  The  Hell"  and  "Verlassen".  8  out  of  10.

  https://www.youtube.com/watch?v=5TwYKhtGPvA  

  

W.E.B/Darkness Alive/Metal Blade Records/2026 Live Album Review

 

  Greece's  W.E.B  have  returned  with  a  new  recording  which  they  take  their  symphonic  mixture  of  black  and  gothic  metal  to  the  live  stage  and  this  is  a  review  of  their  album  "Darkness  Alive"  which  will  be  released  in  2026  by  Metal  Blade  Records.

  Live  audience  reaction  start  off  the  album  along  with  some  folk  instruments  a  few  seconds  later  while  also  introducing  symphonic  and  orchestral  elements  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  angry  sounding  black  metal  screams  while  operatic  vocals  are  also  utilized  at  times.

  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Touches  of  gothic  metal  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats.

   Melodies  are  also  added  into  some  of  the  guitar  riffing  as  well  as  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  couple  of  the  tracks  also  being  long  and  epic  in  length.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Darkness  and  Armageddon  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  W.E.B  and  if  you  are  a  fan  of  symphonic  black  and  gothic  metal,  you  should  check  out  this  live  album.  RECOMMENDED  TRACKS  INCLUDE  "Crimson  Dawn"  "Into  Hell  Fire  We  Burn"  "Necrology"  and  "Eigios".  8  out  of  10.

  https://webmetalband.com

https://www.facebook.com/webdarkness

https://www.instagram.com/webdarkmetal

https://www.youtube.com/@WEBbandOfficial

https://x.com/webdarkmetal  

  

Abscence Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the band?

Abscence is a symphonic black/gothic metal band born in the shadows of Yorkshire. At our core, we’re storytellers we take the grand emotional palette of gothic romanticism and fuse it with the frostbitten atmosphere of black metal. The band consists of Gawain, who shapes the orchestral and compositional backbone; Morrigan, whose bass work and dual vocal style (haunting cleans and fierce growls) define our emotional range; Aethra on guitars, bringing both aggression and melody; and Glen Veldman, whose drumming provides precision, brutality, and ritualistic pulse.

Our music is drenched in atmosphere. We treat every album, every song, as a world. With Enigma, our debut, we introduced listeners to our cinematic approach dark, raw, symphonic and we’ve been expanding that universe ever since under Wormholedeath Records.

2. You recently released a new album—what musical direction did you aim for with Enigma?

Enigma was our declaration of identity. We didn’t want a hyper-polished modern metal record. Instead, we wanted something that felt alive fragile in the right places, feral in others.

The musical style lies at the crossroads of symphonic black metal, gothic metal, and classical influences. Gawain’s orchestral arrangements shaped the atmospheric backbone; the keyboards behave like another narrative voice. Morrigan’s vocals became the emotional flashpoint her clean passages carry sorrow, while her brutal vocals tear through the more intense climaxes.

Aethra’s guitars are sharp, melancholic, and dynamic, and Glan’s drumming pushed the album into harsher territory: relentless blasts, cinematic swells, and ritualistic rhythms.

We aimed for drama, emotion, and honesty and we didn’t shy away from keeping small imperfections that preserved the human touch of the record.

3. The lyrics form a concept album—what story does Enigma tell?

Enigma is a romantic tragedy wrapped in vampiric myth. It follows two immortal women, bound by a love that transcends centuries yet is constantly threatened by time, betrayal, and darkness. Their devotion is both salvation and curse.

The album follows their journey:

– their first meeting in secrecy

– their transformation

– their vows under moonlit skies

– their descent into obsession

– the sacrifices they make to remain together

– and the haunting stillness of eternity that follows them

It’s a story about how love can become monstrous, beautiful, and eternal all at once. Every track is a piece of their emotional landscape.

4. What inspired the name Abscence?

The name represents the emotional void inside every human being—the hollow ache left by lost love, grief, or longing. We selected the altered spelling deliberately. Abscence feels slightly “wrong” to the eye, like a forgotten term from worn-out folklore or an inscription found in a ruined chapel.

It symbolizes our musical philosophy: beautiful imperfection, emotional honesty, and the spaces between light and shadow.

5. Tell us about the artwork for Enigma.

The artwork embodies the core theme of the album: eternal love forged in darkness.

The imagery of spectral figures, crimson hues, and symbolic patterns encapsulates the delicate balance between beauty and torment. The artwork isn’t just aesthetic it’s part of the narrative. The cover looks like a moment frozen in time from the vampires’ story, capturing their tragic devotion.

We wanted something that could stand both as folklore and as a cinematic still.

6. Your stage names are inspired by Arthurian legends and Celtic Mythology. Can you explain your connection to these themes?

We’ve always gravitated toward mythologies steeped in tragedy, prophecy, and mysticism. Arthurian legends and Celtic lore contain all the elements we channel into our music: doomed heroes, witches, forbidden love, sacrifice, and magic.

Our chosen names Gawain, Morrigan, and Aethra reflect archetypes we align with artistically. They’re not costumes; they’re spiritual representations of the energies we bring into Abscence. We don’t just write songs we inhabit the mythic world we’re creating.

7. What have been your most memorable shows so far, and how would you describe your performance style?

Some of our most unforgettable shows have been intimate ones where every element lights, fog, volume, silence came together perfectly. We don’t simply play songs; we immerse the audience in the world of Enigma.

Onstage we are theatrical, emotional, and intense.

– Morrigan balances ethereal serenity with monstrous ferocity.

– Aethra delivers a combination of elegance and aggression.

– Gawain’s presence behind the keys adds ceremonial depth.

– Glan’s drumming drives everything forward with technical precision.

A live Abscence performance is meant to feel like watching a dark romantic tragedy unfold.

8. Do you have touring or show plans for the new releases?

Yes. We are planning selective UK and European shows to support Enigma and our upcoming releases. As we approach the next album cycle, we will expand into festivals and atmospheric venues that fit the storytelling nature of our performances. We prefer quality over quantity shows that feel like rituals.

9. How has the global reaction been among fans of symphonic black and gothic metal?

The response has been phenomenal. Listeners from around the world have connected deeply with the emotional and narrative approach of our music. Many have said it reminds them of the classic era when gothic and black metal were both raw and romantic, yet feels undeniably modern in spirit. This mixture of nostalgia and freshness seems to resonate strongly.

10. Where do you see the band heading musically in the future?

We’re entering a new creative era.

Before the next full album drops, we are releasing an EP titled:

“Each Fervent Kiss”

This EP acts as a bridge between Enigma and our upcoming album Where We Carved Our Stone.

It expands the vampire lovers’ saga with additional chapters more intimate, more violent, and more emotionally vulnerable.

Musically, it leans deeper into atmosphere, romantic sorrow, and haunting vocal interplay between Morrigan and Aethra.

Then comes the next full album:

“Where We Carved Our Stone”

This album will be grander, heavier, more symphonic, and more intense than anything we’ve done.

Expect:

– larger orchestral arrangements

– darker guitar landscapes

– more of Morrigan’s romantic cleans

– deeper storytelling

– guest vocalists

– a more cinematic experience from beginning to end

It is the next chapter of our mythology, carved literally and metaphorically.

11. What bands and styles have influenced you, and what are you listening to today?

We take inspiration from Emperor, Theatre of Tragedy, old Cradle of Filth, Paradise Lost, Limbonic Art,and classical composers like Vivaldi,Handel. But we also draw from dark folk, ambient soundtracks, Celtic traditions, and film score composers even vocal trance from Netherlands.

Recently we’ve been listening to everything from atmospheric black metal to contemporary classical pianists like Hélène Grimaud. We try not to limit our influences emotion guides the sound more than genre.

12. Do you have any final thoughts you would like to share?

We want to thank everyone who entered the world of Enigma and embraced our dark romantic vision. With the upcoming EP Each Fervent Kiss and the album Where We Carved Our Stone, we will dive even deeper into sorrow, passion, and myth.

This is just the beginning of our story.

Walk with us into the shadows there is much more to come.

 www.instagram.com/abscenceband

youtube.com/@abscenceband

Abscence/Enigma/WormHoleDeath Records/2025 Full Length Review

 

  Abscence  are  a  band  from  the  united  kingdom  that  plays  a  symphonic  mixture  of  black  and  gothic  metal  and  this  is  a  review  of  their  2025  album  "Enigma"  which  was  released  by  WormHoleDeath  Records.

  Keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  black  metal  screams  along  with  the  music  also  having  its  symphonic  moments  and  blast beats  are  added  into  the  faster  sections  of  the  songs  at  times.

  Growls  are  also  utilized  at  times  while  the  music  is  also  very  heavily  rooted  in  the  90's  era  and  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  clear  singing  is  utilized  they  also  add  in  elements  of  gothic  metal  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  clean  playing  is  also  utilized  at  times  and  some  of  the  tracks  are  also  long  and  epic  in  length  as  well  as  one  song  also  adding  in  a  brief  use  of  spoken  words

  Absence  plays  a  musical  style  that takes  a  symphonic  form  of  black  metal  and  mixes  it  with  gothic  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  tragic  an  immortal  love  of  two  vampire  women.

  In  my  opinion  Abscence  are  a  very  great  sounding  symphonic  mixture  of  black  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "We  Abandon  World  Pearls"  "Secrets  Confide"  "Cloak  Of  Mind"  and  "Our  Live  ignites".  8 out  of  10.

  www.instagram.com/abscenceband

youtube.com/@abscenceband  

End of Dawn Interview

 

1. Can you give us an update on what is going on with the band these days?

At the moment we are continuing the momentum from our debut album Primordial Darkness. Since signing with WormHoleDeath Records and releasing the album in late 2024, we have been playing shows around Greece and working on new material. Our recent performance at the GR Festival in Volos was a highlight, and we are steadily preparing the next steps for both live activity and songwriting.

2. A year ago the band released its first full-length. Can you tell us a bit more about the musical style you aimed for?

With Primordial Darkness, we wanted a balance of symphonic and gothic black metal, combining aggressive elements such as riffs and harsh vocals with clean vocals, orchestral arrangements, and darker atmospheric layers. The music explores contrasts like melancholy and intensity, and the themes draw from mythology, biblical imagery, and existential ideas, which naturally shaped the album’s cinematic and somber tone.

3. The band has been active since 2019 but waited until 2024 to release a debut. What were those first years like?

Those early years were focused on developing the sound and identity of End of Dawn. The project started small and gradually came together as a full band, with each member bringing personal influences into the writing process. We spent a lot of time composing, experimenting, and shaping the atmosphere that eventually defined Primordial Darkness. We also played a few shows to try out new material, and in 2024 the partnership with WormHoleDeath made it possible to release the album properly.

4. Many of your lyrics touch on occult themes. What draws you to this subject?

For us, the occult is less about dogma and more about symbolism. It offers imagery that represents internal struggles, transformation, and the more hidden aspects of human experience. Using these themes helps us frame emotional and psychological ideas in a way that fits the tone of our music, without leaning on any strict doctrine or established belief system.

5. What other lyrical topics appear in the newer material?

Besides occult symbolism, we also explore ideas related to death, mythology, biblical references, dark fantasy, and existential conflict. On the debut album, each track follows a kind of descent and eventual rise on a spiritual or psychological level. The new material draws more from dark fantasy influences such as literature, cinema, games, and the Dungeons and Dragons universe, which gives us room to approach our themes from another angle.

6. Can you tell us more about the album artwork?

The artwork represents the core essence of Primordial Darkness: the dawn of a post-apocalyptic era freed from the burning light of human civilization and welcoming a purifying darkness. The eclipse, which people seem to greet with awe, symbolizes that transformation. Both the confrontation with the unknown and a gateway to spiritual awakening, echoing the album’s lyrical themes. We wanted the visual aesthetic to mirror the music’s atmosphere: mystical, oppressive, and transformative.

7. Out of all the shows you have played so far, which one stands out the most?

Our performance at the GR Festival in Volos this August stands out. Sharing the stage with local bands and, one of our inspirations, Old Man’s Child was meaningful for us, and the atmosphere of the event left a strong impression. As we started performing, clouds gathered and darkened the sky, and combined with the crowd’s energy it felt like a true dark rite.

8. Do you have any touring or show plans for 2026?

We are currently planning the next steps. While nothing is confirmed yet, we aim to be more active live in 2026, both within Greece and potentially abroad. We are considering festivals, a national tour, and international appearances depending on how things develop.

9. Will the next album also be released through WormHoleDeath Records?

WormHoleDeath has been a supportive partner for our debut, and the collaboration remains positive. We will decide how to proceed once the new material reaches a more complete stage.

10. How has the worldwide reaction been to your music from fans of symphonic and gothic black metal?

The feedback has been encouraging. Listeners have responded well to the combination of heavier elements with orchestral and atmospheric parts. We are still building our audience, but so far the reception has been helpful and motivating.

11. What is going on with some of the other bands or projects your members are involved in?

Several members remain active in other projects, which brings new ideas back into End of Dawn. This year, Gravekeeper released a full length with his hardcore band Soulhound, as well as a single with his blackened deathcore band Chants ov Obscurity. Akhenaten released a split with Darkest Oath. Absence and I are working on a black metal project that is still taking shape. Other members occasionally join different projects or tribute bands, although our primary focus is on the next End of Dawn release.

12. Where do you see the band heading musically in the future?

We want to continue developing the symphonic and gothic aspects of our sound while keeping the raw black. metal foundation present. Our goal is to expand the arrangements, use a wider dynamic range, and put more attention on the visual and atmospheric elements of the music. We also feel more comfortable on stage now, which motivates us to improve the live experience further.

13. What bands or musical styles are the members currently listening to?

We listen to a broad mix of metal styles, as well as related genres such as gothic rock, psychedelic rock, dungeon synth, dark synthwave, Scandinavian folk, classical music, and film soundtracks. Each member has personal preferences, but our influences often blend into the writing process. We all share an interest in symphonic black metal, particularly bands like Dimmu Borgir, Cradle of Filth, and Old Man’s Child.

14. Any final words or thoughts?

We would like to thank our siblings of the night who have embraced Primordial Darkness and shown interest in the band. We are already working on new material and we hope to continue growing and creating music with sincerity and focus. Stay with us. The dawn may end, but the darkness continues to evolve.

https://linktr.ee/endofdawn

Unsouling/Outward Streams Of Devotional Woe/I, Voidhanger Records/2025 Full Length Review

 

  Unsouling  are  a  solo  project  from  Minnesota  that  plays  an  experimental  mixture  of  black  and  death  metal  and  this  is  a  review  of  his  2025  album  "Outward  Streams  of  Devotional  Woe"  which  was  released  by  i,  Voidhanger  Records.

  Synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  while  some  tracks  also  add  in  a  small  amount  of  clean  playing.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  melodies  are  also  added  into  some  of  the  guitar  riffing.

  Death  metal  growls  are  also  utilized  at  times  while  a  couple  of  the  tracks  are  also  long  and  epic  in  length.  Blast  beats  are  also  added  into  the  faster  sections  of  the  album  along with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  tremolo  picking  is  also  added  into  some  of  the  fast  riffing.

  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  some  tracks  also  adding  in  influences  of  goth  rock  and  darkwave.  Spoken  words  can  also  be  heard  briefly  as  well  as  the  album  also  having  its  experimental  moment,  whispers  are  also  introduced  on  a  later  song.  The  production  sounds  very  professional  while  the  lyrics  cover  loss  and  grief  from  a  spiritual  and  metaphysical  point  of  view.

  In  my  opinion  Unsouling  are  a  very  great  sounding  experimental  mixture  of  black  and death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Immaterial  Existence"  "Grief  Reconfigured"  and  "Dissolved  In  Spiritus'.  8  out  of  10.

  https://i-voidhangerrecords.bandcamp.com/album/outward-streams-of-devotional-woe

      

End Of Dawn/Primordial Darkness/2024 Full Length Review

 

     End  Of  Dawn  are  a  band  from  Greece  that  plays  a  very  atmospheric,  gothic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2024  album  "Primordial  Darkness".

  Symphonic  sounding  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  riffs  also  adding  in  a  great  amount  of  melody  and  the  vocals  are  mostly  grim  sounding  black  metal  screams.

  Operatic  vocals  are  also  utilized  at  times  which  also  adds  in  touches  of  gothic  metal  while  the  album  also  has  its  atmospheric  moments.  Clean  playing  is  also  added  into  certain  sections  of  the  recording  along  with  some  spoken  words  also  being  utilized  at  times  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  A  couple  of  tracks  are  also  long  and  epic  in  length  as  well  as  some  death  metal  growls  also  being  used  at  times,  clear  male  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  death,  darkness,  chaos,  damnation,  occultism  and  suffering  themes.

  In  my  opinion  End  Of  Dawn  are  a  very  great  sounding  atmospheric,  gothic  and  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Dawn  of  Decay"  "Stepping  Into  Oblivion"  "The  Fall  Of  The  Rebel"  and  "Breaking  The  Pendulum".  8/5  out  of  10.

  ouTube – Full Album:

https://www.youtube.com/watch?v=0h265r1GBC4

Spotify Artist Page:
https://open.spotify.com/artist/03GS0Jd0J7nEJv1Ra3idkS?si=58e4dda93eac40cd

The Promise Of Plague/The Earth Above, A Grave Beneath/2026 Full Length Review

 

  Kentucky's  The  Promise  Of  Plague  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  90's  inspired  mixture  of  black,  doom  and  death  metal  and  this  is  a  review  of  their  self  released  album  "The  Earth  Above,  A  Grave  Beneath"  which  will  be  released  in  2026.

  High  pitched  black  metal  screams  start  off  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  slower  sections  of  the  recording  also  add  in  elements  of  doom  metal  and  clean  playing  can  also  be  heard  at  times.

  Spoken  words  are  also  added  on  a  couple  of  tracks  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Most  of  the  music  is  also  very  heavily  rooted  in  the  90's  era  along  with  some  death  metal  growls  also  being  utilized  at  times  as  well  as  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts

   The  recording  also  has  its  atmospheric  moments  along  with  the  clear  vocals  also  add  in  touches  of  gothic  metal,  melodies  can  also  be  heard  in  some  of  the  guitar  riffing  and  one  track  also  adds  in  a  brief  use  of  synths  as  well  as  one  song  also  adding  in  some  acoustic  guitars,  the  album  also  closes  with  a  Quiet  Riot  cover.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  sorrow  themes.  

  In  my  opinion  this  is  another  great  sounding  album  from  The  Promise  Of  Plague  and  if  you  are  a  fan  of  90's  inspired  black,  doom  and  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Vomit  Running  Through  My  Veins"  "The  Earth  Above,  A  Grave  Beneath"  and  "Of  Sorrow".  8  out  of  10.

  Bandcamp

https://thepromiseofplague.bandcamp.com

Facebook

https://www.facebook.com/thepromiseofplague

YouTube

https://youtube.com/@thepromiseofplague

Irreparable Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?

N.M. - We finished recording The Fate Of All Life in February, with the final masters being approved in April. Since then we’ve played a few shows and are preparing for our big album launch show which is scheduled for November 29th. There has been some work on a cover song, but there will be more information on that when it all comes together.

2.Later in October you have your first full length coming out, musically how does it differ from your previous ep's?

D.B. - This release is what we have aimed for since the beginning. There was a clear idea in my head when we first began writing in 2018, and while I am proud of our first two records, we experimented with soundscapes on our first release and expanded upon that with "Complete Emptiness", though I always had a feeling we had not quite yet achieved what I had envisioned. This time around, without being hindered by technical restrictions or inexperience, we had the freedom to focus more on what we wanted to write, instead of overcoming hurdles to get there, and sonically it represents what I had always had in mind for the band.

N.M. - I feel that with Complete Emptiness we really started to find our sound. So with this new album, the songwriting has continually improved, expanding on the previous release while adding new elements and really solidifying what we’d set out to achieve.

3.What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the past 6 years?

N.M. - The lyrical themes are quite introspective and focus on personal suffering, the inevitability of death, the idea of multiple “deaths” and “rebirths” throughout a lifetime, endless cycles and the idea that we are, in fact, living in hell. Hell within and hell without. 

It is rather bleak, and everything I write is extremely personal, but I do like to allow some ambiguity for the interpretation of the listener because art is in the eyes and ears of the beholder.

As we became more focused, the songwriting, lyrics and themes have all improved over the years. It is always a process when starting a new project. You create a foundation, as we did with our first EP Transfixion. From there we played on our strengths as we saw them and went forward. I think the improvements on the 2nd EP Complete Emptiness were quite vast. 

4.What is the meaning and inspiration behind the name 'Irreparable'?

M.B. - Irreparable means "broken beyond repair" and we felt this was a true expression of the themes of the music we were trying to create. The sort of depressing music where the tone is there is no coming back from this. There is no salvation. There is no light at the end of the tunnel. When you are that truly far gone and nothing can ever bring you back.

N.M. - When trying to think of a band name, this word literally jumped at me. I think in some ways it aptly describes how I feel inside, so I took the opportunity to turn it around as a catharsis. There can be such beauty in our suffering. A lot of the most amazing art over the years is inspired by this. Expressing these bleak feelings is something we can all relate to and get something positive out of creating.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

D.B. - One moment there was a person, atop a hill, gazing out into the universe. The next moment they were gone, and their presence never really meant anything at all.

N.M. - For the artwork, I sat down with Promathiart and went over the album's themes and lyrics with him, as well as visions I had in my head about what the artwork could look like. He took extensive notes and came back to us with sketches and after a few back and forth’s we decided that this is what best represented the album. 

6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

M.B. - I would say the best shows have been any of our interstate shows because it's always great to go to a new place we don't normally get to play, as well as meeting people from other parts of Australia. The run of shows we did with Mondernte (Iceland) were fun to play for that, as well as seeing her performance every time was always a pleasure. The best show was probably Melbourne Dethfest at the Corner Hotel in Richmond, put on by Your Mate Bookings. That one came to us so last minute because Midnight Odyssey unfortunately had to pull out due to cyclone warnings where they were going to be flying from, and with maybe 3 days notice we jumped on and played to the biggest audience we have ever played to. Plus it was an honour to play with Left to Die, the Death tribute band.

Our stage performance is bleak yet intense. NM is a great performer and a lot of the times when I am playing a show, I am distracted by how much he throws himself into what he is doing whether it is movements of pure aggression, or a vision of a man having a full on mental breakdown on stage. 

N.M. - I concur, the Mondernte shows were incredible and we made a lifelong friend out of her. We are definitely keen to tour with her again when she comes back to Australia. Our first big show was supporting Unto Others (US) in 2023, which was when we were launching the Complete Emptiness EP. This was organised by Your Mate Bookings, who also contacted us for the Melbourne Dethfest fill in slot mentioned above which was definitely our best show so far.

7.Do you have any touring or show plans for the new album?

M.B. - Our album launch for The Fate of All Life is at the Leadbeater Hotel in Richmond on Sat 29/11. Organised by Black Oceans Media, it also features Burden Man (NSW), The Nihilistic Front and Nighteyes. Our end goal is to tour Europe. I think that would be amazing.

8.Currently the band is signed to 'These Hands Melt', how did you get in contact with this label?

D.B. - The label found us so perhaps you would have to ask them! They had found us in the digital void and reached out, saying that our music spoke to them. They contracted us for a vinyl release of "Complete Emptiness" and then re-signed us for "The Fate of all Life". They have always respected our vision and allowed us to create freely, and they have made the process of label/artist interaction as streamlined and simple as possible. We owe them a debt of gratitude.

N.M. - I had always assumed they found us because we’d had the Netherlands-based French vocalist Carline van Roos (Aythis, Lethian Dreams) guest on a track on Complete Emptiness.  Either way, it’s been a great relationship from the get-go and we do appreciate all their hard work.

9.On a worldwide level, how has the reaction been to your music by fans of underground metal?

D.B. - Amazing! I wondered during the early stages of our journey if our music would be anathema to genre-purists (either of extreme/black metal, or also to listeners of goth electronica) but most people at our shows seem to really dig it and enjoy that it's a little bit different. It's always just been about telling a story, and every story has highs, lows, and mid points. We use genre-shifting to convey that and I think people enjoy it.

10.Where do you see the band heading into musically during the future?

D.B. - That's a hard question. I don't want to repeat what we've accomplished as I think music tends to lose heart and sounds less genuine when that happens. It's a lot of why we didn't adhere to a specific genre/sound in the first place. I think it's important to let the next record come to us naturally, and not try and force another release for the sake of it. I guess at this time all I can say is...watch this space!

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

D.B. - My guitar work was heavily inspired by classic black metal like Emperor & Immortal, and also a lot of post-punk and early hardcore. Bands like the Dead Kennedy's, TSOL, Siouxsie and the Banshees etc. I always loved the similarities between black metal guitar playing and that kind of surf-rock sound the Dead Kennedy's had. They were one of the earliest influences on my playing and there's probably a bit of them in everything I do. In terms of the electronic components of our sound, I was heavily influenced by classic horror & science fiction films and their synthesizer scores. Probably not so much the modern synthwave resurgence, but classic composers like John Carpenter, Christopher Young and Claudio Simonetti's Goblin are all massive influences.

N.M. - From a young age, I was heavily inspired by frontmen like Marilyn Manson and Trent Reznor from Nine Inch Nails. As my tastes grew more extreme, vocalists like Attila Csihar (Mayhem), Alan Averill (Primordial), Niklas Kvarforth (Shining), Aaron Stainthorpe (My Dying Bride) and Kim Carlsson (Lifelover) further shaped my role in extreme music.

On the goth/darkwave spectrum, I have been heavily influenced by the likes of Type O Negative, Fields of the Nephilim, Beastmilk/Grave Pleasures, Killing Joke etc.

M.B. - Mostly listening to dungeon synth at the moment. Artists like Erang, Hole Dweller, Quest Master.

12.Before we wrap up this interview, do you have any final words or thoughts?

N.M. - Thanks for your interest in what we do, and we hope you like the album!

Facebook: https://www.facebook.com/irreparable2019
Instagram: https://www.instagram.com/irreparable_band
Bandcamp: https://irreparable2019.bandcamp.com/music
Spotify: https://open.spotify.com/artist/2hl2UiW6hsIKnoN8mVahJF?si=g8VGXGUHS-iEUt3QoYxVGQ

Irreparable/The Fate Of All Life/These Hands Melt/2025 Full length Review

 

  Irreparable  are  a  band  from  Australia  that  plays  a  mixture  of  black  metal,  industrial,  goth  and  darkwave  and  this  is  a  review  of  their  2025  album  "The  Fate  Of  All  Life"  which  will  be  released  in  October  by  These  Hands  Melt.

  Dark  soundscapes  and  electronic  music  sounds  start  off  the  album  which  also  brings  in  elements  of  industrial  that  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Spoken  words  are  also  utilized  briefly  while  some  of  the  tracks  also  adding  in  synths  that  add  in  elements  of  darkwave  and  goth.

  Programmed  beats  are  also  utilized  at  times  while  the  faster  sections  of  the  songs  also  add  in  black  metal  style  tremolo  picking  and  blast  beats.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  harsh  vocals  are  done  in  more  of  an  angry  shouting  style  mixed  in  with  some  clear  singing.

  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  some  black  metal  screams  also  being  utilized  at  times,  violins  can  also  be  heard  briefly  and  later  song  also  adds  in  a  brief  use  of  female  vocals.  The  production  sounds  very  professional  while  the  lyrics  cover  cyclical  suffering  and  death.

  In  my  opinion  Irreparable  are  a  very  great  sounding  mixture  of  black  metal,  industrial,  goth  and  darkwave  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Upon  Malignant  Shores"  "Failure  To  Thrive"  and  "Death  in  A  Time  Capsule".  8  out  of  10.

  Facebook: https://www.facebook.com/irreparable2019

Instagram: https://www.instagram.com/irreparable_band
Bandcamp: https://irreparable2019.bandcamp.com/music

Spotify: https://open.spotify.com/artist/2hl2UiW6hsIKnoN8mVahJF?si=g8VGXGUHS-iEUt3QoYxVGQ

https://youtu.be/Kilz9Lcz6J8      

Kalrog Naar Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Hello to you and all the readers of ADifferentShadeOfBlackMetalZine, here's Cesare "Kalrog Naar " Sannino speaking! Thanks for this great opportunity to make an interview for your 'zine. I activated the Kalrog Naar project again in 2021, after splitting up my previous one-man-bands Animae Capronii/Trust your Heart (2003-2014/2015-2021). The intention was to return to play old school underground heavy metal with an occult dark fantasy feeling and various influences. The first incarnation of the project (simply called Kalrog) appeared beetween 1999-2001, recording just some unreleased acoustic demo tapes.

2.Can you tell us a little bit more about the musical style that you have went for on the recordings so far/

Yes, of course! While i initially started to play a classic underground epic heavy metal with also some punk rock vibes in the two early albums (Shocking Dark & Fantasy Warrior), with the third one (A Curse Take Place Over Esperia) i embraced a more epic gothic/folk/black metal style. With the last album i mixed both the things all together.

3.Since 2021 you have released a great amount of material, do you spend a great amount of time writing and creating?

I'm always in a costant process of creation. I have a lot of fantasy in my mind, and i feel the need to create in every moment. Its my life and my passion.

4.You refer to your music as being 'epic fantasy metal' and also write your lyrics in this genre, can you tell us a little bit more about your interest in this topic?

I was always influenced by fantasy/sci-fi literature. I wrote some short stories myself, and i also used to create role playing games/board games with the same topics in the past. I love to create fantasy stories with different characters created by myself, or to write lyrics inspired by books that i've read.

5.What is the meaning and inspiration behind the name 'Kalrog Naar'

Anthoritan Kalrog was the name of my main character while i played Dungeons & Dragons in my youth. Naar was added later. Its the name of the Master Lord of Darkness in Joe Dever's Lone Wolf Roleplaying Books Series.

6.Can you tell us a little bit more about the artwork on the latest album cover?

The cover artwork of Dark Metal represent the hero Lord Parias facing a horde of evil creatures in front of a dark tower. In the layout there's another drawing with the Warrior Princess Elbior searching for the Vampire Lord in his Castle's ruins.

7.With this project you record everything by yourself but have experience playing in other bands, do you prefer to work solo?

To work solo is a great advantage because you take all decisions by your own. With the other bands where i played/play is much difficult to choose every little decision, we must work together as a team and sometimes is not that easy at all.

8.Ove the years you also have done a great amount of cover versions, can you tell us a little bit more about the bands and songs you have covered?

I like to tribute both famous and also underground bands of almost every genre in beetween rock & metal, but also some darkwave/goth/synth-pop acts sometimes. I love to give my own interpretation of their songs in a very essential way. I covered too much artists to mention through the years with my various projects/bands, but my personal favs are the Celtic Frost & Dimmu Borgir covers.

9.Most of the albums are also released though your own label, are you interested in working with a different label?

I was, but i haven't found a serious label interested to release my music, probably because its too underground for actual standards.

10.On a worldwide level how has the reaction been to your music by fans of underground metal?

Very poor, cause i'm not a great promoter. 

11.Are you currently involved with any other bands or musical projects these days?

Yes, i'm the vocalist of the thrash/crossover band Violent Shit since 2007 (check out the new album 'Infamous Monsters', out now!!). Its the most professional band where i play. I'm also the vocalist/guitarist of the black metal band Nocturnal Flame. We also have our 1st full length out in 2024, with also the official video of the song Power of the dying saviour out on Youtube! Give it a view if you're into True Black Metal.

12.Where do you see yourself heading into as a musician during the future?

Hope to become always more professional and capable. Cannot wait to unleash more underground heavy metal upon the masses.

13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Very interesting question. I'm always interested in very underground music, but i listen almost everything in metal (or rock or everything) which is epic and with feelings. 

I love bands like Enid, Celtic Frost, The Elysian Fields, The Sins of thy Beloved, Siebenburgen, Battlelore, Furia but also Sine Macula, Sarcofagus, Black Widow, Death ss, and also italian epic power metal stuffs like Pandaemonium, Shadows of Steel, Skylark, Projecto and many many others, too much to mention. And i don't open the argument Black Metal because we will have an overlong interview, eh eh!!

14.Before we wrap up this interview, do you have any final words or thoughts? 

Thank you for reading this long interview!! All hails to you for this opportunity again, and check out my music, freely downloadable from my pages, but i invite you to ask physical copies of my albums writing at capronii@libero.it.  Stay underground my metal brothers, and stay true!! Eternal Hails. Kalrog Naar. 

Facebook Instagram Bandcamp