1. Can you give us an update on what has been going on with the band
since the recording of the new album?
Marco (bass, effects): We recorded Corrado
Zeller between December 2013 and March 2014. We liked the way Red Desert Orgy (our first EP) sounded, so we decided to stick
with local hero Mathieu Croux (Verdun, Goodbye Diana, etc.) for recording and
mixing. Collin Jordan (Bongripper, Nachtmystium, Cough, etc.) took care of the
mastering over the summer. During that time, our guitarist Flo designed the
vinyl artwork (under his moniker The Shivering Goat) with the help of Sanair, a
local artist who also worked on the artwork for Red Desert
Orgy. After the summer we got in touch with a few labels - we're now glad
to be in good hands with Lost Pilgrims Records, Grains of Sand Records and
Désordre Ordonné.
Luke (drums, vocals): We've been concentrating on getting the album
released for most of the year but we've also been setting a lot of plans in
motion for 2015, which'll hopefully be a pretty busy year for us. We also played
a small handful of local gigs with some bands we like that were coming through
the area this year.
2. You have a new album coming out in 2015, how would you describe
the musical sound that is presented on the recording and also how does it differ
from the EP you had released in 2012?
Marco: It's not really the same band any more! After our singer
Félix left the band in 2013, Flo, Mika (guitars) and Luke decided to handle
vocal duties, and the result is even more harsh and aggressive than before.
Musically speaking, the stoner blues influences have almost completed subsided
to make room for a darker, deeper, more violent and deranged atmosphere. We
basically just followed our collective instinct and made the music we felt like
making at the time. The ritualistic doom/drone parts, the fist-to-the-mouth
hardcore forays, the synths and effects... all of that wasn't to be found on the
EP because there was a concern for staying within certain boundaries at the
time. For Corrado Zeller, we didn't set ourselves any
guidelines and just let it come together naturally. A healthy amount of
substance abuse came in handy as well.
3. What are some of the lyrical topics and subjects the band
explores with the newer music?
Luke: We wrote a bunch of lyrics and recorded them but decided not
to include them with the album because we don't want to 'pollute' the music with
any kind of message. There are a lot of bands out there all saying the same shit
and we're just not interested in being a part of that. It's all about the
music.
4. What is the meaning and inspiration behind the name
'Mudbath'?
Marco: We wanted something evocative and straight-to-the-point, and
Cleveland Steamer was already taken.
5. What are some of the best shows that the band has played over the
years?
Marco: In 2012 we played at a place called La Ferme
de Mauriac, a community farm deep in the hills in France. It was pretty
incredible. They had a grindcore goat there, running around the room and stage
during the gigs and attacking fucking German Shepherd dogs. There was also this
guy on acid that thought we were terrorists or something – the guy was scared
shitless, I though he was going to attack us while screaming the US national
anthem. Last but not least, the riot grrrl-like band that we were playing with
that night kindly offered, right in front of their kids, for us all to fuck them
in the ass. Other than that the gig was OK, even if one of the girls from the
other band grabbed a mic and started rapping over Smells
Like Teen Cunt.
Luke: The last gig we played on our tour last year near Frankfurt,
Germany was a weird experience too. We arrived at the venue, set up the gear and
did the soundcheck, and literally no one turned up. The local act played their
set in the hopes that a few people might walk in but no one did. The promoter
offered for us not to play and still get the gas money, and we were tired and
annoyed and had a lot of driving to get home so we nearly took the offer, but in
the end we just figured “our gear's set up, there's four guys here who just
played a whole gig in front of no one but us – fuck it, let's just play”. The
other band grabbed a couch and sat on it in the middle of the room and we gave
it everything we had left. My mic broke within the first 5 minutes so I was just
screaming into thin air for the rest of the show. What was looking to be a
really shitty night suddenly ended up being one of the most exhilarating and
intense live experiences we've ever had.
Flo: For me it has to the last time we played at KTS, a really cool
squat in Freiburg, Germany, with our buddies Haut&Court from Strasbourg.
After the show people went home and we got completely wasted and jammed for an
hour or two on the stage with Haut&Court, with everyone switching
instruments. Then they left too and we just played drunk black metal by
ourselves non-stop for two hours. I remember doing a really long blast-beat and
thinking to myself “dude you're so good at this” haha. Then we went down to the
basement, where they had practice rooms. There were two random guys playing
there and we just started playing psychedelic blues stoner rock-ish stuff with
them, and Marco, who usually never goes near the mic, was yelling into it for
over an hour. Basically we started playing around 11 pm and didn't stop until 5
am. Definitely my favorite show. And the next day Luke puked for hours on end
and then drove us to Strasbourg.
Mika: Same as Flo, that was insane. I think the balloons they had
everywhere made us feel like kids again all of a sudden.
6. Do you have any touring or show plans once the new album is
released?
Marco: We're going to be touring through France,
Switzerland, Austria, Croatia and Slovenia from Jan 23rd to 31st, with the final gig being the release party for Corrado Zeller in Montpellier, where Lost
Pilgrims Records is based. We'll also certainly play as much as possible
everywhere we can in France in 2015 before another Euro tour at the end of the
year.
7. The new album is coming out on Lost Pilgrims Records, are you
happy with the support they have given you so far?
Marco: Yes, we are. Geraud from List Pilgrims has always given us a
hand one way or another since we started out, and it's a real pleasure for us to
work together with him on the release of our first LP.
Grains of Sand Records
(Russia) and Désordre Ordonné (Canada) are also working with us to bring Corrado Zeller to their respective geographical areas. We're
stoked that people are interested in our music thousands of miles away from
where we live, especially people that work with many bands we all love.
8. On a worldwide level how has the feedback been to your music by
fans of black, sludge and doom metal?
Marco: We were pleasantly surprised by how well our
first EP, Red Desert Orgy, was
received, and Corrado Zeller seems
to be following in its steps. But you know, there are also bands that get poor
reviews but tear shit up on stage. We basically just want our music to help us
tour as much as possible and to not cost us too much so we can still afford to
buy drugs with our overdrafts.
9. Where do you see the band heading into musically during the
future?
Marco: Something honest and brutal, whether it's sludge, doom, black
metal, hardcore or full on r&b.
Flo: We don't want to set ourselves any boundaries for the future,
although I hope our music will always be recognizable as our own. We're
inevitably influenced by all kinds of bands but I think there's a certain color
to our riffs. That's how it feels when we compose anyway. All I can say at this
point is it looks like the next album will contain more notes than Corrado Zeller.
10. What are some of the bands or musical styles that have had an
influence on your music and also what are you listening to nowadays?
Marco: There aren't many bands that we all agree on in Mudbath.
There are a few bands we all really enjoy such as And So I Watch You From Afar,
but we can't really count them as influences on our music. Mika, for example, is
more influenced by Rob Crow's work than any doom album.
Mika: On a day-to-day basis I tend to listen to music that's nothing
like what we play, partly so it doesn't influence me when I'm writing music for
Mudbath. I really like Rob Crow and the plethora of bands and projects he's
involved with - Other Men, Thingy, Goblin Cock, Physics, Heavy Vegetables, and
more. His melodies, harmonies and mathematical construction really give off a
unique atmosphere. I always go for atmosphere over riffs. Boards of Canada's
The Campfire Headphase, Bongripper's Miserable or Code Orange's I Am King are a
few albums I find absolutely breathtaking, without forgetting my earlier
influences such as Orange Goblin and Electric Wizard, or even Nobuo Uematsu's
piano work on the Final Fantasy series. That's what inspires me and that's what
I want to explore with Mudbath – atmospheres.
Luke: I guess we all bring our own influences to the
music. One band that definitely influenced me is Monarch!, an awesome French
drone doom band you should definitely check out if you haven't already. The
distilled hatred and filth of Kickback has always been a great influence for me
too, as has the sheer intensity and honesty of The Chariot.
At the moment
some of the records I'm playing constantly are the new Blut Aus Nord, Mayhem,
Swans and Run The Jewels albums, Baptists' Bushcraft, Abbe May's Design Desire, Julie Christmas' solo album, an
old album by Blonde Redhead, Ghostface Killah's Supreme
Clientele, the new EP from Igorrr and Ruby My Dear, as
well as Poisse, the first EP from
Fange, a stupidly heavy new band from Rennes, France.
Flo: Of course we're influenced by a lot of slow,
dirty, and/or psychedelic doom bands, mainly Bongripper, Cough, Thou, YOB,
Earth... But unlike Red Desert Orgy, that sounded very stoner/sludge, Corrado
Zeller sounds a lot more oppressive and violent. Rorcal's Vilagvege and Oathbreaker's Eros|Anteros undoubtedly influenced me towards
this new direction. Before we started the recording sessions we went on a
retreat to an isolated house in the mountains, where Luke introduced us to Mare,
a unique and brilliant Canadian band that just recorded one EP 10 years ago. We
were pretty high all the time there and I'm sure that listening to that band
helped shape our approach to some final arrangements on the album. Rob Crow,
Grails and Mono don't really have much to do with Mudbath but they've definitely
been big influences for me.
Recently I've been listening to the most recent
albums by YOB, Earth, Impure Wilhelmina and Code Orange quite a bit, but also a
lot of psych rock like Myrrors, The Wytches, Witch, etc. Just in the last few
days I've been listening to the latest EP from Selenites like crazy.
11. What are some of your non musical interests?
Marco: Answering interviews.
Luke: In the words of a great American poet: “Money, cash,
hoes”.
Flo: Hanging around with my bitch, driving her to the kebab joint -
the easy life.
Mika: Fishing. But nobody knows that. And I don't like
fish.
12. Before we wrap up this interview, do you have any final words or
thoughts?
Marco: Thanks for your interest and thanks to the
people who are reading this. Corrado Zeller is already streaming in full on our Bandcamp and will be available on
vinyl on Jan 31st. It's going to be
heavy as a really heavy thing.
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