Showing posts with label satanic. Show all posts
Showing posts with label satanic. Show all posts

Sunday, October 31, 2021

Helgarden/Rise Of The Beast/Brutal Records/2021 CD Review

 


  Hellgarden  are  a  band  from  Chile  that  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2021  album  "Rise  Of  The  Beast"  which  will  be  released  in  December  by  Brutal  Records.


  A  very  dark  and  cinematic  sounding  intro  starts  off  the  album  before  going  into  more  of  a  heavier  and  melodic  musical  direction.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  keyboards  also  give  the  songs  more  of  a  symphonic  feeling  along  with  the  music  also  mixing  in  a  great  amount  of  90's  influences.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  tremolo  picking  and  blast  beats.  The  vocals  also  have  their  deeper  moments  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


 Some  tracks  also  bringing  in  a  small  amount  of  spoken  words  and  melodic  vocals  along  with  some  classical  guitars  and  clean  playing  also  being  utilized  briefly  and  as  the  album  progresses  a  brief  use  of  operatic  female  vocals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover   Satanism, Occultism  and  Darkness  themes.


  In  my  opinion  Hellgarden  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Blackwolf"  "When  Witches  Burn"  and  "The  Lat  Dance  in  The  Mist".  8  out  of  10.


https://youtu.be/nlQRqdjm__M  

Tuesday, August 24, 2021

NervoChaos/Dug Up (Diabolical Revelations)/Xenocorp/2021 CD Review

 


  Brazil's  NervoChaos  have  returned  with  a  new  recording  which  continues  the  mixture  of  black, death,  doom,  thrash  metal  and  hardcore  punk  and  this  is  a  review  of  their  2021  album  "Dug  Up  (Diabolical  Revelations) "  which  will  be  released  in  November  by  Xenocorp.


  A  very  hard  and  heavy  sound  starts  off  the  album  along  with  some  death  metal  growls  a  few  seconds  later.  Black  metal s creams  can  also  be  heard  at  times  while  the  mid  tempo  sections  also  show  an  influence  of  hardcore  punk  as  well  as  the  solos  and  leads  also  being  done  in  a  very  old  school  extreme  metal  style.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  the  songs  also  add  in  a  decent  amount  of  90's  influences.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  Some  of  the  riffing  also  shows  an  influence  of  thrash  metal  along  with  some  melodies  also  being  added  into  some  of  the  guitar  riffing.  When  the  music  slows  down  touches  of  doom  metal  can  also  be  heard  as  well  as  the  whole  album  also  sticking  to  a  heavier  direction,  spoken  word  parts  are  also  utilized  briefly  on  the  closing  song.  The  production  sounds  very  professional  while  the  lyrics  cover    Satanism,  Occultism,  Anti  Christianity  and  Darkness  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  NervoChaos  and  if  you  are  a  fan  of  black,  doom,  death,  thrash  metal and  hardcore  punk,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "I  Hate  Your  God"  "Pazuzu  Is  Here"  "Dark  Chaotic  Destruction"  and  "The  Devil's  Work".  8  out  of  10.


https://youtu.be/y1dXe4IrIkU      

Saturday, June 19, 2021

Finnugor/Fame Et Morte/Earth And Sky Productions/2021 CD Re-Issue Review

 


  Finnugor  are  a  band  with  members  from  Finland  and  Hungary  that  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2008  album  "Fame  Et  Morte"  which  was  re-issued  in  2021  by  Earth  And  Sky  Productions.


  Symphonic  sounding  orchestras  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  vocals  are  mostly  grim  sounding  black  metal  screams  along  with  the  riffs  also  adding  in  a decent  amount  of  melody.


  Clean  goth  style  vocals  can  also  be  heard  in  certain  sections  of  the  recording  while  some  of  the  tracks  are  also  long  and  epic  in  length.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  some  tracks  also  added  in  a  small  amount  of  whispered  vocals.


  A  lot  of  the  music  is  also  very  heavily  rooted  in  the  mid  90's  era  along  with  some  of  the  tracks  also  adding  in  some  choirs  as  well  as  one  track  also  introducing  spoken  word  parts  onto  the  album  and most  of  the  songs  stick  to  either  a  slow  or  mid  tempo  direction,  as  the  album  progresses  more  medieval  and  folk  music  touches  can  also  be  heard  and  a  small  amount  of  blast  beats  and  fast  playing  can  also  be  heard  on  the  closing  song.  The  production  sounds  very  old  school  while  the  lyrics  cover  Horror,  Dark  Fantasy  and  Satanism  themes.


  In  my  opinion  Finnugor  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Iaspidis  Et  Sardini"  "Subtus  Terram"  "Fame  Et  Morte"  and  "Diabolus  Et  Satanas".  8  out  of  10.


Bandcamp


  

Saturday, May 8, 2021

Cult Of Occult/Ruin/Breathe Plastic Records/MusicFearSatan/2021 EP Review

 


  Cult  Of  Occult  are  a  band  from  France  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  blackened  mixture  of  drone,  sludge  and  doom  metal  and  this  is  a  review  of  their  2021  ep  "Ruin"  which  was  released  as  a  joint  effort  by  Breathe  Plastic  Records  and  musicFearSatan.


  Distorted  sounding  drones  start  off  the  ep  before  adding  in  a  very  slow  and  powerful  bass  guitar  which  also  introduces  elements  of  sludge  and  doom  metal  onto  the  recording.  After  the  heavy  guitar  riffs  are  added  into  the  music  high  pitched  black  metal  screams  also  start  making  their  presence  known.


  Both  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  also  add  in  more  of  a  deep  yet  aggressive  growling  sludge  metal  style  vocals  at  times.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  some  clean  playing  also  being  utilized  briefly  as  well  as  the  solos  and  leads  also  being  done  in  a  very  dark  style  when  they  are  added  onto  the  recording.


  When  synths  are  utilized  they  also  give  the  music  more  of  a  nightmare  oriented  atmosphere  and  on  the  second  track  the  vocals  also  start  getting  more  deep  and  demonic  sounding  as  well  as  all  of  the  music  also  sticking  to  a  slower  direction  as  well  as  the  second  track  also  being a   re-mixed  version  of  the  first  song.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover satanism,  alcohol  and  hatred  themes. 


  In  my  opinion  this  is  another  great  sounding  recording  from  Cult  Of  Occult  and  if  you  sre  a  fan  of  drone,  black,  sludge  and  doom  metal.  you  should  check  out  this  ep.  8  out  of  10.


www.cultofoccult.bandcamp.com       

Saturday, April 10, 2021

Lord Vampyr/The Vampire's Legacy/Sleaszy Rider Records/2021 CD Review

 


  Lord  Vampyr  are  a  band  from  Italy  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  returns  back  to  a  more  gothic  and  symphonic  style  of  black  metal  and  this  is  a  review  of  his  2021  album  "The  Vampire's  legacy"  which  will  be  released  in  May  by  Sleaszy  Rider  Records.


  A  very  dark  and  ritualistic  sounding  intro  starts  off  the  album  along  with  some  spoken  word  parts  while  also  introducing  synths  onto  the  recording  that  also  mix  in  with  the  heavier  sections  of  the  songs.  The  riffs  also  add  in  a  great  amount  of  melody  and  blast  beats  are  also  mixed  in  with  the  faster  sections  of  the  songs.


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  clean  vocals  also  showing  some  influences  of  goth  and  traditional  metal. 


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  having  its  symphonic  moments.  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  as  well  as  one  track  also  introducing  back  up  shouts  onto  the  album,  as  the  recording  progresses  a  brief  use  of  clean  playing  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  Vampirism,  Occultism,  Satanism,  Blood,  Tales,  Legends  and  Religion  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Lord  Vampyr  and  if  you  are  a  fan  of  gothic  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Vampire's  Legacy"  "Mircalla"  "Blood  ballad"  and  "Inno  A  Dracula".  8  out  of  10.


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Saturday, April 3, 2021

Gloomy Grim/Agathonomicon/Satanath Records/Murdher Records/2021 CD Review

 


  Finland's  Gloomy  Grim  have  returned  with  a  new  recording  which  continues  the  symphonic  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  their  2021  album  "Agathonomicon"  which  will  be  released  on  April  28th  as  a  joint  effort  between  Satanath  and  Murdher  Records.


  A  very  ritualistic  sounding  intro  starts  off  the  album  while  also  introducing  grim  black  metal  vocals  onto  the  recording  which  also  takes  the  music  into  a  heavier  direction.  The  riffs  also  add  in  a  great  amount  of  melody  along  with  the  faster  sections  of  the  songs  also  adding  in  a  lot  of  tremolo  picking  and  blast  beats.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style  and  symphonic  sounding  keyboards  are  also  added  into  the  heavier  sections  of  the  music.


  A  lot  of  the  songs  are  also  very  heavily  rooted  in  the  mid  90's  era  along  with  one  of  the  tracks  also  introducing  spoken  word  parts  onto  the  album  as  well  as  a  later  track  also  adding  in  a  small  amount  of  back  up  shouts  and  growls.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism,  Darkness,  Death,  Horror  and  War  themes.


  In  my  opinion  this  is  another  great  sounding  album  from  Gloomy  Grim  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "The  Hermit"  "Third  Eye  Opening"  "To  The  Death,  i  Have  Sworn"  and  "Haunting,  Hunting, Howling".  8  out  of  10.


Bandcamp
Facebook

  

Sunday, March 28, 2021

Stake Driver Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?


We’re a five-piece symphonic black metal from Dayton/Cincinnati Ohio. We formed in July of 2020 with the intention of playing the type of black metal that we as fans of the genre want to hear. Our goal is two produce black metal that is aggressive but also compelling to listen to. We don’t give a fuck about anything else.


2.Recently you have released an album, can you tell us a little bit more about the musical style that you went for on the recording? 


With lycanthropy we wanted to produce a record that was a pure and unforgiving black metal assault on the listener. It has elements of thrash and hardcore blended with first and second wave black metal influence that we like. We wanted to produce something that is epic and theatrical but also heavy. 




3.What are some of the lyrical topics and subjects the band has explored so far with the music?


Lycanthropy is a concept album, that is something from the start of the band that was important to us. The themes on the record were influenced heavily by the work of Junji Ito and Gary Bradner’s The Howling. On a face value level, it explores story elements of lycanthropy and body horror. I wanted to describe the human form in the most disgusting and demented ways I could. It’s an analogy for the destructive nature of religion in our society, especially Christianity, but also a commentary on how life is meaningless except for the meanings we place on it. End of the day we’re all just ground beef that learned how to think.




4.What is the meaning and inspiration behind the name 'Stake Driver'?


As a band all of us are horror movie fans. It’s a riff on the idea of driving a stake into the heart of some marauding ghoul.  We wanted a name that instantly produced a visual of gothic castles and Transylvania upon hearing it.


5.Can you tell us a little bit more about the artwork that is presented on the album cover?


The artwork for the record was done by a gentleman by the name of Mourtous. You can find their page on Instagram. Very talented artist. We wanted something visually striking. It says, “this is exactly what you think it is.” It is a “fuck you” to Christianity which we like a lot.


6.Has the band had any opportunities to do any live shows or open to the idea?


Unfortunately, no. Whenever shows become an option again we plan to play wherever will have us.


7.The cassette version was released by 'Cemetery horror Productions', can you tell us a little bit more about this label?


Cemetery Horror is a black and death metal label out of Pennsylvania. They’ve put out some great releases by Vanen, Eulogist, and Isolated A.d. The head of that label is someone who has an ear to the underground and genuinely wants to help build up young bands. They have been very supportive of everything we’ve done since we dropped our first song. BUY RECORDS FROM THEM!


8.On a worldwide level how has the reaction been to your music by fans of symphonic black metal?


So far, the reaction to us and what we do has been great. When we started the band we didn’t care or expect anyone to enjoy what we were doing so it’s been quite a nice surprise.


9.Where do you see the band heading into musically during the future?


To continue to produce the most pure and heavy black metal we possibly can. To continue what we did on lycanthropy but bigger. 


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays? Our biggest influence is Emperor, specifically in the nightside eclipse. Early Dimmu Borgir, obviously Darkthrone and Mayhem. Urgehal and Enthroned.  As far as first wave bands Bathory and Venom. Some of the less obvious bands like Motorhead, Sodom, Slayer, Agnostic Front, and Necrophagia. 


Currently we really like the new Hulder record, Hellmoon’s Undying blackened glory. The last few Paysage D’Hiver releases are flawless. I’d highly recommend the new Vanen demo and Saidan’s Jigoku. Revenant Marquis, Youth in Ribbons. Pyromancy Arctic Isolation and Kelam’s new demo. Since Pan-Amerikan Native Front released Little Turtles War I’ve been listening to it constantly.  It’s a great time for new black metal, consistently excellent new stuff coming out all the time. 




11.Does Satanism or Occultism play any role in your music?


There is definitely ideas of Satanism expressed in our lyrics. The occult plays heavily into our visuals and the way we present our band. 


12.Before we wrap up this interview, do you have any final words or thoughts?


Thank you for interviewing us. Buy records, support small bands, start your own band. The only thing that truly matters in life is music and creating.

Bandcamp
Facebook

Thursday, March 25, 2021

MartYriuM Interview

 

Can you give us an update on what has been going on with the band since the recording and release of the new album?


Greetings to all from the Martyrium Horde – since all the work which was put down and the ultimate birth of Lamia, we’ve already gone back to our ouija board to conjure the spirit of the next album; musically this has already started to shiver into form and shaping up to what looks as a very positive next chapter in the band’s history, coming up next in a shorter span of time.


Recently you have released a new album, musically how does it differ from the stuff you have released in the past?


‘Lamia Satanica’ seems to have drawn some of the best elements that transpired from the previous four albums, and though at times even unintentional, it seems to have worked in the best interest of the ambience of the whole. You may rediscover those sweet, melodic, even ethereal passages reminiscent of the first two albums contrasting with the merciless shredding of the later ones, all weaved together to produce what we consider a very well thought, all rounded and sounding opus. 


This is also your first album since 2016, can you tell us a little bit more about what has been going on during that time frame?


That time frame has seen the band touring relentlessly, and in the process building up on its stage presence and experience. We do believe that any band, whichever direction, style, or genre it may belong to is mostly as good as the show it can deliver, so we’ve naturally invested heavily in that. Apart from it being something very important and close to our musical heart.


A lot of your lyrics cover satanic and occult themes, can you tell us a little bit more about your interest in the dark arts?


Beyond what own are beliefs are, whether personal or collective, the Dark Arts shall always nourish the inspiration that gets our message across. Where do our interests lie? Everywhere, and nowhere. Above what we can see, and below what we may never. Our own lives, and all the death that surrounds it all. And most of all, that same derived evil, fascinating darkness that rules the hearts of gods and men.  


What is the meaning and inspiration behind the name 'MartYriuM?


An inborn fascination with sacrifice, and a willingness to die for whatever may be one’s beliefs – as much as these might be metaphorical in the literal sense, they represent the keys to freedom and true spirit of man, and the ultimate path to a truth that the devotion to our principles reveals.  


Can you tell us a little bit more about the artwork that is presented on the new album cover?


We’ve had the pleasure to work with a dedicated soul on the creation of the new artwork; he embraced the concept, both lyrically and musically, and delivered what in our opinion is a perfect background setting to the heart of the album. Lamia stands as the blind embodiment of all that rules mankind, and the raw empowerment that it derives through the extremity of its opposing emotions. 


What are some of the best shows that the band has played over the years and also how would you describe your stage performance?


The band has been lucky to play a great variety of festivals, clubs, stages and audiences – naming a few from all these would not pay justice to the amazing welcome we’ve had everywhere. Our stage performance? We hope that it can be described in the exact way that we feel whilst we ourselves are up there: breathless, tingling, fiery with emotion. 





On a worldwide level how has the reaction been to your music by fans of black metal?


We are very pleased with the feedback received so far, not only from the fans (which we hold dearest and at heart) but also from the metal community in general. And we’re also very pleased that this same feedback has been honest and productive – praise has been given for the right reasons, wherein constructive criticism applied where due. These are the comments we expect, and this is what helps the band to move onward and forward and always improve on its next delivery.


What is going on with some of the other bands or musical projects these days that some of the band members are a part of?


Not much going on, apart from our full commitment to Martyrium – Sandra is in another two bands, me and the guys also have or do some side collaborations from time to time (and in better times) however much, if not all is pretty much stalled right now. In a way, this has helped greatly to concentrate further on the recording and production of the new album, so at least the (alas, forced) time off the road or other endeavors has seen us focus to the full on Lamia’s birth.


Where do you see the band heading into musically during the future?


Any musical project, whether it’s a band, solo or even a collaboration, is like a journey without a destination – you know from where why you started but can never tell when it will be over. The band has been and seen many different incarnations during the past twenty years, and different times, places and circumstances have etched their mark on everything that it produced. Right now we are drawing on these past experiences to shape the music which Martyrium will stand for in time.  


What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


This would be close to a rhetorical question for all of us, since our influences, whether musical, lyrical or artistic in any sense, are too vast, varied and too encompassing of both time and space. We listen to anything which may fall on our ears and that calls the occasion, and again, narrowing that down to either names or styles would be pretty much impossible. 


Before we wrap up this interview, do you have any final words or thoughts?


We hope that you like the new album, and that we get back to playing it on those stages we yearn for so much soon. To our fans, we miss you, and thank you all for being part of this amazing ride... stay strong and safe until the next!


https://www.facebook.com/martyriumhorde
https://www.instagram.com/martyriumofficial/
https://mobile.twitter.com/martyrium_malta

Saturday, March 13, 2021

Stake Driver/Lycanthropy 666/Cemetery Horror Productions/2021 Full Length Review

 


  Stake  Driver  are  a  band  from  Dayton,  Ohio  that  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2021  album  "Lycanthropy  666"  which  will  be  released  on  cassette  by  Cemetery  Horror  Productions.


  A  very  fast  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats  while  symphonic  elements  are  also  mixed  in  with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  high  pitched  black  metal  screams  as  well  as  the  riffs  also  adding  in  a  great  amount  of  melody  and  the  music  is  also heavily  rooted  in  the  90's  era.


  Elements  of  thrash  metal  can  also  be  heard  in  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  a  couple  of  the  songs  also  having  brief  interludes  in  between.


  One  track  also  introduces  clean  playing  onto  the  album  along  with  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  the  vocals  also  deeper  sounding  briefly  as  the  recording  progresses,  classical  guitars  can  also  be  heard  briefly  and  spoken  word  parts  are  also  added  on  the  closing  song  which  is  also  very  long and  epic  in  length.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  Satanism,  Anti  Christianity  and  Darkness  themes.


  In  my  opinion  Stake  Driver  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Engorged  Remains"  "Beyond  the  Cemetery  Gates"  and  "Washed In  Cursed  Blood".  8  out  of  10.



https://stakedriver.bandcamp.com/album/lycanthropy-666  


  


    

Sunday, March 7, 2021

The Crown/Royal Destroyer/Metal Blade Records/2021 Full Length Review

 


  Sweden's  The  Crown  have  returned  with  a  new  recording  which  continues  the  melodic  mixture  of  black,  death  and  thrash  metal  from  their  previous  releases  and  this  is  a  review  of  their  2021  album  "Royal  Destroyer" which  will  be  released  on  March  12th  by  Metal  Blade  Records.


  A  very  distorted  sound  starts  off  the  album  before  going  into a   heavier  direction  while  the  vocals  also  add  in  a  great  amount  of  death  metal  growls.  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  while  the  solos  and  leads  are  also  done  in  a  very  chaotic  style  and  the  riffs  also  add  in  a  decent  amount  of  thrash  metal  elements.


  Black  metal  screams  are  also  utilized  at  times  while  the  riffs  also  add  in  a  great  amount  of  melody  along  with  some  synths  also  being  utilized  briefly.  Some  of  the  riffing  also  captures  the  raw  energy  of  punk  and  grindcore  along  with  the  guitar  leads  also  having  their  melodic  moments  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Touches  of  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  as  well  as  some  whispered  vocals  also  being  utilized  briefly,  a  couple  of  songs  also  adds  in  a  brief  use  of  acoustic  guitars  and  clean  playing. The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism  and  the  Ancient  Nordic  Myth  about  the  end  of  the  world.


  In  my  opinion  this  is  another  great  sounding  recording  from  The  Crown  and  if  you  are  a  fan  of  this  band,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Let  The  Hammering  Begin!"  "Ultra  Faust"  "Scandinavian  Satan"  and  "Beyond  The  Frail".  8  out  of  10.


http://www.thecrownofficial.com/

https://www.facebook.com/thecrownofficial/
https://twitter.com/thecrownsweden
https://www.youtube.com/user/thecrownsweden

Instagram: thecrownband


  

Tuesday, March 2, 2021

MartyriuM/Lamia Satanica/Art Gates Records/2021 CD Review

 


  MartyriuM  are  a  band  from  Malta  that  plays  a  melodic  and  symphonic  mixture  of  black  and  death  metal  with  some  elements  of  industrial  and  this  is  a  review  of  their  2021  album  "Lamia  Satanica"  which  will  be  released  on  March  19th  by  Art  Gates  Records.


  Symphonic  style   keyboards  and  orchestra  sounds  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  When  the  music  speeds  up  a  great  amount  of  blast  beats  and  tremolo  picking  can  be  heard  while  the  vocals  also  add  in  a  decent  mixture  of  both  black  metal  screams  and  death  metal  growls.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  operatic  female  vocals  can  also  be  heard  in  some  parts  of  the  album.  The  riffs  also  add  in  a  good  amount  of  melody  along  with  some  spoken  word  parts  also  being  utilized  briefly  on  a  couple  of  songs


 Some  tracks  also  add  in  elements  of  industrial  along  with  the  music  also  having  its  cinematic  moments  as  well  as  some  choirs  also  being  utilized  briefly,  the  songs  also  add  in  a  decent  amount  of  90's  influences  but  keeps  it  modern  at  the  same  time.  The  production  sounds  very  professional  while  the  lyrics  cover  Philosophical  Satanism,  Occultism,  Demonology,  Mythology  and  Ancient  Magick  themes.  .


  In  my  opinion  MartyriuM  are  a  very  great  sounding  melodic  and  symphonic  mixture  of  black  and  death  metal  with  some  elements  of  industrial  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sacred  Book  Of  Baal"  "Emanation  Of  Souls"  "Order  Of  The  Fly"  and  "Betrothed  To  Damnation".  8/5  out  of  10.


https://www.facebook.com/martyriumhorde
https://www.instagram.com/martyriumofficial/
https://mobile.twitter.com/martyrium_malta




  

Friday, February 26, 2021

Medieval Demon/Arcadian Witchcraft/Hells Headbangers/2021 CD Review

 


  Medieval  Demon  are  a  band  from  Greece  that  has  been  featured  before  in  this  zine  and  plays  a  very  melodic  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2021  album  "Arcadian  Witchcraft"  which  will  be  released  in  March  by  Hells  Headbangers.


  A  very  dark,  heavy  and  symphonic  sound  starts  off  the  album  along  with  some  melodic  guitar  solos  and  leads  a  few  seconds  later.  All  of  the  musical  instruments  on  the  recording  also have  a  very  powerful  sound  to  them  while  the  music  is  also  very  heavily  rooted  in  the  90's  era  and  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody.  At  times  the  music  also  gets  very  ritualistic  sounding  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing.


  A  lot  of  the  music  also  captures  the  atmosphere  of  the  classic  Greek  black  metal  era  along  with  the  music  also  utilizing  a  great  amount  of  keyboards.  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  the  spoken  word  parts  also  giving  the  music  more  of  an  occult  atmosphere  when  they  are  utilized,  one  of  the  tracks  also  introduces  melodic  chants  onto  the  recording.  The  production  sounds  very  old  school  while  the  lyrics  cover  Satanism,  Luciferian,  Necromancy,  Occultism  and  Witchcraft  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Medieval  Demon  and  if  you  are  a  fan  of  melodic  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Meet  Her  Majesty,  the  Black  Queen"  "The  Grand  Archon"  and  "Arcadian  Witchcraft".  8/5  out  of  10.


http://medievaldemon.bandcamp.com/album/arcadian-witchcraft

https://youtu.be/UPvPDswOVdo   

Wednesday, December 30, 2020

Hierarchy Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?

Tabotan: Well, we're a band dedicated to shedding light upon the forgotten gods of humanity, or those that were demonized by Judeo-Christian influence. 

Lucithor: We started as a Slayer tribute band called the Final Command in 2002, and eventually we branched off into writing our own songs. Early Hierarchy was basically Slayer worship, with some Deicide thrown in for good measure. As we grew and new members joined, our musical influence expanded into what it is today. It was a natural evolution for us, although we did go through different "phases" of the band when we were unsure of ourselves. But the core sound of Hierarchy has always remained the same. We're a straight up blackened death metal band that doesn't pull our punches. We hit hard coming out of the gate, and the onslaught just continues until the record is over. 


2.You have a new album coming out in 2021, musically how does it differ from the stuff you have released in the past?

Tabotan: Basically, the first album is comprised of songs from about 15 years ago that were never released professionally, and some lyrics have changed but most have remained the same, and now that we have that out we can move on to the new horizon which is going to be a more strict black metal sound while continuing to educate those of our spirituality and beliefs. 

Lucithor: Like Tabotan said, the first album we just released is all older songs that I rewrote to fit today's landscape. Some of the songs that were written early on were too simplistic due to my inability to play and write well. Fast forward 15 years later where the skill has vastly improved, and you find it in yourself to want to make the material much better than it was. In the past we've released live albums and EPs and they don't quite hold up with time, but a lot of those songs were great and deserved a proper release. So what you're hearing on the record are songs that are over 15 years old, written when I was just a teenager. Revamped, re-written, and released in this day and age. 


3.The band was broken up for 10 years, what was the cause of the split and also the decision to reform?

Tabotan: Life got in the way. Some of us moved away, some of us went on to do different things musically and some of us tried to make a living through labor intensive work. Come years later when none of that worked out we realized that we had some unfinished business and it was time to get to work in order to appease the gods. 

Lucithor: The indefinite hiatus was largely my fault. I lost interest in the band and went on to explore other types of music. I played in a punk band, a hardcore band and a metalcore band over those years, and I also became an MMA fighter. So training took a large portion of my time. Years later when I was at an all time low in life, Tabotan was there to pull me out from the slump and remind me that Hierarchy was still alive and roaring to go. So I guess you could say this band saved my life, because it kind of did. And the best decision I ever made was to reform this band, because it has given me a new lease on life. 


4. A lot of your lyrics cover Satanism, Occultism and Anti Christianity themes, can you tell us a little bit more about your interest in the dark arts?

Tabotan: I couldn't really get into it without writing you an entire book, which I plan on doing one day. So the short and sweet answer is this is just what vibes with me naturally. And also, look to the music and the lyrics for answers in the meantime.

Lucithor: I've always been drawn to the darker side of life, even as a child. I loved horror movies and all things death and morbid, so this type of music came naturally for me. I was raised in a Roman Catholic environment and had a severe distaste in Christianity when I was young. Even at that age I could see the bullshit and the hypocrisy that stems from that religion. But my main gripe with it comes from my Norse Pagan beliefs. The Christians basically rolled over everything in their path, and it was either convert or die. They eradicated so many ancient religions and beliefs, some lost to the ages. As for Satan, I also feel a pull towards that side as well, although I tend to fall on the Luciferian side of things. Satan equals freedom, and unlike the Judeo-Christian Jehova he isn't a jealous god, and allows you to worship and explore whatever you so wish. It's that freedom and strength from within that comes from those deities that really drives you forward on those dark days. Some days I thank Odin and Thor, while other days I may call on Satan to destroy an enemy. It's all in the same realm to me. 


5.You also have some lyrics inspired by the writings of H.P Lovecraft, can you tell us a little bit more about your interest in his works?

Tabotan: Well that goes basically back to the question before hand on my interest in the dark arts and my beliefs in general. Short and sweet once again not to write an entire book, but when HP Lovecraft wrote about these gods he said they came to him in his dreams, and I believe its highly possible that he vibed with super entities from very far away, and that the stories might be more than just fiction. 

Lucithor: Like the question before, I've always been attracted to horror and the dark side of life. And his stories and bodies of work just called to me. They were so mysterious and haunting, and always got my imagination roaring. But like Tabotan said, the gods came to him in a dream, and they very well could have been beings or deities from aeons past that spoke to him through dreams. You never quite know. Most fiction does stem from some sort of truth, doesn't it?


6.What is the meaning and inspiration behind the name 'Hierarchy'?

Tabotan: This isnt really my question to answer, seeing as how the band already had the name when I entered, being the 3rd vocalist to come along. But apparently the most influential. I didn't name the band, but I definitely believed in it and the Hierarchy name to me I saw as the potential to speak upon the forgotten gods and tell their story as it was told to me by my influences. 

Lucithor: There's a short answer and a more involved answer. The short answer is that one day I was looking through a book on demons and demonology, and there was a chapter called "The Hierarchy of Infernal Demons", and that word just popped out and stuck with me. So I decided that would be a proper band name for this type of music. The more involved answer would be that as the band grew, so did our beliefs. Hierarchy could mean any form of structure within a belief system. For us, those would be the dark gods of those religions. Which is why we write about all things left hand path, no matter what sect or religious belief they follow. 


7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Tabotan: Absolutely. My sister in law is an amazing artist who is also a follower of the left hand path. And unfortunately at the time a single mother, so I basically commissioned her to create some artwork for the band so that we could hopefully become somewhat successful and kick back to her to help her out with bills and such. And also to portray her skills as an artist and help her rise with us. 

Lucithor: It's really a great cover isn't it? Tabotan's in-law (we call her Lilith) came up with the design after we told her what we wanted. Which was basically the hierarchy of all the demons, with Satan on his throne ruling them all. We wanted to stimulate a reaction from people as well. Kind of like when you're a teenager looking through the CDs at a record store and you come across one that has killer artwork, so you buy it based on that and discover something totally new. We're hoping that happens with our music. That someone would see this killer looking artwork and want to buy it, hopefully gaining a new fan of the music in the process. 


8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Tabotan: As for our stage show we try to put on a visual performance that matches the tone of the music and lyrics within, in order to stimulate the audience's energy to create an atmosphere that we can all revel in. 

Lucithor: We've been lucky enough to share the stage with many great bands, a lot of them our heroes or musical influences such as Deicide, Goatwhore, Mortician, Cannibal Corpse, Dimentianon, and recently Usurper and Kvlt of Frost. The Goatwhore show was a standout show because we got to hang out with the guys in the band and talk all things metal and left hand path. They were great dudes. We'd love to share the stage with them again. Deicide was another fun one, although Glen Benton really didn't talk to us that much. He kind of did his own thing. We've also had the pleasure to play with a lot of great local bands over the years as well. 


9.Currently you are unsigned, are you looking for a label or have received any interest?

Tabotan: Of course getting help by being signed would be a lovely thing. I mean as far as getting the music out there and getting shows with other big name artists in our genre and also getting our merch out and becoming successful. However, it is not a breaking point for me if we don't accomplish getting signed. With the way social media is these days with Facebook and Youtube and the Bandcamp we can still continue on with the music and get it out there, which is in the end our main goal. Fortune and fame be damned...

Lucithor: I'd love to be signed to a great metal label. I think most guys who start bands and are serious about their music want to be signed to a label and tour the world, I mean that's the rock n roll dream, isn't it? But its very different with our kind of music. We've submitted to a few labels so far, including Season of Mist, Napalm Records, Noble Demon Records, Earache Records, and SPV records, which I guess is what used to be Century Media. We're also going to submit to Nuclear Blast eventually, and that is currently in the works as well. Back in Feb of 2019 we met Amon Amarth singer Johan Hegg at Duff's Bar in Brooklyn, and we gave him a demo, which he gave the guys at Metal Blade. So fingers crossed with that. Otherwise like Tabotan said if we don't get signed we have social media. You can get your music worldwide with the click of a button nowadays and we are grateful for that. So we'll see what happens. 


10.On a worldwide level how has the reaction been to your music by fans of black and death metal?

Tabotan: Honestly I feel like there's only two ways about it. You're either gonna like the band or you're not gonna like the band. There's no middle ground  in extreme metal. 

Lucithor; Everyone that has heard the album so far has loved it. We've gotten responses from people in countries halfway around the world like Russia and Greece. We even had someone from France email us asking us for our autograph on the album, so that's a pretty cool feeling. All of the reviews we've had so far said great things about it, so that makes me very happy to hear. We worked our asses off perfecting this album, and we're glad that its getting the praise that it is, because we feel like we've earned it at this point in our careers. 


11.Where do you see the band heading into musically during the future?

Tabotan: Well, the plan was to get these original songs down and on an album, and then we wanted to produce a black metal album and then go on to do a Nordic themed album eventually. Then cover the Greek and Egyptian gods afterwards. So that's basically the direction we had planned on heading, but of course the future is subject to change. 

Lucithor: We wanted to get the album of original Hierarchy songs finished and released first and foremost. That was our main goal. And now that we've accomplished that we can look towards the future for other releases. We have an EP called 'Ravenous" that should be coming out within these next few months. And that EP is just straight up brutal death metal. What I love about this band is that we aren't stuck in one genre. One song or album could have a thrash vibe, while the other is a 90s death metal sound, etc. But in the end you still know it's the same band. I feel like that gives us an advantage musically. We're also working on a melodic black metal album called "The Gospel of Judas" that will see the light of day eventually. Hopefully by the end of the year or early next year. So there's that. I also have an entire album written on the Norse Pagan deities, so there is most certainly no lack of material. 


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Tabotan: When we met we were all pretty big fans of bands like Slayer, Deicide, Morbid Angel, Sepultura, Behemoth, Amon Amarth, Dissection, Dark Funeral, Cradle of Filth, Cannibal Corpse, and Vital Remains, just to name a few. Currently I'm pretty much listening to all of that still, with a few of the other bands I grew up on like Suicidal Tendencies and Metallica. I've also discovered some bands like Septicflesh, Gojira, HATE, and Watain. 

Lucithor: For me, in the beginning it was AC/DC. I saw a live video of Highway to Hell and I was hooked immediately. I became absolutely obsessed with that band, and from there it got progressively heavier. Metallica, Slayer, etc to then early forms of death metal and black metal. Now, I actually play guitar in an AC/DC tribute band called Problem Child, and I do that on the side of Hierarchy, which still helps me get that love for the band out there. But today my favorite bands are Amon Amarth, Cannibal Corpse, Behemoth, Darkthrone, Dark Funeral, Watain, Deicide, Morbid Angel, Manegarm, and the list goes on and on. I'm always discovering new music. But metal isn't the only genre I love. I also listen to punk rock like the Misfits and Bad Religion, who happen to be in my top 5 favorite bands ever. I love classic rock, blues and even country. But nothing will ever surpass my love for metal.


13.Before we wrap up this interview, do you have any final words or thoughts?

Tabotan: If you let the magic and imagination die out in this world you're gonna be left with a very soul crushing life of politicians and rules. So I urge everybody to go out and seek something that brings you closer to the energies of the universe. Ave Satanas. 

Lucithor: I just want to thank you guys for this interview opportunity, and for the great review on our album. I also want to thank everyone who has supported us over the years, and to all who have bought the record so far. But keep an eye on us, because the best is yet to come. Ave Satanas and Hail Odin!


https://hierarchyband666.bandcamp.com/music

https://twitter.com/HierarchyOffic1

https://www.facebook.com/hierarchybandny

https://www.youtube.com/channel/UCHYhKs2aRClttyw8XmSk4Sw

Monday, December 28, 2020

Hierarchy/Self Titled/2021 Full Length Review

 


  Hierarchy  are  a  band  from  New  York  that  plays  a  very  melodic  and  blackened  form  of  death   metal  and  this  is  a  review  of  their   self   titled  and  self  released   album  which  will  be  released  in  2021.


  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats.  Melodies  can  also  be  heard  in  some  of  the  guitar  riffing  along  with  the  vocals  being  mostly  black  metal  screams  and  the  music  is  very  heavily  rooted  in  the  90's  death  metal  style.


  Demonic  voices  can  also  be  heard  briefly  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Growls  can  also  be  heard  at  times  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  synths  also  being  utilized  briefly  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  all  of  the  music  also  sticks  to  a  heavier  direction.


  Hierarchy  plays  a  musical  style  that  takes  melodic  black  metal  and  mixes  it  with  90's  era  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Luciferian,  Left  hand  Path,  Occultism,  Blasphemy,  Anti  Christianity  and  the  writings  of  H.P  Lovecraft.


  In  my  opinion  Hierarchy  are  a  very  great  sounding  melodic  and  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Light  Ov  the  Morning  Star"  "Ave  Satanas"  "Suicide  Ceremony"  and  "Through  The  Fires  Of  Moloch".  8  out  of  10.


   Watch this video!

Monday, November 9, 2020

Sorrow Enthroned Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the musical project?


As a fan of many different styles and subgenres of metal, when I created Sorrow Enthroned the intention was to mix sounds from all the different bands that I love. It leans mostly into melodic black and brutal death metal territory, however there are many other influences that can be heard here and there. I started it as a form of therapy and release, and the music keeps evolving as I do.


2.So far you have released a couple of full lengths, an ep and a few singles, musically how does each release differ from each other?


The ep I released in 2019 and the full length “The Embrace of Nocturnal Sorrow” both have a strong raw black metal sound, with melody and some deathcore influences. The lyrics are much more grim and the music more abrasive. The experience I gained in these two released pushed me forward into recording a handful of singles and experimenting with other sounds. The latest release still has these styles, yet more spread out, with the gaps being filled with other influences.


3.On the new album you covered some occult, left hand path and Thelema themes with your lyrics, can you tell us a little bit more about your interest in the dark arts?


Occultism saved my life, I was very depressed and recovering from drug addiction, and the left hand path offers a hidden light to those of us who were born of the devil.


4.What are some of the other lyrical topics and subjects you have explored so far with the music?


I have explored topics of death and depression previously, occultism currently, maybe ill do a concept album for the next one.


5.What is the meaning and inspiration behind the name 'Sorrow Enthroned'?


Sorrow Enthroned came to me as one of the ageless paradoxes of the human existence, the feelings of exaltation and misery we experience through the years, light and dark and good and evil. This world has much darkness in it, and it is not going anywhere, I think the only choice is to embrace it and exalt the self as it will always be a part of us. There is great and powerful magick there.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork is a sigil I created for the idea of will in motion, representing a consciousness moving from one world to the next (which is why the planetary sigils differ from traditional hexagrams). This motion is reminiscent of the Ouroboros, being cyclic, or the Serpent of eden seeking knowledge, or the wandering spirit who lives yet still.


7.Withthis project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?


I would love to work with other musicians, I am open to anything.


8.Since 2019 you have released a great amount of music with this project, do you spend a great amount of time writing and creating music?


Inbetween working and going to school for music, I constantly create simply for the love of it. I feel like there is unheard music around us in the air constantly, and it would be a waste to not create something from it.


9.Currently you are unsigned, are you looking for a label or have received any interest?

Yes, I received some label interest on the last album, I am absolutely interested in looking into what is out there and what kind of services they can offer.


10.On a worldwide level how has the reaction been to your music by fans of black and death metal?


People seemed to enjoy “the embrace of nocturnal sorrow”, they seem to really enjoy “thelemic grimoires”, the feedback so far has been great. 


11.Where do you see yourself heading into as a musician during the future?

I would love to work as a sound engineer or session guitarist. Sorrow Enthroned isn’t going anywhere and I will keep evolving the sound. I could see myself playing in a band at some point as well.


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


As a whole, I take a lot of inspiration from Dark Funeral, Incantation, The Black Dahlia Murder, Suffocation, Behemoth, Dying Fetus, Mournful Congregation, Carnifex. This year while working on the album I had the new Incantation record on repeat for a long time, it is incredible. Same with Ulcerate, Defeated Sanity and Inferi, all great releases this year 2020.


13.Before we wrap up this interview, do you have any final words or thoughts? 


Thelemic Grimoires is on Bandcamp, Spotify, Itunes and Youtube, also the stoned ape theory is real.

Friday, November 6, 2020

Sorrow Enthroned/Thelemic Grimoires/2020 Full Length Review

 


  Sorrow  Enthroned  are  a  solo  project  from  Hartford,  Connecticut  that  plays  a  mixture  of  melodic  black  and  brutal  death  metal  and  this  is  a  review  of  his  self  released  2020  album  "Thelemic  Grimoires" .


  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  solos  and  leads  are  done  in  a  very  melodic  style.  The  vocals  also  bring  in  a  mixture  of  black  metal  screams  and  death  metal  along  with  the  music  also  having  its  brutal  moments  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.


  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  The  riffs  also  add  in  a  great  amount  of  melody  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the music  also  adding  in  a  decent  mixture  of  both  old  school  and  modern  influence.


, Some  of  the  slower  sections  of  the  tracks  also  add  in  a  touch  of  doom/death  metal  along  with  some  of  the  mid  tempo  sections  also  adding  in  the  brutality  of  slam  death  metal  and  horror  movie  style  synths  and  spoken  word  samples  can  also  be  heard  on  the  closing  track.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  Occultism,  Satanism,  Thelema  and  Darkness  themes.  


  In  my  opinion  Sorrow  Enthroned  are  a  very  great  sounding  mixture  of  melodic  black  and  brutal  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project. RECOMMENDED  TRACKS  INCLUDE  "Sins  Of  The  Carnal  Man"  "Black  Horned  Gods"  "Hand  Of  Aiwass"  and  "Thelemic  Grimoires".  8  out  of  10.


https://sorrowenthroned.bandcamp.com/track/congress-with-the-demon

https://www.facebook.com/sorrowenthroned666
https://sorrowenthroned.bandcamp.com