Showing posts with label blackened industrial. Show all posts
Showing posts with label blackened industrial. Show all posts

Saturday, April 30, 2022

Noctiferia/Reforma - Tribute To Laibach/Blood Blast Distribution/2021 Full Length Review

 


  Noctiferia  are  a  band  from  Slovenia  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  black,  death  metal,  experimental  and  avant  garde  and  this  is  a  review  of  their  2021  album  "Reforma  -  Tribute  To  Laibach"  which  was  released  by  Blood  blast  Distribution  and  consists  their  cover  versions  of  the  previous  mentioned  band.


  Tribal  style  beats  and  ethnic  instruments  start  off  the  album  before  going  into  a  heavier  musical  direction.  Vocals  are  in  between  death  metal  growls  and  black  metal  screams  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  the  music  also  has  its  avant  garde  moments.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  some  of  the  songs  also  add  in  session  work  from  David  Vincent,  Atilla  Csihar  and  Jorgen  Munkeby.  Melodies  are  also  add  in  some  of  the  guitar  riffing  along  with  the  vocals  also  add  in  more  of  an  aggressive  yet  semi  melodic  style  at  times.


  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  faster  sections  of  the  songs  also  adding  in  a  small  amount  of  blast  beats.  Programmed  beats  can  also  be  heard  at  times  as  well  as  one  track  also  adding  in  a  brief  use  of  clear  vocals  and  as  the  album  progresses  female  vocals,  keyboards  and  saxophones  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  political  themes.     


  In  my  opinion  this  is  another  great  sounding  recording  from  Noctiferia  and  if  you  are  a  fan  of  black,  death  metal,  industrial,  avant  garde  and  experimental,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Now  You  Will  Pay"  "Eurovision"  and  "Das  Spiel  Ist  Aus".  8  out  of  10.


https://www.facebook.com/noctiferia

https://www.noctiferia.net


https://open.spotify.com/album/5fYKiqYc1z1HfQ8sahdoOI?si=oqKEch4zSoW2_FG82OIGRQ


 https://youtu.be/ouQrt-mH6Ic
 https://youtu.be/P9W7TrFiZxU

 https://youtu.be/OJM3hmpsp54   

Tuesday, April 19, 2022

Luminous Vault/Animate The Emptiness/Profound Lore Records/2022 CD Review

 


  Luminous  Vault  are  a  duo  from  New  York  that  plays  a  mixture  of  industrial,  black  and  death  metal  and  this  is  a  review  of  their  2022  album  "Animate  The  Emptiness"  which  will  be  released  in  May  by  Profound  Lore  Records.


  Electronic  music  sounds  and  industrial  elements  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  drum  beats  are  also  programmed  along  with  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  vocals  are  mostly  angry  sounding  black  metal  screams.  Death  metal  growls  can  also  be  heard  at  times  along  with  a  couple  of  the  songs  also  being  long  and  epic  in  length  as  well  as  the  album  also  adding  in  a  small  amount  of  tremolo  picking  and  blast  beats  when  the  music  finally  speeds  up.


  Luminous  Vault  plays  a  musical  style  that  takes  black,  death  metal,  industrial  and  electronic  music  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  psychospiritual  trials,  transformations,  alchemy  and  surrealism  themes.  


  In  my  opinion  Luminous  Vault  are  a  very  great  sounding  mixture  of  industrial,  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Invoke  Radiant  Gleam"  "Earth  Daemon"  and  "Ancient  North".  8  out  of  10.


https://twitter.com/luminousvault

https://www.instagram.com/luminousvault

https://luminousvault.bandcamp.com

https://www.facebook.com/luminousvault

Thursday, March 24, 2022

King Satan/Occult Spiritual Anarchy/Blood Blast Distribution/Electric Spark Records/Hemelvlam/2022 Full Length Review

 


  Finland's  King  Satan  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  industrial,  symphonic  black  and  death  metal  and  this  is  a  review  of  their  2022  album  "Occult  Spiritual  Anarchy"  which  will b e  released  in  April  as  a  joint  effort  between  Blood  Blast  Distribution,  Electric  Spark  Records  an d  Hemelvlam.


  Elements  of  industrial  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  spoken  word  parts  can  also  be  heard  quite  a  bit  throughout  the  recording.  When  keyboards  and  synths  are  utilized  they  also  add  in  some  symphonic  touches  and  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Shouting  vocals  are  also  a  very  huge  part  of  the  recording  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  bringing  in  more  of  a  traditional  rock/metal  style  when  they  are  utilized  as  well  as  a  few  tracks also  adding  in  a  small  amount  of  female  vocals.  The  production  sounds  very  professional  while t he  lyrics  cover  Satanism,  occultism,  paganism,  Philosophical,  Blasphemy,  Dark  Humour  and  Nihilistic  Absurdism  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  King  Satan  and  if  you  are  a  fan  of  industrial,  symphonic  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Left  Hand  Path  Symphony"  "Human  Sacrifice"  "Beyond  God"  and  "Spiritual  Anarchy".  8  out  of  10.


https://youtu.be/_TlMZnYK5cw

https://youtu.be/a1DUdHQHd4k

    


    

Thursday, March 17, 2022

None/Interdimensional War Poetry/WormHoleDeath Records/2022 EP Review

 


  None  are  a  duo  form  the  United  States  that  plays  a  mixture  of  black  metal,  neo  folk,  industrial,  noise  and  dark  ambient  and  this  is  a  review  of  their  2022  ep  "Interdimensional  War  Poetry"  which  will  be  released  on  march  25th  by  WormHoleDeath  Records.


  Heavy  and  acoustic  guitars  start  off  the  album  which  also  introduces  elements  of  neo-folk  onto  the  recording.  Vocals  are  mostly  black  metal  screams  while  some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  songs  also  adding  in  a  decent  amount  of  folk  instruments  and when  spoken  word  parts  are  utilized  they  also  give  the  music  more  of  a  poetic  and  ritualistic  feeling.


  Guitar  orientated  drones  and  noises  are  also  a  very  huge  part  of  the  recording  while  one  song  also  adds  in  a  brief  use  of  melodic  chants.  Dark  ambient  style  soundscapes  can  also  be  heard  in  the  background  at  times  along  with  some  tracks  also  showing  an  influence  of  industrial  as  well  as  a  couple  of  tracks  also  adding  in  a  brief  use  of  blast  beats  and  all  of  the  songs  also  sound  very  different  from  each  other  and  as  the  ep  progresses  a  brief  use  of  saxophones  can  also  be  heard..


  None  plays  a  musical  style  that  takes  black  metal,  neo-folk,  dark  ambient,  noise  and  industrial  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  while  the  lyrics  cover  Occultism,  Esotericism,  Poetry,  Principle,  Space,  Time  Travel,  Struggle,  Devotion  and  Self  Discovery  themes.


  In  my  opinion  None  are  a  very  great  sounding  mixture  of  black  metal,  neo-folk,  industrial,  noise  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Chaining  Ethereal  Comatose"  and  "Never  Know".  8  out  of  10.


none.bandcamp.com
nonefolk.wixsite.com/pride


  

Sunday, January 23, 2022

Son of Seth/De Dor a Odio/Trepanation Recordings/2022 EP Review

 


  Son  of  Seth  are  a  solo  project  from  Denmark  that  plays  a  ritualistic  mixture  of  black,  doom  metal, industrial  and  drone  and  this  is  a  review  of  his  2022  ep  "De  Dor  a  Odio"  which  will  be  released  in  February  by  Trepanation  Recordings.


  Distorted  sounding  drones  start  off  the  ep  while  the  music  also  mixes  in  a  decent  amount  of  ritualistic  and  apocalyptic  soundscapes.  Elements  of  industrial  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  the  synths  also  give  the  songs  more  of  a  haunting  atmosphere.


  Programmed  beats,  noises  and  industrial  sounds  are  also  a  very  huge  part  of  the  recording  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  All  of  the  tracks  also  sound  very  different  from  each  other  along  with  one  song  also  introducing  deep  yet  demonic  sounding  vocals  onto  the  recording  and  as  the  ep  progresses  the  vocals  evolve  into  more  of  an  industrial  metal  style


  Son  of  Seth  plays  a  musical  style  that  takes  black,  doom  metal,   industrial,  drone  and  ritual  and  mixes  them  together  to  create  a   sound  of  his  own.  The  production  sounds  very  dark  while  the  lyrics  cover  Occultism  and  Darkness  themes.   


  In  my  opinion  Son  of  Seth  are  a  very  great  sounding  ritualistic  mixture  of  black,  doom  metal,  drone  and  industrial  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Tortured  Spirit"  and  "Epitome  Of  Silence".  8 out  of  10.


www.facebook.com/Sonofsethdoom

www.instagram.com/sonofseth_/

sonofseth.bandcamp.com/releases 



  

Thursday, January 20, 2022

Luna 13/Gorgo/Cleopatra Records/2022 CD Review

 


  Luna  13  are  a  duo  from  Los  Angeles,  California  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  mixture  of  black  metal,  industrial,  electronica  and  bass  music  and  this  is  a  review  of  their  2022  album  "Gorgo"  which  will  be  released  in  September  by  Cleopatra  Records.


  A  very  heavy  and  aggressive  sound  starts  off  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats.  Vocals  are  mostly  black  metal  screams  along  with  some  melodies  also  being  added  into  some  of  the  guitar  riffing  and  the  music  also  adds  in  a  lot  of  industrial  elements.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  Demonic  voices  can  also b e  heard  at  times  along  with  the  music  also  mixing  in  some  touches  of  electronica  and  drum'n'bass,  synths  can  also  be  heard  on  some  of  the  tracks  and  as  the  album  progresses  a  brief  use  of  clean  vocals  and  spoken  word  parts  can  also be  heard. 


  On  this  recording  Luna  13  remains  true  to  the  mixture  of  black  metal,  industrial  and  electronica  that  they h ad  established  on  their  previous  release.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Occultism,  Anti  Religion  and  Horror  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Luna  13  and  if  you  are  a  fan  of  black  metal,  industrial,  electronica  and  bass  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Till  There's  Nothing  Left"  "Gorgo"  "Her  infernal  majesty"  and  "Upside  Down".  8  out  of  10.


https://luna13music.bandcamp.com/album/gorgo
http://www.luna13official.com/

https://youtu.be/49AWwpLnNhY


       

Wednesday, November 10, 2021

Nightshade Interview

 

1.For those that have never heard of you, can you tell us a little bit about the musical project?

Thomas: Nightshade was founded in 1998 and was active in the underground scene until about 2004 when it changed its name and style. Originally, we created a metal style that was much influenced by bands like Samael, The Kovenant, the use of tons and tons of electronic and synths to create soundscapes, also with classical influences. Then in 2019, about 15 years later actually, I came up with the idea to reactivate the band.

David: Wasn’t I the one who came up with the idea?? Hahaha. I think I was kind of hoping this would happen at some point. I’m still very fond of our first demo, “Andromeda’s Heart”, released in 1999. It has this youthful energy that we never really captured after that. I wanted to “celebrate” its 20th anniversary so I uploaded a remastered version of it on Bandcamp. It so happens that Thomas had secretly been working on new songs. When he came to me with these demos, I was blown away and felt the stars were aligning again.


2.In November you have a new album coming out, can you tell us a little bit about the musical style that you went for on the recording?

Thomas: We wanted to stay true to that original energy and style because it’s quite uncommon. At the same time, we wanted to make an album that reflected who we are today as musicians and also as individuals. It’s a sort of return to the origins and at the same time an evolution from the last 15+ years. For example, we rearranged Chopin’s Opus 23, something that was really hard to do, integrated samples of opera voices alongside David’s clean singing and used lots of guitar tracks, like around 10 or so. Eventually, we worked with Sebastian Has, who is also known for his work with Behemoth, to produce a very warm and natural, yet powerful sound.


3.What are some of the lyrical topics and subjects the band has explored so far with the music?

David: Right from the beginning of the band in 1998, there has been a “spacey” touch to our lyrics as well as many references to Greek, Roman and Christian mythologies. But they are roughly an imagery that allows us to dig into deeper themes. On Sounds of Dark Matter, we deal a lot with knowledge or rather the search for knowledge. “Set To Destroy The Heart Of The Sun” is about the feeling that all spirituality seems to be slowly dimming out in this world. “Pulsars 1.33” is about the desperate need for mankind to leave a legacy in the cosmos, though we’re bound to become extinct at some point. “A Call From Distant Skies” deals with how civilisations have turned towards the skies to try and explain everything that is happening down here, while at the same time trying to harness and conquer these stars.


4.What is the meaning and inspiration behind the name 'Nightshade'?

Thomas: We were, and still are, huge fans of Summoning. Our band is named after their EP “Nightshade Forests”. Also, the song “A Call From Distant Skies” is our kind of tribute to the band.


5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The angels represent The Lamb opening the seven seals. It’s an illustration by Julius Schnorr von Carolsfeld, a German painter from the 19th century. We gave it a “Nightshade” twist of course…. the background is a surreal vision of space with clouds, there is also  a dying sun behind mystic symbols alluding to songs like “Pulsars 1.33” or “A Call From Distant Skies”.


6.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

Thomas: The current line-up is working just fine. But you know… “Never say never” haha … we’ll see what happens, especially as we’re having more and more demand for playing live.


7. On the album you also done a 'Kovenant' cover, what was the decision behind doing your own version of one of their songs?

David: A lot of the composition for the album was done during the 2020 confinement. People having too much time on their hands, these “10 albums that had a huge impact on me” lists started to bloom on Social media and it made me realize how important Nexus Polaris was for me when it came out. It’s actually the main album that drove Nightshade lyrically into space. Since we were kind of paying tribute to our own past, I thought why not acknowledge the influence of Covenant/The Kovenant by covering one of their songs. “Chariots Of Thunder” was always one of my favourite tracks off Nexus Polaris so we had a go at it. Thomas was keen to work on this but he wanted to twist it, to make it stand a bit off. Hence the “acoustic almost flamenco” version, haha.


8.On a worldwide level, how has the reaction been to your music by fans of industrial and black metal?

David: It would be a bit pretentious to state we aroused worldwide level reactions with Nightshade, hahah. We’ve been silent for more than 15 years so it’s hard to say how people will react to our sound today. We had many good reviews back in the day, most nodding to the freshness of this mix of orchestral, cold wave, thrash and industrial influences. The scene has evolved a lot since then and I feel there is a lot of space in today’s underground for experimentation, which is great. I hope we can squeeze in there.


9.Where do you see the band heading into musically during the future?

Thomas: It’s a bit early to say as “Sounds of Dark Matter'' is just being released now. But we’ll certainly stick to what makes our music different: a blend of orchestrations with industrial/Dark Wave feel and some thrashy influences! … and we’ll certainly explore new frontiers.


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Thomas: Part of my influences come from classic metal bands like Iron Maiden, etc… when I was a teenager. After that, there was the new wave of BM in the late 90’s and 2000’s that had a huge influence on me musically and personally. In the last 10 years I’ve been listening to so many things that I just couldn’t pick one. I’m also revisiting some bands, like I ‘m having a blast re-listening to Morbid Angel’s discography at the moment and following some new bands on bandcamp.

David: Having taken a very wee part in the composition, I can only speak about vocals and lyrical inspiration… I mentioned The Kovenant and I guess this is still something that lingers in my mind, at least lyrically. Vocally, I’d say you can hear I’ve listened to a lot of “Gothenburg death metal” in the past, though I don’t really listen to these bands anymore. I’ve grown up with thrash metal and that’s also a big influence, as well as a lot of atmospheric black metal, like Summoning, Winterfylleth, Negura Bunget, old Arcturus… Lyrically, I’m heavily inspired by Romantic and Symbolist artists, including painters. Hence the numerous references to Greek, Germanic or Christian mythologies.


11.How would you describe your views on Satanism and Occultism?

David : As far as I’m concerned, I don’t care much for Satanism as an oppositional system to Christianism. That being said, the serpent is a constant figure in our lyrics, used to embody both the idea of lie but also the thirst for knowledge. The Promethean figure is central in our universe. And Christianism forged the image of Satan from the Promethean myths, as the opposer of God, the one who offers mankind knowledge as a way to challenge God(s).

Thomas : I bought Anthon LaVey’s Satanic Bible back in the days. It had quite an influence on me on several fronts, like “good” or “bad” can have very different meanings compared to what society wants us to think. But today I feel more inspired by occultism. As a matter of fact, much of our current image as a band is based on mystic symbols. Together with the lyrics, it creates many ways in which you can discover our music.


12.Before we wrap up this interview, do you have any final words or thoughts?

Thomas: we’re really grateful to ADifferentShadeOfBlackMetalZine and your readers for the support. We’re trying to share back as much as we can so please follow us on social media and check out our 2 videos for the album!

David: Yup, thanks a lot for choosing Nightshade to travel through time and space!

 


Monday, October 25, 2021

Nightshade/Sounds Of Dark Matter/My Kingdom Music/2021 CD Review

 


  Nightshade  are  a  duo  from  Switzerland  that  plays  a  blackened  form  of  industrial  metal  and  this  is  a  review  of  their  2021  album  "Sounds  Of  Dark  matter"  which  will  be  released  in  November  by  My  Kingdom  Music.


  Classical  guitars  start  off  the  album  before  going  into  a  heavier  musical  direction  while  you  can  also  hear  all  of  the  instruments  that  are  present  on  the  recording.  Vocals  are  mostly  angry  sounding  black  metal  screams  along  with  elements  of  industrial  and Keyboards  also  being  mixed  in  with  the  heavier  sections  of  the  songs.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  a  couple  of  the  tracks  are  also  very  long  and  epic  in  length.  Clear  vocals  are  also  added  into  some  parts  of  the  album  which  also  add  in  some  touches  of  goth  rock  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized  and  operatic  female  vocals  can  also  be  heard  briefly.


  At times  the  music  also  brings  in  some  orchestra  and  new  wave  touches  along  with  some  of  the  riffing  also  showing  an  influence  of  thrash  metal  as  well  as  one  of  the  tracks  also  being  a  cover  of  The  Kovenant's  "Chariots  Of  Thunder",  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard  and  some  songs  also  add  in  a  small  amount  of  growls.  The  production  sounds  very  professional  while  the  lyrics  cover  scientific  themes.


  In  my  opinion  Nightshade  are  a  very  great  sounding  blackened  industrial  metal  duo  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Set  To  Destroy  The  Heart  Of  The  Sun"  "Andromeda  Defiled"  and  "A  Call  From  Distant  Skies".  8  out  of  10.


http://facebook.com/NightshadeMetal  


  

Friday, October 15, 2021

Haiku Funeral/Drown Their Moons In Blood/Aesthetic Death/2021 Full Length Review

 


  Bulgaria/U.S.A  duo  Haiku  Funeral  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  ritualistic  mixture  of  blackened  industrial  and  dark  ambient  and  this  is  a  review  of  their  2021  album  "Drown  Their  Moons  In  Blood"  which  will b e  released  on  Halloween  by  Aesthetic  Death.


  Ambient  style  synths  start  off  the  album  while  the  percussion  also  gives  the  music  more  of  a  ritualistic  feeling  when  it  is  introduced  onto  the  recording.  Vocals  are  mostly  grim  sounding  black  metal  screams  along  with  some  spoken  word  parts  also  being  added  into  some  parts  of  the  recording  and  most  of  the  tracks  are  also  very  long  and  epic  in  length.


  Whispered  vocals  are  also  added  into  some  parts  of  the  recording  while  the  songs  also  add  in  a  great  amount  of  electronics.  Guitar  sounds  can  also b e  heard  in  some  parts  of t he  recording  along  with  some  tracks  also  adding  in  touches  of  ethnic  music  as  well a s  the  vocals  also  getting  more  deep  and  demonic  at  times.


  Elements  of  industrial are  also  a  very  huge  part  of  the  recording along  with  the  bass  guitars  also  sounding  very  powerful  when  they  are  utilized.  Asian  style  folk  instruments  can  also  be  heard  on  a  few  tracks  as  well  as  some  chants  and  throat  singing  also  being  utilized  briefly  and  as  the  album  progresses  there  is  also  a  brief  use  of  spoken  word  parts.  The  production  sounds  very  dark  while  the  lyrics  cover  Luciferian  Consciousness     and  Shiva  roaming  a  post  apocalyptic  planet.


  In  my  opinion  this  is  another  great  sounding  recording  from  Haiku  Funeral  and  if  you  are  a  fan  of  ritualistic  blackened  industrial  and  dark  ambient,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Universe  murders  itself"  "The  Earth  burns  And  Burns"  and  "Drown  Their  moons  in  Blood".  8  out  of  10.


ttps://www.haikufuneral.com

https://facebook/haikufuneral


    

Thursday, September 23, 2021

8 Hour Animal Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?


It’s just a place for me to go nuts. It’s as  rageful and fried as I want to get. No rules other than it’s just me doing everything . Right now I’m doing as much analogue gear as possible and that seems to work. It’s definitely manic so ii gotta keep an eye on how much time I spend everyday on it for my own well being… 


2.So far this year you have released 2 albums, musically how do they both differ from each other?

I think there will be a total of 4  releases in  2021 for this project.The project has two sides, the more song oriented industrial stuff Resigner and longer experimental  pieces that I am happy to release in very small runs  on rad labels with minimal digital access.  There is something great about limiting how many people hear certain works. 


 

3.What are some of the lyrical topics and subjects you have explored so far with the music so far?


Mostly alienation and mental illness. Figuring out what is  the inside crazy and what is the outside crazy. I realized how horrible, cruel and insincere people could be  when I was very young and have been trying to figure out why I even give a shit for 40 years. Weird music Marxism and  living in nature saved me.  Finding the right psych meds didn’t hurt either. 


4.hat is the meaning and inspiration behind the name '8 Hour Animal'?


It is for when I feel like digital trash in a capitalist shit machine.

 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?


I asked Paul (Van Trigt) to do something that makes you feel bad when you look it at it but you’re not sure exactly why. Paul does really top notch collage / xerox art for a ton of great noise bands.  


6.So far very little is known about the musical project with you only having a bandcamp and instragram page, are you planning on expanding your presence in the future or do you prefer to keep a lower profile?


I am too old to  truly value  being  cool or popular.  When those urges do flare up I try to remind myself how grossly unsatisfying it is to join the art star rat race.  It would be nice to play for appreciative audiences at some point…. so that requires some exposure. Music needs an audience that’s part of the deal. However t he whole process has been bastardized  by the sadly predictable exploitive bloodsucking bullshit you see in every aspect of our world.

 

7.the new album was released on 'Sentient Ruin Laboratories', how did you get in contact with this label?


I was listening to the first decoherence and thought - this is weird and unclassifiable and SR does a decent amount of releases that straddle metal, noise etc. I sent a few songs to MA and he got back to me quickly and we agreed to do the LP.  It just worked out, you really can’t force these things.


8.on a worldwide level how has the reaction been to your music by fans of black metal, harsh noise and industrial?


It is hard to gauge but I am satisfied to see that some people dig it. The idea with Resigner was to push everything all the way. Make ugly music that people who like ugly music get excited by.  8HA lives in the middle zone between multiple musical worlds and that will always limit theaudience. People like a clear scene to associate an act with. That’s just not something I’ve ever been able to do.


9.Where do you see yourself heading into as a musician during the future?


Currently  I have a strict noise project called Father Fister and working on the industrial follow up to Resigner . The nosie is great because it is very fast / intuitive and I do it all to 4 track- no computers. The industrial music, while I try to limit laptop use,  it just takes forever to get it to the point where  it feels done.

 

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


I generally listen to a lot of the music that inspires what I am working on at the time and put on classical music when my ears are fried. So write now it’s industrial music Moral Order Anenzephalia semi-abstract stuff like that.  Winter is more black metal of course.   Some current bands I like are Carved Cross, Revenant Marquis, God Is War, Human Failure and Decoherence and lot of other stuff  on Sentient ruin, Caligula 031, All the lake shark tapes,  Kommodus, Burier Cerebral Rot nd always a ton of classical music . From Stockhausen to Penderecki to fucking Chopin and Schubert  I love it all. 


11.What are some of your non musical interests?


Learning Slavic language, nature, political action, psychology (my profession !)  and books. …. Music is generally 60 percent of what I think about 


12. If you are young listen to older music if you are not listen to more current music,

https://youtu.be/VR0KlFhfWTk

Tuesday, September 14, 2021

PreEmptive Strike 0.1/Redeclaration Of War (2006-2015)/2021 Compilation EP Review

 


  Greece's  PreEmptive  Strike  0.1  have  returned  with  a  compilation  which  consists  of  songs  being  recorded  between  2006  and  2015  which  also  shows  the  music  going  for  more  of  a  electro- industrial  style  while  more  current  releases  show  more  of  a  black  metal  influence  and  this  is  a  review  of  their  self  released  2021  ep  "Redeclaration  Of  War  (2006-2015)".


  Synths  start  off  the  ep  along  with  some  electronic  and  industrial  elements  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  All  of  the  drum  beats  are  programmed  along  with  the  tracks  also  mixing  in  a  decent  amount  of  spoken  word  samples  and  sci-fi  style  vocals  can  also  be  heard  at  times.


  Most  of  the  music  is  also  heavily  rooted  in  an  ebm  style  while  the  aggressive  vocals  show  some  touches  of  black  and  industrial  metal.  Clean  vocals  can  also  be  heard  briefly  along  with  each  song  also  sounding  very  different  from  each  other  and  the  music  also  shows  an  influence  of  the  classic  Wax  Trax  era.


  On  this  recording  PreEmptive  Strike  0.1  displays  more  of  their  electro-industrial  beginnings  instead  of  the  black  metal  elements  they  alter  mixed  with  this  style  on  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  science  fiction  and  war  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  PreEmptive  Strike  0.1  and  if  you  are  a  fan  of  electro-industrial,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Lethal  Defence  Systems"  and  "Epos  of  The  Argonauts".  8  out  of  10.


https://pes01.bandcamp.com/music    


    


  

Saturday, September 11, 2021

Spectral Darkwave Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?


We are Spectral Darkwave, harvesters of pain across time and space - in tribute to gods most dark. We collect the suffering in vessels made of death doom metal ornamented by orchestras and the tragic events themselves. They are pulsing exhibits to the terror of existence.


2.In October you have a new album coming out, musically how does it differ from the stuff you have released in the past?


The new album 'At Outer Dark' furthers the collection of suffering first put together in 'Last First Contact', but with a great leap in the production values. Musically, it is thicker in tone and slightly more complex in it's arrangements, to offer deeper immersion in the scenes we capture.


3.This is also your first full length since 2015, can you tell us a little bit more about what has been going on during that time frame?


The first record was very much a proof of concept that stories could be told, this then allowed us to recruit The Gunner on bass and perfect our live show, considering every possible angle. This culminated in our invitation to Bloodstock 2021. Our lord Cthulu has clearly recognized our work.


4.What are some of the lyrical topics and subjects you explore with the newer release and also how would you describe your progress as songwriters over the years?


The song lyrics focus on setting the scene in the wants, needs and desires of the human suffering on offer at a point in space time. For example, the lead single '731' focusses on the emotional turmoil of surgery on live victims in the name of Japanese patriotism. The March Of Saes focuses on the exhilaration and fear of Elephant riders in ancient Persia. The album culminates in the song 'At Outer Dark' - a paean to our quest as a crew to join with our lord Cthulu as he passed through the material realm and it's... consequences.


5.On one of your singles you also cover Norse Mythology, can you tell us a little bit more about your interest in this topic?


Our interest is only in the amount of pain that could be harvested from the shores of Lindisfarne in AD 793. It's essence ages well in our vaults. 


6.What is the meaning and inspiration behind the name 'Spectral Darkwave'?


The good ship Darkwave is the ship in which we as a crew travel through time and space. We emerge, take the horror available, sometimes milk the situation for a little more, then disappear as quickly as we came - but not entirely without trace.


7.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork captures our encounter with our Lord Cthulu beyond the furthest spiral arm of this galaxy. We sought to join with him, sampling but a fraction of his power. This moment of misadventure can be heard in the epic, final song of the album 'At Outer Dark'.


8.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


We offer, theatre, spectacle and immersion. As a result, we have been lucky to play more than few performances where the energy of band and crowd has crackled with devotion to the dark - the shared catharsis of looking into the abyss and having it stare back in musical form. Clearly, the highlight for was this year's Bloodstock performance.


9.The new album is coming out on 'Occidental Records'. can you tell us a little bit more about this label?


Sadly, in more mundane matters, to release records these days has become the responsibility of the artist. Investment, promotion, distribution and monetization - all of it. With the digitization of music came the simple fact that there is a huge supply of music and the ability to record it. Supply has outstripped demand. In the capitalist system, the monetary value is low, yet the artistic value is higher than ever. So, it is our label, named after an industrial disaster and the power of empire - it reminds us making sure we do the right things to keep the good ship Darkwave afloat.


10.On a worldwide level how has the reaction been to your music by fans of underground metal?


We genuinely believe we have an experience of high quality with which to engage audiences - but there is an awful lot of noise out there that our signal must penetrate. When people see us we are remembered, we've already had pre-orders for people from half a decade ago. However, we feel that perhaps with the length of time between albums, that this for many will be the first time - and they will hear us at our most potent.


11.Where do you see the band heading into musically during the future?


Well, it would seem that after nearly 2 dozen tales of human suffering and our final encounter with HIM on the new record, that the consequences of our meeting will play out in the narrative of the next record. Musically, we will always seek to pulse, doom and terrify with arrangements that bring a grand scale to our tracks.


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


It started as early some of the darkest theme tunes from 80's video games, TV shows and films. We seek to chase that sense of scale and adventure. Metal is the only genre that sense of infinite power other than the darker orchestrations of Gorecki or the choral work of Tallis. Yet we cannot say we do not admire the work of artists such as Septic Flesh, Draconian or the Vision Bleak where they too seek a sense of scale. But we seek the narrative moments themselves. 


13.Does occultism play any role in your music?


Indirectly. Our obsession with the dark gods of the universe, a reaching out to the infinite, the unknowable other beyond human perception interests us deeply. You might say it is the thoughts of historical occultism illuminated by scientific insights that more than ever declare 'there is more out there than we can ever know'.


14.Before we wrap up this interview, do you have any final words or thoughts?


Thank you for taking the time to speak to us. May this be the first step upon your conversion.

For more information on Spectral Darkwave click here
Visit Spectral Darkwave on Facebook
Hear Spectral Darkwave on YouTube
Order Spectral Darkwave on Bandcamp
Follow Spectral Darkwave on Instagram
Spectral Darkwave on Spotify

Monday, September 6, 2021

Abstracter/Abomination/Sentient Ruin Industries/2021 Full Length Review

 


  Oakland,  California's  Abstracter  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  black,  sludge  and  doom  metal  along  with  some  elements  of  crust,  dark  ambient  and  industrial  noise  and  this  is  a  review  of  their  2021  album  "Abomination"  which  will b e  released  in  October  by  Sentient  Ruin  Laboratories.


   A  very  slow,  dark,  heavy  and  apocalyptic  sounding  doom  metal  sound  starts  off  the  album  which  also  adds  in  the  heaviness  of  sludge  metal.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.


  When  the  music  speeds  up  a  decent  amount  of  crust  elements  and  blast  beats  can  also  be  heard.  Vocals  also  bring  in  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  songs  also  add  in a  decent  balance  between  slow,  mid  paced  and  fast  parts  along  with  the  songs  also  adding  in a  t ouch  of  dark  ambient  when  they  are  utilized.


  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  some  industrial  style  noises  also  being  utilized  briefly  as  the  album  progresses.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  pessimism,  misanthropy,  the  apocalypse  and  antichrist  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Abstracter  and  if  you  are  a  fan  of  black,  sludge  and  doom  metal  with  some  touches  of  crust,  dark  ambient  and  industrial  noise,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Eclipse  Born"  and  "Lighteater".  8  out  of  10.


BANDCAMP RELEASE        

Saturday, September 4, 2021

Spectral Darkwave/At Outer Dark/Occidental Records/2021 CD Review

 


  Spectral  Darkwave  are  a  band  from  the  United  Kingdom  that  plays  a  symphonic  mixture  of  black,  dark,  doom,  death  and  industrial  metal  and  this  is  a  review  of  their  2021  album  "At  Outer  Dark"  which  will  be  released  in  October  by  Occidental  Records.


  Dark  soundscapes  and  spoken  word  parts  start  off  the  album  before  adding  in  some  symphonic  sounds  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Vocals are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  the  slower  sections  of  the  songs  also  add  in  elements  of  dark  and  doom  metal.  A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized.


  Acoustic  guitars  can  also  be  heard  briefly  along  with  spoken  word  parts  also  making  a  brief  return  as  well  as  the  music  also  capturing  a  sci-fi  atmosphere  at  times,  operatic  female  vocals  can  also  be  heard  briefly  and  as  the  album  progresses  touches  of  industrial  can  also  be  heard  and  all  of  the  songs  stick  to  either  a  slow  or  mid  tempo  style.  The  production  sounds  very  professional  while  the  lyrics  cover  Alien  Technology  and  Ancient  Magick  themes.  


  In  my  opinion  Spectral  Darkwave  are  a  very  great  sounding  symphonic  mixture  of  black,  dark,  doom,  death  and  industrial  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "731"  "The  Founding  of  Man"  "A  Season  of  Abyssal  Screams"  and  "At  Outer  Dark".  8  out  of  10.


www.spectraldarkwave.com


https://youtu.be/-Z5WQozY028  


    


        

Saturday, July 10, 2021

8 Hour Animal/Resigner/Sentient Ruin Laboratories/2021 Full Length Review

 


  8  Hour  Animal  are  a  solo  project  from  the  United  States  that  plays  a  mixture  of  black  metal,  punk,  harsh  noise,  power  electronics,  industrial,  drone  and  dark  ambient  and  this  is  a  review  of  his  2021  album  "Resigner"  which  will  be  released  in  August  by  Sentient  Ruin  Laboratories.


  Spoken  word  parts  start  off  the  album  before  adding  in  a  very  powerful  sounding  bass  guitar  a  few  seconds  later.  Industrial  style  beats  are  also  utilized  quite  a  bit  throughout  the  recording    while  the  vocals  are  mostly  black  metal  screams  along  with  a  great  portion  of  the  tracks  also being  very  long  and  epic  in  length.


  Samples  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  songs  also   mix  in  a  great  amount  of  power  electronics  and  harsh  noises.  Clean  vocals  can  also  be  heard  briefly  along  with  all  of  the  drum  beats  also  being  programmed  as  well  as  some  tracks  also  adding  in  elements  of  dark  ambient  and  drone,  at  times  the  tracks  also  mix  in  the  raw  energy  of  punk  rock.


  8  Hour  Animal  plays  a  musical  style  that  takes  black  metal,  punk,  harsh  noise,  power  electronics,  industrial,  drone  and  dark  ambient  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  while  the  lyrics  cover  dark  and  disturbing  themes.


  In  my  opinion  8  Hour  Animal  are  a  very  great  sounding  mixture  of  black  metal,  punk,  harsh  noise,  power  electronics,  industrial,  drone  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Almost  Free"  and  "Wake".  8  out  of  10.


BANDCAMP RELEASE      


  

Sunday, April 25, 2021

Pulsa DiNura Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?


We're a two-man metal project from Kentucky. We play a blend of black metal, industrial, and dungeon synth. 


2.So far you have released a couple of albums, musically how do they both differ from each other?


I don't feel that the albums differ from each very much. They were both recorded during the same time. Some of the songs that wound up on If It Bleeds, We Can Kill It (our second album) were finished before some of the songs on The Misanthropy Gospel (the first album). For instance, "Humanity's Tomb" was one of the first songs written for Pulsa diNura but it didn't fit with the other songs on The Misanthropy Gospel so it was reworked and included on If It Bleeds. The lyrical concepts are consistent between both albums, and some of the lyrics make references to ideas explored in other songs.


3.What are some of the lyrical topics and subjects the band has explored so far with the music?


The lyrics cover some of my frustrations with being an American in modern times as well as my opinion on broader topics. I feel that religious institutions are generally some of our biggest problems in society, and that idea gets a fair amount of attention in the lyrics. The lyrics tend to be considered misanthropic because my personal view of people is that we're much more stunted in our collective than we should be; we should have grown up more than we have as a species, and that frustrates me. In turn, that frustration comes out in the lyrics.


4.I Know that the bands name comes from the Qaballa, can you tell us a little bit more about your interest in this topic?


I discovered the term "Pulsa diNura" while reading up on different versions of the Golem story. Once I investigated what it meant, I was intrigued. It seems like the ultimate revenge: a death curse of eternal damnation without even a god being able to save you. The English translation would be "The Lashes of Fire," which is the name of a song from The Misanthropy Gospel.


5.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork for If It Bleeds, We Can Kill It is the result of too many hours spent manipulating and combining images. Essentially, it's Pandaemonium (the capital of Hell) with a statue's face blended into the foreground. 


6.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?


We've had offers from other musicians who want to join but adding members isn't something we're interested in doing. We work well as a two-piece and have no need to expand unless we decide to play shows, which we probably won't.


7.Are any of the band members open to do any live shows once the pandemic ends?


Not particularly. We both have other bands that play shows, so that itch gets scratched elsewhere. As of right now, we prefer to focus entirely on writing and recording.


8.On a worldwide level how has the reaction been to your music by fans of black metal and industrial?


So far, the reception has been good. We've not encountered anyone yet who hates it. The people who have been the most vocal about their praise, however, has been the black metal community, which I think is a compliment unto itself considering that black metal fans tend to be some of the hardest to impress.


9.Where do you see the band heading into musically during the future?


Right now I don't see a lot of deviation from the formula we've been using. I've been tempted to use more industrial elements in some of the material that we're still working on (similar to "A Modern Extremity" or "Slanted Stairs to Salvation") but so far there's only one new song that leans more into industrial territory than metal.


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Our influences primarily come from a lot of music that came out of the 90s metal, alternative, and electronic scenes. From Emperor to Smashing Pumpkins to Aphex Twin, I've always thought of Pulsa diNura as a modern spin on bands like Godflesh and Ministry but with more black metal and dark ambient influences.


11.What are you listening to nowadays?


Some newer stuff but also keeping the old classics in rotation. For instance, I listened to a bit of Deus Mortem, Squarepusher, and Black Flag on my way to and from work today. 


12.Before we wrap up this interview, do you have any final words or thoughts?


Thank you very much for the interview and album review! We really appreciate you taking the time to check us out.

We can be found at:

Thursday, April 22, 2021

Pulsa DiNura/If it Bleeds, We Can Kill It/2021 Full Length Review

 


  Pulsa  DiNura  are  a  duo  from  Kentucky  that  plays  a  mixture  of  atmospheric  black  metal,  industrial  and  dungeon  synth  and  this  is  a  review  of  their  self  released  2021  album  "If  it  Bleeds,  We  Can  Kill  It".


  Industrial  style  beats  and  soundscapes  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  All  of  the  drum  beats  are  also  programmed  while  the  synths  also  add  in  a  touch  of  dungeon  synth  while  the  riffs  also  add  in  a  great  amount  of  melody  and  the  vocals  are  mostly  high  pitched  black  metal  screams.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  music  also  has  its  atmospheric  moments.  Programmed  blast  beats  can  also  be  heard  in  some  parts  of  the  recording  along  with  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length,  growls  can  also  be  heard  briefly  as  well  as  most  of  the  music  also  sticking  to  a  mid  tempo  direction,  spoken  word  samples  can  also  be  heard  briefly  on  the  closing  track.


  Pulsa  DiNura  plays  a  musical  style  that  takes  atmospheric  black  metal,  industrial  and  dungeon  synth  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  misanthropy  themes.


  In  my  opinion   Pulsa  DiNura  are  a  very  great  sounding  mixture  of  atmospheric  black  metal,  industrial  and  dungeon  synth  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "The  Evolution  Of  American  Filth"  "No  Exit"  and  "Slanted  Stairs  to  Salvation".  8  out  of  10.


Bandcamp
Facebook
Instagram
YouTube