Saturday, April 19, 2025

Lifetaker/Herbsthunde/Van Records/2025 EP Review

 


  Lifetaker  are  a  band  from  Germany  that  plays  a  mixture  of   harcore, black  and  sludge  metal  and  this  is  a  review  of  their  2025  ep  "Herbsthunde"  which  will  be  released  in  May  by  Van  Records.


  A  very  dark  and  heavy  sludge  metal  sound  starts  off  the  ep  while  noises  can  also  be  heard  in  the  background.  Vocals  also  add  in  a  lot  of  angry  hardcore  style  shouts  as  well  as  adding  in  some  black  metal  screams  and  clear  singing  at  times  along  with  the  riffs  also  adding  in  a  decent  amount  of  distorted  melodies    


  The  recording  also  has  its  experimental  moments  while  the  songs  also  add  in  a  lot  of  dissonant  touches.  Programmed  beats  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  all  of  the  tracks  stick  to  a  slower  direction,  spoken  word  samples  are  also  briefly.


  Lifetaker  plays  a  musical  style  that  takes  hardcore,  noise  rock,  dissonant  black  and  sludge  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  German  and  cover  awareness  and  self-reflection  themes.    


  In  my  opinion  Lifetaker  are  a  very  great  sounding  mixture  of  hardcore,  black  and  sludge  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUD  "Totsignal"  and  "Maschinesturm".  8  out  of  10.


  Bandcamp: lifetaker.bandcamp.com

Contact and booking: contact@lifetaker.net

Instagram:  @lifetaker_wrath

Facebook:  /LifetakerPRZR

https://youtu.be/M54F7L2EzsE

Friday, April 18, 2025

Valkenrag/Fury Untamed/Art Of The Night Productions/2025 EP Review

 


  Valkenrag  are  a  band  from  Poland  that  plays  a  melodic  mixture  of  viking,  black  and  death  metal  and  this  is  a  review  of  their  2025  ep  "Fury  Untamed"  which  will  be  released  on  April  25th  by  Art  Of  The  Night  Productions.


  Drum  beats  and  heavy  riffing  starts  off  the  ep  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  along  with  the  solos  and  leads  also  adding  in  a  lot  of  melody and  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  while  the  songs  also  add  in a   good  mixture  of  slow,  mid  paced  and  fast  parts.  A  lot  of  the  recording  is  also  very  heavily  influenced  by  the  Swedish  style  along  with  some  of  the  faster  riffing  also  adding  in  a  decent  amount  of  tremolo  picking  and  one  song  also  adds  in  some  orchestration,  spoken  words  are  also  added  towards  the  end.


  Valkenrag  plays  a  musical  style  that  takes  the  melodic  forms  of  viking,  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Norse  and  Slavic  Mythology.  


  In  my  opinion  Valkenrag  are  a  very  great  sounding  melodic  mixture  of  viking,  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  'Fury  Untamed"  and  "Bleed  To  Be".  8  out  of  10.


  https://youtu.be/kx6e0Toilhs

Facebook | Bandcamp | Instagram  

Ancestor Of Kaos Interview

 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?


Hi and thank you very much We are very satisfied with this album and with the work our label Horror Pain Gore Death is doing. We have been working also with Grand Sound PR and it has helped a lot to get our name out there. Last month we played a show in Las Vegas opening for Belphegor, Arkona and Vale of Pnath and we are preparing a small west coast tour for the summer.


2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?


Our previous album “Ancestor of Kaos” was made of old songs from our previous 2 albums re recorded in USA with better production and under the new name. We were “Ancestor” from 2005 to 2015 and changed to Ancestor of Kaos after.


3.From 2011 to 2022 there was no music being released, can you tell us a little bit more about what was going on during that time frame?


In 2013 we received an invitation to play in South by Southwest festival in Austin, Texas. That was our chance to leave communist Cuba and be free so we took our opportunity and moved to Florida where we were very active playing live shows from 2013 until 2015 when we took a 5 year hiatus and that’s the reason why no new music was released during this time. We started writing the new material in 2020, record it in 2023 and released it in 2025. In the meantime we released the “Ancestor of Kaos” album with re recordings of old songs in 2022.


4.Can you tell us a little bit more about the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?


We write songs about liberty and death, sex and drugs. In the beginning I (Joel - guitar) used to write most of the music and now our drummer Alcides also contributes with the writing process. For us is very important to make songs below 4 minutes and to be as dynamic and direct as we can, the main goal is keeping the listener entertained and engaged.


5.On earlier releases you also covered some satanic and Anti Christian themes, can you tell us a little bit more about this interest?


In the beginning of the band I was 22 years old and I used to write mostly about religion from a historic perspective. Now I’m 42 and real live is a bigger inspiration, our personal experiences have been more brutal than any fairy tale. 


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork was done by Belial NecroArts and we were very happy with how it came out. Actually we had a different art before but we thought it didn’t represent the music as well so we changed it. There are a lot of details in the painting that can be found inside the lyrics, it’s an original Sakura style painting that you can almost hear.


7.Originally the band was from Cuba, how would you compare the underground metal scene from your home country to the United States?


In Cuba the scene is permitted and controlled by the communist state, every venue and audio equipment belongs to state run agencies with the intention of controlling every art movement. It’s a disgrace that cripples the authenticity of the artist and under those circumstances any expression or work of art is incomplete. The biggest reward we have received is to be able to play Metal in freedom here in USA.


8.Out of all the shows and tours the band has done so far, which one stands out the most?


We played a very special headliner show in Miami last year and playing there is like playing in Cuba because that’s were most people go to live after exiled from the island. We will never play in Cuba again until the regime falls so for that reason that show was very special because there were like 200 people in the audience with more than half of them Cubans.


9.Do you have any touring or show plans for the new album?


Yes we want to start a west coast tour in the summer around California and probably another festival in Tampa, Florida in November.


10.On a worldwide level how has the reaction been to your music by fans of underground metal?


Our intention is to put Cuba in the map when it comes to Metal music, step by step. We’ve seen our numbers getting bigger since our comeback and it’s gratifying every time more people find us.


11.Where do you see the band heading into musically during the future?


Black Metal is more than just music, is a feeling that makes the creating process more authentic than any other genre in my opinion, the possibilities are endless and there are no boundaries. We see ourselves playing on stage until we die.


12.What are some of  the bands or musical styles the band members are currently listening to nowadays?


We listen to a lot of music not only metal but also jazz, electronic and traditional afro Cuban music. We take our influences from Mayhem to Al Di Meola, from Slayer to Irakere, from Bjork to Napalm Death. If it’s good and has a rhythmic groove we are instantly hooked. 


13.Before we wrap up this interview, do you have any final words or thoughts?


Once again thank you very much and please follow us on our socials and music platforms and please share this interview, it helps more than you can imagine. Cheers! /Joel 

https://www.facebook.com/Ancestorofkaos/
https://ancestorofkaos.bandcamp.com/music
https://www.youtube.com/@ancestorofkaos
https://open.spotify.com/artist/57B5CRC1kkravkNU1u8pTn

Thursday, April 17, 2025

Maesitia/Hate Of Sorrow/Via Nocturna/2025 Full Length Review

 


  Maesitia  are  a  band  from  France  that  plays  a  melodic  mixture  of  black  and  death  metal  with  elements  of  thrash  and  traditional  metal  and  this  is  a  review  of  their  2025  album  "Hate  Of  Sorrow"  which  will  be  released  on  April  18th  by  Via  Nocturna.


  Keyboards  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  lot  of  blast  beats.  Elements  of  thrash  metal  are  also  added  into  some  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  more  of  a  melodic  traditional  metal  direction.


  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clean  playing  is  also  added  into  certain  sections  of  the  album  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  spoken  words  can  also  be  heard  briefly  and  at  times  the  music  also  gets  very  progressive  sounding.


  Maesitia  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  together  with  some  touches  of  thrash,  progressive  and  traditional  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness,  death  and  sorrow  themes.


  In  my  opinion  Maesitia  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Hatred  In  My  Soul"  "Steal  Your  Death"  and  "Flood  Of  Tears".  8  out  of  10.


  Facebook | Bandcamp


      

RawMoor/En Route/WormHoleDeath Records/2025 Full Length Review

 


  RawMoor  are  a  duo  from  Finland  that  plays  a  very  melodic  and  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  album  "En  Route"  which  will  be  released  in  may  by  WormHoleDeath  Records.


  Keyboards  and  symphonic  orchestration  starts  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  spoken  words  can  also  be  heard  on  a  few  tracks  along  with  the  harsh  vocals  being  a  mixture  of  black  metal  screams  and  death  metal  growls.


  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  Clean  playing  can  also  be  heard  in  certain  sections  of  the  album  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  one  track  also  adding  in  a  brief  use  of  choir  vocals,  acoustic  guitars  are  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  cover  treachery,  betrayal,  critiques  on  left  wing  ideology,  anti-religion  and  pro  freedom  themes. 


  In  my  opinion  RawMoor  are  a  very  great  sounding  symphonic  and  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Frostglade"  and  "Pine  Branches".  8  out  of  10.


  www.youtube.com/channel/UCv5TPiRLJo-OHOaxl5p3b1g

rawmoor.bandcamp.com


   


    

Wednesday, April 16, 2025

Khôra/Ananke/Les Acteurs de L'Ombre Productions/2025 Full Length Review

 


   Khôra  are  an  international  band  with  embers  from  Germany  and  Ireland  that  plays  a  very  progressive  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Ananke"  which  will  be  released  in  may  by  Les  Acteurs  de  L'Ombre  Productions.


  A  very  dark  orchestrated  sound  starts  off  the  album  while  also  adding  in  symphonic  elements  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  while  the  vocals  are  mostly  high  pitched  black  metal  screams.


  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  growls  can  also  be  heard  at   times.  Clear  vocals  are  also  added  into  certain  sections  of  the  recording  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  Clean  playing  is  also  added  on  some  of  the  tracks  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody.  Spoken  words  can  also  be  heard  briefly  as  well  the  album  also  having  its  progressive  moments,  choirs  are  also  introduced  on  a  later  song.  The  production  sounds  very  professional  while  the  lyrics  cover  cosmic  and  philosophical  themes.


  In  my  opinion   Khôra  are  a  very  great  sounding  symphonic  and  progressive  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Legion  of  The  Moirai"  "Arcane  Creation"  and  "Crowned".  8  out  of  10.


  Facebook // Youtube


  

Tuesday, April 15, 2025

Valhalore Interview

 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?


Firstly, thanks for having us! Since finishing Beyond the Stars mid-2021, we have been fortunate to support a number of amazing bands across Australia: Alestorm in 2022, Arch Enemy in 2023, Blind Guardian in 2024, and Hammerfall in 2025. We have also signed with ROAR, a division of Reigning Phoenix Music, and released Beyond the Stars through them a few days ago. The band is keeping very busy preparing for our Australian tour in May in support of Beyond the Stars, and we are looking to tour overseas toward the end of 2025.


2.Recently you have released a new album, musically how does it differ form the stuff you have released in the past?


Voyage into Eternity, our first album, was written well before the band was formed, so it was more of a studio project that had many ideas and experimentations. With Beyond the Stars, it was a much more collaborative approach to the music, and we really leaned into our own ‘sound’ this time with what came out naturally, rather than trying to sound like other bands.


3.This is also your first album in 8 years, can you tell us a little bit more about what was going on during that time frame?


Sure! So we did a few Australian main support runs, and had to take some time to really organise the release of Beyond the Stars. The label process can take some time, and this in particular took around 2 years to come to fruition. If not for the pandemic, this album would have come out a lot sooner, but fortunately there are many songs and ideas already written for our third album. We do not want another 8 years to wait for our next release!


4. lot of your lyrics cover Vikings and paganism themes, can you tell us a little bit more about your interest in these topics?


On Voyage into Eternity there is a lot of these themes. On Beyond the Stars, we strayed from the Viking theme and focused on what resonated with us at the time: exactly what makes us who we are? Beyond the Stars deals with the highs and lows of the human experience and ultimately dares to answer what happens after we pass on. Do we become nothing or do we become something far greater? These topics resonate a lot more with us nowadays as opposed to ‘literal’ topics we have sung about on Voyage into Eternity.


5.What are some of the other lyrical topics and subjects the band has explored so far with the music?


‘The Storm’ for example, deals with the following: "Being a musician (or just a human, really) is a constant battle with self-doubt, depression, and inner demons. This all became even more prominent during the pandemic when everything you’ve spent your life working towards seemed to disappear overnight. ‘The Storm’ asks the questions; will you give up and succumb to the inner darkness, or will you rise above?" We feel that this is a topic that resonates with us and many people these days, and is an important topic to bring to the foreground.


6.What is the meaning and inspiration behind the name 'Valhalore'?


“Valhalore” came about around 2014 – being a portmanteau of the words ‘Valhalla’ and ‘folklore’. It was a combination of words that we thought sounded cool, so it stuck!


7.Can you tell us a little bit more about the artwork that is presented on the new album cover/


Certainly. The artwork demonstrates a person or figure who has passed on and is becoming ‘greater’ than themselves by expanding through space and time. The song ‘A Walk Among the Stars’ deals with this concept and theme.


8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?


One of our most memorable shows would be when we played Melbourne with Arch Enemy in 2023. The venue was called The Forum and it was an absolutely beautiful space; it was a pleasure to play there. Our Japan tour in 2018 with Ensiferum, Wind Rose, and Trollfest was also very memorable. Our stage show, we like to say, is a high energy and emotional experience. Our aim is to take listeners on an amazing journey, full of aggression, dynamics, and fun!


9.Do you have any touring or show plans for the new album/


Yes – we are touring Beyond the Stars in our home country of Australia in May 2025, and hope to tour Beyond the Stars overseas later in the year.


10.On a worldwide level how has the reaction been to your newer music by fans of viking and folk metal?


We have been inundated with support for Beyond the Stars across the globe. Currently, the album has already had 100,000 total plays on Spotify in just a few days. We also have received a lot of genuine and amazing feedback showing love for the album. Many people have said the long wait has been totally worth it, which is so awesome to hear!


11.Where do you see the band heading into musically during the future?


We deal with many dark themes on Beyond the Stars. Considering the new material that’s currently written, I can see the band heading into a darker direction in the future.


12.What are some of the bands or musical styles the band members are listening to nowadays?


Overall for the band: melodic death, power, prog, symphonic, folk, core, rock, and atmospheric are some of the genres we all like to listen to!


13.Before we wrap up this interview, do you have any final words or thoughts?


Thanks for having me! We really appreciate you taking the time to ask us these questions and support Valhalore and Beyond the Stars. We hope you love the album just as much as we loved making it, and we hope to perform for you wherever you are reading this from very soon!


Anthony


https://www.valhalore.com
https://www.facebook.com/valhalore
https://www.instagram.com/valhalore 

Friday, April 11, 2025

Ancestor Of Kaos/Animal Ritual/Hore Pain Gore Death Productions/2025 Full Length Review

 


  Ancestor  Of  Kaos  are  a  band  originally  from  Cuba  but  now  resides  in  the  United  States  and  plays  a  melodic  mixture  of  black  and  thrash  metal  and  this  is  a  review  of  their  2025  album  "Animal  Ritual"  which  will  be  released  on  April  18th  by  Horror  Pain  Gore  Death  Productions.


  A  very  heavy  thrash  metal  influenced  sound  starts  off  the  album  before  going  into  a  very  fast  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  lot  of  melody  and  a  lot  of  the  music  is  heavily  rooted  in  the  Swedish  style.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  part  while  the  solos  and  leads  also  bring  in  more  of  a  melodic  and  old  school  style.  A  lot  of  the  music  is  very  heavily  rooted  in  the  90's  era  as  well  as  being  modern  at  the  same  time  and  the  whole  album  also  sticks  to  a  heavier  direction,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them


  Ancestor  Of  Kaos  plays  a  musical  style  that  takes  a  very  melodic  form  of  black  metal  and  mixes  it  with  thrash  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Death  and  Darkness  themes.


  In  my  opinion  Ancestor  Of  Kaos  are  a  very  great  sounding  melodic  mixture  of  black  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Death  By  Hanging"  "Dance  Of  The  Sullen"  "Animal  Ritual"  and  "Under  Red  menace".  8  out  of  10.


  https://www.facebook.com/ Ancestorofkaos/

https://ancestorofkaos. bandcamp.com/music
https://www.youtube.com/@ ancestorofkaos

https://open.spotify.com/ artist/57B5CRC1kkravkNU1u8pTn  


  

Friday, April 4, 2025

Valhalore/Voyage Into Eternity/ROAR/2025 Album Re-Issue Review

 


  This  is  a  review  of  another  recording  from  Australia's  Valhalore  which  shows  the  music  going  for  an  epic  and  symphonic  form  of  folk  metal  and  this  is  a  review  of  their  2017  album  "Voyage  To  Eternity"  which  will  be  re-issued  on  April  11th,  2025  by  ROAR.


  Nature  sounds  start  off  the  album  along  with  some  spoken  words  a  few  seconds  later  while  also  introducing  folk  instruments  on  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  At  times  the  music  also  gets  very  symphonic  sounding  and  some  tracks  also  add  in  a  small  amount  of  acoustic  guitars.


  Some  of  the  songs  are  also  very  long  and  epic  in  length  while  the  harsh  vocals  bring  in a   mixture  of  black  metal  screams  and  death  metal  growls.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  all  of  the  instruments  also  have  a  very  powerful  sound  to  them.


  When  clear  vocals  are  utilized  they  also  bring  in  a  combination  of  pagan  and  power  metal  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  some  of  the  tracks  also  bring  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  The  production  sounds  very  professional  while  the  lyrics  cover  adventure,  death,  battle  and  Vikings


  In  my  opinion  this  is  another  great  sounding  recording  from  Valhalore  and  if  you  are  a  fan  of  epic  and  symphonic  folk  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Malice  Of  Illusion"  "Upon  The  Shore"  and  "Voyage  To  Eternity".  8  out  of  10.


  https://www.facebook.com/valhalore  .

Valhalore/Beyond The Stars/ROAR/2025 Full Length Review

 


  Valhalore  are  a  band  from  Australia  that  plays  a  very  epic  and  symphonic  form  of  folk  metal  with  elements  of  melodic  death  and  power  metal  and  this  is  a  review  of  their  2025  album  "Beyond  The  Stars"  which  will  be  released  on  April  11th  by  ROAR.


  Epic  sounding  keyboards  and  folk  instruments  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  music  also  has  its  symphonic  moments  along  with  the  harsh  vocals  being  mostly  death  metal  growls.


  Clear  pagan  vocals  which  also  mixes  in  a  touch  of  power  metal  are  also  utilized  quite  a  bit  throughout  the  recording.  When  guitar  solos  and  leads  are  added  into  the  music  they  are  also  done  in  a  very  melodic  style  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  acoustic  guitars.


  All  of  the  musical  instruments  on  the  album  also  have  a  very  powerful  sound  to  them  along  with  the  screams  also  adding  in  elements  of  black  metal  when  they  are  utilized,  when  the  music  speeds  up  on  a  couple  of  tracks  a  small  amount  of  blast  beats  can  also  be  heard  and  female  vocals  are  also  added  one  song.  The  production  sounds  very  professional  while  the  lyrics  cover  adventures,  death,  battles  and  Vikings.  


  In  my  opinion  Valhalore  are  a  very  great  sounding  epic  and  symphonic  folk  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Edge  Of  Forever"  "Wayfinder"  "Horizon"  and  "A  Walk  Among  Stars'.  8  out  of  10.


  https://www.facebook.com/valhalore  


  

Tuesday, April 1, 2025

Throne Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new album?


We had taken a period of full immersion in the composition of Ossarium for this reason last year we played little live concentrating all our energy in the new album . So for this 2025 I foresee a year full of live performances starting immediately .

Bringing our music around


2.You have a new album coming out in February, musically how does it differ from the stuff you have released in the past?


Ossarium, unlike the previous two chapters, is more mature, more intense and much darker.

Many things change in 15 years of music and let's say that with this third album we have reached another maturity and another level of musical intensity


3.The band formed out of the ashes of Coxa&Margot, what was the cause of splitting up the old band and forming a new one?


To tell the truth, we never broke up, four-fifths of us are still coke-addicted hippies

In fact, back in 2012, Moonlight Records from Parma, led by Dorian Bones (Caronte, Whisky Ritual), had heard us and offered us the chance to collaborate together.

The new challenge and above all the significant number of live performances in those years had changed us but from a musical point of view without denying anything we decided to change our name from Cocaemargot to Throne as if they were two completely different entities but managed by the same people


4.Most of the albums are released 4 years apart, can you tell us a little bit more about the long wait in between releases?


Alas, we are already slow on our own, and between avpid the light, the first chapter of 2012, and consecrates of 2017, 5 years passed. Now we are back in the limelight, a good 8 years later.

The reasons for these long waits are various: some evictions from our rehearsal rooms, and even Covid, which kept us away for months before we could play together.

We just hope it was worth waiting so long


5.What are some of the lyrical topics and subjects the band has explored with the new album and also how would you describe your progress as songwriters over the years?


Each of our records deals with subtle themes of everyday life, from depression to addiction, up to the difficult coexistence between man and religion.

Let's say that with ossarium we tried to create an interview between the listener and a higher entity, ranging from self-criticism for selfishness and greed to baring all in front of one's own mistakes


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


We also entrusted the task to the best on the scene in the ossuary, ADRIAN BAXTER, who had already created the previous Consecrates cover.

Being very good at understanding us and being inspired by our songs, he always manages to put into design what we try to convey with our music.

The cover is dark and gloomy but at the same time orderly, there are no subjects that could mess up one's ideas. It was very strong: wickedness and order, horror and organisation, up to the most classic of the sacred and profane


7.Out of all the shows and tours the band has played over the years which one stands out the most?


We have many of them, from small live shows that you wouldn't bet a penny on, but which turn into real human pandemoniums, to festivals in the biggest and most important venues in Europe.

Personally, however, the most beautiful and satisfying experiences are the evenings with high-profile bands, both local and foreign, such as the live shows with the HEXIS band, which are amazing


8.Do you have any touring or show plans once the new album is released?


We'll be starting at the end of February with a few dates in Italy and then we'll try to play in almost all the major European cities until September, when we should go on tour for about ten days.

However, as we're constantly updating, just take a look at our pages to come and meet us at one of our live shows for a few beers together, which never hurts


9.On  a worldwide level how has the reaction been to your music by fans of black and sludge metal?


We've just released our new album but reviews and the public are currently enjoying our fusion.

In the end, we never try to make music for others, we do what we do best and then hope to have great visibility and feedback.


10.Where do you see the band heading into musically during the future?


Who can say at the moment, we are very mature in our music and lyrics, we have also improved a lot with our merchandise and our social media pages.

We have reached a very high level of maturity, but that doesn't mean that in the future we might not make a new album with other influences, death metal for example, who knows?



11.What are some of the bands or musical styles the band members are currently listening to nowadays?


Nowadays we really listen to a lot of bands and of the most diverse genres,

Celeste, hexis, behemoth, amenra, eyehategood, morast and even meshuggah. We look for inspiration from everyone without ever copying anyone.



12.Before we wrap up this interview, do you have any final words or thoughts?


We really hope that 2025 will be a great year for us, full of live performances and satisfaction, and we hope that a lot of people really like our album ossarium.

https://www.youtube.com/watch?v=ALvBwTlMWMw&feature=youtu.be

Sunday, March 30, 2025

Voland/The Grieving Fields/Dusktone/2025 Full Length Review

 


  Italy's  duo  Voland  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  symphonic  mixture  of  black  and  folk  metal  and  this  is  a  review  of  their  2025  album  "The  Grieving  Fields"  which  will  be  released  in  April  by  Dusktone.


  A  very  heavy  sound  starts  off  the  album  along  with  some  chants  which  evolve  into  grim  black  metal  screams.  While  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  symphonic  sounds  are  also  added  into  the  heavier  sections  of  the  songs  and  shouts  are  also  used  at  times.


  Clear  vocals  are  also  added  into  certain  sections  of  the  recording  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Elements  of  folk  music  can  also  be  heard  quite  a  bit  throughout  the  album  along  with  some  death  metal  growls  also  being  utilized  briefly,  one  song  also  introduces  spoken  words  into  the  music  and  a  couple  of  tracks  are  also  long  and  epic  in  length  as  well as  the  closing  track  also  adding  in  some  acoustic  guitars.


  On  this  recording  Voland  takes  a  symphonic  form  of  black  metal  and  mixes  it  with  folk  metal  to  create  a  very  diverse  release.  The  production  sounds  very  professional  while  the  lyrics  cover  the  History  of  Russia.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Voland  and  if  you  are  a  fan  of  symphonic  black  and  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Saturno"  and  "Variag".  8  out  of  10.


  https://www.facebook.com/voland.band    

Tuesday, March 25, 2025

Versatile Interview

 


1.Can you give us an update on what has been going on with the band since the recording of the new album?

Famine : We have focused all our energy on promoting our new album after having the opportunity to sign a new partnership with the French label "Les Acteurs de l'Ombre." While waiting for the release scheduled for April 11, 2025, several new updates will continue to appear on our social media. In parallel, we have also participated in several concerts and festivals, including the Apocalypse Metal Fest 2024 in France alongside Seth, Ten56 and Crisix, and “Traumatica - Festival of Fear” held in the heart of Europa Park in Germany, which welcomes thousands of people every day. 


2.In April you have a new album coming out, musically how does it differ from your previous ep ?

Famine : We wanted to explore our universe further and the characters of our fictional world called "l'Envers" in French. In the beginning, the EP has been our first business card to share within our networks. The idea was to showcase several directions in each track that we were already ready to embrace and explore further in the future. Today, with the album, our roots still being black metal and electronic music, we’ve expanded into several new sounds, highlighting genres like symphonic music, deathcore, death metal, and more. We also decided to increase the BPM to play more intense tracks during our shows, without wanting to make mid-tempo exclusively part of our approach. Everyone in the band felt the need to create more powerful compositions. Each track can be considered a single, as it also brings its own theme and unique sounds between cathedral bells, gas mask breaths, harpsichord & more.


3.What are some of the lyrical topics and subjects the band has explored so far with the music?

Hatred: The main idea is to tell stories and transport the listener into a fictional universe of our own creation. Despite the fantastical aspect, there are underlying themes that address topics such as alterity, monstrosity and alienation, identity and individuality, exaggeration, vices, social classes, and the endless cycle of destruction and creation.


4.What is the meaning and inspiration behind the name 'Versatile'?

Hatred: The name Versatile is directly taken from our eponymous track. It refers to a shapeshifting creature capable of taking on the features of other individuals. As it transforms over and over, it forgets its original identity and drowns in solitude when no one is there to look at it.

Once again, the fantastical creature serves as an allegory, representing manipulative individuals who can adapt their image to suit their victims.


5.Can you tell us a little bit more about the artwork that is presented on the album cover?

Hatred: The album begins with the end of one world, giving way to the emergence of the universe in which our characters evolve.

The artwork depicts this cataclysm, the final moment before the fall. The cathedral we see is on the verge of annihilation, and with it, every memory of its dogma and the old world


6.Can you tell us a little bit more about the masks the band members wear in the promo pictures?

Famine : In a few words, Famine is a wild, cannibalistic beast with an insatiable hunger. His fate leads him to devour all forms of life, leaving nothing behind. Starting from these origins, I wanted to create a filthy and bloodthirsty character, barefoot, wearing only vague black cloths wrapping his form. Today, I draw more inspiration from Aztec culture, particularly from the god "Mictlantecuhtli". He is often depicted with a feathered adornment, symbols of his high status, and tribal pendants made of human remains or bones. I would like to deepen my inspiration in this culture, which is rarely represented in the metal world. On a personal level, I’m beginning to believe that I’ve come to represent all my repressed anger and disgust in the creation of my character. I’m a zen guy, I’ve gotten into the habit of repressing my primitive impulses a lot. 


Cinis : The costume we wear are integral to our identity as a band and to the character I portray, Cinis, the Priestess of Ashes. My headpiece is designed with cathedral-inspired elements, which evoke a sense of the sacred and the mysterious, reflecting the religious undertones of our music and themes. The mask itself, crafted by the same designer, adds an additional layer of intrigue. It’s a symbol of the enigma surrounding our music and characters. The mystery of the mask invites our audience to interpret the persona we present, allowing them to engage with our art on a deeper level. In addition to the mask, my outfit includes a long black cape adorned with skull shoulder pads, emphasizing a gothic aesthetic that complements the darker themes of our music. This entire look combining elements of the sacred and the macabre embodies the essence of Versatile and helps to create a captivating atmosphere during our performances.


7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Famine : Personally, “La Fête de la Musique 2024” in Geneva was a very positive and surprising experience—I had an absolute blast. Even before the concert began, it was the first time the audience was shouting our name during our line check on stage before we even started playing. The tension was palpable, and the atmosphere was very electric. It only took a few minutes to put everyone into a trance state , and those moments will always be very precious to me when such beautiful synergy is created between the artist and the audience.

Just like our compositions, we are committed to enhancing the immersion of our universe both musically and visually during our stage performance. Each of us portrays our own character, moving and communicating with the audience in this way. For example, you'll always see me hitting my chest and head with my fist, while stomping brutally on the floor with my foot. We are also supported by several visual elements, including lighting effects, smoke, and pyrotechnic effects


8.Do you have any touring or show plans once the new album is released?

Famine : At this moment, we have planned a big event for the release of our upcoming album on April 26th in our hometown of Geneva, alongside "Morgarten" (Epic Black Metal) and "De l'Abîme Naît l'Aube" (Ritualistic Post Metal). This evening is exclusive because we will play the full tracklist, keeping some new visual surprises under wraps. Since we recently signed with our new French label, "Les Acteurs de l'Ombre," we are collaborating with them to promote the album. We will also participate  on May 2  in the "Rituel Noir" festival in France with major bands such as Wiegedood, BORGNE, and more.


9.On a worldwide level how has the reaction been to your music by fans of black metal and industrial?

Hatred: It is still difficult for us to grasp our notoriety beyond Europe. We know that some people follow us from farther away, and we are happy to share our music as much as possible.


10.Where do you see the band heading into musically during the future?


Hatred: I think we will stay true to our original intent while pushing the limits of madness and violence even further.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays ?

There are two of us composing, so we each have our own perspective and sensitivity. As for me, I will probably sound presumptuous, but I can't really associate the influences of the bands I listen to with my composing work. Or at least, maybe I do it in a completely unconscious way. I work much more with my emotions and the inspiration of the moment rather than trying to find a specific style. When Hatred and I open ourselves up to composition, it's quite an emotional challenge sometimes. The idea has never been to put ourselves into an exclusive category, but rather to let our inspirations explode depending on the chosen theme. The main challenge is then putting together the different pieces of the puzzle to make them fit. That's why we really did in-depth work, keeping or discarding the parts that interested us the most. That's why the album takes a different direction, as it brings more maturity by presenting both novelty and more assertive Death Metal & Deathcore parts than in the EP. We are sincerely satisfied with the result.

What I'm listening to right now brings a contrast that always makes me laugh. At the moment, I'm revisiting albums from Regarde les Hommes Tomber (Post Black Metal) while also listening to The Green Kingdom (Electronic Ambient) or atmospheres with Tibetan gongs.


Hatred: I particularly appreciate bands that blend different subgenres of metal and strive to create something unique and powerful.

Among our initial influences, there’s Psyclon Nine for the electronic elements, Wormfood for the atmosphere and lyrics, and Dimmu Borgir for their orchestral power.

Some other bands I deeply enjoy: Carach Angren, Septicflesh, Dark Tranquillity, and Shade Empire.


12.Before we wrap up this interview, do you have any final words or thoughts?

Famine : We sincerely thank you for your interest in our music and our universe !  We are truly excited to present our first album and, in the future, to come to the USA to spread our darkness ! 


https://www.youtube.com/watch?v=4QTIYezdtDg


Wednesday, March 19, 2025

Aexylium/Myth Of Mankind/Rockshot Records/2025 Full Length Review

 


  Aexylium  are  a  band  from  Italy  that  has  been  featured  before  in  this  zine  and  plays  a  symphonic  form  of  folk  metal  and  this  is  a  review  of  their  2025  album  "Myth  of  mankind"  which  will  be  released  in  May  by  Rockshot  Records.


  A  very  epic  sounding  intro  starts  off  the  album  while  also  introducing  keyboards  onto  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Symphonic  orchestration  and choirs  can  also  be  heard  at  times  and  folk  instruments  are  also  added  on  a  lot  of  the  tracks.


  A  lot  of  the  harsh  vocals  also  bring  in black  metal  screams,  death  metal  growls  and  angry  shouts  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Some  of  the  songs  also  add  in  a  small  amount  of  acoustic  guitars  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized.


  Clear  female  and  male  vocals  can  also  be  heard  on  a  few  tracks  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.  When  the  music  finally  speeds  up  a  decent  amount  of  blast  beats  are  also  utilized  and  a  couple  of  songs  also  add  in a   good  mixture  of  slow,  mid  paced  and  fast  parts,  spoken  words  are  also  introduced  on  a  later  song.  The  production  sounds  very  professional  while  the  lyrics  cover  Celtic/Norse  Mythology,  Folk  Tales  and  legends.


  In  my  opinion  this  is  another  great  sounding  recording  from  Aexylium  and  if  you  are  a  fan  of  symphonic  folk  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Queen"  "In  Sorrow"  "Wild  Hunt"  and  "Eternity".  8 out  of  10.


  https://www.instagram.com/aexylium_official

https://www.facebook.com/aexylium

     

Xavernah Interview

 

1.Can you give us an update on what has been going on with the solo project since the recording and release of the new album?


For Xavernah I’ve been mostly focusing on extending further exposure for ‘Absence’. However, of course I have developing new concepts and working on new material, but besides ‘Absence’ my priorities currently lies with getting albums out for both my bands Epistulum (Keytar-driven melodeath) and Signs of Extinction (Symphonic Deathcore/Tech Death) later this year.




2.In February you released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?


Personally I tried to do something completely new for myself. Until the point of writing this record I worked/wrote predominantly on Death Metal/Deathcore, so this was an experiment to try something new with a very atmospheric approach to Black/Doom. Whilst a lot of different flavors seeped into the music, Black/Doom was still the foundation. Funnily enough, after release, the album is seemingly taking a life of its own and is regarded more as an atmospheric Blackened Death Metal-record. I'm not complaining, but I do find it funny and interesting how the album has been categorized so far! 




3.A lot of your lyrics are inspired by writers of the 19th and 20th century, which authors had the most influence on your songwriting?


Definitely H.P. Lovecraft and Olaf Stapledon! Lovecraft for the more eerie and dreadful elements and Stapledon for the more sophisticated, thought-provoking "our-place-in-universe" elements. But with a song titled Ozymandias, and the lyrics being derived from the poem, I cannot go without mentioning Percy Bysshe Shelley too! 




4.What is the meaning and inspiration behind the name 'Xavernah'? 


'Xavernah', as far as I know, has no real meaning. I've taken it from the song 'Xavernah Glory' from the Romanian Black Metal band Katharos XIII, one of the many influences for this project. I really resonate with that song and the word itself is unique, sounds cool and happens to also look cool! 




5.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The cover itself is 1/3 of the entire art piece! It is basically a panoramic amalgamation of the entire album’s story within a single piece of artwork, with the center being the climax of the record! Shout out to Nick Wilschut of Skycraft Productions for creating it! He really outdid himself and put down exactly the image I had in mind.




6.With this project you record a lot of the music by yourself but have experience working as a drummer with a full band, do you prefer to work solo?


Both have its pros and cons. Whilst I do relish the full un-compromised creative control when working solo, it does also ask a lot of you and whenever you get stuck or second guess yourself you don’t really have someone else to turn to. But that’s why I have multiple projects. With Xavernah I figure it out myself and at the end of the day have a product which is 100% me, and with my bands it is a different dynamic, leading to different results but just as fulfilling. 




7.On the new album you also have a few guests, can you tell us a little bit more about who they are and also their contributions to the recording? 


I wouldn’t consider guests, but integral session musicians. Without them, there wouldn’t be an album.


Most of the people involved on the record are fellow students back from my class of music college I have graduated from since. 


Martín Jaramillo, who recorded the electric guitars, is one of the many fellow students involved but also a band member within our band Signs of Extinction.


Thijs Ronteltap is one of the two who isn’t directly involved from my class! Frontman of Epistulum, which I drum for, I asked him to be part of the record and he ended up recording most of the vocals, some piano and acoustic guitars.


Siebe Sol Sijpkens, although an alumnus of the same college, far exceeds my year. Recommended last minute by the album’s mixer to record the bass, he is known primarily for playing with Blackbrair.


Whilst not actively “playing” on the record, also huge thanks to Jordy Hoogvliets (Vrøde) for the additional orchestration and Siebe van der Haring (Benchwarmers) for the additional programming on ’Thalassic Dream’.




8.Currently you are unsigned, are you looking for a label or have received any interest?


I’m not actively seeking, if that's what you mean. I did, soon after release, get approached by a label and we discussed the possibility of Xavernah signing a deal but we couldn’t come to an agreement. For the time being I don’t mind being an independent artist, but if the right label comes around… Who knows.




9.On a worldwide level, how has the reaction been to your music by fans of underground metal?


Whilst it has been quite hard to break through the noise that is the current music industry, the people it has reached have generally responded very positively! Applying a niche take on an already niche genre, I was expecting way more of a mixed reception, but that hasn’t really been the case! Even more, critics have been overwhelmingly positive so far! 




10.What is going on with 'Epistulum' these days?


We have been working hard on a new album, and are putting the finishing touches on it! The album should see the light of day somewhere in the second half of this year!




11.Where do you see yourself heading into as a musician during the future?


Oof, that’s a surprisingly deep question all the sudden. Honestly, I am not sure… Day by day the details change. But what remains consistent is that I want to make music that tells a story, moves people and pushes boundaries. Preferably for projects I am directly involved in, but I do think I would also do pretty well as a songwriter, producer or even some kind of (creative) consultant for other bands/artists.




12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Consciously or subconsciously nearly everything that I enjoy listening and playing has had some influence on the record, in one way or the other. But honing in on the important elements for this record the Black Metal influences came from artists like Mare Cognitum and The Great Old Ones, the Doom elements from artists like Bell Witch and Bismuth. The atmospheric elements come from both metal acts and other artists/media like Hans Zimmer’s Dune soundtrack or ambient artists like Cryo Chamber. 


Whatever I’m listening to is kinda all over the place and changes weekly or even daily! However there is usually still a prominent metal element present. This week I’ve had Vildhjarta’s ‘måsstaden under vatten’ on repeat due to the recent album announcement, another (but very different) atmospheric metal journey!




13.Before we wrap up this interview, do you have any final words or thoughts?


First of all, thank you for having me!


For those still reading, please check out ‘Absence’ if you haven’t already! You can find it on Bandcamp, YouTube, Spotify or your preferred streaming devices. And if you liked what you heard and want to stay in the loop about Xavernah go follow the project on Instagram and Facebook! Thank you!


Now there’s nothing left, merely absence


Bandcamp: https://xavernah.bandcamp.com/album/absence
Spotify: https://open.spotify.com/artist/2pj2ChpqDBXM7QHwmSmrfe
YouTube: https://www.youtube.com/@Xavernah
Instagram: https://www.instagram.com/xavernah_project/
Facebook: https://www.facebook.com/profile.php?id=61569326456220

Monday, March 17, 2025

Incineration In The Infinite/Serpent's Tongue/WormHoleDeath Records/2025 EP Review

 


  Incineration  In  the  Infinite  are  a  solo  project  from  New  York  that  plays  a  mixture  of  black,  doom  and  stoner  metal  with  elements  of  punk  rock  and  this  is  a  review  of  his  2025  ep  "Serpent's  Tongue"  which  was  released  by  WornHoleDeath  Records.


  Synths  start  off  the  ep  before  going  into  a  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  and  stoner  metal.  Vocals  are  mostly  high  pitched  black  metal  screams  mixed  in  with  a  few  growls  along  with  some  melodies  also  being  added  into  the  guitar  riffing  at  times  


  At  times  the  music  also  captures  the  raw  energy  of  punk  rock  while  one  song  also  adds  in  a  brief  use  of  clean  playing.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  whole  recording  also  sticks  to  a  slower  direction  and  melodic  guitar  leads  are  also  added  on  the  closing  track.


  Incineration  In  The  Infinite  plays  a  musical  style  that  takes  black,  doom  and  stoner  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism, Occultism  and  Darkness  themes.


  In  my  opinion  Incineration  In  The  Infinite  is  a  very  great  sounding  mixture  of  black,  doom  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACK  "Satanic  Ritual  In  the  Fog  Of  Night".  8  out  of  10.


  incinerationintheinfinite.bandcamp.com

www.youtube.com/@IncinerationintheInfinite
www.instagram.com/incineration_in_the_infinite