Showing posts with label symphonic black metal. Show all posts
Showing posts with label symphonic black metal. Show all posts

Sunday, April 14, 2024

Folterkammer/Wiebermacht/Century Media Records/2024 Full Length Review

 


  Folterkammer  are  a  band  from  New  York  that  plays  a  very  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2024  album  "Wiebermacht"  which  will  be  released  on  April  19th  by  Century  Media  Records.


  A  very  heavy  and  aggressive  sound  starts  off  the  album  along  with  some  operatic  female  vocals  a  few  seconds  later.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  symphonic  elements  are  also  added  into  the  heavier  parts  of  the  album  and  the  faster  sections  of  the  songs  also  add  in  a  lot  of  tremolo  picking  and  blast  beats.


  Black  metal  screams  can  also  be  heard  at  times  while  the  album  also  mixes  in  a  good  amount  of  classical  music  elements.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.  spoken  word  parts  can  also  be  heard  on  a  few  songs  and  classical  guitars  can  also  be  heard  briefly  and  the  close  with  a  Velvet  Underground  cover .


  Folterkammer  plays  a  musical  style  that   takes  a  very  symphonic  form  of  black  metal  and  mixes  it  with  classical  and  opera  music  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  BDSM  themes.


  In  my  opinion  Folterkammer  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Anno  Domina"  "Kuess  mir  die  Fuessel"  and  "Venus  In  Furs".  8  out  of  10.


  https://www.facebook.com/folterkammer.music/


 

Saturday, April 6, 2024

Pantheon Omega/Harmonizing The Death Essence/2024 Full Length Review

 


  Pantheon  Omega  are  a  solo  project  from  Ontario.  Canada  that  plays  a  melodic  mixture  of  black, death  and  folk  metal  and  this  is  a  review  of  their  self  released  2024  album  "Harmonizing  The  Death  Essence".


  A  very  fast  and  brutal  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  keyboards  also  give  the  songs  more  of  a  symphonic  and  atmospheric  feeling  when  they  are  utilized.  When  acoustic  guitars  are  utilized  they  bring  in  elements  of  folk  music  along  with  one  song  also  introducing  clear  vocals  into  the  music,  some  of  the  tracks  also  also  long  and  epic  in  length.


  pantheon  omega  plays  a  musical  style  that  takes  melodic  black,  death  and  folk  metal  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  enlightenment  themes.


  In  my  opinion  Pantheon  Omega  are  a  very  great  sounding melodic  mixture  of  black,  death  and  folk  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "The  Journey  Alone"  "Harmonizing  The  Death  Essence"  and  "I  Release  Thee".  8  out  of  10.


  https://www.facebook.com/profile.php?id=61556967957143

https://pantheonomega.bandcamp.com/album/harmonizing-the-death-essence-2

https://www.youtube.com/channel/UCd5ZZ0ty8PpXC3Ryp7e_OUQ

  


  


  

Thursday, April 4, 2024

Miruthan Interview

 

1.Can you give us an update on what has been going on with the band since the recording of the new ep?


 


Ritual Priestess: We have been non-stop; which has been so awesome! As a band, right now we are spending a lot of time rehearsing; tightening up the set & choreographing the stage show ready for a really awesome run of shows coming up!


We have released our debut video for ‘Land of the Damned’ which features on the EP - we’re all so grateful and overwhelmed for all of the support & positive feedback we’ve received for it! 


We’ve also been smashing our socials, collaborating & launching our new website, wondering through the dense Australian bush land on photoshoots, and spending a lot of time in general in each other’s pockets!


 


2.You have a new ep coming out towards the end of April, can you tell us a little bit more about the musical style that you went for on the recording?


Priest: we’re kind of a blend of black/melodic black metal and death metal, so we think of ourselves as a blackened death Metal band, but we have a tonne of influences so it’s hard to put an exact label on it. Our production style for the record is aimed at being a bit of a blend of the traditional Black metal sound and some more modern metal. So so we aimed to have the sound ride the line between raw old school and a more punchy contemporary sound.


Ritual Priestess: Our style in general is fairly melodic, theatrical, loud and hard hitting! 


This EP is very much all of these things on overdrive! We wanted to deliver an assault on the senses in the best way possible - we wanted to transport listeners into our world; our post apocalyptic cult!


 


3.A lot of your lyrics cover dark folklore themes, which aspects of this topic do you bring into your songwriting?


Ritual Priestess: Our songwriting is entirely based around the dark folklore we have created. We spend a lot of time conceptually piecing together and developing a world of darkness, chaos, survival and victory. This directly translates to our songwriting; lyrically and through the music as well as our stage performances, costumes and so on. 


 


4.What are some of the other lyrical topics and subjects the band has explored so far with the music?


Priest: We try to tell a continuous story though out our tracks, so each song leads into the next. We like to think of them as chapters in a overarching story. It’s all very narrative driven, this record is all about the origins of the characters and follows them as they try to navigate their way through a post apocalyptic world.


 


Our songs are about what people will do to survive and how they behave when society has broken down.


 


 5.What is the meaning and inspiration behind the name 'Miruthan'?


Priest: Miruthan is a Tamil word that roughly translates to Walking Corpse or Zombie in english, we had a bunch of name ideas but Miruthan was one that stood out! The phonetics of the word are great and it seemed to fit the subject matter perfectly.


 


6.Can you tell us a little bit more about the artwork that is presented on the ep cover?


Priest: Miruthan’s story is set around a ritualistic cult far in an apocalyptic future. So the cover for this record is really aimed at visually summing up that theme. The idea of our music is that’s it’s being sung as it’s being read from a tome, almost like a dark hymn that tells the story of the cults founding. We thought the blood drenched robed figure in a dark cathedral really emphasised up the juxtaposition between apocalyptic violence and culty/religious undertones In our music.


 


7.You also have 6 members in the band, what was the decision behind adding in a huge line up?


 


Ritual Priestess: We actually have 8 members! From a conceptual point of view, we did this to create a huge, somewhat intimidating, visual expression and soundscape. 


 


Miruthan is essentially a collective of storytellers: 


 - Nzambi  (The Zombie DemiGod): Guitar, Sprechstimme


- Mvumbi (Ghost): Vocals


- Baron: Vocals


- Priest: Lead Guitar


- Ritual Priestess: Vocals


- Fantoma: Vocals


- Witch Doctor: Bass


- Wrath: Drums


 


8.In the promo pics you also wear masks and cloaks, do these have any ritualistic aspects to them?


Ritual Priestess: We wear our masks & cloaks at all times of performance. They provide us, and anyone experiencing our performances, with a sense of the dark ritualistic nature of the world we have created through our folklore. 


When we perform, we envelop everything around us in our chaotic world and draw in our ‘recruits’; as a cult would!


 


9.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


Ritual Priestess: We have been blown away by the response to all of our shows! Our ‘recruits’ are a phenomenal, energetic and endlessly supportive bunch! The community of ‘allies’ we have been so grateful to play alongside are all equally phenomenal too! 


I would have to say, the energy and enthusiasm of All Ages shows really are something else though!


 


10.Do you have any touring or show plans once the new ep is released?


Priest: We’re actually about to start a tour for the release of the e.p! We’re all super pumped, it’s an 11 show tour that will take us up and down the East Coast of Australia. We’ve also got more shows locked in after that, and we’d love to look at touring overseas!


 


11.Currently the band is unsigned, are you looking for a label or have received any interest?


Priest: We decided to release this one on our own and see how far we could take it ourselves, we’re lucky enough to have our own recording studio so this was produced, recorded, mixed and mastered completely by us. For our album following this e.p we’re definitely looking at shopping labels!


 


 12.On a worldwide level how has the reaction been to your music by fans of black and death metal?


Priest: It’s been really amazing! We know we’re a little different to traditional Black and Death Metal. But everyone so far has been really open to our twist on the genres and we’re really grateful for that! 


 


 13.When can we expect a full length and also where do you see the band heading into musically during the future?


Priest: We’ve already got our full length written and in demo form, so it’s well on the way! We’re hoping to release it late in 2024 but that’s obviously dependent on how we go with our label search!


 


 14.What are some of the bands or musical styles the band members are currently listening to nowadays?


Priest: We all listen to a bunch of different stuff, we’ve all actually got a pretty diverse taste in music. Of course most of us listen to a fair bit of Black and Death Metal and all of the various sub-genres (I’ve been on a bit of a slam kick lately), but heaps of the band members are very much into genres like Punk, Rockabilly and western swing, Rock, Blues & Bluegrass. Some of us listen to a lot of jazz and some love indie stuff too.


So yeah super diverse!


 


 15.Before we wrap up this interview, do you have any final words or thoughts? 


Priest: We urge you Join The Cult ov Miruthan!


 https://www.facebook.com/Miruthanband

Tuesday, April 2, 2024

Suffering Souls/An Iconic Taste Of Demise/Satanath Records/Fetzner Death Records/2024 Full Length Review

 


  Germany's  Suffering  Souls  has  returned  with  a  new  recording  which  continues  the  symphonic  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  their  2024  album  "An  Iconic  Taste  Of  Demise"  which  will  be  released  in  may  by  Satanath  and  Fetzner  Death  Records.


  A  very  dark,  melodic  and  heavy  sound  starts  off  the  album  along  with  some  symphonic  elements  and  clear  vocals  a  few  seconds  later.  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard  while  the  vocals  are  mostly  grim  sounding  black  metal  screams  and  a lot  of  the  music  is  also  heavily  rooted  in  the  mid  90's  era.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  with  one  track  also  introducing  spoken  word  parts  and  female  vocals  into  the  music.


  Clear  male  vocals  can  also  be  heard  on  some  of  the  tracks  along  with  one  song  also  adding  in  a  brief  use  of  clean  playing,  back  up  shouts  can  also  be  heard  briefly  as  well  as  a  couple  of  songs  also  being  very  long  and  epic  in  length  and  they  also  bring  in  a  couple  of  instrumentals.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Death  and  Misanthropy  themes.    


  In  my  opinion  this  is  another  great  sounding  recording  from  Suffering  Souls  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Soul  Devourer"  "A  Touch  of  Evil  Kindness"  and  "Cruelty  in  Love  And  Fear".  8  out  of  10.


  

linktr.ee/suffering_souls  


  

Monday, April 1, 2024

Miruthan/Cult Of The Dead/2024 EP Review

 


  Miruthan  are  a  band  from  Australia  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2024  ep  "Cult  of  The  Dead"  which  will  be  released  on  April  26th.


  A  very  heavy,  melodic  and  symphonic  sound  starts  off  the  ep  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  along  with  the  solos  and  leads  also  adding  in  a  great  amount  of  melody  and  a  couple  of  tracks  are  also  long  and  epic  in  length.


  Some  of  the  guitar  riffing  also  adds  in  elements  of  punk  rock  while  the  music  is  mostly  heavily  rooted  in  the  modern  era.  When  the  music  speeds  up  a  small  amount  of  blast  beats  can  also be  heard  along  with  some  clear  chants  also  being  utilized  briefly  and  most  of  the  tracks  stick  to  more  of  a  mid  tempo  direction.


  Miruthan  plays  a  musical  style  that takes  melodic  black  and  death  metal  and  mixes  it  with  a  touch  of  punk  rock  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  folklore,  dystopian  and  post-apocalyptic  themes.


  In  my  opinion  Miruthan  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDD  TRACKS  INCLUDE  "At  The  Barricades"  and  "Land  of  the  Damned".  8  out  of  10.


   https://www.youtube.com/watch?v=EuSAVb-oRE8    


 

Thursday, March 28, 2024

Vesseles Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the solo project?


Vesseles was created to be an outlet for coping with my demon identity. The music is meant to convey how that feels through the progressions, instrument choices and overall atmosphere. The core feeling is existential dread, dysphoria and hatred both of oneself and the world around. 




2. In May you have an EP coming out, can you tell us a little bit more about the musical style that you went for on the recording?


Black metal felt the most appropriate for the subject matter. So, I started with that as the main direction and influence but not as a rule. I tend to add strings, keys, horns, etc into my work because I enjoy the atmosphere it adds. Adding eerie chords and piano lines became the signature sound for this EP and project going forward.




3. What are some of the lyrical topics and subjects that you have explored so far with the music?


The project is based around my identity so all of the lyrics relate to my experiences with that. Some relate to self hatred and others to hating what’s outside of my control. Since this EP has a storyline, the lyrics lean more into transformation of self but fall back into internal struggles.




4. What is the meaning and inspiration behind the name 'Vesseles'?


The name is a play on vessel/vessels. “Vesseles” is meant to have a Latin feel. My body feels like nothing but a vessel that contains my true self. It’s not really “me”. This is where the plural version comes in. I like to think that my true vessel is out there somewhere. For now, I live through two different vessels. The reason I didn’t pick vessel or vessels is because these are two very commonly used names for projects and I always like to think of something that’s easy to remember yet is not taken.




5. Can you tell us a little bit about the artwork that is presented on the new ep cover?


Since the EP title is “I Am a Demon”, it felt most applicable to just have myself on the cover. I, at first, was thinking I’d get artwork made of this but the more I thought about it, the more it felt like having just a picture of myself was best.




6. The band is considered a solo project while you have a line up on the ep, are there any plans to expand into a full band?


I’d say “solo project” should be used loosely here. So far, there’s a live lineup and studio lineup. I’d like to expand the live lineup so the live experience is “fuller” but I don’t plan to include members in the writing process. I want to maintain the original purpose of this project which is to use it as an outlet for my own experiences with my identity. 




7. What are some of the best shows that the live line up has played so far and also how would you describe your stage performance?


We have only played one show so far but it’s certainly a great first one. We opened for Uada, Abigail Williams and Vile Rites in San Francisco. I want to invest more into our stage performance but it’s nice to have a baseline based on this show. The plan is to add more props and/backdrops as well as coordinate the piano breaks so everything feels more thematically accurate. 




8. Do you have any touring or show plans once the new EP releases?


There’s an EP release show in the works but nothing has been announced yet. 




9. Currently you are unsigned, are you looking for a label or have received any interest?


Not looking for a label currently.




10. When can we expect a full length and also where do you see yourself heading into as a musician during the future?


I am currently writing the 2nd release. I’m not sure if it will be another EP or an album. I can’t promise either one. The musical direction is certainly faster and more inspired by my previous band, Arcane Existence. So, for anyone who was a fan of that material, they should find more to enjoy in this material.




11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Evanescence will always be my core influence. They have a lot to do with why I love adding orchestrations and piano in my music. Otherwise, Cradle of Filth, Dark Funeral, and Dimmu Borgir are a few other indirect influences. I say indirect because I don’t really listen to them actively but since I listened to them early on, they certainly planted some influences. 


I don’t listen to the extreme stuff as much as I used to. I’ll always come back to it but right now I’m listening to Spiritbox, PVRIS, Syncatto, and Greyhaven




12. Before we wrap up this interview, do you have any final words or thoughts?  


This project is easily the most personal music I’ve ever written. Releasing the first single was extremely anxiety driven and I have a strong feeling the rest of this material will be the same. I hope to inspire anyone who’s struggling with their identity or sense of belonging. This music isn’t just about me, it’s about the importance of self discovery and sticking true to yourself. 

Bandcamp: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/channel/UCuDHPK1_w08uh6eL27gW6fg
Instagram: https://www.instagram.com/vesseles666/

Thursday, March 21, 2024

Vesseles/I Am A Demon/2024 EP Review

 


  Vesseles  are  a  band  from  Santa  Clara,  California  that  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2024  ep  "I  Am  A  Demon"  which  will  be  released  in  May.


  A  very  fast  sound  starts  off  the  ep  along  with  a  decent  amount  of  tremolo  picking  and  blast beats  while  symphonic  elements  are  also  mixed  in with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  some  growls  also  being  utilized  at  times  and  the  music  is  heavily  rooted  in  the  mid  90's  era.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Clean  playing  can  also be  heard  on  a  couple  of  tracks  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  all  of  the  drum  beats  are  also  programmed  as  well  as  one  track  also  being  an  instrumental,  one  song  also  adds  in  a  brief  use  of  choirs.


  Vesseles  plays  a  style  of  symphonic  black  metal  that  is  very  heavily  rooted  in  the  mid  90's  era.  The  production  sounds  very  professional  while  the  lyrics  cover  dysphoria  and  coping  with  living  in  a  world  you  are  not  from.  


   In  my  opinion  Vesseles  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "I  Am  A  Demon"  and  "Dysphoria".  8  out  of  10.


  Bandcamp: https://vesseles.bandcamp.com/

Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/channel/UCuDHPK1_w08uh6eL27gW6fg

Instagram: https://www.instagram.com/vesseles666/      

Tuesday, March 19, 2024

Vale Of Pnath/Between The Worlds Of Life And Death/Willowtip Records/2024 Full Length Review

 


  Vale  Of  Pnath  are  a  band  from  Denver,  Colorado  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  melodic  and  technical  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2024  album  "Between  The  Worlds  Of  Life  And  Death"  which  will b e  released  in  may  by  Willowtip  Records.


   Cello's  start  off  the  album  which  also  gives  the  music  an  atmosphere  of  a  horror  movie  soundtrack  along  with  some  choirs  and  symphonic  touches  before  going  into  more  of  a  heavier  and  melodic  direction.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard.


  Tremolo  picking  can  also b e  heard  in  some  of  the  faster  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  technical  sounding  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized  as  well  as  one  track  also  adding  in  a  brief  use  of  clean  playing.


  On  this  recording  Vale  of  Pnath  takes  a  melodic  and  symphonic  form  of  black  metal  and  mixes  it  with  technical  death  metal  to  create  a  very  aggressive  sounding  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  science  fiction  and  horror  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Vale  Of  Pnath  and  if  you  are  a  fan  of  melodic,  symphonic  and  technical  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Silent  Prayers"  "Uncertain  Tomorrow"  and  "Burning  Light".  8 out  of  10.


  linktr.ee/valeofpnath.      

Friday, March 15, 2024

Keygen Church/Nel Nome Del Codice/Metal Blade Recordfs/2024 Full Length Review

 


  Keygen  Church  are  a  solo  project  from  italy  that  plays  a  very  symphonic  and  avant  garde  form  of  black  metal  and  this  is  a  review  of  his  2024  album  "Nel  Nome  Del  Codice"  which  will b e  released  on  March  22nd  by  Metal  Blade  Records.


  Choirs  start  off  the  album  along  with  some  synths  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  A  lot  of  the  music  also  sounds  electronic  while  the  symphonic  side  of  the  music  also  mixes  in  some  avant  garde  and  classical  music  elements  and  some  of  the  songs  are  also  very  long  and  epic  in  length.


  All  of  the  songs  also  avoid  the  use  of  traditional  extreme  metal  vocals  while  the  slower  sections  of  the  album   also  add  in  influences  of  doom  and  gothic  metal.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  when  the  music  gets  more  aggressive  blast  beats  can  also  be  heard.


  Keygen  Church  plays  a  musical  style  that  takes  a  symphonic  and  avant  garde  form  of  black  metal  and  mixes  it  with  doom,  gothic  metal  and  classical  music  to  create  a  sound  of  his  own  while  the  production  sounds  very  professional.


  In  my  opinion  Keygen  Church  is  a  very  great  sounding  symphonic  and  avant  garde  mixture  of  black,  doom,  gothic  metal  and  classical  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Se  hal  Timore  Del  Vero"  "Nel  Nome  Del  Codice"  "La  VOce  Del  Destino"  and  "Sempre  Nel  Mio  Pensiero".  8  out  of  10.


  https://www.facebook.com/keygenchurch

https://keygenchurch.bandcamp.com/

https://www.youtube.com/channel/UCHgbw5cuDIas28eMvbI8Nqg

https://twitter.com/keygenchurch

https://open.spotify.com/artist/49yTs5PHrOjyslAqSF2iCG

https://music.apple.com/us/artist/keygen-church/1450170610    


  

Thursday, March 14, 2024

A.C.O.D/Versets Noirs/Hammerheart Records/2024 Full Length Review

 


  France's  A.C.O.D  have  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  a  melodic  and  blackened  style  of  death  metal  and  this  is  a  review  of  their  2024  album  "Versets  Noirs"  which  will b e  released  in  April  by  Hammerheart  Records.


  Synths  and  operatic  chants  start  off  the  album  before  going  into  a  heavier  direction  while  the  first  track  is  also  over  20  minutes  in  length.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  along  with  some  orchestration  also  being  mixed  in  with  the  heavier  sections  of  the  songs  at  times.


  Spoken  word  parts  can  also  be  heard  briefly  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  Female  vocals  can  also  be  heard  briefly  along  with  all  of  the  musical  instruments  on  the  recording  also  having  a  very  powerful  sound  to  them.  Melodies  are  also  added  into  some  of  the  guitar  riffing  as  well  as  some  spoken  word  parts  and  clean  playing  also  being  utilized on  a  couple  of  tracks,  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  album  closes  with  a  cover  of  Samael's  "Black  Trip".  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism  and  Afterlife  themes.  


  In  my  opinion  this  is  another  great  sounding  album  from  A.C.O.D  and  if  you  are  a  fan  of  orchestra  oriented  melodic  black  and  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Habentis  Maleficia"  and  "Black  Trip".  8  out  of  10.


  https://www.facebook.com/acodband

https://www.instagram.com/acodband


  

Monday, February 19, 2024

Veriteras Interview

 


1.Can you give us an update on what has been going on with the band since the recording of the new album?


(Santtu) Well, there’s a ton of work to put out an album after things are recorded. We tracked guitars in the Spring of 2023, drums and vocals in July, and then mixed and mastered from August through November. After that we sent the album out to a bunch of labels but we decided to self-release (more on that in the question below). In parallel we were working on the album artwork, doing tryouts for a new bassist (and we also considered adding a keyboardist but decided not to), and organizing our Pacific Northwest US tour with Finnish band Event Relentless. We’ve been super busy! 



2.You have a new album coming out in March, musically how does it differ from the stuff you have released in the past?


(Santtu) We’ll release two singles in March, and the full album will be released in April. The Dark Horizon really leans in on our old school melodic death metal roots, and as a result has a more blackened melodic death metal sound compared to our previous release, Shadow of Death. There's more tremelo picking, more blast beats, but still holding on to a very melodic core. We're very happy with how the album ended up, and we grew a ton through the process. The song writing is more mature, the lyrics are stronger because Sean wrote them all instead of me, the musicianship is better, and the mix is fantastic. We're all super excited to be sharing this album with the world, and hope you enjoy listening to it as much as we enjoyed making it!



3.What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?


(Sean) The primary lyrical theme on this album is the tension between hope and hopelessness as felt through the human experience: war, politics, creation, destruction, faith, and doubt. The lyrics are reflections on these contrasts, zooming in on personal conflict, and zooming out on civilizational conflict. The backdrop for all of this is the vastness of the universe and how it evokes a sense of existential dread or crisis; in the midst of finding meaning in our struggles, there's an incomprehensible and unknowable nature of existence beyond the horizon.


(Santtu) I think one of the ways that this album is better than our prior efforts is with the songwriting - it’s more mature and developed. As with just about everything, with more practice and experience we get better at things. Having put out 2 EPs and a full length album we’ve learned a lot about songwriting, and are able to apply lessons learned and new techniques. But even so, the core of our songwriting remains - very melodic riffs in a framework of death metal.



(Jason) Adding to Santtu's comments about songwriting, I think we've grown quite a bit simply in becoming more aware and responsive to what each other needs musically. Like for me, I feel that I have a better awareness of what the guys need from a structural standpoint. For example, how I might make a transition easier to follow or when to keep a part locked in vs. when I can open up and experiment with different drum parts that may add some variety to a song. Though I'm sure this is probably a common experience with any band that grows together, it certainly is a factor in our case.



4.What is the meaning and inspiration behind the name "Veriteras"?


(Santtu) It’s the combination of the Finnish words “veri”, which means “blood”, and “teräs”, which means “steel”. “Blood steel” would be the literal translation, although we picked that as a name because it harkens to our Scandinavian musical roots (plus Santtu is Finnish) and we thought it sounded cool. My cousin in Finland pointed out that he interpreted the name as being translated to be “bloody blade”, which is kind of cool. Maybe we should rename ourselves to be Battle Sword.



5.Can you tell us a little bit more about the artwork that is presented on the new album cover?


(Sean) The core concept of the artwork is found in the lyrics of "Celestial Darkness," which explores hope and despair when thinking about the cosmos and our place in it. I envisioned and started with a sketch of a mysterious nebula that gives life to new creation on other worlds. To me, it evokes the wonder of what other consciousness exists in the universe, and whether they look to the skies and ask themselves the same profound questions about the nature of existence. In many ways, this is a general theme across the album and the other lyrics. 



6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?


(Santtu) One in particular stands out for me, which was playing at Varjobaari in Tampere, Finland during our tour in FInland in 2022. It was the last show of our tour, and a lot of people turned out for it. It just felt like we were in sync with the crowd, feeding off each other’s energy. One of the other bands we were touring with, Hagalas, was selling buckets at their merch table. We came to learn that when a new grocery store opens they give out buckets. People apparently show up early to wait in line, sort of like Black Friday in the US. So they applied the concept as merch for their band. Maybe we should try that too!



7.Do you have any touring or show plans once the new album is released?


(Santtu) Indeed we do! We’ll be hitting the road a week after the album is released in the Pacific Northwest corner of the US. We’ll be joined by Finnish metal band Event Relentless for the tour, and we’re super excited to play a bunch of cities we’ve never been to before. The tour is funded in part through the generosity of the Finlandia Foundation, who provided a grant to help make the tour a reality. We’ll be playing Bellingham, Bremerton, Spokane, Richland, Boise, Bend, Portland, Olympia, and Seattle.



8.Currently you are unsigned, are you looking for a label or have received any interest?


(Santtu) Yup, at the moment we’re contentedly independent. We shopped The Dark Horizon around a bit with some labels, but there was limited interest. We also realized that what we were really looking for was the PR aspect. A label would have many advantages, but we felt we could get most of the benefit by working with a PR firm. We ended up partnering with Clawhammer PR, and they are absolutely fantastic to work with. Highly recommended!



9.On a worldwide level, how has the reaction been to your music by fans of melodic black and death metal?


(Santtu) Well, keep in mind that we’re a super small amateur metal band doing this out of passion. Of the entire world of people who are melodic black or death metal fans, only a small percentage has heard our music. Of those people, an even smaller percentage has found it notable enough to respond to it. That said, we’ve been extremely humbled by the response from metal fans across the world. They’ve been tremendously supportive and encouraging, and it’s really cool to see people enjoying the music. We’ll see how folks like the new album - we had a lot of fun making it, and really like the way it sounds, hopefully others do as well (but it’s ok if they don’t…).



10.Where do you see the band heading into musically during the future?


(Santtu) We’ve been super thankful for everything we’ve had the opportunity to accomplish thus far. We’re trying not to take anything for granted - who knows what the future holds. We’re certainly having a lot of fun in Veriteras, and I’m pretty sure we’ve got at least another album in us, probably more. Maybe add a bit more dashes of folk into the next album? Revisit Europe? Become a cover band that plays exclusively Veriteras songs?



11.What are some of the bands or musical styles the band members are currently listening to nowadays?


(Santtu) For me, lately, it’s been folk metal - Grymheart, early-era Ensiferum, and Verikalpa. Also listening to a bunch of our fellow bands like Inpathos, Vesuvian, and Xoth. We’re blessed to have an awesome and vibrant local music scene - tons of bands to listen to.



(Jason) My interests have always leaned more toward straight-ahead American death metal, but some of the melodic influences of the other guys have affected my listening over the last few years as well. For example, Arch Enemy, Ensiferum, Omnium Gatherum, Lutharo, Eluveitie. Santtu mentioned folk metal and some of that's rather new to me, but I'm really enjoying what I'm hearing. Not to mention folk metal shows are different than regular death metal shows, they're some of the funnest I've ever been to.



In addition, I've been listening to Ne Obliviscaris for a while now, and I love how they integrate the violin with such heavy and pleasing melodies. Also of note is this band White Ward that I stumbled across a few months back, the first death metal band I've ever heard with a saxaphone. Maybe you could call it sexy death metal, haha. Perhaps they invented a new genre, but admittedly it's new and novel and I keep going back to it.



12.Before we wrap up this interview, do you have any final words or thoughts?


(Santtu) Thanks so much for the chance to share about our album and band!


https://veriteras.bandcamp.com/album/the-dark-horizon 


Saturday, February 17, 2024

Veriteras/The Dark Horizon/2024 Full Length Review

 


  Veriteras  are  a  band  from  Seattle,  Washington  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2024  album  "The  Dark  Horizon"  which  will  be  released  in  March.


  A  very  heavy  and  melodic  sound  starts  off  the  album  while  the  synths  also  add  in  a  symphonic  touch  when  they  are  utilized.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and blast  beats  can  be  heard  along  with  the  vocals  being  mostly  black  metal  screams  and  spoken  word  parts  can  also  be  heard  briefly.


  Elements  of  death  metal  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  songs  also  add  in a   good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  The  music  also  adds  in a  lot  of  90's  era  Swedish  influences  as  well  as  remaining  modern  at  the  same  time  along  with  one  song  also  introducing  clear  vocals  onto  the  album,  acoustic  guitars  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  themes.


  In  my  opinion  Veriteras  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  ECOMMENDED  TRACKS  INCLUDE  "Celestial  Darkness"  "Sanctuary"  "Blinding"  and  "Light  in  The  Darkness".  8  out  of  10.


  https://veriteras.bandcamp.com/album/the-dark-horizon


     

Monday, February 12, 2024

The Lightbringer/Seven Thrones/2024 Full Length Review

 


  The  Lightbringer  are  a  band  from  Quebec,  Canada  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  melodic  mixture  of  black  and  power  metal  and  this  is  a  review  of  their  self  released  2024  album  "Seven  Thrones"  which  will  be  released  in  March.


  Keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Operatic  female  vocals  are  also  a  very  huge  part  of  the  recording  along  with  the  faster  sections  of  the  songs  also  add  in  a  lot  of  blast  beats.


  The  cleat  male  vocals  also  bring  in  elements  of  power  metal  while  the  harsher  vocals  are  mostly  black  metal  screams.  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  one  song  also  adding  in  a  brief  use  of  spoken  word  parts,  death  metal  growls  and  clean  playing  are  also  added  on  some  of  the  tracks.  The  production  sounds  very  professional  while  the  lyrics  cover  are  a  concept  album  that  explores  mythology,  light  and  darkness.


  In  my  opinion  this  is  another  great  sounding  recording  from  The  Lightbringer  and  if  you  are  a  fan  of  melodic  black  and  power  emtal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Worlds  Beyond"  "Pillar  Of  Creation"  and  "Mystic  Places  of  Dawn".  8/5  out  of  10.


  https://thelightbringermetal.bandcamp.com/merch

http://www.youtube.com/channel/UCA7skqQQUfCRXwQh9g2oKGQ/?sub_confirmation=1
https://www.facebook.com/thelightbringerofficial/
https://www.instagram.com/thelightbringerband/
https://open.spotify.com/artist/42vunlIXOg69YegQhmFG05

Sunday, February 11, 2024

Malphas/Portal/M-Theory Audio/2024 Full Length Review

 


  Pennsylvania's  Malphas  has  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  a  symphonic  and  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2024  album  "Portals"  which  will  be  released  in  Match  by  M-Theory  Audio.


  Synths  start  off  the  the  album  while  also  adding  in  some  symphonic  touches  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  some  of  the  songs  also  being  very  long  and  epic  in  length  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  the  faster  sections  of  the  songs  also  add  in  a  lot  of  blast  beats. Spoken  word  parts  can  also  be  heard  on  a  few  tracks  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  and  throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  Clean  playing  and  classical  guitars  can  also  be  heard  on  a  couple  of  tracks  along  with  one  song  also  introducing  clear  vocals  onto  the  album  as  well  as  some  choirs  also  being  utilized  briefly,  female  vocals  are  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  a man  who  makes  a  pact  with  the  demon  Malphas  to  achieve  his  high  political  ideas  and  this  backfires  and  ultimately  creates  a  demonic  totalitarian  government,


  In  my  opinion  this  is  another  great  sounding  recording  from  Malphas  and  if  you  are  a  fan  of  symphonic  and  melodic  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Fiat  Empire"  "Candle  Hands"  "Pale  Eyes  To  Snowy  Skies"  and  "Man,  Raven  And  The  Portal".  8  out  of  10.


  https://music.apple.com/us/artist/malphas/1440307628

https://malphas94.bandcamp.com/

https://www.facebook.com/therealmalphas

https://www.instagram.com/therealmalphas/

https://open.spotify.com/artist/0BznQnNFP6qf7DISSjumhg?si=mPqmynqbTxedcWoo3TVZEw&nd=1&dlsi=9d66c829c2854cfe

https://www.youtube.com/user/OfficialMalphas     

Sunday, January 28, 2024

Vesperian Sorrow/Awaken The Greylight/Black Lion Records/2024 Full Length Review

 


  Vesperian  Sorrow  are  a  band  from  Austin,  Texas  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  atmospheric  and  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2024  album  "Awaken  The  Greylight"  which  will  be  released  in  April  by  Black  lion  Records.


  Symphonic  sounds  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Some  of  the  tracks  are  also  long  and  epic  in  length  while  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  having  its  atmospheric  moments  and  clear  singing  can  also  be  heard  at  times.

 

  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  faster  riffing  also  adding  in  a  decent  amount  of  tremolo  picking  as  well  one  song  also  introducing  spoken  word  parts  onto  the  album.  The  production  sounds  very  professional  while  the  lyrics  cover  realms  of  the  cosmos,  sorrow,  sadness  and  darkness.


  In  my  opinion  this  is  another  great  sounding  recording  from  Vesperian  Sorrow  and  if  you  are  a f an  of  atmospheric  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "As  The  Pillars  Were  Raised"  "A  Dire  Fight  For  The  Black  Fragment"  "Who  Dwells  Within  The  Blight  Moon"  and  "Awaken  The  Greylight".  8  out  of  10.


  http://vesperiansorrow.bandcamp.com/

http://www.facebook.com/vesperian
https://www.instagram.com/vesperiansorrowofficial/
Spotify
Apple Music

Tuesday, January 16, 2024

Profane Burial/My Plateau/Crime Records/2024 Full Length Review

 


  Profane  Burial  are  a  band  from  Norway  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2024  album  "My  Plateau"  which  will  be  released  in  march  by  Crime  Records.


  A  very  heavy  and  symphonic  sound  starts  off  the  album  while  the  solos  and  leads  are  also  done  in a   very  melodic  style.  Vocals  are  mostly  grim  black  metal  screams  along  with  the  riffs  also  adding  in a   lot  of  melody  and  when  the  music  speeds  up a   great  amount  of  tremolo  picking  and  blast  beats  can  be  heard.

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  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  album  also  has  its  atmospheric  moments.  At  times  the  music  also  gets  very  progressive  and  cinematic  sounding  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  choirs  can  also b e  heard  briefly  and  a  couple  of  tracks  are  also  long  and  epic  in  length.


  On  this  recording  Profane  Burial  takes  their  symphonic  style  of  black  metal  into  more  of  an  atmospheric,  cinematic  and  progressive  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  curses,  fantasy,  horror,  magick,  witchery  and  ghosts.   


  In  my  opinion  this  is  another  great  sounding  recording  from  Profane  Burial  and  if  you  are  a  fan  of  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INC:LUDE  "Moribund"  and  "Horror  Code".  8  out  of  10.


  https://profaneburial.bandcamp.com

https://www.facebook.com/ProfaneBurial

https://www.instagram.com/profane_burial

https://youtu.be/hfQ8BM8IOe4     

Wednesday, January 3, 2024

Litosth/Cesariana/Personal Records/2023 Full Length Review

 


  Litosth  are  a  duo  from  Brazil  that  plays  a  very  melodic  and  symphonic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2024  album  "Cesariana"  which  will  be  released  in  February  by  Personal  Records.


  Symphonic  sounding  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  vocals  are  mostly  high  pitched  black  metal  screams  and  melodies  are  also  added  into  some  of  the  guitar  riffing.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  some  of  the  tracks  are  also  very  long  and  epic  in  length.  A  lot  of  the  music  is  very  heavily  rooted  in  the  90's  era  along  with  the  songs  also  adding  in  elements  of  death,  doom  and  dark  metal.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  a  couple  of  tracks  also  adding  in  a  small  amount  of  spoken  word  parts  as  well  as  one  song  also  introducing  clean  playing  onto  the  album,  one  track  also  adds  in  touches  of  80's  era  dark  pop.  The  production  sounds  very  professional  while  the  lyrics  cover  existence  themes


  In  my  opinion  Litosth  are  a  very  great  sounding  melodic  and  symphonic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "In  Waves"  "The  Clay  Messiah"  and  "The  Vacuum  Extractor  Paradigm".  8  out  of  10.


  http://personal-records.bandcamp.com/album/litosth-cesariana

www.facebook.com/litosthofficial   .    


  

Saturday, December 30, 2023

The Convalescence/Harvesters Of Flesh And Bone/Cleopatra Records/2023 Full Length Review

 


  The  Convalescence  are  a  band  from  Ohio  that  plays  a  mixture  of  black  metal  and  deathcore  and  this  is  a  review  of  their  2023  album  "Harvesters  Of  Flesh  And  Bone"  which  was  released  by  Cleopatra  Records.


  A  very  heavy  and  symphonic  sound  starts  off  the  album  while  the  riffs  also  add  in  a  decent  amount  of  melody.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  also  adding  in  a  good  mixture  of  death  metal  growls  and  black  metal  screams.


  When  the  music  speeds  up  a  great  amount  of  brutal  sounding  blast  beats  can  also  be  heard  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  also  done  in  a  very  melodic  style  along  with  the  mid  tempo  sections  of  the  songs  also b ringing  in  elements  of  deathcore.


 At  times  the  music  also  gets  very  technical  sounding  along  with  some   tremolo  picking  also  being  added   in  some  of  the  faster  riffing  and  as  the  album  progresses  a  brief  use  of  clean  playing  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  horror  and  gore  themes.


  In  my  opinion  The  Convalescence  are  a  very  great  sounding  mixture  of  symphonic  black  metal  and  deathcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Reaper"  "Sacrificial Offering"  "Undead  Swarm"  and  "Experiment  Complete".  8  out  of  10.


  http://tconband.com

https://www.facebook.com/theconvalescence
https://www.instagram.com/theconvalescenceofficial
https://twitter.com/tconband