Sunday, July 23, 2017

Crawl Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Crawl is a one manned Blackened Doom monolith. The core of crawl consists of me behind a drumset with a stringed instrument mounted across the kit. I play the bass instrument primarily live, while drumming, with minimal use of samples and loops. Behind me is bass cabinets stacked three high, with the words "crawl" blazoned on the highest most cabinet.
Crawl started in July 2011 after a previous band had fallen apart months prior to a tour I was in the process of booking. After reflecting on my past failures for some time I decided that there was no one on this earth that was going to join me on the arduous path that is being a touring musician.
I sat down for a week or two, drew out some sketches, formed a plan, and chipped away at a workable format until I got where I am today.
Crawl is always evolving, and I often find that I must force myself to slow down so I can showcase some of the ideas I have for an extended amount of time.

2. How would you describe the musical sound that is presented on the recordings?

Crawl is a hypnotizing bleakness, accompanied by pained and emotional vocalizations. Some elements of noise fill in the gaps, and samples of cavernous soundscapes set the tone throughout any given track.

3.What are some of the lyrical topics and subjects that you explore with your music?

The lyrics often in the perspective of a necromancer reflecting on his worthlessness brought on by the loss of his own power. Weak, pathetic ramblings of an ancient piece of shit, dying in a tomb he created himself. His suffering is his own fault and he has no one but himself to blame for his failures. Some lyrics are also presented in the perspective of a summoned entity begging to die, begging to be imprisoned, or just worshiping the need to be enslaved. There is no finite lyrical theme. Just the exploration of lack of self worth, stagnant depression, failure, suicide. Through the eyes of necromancy and minimal early 15th century medieval imagery.

4.What is the meaning and inspiration behind the name 'Crawl'?

Crawl is derived from the term "Dungeon crawl" which is a type of scenario in fantasy role-playing games in which heroes navigate a labyrinthine environment. The use of Crawl as a title is to illustrate the idea of being lost in a dark tomb/cave/dungeon.

5.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to remain solo?

I have heavily considered collaboration, and I am always thinking of musicians that would fit the part. I have come close but it just hasn't happened yet.
I would like to release some albums based entirely around collaboration without perverting the idea that I am playing two instruments at once and am a "solo act". That hasn't happened yet, and I'm not interested in rushing it.

6.'Black Bow Records' is re-issuing your whole discography, can you tell us a little bit more about these newer versions?

Black Bow Records is simply hosting my discography for now. There aren't any significant differences to the albums. I wouldn't want there to be. There may or may not be some Black Bow Records exclusive recordings or merchandise, but we are early on in the stages of working together and that has yet to be discussed.

7.On a worldwide level how has the feedback been to your music by fans of black metal, sludge and noise?

I have received very little negative feedback on Crawl by anyone regardless of genre. I am most interested in playing for the people that haven't been exposed to any elements of the music I am creating. I am primarily interested in opening minds and showing people that there are things that have yet to be discovered. I find that my live show bypasses any genre exclusivity. Black metal, Noise, Sludge, Art shows, Rock, Thrash, Grind, Powerviolence... I've done it all and its always the same reaction in different degrees; "I have never seen anything like that, ever."

8.Are you currently involved with any other bands or musical projects these days?

I am drumming for UK's Conan at psycho las vegas 2017 and in San Diego on August 22nd. I have been in other bands at the same time as Crawl, but for now, its just these two bands.

9.Where do you see yourself heading into as a musician in the future?

I want to explore classical guitar, I want to own a theorbo. I want to continue bringing up emotionally painful experiences for audience members via Crawl live sets. I want to evoke great amounts of emotion, and i want to compose songs that put people into a temporary depression.
I want to highlight pain, and use it as a tool for healing.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

In the beginning bands like Skaphe and The White Mice were my go to for inspiration because writing by myself was a difficult situation to get a handle on.
But now... I just remember to start slow, pick an object or emotion, and slowly begin to elaborate on whatever topic I am focusing on at the time.
The music I listen to nowadays usually consists of very slow ambient dungeon synth. Anything to keep me calm and grounded. Soundscapes similar to those one might see popping up in some of Crawl's new material. Also Grok's "A Spineless Descent". Anything/Everything on the mysticism productions bandcamp. Lluvia. Shit like that.

11.What are some of your non musical interests?

My non musical interests include PC gaming, early 15th century armour and recreating those pieces, medieval weaponry, crafting instruments... Essentially building anything and everything until my hands fall off.

12.Before we wrap up this interview, do you have any final words or thoughts?

Crawl will touring the west coast with Black Vice (blackvice.bandcamp.com) and Haunter (hauntertx.bandcamp.com) August 3rd - August 16th.
Those tour dates can be found on the Crawl facebook (facebook.com/crawlblindly).

Keep an eye out for Red River Family Fest 2017 in Austin Texas. The line up is not one to be trifled with.

If you're interested in medieval plate armour, look into "Necroticarmoury" on facebook and on instagram. I am interested in making armour for bands, anyone that would attend a renaissance festival, or just for someone who wants to own pieces of hand made armour.

Thank you for taking the time to ask me these questions, or if you're reading this interview; for making it to the end.
-Crawl

Thursday, July 20, 2017

Crawl/This Sad Cadav'r/Black Bow Records/2017 EP Review


  Crawl  are  a  band  from  Texas  that  plays  a  mixture  of  black  metal,  sludge  and  noise  and  this  is  a  review  of  their  2017  ep  "This  Sad  Cadav'r"  which  will  be  released  in  September  by  Black  Bow  Records.

  Atmospheric  drones  start  off  the  ep  along  with  some  field  recordings  a  few  seconds  later  and  elements  of  ambient  are  also  used  at  times  and  after  a  few  minutes  the  music  goes  into  a  heavier  sludge  direction  along  with  some  black  metal  screams  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  All  of  the  tracks a re  very  long  and  epic  in  length  and  the  songs  also  bring  in  a  decent  amount  of  diversity  and  elements  of  harsh  noise  are  also  used  at  times  while  demonic  growls  are  also added  into  some  parts  of  the  songs  and  all  of  the  tracks  stick  to  a  very  slow  musical  direction.

  Crawl  plays  a  musical  style  that  takes  black  metal,  sludge  and  noise  and  mixes  them  together  to  create  something  very  original,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Crawl  are  a  very  great  sounding  mixture  of  black  metal,  sludge  and  noise  and  if  you  are  a  fan  of  those  musical  genres, you  should  check  out  this  band.  RECOMMENDED  TRACK  "II".  8  out  of  10.



    

Hate Moon/The Imprisoning War/Folkvangr Records/2017 CD Review


  Hate  Moon  are  a  duo  from  Pennsylvania  that  plays  a  very  symphonic  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "The  Imprisoning  War"  which  will  be  released  in  September  by  Folkvangr  Records.

  Dungeon  style  synths  start  off  the  album  and  after  the  intro  classical  guitars  are  added  onto  the  recording  along  with  some  symphonic  elements  that  also  mix  in  with  the  heavier  sections  of  the  songs  which  also  use  a  great  amount  of  melody  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  while  the  vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  fashion  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  growls  are  also  used  at  times  and  a  some  of  the  tracks  are  very  long  and  epic  in  length  and  classical  guitars a re  added  on  the  outro.

  Hate Moon  plays  a  style  of  black  metal  that  is  very  symphonic  and  epic  sounding,  the  production  sounds  very  professional  while  the  lyrics  cover  the  ancient  Celtic  World  and  historical  fantasy  themes.

  In  my  opinion  Hate  Moon  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Golden  Power"  and  "The  Skeleton  Forest".  8  out  of  10.

 

  

Wednesday, July 19, 2017

Throne Of Heresy/Decameron/The Sign Records/2017 CD Review


  Throne  Of  Heresy  are  a  band  from  Sweden  that  plays  a  very  melodic  form  of  blackened  death  metal  and  this  is  a  review  of  their 2017  album  "Decameron"  which  will  be  released  in  November  by  The  Sign  Records.

  A  very  heavy  yet  melodic  sound  starts  off  the  album  along  with  some  death  metal  growls  a  few  seconds  later  while  black  metal  screams  are  also  used  at  times  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  solos  and  leads  also  use  a  great  amount  of  melody.

  All  of  the  musical  instruments  on  the  recording h ave  a  very  powerful  sound  to  them  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  elements  of  viking  metal  are  also  used  at  times  and  a  couple  of  the  tracks  are  very  long  and  epic  in  length  and  as  the  album  progresses  acoustic  guitars  are  also  added  onto  the  recording  and  they  also  add  in  a  touch  of  folk  music  and  clean  pagan  vocals  are  also  used  briefly  while  a  later  songs  adds  in  spoken  word  parts  and  operatic  female  vocals  and  one  track  is  an  instrumental.

  Throne  Of  Heresy  plays  a  style  of  blackened  death  metal  that  is  very  melodic  in  the  Swedish  tradition  while  also  adding  in  touches  of  fol,  pagan  and  viking  metal  to  stand  out  a  bit  more,  the  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the Black  Death  of  the  14th  century.

  In  my  opinion  Throne  Of  Heresy  are  a  very  great  sounding  melodic  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Shores  Of  Issyk-Kul" "The  Plague  Ships"  "A  silent  Vigil"  and  "The  Pale  Burden".  8  out  of  10. 

Hexenklad Interview

1. For those that have never heard of you before, can you tell us a little bit about the band?
The story of Hexenklad began with the planting of a seed, an idea: to create a metal band that was as deep in meaning and feeling as it was heavy and aggressive in sound. Co-created by guitarist Michael Grund (SIG:AR:TYR, ex-Battlesoul) and drummer Sterling Dale, Hexenklad’s roots sunk down after Grund made the drastic decision to move to the forests of Bancroft, Ontario, Canada, leaving city life and materialism behind. With this mental shift in place, and with the first two Hexenklad songs composed in those very woods, Hexenklad was born: a melodic, folk-inspired black metal band with thematic leanings towards nature, a respect for magick and ancient religions, and personal enlightenment and freedom.
Its branches spread in late 2015 with the addition of guitarist John “The Ancient One” Chalmers (Pagan Ritual), who helped round out the music. In 2016, after having recorded the drums for the new album “Spirit of the Stone”, Sterling Dale left Hexenklad and Timothy “Voldamares” Johnston (Eclipse Eternal) joined as vocalist, who expanded the sound still further. With the vision of the album and band now fully formed, comrades were called upon to complete the recordings. Alex Snape (Unbowed) did a guest appearance to add his signature bass sound, while guest cellist Raphael Weinroth-Browne (The Visit, Musk Ox) added his wizardry to several tracks. Now-permanent member Clare B. (Eclipse Eternal, ex-Operus) deepened the sound with keyboards to put the final touches to the tapestry. Having now completed the debut album “Spirit of the Stone”, Hexenklad branched out again, growing this time to include new permanent members Jon Kal (Pagan Ritual) on bass and Andrew C. (Pagan Ritual) on drums, once again reuniting father and son (John and Andrew).

2. You have an album coming out at the end of July. How would you describe the musical sound that is presented on the recording?
Take the depth of feeling of Falkenbach with the writing stylings of Hypocrisy, the folk melodies of Moonsorrow with the twin guitar blast of Dissection, the depth of emotion of Primordial with the overwhelming nature of Insomnium. Then you will begin to be able to describe the sound of Hexenklad’s new album “Spirit of the Stone”. Every song pulls from all the previously mentioned influences yet sounds completely unique in its essence. Heavy yet melodic, violent yet uplifting, extreme as a whole yet with moments of beauty and calm, this is Canadian Folk-Influenced Black Metal.

3. Some of your lyrics deal with Magick and Ancient Religions; can you tell us a little bit more about your interest in those topics?
The lyrics of this album are an amalgamation of ideas and writings from Michael Grund, an eclectic spiritualist, seen and interpreted through the eyes of Timothy Voldemars Johnston, who is Asatru. For many years now both have delved into the depths of ancient wisdom and beliefs and formed ideas around what they found. Each song’s lyrics revolve around a different aspect of those beliefs and ideas, and how they relate to life and the world around us. Those topics have such depths to explore that each word said about them holds a spark of Magick that can be felt. It is one of the reasons the album has so much energy in it—so much momentum and unbridled wildness.  

4. What is the meaning and inspiration behind the name 'Hexenklad'?
The name Hexenklad was the brain child and creation of guitarist Michael Grund, the founder of the band. In his own words:
"The name itself was one of those words that came to me in a quiet moment. Depending on how the listener chooses to interpret it, the meaning is somewhat open. For me it ties in to Magick, occult, witchcraft, and many otherworldly themes which are present within the music. The literal meaning when broken down: "Hexen" - a spell, to curse; and "Klad" or "Clad" - covered in."

5. What are some of the best shows that the band has played so far and also how would you describe your stage performance?
We played our first show just recently on July 7, 2017 in Oshawa, Ontario, Canada with our friends in Vesperia, Battlesoul, and Imperion and, judging by the audience response, it's safe to say it was very well received. Descriptions of our performance offered from the audience ranged from punishing and intense to epic, deep, and powerful. On a side note, our guitarist John "The Ancient One" dropped an amp head on his hand while loading in and played the show with a broken finger. A small example of our dedication to our craft.

6. Do you have any touring or show plans once the album is released?
We are currently in the process of booking shows to support the "Spirit of the Stone" album in the Ontario and Quebec provinces of Canada. On August 3, 2017, we have been given the great honour of being the first Metal band to perform at Kaleidoscope Gathering, one of the largest Pagan Gatherings in Canada. We are also playing a show with Ashbringer and Klarg in Toronto on August 26, 2017. And we're always open to offers...from anywhere.

7. The album is coming out on 'CDN Records'. Are you happy with the support that they have given you so far?
The support from CDN has been fantastic. They have given us complete breadth of artistic freedom with the music and imagery, which is our strength, and have provided us with rock solid support on the business and marketing side of things, which is their strength. Craig has assembled a team of professionals, Jason and Kim at Black Element for example, who are quite exceptional at what they do.  Simply put, they are good people and we are honoured to have them on our side.

8. On a worldwide level how has the feedback been to your music by fans of folk and black metal?
The response has been absolutely amazing! Far greater than we could have ever expected or imagined.  In late 2016 we did a photo shoot in a forest not far from our jam space. We made the conscious decision to avoid the conventional Black Metal background of a snow-covered pine forest and instead opted to capture the beauty and majesty of the Canadian hardwood forest in Autumn, something we all hold close to our hearts and something that better represents what this band is about. Once the images were placed on our Facebook page, we were greeted with an unbelievable amount of support from all over the globe—Mexico and Brazil in particular. Then, on New Year's Day 2017, we shared our first musical offering in the form of a YouTube video for our song “Path to Ruin”, and even though it was a simple picture video, once again we were blessed with an absolutely astounding response. It has really been quite a humbling experience and we are very grateful for all of the support. We are very much looking forward to the world experiencing “Spirit of the Stone” in its entirety when it's released on July 28, 2017.

9. Where do you see the band heading musically in the future?
We are very proud of the musical direction and trajectory that we have created thus far. Currently we have the framework for over a dozen new songs recorded, with more and more being written each month. At this point we are still in the early stages of composition and are simply capturing creative ideas as they emerge—some heavy and melodic, others quite folky and earthy. It's when we dive balls deep into writing mode later this year that these ideas will be refined and perfected. Musically, you can expect a continuation of the journey that we have created with “Spirit of the Stone”.  The heaviness, the melody, the harmonies, the highs and lows. An idea that we have been toying with is doing a double CD, the first disc being a continuation of the classic Hexenklad sound with the second disc being a more folk oriented acoustic, natural offering.

10. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Obviously, the aforementioned bands—Moonsorrow, Falkenbach, Hypocrisy, Dissection, Primordial, and Insomnium—have all had a deep and powerful influence on the Hexenklad sound and the creation of "Spirit of the Stone". But that is only the tip of the iceberg, as we are all rabid, insatiable music fans.  Emperor, Gorgoroth, Arkona, Woods of Ypres, Amon Amarth,  Forteresse, Wolven Ancestry, and Taake, among others, are in constant rotation. Some bands that have recently caught our ears are MGLA, Helheim, Nargaroth, Batushka, Elderwind, Vallendusk,  and Thrawsunblat. As you can see, our influences are vast and ever-growing.

11. What are some of your non-musical interests?
Spending as much time in nature as possible, drinking with comrades and kin, axe-throwing, reading, philosophy.

12. Before we wrap up this interview, do you have any final words or thoughts?
Each of us has spent many years in other bands honing our craft, finding ourselves and our voice, and it is our belief that we have been doing so in preparation for this project. The path lies ahead. We hope you join us on it. Horns up!

Monday, July 17, 2017

Siberian Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

After we released the album we've been on a European tour that we worked with together with our booking agency.
One of our goals is to become a great live experience and we're still working very hard on trying out different ideas every tour.

2.Recently you have released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

We usually say we play some kind of Post-/sludge metal, but that can sometimes be misleading.
We all like different things and we try to incorporate our differences in our music.
I think Siberian is a forum for us to express our feelings and when our feelings change, the music change.


3.Your lyrics cover some dystopian and existentialism themes. can you tell us a little bit more about your interest in these topics?

Our first album, Modern Age Mausoleum, has a dystopian theme to it. Somewhat based on George Orwell's 1984 but also based on other dystopian works.
Through Ages of Sleep, our most recent album has nothing to do with these topics.

4.Origianlly the band was known as 'Shrine', what was the cause of the name change and also the meaning and inspiration behind the name 'Siberian'?

In 2013 we signed with local record label 'Gaphals' and had to change the band name for legal reasons.
We named the band after the vast wilderness in Siberia, because we find the primitive and untouched taiga to be a great source of inspiration to us,


5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

All of our shows are great shows no matter where we play or the size of the audience.
We have done shows for 200 people and also shows for 2 people and we play as intense we can for everybody.


7.On a worldwide level how has the feedback been to your music by fans of sludge and post metal?

I think we've gotten a very mixed response. We are very aware that we are difficult to categorize as a band
since we mix alot of important genres in the metal scene. The goal with Siberian is to try to make something that stands out
musically. We don't want to paint ourselves into a corner and focus only on one genre. Most importantly we write what we want
to hear ourselves and don't pay much attention to what other people think about the direction of our music.
We flirt with Sludge, black metal and post-metal a lot since we are big fans of those genres but we explore other genres like
folk, rock and ambient music as well. The response from our recent tour was very positive and people seem to like what we do.
I don't think we have any expectations at all but if people like what we do that's great! If people don't like what we do that's okay too.


8.Are you happy with the support 'The Sign Records' has given you so far?
Yes.

9.Where do you see the band heading into musically during the future?

Only time will tell. We have already started to speculate the theme for our third and final album in this trilogy.
I think our third album will be very great.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

A lot of our inspirations doesn't necessarily come from other bands but rather
philosophical ideas that we discuss with each other from time to time. We also have literature and real-life experiences
as a source of inspirations to write our music. 

Thursday, July 13, 2017

Atriarch/Dead As Truth/Relapse Records/2017 CD Review


  Atriarch  are  a  band  from  Portland,  Oregon  that  has  been  featured  before  in  this  zine  and  plays  a  blackened  mixture  of  doom  and  sludge  metal  along  with  some  elements  of  noise,  death  rock  and  post  punk  and  this  is  a  review  of  their  2017  album  "Dead  As  Truth"  which  will  be  released  in  August  by  Relapse  Records.

  Ambient  noise  sounds  start  off  the  album  and  after  a  few  seconds  drum  beats  and  melodic  vocals  are  added  onto  the recording  which  leads  up  to  more  of  a  heavier  sludge  and  doom  metal  direction  and  after  awhile  elements  of  death  rock  and  goth  are  added  onto  the  recording  along  with  some  black  metal  screams.

  Most  of  the  tracks  are  very  long  and  epic  in  length  while  atmospheric  synths  are  also  used  at  times  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  when  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  post  punk  fashion and  and  on  one  of  the  alter  tracks  the  music  speeds  up a   bit  along  with  a  small  amount  of  blast  beats  while  the  last  song  also  introduces  acoustic  guitars  onto  the  recording

  Atriarch  remains  true  to  the  blackened  sludge/doom  metal  and  death  rock  mixture  of  previous  releases,  the  production  sounds  very  professional  while  the  lyrics  cover  darkness,  death,  destruction  and  hate  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Atriarch  and  if  you  are  a  fan  of  death  rock,  black,  doom  and  sludge  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Inferno"  and  "Hopeless".  8  out  of  10.

Monday, July 10, 2017

Suns Of Sorath Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?
We formed in 2009, the idea to form the band came from us, Evan and Cody, and our old drummer but now it’s back to just the two of us. We were discussing the lyrical ideas and mixture of genres we wanted to make happen, and shortly after we sought out our old Guitarist and Drummer. It took us a while to come up with the name of the band, but we quickly started writing material.

2.So far the band has released an ep, single, and a full length, how would you describe the musical sound that is presented on both of the recordings and also how do they differ from each other?
Continuing from the first question, we have written so much material over the last few years that we have really attempted to keep the songs in some sort of chronological order but sometimes the feeling of one song doesn’t necessarily fit the next even when its written in the same 3-6-month time span. Mostly everything we have recorded is from the same writing era, its mostly older stuff we have written except for ‘Flowers of the Lily’ and ‘Bull of Dharma’ being a bit newer. Cody also added some new stuff to the bass lines and keys while in the studio. Vocal patterns are written on the spot and lyrics where mostly written while in the studio, with the exception of ‘Tides of Macrocosm’ and ‘Bull of Dharma’ so that adds a bit of a newer feel. We are working on new material but by the time its recorded it will be old to us.

3. Between 2011 and 2017 there was no new music being released, can you tell us a little bit more about what has been going on during that time span?
We were playing live for some of the years during that time period but for a lot of it we didn’t have a full line which ultimately led the two of us to just start recording the songs that we have written. We were both working on some of our own musical goals during that time and some of the compositions that each of us wrote are now being used for the bands future releases.

4.Your lyrics cover some Satanic, Occult, Astrological and Spiritual themes, can you tell us a little bit more about your interest in these topics?

Each of us weave our Occult philosophies into the band lyrics in a poetic way so as to not make each song at all the same. There really is no set topics we talk about so far except that each song we have written relates in some way to some discussion or idea we have had about the occult/Satanism.

5.I know that the bands name comes from the angel-demon son of Lucifer, how does this name fit in with the musical style you play?
It embodies both light and dark principles in just the musical progressions alone, while all the while continuously being as Satanic as can be. That’s about as simple as we can put it. We had a long discussion when naming the band and it’s a lot to get into in a short interview.

6.Currently there are only 2 members in the band, are you open to having a full line up again or do you prefer to remain a duo?
We both consider us to be the founding members as well as the only composing members of the band, but we are looking and would very much like to find a live drummer capable of playing the odd times and technical stuff we play as well as a rhythm guitarist for live shows.

7.What have been some of the best shows that the band has played so far and how would you describe your stage performance?
There have been so many good shows in the past it’s hard to pick out just a few, we have played with so many good local acts and had some pretty heavy shows. Some that come to mind are when we played with some great acts such as Satan's Host, Allegaeon, Sylosis, Vale of Pnath, and Cryogen to name a few.

8.Currently you are unsigned, are you looking for a label or have received any interest?
We are very open to finding a label, we have not spoken to any labels yet but we are not putting outside the realm of possibilities.

9.On a worldwide level how has the feedback been to your music by fans of black and death metal?
This release has been better than our last, more exposure. But it’s still a slow process getting outside of the local scene and getting larger groups of people in other countries to listen, but so far the feedback has been largely positive.

10.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
Practicing piano and Suns of Sorath is mostly what I have going on musically, but there might be some other stuff in the works, about to happen. -Cody
Recently I have been playing drums in a couple bands, Pile of Priests and Amdusias, and also another project where I do guitars and vocals called Astraeus. Pile of Priests has a full length featuring me on drums and we are in the studio right now doing an EP and single, Amdusias is gearing up for some live shows and a debut album with me on drums, and Astraeus has released a full length and a music video. -Evan

11.Where do you see the band heading into musically during the future?
We have a bunch of material written for our next few recordings and a lot of it has slower tempos, but is still very progressive, and experiments with styles outside of metal at times.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Metal: Therion, Voivod, Akercocke, Meshuggah, Enslaved, Metallica, Dissection, Burzum, Arcturus, Bathory
Classical: Chopin, Wagner, Beethoven, Brahms, Debussey, Mozart, Bach, Schubert, Shostakovich
Jazz: John Coltrane, Dave Brubeck, Duke Ellington, Glenn Miller
Classic Rock: Pink Floyd, Deep Purple, Black Sabbath
Rap/Pop (that's right): Migos, Brotha Lynch Hung, Tech N9ne, Twista, Ariana Grande, Katy Perry, Rittz, Michael Jackson
Punk: Misfits, Dead Kennedys

13.What are some of your non musical interests?
Anything related to the stuff we write about, anything else isn’t very interesting.  Sometimes I watch Netflix or stupid Youtube Videos, A lot of times those are music related. -Cody
I skateboard - Evan

14.Before we wrap up this interview, do you have any final words or thoughts?
Thank you for taking the time to do this interview with us!

Friday, July 7, 2017

Shrine Of The Serpent/Black Urn/Caligari Records/2017 Split Cassette Review

  This  is  a  review  of  a  split cassette  between  Oregon's  Shrine  Of  The  Serpent and  Pennsylvania's  Black  Urn  which  was  released  by  Caligari  Records  and  we  will  start  off  the  review  with  Shrine  Of  The Serpent  a  band  that  plays  a  mixture  of  sludge,  doom  and  death metal.

  Their  side  of  the  split  starts  out  with ritualistic  sounding  bells  and  drones  before  adding  in  dark  and  heavy  doom  metal  riffing  along  with  some  death  metal  growls  a  few  seconds  later  while  the  music  is  also  very heavily  rooted  in  the  early  90's  and  both  of  their  tracks  are  very  long  and  epic  in  length.

  A  decent  amount  of  melody  can  be  heard  in  the  riffing  along  with  a  brief  use  of  grim  screams  and  the  songs  also  bring  in  the  heaviness  of  sludge  and  spoken  word  samples  are  also utilized  briefly and  both  of  the  tracks  stick  to  a  very  slow  musical  direction,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  darkness  and  horror  themes.

  In  my  opinion  this  is  another  great  sounding recording from Shrine  Of  The  Serpent  and  if  you  are  a  fan  of  sludge,  doom,  and  death  metal,  you  should  check  out  their side  of  the  split.  RECOMMENDED  TRACK  "Catacombs  Of  The  Flesh".

  Next  up  is  Black  Urn  a  band  that  has  been  featured  before  in  this  zine  plays  a  blackened  mixture  of  sludge,  doom  metal  and  grindcore.

  Their  side  of  the  split  starts  out  with  powerful  sounding  bass  guitars  along  with  some  melodic  guitar  leads  being  introduced  onto  the  recording  a  few seconds  later  and  after  awhile  deep  death  metal  growls  start  to  make  their  presence  known  along  with  the  music  going  into  a  heavier  direction.

    A  great  amount  of  dark  sounding  melodies  can  be  heard  in  the  guitar  riffing  while  only  one  of  the  tracks  is  very  long  and  epic  in  length  and  when  high  pitched  screams  are  added  onto  the  recording  they  give  the  songs  more  of  a  black  metal  feeling  and  when  the  music  speeds  up  elements  of  grindcore  can  be  heard  along  with  a  decent  amount  of  blast  beats,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Black  Urn  and  if  you  are  a  fan  of  black,  sludge,  doom  metal  and  grindcore,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACK  "My  Strength  Is  Within  Heavenless  Plains".

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  black,  sludge,  and  doom  metal.  8  out  of  10.

Thursday, July 6, 2017

Hexenklad/Spirit Of The Stone/CDN Records/2017 CD Review


  Hexenklad  are  a  band from  Ontario,  Canada that  plays  a  melodic mixture  of  black  and  folk metal  and  this  is  a  review  of  their  2017  album "Spirit  Of  The  Stone"  which  will  be  released  on  July  28th  by  CDN  Records.

  A  very  fast  and  epic  sound  starts  off  the  album  along  with  a  great  amount  of  blast  beats  while  black  metal  screams  and  melodic  guitar  leads  are  added  onto  the  recording  a  few  seconds  later  along  with  the  songs  also  bringing  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Clean  singing  can  also  be  heard  at  times  while t he  keyboards  also gives  the  songs  a  more  epic  atmosphere  and  after  awhile  acoustic  guitars  and  folk  instruments  are  also  added  into  certain  sections  of  the  recording  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  the  fast  riffs  also  bring  in  a  decent  amount  of  tremolo  picking  while  spoken  word  parts  are  also  used  briefly  and  they  close  the  album  with  a  very  tribal  and  shamanistic  sounding  instrumental.

  Hexenklad  plays  a  musical  style  that  takes  folk  and  melodic  black  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  Magick  and  Ancient  Pagan  Religions  themes.

  In  my  opinion  Hexankald  are  a  very  great  sounding  melodic  mixture  of  black  and  folk  metal  and  if  you  are a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "In  This  Life  Or  The  Next"  "Returned"  and  "Path  To  Ruin".  8  out  of  10. 

Tuesday, July 4, 2017

Zornheym/Where Hatred Dwells And Darkness Reigns/Non Serviam Records/2017 CD Review


  Zornheym  are  a  band  from  Sweden  that  plays  a  symphonic form  of  black  metal  and  this  is  a  review of  their  2017  album  "Where  Hatred  Dwells  And  Darkness  Reigns"  which  will  be  released  in  September  by  Non  Serviam  Records.

  A  very  sci-fi  orientated  sound  starts  off  the album  along  with  some  heavy  and  melodic  riffing  a  few  seconds  later  which  also mixes  in  with  the  symphonic  side  of  the  recording  and  after  awhile  deep  yet  grim  black  metal vocals  are  added  onto  the  recording  and  when  the  music  speeds  up  a  great  amount  of  blast  beats can  be  heard.

  When  guitar solos  and  leads  are  utilized  they  are  done  in a  very  melodic  fashion  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  there  are  also  a  couple  of  brief  instrumentals  which  also  introduces  acoustic  guitars  onto  the  recording  and  one  track  also  adds  in  a  touch  of  oriental  music  along  with  a  brief  use  of  clean  vocals  and  spoken  word  samples  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the  last  2  tracks  are  very  long  and  epic in  length.

  Zornheym  plays  a  musical  style  that  is  mostly  rooted  in symphonic  black  meta  while  also  mixing  in  some  influences  from  other  genres to  stand  out  a  bit  more,  the  production  sounds  very  professional  while  the  lyrics  cover  short  graphic  stories.

  In  my  opinion  Zornheym  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE "The Opposed"  "Trifecta Of  Horrors"  and  "Hestia.  8  out of 10.

   

 

Saturday, July 1, 2017

Ledge/Cold Hard Concrete/Translation Loss Records/Hibernation Release/2017 CD Review


  Ledge  are  a  solo  project  from  Chicago,  Illinois  that  plays  a  mixture  of  black,  sludge,  doom  metal,  power  violence  and  hardcore  and  this  is  a  review  of  his  2017  album  "Cold  Hard  Concrete"  which  will  be  released in  August  as  a  joint  effort  between  Translation  Loss  records,  and  Hibernation  Release.

  Hardcore  style  riffing  and  angry  shouting  vocals  start  off  the  album  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  along  with  the  slower  sections  of t he  songs  being  very  heavily  influenced  by  sludge  and  doom  metal  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  During  the  faster  sections  of  the  songs  a  great  amount  of  black  metal,  power  violence  and  d  beat  elements  can  be  heard  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  spoken  word  parts  are  also used  briefly  and  one  track  also  adds  in  elements  of  harsh  noise  and  the  music  always  remains  brutal  with  no  solos  or  leads  ever  being  utilized.

  Ledge  plays  a  musical  style  that  takes  black,  sludge,  and  doom  metal  and  mixes  them  with  hardcore  and  power  violence  to  create  a  sound  of  his  own,  the  production  sounds  very  professional  while  the  lyrics  cover  violent,  angry,  and  hateful themes.

  In  my  opinion  Ledge  are  a  very  great  sounding  mixture  of  black,  sludge,  doom  metal,  power  violence  and  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Blacked  Out"  "Fuck  Yourself"  and  "Contempt".  8  out  of  10.

Tele S. Therion Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?
TST was established in 2007 with the purpose of creating a variable ensemble dedicated to the esoteric side of the art of noise.

2.Recently you have released an album, how would you describe the musical sound that is presented n the recording?
Michel Chion define the “acusma” as a “sensory phantasm”, consisting of a sound whose true source of emission is invisible. In this way “Luzifers Abschied” it’s a device for “ghostly” manifestation of sound masses.

3.You refer to your music as being 'acousmatic black metal, can you tell us a little bit more about this term?
Extended methods and unortodox practices of "sound fixation" and "sound reproducibility" to design the audible and the inaudible.

4.Can you tell us a little bit more about the concept behind the album and also the opera it is based upon?
It is a sort of transfiguration of the homonym score composed by Karlheinz Stockhausen, originally conceived for male chorus with mass bells, good friday clappers, organ/synth, tam-tam and seven trombones (live or tape), a caged wild black bird and a sack of coconuts.
“This opera cycle revolves around 3 archetype characters, Michael, Eve and Lucifer, and over the 29 hours each of these characters are introduced, come into conflict, face temptation and finally come into union“. – Ed Chang about the opera of Karlheinz Stockhausen –
“Luzifers Abschied” was originally composed on a commission to celebrate the 800th anniversary of St Francis of Assisi, and premiered in 1982 at the Assisi Cathedral where St Francis was baptized.A suggestive link with this sub-theme of the opera, not formally related, it is the hagiographycal essays of the saint, written by Andrea Armati, “Lo stregone di Assisi - Il volto negato di San Francesco” and “Le stimmate dello sciamano”.

5.What is the meaning and inspiration behind the name 'Tele.S.Therion'?
Echemytia.

6.Has the band done any live shows yet? TST have done also rare public sound diffusion, but not to be intended as a music show. A public diffusion for loudspeacker orchestra and audience, is conceived as site-specific artwork, deliberately focused on the psycho-acoustic experience.
If you ask to the right people, someone could explain you better what it mean, unless he too is under the rule of silence.

7.In what part of the world is the band located in?
It is kept secret.

8.On a worldwide level how has the feedback been to your music by fans of black metal and other dark or underground forms of music?
“You may have immersed yourself in the blackest of metals for decades. You may feel you have embraced the sonic distillation of evil. You may have walked the deepest catacombs of black metal’s kingdom of fire and shadows, searching out the harshest creations by the most intimidating of the face painted disciples of darkness. Not one moment of all those years, searching in the black, has prepared you for Luzifers Abschied “ [...] “To listen to this album is to walk a path you have never taken before, to see sights you have never seen before, to step over the threshold” – ImperativePR -

9.Where do you see the band heading into musically during the future?
Coming to know is a process of dynamic adaptation towards viable interpretations of experience. Act always so as to increase the total number of choices.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
There is a pragmatic relation with the studies of Luigi Russolo (a depth study about this author is the Luciano Chessa’s assay “Luigi Russolo Futurist - Noise, Visual Arts, and the Occult”), Edgard Varese and with many authors involved in the cultural framework called “last avantgarde” (circa 1950 – 1980), including: concrete, aniconic and non-objective visual artists, conceptual artists, and in the aural field, there are relations with the praxis of the electroacoustic and atonal music, sound art, non-idiomatic improvisation, metaphonic researches (including spontanous music and direct voices phenomenon), the first era of black, dark and doom metal (searching for the roots of these terms, for their sonic phenomenas, their thought-forms, before they became a music genre).

11.How would you describe your views on Occultism?
The acousmatic practices dealt into TST are focused on the mysterical degrees of the art of listening; the art of silence.

12.Before we wrap up this interview, do you have any final words or thoughts?
www.telestherion.com