Wednesday, February 15, 2017

Katharos Interview

Katharos Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

I would describe our music as symphonic black metal, influenced by classical music and death metal. What we try to accomplish is, without trying to be pretentious, a certain complexity to our songs, simply because we find it stimulating. Therefore I would say that our songs could be quite rewarding to be listened to several times. At every moment in the songs, there are several layers of guitars and synths.

2.How would you describe the musical sound that is presented on the recordings?

On Exuvian Heraldry we promoted a more clean and epic sound, rather than the typical black metal rawness. With so much going on in the songs, with several layers of different guitar riffs/leads and synths, the soundscape is more emphasized on mid and treble, rather than bass.

3.This is your first release since 2007, can you tell us a little bit more about what has been going on during that time span?

Rehearsing, writing and recording is, as all who ever played in a band knows, very time– and energy consuming. Hence, a break was needed. A break that lasted for several years, but ended as we felt that the time and motivation had come back. We have several uncompleted songs and have started to write new ones. So expect the next release not to take as long as Exuvian Heraldry.

4.Your lyrics cover Gnosticism, Anti Christian and Phenomenology themes. can you tell us a little bit more about your intrest in those topics?

Religion in general, and Gnosticism in particular, was one of my major interest when writing the lyrics for Exuvian Heraldry. It goes without saying that as fans of death- and black metal, we are interested in understanding subjects that are beyond conventions and norms, and especially views that are contrarian or anti those. The contrarian standing-point of Gnosticism is quite fascinating and inspiring, which made it easy to apply as setting for the album lyrics. On Exuvian Heraldry the lyrics that touches upon themes of phenomenology or anti-christianity trickled down from the overarching gnostic theme.

5.What is the meaning and inspiration behind the name 'Katharos'?

The name also relates to Gnosticism, as Katharos was the denomination the Cathars applied to their community. The Cathars were a loosely organized, unhierarchical religious movement in midieval southern Europe which by the Catholic church was branded as heretic. As a result its members were persecuted and later massacred. The name is actually the greek word for pure or clean; Katharos. An interesting fact is that the Catholic church continued to call enemies of the catholic church, in general, Cathars. Today, in several languages, the word for heretic directly stems from this use of Cathars, that is; people who are against the church. Even so in the Swedish language.


6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Katharos has yet not performed live, even though all of us frequently performed live with our other bands.

7.Do you have any touring or show plans for the future?

We are getting offers, and are preparing to be able to play live after the album has been released on vinyl.

8.On a worldwide level how has the feedback been to your music by fans of symphonic black metal?

It has been really great. I am especially humbled by a small group of people who, since our demo (‘De Cinere’ in 2007) have kept writing to us, wondering about when new material would be released.

9.Are any of the band members currently involved with any other bands or musical projects these days?

Yes, ‘Repuked’ and ‘Negative Self’ are two metal outfits that our members are active in.

10.Where do you see the band heading into musically during the future?
   
In general we will probably maintain several elements from Exuvian Heraldry, while some of the new material, however, will have a slower tempo. The guitars will probably fill a bigger space in the soundscape, while the synth arrangements might become more symphonic. I guess ‘epic and brutal’ is the mindset!

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Our main inspiration from the symphonic black metal genre is definitely Emperor, particularly in how you combine guitar leads with synths. To me, Dimmu Borgir and Anorexia Nervosa are also two major sources of inspiration.

Today I would say we consume all kinds of music, including the bands mentioned above. Within the genre, I currently listen to Obsequiae and Deathspell Omega.
  

12.Before we wrap up this interview, do you have any final words or thoughts?

Just a big ‘thank you’ to all those who enjoy and spread our music!

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